#aaaaa depression
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gayforcarstairsgirls · 3 months ago
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I really miss being able to read books
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sunlit-mess · 5 months ago
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really, really
starting to get tired of feeling tired all the time with seemingly no amount of rest can fix.
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dreamsfulblues · 1 year ago
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Something really embarrassing about me:
Sometimes when I feel depressed I draw self-insert stuff. It helps me relax and focus on myself and the things I enjoy.
And with Karamatsu being my current hyperfixation after so long again he became victim to my comfort drawings lol
Today I felt like sharing some 🙈💦
(Sorry if they are really messy or look off. They were actually meant to be seen only by me but I guess not)
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beanghostprincess · 3 months ago
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That one pride flag for when you fall in love with someone who you'd give all of your blood to because you're the only ones who understand each other
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lesbianfakir · 2 years ago
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One thing I enjoy about The Narrative in Princess Tutu is how implicitly tied to gender Drosselmeyer’s story roles are. Take Princess Tutu and the Knight. They ostensibly have the same fate: dying for the Prince while achieving absolutely nothing. But while Princess Tutu gracefully turns into a speck of light after confessing her love, the Knight is gruesomely torn apart. Over and over again in Drosselmeyer’s narrative, femininity is associated with romance while masculinity is associated with violence.
The Princesses are given one goal: earn the heart of the Prince at any cost. Meanwhile the Prince and the Knight are both expected to be fighters. The Knight will fall against the Raven and the Prince will be left to battle for the rest of his days. And while the Prince is strongly tied to love—he loves everyone—he isn’t expected to compete the way the Princesses are pitted against each other. The men are protectors against the Raven while the women are left to fight over them.
We see the strain these toxic gender roles have on the characters. Without the influence of the story, Fakir most likely would have grown up to be a writer. Instead, the combination of trauma and growing up under the expectations encapsulated by the role of the Knight hardened him. In this way, violence was something that was imposed on him, something he learned to embrace. Likewise, Duck doesn’t want to compete for Mytho or make him hers. She’s more preoccupied with protecting her friends than finding romance.
That’s why it’s so cathartic to see these characters defy their fates. Duck is perfectly contented without her Prince, Fakir puts down his sword in favor of a peaceful life that he’s much more suited to, and even Mytho rejects the idea that he must love everyone equally to pursue romantic love. In this way, defying fate is also defying gender.
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victor-the-vampire · 5 months ago
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I've been going through a lot of hard stuff lately, so I was trying to find something to watch, and low and behold! I found stream showing old Angel Hare episodes! Remember how I found that old Sunday school project of her? It used to be such a comfort show of mine! I'm so glad I can watch it while I'm having troubles. Just like I used to! It feels like a warm hug.
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Crochet Gabby is even enjoying the show!
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deus-ex-mona · 7 months ago
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no thoughts, just the way the narumi sisters are so different yet fundamentally similar at the same time yk?
#i love the functionally dysfunctional relationship of the narumi sisters to an unhealthy degree i think…#i’ve just been thinking about how both sisters put each other up on a high pedestal while having a less than high opinion of themselves and.#aaaaaaa just the way sena calls mona her angel while thinking of herself as a useless/subpar older sis#a n d how the main source of mona’s depression is her constant comparisons with her beloved big sis sena is just. aaaaa#just!!!! the way sena pushes herself past her limits in her attempts to portray herself as an ideal big sis for mona#even at the expense of her own health sometimes (see also: the beach sisters honeypre event)#i really feel like the way sena thinks she isn’t good enough of a big sis to mona is pretty glossed over for the most part tbh.. man.#(​i have many thoughts on this tbh. none of them coherent)#and just. aaaaaaaaaaaa im really happy that both of them have great support systems (their families + [midori for sena]/[monacas for mona])#like. even though they don’t personally think they’re good enough compared to their ideals…#at least they have people who are there to love them for who they truly are. their true selves (honto no watashi) if you will—#idk i just wish both of them could see themselves exactly how their sister sees them…#b ut man i really want idol sengen season 2 just so that we may be able to see how sena reacts upon finding out what happens to the bracelet#i doubt they’ll show it in an mv but. man. i really want to know how she’ll react…#im probably misremembering and misinterpreting a bunch of stuff about sena huh… i miss her thoughhh#i miss seeing the sisters together tbh. i think the gen 3 sibling pairs should sing together a la tokyo [season] session style
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skeksismars · 6 months ago
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IT FINALLY HAPPENED OMGGGGGGG
WHEN I TELL YOU I HAVE BEEN DREAMING OF THIS MOMENT!!!!!!!!!!!!!!
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lunarcat982 · 8 months ago
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lol this is so random but like if I think abt like things in the future I js get rly sad and I need to distract myself.. that might not be good
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ofdarklands · 9 days ago
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watching a video of current graphic design trends and i am tempted to pat myself in the back for apparently not watching enough tv or paying enough attention to ads because half of these i've not seen in use lately
the most probable reason however is that i simply don't live in the circles where small business can afford or even bother to change up their packaging and identity often, if they have any *looks at the successful local store that has had the same horrible humanoid strawberry logo since i have memory*
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coollyinterferes · 11 months ago
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*taps mic; a certain gentleman is standing right beside him*
"Good evenin', everyone!! We're back!! Hope you didn't miss us much!"
"It sure hasn't been that long.... has it....?"
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Uhhmmm....
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impulsivemuses · 2 months ago
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Hi I haven’t been here, but I’m introducing my new OC who is VERY triggering in detail which I’m going to be focusing on his trauma quite a lot actually sooooo… please be warned. ^^;
He’s a anthro T-Rex named Percy Hunning who got his older sister killed in a car crash as a young child… like 7-8 range… parents found out about it and essentially shut themselves out from Percy becoming cold and distant from him, and the times they did interact with him was very abusive and guilt tripping. So they victim blamed him and made him feel the guilt of it all of losing their eldest child because of him, shamed, blamed all the fun stuff lmao. They made him feel lesser like a son and more like an obligation they have to raise until he turned 19 and instantly kicked him out resulting him in becoming homeless not even caring what happened to him, so, Percy ends up being homeless for about 6 months before he meets a loving bat anthro named Jeremiah Green who shelters him alongside his girlfriend.
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silverwingborn-moved · 9 months ago
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@snow-hart continued!)
Silver had grown tired in her bird form, forced to land and return to that of her Nephil appearance. When the other angel approached she was admittedly wary. This was Heaven after all. And while she had a solid streak of luck with the angels she’d met thus far, it would not last. It couldn’t. She did not try to flee, instead continuing to sit with her back against the thick trunk of a tree. The other did not speak much, so in her ramblings Silver never expected to hear a word spoken from the other. Her head lifted, eyes staring with disbelief that the seraphim at last spoke. And then she saw him move his hands. Sign language. That made more sense now.
Sighing, Silver gave a small smile, appreciative of his kind words and comfort, but still it proved hard for the Nephil to believe it herself.
“I’m not sure of that…My own flock doesn’t want me anymore. I don’t have a home on Earth, I don’t belong in Hell, and Heaven would sooner mount my wings as an example. I’m already fallen, and yet I’m still falling further…”
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thepayloadisgay · 1 year ago
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re-wired
Shimadacest / Genzo
M (so far)
Ch 1/??
Tags (so far): canon divergence, angst and feels, omnics, implied alcoholism, masturbation
Hanzo's found himself in Budapest, one of the few places in the world where omnics and humans co-exist in something like normality. And maybe it's like a home now. Worth seeping off these bones as he tries to form the word exist, to live. Dodging, picking off assassins, deafening himself to the news of his clan. Maybe ignorance is bliss. Different names smother Hanzo, numbers his age. But he still knows what he sees when he looks in the mirror. You're not here. Rumblings in the world of omnics start to break the seams of not just Budapest, but Europe, the world. New faces, new names. And then for Hanzo, he can't quite shift this shadow he's sure is an assassin. Why is he taking so long? Why won't he just take the hit and kill him? Maybe it's a fantasy, and he's dreaming demise again. Maybe.
Read below the cut, or on AO3 here. Enjoy!!
He’d been here too long, it was almost home.
But home was nothing, now.
A hollow word in passing, part of a goodbye when leaving behind another face Hanzo will never see again, won’t remember. For those he will, home isn’t a word for them. Even if it’s false.
Strangers are the comfort, familiarity not.
Had anything ever really changed?
The Danube flows beneath. A mirror of colour. Rippling neons, stars almost lost. Forgotten. The colours mush as a tour boat splits the water two, music and laughter pounding the surface, echoing under the bridge where Hanzo stands, forearms bare. Cold on stone, still and sore.
It was sunset when he stopped here, bag of groceries tucked between feet, sparse with too many things he’d forgotten, denied.
It’s night now as he watches the Danube, the burst of people along its banks, tourists spilling onto boats, into restaurants, out of Buda and back into Pest, the roads rumbling as the bars open wide, the clubs dialled to ten.
He moved between the sides of the Danube, never staying with the same four walls too long. From the cobbled streets, high hills near the castle in a cramped room, barely space to stretch; the old communist blocks by the blistered edges, structured, rigid, peace. To the noise, vibrant colliding culture of the centre at the crown of the Andrássy Avenue, woken at dawn by the bells of the basilica.
Just another place bruised in his penance, a witness to his shame.
One day there won’t be anywhere left that won’t know.
Where will he go then?
His watch buzzes midnight, a reminder of routine. To ground. But right now, all it reminds him is that he can’t feel his arms, numb and cold, still stuck to stone as he listens to the water, wondering what it feels like below.
——
The longest he’d been in one place for months. A hostel off of Múzeum körút. Behind a heavy wrought iron gate between a second hand bookstore, and another. Down an alley, path uneven, pages of an old book torn, scattered, its spine split in the gutter.
Hanzo inputs the code, eyes away, long hair a mask from the cameras above, behind, probably below. Ritual more than anything. His face is already all over this city, continent, to those that cared.
Through a doorway painted blue, carvings dying gold. Top floor, but (nearly) always the stairs. Winding and wide. Patterned stone, wrought iron rails in beauty shaped like the tails of his dragons, the arc of his bow.
First two floors the bookstore. The rest are homes, rooms and flats for the hostel, a hotel he knows is half something else. Some of the flats are empty. One abandoned part-way through refurbishment. One destroyed, boarded off (panels placed back carefully every time by each visitor. He’s not the only one). There’s another that one of the residents simply said “nem” when she first saw Hanzo look at its locked door, scratched symbols, words, too many unintelligible in several languages.
So he listened.
As always at this time, she was leaning out of one of the windows on floor four, throwing seed to the pigeons below, the courtyard a cacophony of their coos.
“Late,” she says, heavy accent. Fall of brown hair braided, striped grey. One green eye, the other blind.
Hanzo pulls out a bag of seed, one of two, and hands it to her outstretched palm. “Took a walk,” he says back in slow Hungarian. Everytime he attempts the language, he can see her smile something. He doesn’t know if it's mockery, amusement, or appreciation.
“Take a walk after, next time.”
“Hm.”
He watches her sit back on the stool at the window, cross her legs and scatter a handful of seeds to below.
“Not much.” Hanzo listens, Hanzo watches. “Maria took the kids for the weekend. Jan is leaving for holiday in the morning. Six days. Stephan’s working an extra shift tonight. Looked like he hadn’t slept since the last. Two new guests at the hostel. One’s an omnic.”
“Short term?”
She shrugs. “Omnic five days. The other just a night. But wants to keep it open if needed.”
Hanzo writes to memory everything she says, hearing the gears, wheels of the lift click into motion as it descends down to ground.
“Hotel is come and go as always.”
“How many?”
“Lots. You want a tally? That’s extra.”
Hanzo frowns, a look near lost beneath the heavy fall of his hair.
“Anyone look-”
“Suspicious? Yes. Out of place? No.”
The lift stops, opening at ground.
“Anything else?” he asks, picking his bag from between his feet.
“I left some cabbage rolls in your fridge.”
The lift starts to ascend, and Hanzo tightens the grip on his bag. “Thank you,” he stutters, taking the last flights of steps two at a time.
——
Two old keys unlock the old heavy door. Hanzo pays extra to service the small flat himself, but Mariann owns the hostel, and does what she does after the trust of bird seed and her alarm at the contents of his grocery shopping.
It’s split into kitchen and room with a divider. Old, ornate, teakwood. Some of the design weathered from touch, time. But she never ventures past the three cabinets that make the kitchen. Rarely the fridge.
Shoes off, he sets the bag on the counter. Bare. Empties it quick, pushing the bag of seed to the side for later. Bread, away. Eggs. Fruit. More lentils. Alcohol. Chocolate.
He opens the fridge, the only light in the room. Some condiments. Expired milk replaced with fresh. And a note, stuck to the top of the tupperware of cabbage rolls. Mariann’s scrawl.
Tilly’s got another job for you. 10am. Nehru part.
He closes the door. Darkness, again.
Tapping his watch (1:33am), he sets the reminder alongside his regular alarm for dawn, sheds his coat, takes a banana, slice of bread, bottle of alcohol to bed and nothing.
(but there’s always a pause before the small wooden sparrow he’d carved in Bali, years, years ago. always perched beside a blunted shard of sword, something green. sometimes he reaches out to touch the sparrow
but he can’t
can’t)
——
“Again!”
Genji taps his arm, excited, as he begs Hanzo to show him the trick with the sword, the coin, Hanzo’s patience wearing thin as his younger brother tugs on his sleeve, clambering for attention-
“Here again?”
Genji slides a glass over wood, the bartop sticky, a mosaic of his brother’s prints, wondering how many others overlap, smudging away Hanzo’s, gnawing at the Genji he knows, becoming the Genji they do-
“Again?”
Desperation, Hanzo’s hand slams to the wall beside his brother’s head, hair shorter, greener. Smells sweet and he inhales. Anticipation in Genji’s eyes as he looks up-
“Again-”
A beg, as he pulls Hanzo’s blade further to his chest. Another to his gut. Spread and wept and a maw of no return. Hanzo wants to look up. He hears a smile, but he’d see nothing but desecration. Hears beauty, loves pain. Licks blood, kisses the grave-
——
Hanzo snaps awake, a fist of sheets in his palm, dented with his nails, near torn. Back damp with sweat, hair awry, stuck to skin and sheets, lining the wave of his dragon.
He runs a hand through his hair, staring at the other side of the bed expecting blood and brutal. (maybe a desperation that it might be you there, whole and love, just for me) Two pillows. Untouched. Empty.
Checks his hands.
Reaches out to make sure.
It’s slow as he hauls himself up, finding the hair tie he’d forgotten. But it’s abandoned again when he sees the slither of the curtain move by the window, ajar.
There’s no open windows here unless he’s awake, a guard. It’s small. Barely enough for a hand, the curtain moving in dance as the breeze weaves into the stuffy room, creeping over Hanzo’s sticky skin.
For too long he just stares, a lock of hair tickling against his lips, uncaring.
Impossible. He’s so careful, so-
The curtains flick, light licking the glass on his bedside table, smudged with fingers, lips; the half empty bottle, obscuring the empty one behind.
Adrenaline wanes. Gut sinks. Head rings.
A swallow, and he unsticks from bed, body lead. Two fingers push close the window, keeping to shadow, curtain exhaling, and stop.
He smooths the fabric, touch lingering as if he’s trying to find something, feel something.
Nothing.
He rolls a shoulder, and peels off his shirt, draping it over the back of the chair. When he notices the small wooden sparrow on its side, beak touching the shard of his sword.
There’s no hesitation this time when Hanzo reaches out, picks it up to right the wrong, sitting it back in ceremony.
5:16 am
The basilica will ring soon at six. As will his alarm. There’s no point in bed anymore. All that’s left is sheets that need washed, dreams given, taken, and an empty space you won’t fill.
He checks the window again. Runs his hand over the locks on the door. Touches the two tiles beside the fridge and then steps into the bathroom, avoiding the mirror as he sheds the rest of his clothes, turning the shower to max.
The light from the room is enough as he steps inside, a shaky inhale as the water burns his skin, the steam clouding vision, muggy air.
Palm to wet wall (Hanzo’s hand slams to the wall beside his brother’s head) he breathes deep, long (Smells sweet and he inhales) forehead smudging tiles, hand smearing chest (Anticipation in Genji’s eyes as he looks up-) and Hanzo looks down, sliding his wet hand over wet cock-
(Licks blood, kisses the grave-)
-wondering if he’ll suffocate or burn, first.
——
Too early.
Hanzo wanders the quiet streets near the park, window shopping mindlessly. Catching his reflection more than wanted. He’s dressed well today. He always is.
But over the months, years, he’s been slipping. Living as a nomad from room to face to place, he was sure a part of him had shed everywhere he’d left behind. Something in him wearing thin he didn’t want to know. Just felt.
He stares a little longer at a shop window selling leather goods, stretching his fingers against his own gloves, old and worn and a shape of his own.
Hair pulled back in a bun, he runs a hand along one side, his undercut growing out too long, pinched grey. The other side he’d let grow long ago, the shorter lengths long enough to catch in his ponytail now. Usually.
He keeps the beard. Sometimes shaving when moving cities, countries, to hide. It’s mostly too much of a comfort, now. Too bare without.
Too long he’s looked, and turns away.
09:37 and he has a coffee. Black. Three sugars.
09:49 and he’s sitting on a bench in Nehru Part, close to the edge of the Danube. And he waits.
Watches the way the wind rustles the leaves on the trees above, hushing the city’s sound to their own, shedding the first leaves before the yawn of Autumn, side to side in a dance, before falling at Hanzo’s feet.
Feels the breeze on his skin. Nothing like earlier in his room. An alarm, unexpected. This might be something like comfort, pulling the shorter strands of hair from his bun, picking up the leaves at his feet, pulling the scent of pastries at his back, the scatter of voices ahead. No words, just noise.
He takes a drink of his coffee, counting another day.
“Penny for your thoughts?”
Hanzo takes another drink of his coffee as he ignores Tilly. As she takes a seat at his side, always a little too close. It’s just a bit of fun for her, exploring the intricacies of human’s social bounds, their affection, fun. And with Hanzo, if he has any of the above.
Hanzo just recrosses his legs, foot pointing in the opposite direction.
“What’s the job?”
“I hear cucumbers help for those dark eyebags,” she says, casual. Two of her forehead LEDs are broken, the lilac, sometimes turquoise, brighter on her left side. Which Hanzo also notices that she uses more, moves more, than her right.
“Any other top ten magazine quips for me this morning?”
Tilly laughs, the two elongated sides of her head plate that remind Hanzo of wings, lighting up with the trill of her voice. “As many as you want.”
Hanzo inhales slow. Steady. “Oh, good.” Takes another sip.
“Got you another observe and report at Blood and Chrome tonight. Maybe protect if shit goes down. They liked you last time.” Tilly sits chin on palm as she waits for Hanzo’s reply, knowing his answer already. Money good. Low risk. Trusted.
“Bartend again?”
“Yup.”
A last, long drink of his coffee. Hanzo stares at the university of technology and economics across the river, sunlight picking out the details on stone, the pillars, the gold and mosaic on its red roof. Age and beauty, stories worn, time crumbled. He wants to sketch it every time he sees it, despite never having drawn a single thing before. He’s gotten as far as purchasing a sketch book, pencils. Next time.
“Send me the details.”
“Thanks, Han.”
“Thanks, Han.” Genji always talked with touch as well as tongue. Hands busy forming the words, contact, their meaning. It became a second language in public. A third, in private.
“Hanzo.” He doesn’t look at her. A voice firm, but not unkind. A way she’s heard many times before, and will hear many times again.
“Wish I could stay, but I got more messages to deliver,” she says, climbing over the back of the bench. “Get some sleep Han.” A quiet ‘Hmph’ “ Eat Mar’s stuffed cabbages at least.”
“Goodbye, Tilly.”
“Szia.”
He sits for a while, coffee cup empty, fingers cold. The trees stretch, the Danube sighs. Sun quiets behind clouds.
And from the small bag in his coat pocket, Hanzo throws a handful of bird seed to the ground, watching pigeons, great tits, a sparrow swoop down, and dance at his feet.
——
It had taken months. Trial and error with several prototypes, but Hanzo had managed (with some help) to have his own collapsible bow, without compromising performance or integrity. A labour of love.
Compact enough to fit in a bag. The arrows were the problem. One couldn’t simply split them in two, assemble and fire like he could his bow with a touch, flick, done.
Luckily few people cared what others carried here. Pistols on hip. Rifles on back. Swords in sheaths. As long as you had your permit, of course.
“Just a bow, arrows?” asks the omnic. Mariann had said her name was Tilly. Seven LEDs on her forehead. Three eye slits, not two. It looked like the third she’d carved herself. “No sword? You look like a sword guy.”
“Bow, and arrows.” “Alright alright. I’ll get one done.” “I’ll need a few, with different names.” “That’ll cost ya.” Hanzo sets down a stack of Euros, sinking back against the metal dresser, the bass of the club below stuck in his throat. “Help yourself.”
A city of humans, omnics, side by tentative side. Many still walked on tiptoes, ready to flee. Some settled to heels, shoulders dropped, calling Budapest home.
A city now almost its own state, rolling its own laws, walls, declaring stability for omnics (safety was arguable), work, if they proved themselves (we don’t talk about what happened if they didn’t).
Fast becoming a multicultural epicentre like London, it was expanding out, and up. But also, down.
And down, was where Hanzo walked. Lived. Worked.
Crime thrived here. A congregation of humans and omnics brushing side by side, co-existing but wanting to live, bred a rich, vibrant underworld that lived seen, unseen. World, within world. And even if it felt like the city was holding its breath, it seemed to work.
It wasn’t lost on Hanzo that he’d turned his back on his family, their legacy, ways-
-only to fall right back in, just a different shade, name.
At least here, he felt like he was helping people (didn’t you try back home too?), useful and giving back (funny what memories we pick and choose).
Mostly, though, he was doing it to survive. What money he’d taken from his family dwindling, and it was a reliable way to keep an ear to the ground, connected. Safe, within harm.
And Hanzo knew the world. How to move. Talk. When to run, when to bleed.
Tonight, he was back at Blood and Chrome, one of the less mainstream mixed clubs for humans and omnics (there were segregated clubs, of course. The omnics only clubs never staying in one place too long, rotating locations, word of mouth, last minute). Fewer tourists, less desirable location away from the Danube, tucked underground - but it mattered in almost every other way in the world he walked.
Here you find people you want, people you don’t. People you won’t anywhere else. Money changes hands more than some banks. Names change when you walk through the door. Faces forgotten when you walk back out.
The drinks are good, the music a mix of rock, metal, EDM depending on room, night, with places to dance, talk, and doors to close for things you don’t want anyone to see. All tucked underground in an old metro station, decommissioned and reclaimed.
The club is built around its exposed bones, dented with years of nights like this. Graffiti immortalising Budapest’s metamorphosis to today. LEDs lining floors, walls, hanging from exposed beams and concrete, under tables, part of chairs. Murals spread over walls, some on ceilings. There’s colour everywhere, and it changes when you’re not looking. When you forget, and are dragged back weeks later for a job you don’t want.
It stinks of alcohol. Sweat. Metal. Oil.
It tastes of whatever you want.
And it sounds busy, voices indistinguishable between the music as Hanzo slips in through the back, the omnic bouncer stepping aside, expecting him. It’s a Friday, so not unusual. He’s working the room they call The Boiler. Downstairs again and one of the bigger rooms, sometimes closed off for exclusivity. Sometimes for a dead body.
The first time he came here, it felt like a community more than a club. More rooms unfolding after each door. Stairs leading to more floors he wondered how far down it really went. Owned by an omnic and human couple, there was always a buzz when they were spotted at their club, tucked in a corner, private.
There was a buzz tonight, but it felt different. As if something new had cracked open. Bristling hairs on skin, sparking exposed wires, the seams of the city picked.
Hanzo hangs his coat, and a last glance at the mirror in the bar staff room, tucking his hair back into a bun. The shorter strands of his outgrown undercut already falling free.
He tucks his small pack at the back of his waist with his bow, arrows already long stashed underneath the bar from his last few jobs here. And pushes the swing doors open for work.
All Blood and Chrome’s employees were like Hanzo. Well. All those down in The Boiler floor and below, anyway. Criminals; former, current, no-choice in the matter. Everyone vetted heavily by the owners, recommended from all the way down from Mariann and even Tilly, he was sure (“hey I’m just your messenger and forgery bot”).
“Oh hey-” she stops, trying to pick his name from memory.
“Morio.”
“Oh, that’s right. Mo.”
A short, sharp sigh. “What is it with people and nicknames, here.”
Hanzo tucks a cloth into his belt, dressed in black jeans, purple long sleeve t-shirt (tattoo always covered, here), half hanging off his right shoulder. Some nights there was a dress code. Usually, it was whatever the hell you wanted. Hanzo tried to dress unassuming. Like anyone who might walk through these doors.
He missed his hair ribbon.
Sometimes he still caught himself reaching up to touch, run his fingers along the silk.
“Easier to say,” she says tapping something into her phone. Hanzo’s burner beeps (everyone has a burner just for work. Sometimes two). “Remember mine?”
“Adrienne.”
A smirk. “Not nickname but, accent’s getting better,” she says with a wink under her mane of red curls. “Anyway. You’re assigned to the veranda tonight.”
(Excerpt from mixed nightlife spots of Budapest for the traveller: …The Veranda: despite being underground, this section of The Boiler Room looks a lot like a veranda might. Or not. Aglow in faux nature, bloom changing weekly, wood fused with metal and the lights, it’s become a favourite corner of those that matter around here…)
“Who?”
Adrienne nods to his burner and she turns back to the bar, asking for the customer’s request, flicking two glasses onto the bar with flair.
Hanzo unlocks the file with thumbprint, a secondary code following.
Rav[REDACTED] Approx 20 active years [REDACTED]tor. Tall. Smooth voice, apparently. Controlled and calm. Purple colourings. You’ll know him when you see him. Rumblings of him through the omnics like livewire right now. Heard he’d rather skewer a human than sit next to one, but when you're desperate, right? Think he’s here for connections, money, help, fucking anything for his cause. I need to know. You have ears like a bat and some weirdo intuition. You ain’t failed me yet, Katniss.
Hanzo glances at The Veranda. Two humans. Omnic. Some vacant tables. Empty glasses litter their table. He takes a tray, and walks, weaving through bodies, blaring music, faces he knows, doesn’t.
None of them know him as Hanzo. He wonders when he’ll lose his name, too.
The music muted as he steps into The Veranda, the words and whispers of every face he plucks to memory all that matters now.
His mark isn’t here yet, so he waits. Watches. Works.
——
He sits in a corner, arm over a woman he’s known for an hour. Couples less inconspicuous than alone. He hasn’t talked to her since walking in the door. Neither has she, her face pin lit from her phone.
Eyes follow his mark. Back. Forth. Cybernetic eyes building on what he already knows.
Not tonight, they said, he’s here. City’s a livewire. Guest of honour.
So he waits. Watches. Works.
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little-tyrant-gortash · 1 year ago
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What color coded are you?
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Red Coded
red, a study in being in love with the thrill, the ticking of a broken clock, and hearing your heartbeat in your ears. you've become addicted to the thrill of danger and living life recklessly. you've managed to make people believe that you're untouchable, that you live life so dangerously and yet so precisely that the world revolves around you and only you. but it doesn't. it moves without you, it will continue to move when you stop, and it will always move on when you never move again. the world is uncaring. and you have to match that energy. you can't stop moving, or you'll end up dead.
Tagged by: @quaintnecromancer
Tagging: @captainpriceswife 's Rosalind, and anyone else who wants to do it 🖤
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the-kipsabian · 1 year ago
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still a question mark if im gonna be able to play alan wake 2 on launch in FOUR DAYS but god its so close
i cant believe 13 years of waiting comes to a close this friday oh my godddd
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