#about to watch it for the third time

[nidbaesenpai]

Happy one year anniversary ISAT! To celebrate I wanted to share the lil strips I made for my friends when they reached the end of the game! They're all meant to be snippets of life post game and a glimpse into the world I'm making for Loop.

[quinndjarin]

Bo-katan telling din to go home when his house literally got blown up 😩 i know that stung

[rebouks]

Previous // Next

Keith: You have another headache? Levi: [grunts] I’m fine. Keith: If you didn’t spend so much time rotting your brain in front of the television, you’d-… Levi: I said I’m fine!

…

Tiffany: The fridge is still broken-.. what’s the point in mopping? Levi: ‘Cause I’m sick of getting my socks wet. Nadia: Levi! Piano. Levi: The tutor isn’t even here yet. Nadia: I don’t want to hear her complain about your lack of progress again today... It’s like you want to waste everyone’s time.

…

Aster: Are they not done yet? Levi: I don’t know, man.. they do this shit for hours. Penny: Why do you have to be so boring; would it kill you to be in one photo? Levi: You don’t even want me on your simsta! Penny: That’s not true! I just want to airbrush you a little bit first-.. please? Levi: [sighs] Fine.

…

Penny: You know I love you, right..? Levi: Uh-huh… Lauren: What’ve I told you about being here?! GET OUT! Phillip: Are you deaf? Levi: No, sir. Phillip: Then how about you use this instead of that and remember what I told you? There isn’t a third strike, Levi. Can your tiny, one-track brain comprehend that? [Levi nods] Phillip: Good, now get the hell out of my house.

…

Levi: Guess I’ll fix it myself… Tiffany: Should you be doing that with all this water on the floor? Levi: Like you care. Tiffany: [scoffs] I saw your girlfriend last week, guess who she was with? Levi: Blah, blah, blah. Tiffany: Of course you-.. dad! I fixed the fridge! Keith: Ah, you beat me to it. Good job, sweetie! Keith: See, Levi-.. initiative! You could learn a thing or two from your sister. Levi: Uh-huh…

[fatedroses]

And some days, I just wish you wouldn't look at me at all.

[balsee]

i would die for her.

[rox-of-iu]

my old blorbos are back in my brain

heart pirates my absolute beloved. shame theyre chillin somewhere in the ocean lol (do not mention the pre-time skip hats of penguin and shachi I'm still attached even tho its already been a million years since then)

anyway every time i remember that Law and Kid are assigned german and Scottish by Oda i gain one hundred years

[backpackingspace]

I am once again thinking about how odysseus who witnessed the horrors that the captured women went through (one of his main duties in the iliad was taking the women back home and making sure they were as comfortable as possible and safe because he was the only one trusted not to violate them further due to his devotion to penelope. And in the odyssey part of the reason circe sent him to the underworld was so that he'd have to listen to all these women's stories (before he could talk to the prophet) ). Who was one of the few that saw women as people and respected their space and opinions. And was then put in those exact same situations. I don't have the motivation right now to do a full literary analysis of this (I'll site the sources too) but oh man one day I'm going to write a full essay on this.

[choccy-milky]

I know there's some parts of your fanfiction where Clora has some passing feelings of jealousy because of a comment or two made by background characters towards Sebastian, but I was wondering how you think Clora and Sebastian would genuinely react to a situation where someone was actively trying to pursue him? I was just curious since the raven and the snake have a good bit of people chasing after Clora and Sebastian being jealous (cough physically violent cough)

BAHAHA seb doesnt get physically violent when he gets jealous, he just gets irritated and petty LOL. gotta defend my boi for a sec, hes only gotten physically violent twice, and once was when clora was being blackmailed/SA'd, and the other was when he was corrupted by the relic, so it wasnt REALLYYYY him.

BUT to answer the question, this is what happens when clora gets jealous LOOL basically its: she gets jealous > knows that its unfounded and seb wouldn't reciprocate, so she keeps her feelings to herself > but still cant help but feel down about it > seb catches on and makes sure to reassure her. and seb would 1000% be willing to just never talk to the other girl ever again if thats what it took BAHAHA but obvs clora would reject that and tell him thats way too extreme. and altho seb thinks its cute when cloras jealous, he also doesnt like making her feel that way, since he considers it a sort of failure on his part (like, if ur feeling jealous, it means im not proving that i love you enough LMAO) whereas for when seb gets jealous, its: he gets jealous > tells clora of his suspicions / that the dude is trying to get with her > clora tries to reassure him that its nothing, and that its all just platonic (bc it IS from her POV, whether the dude actually likes her or not, bc shes naive af) > seb has no choice but to put up with it LOL bc he's self-aware and knows he gets jealous easily, and accepts that he might be overreacting, but he'll still keep an eye on it regardless. he trusts clora but he doesnt trust the guys, and unlike seb, clora wouldnt stop talking to someone she considered a friend just bc seb THINKS they like her. unless the dude is straight up asking her out/being super bold and obvious about it, clora would just default to 'oh hes just being friendly😇 LMAO. basically seb is too jealous and clora is too naive and they both know this about themselves and each other, so they kinda have to meet in the middle on these things HAHA. for seb its like yeah fine, i might think every guy has nefarious intentions, but YOU also think every guy is completely pure and has absolutely NO romantic intentions ever LOL. but they know this so it works out LMAO (plus even if it is slightly infuriating for each other at times, seb still finds cloras naivety/innocence endearing, and clora also finds sebs possessiveness/jealousy endearing as well🥰) also unrelated but i finally changed my pfp after a year and its cracking me up. that is all

[lauraasarchive]

favess (aura, andria, xenon) <3

[percki]

loveybug is too busy thinking about kissing to fight supervillains... anytime an akuma shows up she hits it with a comically large hammer harley quinn style until it's flat and she can go back to unsubtly flirting with chat noir

[sallymew4]

kids when they hear that their dad is back in town VS. kids when theyre hanging out with a conman that accidentally stole their wallet once

im not even joking btw

bonus heres me being crazy about them in dms ^^^

[klaxonsynth]

alt + misc under the cut

[sceletaflores]

scariest thing about this movie was how soaked my seat was by the end of it.

[lunarasphodel]

Another song piece!!! I think this piece could use some depth, which is something I wanna learn to do as well. But, this is my last sketchbook page so one thing at a time!!

Once again, here’s the song 💜

[likealittleheartbeat]

Why in the first season do we have the motif of Zuko stealing Katara’s mother’s betrothal necklace? Some point to a romantic subtext being read into this that, they argue, later gets ignored in order to prop up a problematic relationship for Katara with Aang, the protagonist. But if there’s subtext to be read in the theft of a betrothal token from a subjugated female by a male imperial representative, however, it’s the subtext of rape.

Why is it that it’s the women in the southern water tribe are gone? Ostensibly because they were the benders—but there’s a darker undertone, especially when we consider the clearly made analogy to indigenous peoples in North America, where even to this day native women are 2 times more likely to experience rape than those from other races. The fact that the necklace was her mother’s illustrates this legacy and connection, pointing us back to the original invasion of the tribe by the Fire nation, the attack on Katara’s mother by a single soldier inside their home (allowed in in order to protect Katara) and how Zuko’s actions at the beginning of the series echo it. This is not an auspicious place to begin a relationship if that’s what the writers were planning. Traditional enemies-to-lovers arcs usually involve prejudice but usually tied to pride, less so that kind of sexual violence. Despite Romeo and Juliet coming from warring families, it’s never implied that Romeo committed war crimes in the first act, especially not against the girl who falls for him, so we should perhaps be clued in that something different is going on in Katara and Zuko’s dynamic.

The intense rage, fear, and defense Katara puts up against Zuko in the finale of the first season (right after she has had to face the misogyny among her own people) is evocative of her response to his assaults throughout the first season. If this was not enough, we then have the rape of the moon spirit and the sacrifice of Yue for her people happening in the background, all pointing us back to the gendered violence of the empire Katara’s living under and fighting against. Her battle is not passionate because she secretly loves Zuko. She is doing everything within her power to protect herself and the spirit (literally the Avatar and figuratively within herself) that she has kept kindled despite the violent attempts to wipe it out—Zuko eventually prevails and steals a precious thing from her again…

When Katara and Zuko are imprisoned together during “The Crossroads of Destiny,” often seen as the peak of their romantic tension, they discuss their mothers, and Katara learns about the loss of Zuko’s mother (which we’re encouraged by the symbolism in the first season to read through the symbolic lens of gendered abuse and sexual violence, only now it’s domestic and internal rather than imperial). Zuko’s shift to a pitiable victim of abuse has softened his monstrous face for us, and the same happens to Katara in the catacombs, to the point where she’s willing to share a spiritual token with him.

It’s remarkable in the scene that, after being interrupted, there’s an effort made to remind the audience of Aang and Zuko’s continued antagonism—they glare at each other despite being in the embrace of the person who cares most about them in the world. And in the next scene, it’s revealed that Katara and Zuko’s reconciliation is actually not enough to transform Zuko’s loyalties. His desires for Aang and the redemption he can offer are too great.

In fact, throughout this couple of scenes, Zuko shows no interest in possessing or learning about Katara. She spouts off her grievances without his request, and then he shares his own loss only in defense to Katara's accusations and self-recognition in her stories, not as consolations for her pain. And Katara is moved by his vulnerability because she is so eager to see more evil within imperial power. She wants to hear the truth about how even those within it are injured. With all the feminine fantasy of being able to fix the behavior that toxic masculinity has induced, she suggests her spirit water might alleviate the scar Zuko bears--no forethought about preserving it for her own needs. Zuko doesn’t even request or accept the spirit water she offers him. It's all Katara. You'll be hard pressed to find a moment where Zuko expresses desire for Katara in this scene, a definite difference from his sexual aggression towards her in the first season. We as an audience are actually moved by his lack of desire her and what she has to offer because Katara is finally free from his predation (though it was only his initial violence that makes this neutral kind of freedom feel heartening).

The eventual gesture of Katara healing Zuko in “Sozin’s Comet” is free of his desire as well, unless you count the desire to protect a non-combatant, which has been Zuko’s reoccurring theme throughout the series, Katara or no (when he chooses the safety of his crew in "the storm," his advocacy for the lives of the fire nation soldiers that led him to banishment, etc.). The suggestion of rape arises here again with the penetrative nature of lightning, but the show has really complicated it’s gender dynamics by having Azula direct it, pointing to imperialism as the core concern rather than a simplified feminist reading. When Katara heals him, it's after she's cared for herself and defeated Azula now, and the words exchanged are "thank you," words of cordiality and comradery. They touch, but they are touches of equal counterparts rather than romance.

Reading romance into the simple refusal to commit colonial rape seems like a fairly low bar. This is neither what Katara nor Zuko are seeking out over the expanse of the series. They are looking for the transformative hope, action, and balance that the Avatar embodies, which, if anything allows them to stop fixating on each other and the dynamic of feminine colonized victim and masculine imperial patriarch that their world would have them locked into forever.

Aang does not go back in time to fix it all, but he brings an acceptance of reality that still allows for change. And this applies to the emotional states for the characters. Finding balance. Their griefs are not gone but not totalizing, either. They don't have to obsess or ruminate on it, or on the person who embodies the "problem" for them. The balance that the Avatar brings (and the fantasy that the show concludes with) is not a world in which the violence of colonialism never occurred but a world in which emotional release is possible from the intensifying dynamics colonialism forces its subjects into to sustain itself.

[pixelpaladin24]