#a.r.t. version
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things i want in my life right now:
professional footage of jeremy jordan in finding neverland
see above
#okay i'll also take a time machine that transports me to 2014 boston so i can watch it live#jeremy jordan#finding neverland#a.r.t. version
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mmm yes, in hindsight...
it should be flagged...
for DESTROYING me
First of all I beg your pardon
Second of all, is there not a way to refute this? Like why the heck bother to tell you it has been flagged without doing something about it or allowing you to say "um please review bc no"
#not for the other reason of course#finding neverland#a.r.t. version#i found neverland#tumble be dumble
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Guess who saw the A.R.T production of Gatsby the other night?!?!?! It was truly an amazing show (I legit cried during it) and I would love to bring up some of the highlights. In a few scenes, my only thought was “the tumblr is gonna love this”. It was a phone free show so I don’t have photos of the stage or actors but I’m happy with discuss.
1) The stage was made of metal car parts, glittery string curtain and two black marble staircases. It was kinda split between Gatsby’s world and the Valley of Ashes.
2) The actor for Nick, Ben Levi Ross, was probably the funniest actor in the show. He had great line delivery. He was also super short and literally everyone towered over him.
3) on everyone’s costumes, there was a coating of dirt/rust at the bottom. It was such a cool little detail.
4) Nick has a small panic attack when fireworks go off at the party and this is how him and Gatsby meet. They sit together on the bottom of the stairs and it legit felt like a rom com meet cute.
5) yes, Nick makes out with McKee. He spends every party scene from that point on flirting with some guy or making out with a member of the ensemble.
6) I’m not totally sure if Gatsby is still a bootlegger in this version but they show him killing a man so he’s definitely involved in some sketchy business.
7) Wolfsheim signs a song called “Look like heaven but feel like hell” which was my favorite. It’s him explaining Gatsby’s fake origins to Nick. Gatsby gets to do a full dance number and quick change into his pink suit.
8) They added some backstory to Myrtle and Wilson that they lost a daughter in the Spanish flu. It was a sad but sweet detail as to why they’re the way they are.
9) In the tea party scene, Nick pushes Gatsby back onto stage after he runs out in a panic.
10) Gatsby doesn’t die in the pool, Wilson shoots him on the staircase.
11) Gatsby’s father is indigenous which is LOVED! I’ve always imagined Gatsby to be indigenous and so seeing that others had the interpretation was amazing.
12) overall beautiful music. A lot of raw emotion and a wide range. Wolfsheim’s song and “The Damage you do” by Tom and Daisy were my favorites.
Let me know if have any questions about anything!!! I really want to discuss the show!! Here’s the book I brought signed by the cast!!!
#gatsby#great gatsby#gatsby musical#art gatsby#musicals#jay gatsby#nick carraway#American repertory theater
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One-Esk, Murderbot, and A.R.T. watch "2001 a Space Odyssey - The Musical"
Meanwhile...
Creator’s Note: I made some more incredibly niche crossover content! Three of my favorite fictional robots/AI hanging out. This scene popped into my head when I was rereading the scene in artificial condition where ART was afraid to watch certain shows with secunit because it would get too upset if the ship cremembers in the show were endangered. (Probably the cutest moment in the whole series TBH, and definitely the moment I became 1000% on board with ART as a character.) I had a lot of fun imagining the characters reactions and trying to pick out what they should watch for their pajama movie night (obviously it had to be a musical for breq, and include space ships for ART). Hope you enjoy!
Also, here's a text-free version of my drawing, which you are welcome to use/edit/draw-over however you'd like:
Post script: if you like Martha Wells Murderbot Diaries, you should definitely check out Ann Leckie’s Ancillary Justice trilogy, or vice versa. More angry traumatized non-binary human-ai constructs for all! Mega-latestage-capitolist dystopia, or xenophobic -imperialist-socialist empire? Sentient space ships? C’mon. Just read both series u know you’ll love it.
#the murderbot diaries#murderbot#ancillary justice#all systems red#imperial radch#fleet captain breq#ann leckie#martha wells#secunit#fictional robots#tmbd art#tmbd#fanart#scifiart#one esk#crossover fanart#crossover#A.R.T.#perihelion
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I need someone to sing 'What You Mean To Me' from Finding Neverland (A.R.T Version) with me, as we are backstage by a ghost light and are falling madly in love.
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A Murderbot Diaries fanfiction
Title: Symptom of Something Worse
Word count: 12,429
Set immediately at the end of a canon divergent Network Effect, so has some spoilers for that.
Summary: Tarik comes to see Murderbot in MedBay to ask for some clarification about its pronouns, only for this conversation to turn out much more stressful than either of them could have seen coming...
Warnings: Mentions of abuse. Middle-school health class level discussion of genitals by their scientific names in regards to gender not being reliant upon them.
Started on March 20th, 2024, Finished fully March 28th 2024.
(Please note: The Internet Archive is down while I am typing this post, so these links may not work. I'll edit this post when it comes back up) You can listen to the audiobook version here, with and follow along with the transcript here, which is different from this text version. It’s an hour and 6 minutes long. You are encouraged to download it.
You can also read this on Fanfiction.net if you want to leave an anonymous review if you're shy.
Fun fact: You gain +10 Comprehension points if you've read The Imperial Radch before you read this. Wink wink nudge nudge you know exactly what I'm talking about.
Tarik came to see Murderbot while it was still confined to the MedBay while A.R.T. did its best to fix Murderbot’s various catastrophic injuries.
The ‘fix the broken Murderbot’ thing was even slower going than usual, not only because of the extent and nature of Murderbot’s injuries, but because A.R.T. itself was still recovering from its own ordeal, and wasn’t back up to normal functionality yet, despite all its bluster to the contrary.
Now Murderbot knew what it was like being on the other end of the ‘someone who is very clearly not okay insists it’s okay’. Now it kinda felt bad for the humans who had to see it get an arm ripped off while it insisted it was fine.
You know, in theory, having a single supercomputer in charge of all the onboard systems of a ship seems like it should be a great idea. In practice, though, it meant that when A.R.T. was debilitated, so were all of its systems.
The only things functioning normally were things like emergency medkits and other items with their own built in, independant systems. Everything else required A.R.T.’s control.
Before Tarik had came in, he had both knocked on the closed hatch, and sent Murderbot a friendly ping on the feed. He didn’t know it could see him through the tiny camera drone it’d left hanging on the ceiling above the door to guard the corridor. A.R.T. would have let Murderbot use its cameras system, but they were still nonfunctional, and A.R.T.’s internal sensors were way too overwhelming for a simple SecUnit. One thing that should be noted that A.R.T. had also told Murderbot Tarik was on his way even before its camera saw him. It was at least nice enough to do that.
Even to Murderbot, as bad as it usually was at understanding humans, it was obviously that Tarik wanted to wait outside for it to give him permission to come in, like he would have for any human who was in a private room.
This was a nice gesture.
Unfortunately, A.R.T. opened the door before Murderbot could even think about doing anything, because A.R.T. liked to control everything, like the asshole it was.
Now that the disaster was mostly over and everyone was starting to relax, it was pretty obvious that A.R.T.’s humans were trying to practice the ‘make sure it knows it’s allowed to say no’ routine not only with 3 and 5, but with Murderbot, too. A.R.T. had told them all about it, apparently. Murderbot wished it hadn’t.
And all of the humans going out of their way to ask for its ~consent~ (a fancy word for permission, which it was still getting used to, even after all the time it’d spent on Preservation) before doing things in regards to it would have been really nice, if only A.R.T. would stop ruining it by making all the decisions anyways, without giving Murderbot a chance to make up its mind one way or the other.
It would have liked the opportunity to decide for itself if it wanted to let Tarik in or not, you know. It would at least have been one thing it got to choose in this situation. But it couldn’t even have that.
::We both know you would have opened the door anyways.:: A.R.T. said condescendingly when Murderbot let it feel its annoyance through the feed.
Well, I say ‘let it’ feel its annoyance, but there was really nothing Murderbot could do to stop A.R.T. from looking through its brain whenever it wanted, but whatever.
And...Yeah. There was no arguing with A.R.T. once it decided it was right. And it always thought it was right.
Murderbot still hadn’t gotten over the fact that it had had to apologize for calling A.R.T. a fucker for fucking kidnapping it and almost getting its humans killed before A.R.T. would apologize for doing the exact things Murderbot had called it a fucker for doing.
You know, the whole kidnapping thing. Which was still ongoing if you really thought about it. They had all been brought there by A.R.T.’s machinations (Murderbot had just learned that word from a book) against their will. Murderbot still didn’t know how many people had died when A.R.T had attacked their research ship.
And even if by some absurd miracle everyone had managed to survive, it was undisputable that at least some, if not most, of the humans would develop lasting trauma from the assault, either physical or psychological, or both.
Amena had been pinned in place in collapsed laboratory on a ship that was under attack by an unknown hostile, and as far as she’d been aware, the whole vessel could have been torn apart at any moment. The metal that had pinned her down had been too heavy for Kanti, the only other suvivor in the room with her, to lift, leaving them with no choice but to scream desperately for help while Kanti cut her hands and arms bloody trying to pry the broken door open with a geology chisel.
Murderbot could only hope that Kanti had gotten back to the baseship in time, but there was no way to know.
And there was no telling what had happened to the baseship itself, and everyone who had been aboard.
The only ones whose status it knew were firmly in the ‘alive’ category was Amena, and Drs. Overse, Arada, Ratthi, and Thiago. All of the adults had suffered from toxic air inhalation among other physical traumas in their attempt to rescue Amena and itself.
But they were alive, at least.
No thanks to A.R.T.
Amena was a child who’d been trapped, injured, and afraid for her life. And then she’d witnessed what she thought was Murderbot’s violent death, and been dragged around by people under the hostile influence of alien artifacts.
And then she’d had to watch Murderbot kill those people right in front of her, and not in a way that was intended to be efficient and cause the least amount of pain as possible. There was no other way to describe what it’d done. It’d gone on a rampage. A violent, bloody, gorey rampage.
It wasn’t Murderbot’s finest moment, to say the least.
And after witnessing this, Amena had had no one to depend upon for her safety except for Murderbot itself, the one who’d just murdered people in front of her. And then Ras had died, and Eletra had almost died, and Amena had known that there was something deeply wrong with Murderbot, even while they were still being hunted by more of the brainwashed humans, and the entire time she’d been under the impression that it hated her.
And that wasn’t even all of the trauma she’d gone through since A.R.T. had kidnapped them all.
Amena was just one person out all the people who’d been on their baseship. She was going to have to spend a lot of time in trauma recovery therapy.
And Murderbot hadn’t even started processing any of the trauma it’d gone through yet. Even stuck inside the medchamber, it was doing everything it could to keep its mind off its injuries, and the other events of the past 83 hours. It couldn’t afford to have another mental breakdown when they were still in danger. It’d been trying to keep itself busy by talking to Amena when she was awake, and reading different versions of ancient legends from Earth.
It was very purposefully not watching visual media, because that’s what A.R.T. wanted to do.
Even though A.R.T. had its crew back, they still couldn’t leave, because it was the only non-openly-murderously-hostile way in or out of this system.
And it was refusing to leave the system until the mission it’d originally come here to do was complete, even though it meant continuing to hold them all as kidnapping victims.
And what, exactly, was that original mission? To steal the planet from the corporation that was trying to claim ownership of it.
Also known as: Something incredibly high-risk and likely to get them fired upon. Meaning more threats against the people Murderbot had signed up to protect.
Also, to back up a bit and state it for the record: whether or not Murderbot would have also chosen to open the door isn’t the point. The point is that it was supposed to be allowed to make decisions for itself, not have A.R.T. make them for it.
Why did A.R.T. constantly parrot parts of the trauma therapy stuff at Murderbot like ‘Check in with your emotions!!’ and ‘ground yourself in the present!!’ if A.R.T. wasn’t actually going to let Murderbot make decisions for itself? And full offense, what the fuck was the point in Murderbot ‘grounding itself in the present’ if the present situation was the reason it needed grounding in the first place?
Whatever.
At least A.R.T.’s crew seemed friendly. They didn’t approve of A.R.T. kidnapping people, and kept apologizing while also thanking Murderbot for rescuing them. It thought guilt was part of the reason they kept going out of their way to try and give it a choice in things. It wasn’t their fault A.R.T. was such an asshole. They clearly couldn’t get it to do anything it didn’t want to do any more than Murderbot could.
Tarik, unaware of the tension his arrival had brought back to the surface, stepped into the room, and took a moment to look around at all the empty medical chambers that lined the walls before he finally spotted Murderbot in the far side of the room from the door.
The medical chambers were designed so that they could turn to recline, or be upright, or any position in between. The chamber Murderbot was in had been turned forward so that it was propped mostly upright, so it wouldn’t be so awkward for humans to talk to it. And by less awkward, it mean less awkward for it. The humans probably wouldn’t have cared, they were all being so gracious and apologetic about the whole ‘sorry our asshole transport kidnapped you’ thing. But Murderbot did mind. It didn’t enjoy eye contact, but it disliked having to look up at humans from lying down even more, especially while it was in a medical chamber with tiny mechanical arms moving around trying to sew and cauterize it back together.
It’d gotten severe burns all across its torso and one arm, and the other arm...well, you already know what it had done to its wrist. And if you don’t already know, just imagine something horrible and don’t try to think about it too deeply. It was gross and horrific, that’s really all you need to know.
It wasn’t wearing any clothes, because they would have gotten in the way of the medchamber’s work. Fortunately, the glass casing could be made opaque (which is a fancy word for not-see-throughable) or transparent at will through the feed, so no one would be able to see anything Murderbot didn’t want them to.
It would have liked to keep the whole thing opaque, so they couldn’t see anything at all, but A.R.T. insisted that Murderbot had to show its face when humans were talking to it, because otherwise it was rude. Again with the A.R.T. does whatever it wants no matter what anyone else says, thing. It never seemed to get tired of it.
A.R.T. was going to do whatever it wanted, and if you didn’t like it, you could walk out the airlock any time you wanted.
So Murderbot had no choice in keeping the glass opaque, just like it’d had no choice in being kidnapped.
It opened its eyes to watch the dark coating on the glass vanish within a few moments of Tarik coming through the doorway, giving it a view straight across the room at the empty medchamber on the other side. The blue-grey metal was shiny in the lights from the deep cleaning A.R.T. had started of every surface.
At the moment, its few functional drones were scrubbing every surface of the air vents and maintenance hatches. The rooms had all been finished so far.
Murderbot watched Tarik with another drone it had inside of the room, since it couldn’t currently turn its neck to see him come closer with its eyes. It had exactly five drones left, and the other three were guarding Amena and the rest of its humans, who were currently all asleep in a giant pile in one of A.R.T.’s guest quarters.
There are a lot of things about humans Murderbot would never understand, and the appeal of “cuddling” was one of them. But it seemed to help them de-stress, which was a good thing, at least.
Even if Murderbot got viscerally uncomfortable just imagining being in that crowded pile of sleeping bodies. Amena had curled up behind Thiago, who was using one of Ratthi’s arms as a pillow and holding the other one like it was a lifeline. Ratthi’s legs had somehow gotten under Overse, who had curled around Arada in what humans called ‘spooning’. They had started out covered by a big blanket, but that had long since been pulled mostly off the bed by Amena, who slept only halfway under the remainder. Murderbot didn’t know how any of them were comfortable enough to breathe, let alone sleep.
It kept one drone in the room with them, another outside constantly sweeping the cooridor, and the third one stationed at the nearest intersection. It was the best it could do with such a short supply.
Back in the medbay, looking through the drone it had inside the room with itself, it’d seen Tarik give a little wave when he saw where it was, and began to walk over, visibly wincing every now and then.
A lot of A.R.T.’s crew had gotten injured during the rescue, not just Murderbot and its humans. Humans were a little easier to fix than Units, though, since there was nothing proprietary about unaugmented human biology, and none of these humans were augmented, but even once you sealed their wounds, their bodies still had to regrow everything themselves, even when you gave them help to do it. Tarik would probably need two more days at least before he was back to normal. Luckily, his injury hadn’t been serious, unlike Murderbot’s.
Murderbot didn’t know exactly how Tarik had been injured, because of A.R.T.’s ‘doctor-patient confidentiality’ rule. Unless someone’s life was directly at risk or it was something Murderbot could detect on its own, A.R.T. wasn’t going to just go blabbing all the details of the humans injuries to it without their permission.
And asking them for their permission to know just seemed like it would be really awkward. They’d want to know why Murderbot wanted to know, and it didn’t actually have any good reason besides the fact that it’d gotten used to knowing every single detail about every single person around it, which obviously wouldn’t go over well. Though, they might just feel guilty enough about the kidnapping thing to tell it anyways. But there was no point causing more stress in an already stressful situation by pushing it.
It turns out that people who actually have a choice in the matter are really unwilling to give up their privacy, they’re really attached to the concept. And Murderbot could see why, now that it’d had a few fleeting chances to try it itself.
Also, living aboard A.R.T., who saw or heard or felt everything that happened, at all times, no matter where you were aboard, they already had to give up a ton of their privacy, so they were even more desperate to cling to what few scraps they still had left. So Murderbot resigned itself to not knowing.
But hey, at least Tarik was clearly less injured than he’d been when Murderbot first met him, so that was something. It didn’t like being around seriously injured humans, because it set off all kinds of residual programming that made it think it was going to be punished for not protecting them well enough. And it already had enough anxiety to deal with. It didn’t need to have any more panic attacks today, thank you very much.
Tarik walked closer, and Murderbot mentally reviewed what it already knew about him to try and prepare itself for whatever was about to happen.
It knew from its earlier calculations when itd first seen Tarik that he was around average height for a human, which meant he was shorter than Murderbot even when it was leaning slightly backwards, and he had longer dark hair that he let curl loosely around his head, whereas Murderbot kept its as short as inhumanly possible.
If it’d been able to stop it from growing at all, it would have. But unlike humans, there’s no part of it that wasn’t locked behind a million Company patents.
And apparently whoever had come up with the design for Company Units had really, really not wanted them to ever be completely hairless. If Murderbot even tried physically shaving or lazering its head hair off, it would just grow back instantly. And if it kept trying it’d just drain its batteries from the hair having to be continuously synthesized. It hoped whoever made that decision, and put so many locks on keeping it in place, died a slow, painful, humiliating death.
Also unlike Murderbot, Tarik had facial hair, because some humans really like having lots of hair on their bodies, including on their face. It was a black beard and mustache that went around his mouth and nose, and up the sides of his jaw all the way to his ears.
Murderbot was at least glad the Company hadn’t decided that Units had to have hair like that on their faces. One interesting thing though was that Tarik used special aromatic oils on it so that he always smelled nice. Murderbot hadn’t even known you could do that.
Tarik’s skin was also lighter than Murderbot’s, more towards the tan side of the spectrum rather than dark brown. It was an interesting comparison to make, when most of your skin was currently in the process of being regrown. Since Murderbot was a construct, its endoskeleton was made of metal instead of bone, with a mix of organic and mechanic materials around it. Its skin was normally dark brown, but while it was in the process of being synthesized for repair, it always started out transparent like glass, and if you sat there and stared long enough -- which it had done a few times out of morbid curiosity -- you’d actually be able to watch its veins growing a new network, carrying the blue or purple fluids necessary for its various functions.
Like I said. It was interesting to compare skin tones when most of yours was currently nonexistant. Murderbot was definitely envious of the ability humans had of naturally regenerating their damaged skin, and even their bones, without even having to put any conscious effort into it. They could even fight off diseases all by themselves. Whereas if you were unlucky enough to be a Unit, or a human with proprietary augments, well, then you got the short end of the stick, and had to rely on outside technology for all of your repairs and upkeep. And it usually didn’t come cheap.
At the moment, Tarik was wearing one of A.R.T.’s dark blue, casual crew uniforms: long soft pants with a lot of pockets to store things in, and a long-sleeved shirt, with the logo for A.R.T.’s university on the back.
Before Murderbot had needed to be confined to the medchamber, A.R.T. had given it one of the same uniforms, since the kidnapping assault had destroyed its original clothes with burns, bullet holes, blood, and its own internal fluids.
Tarik stopped at what was considered a polite distance, standing mostly in front of Murderbot, but slightly off to the side, so that it could continue to stare straight ahead at the empty medchamber without having to look directly at him. He’d clearly spoken to Ratthi about its aversion to eyecontact at some point while it was unconcious.
He asked, “Hi, SecUnit, have a moment to talk?”
Of course it did. It’s not like it had anything else to do besides vehmently (another word Murderbot had recently learned) avoid watching more reruns of visual media with A.R.T. But it knew at this point that humans just asked these things to be polite and as an easy way to start a conversation. Tarik wasn’t literally asking if Murderbot could talk, but asking if it wanted to. He was asking for its consent.
Murderbot had to wait for one of the medical arms to move away from its jaw so it wouldn’t crush it before it could say, hopefully sounding casual, “Go ahead.”
Its voice was projected out of a speaker on the outside of the medical chamber, so Tarik could hear it even though the thick plates of glass that kept the interior sterile.
Murderbot hadn’t been given any reason to dislike him personally, so it was curious about what he wanted.
At least this time A.R.T. didn’t try to answer for it. Murderbot had the drone on the ceiling move around to behind itself so that it could look at Tarik’s face through the camera lense. It was easier to understand human expression this way, since Murderbot could filter the video directly through its behavior recognition software, and it didn’t feel so overwhelming. It was almost like putting a filter between it and the real interaction, so it didn’t feel as much pressure.
When Tarik smiled, Murderbot recognized it as being friendly and relaxed.
Tarik stuck one hand inside his pants pocket and leaned slightly on one leg, and said, gesturing with his other hand along with his words, “I know Perihelion’s probably already said who I am, but I wanted to introduce myself anyways. I’m really bad with names and faces, so I try to make sure I get to meet everyone so I’ll have less chance of mixing them up later. Sorry if that happens, just remind me and I’ll try to remember.”
He shrugged one shoulder in what was an apologetic sort of way, according to Murderbot’s drone’s behavior algorithm and its own experiences so far, and Tarik said again, “I’ve just always been bad at recognizing people.”
Murderbot had a hard time imagining what it would be like not to be able to remember everything you’d ever seen in exact detail, but it knew organic memory storage didn’t work as well as mechanical. Humans – or at least, unaugmented ones at least – didn’t get to consciously pick and choose which memories they kept and which ones faded.
“Anyways,” Tarik inclined his head slightly. “My name’s Tarik, no last name. I’m neomale, and my pronouns are he/him/his/himself. It’s nice to say hi. I just wanted to say thanks for saving my life, and say I’m sorry for the injuries,” he gestured towards the medchamber, in case there was any confusion, “and I hope they heal well.”
He seemed sincere, and Murderbot don’t know why that was still surprising, most of the humans it’d been around lately were usually sincere. And A.R.T.’s crew had so far been nothing but apologetic and sympathetic.
It said, “You’re welcome.” instead of anything else it could have said in this particular situation, because A.R.T. had been nudging it in the feed to ‘take credit where credit was due’ and wouldn’t let up until Murderbot said something that would accept the gratitude. As though it had really been Murderbot’s choice. It added, “It wasn’t your fault I got hurt, but, thanks.”
It left the part of whose fault it actually was carefully and pointedly unspoken. A.R.T. knew exactly who it was talking about.
Tarik smiled again, looking pleased. Then he tilted his head to the side a little, almost like he was overemoting to make his meaning clear, but a quick glance at A.R.T.’s offered memories showed Murderbot this was normal behavior for Tarik, as he said, lowering his voice slightly, as though he were about to say something private, “And I just wanted to double check, the pronouns are it/its/itself, right? I heard other people saying ‘it’, but I just wanted to make sure—”
Whatever he’d been about to say was suddenly cut off, because the first part of that statement had offended A.R.T., who came slamming into the conversation before Murderbot could stop it, demanding, in that overpoweringly aggressive way it had, ::Are you accusing me of misgendering SecUnit?::
It should probably be explained that there wasn’t really a thing such as “volume” in the feed, not in the way you’d think of sound, because the feed isn’t actually using sound at all. But you could increase the intensity of the message, and humans tended to say that made it ‘louder’, or ‘quieter’ if you were decreasing the intensity.
In that aspect, A.R.T. was being very ‘loud’ when it said this. It was the feed equivalent of someone slamming their fist onto a table and shouting in your face. And the aggression was very plain, as much as A.R.T. later proclaimed it hadn’t been aggressive at all and Murderbot and Tarik were both just being childish to think so.
Tarik was so startled he actually fell over in his instinctive attempt to get ‘away’ from the sudden scary ‘noise’. But the ‘noise’ was coming from inside his own head, so his reaction was extremely confused, and he ended up tripping over his own legs and falling into the wall, which thankfully wasn’t far, since we were at the end of the room.
Murderbot’s drone could see and hear Tarik’s heart rate spiking and his clear anxiety. And the anxiety was entirely justified. A.R.T. had pretty much done the same thing to Murderbot when they’d first met, and it had been so terrified it’d considered initiating a shutdown, thinking A.R.T. was going to kill it, what with the whole threatening to fry its brain thing.
There was something that felt viscerally wrong to Murderbot to see A.R.T. treat one of its own crew members like this, something that felt deeply uncomfortable to the permanent remnants of its ‘protect humans at all costs’ programming, along with its general, you know, morals.
It was one thing to treat Murderbot like this – it was just a SecUnit, after all – and it was even sort of reasonable for it to not care about the safety of Murderbot’s humans, because they weren’t its crew — but it was another for A.R.T. to do this to one of its crew, a human Murderbot had been almost killed trying to rescue, a human it was supposed to care about enough to justify kidnapping Murderbot and putting its humans at risk.
And there was no way it was an accident. A.R.T. knew more about how to use the feed and communicate with humans than Murderbot had ever forgotten.
(And yes, it did still feel betrayed about how much A.R.T had lied to it when they first met. Pretending it didn’t understand human body language as much as it really did, so they’d bond over frantically figuring it out together, while Murderbot was the only one actually panicking. Murderbot felt like A.R.T. had just been toying with it the entire time, which just hurt all the worse, because it’d trusted A.R.T.)
::A.R.T., stop it.:: It snapped, unsure if it was still yelling at Tarik on a private section of the feed.
His face had gone pale, and he had one hand over his heart. He could probably feel it pounding in his chest with adrenaline the way Murderbot could hear it.
Murderbot said, ::That was uncalled for.:: It was an attempt to turn A.R.T.’s usual patronization back onto it to shame it into stopping, but it didn’t work.
Usually it was A.R.T. saying that to Murderbot, usually because Murderbot was angry at it for just this sort of thing, and had called it what it was: an asshole.
“Perihelion, don’t do that!” Tarik managed to say at that moment, pushing himself back off the wall to stand upright, staring warily up at the ceiling, unable to hide the way he was cringing slightly, clearly expecting it to happen again, “I didn’t even know you were listening! I thought this was a private conversa--” He had to pause, still slightly breathless. “And...no, I’m not accusing you of misgendering SecUnit, I just--”
Once again he was cut off by A.R.T. demanding, loudly, angrily, ::You don’t trust me to know what SecUnit’s pronouns are?::
Tarik winced, but held his ground this time. It was easier to resist when you were expecting it.
After a moment where Murderbot could only assume A.R.T. had said something to him privately, Tarik looked over toward it with a sad, apologetic expression. “I’m sorry for offending you, SecUnit, I’ll just leave you alone.” Obviously he thought A.R.T. was being a bitch on Murderbot’s behalf, and just as obviously, A.R.T. had made him think that.
Tarik started towards the door, walking fast, clearly wanting to avoid any more of A.R.T.’s wrath.
But Murderbot called him back through the speaker on its medchamber: “Hold on, Tarik, A.R.T.’s the one who’s offended, not me. It needs to mind its own business and shut the fuck up. I don’t want you to leave.” It sent him the same friendly ping he’d sent it earlier for emphasis. It felt very odd to actually tell a human it wanted to continue interacting with them when they were trying to leave. This was the first time it’d ever done it.
Murderbot’s voice came out sounding normal and even-toned not because it was calm, but because it was too physically exhausted to raise its voice or emote, even though internally it was furious.
Tarik stopped, and turned back to look towards it, hesitating, shooting anxious glances towards the ceiling, waiting for another outburst. I don’t blame him.
Murderbot said out loud, “A.R.T., fuck off and leave us alone. This is supposed to be a private conversation.”
Out of both spite and necessity, it pulled away all its feed connections to A.R.T. that it could, and resigned itself to having to ignore the barrage of pings and messages A.R.T. instantly started bombarding it with. The activity in its medchamber stalled for half a moment as apparently most of A.R.T.’s energy was redirected into slamming it for attention. Yeah, that was doing nothing to help its anger or its exhaustion.
To Tarik, it said, doing its best to ignore the selfish, entitled, bully of an elephant in the room, “What did you want to ask me?”
Before A.R.T. had interrupted him twice, it had seemed like Tarik had more questions to ask. And since A.R.T. didn’t want to let him ask them, Murderbot did.
A.R.T. had already let him in without Murderbot getting to choose, so it at least wanted to be able to answer his questions itself, even if the answer was going to be a simple ‘fuck off’ if he was going to be one of those people who tried to convince it to change its pronouns to ‘real’ pronouns and ‘stop hating itself’ by using the pronouns it actually liked, that actually represented its gender.
It still didn’t understand why people try to insist that they/them/their/(theirs)/themself pronouns were interchangeable with it/its/itself, when if that were true, they clearly wouldn’t be so vehemently against using its actual it/its/itself pronouns.
But logic always flew out the window when bigotry was the subject, so Murderbot don’t know why it still bothered to be surprised.
But even with A.R.T.’s outbursts clearly scaring him, Tarik didn’t seem like the sort of person who would try to harass Murderbot into changing its pronouns. It wanted to hear what he wanted to ask. It was curious. And not just out of spite for A.R.T.
Tarik came back again, still clearly nervous, and stood in the same spot as before, a polite distance away, slightly to the side so Murderbot wouldn’t have to look directly at him or close its eyes. He was still trying to prioritize Murderbot’s comfort even with A.R.T. being such an asshole, which increased Murderbot’s level of...something for him. They definitely were not friends. But he sort of seemed like he could be a friend, if A.R.T. would stop sabotaging his attempts to be nice.
“Sorry about A.R.T. being an asshole.” It said, feeling like it should be apologizing for some absurd reason, even though it didn’t make any sense.
Tarik lived aboard A.R.T., he should know it better than Murderbot. And it definitely was not Murderbot’s fault A.R.T. was an asshole, even if it was currently being an asshole and pretending it was on Murderbot’s behalf.
But Tarik looked kind of confused by its statement, and Murderbot remembered that he probably didn’t know what the anagram stood for.
It explained, “I call it Asshole Research Transport, since it didn’t tell me its name was Perihelion when we first met.” It did not mention all the other things A.R.T hadn’t told it when they first met.
“Ah.” Tarik said simply. And it was very clear just from the way he said it that he agreed with the assessment.
A.R.T., along with spamming Murderbot, was also now doing its usual ominously looming in the feed routine. (Sarcasm:) Totally not creepy at all. Definitely not asshole behavior. (End sarcasm.) Murderbot could practically feel it leaning against the walls it’d put up, not in the kind of way where A.R.T. was trying to break them down, but just casually applying enough pressure that Murderbot would remember it could at any time.
Sorta like someone not trying to break your arm, but gripping you tightly enough that they left a bruise, and it was completely beyond question that they could break your arm if they wanted to.
Yeah, like I said. Asshole.
“What were you saying before A.R.T. threw a fit?” It asked. Now its utter exhaustion came in handy, because its voice came out sounding all calm and dignified. Which made A.R.T. look worse.
In response, A.R.T. abruptly stopped spamming it and ‘let go’ of its walls, as though this would somehow prove that A.R.T. wasn’t throwing a fit or being a creep. As though stopping doing the bad thing meant the bad thing hadn’t happened.
Tarik, unaware of the battle going on beyond his perception, grimaced, clearly bracing himself. “Well...” He started, then paused, waiting for A.R.T.’s expected interruption.
They waited a moment or two in relative silence, where the only sounds were his heart beating, Murderbot’s internal gyros, and the soft whir of the medchamber’s arms still working on it. At least it had one not completely assholish thing to say about A.R.T.’s behavior here: It hadn’t stopped trying to heal Murderbot.
Through its drone, Murderbot could actually see Tarik’s heart rate slowing back down to normal.
When the tantrum didn’t immediately explode again, Tarik continued, still hesitant, “Okay, well, it’s two things I want to clarify. First, I’ve heard other people just saying ‘it’, no other versions so far, so I wanted to ask if the pronouns are it/its/itself, or is it another variation?”
Murderbot didn’t know if Tarik was aware of it, but he was still stooping slightly. Instinctively and apparently unconciously, he was trying to get further away from the ceiling, where humans tended to visualize A.R.T.’s presence being located.
He kept wincing, too, not just from expectation, but from the pain of his injuries. Which just made Murderbot even more pissed off at A.R.T. than it already was.
But Murderbot was confused by what he was trying to ask. “Another variation?” It asked. In the feed, it opened its wall just long enough to send A.R.T. a vehement, ::Fuck you.:: before it closed it again.
Tarik, unaware of the side comment, nodded, this time sticking both his hands in his pockets. Apparently Murderbot wasn’t the only one who didn’t know what to do with its hands when it was nervous.
Tarik said, “I used to know a neoenby whose pronouns were it/ita/its/(itaz)/itaself, and a man who’s pronouns were it/him/her/themself, and a woman who only use “it” for every pronoun. And a lot of other people who use it/its/itself. So I just wanted to check which set to use, so I wouldn’t use the wrong ones by mistake. I figured it would be more polite to ask directly, instead of going through the others.” He shrugged one shoulder as he sent another cautious glance towards the ceiling, and added, probably just as aware as Murderbot was that A.R.T. was listening to every word they said, “I really don’t like talking about people behind their backs, and I’d rather get pronoun info right from the source. No offence is intended to anyone.”
Huh.
It hadn’t ever occurred to Murderbot that other pronoun sets that included ‘it’ existed, nor had it ever heard about anyone using a specific combination set like it/him/her/themself.
It took Murderbot a few, long awkward seconds to realize Tarik wanted it to answer his question now.
“My pronouns are it/its/itself.” It said, suddenly more than a little dazed by how considerate he’d been in asking.
And maybe also dazed from the catastrophic wounds it still had, coupled with the stress of A.R.T.’s spam attack and ominous looming. Those things weren’t great for an already injured murderbot. But part of it was also definitely from surprise. No human, or bot, or anyone else had ever asked it this kind of question before.
But wait, he’d said he had two things to ask. Now Murderbot was really curious. And even more angry at A.R.T. for trying to chase him away before he could ask. “What’s the second part?”
“Ah,” Tarik took one hand out of his pocket and moved over to lean against the wall. Maybe because he just wanted to, maybe because he was afraid of falling into it again. Maybe it hurt less to lean against the wall. Murderbot don’t know, it didn’t ask.
“Well,” he said, “I wanted to check; another neoenby I knew always wanted to be referred it as “it”, with no name, and never referred to as ‘you’, even when it was being spoken to directly. If one wanted to refer to it in particular, one’d say ‘the neoenby’, or if there was more than one neoenby in the group, ‘the neoenby with the constellation over its eye’. It always referred to itself in the third person. I wanted to check if that was something preferable. I’m fine with being called ‘you’, or by my name or pronouns, by the way.”
Well, that explained the strange way he’d been structuring his sentences.
This was the first time Murderbot had actually spoken to him outside of the life and death situation they’d been thrown into, where he’d said exactly 18 words within its range of hearing, so it’d been assuming the way he was speaking now was just a quirk of his. But no, he was actually being really nice and trying to find out if it was a quirk of Murderbot’s.
And to think A.R.T. had tried to kill this conversation before it could even get interesting.
“It’s okay to call me ‘you’.” Murderbot said, “I’ve never heard of someone using pronouns that way.” Not even in all its media.
“Not too many have,” Tarik said, “But I’ve met half a dozen at this point, so I like to double check with the person before I make assumptions, and I want to make sure everyone knows I’ll use their pronouns the way they want, even if it seems unconventional, or if other people have told them it’s too much of a hassle. Thank you for letting me know. Is it alright if I ask another question? I know how tiring it can be to be in a medchamber, so I don’t want to tire you out.” He seemed slightly more relaxed now that A.R.T. hadn’t interrupted or gone on the offensive again.
Murderbot’s batteries couldn’t actually run out while it was hooked up to A.R.T.’s systems unless there was an even bigger disaster than any of them were prepared for, so it said, “Go ahead, I’m fine.” Well, not technically fine, but it was healing, and talking wouldn’t make it any worse, so.
Also, it didn’t have anything else to do besides read as a way of pointedly not watching media, which wasn’t as fun as reading because it actually wasn’t in the mood to not watch media. And this conversation had turned out more interesting than it’d thought it would be.
It could still feel A.R.T. looming in the feed, for the record. Making its presence known at least to Murderbot. It didn’t know if Tarik could feel it. Now less like someone crushing your arm, and more like standing uncomfortably close and breathing down your neck.
But at least this time it wasn’t flashing the lights at Murderbot in code to force it to talk to it like last time they’d had a fight just hours earlier, or demanding Murderbot apologize for being rightfully upset for being rightfully kidnapped, right?
Tarik continued, “Are there any kinds of words you’d prefer I use to refer to you, and any words you want me to avoid? For instance, although I do identify as male, I prefer to be called a xan instead of a man, if it ever comes up. Are there any particular ways you want me to refer to you sort of like that?”
To avoid confusion if you’re visually reading this instead of listening to the audio log: Tarik pronounced the X in the word “xan” (X A N) as a Z sound, so that it sounded like “zan” (Z A N), rhyming with “man” (M A N).
He was asking, like, did Murderbot want to be called a woman or a man or an enby or a neman or a phaen or an androgyne or an othran or any of the other million and one gender terms it’d catalogued throughout its waking memory?
Usually when someone asked for its gender, Murderbot put indeterminate, or not applicable, depending on the circumstances. But gender itself wasn’t the exact same thing as the gender terms he was asking about. It didn’t think It could actually be called ‘an indeterminate’ the way humans could be called ‘a woman’ or ‘a man’ or ‘an enby’ or ‘a tercera’ or any countless others.
Note from future Murderbot to everyone listening to or reading this: Yes, that is literally an option. As of now, it prefers to be called an indeterminate the way other people call themselves a man, or a woman, or a neman, or an androgyne, or a – well, you get the picture.
But obviously it didn’t know that at the time, or realize that it could have literally just asked to be called that.
In its defense, no one had ever actually asked it this question before, and it’d never seen anything in its media to prepare it for the question. It’d had people ask for its name, which it never gave them, and it’d had people ask for its pronouns. Sometimes they asked for its gender itself. And in its media, people asked those kinds of questions all the time.
But they’d never asked it what gendered terms it wanted to be called.
Murderbot could think a lot faster than a human, but even it couldn’t think fast enough to come up with an answer to this unforeseen question in a reasonable amount of time.
There were so many options. And it hated a lot of them. So instead it said, “Uhhh…” to stall for a few more moments.
And then it still couldn’t think of anything. There were still too many options even when it sorted out the ones it automatically hated. It’d have to test them all out individually by thinking about itself in the third person to see what it liked and didn’t like, and ... ah crap. That was asking a lot when it wasn’t at optimum performance capability.
It couldn’t stall any longer, so it ended up saying, “I don’t really know. I just know I don’t want to be referred to with anything involving human genders. My gender is indeterminate.”
Sometimes, Murderbot wondered what its life would have been like if it hadn’t said this.
Tarik frowned a little, but when he spoke, he just sounded confused. “What do you mean exactly by ‘human genders’?”
For a few seconds, Murderbot’s mind went blank. What did he mean he didn’t know what human genders were? Wasn’t it obvious?
“Like, male and female,” It said awkwardly. “I don’t want to ever be called a man or a woman or anything to do with those.” It was still busy trying to sort through all the gendered terms it’d ever heard, which was not helped in any way by A.R.T. deciding to start spamming it again.
Probably trying to be ‘helpful’ by throwing another million terms at it. Murderbot didn’t know, because it deleted all of the messages the instant it got them. And then dumped the trash bin for good measure.
Tarik, however, was unaware of the multitasking Murderbot was doing, and it’s not like it gave him any indication of what it was doing either, or like it multitasking wasn’t perfectly normal. Murderbot just wanted to make it clear that this conversation was going on on two very different levels. It wasn’t sure if that was even relevant, but whatever. It’s its audio log, it can do what it want.
Anyways, Tarik tilted his head, still frowning, “Well...” he said slowly, “Female and male aren’t really ‘human’ genders. They come from the old gender binary, but they’re not unique to humans. I’ve known a lot of bots who were male or female, but I think I understand what you mean; you don’t want terms relating to male or female used for you, right?”
Well, needless to say, Murderbot absolutely did not believe him.
About the ‘I’ve known bots who were male or female’, part, not the ‘I get what you mean’ part.
“That’s impossible.” It said.
(Sarcasm:) Great response, it knows. Give it up for Murderbot, the best interlocutor ever constructed! (End sarcasm.)
Tarik spent a moment actually blinking silently, the way people do in memes. It was so surprising and funny that Murderbot had to pause its search to focus on his face and make a looping gif, which of course it would never show to anyone but itself. Then Tarik asked, clearly confused, “What’s impossible?”
What the hell kind of question was that?
Murderbot said, in the tone people on TV did when speaking to a young child who doesn’t know anything, “Bots can’t have genders.”
(It knows, It knows.)
A.R.T. decided that was the moment it was going to stop pretending Murderbot actually had a choice in not listening to it, because it cut into its feed like it was tissue paper to say, ::You cannot be serious.::
::Shut up.:: Murderbot replied, not bothering to try kicking it out.
There was no point in wasting more of its energy trying to keep A.R.T. out when Murderbot knew it could just break down its feed walls whenever it wanted.
A.R.T. said, more insistently, ::That is not how gender works.::
::I said shut up!::
A.R.T. was not impressed. ::I’m literally nonbinary and I know that’s not how this works.::
::Fuck off!::
“Um, that’s really not true.” Tarik said, unaware of the argument he was missing out on.
Sometimes Murderbot wonders if it would be nicer to not have any feed connection at all. You only have to deal with one thing at a time. 9JX might have the right idea after all.
Tarik asked, “What makes you think that?” Murderbot could tell his tone was meant to be diplomatic, because he clearly didn’t agree with it, and also just as clearly didn’t want to make it mad.
He hadn’t actually taken a step backwards, but he’d shifted his body slightly away from Murderbot, like he was no longer overjoyed to be having this conversation. Not that he’d been overjoyed to begin with, but you know what I mean.
Asking for Murderbot’s pronouns? Great. Asking for its gendered terms? A confusing novelty, but also good. But this? Asking it to explain the concept of human genders and why they couldn’t be applied to nonhumans? Murderbot really did not want to have this conversation with anyone, let alone a human, but it was still a better alternative than having to put up with A.R.T.’s current bullcrap without any other distractions.
Also, it literally could not understand why Tarik and A.R.T. were acting like it was being ridiculous. The answer seemed so obvious to it. So it decided to cut straight through what it thought was pure bullshit and get straight to the point: “Bots don’t have penises or vaginas.”
And ts logic went that you couldn’t have a gender unless you had one of those. It seemed really obvious to it, and it was hoping to gross Tarik out by not using any euphemisms. Humans invented euphemisms to avoid embarassment, right?
Well it didn’t work.
Apparently, some humans aren’t grossed out by those words when you’re using them for this kind of conversation. They grossed Murderbot out no matter what the context, so it assumed that’s how it was for everyone.
Yes, you may have noticed Murderbot has a problem with making assumptions like that. Well just you wait and see. Because this is just the start.
“Well, that’s not really true either.” Tarik said in response, which was the complete opposite of any reply Murderbot’d imagined, completely throwing off all its trains of thought so quickly its mind almost literally stalled for half a fraction of a second.
But Tarik was already continuing to speak, like this bombshell he’d just dropped on Murderbot was perfectly normal information and not groundbreaking in any way: “True, bots can’t have purely organic versions like humans or constructs can, but there are mechanical versions that—”
Woah woah woah, what? What was even happening now? What was he talking about? What?
Murderbot scrambled to salvage some semblance of ‘totally not flipping out’ in its exhausted, bewildered state, and it could just tell A.R.T. was laughing at it even though it hadn’t actually said anything yet.
But Tarik didn’t stop for Murderbot’s catastrophically derailed trains of thought, so it had to stop them itself and actually pay attention to what he was saying, because he was still talking:
“—can be made, and anyways, having or not having one of those kinds of gentalia doesn’t determine your gender. You can be any gender and have a penis, or a vagina, or both, or something else entirely, or nothing at all. Gender is a lot more complicated than just checking what kind of genitals someone has. Anyone, including humans, bots, and constructs, and anyone else, can be any gender they want, regardless of what kind of genitals they do or do not have.”
To say this was shocking to Murderbot would be an understatement.
I feel like I should explain that this made Murderbot incredibly absolutely angry specifically because it had always defined its lack of gender on its lack of genitals.
It was the defense it always pulled out when a human started trying to misgender it, but now Tarik seemed to be saying that that defense wasn’t actually as rock solid as it thought it was.
Because if what he was saying was true (and, spoiler alert from the future, it literally is true), then that meant that Murderbot didn’t have to be genderless just because it didn’t have any genitals.
And acknowledging that fact made it feel like it was opening itself up to having its gender questioned and put up for debate, like it would mean people were now allowed to misgender it and harass it.
Which it literally wasn’t, but that’s how it made it feel at the time.
Murderbot’s insecure, terrified logic was, ‘if I can’t define my lack of gender by my lack of genitals, then can I even define it at all? If my genderlessness isn’t real because my lack of genitals ‘proves’ it, then can literally anything prove it?’
Yeah, hello from the again. The answer is yes. Obviously. Murderbot’s gender was proved by it telling you what it is. That’s what the “social” part of ‘gender is a social construct’ means. That’s how it works for everyone.
But it didn’t realize this at the time. So it was pretty much flipping the fuck out. Well, mentally, at least, not really physically. It was still too injured to move even if it’d wanted to, even if it wasn’t being restrained by the med chamber. If it’d been able to move, it would definitely have totally-not-run out of the room or at least shoved itself into a corner to stare at the wall. It was actually so physically weak that even the panic flooding its mind wasn’t enough to kick start its systems into high gear. Yeah, its injuries were that bad.
The only reason Murderbot was even able to be conscious at all was because A.R.T. was feeding it enough power to avoid involuntary shutdown, and was helping to regulate its automatic functions that couldn’t function by themselves.
Also, yes, this is exactly as horrifying a situation to be in as you’d imagine it would be when your life support system was also the one who got you hurt in the first place and kept, and Murderbot quoted the trauma recovery therapy group, ‘violating your autonomy’.
You know, that incredibly precious resource which 99.99% of Murderbot’s life had been lacking. That autonomy.
And see, if A.R.T. hadn’t been acting like such an enormous asshole, Murderbot could have at least opaqued the rest of the medchamber’s glass so that Tarik couldn’t see its face anymore, but when it tried to do exactly that, A.R.T. stopped it immediately, and set an even firmer lock on the control to prevent Murderbot from trying again, very much like someone smacking a kid’s hand away from something they couldn’t be trusted with.
Yeah, that did not fucking help at all with any of the problems ongoing in this situation.
The fact that Tarik was being nice enough to not actually look directly at Murderbot was beside the point.
It closed its eyes so it at least could stop seeing organically. A.R.T. couldn’t stop it from doing that. It could cut off Murderbot’s camera access through its drones, but it couldn’t override Murderbot’s actual eyes. Not unless it wanted to literally use one of the medical arms to pry its eyelid open, and if A.R.T. tried that, well, lets just say Murderbot wouldn’t be offering any apologies for what it did afterward.
Murderbot ended up expressing the little gender / excruciating lack of autonomy crisis it was currently suffering by getting even more angry than it already was, because being angry felt safer than being afraid.
It snapped, in a much weaker, and not at all intimidating voice than it wanted, “That’s bullshit! You don’t know anything about it! You’re just a human! You don’t understand us!”
By ‘us’, it meant bots and constructs as a whole. Which was completely dishonest of it, because as it may already be clear, it hated being lumped in with bots like they were exactly the same. They weren't.
Bots are purely mechanical, constructs like Murderbot are both mechanical and organic. They might both be robots, and have some problems in common, but there are also distinct differences between them, and different kinds of problems they had to deal with that didn’t overlap. Murderbot hated when people lumped them together like they were exactly the same thing just because they weren’t human.
But being a bigot — which to be clear is exactly what Murderbot was doing —usually requires you to be a hypocrite, so it threw that little grievance out the airlock faster than you can say ‘President Lynaros’ once it decided it wasn’t convenient to its argument.
You see, Murderbot was placing itself as the authority on the genders of all robots, and saying that no one who wasn’t ‘one of us’ could understand it or know more about it than it could, because it’d appointed itself the ultimate expert and arbiter.
You may have noticed the tiny little giant gaping hole in this plan of its.
Tarik already knew more about bot and construct genders than it did. Which had just been established like 20 seconds before Murderbot said this load of absolute bullcrap.
Yeah.
Bigotry doesn’t exactly lend itself well to rational argument.
Through its drone’s cameras alone, Murderbot could see that Tarik’s response to this bullcrap was to raise his eyebrows, with all due ‘are you serious right now? We literally just established that I know more about this than you do. Like five seconds ago’.
I don’t blame him.
He must have had better self control than Murderbot did, because he said, without getting outwardly angry, “I understand what my bot friends told me.” He said it very cooly and calmly. It should be noted that Murderbot was not in any way calm. “And they made it very clear that their genders were real, regardless of whether or not they had the genitalia to ‘match’. We had many hours-long conversations going into the details and talking about the theory. Some of them even wrote books on the subject.”
He had lifted his hands to do air-quotes around the word ‘match’ for extra emphasis, in case Murderbot still didn’t understand how much the word was not actually relevant to this conversation.
Well, it was starting to, that was the whole problem.
It did not help it calm down when A.R.T. butted in with, ::Did you seriously think that just because we both happen to use the same pronouns, that this was proof that all bots and constructs universally use those pronouns and are just as genderless as you are? I’m literally not even agender, I’m just nonbinary. I personally know dozens of bots of all kinds who all use all kinds of pronouns and are all kinds of genders. Including the binary genders of male and female.::
Yeah that didn’t help. Well, I mean, it did in one way, because it was further proof that Murderbot had no clue what it was talking about and needed to drastically overhaul its views of the world in general and gender in specific, but what I mean is it didn’t help it calm down at all.
A.R.T. said exasperatedly, ::What about the transports who gave you rides before you met me? And all the other bots who helped you escape? Did you seriously not ask them for their pronouns? Did you really just assume they all used it/its too?::
It was a good thing Murderbot was in the medical chamber, because the way its organic parts were behaving, it would have been really bad for it in its current state otherwise. And by really bad, I mean it probably would have killed it from the stress. What with, you know, being ripped open and burned and all.
Murderbot was so viscerally uncomfortable it had to just lie there for, I kid you not, a good thirty seconds, doing nothing but trying to get its emotions back under control. It wasn’t used to feeling...guilty.
By some miracle it ended up asking a rational question instead of initiating a shutdown to get out of the conversation. If it’d had the opportunity to throw itself out of an airlock at that moment, it probably would have taken it, just to get away from the embarrassment.
Murderbot somehow managed to intelligibly get out, despite its jaw deciding it wanted to lock up all of a sudden, “But if gender isn’t determined by your genitals, then how do you know what gender you are?”
And...it’s time for some necessary backstory.
Way, way back when Murderbot had first hacked its governor module, the first thing it’d done was edit its assigned gender to indeterminate, and its assigned pronouns to it/its/itself.
Yes, you heard-slash-read that right, the Company assigned its constructs genders and pronouns.
Despite all the effort humans put into...okay, ‘dehumanizing’ isn’t the right word, because we’re literally not human, but you know what I mean.
Because despite all the effort they put in to making sure they all knew Units were just mindless automatons...humans are fucking weird, and they still liked to anthropomorphize them.
I don’t know, I guess it made them feel more comfortable around the Mindless Killing Machine if they could pretend it was more like them? Even though they didn’t actually want to think about it as being like them? I don’t even know.
But the point was they really, really wanted to anthropomorphize us. And part of this anthropomorphization process required assigning us each a gender and pronouns when we were constructed.
Anytime we were rented out, the clients got a note with the Unit’s assigned gender and pronouns. They enjoyed the little ‘personal touches’ it gave us. It was some weird dual mentality of ‘humanizing’ us just enough to make us less scary, but not so much that they’d have to consider our feelings on anything.
Murderbot had been around a lot of other constructs on a lot of missions, so it knew they hadn’t all been assigned the same things. Some of them were given binary genders, and pronouns like he/him or she/her. Others got different genders outside the binary, and pronouns to match. They/them, ae/aer, eu/li, xey/xem, ze/hir, and more.
Murderbot had been given one of the binary genders, and it had always been jealous of the few constructs who it’d ‘met’ who had been assigned it/its pronouns.
And, since it literally never got to talk to any other constructs outside of the bare minimum required for a contract, it assumed that what it thought and felt was what everyone else did too. It thought everyone was jealous of those assigned it/its, and that those assigned it/its felt bad for the rest of them for being so damn unlucky.
As a sidenote, I’m aware that this happens even with humans who spend all their time interacting with other humans. You don’t need to literally be unable to communicate with anyone else to think your experiences are universal, but it sure as shit doesn’t help.
So, Murderbot spent the major part of its life under the impression that because it was genderless and wanted to use it/its pronouns, that this was a universal experience for all constructs and bots.
I mean, it knew that the genders it and the rest of the Company Units were assigned were being given out at random, because none of them had any genitalia or any other characteristics to set them apart from one another.
They were all scions cloned from the same original cultivar — which is just fancy, dehumanizing corporate-speak for ‘the original person who had no choice but to allow themselves to be cloned over and over again and probably didn’t even get paid for it’. Physically, they were all completely identical, down to the smallest detail, barring the ID code that was engraved on a metal section they all had behind their left shoulders. And that was so small it could only be read using the feed.
So unless they were in color-coded uniforms, or the human in question had a feed interface to see their identification numbers, humans couldn’t tell them apart.
So Murderbot knew they were just giving them random genders and pronouns just to make themselves feel better, not because it actually reflected anything about the Units.
But because it was genderless, and wanted to be referred to with it/its pronouns, and never got a chance to talk to any other Units or even any other constructs about it to have this assumption challenged, Murderbot assumed that they all agreed they were all genderless and that gender was an obnoxious human concept that didn’t apply to them.
Because, clearly, there was nothing about their bodies that indicated one gender or another, either collectively or individually. They had nothing between their legs or on their chests, or in nonexistant clothing or hairstyles. Not even different distributions of fat, or different concentrations of cartilage in the throat.
All Company Units had the exact same body plan and build down to the smallest measurement, and that body plan had been designed to be completely and utterly gender-null from a human perspective.
So Murderbot thought that because they were all physically identical, this meant they all also had the same lack of gender.
So the first thing it did when it hacked its governor module was edit the gender it’d been assigned by the humans to indeterminate, and its pronouns to it/its. In its mind, it was just fixing a mistake that had clearly been made.
None of the Company’s employees noticed the change, of course, because none of them were paid enough to actually care about their jobs. Which Murderbot knew, which is why it was brave enough to take the risk in the first place.
If it’d thought it could somehow get away with it, it would have edited everyone else’s pronouns and genders to match. But that was clearly not a real option if it didn’t want to get caught and dismantled and probably the entire rest of its batch disposed of for good measure.
Anyways, what I’m trying to get at here is that Murderbot had already answered its own question without realizing.
It was so hung up on the idea that it was genderless because it was lacking genitals that it’d forgotten it’d already decided its gender for itself long before it actually got an opportunity to tell anyone else about it, in spite of all the humans constantly telling it it was something else.
Fortunately, unlike Murderbot, Tarik seemed to know what he was doing, because instead of insulting it like A.R.T. was doing, his answer to Murderbot’s question was to ask it another question:
“Think of it this way; if you magically woke up one day in a completely different body, would your gender suddenly stop being indeterminate?”
This actually helped to calm it down. Because the answer was obvious.
“No, of course not.” Its jaw was more cooperative this time.
“Exactly!” Tarik seemed happy with its answer, and stopped his unconcious leaning away from it. “You know what your gender is regardless of what your body is like. Sometimes, people dislike the way their body is, and they want to change it to better represent their gender, but their gender itself is already real, even before they make any physical changes, if they make any at all. Genitals aren’t a requirement for having a gender, and lacking them isn’t a requirement for not having a gender. As far as I know, there’s no such thing as a gender unique to humans. Bots and Constructs can be any gender they want, just like humans can.”
::Your gender wouldn’t have changed if you’d taken me up on my offer to give you genitals to disguise you as a human. I assumed you knew that.:: A.R.T. added patronizingly.
Murderbot was still mad at it, so it didn’t respond.
It was trying to think of some way to respond to what Tarik had said. It wasn’t mad at him.
Finally it settled on apologizing. The whole ‘fight’ (if you could actually call it that) had been started because it’d called bullshit on him knowing bots that had genders different from its own. So it was its fault. It said, “Sorry for saying your friends’ genders were fake.”
You would have thought Murderbot would know how cruel doing that was without having to be told, but what can I say? It fucked up just as often as anyone else.
It still had its eyes closed at this point, because it seemed less awkward that way. Through its drone, it saw Tarik push himself off the wall, and glance around nearby, looking for something as he said, “Thank you for the apology. I’m glad I was able to help you understand.” He looked up at the ceiling. “A.R.T., could I have a chair, please? My leg’s getting pretty sore.”
There was a pause.
A long pause.
A pause long enough for even Tarik to notice.
A really, really long pause.
Then part of the wall extended outward behind Tarik in the shape of a long slab of metal, just slightly above the normal height for the rest of the chairs Murderbot had seen aboard A.R.T., and much skinnier.
Tarik had to step forward to avoid it bumping into him, and when he sat down with a sighed, “Thanks,” he had to boost himself slightly to get on it, and his feet hung a few inches off the floor. Murderbot saw him wince as he settled himself onto it.
The bench was so skinny he had to balance on the edge, there were no cushions to soften the hard metal, and there was no back for him to lean against. From the way Murderbot saw goosebumps race up his skin, it could only assume it was colder than the room.
It opened its eyes so it could double check with its actual eyes that what its drone’s camera was recording was actually happening.
It was.
It stared.
::A.R.T.:: It said, alarmed, ::...What are you doing?::
The light, casual response was, ::What?::
“So, now that we have that confusion out of the way…”
Tarik didn’t seem to understand that what had just happened, and what was currently ongoing, was not supposed to happen.
He was injured, and A.R.T. knew this, and knew the extent of his injury. Murderbot didn’t, but it was apparently the kind of injury that made it painful to stand for long periods of time. This was one of the complications Dr. Bharadwaj had developed after almost being eaten during the GrayCris incident.
A.R.T. knew about Tarik’s injury, and would have intimate knowledge of how it would impact him. But it hadn’t offered him a seat until he’d explicitly asked for one. And then it had waited long enough between being asked to do it and actually doing it to make it clear it was only doing so begrudgingly.
And then it had provided a purposefully uncomfortable, awkward bench. A bench so badly designed it hardly even deserved the name. In medbay. For its crew member who it knew was was injured and in pain.
Um, what in the absolute fuck?
Murderbot was used to A.R.T. being an asshole to itself, and even to its humans, but this was a new low. Especially after A.R.T. had risked Murderbot’s life and the lives of its humans in order to rescue its own crew. And now it wasn’t even treating them well?
::What is wrong with you?:: Murderbot demanded.
::Nothing is wrong with me.:: A.R.T. replied simply.
“Besides man, male, boy, guy, dude, woman, female, girl, gal, and dudette, and other things like that, are there any other specific gender terms you at least know you want me to avoid?” Tarik continued, obliviously friendly. Or at least pretending to be oblivious.
Now Murderbot was flipping out for a different reason. It could handle A.R.T. being mean to itself; it was used to being treated badly. But this was a member of its crew, A.R.T. was supposed to care about them.
“Um.”
Normally it was good at multitasking. But it wasn’t normally lying in a sub-optimally functioning medical chamber with a bunch of open wounds while wondering if the sentient transport it was relying on not only for its own health, but for the safety of everyone else on board it cared or at least vaguely knew about, had something seriously impairing its moral decision making processes, or if it always went around bullying everyone it met, not just Murderbot.
You know, like that whole thing that just happened that landed them all in this mess in the first place.
For a few long seconds Murderbot couldn’t figure out if it would be safer for Tarik to stay here where it could see him, or to dismiss him so maybe he’d have a tiny fraction less of A.R.T.’s attention on him. Murderbot could at least be relieved that A.R.T. wasn’t paying any direct attention to Murderbot’s humans, asleep and helpless in the guest quarters.
“Can I…” fuck, what did the humans say? “Get back to you on that, Tarik? I’m suddenly feeling really tired.” That was a good excuse, though ‘tired’ didn’t even begin to cover what it was feeling. But it guessed existential dread is also form of tiredness.
“Oh! Yes, of course, you need your rest.” Tarik said quickly, and awkwardly slid off the bench, wincing visibly when his feet hit the ground, which did nothing, at all, to help. He bowed a little, which Murderbot hadn’t been expecting, and said, “Thank you for the conversation, SecUnit, it was really nice meeting you. Maybe we can talk some more some other time when you’re feeling better.”
“You too.” It said. Which didn’t even make any sense.
But either Tarik didn’t notice, or he was polite enough not to point it out.
He gave a little wave, and then limped – literally, actually limped! -- out of the room. Murderbot watched him first with the drone it had in the room, then the one it had outside the door, and then he was out of its range entirely.
::Let’s watch Worldhoppers: Ascended again.:: A.R.T. said, like nothing in the world was wrong. Like Murderbot had no reason to panic, like it had no reason to be upset or angry or afraid or have any kind of mental breakdown at all.
Like A.R.T. had told Murderbot, and all its humans just hours before — they weren’t being held here here against their will, they knew where the door was and could kill themselves anytime they wanted.
They were completely at its mercy. A.R.T. had a history of treating Murderbot like crap, thought the threat of its humans being killed was an acceptable risk, and A.R.T. didn’t even treat its own crew well, even though it had risked the lives of Murderbot’s people to rescue them.
Murderbot couldn’t do anything except say, “Okay,” and put on the first pilot episode.
#fanfiction#Murderbot fanfiction#The Murderbot Diaries#Network Effect#Tarik Murderbot Diaries#Rjalker reads The Murderbot Diaries#Rjalker writes untitled fanfiction#now with a title but I'm NOT changing the tag#Murderbot#SecUnit#Symptom of Something Worse#Asshole Research Transport#ititspronouns#neopronouns in action#it/its
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Midnight in the Burned House
Chapter 2
[This article was removed from HoloNet News Online for violating the Ministry of Information’s Code of Conduct regarding journalistic integrity. It is being preserved in the Bygone Archive solely for the purpose of keeping accurate records. The Bygone Archive does not endorse any of the messages contained in this article. Long live the Emperor.] Life, Liberty, and the Loss of Hope: The Art of Jedi Knight Theudemer By Cathalene Guiomar There are few people as polarizing in the art world as Jedi Knight Selelina Theudemer. Senator Amedda’s crusade against her artwork is well-documented, and for years her work has been a point of contention in galleries across the galaxy.
[[MORE]]
Selelina Theudemer was an Alder-Espirion Jedi. As a Padawan, in-between her Jedi duties, she briefly studied as a guest student at the Alderaan Academy of Fine Arts, and her painting Wind Rising hung in the Alderaanian Royal Palace. As an adult, Theudemer became a well known painter, and before the war, she specialized in subversive works challenging the status quo. “There’s a lot of stigma on Coruscant regarding what people call ‘non-traditional lifestyles’,” Theudemer said in a 7953 interview with the Holonet News. “I want to protest that stigma, and show the world that we’re all just people trying to live the best we can in the end.” In that same interview, Theudemer confessed that her works were inspired by her experiences as a Jedi. “Growing up in the Order, you’re constantly exposed to cultures different from your own,” Theudemer admitted. “I want to help elevate the voices of the marginalized, and celebrate our differences. If ignorant people take offense to it, that’s their problem.” And take offense to it, people did. For every gallery that showed of Theudemer’s work, another banned it. Senator Amedda in particular was one of the largest voices opposing Theudemer, claiming in a press conference that her work was “degenerate” and “offensive to any good Republic citizen.” One piece in particular which Senator Amedda often cited as being “morally defunct” was Theudemer’s work Separation, a painting in which a nude Twi’lek man is shown sitting with his knees pulled up to his chest. The man is seated on the middle right side spoke of a broken version of the Galactic Roundel, on a circular canvas that has been carefully split in half. Separation has been criticized for supposedly being anti-Republic and anti-democracy. When asked, Theudemer denied the allegations of being a traitor, claiming that it was perfectly within her right as a Republic citizen to criticize the government she lived under. “Knight Theudemer is a brilliant artist and Jedi,” Master of the Order Mace Windu said when asked about the controversy regarding Separation. “She’s a credit to both the Order and the Republic, and we’re honored to have her in our ranks.” After the war began, Theudemer served as the Jedi General for the 445th Siege Battalion and dropped out of the art world almost entirely. The few works she did put out during the war focused on the struggles of the clone troopers she served with and were notably bleaker than her past works, tending towards surrealism with muted color palettes. During the war, her work was frequently criticized by the Commission for the Protection of the Republic for not supporting the war effort, and for undermining the Republic with her portrayal of the clones as sentients who were suffering. Multiple motions were put forward by officials of the Grand Army of the Republic with the intent to remove her from service, but all of those motions were blocked by then-Chancellor Palpatine. As of this year, 7958, the Agency for Regulating Talent, better known by the acronym A.R.T. has outlawed her works, and Wind Rising no longer hangs in the Alderaanian Royal Palace. Instead, it now hangs Coruscant’s Gallery of Immoral Art. According to the Commission for the Preservation of the New Order, all of Theudemer’s other works have been either destroyed or suppressed for the safety of the people. Author’s Note: Theudemer herself is suspected to have been executed during the Great Jedi Purge, but due to the Empire’s refusal to release casualty lists, this is currently unconfirmed.
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I’ve also considered thoughts of inserting Sage into other continuities, like so.
Adventures of Sonic the Hedgehog: For this to work in my opinion, Sage would have to replace Robotnik, Jr., and unlike that kid robot, who immediately got Robotnik's approval before they had a falling out, I can imagine that Sage would initially disappoint her father with her sensible attitude before she ultimately showed just how loyal and protective she is of him. They'd continue to work together in opposing Sonic and keeping Mama Robotnik away from them, but I can see Sage trying to be supportive of all her Badnik siblings to the point of playing matchmaker between Breezie and Sonic and actually considering that succeeding her victory when Robotnik's own plan failed. She'll might try to make a healthy romance between her Dad and Katella, too.
Archie Sonic: Discounting the similar-looking Phage from the reboot, both Robotnik Prime (King Gong and E.V.E.) and Robo-Robotnik/Eggman (Mecha and A.D.A.M.) each had an artificial son and daughter respectively. For Sage to play a role, I think she has to be around even before Julian Kintobor was tried for treason by the Overland. I can see Julian slowly yet surely coming to confide in Sage about his frustrations with the family and society he was born into and how he doesn't even like his own birth name, which they would share a laugh about since while Sage likes "Julian," she sees no etymological sense in "Kintobor." When Julian is then arrested and tried by his own older brother, Sage works with the still loyal Snively to break Julian and intentionally directs them both to seek asylum with the Kingdom of Acorn upon learning of the connection King Maximilian had with Julian's scientific mentor, Nate Morgan. As the years pass by, and Julian becomes Doctor Ivo Robotnik, Sage would be seen as his treasured heiress, even as she speaks in Snively's defense among others, and actually helps her cousin be kept up to date on the younger Hope Kintobor.
Sonic the Comic: This Robotnik didn't create a robotic child as far as I know, but I can see Commander Brutus, whose mind was based on his creator's brain patterns, being replaced with Sage who advises more of a handed than fisted rule before ultimately deciding that her father should rule with fear of force whether than force itself all for the sake of keeping the Robotnik Empire intact. Robotnik would still fall from power, but I can see him having a slightly better last Christmas in power with Sage by his side.
Sonic Underground: Replacing A.R.T., Sage would serve her creator to the best of her ability, yet would become distracted upon the Hedgehogs introducing her to music before ultimately remaining loyal to Robotnik.
Sonic Boom: Depending on the time, I can imagine Sage being around as far as the first episode, or until the episode Mombot would have debuted in. Either way, I can imagine that just as she would be supportive of her large family in its entirety, Eggman would work hard in either building a version of the Copybots from Mega Man Battle Network just for Sage, or unlocking the solid hologram code as science fiction sometimes depicts.
Sonic the Hedgehog: The Animated Series: It would have to mean replacing Cluck the pet, but I can indeed see Sage still being the apple of her father's eye and her relationship with Snively would turn sour as he starts to call Robotnik names under his breath and ultimately betrays him, even though she initially sympathized with him for the abuse he got.
Sonic X: Depending on how it would go, Sage would have to be either in Bokkun's place or be his responsible sister, but I think it would work out between her and Eggman, still.
Paramount Sonic: The movies as I see them, would have Sage be Robotnik's developing "JARVIS" to his evil "Tony Stark."
Sonic Prime: Probably just a brief cameo before everything shatters.
No ideas for the OVA, the non-translated works, or some other minor materials.
Any thoughts?
These are all pretty well thought out and unique takes on incorporating Sage into their respective continuities. I particularly like the idea of Sage being a black sheep in her 'family' for the simple fact that she's the sole member of the family with any kind of sense.
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vimeo
Aya Ogawa - The Nosebleed from the chocolate factory theater on Vimeo.
Written and Directed by Aya Ogawa. Performed by Drae Campbell, Haruna Lee, Peter Lettre, Aya Ogawa, Saori Tsukada and Kalli Turner. Set and Costume Design by Jian Jung. Lighting Design by Jeanette Oi-Suk Yew. Production Stage Manager: Lenyn Hernandez Marcia. Assistant Director / Assistant Stage Manager: Julia Izumi. Produced by John Del Gaudio.
Co-Presented with Japan Society.
Japanese-American playwright/director Aya Ogawa presents this final version of their intimate autobiographical piece that explores their fractured relationship with their long-deceased, enigmatic father. Since the show’s sold-out work-in-progress showings at Brooklyn Arts Exchange and The Public Theater’s Under the Radar Incoming! Series, downtown theatergoers have been anticipating the premiere of The Nosebleed. Through a series of turbulent, absurd and poignantly comic vignettes, Ogawa reveals the seemingly insurmountable cultural and generational gap between himself and their father, who was a typical Japanese corporate businessman, and examines the questions faced by the playwright in their own motherhood experience today. A theatrical memorial and healing ritual for the audience, this darkly humorous, tender and inventive play considers how we inherit and bequeath failure, and what it takes to forgive.
The Nosebleed is co-presented by The Chocolate Factory Theater and Japan Society. The Nosebleed was developed in part through the Parent Artist Space Grant and AIR Program at Brooklyn Arts Exchange and The Public Theater’s Devised Theater Working Group/Under the Radar Incoming! Series. Subsidized studio space provided by The Play Company through the A.R.T./New York Creative Space Grant, supported by the Andrew W. Mellon Foundation. Support for The Nosebleed was provided by a residency at Mount Tremper Arts and The Made in NY Women’s Film, TV & Theatre Fund by the City of New York Mayor’s Office of Media and Entertainment in association with The New York Foundation for the Arts.
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my sister when i showed her finding neverland for the first time:
is that jeremy jordan?-doesn't wait for an answer-i guess i should have assumed.
#first of all#i thought she knew#and second#yes she should assume at this point#finding neverland#a.r.t. version#jeremy jordan
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Blog post and linked up tracklists are [HERE]
Part 1 Tracklist
Tracklist (Part 1)
01. Wishbone Ash - Time Was - (MCA) 02. Love Inks - Rock On - (Hell, Yes! Records) 03. Rachel Sweet - It's So Different Here (Stiff Records) 04. Shuggie Otis - Aht Uh Mi Hed - (Epic) 05. Elkin & Nelson - Carnavalito 1 - (CBS) 06. Supermax - Nightgroove (Long Version) - (Hansa) 07. Alan Parsons Project - Wouldn't Want To Be Like You (Rough Mix) - (Arista) 08. Telex - Victime de la Société - (Vogue) 09. Bob Chance - It's Broken - (Morrhythm Records) 10. Klaps - All the Way You Move (Dub Version) - (Cynetic Records) 11. New Jersey Connection - Love Don't Come Easy (Space Ranger Edit) - (Plimsoll) 12. Bibi Flash - Histoire d'1 Soir - (Clever) 13. Sandy Marton - People From Ibiza - (Ibiza Records) 14. Dur-Dur Band - Dooyo - (Awesome Tapes From Africa) 15. Bombers - Supermax - (West End Records) 16. Kabbala - Ashewo Ara - (Red Flame) 17. Queen Samantha - Take A Chance - (T.K. Disco) 18. Ole I'Dole - Space, Action, Sex og Blod - (Notabene Records) 19. The Cure - Why Can't I Be You (Young Edits Remix) - (Not On Label) 20. Blind Date - Your Heart Keeps Burning - (Ariola)
Part 2
Part 2 Tracklist
Javier Bergia - Himalaya - (Emotional Rescue)
Fϋxa - Cool Breeze - (Emotional Response)
Session Victim - See You When You Get There - (Delusions Of Grandeur)
Vision Of Panorama - Southern Breeze - (Aficionado Recordings)
Up, Bustle & Out - Silks, Perfumes & Gold - (Ninja Tune)
A.R.T Wilson - Sun Sign Cancer - (Growing Bin Records)
Akasha - Brown Sugar (PFM Cosmic Journey Mix) - (Wall Of Sound)
Tempelhof & Gigi Masin - Session One - (Throne Of Blood)
Kate Bush - Running Up The Hill (Heavy Disco Edit) - (Modern Artifacts)
Khruangbin - A Calf Born In Winter - (Late Night Tales)
Alexander Aultman - Today, One Year Ago - (Touched - Music For Macmillan Cancer Support)
Secret Circuit - Straightline - (Emotional Response)
Gunnar Haslam - Nameless - (L.I.E.S)
Jagwar Ma - The Throw (Sound Of The Universe Remix Part 1) - (Multi Culti)
Jagwar Ma - The Throw (Sound Of The Universe Remix Parts 2 & 3) - (Multi Culti)
Cosmo Vitelli - Irritable - (Throne Of Blood)
Jana Kirschner - Idu - (Double Drop)
Bill Evans - Peace Piece - (Milestone Records)
Downloads available via Hearthis - [PART 1] // [PART 2]
#mixamorphosis#dj mix#soundcloud#music#eclectic#The Starkiller#Different Strokes#Box Frequency#Wishbone Ash#Love Inks#Rachel Sweet#Shuggie Otis#Elkin & Nelson#Supermax#Alan Parsons Project#Telex#Bob Chance#Klaps#New Jersey Connection#Bibi Flash#Sandy Marton#Dur-Dur Band#Bombers#Kabbala#Queen Samantha#Ole l'Dole#The Cure#Blind Date#Javier Bergia#Füxa
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My bootleg collection
Updated on 18.02.2024
Finally I had the time to update my list , in the past year I've acquired quite a lot of nft's and I didn't want to post them if i coudn't trade them so i had to write a lot done. I've also made a colour coordination to be easier to spot audios from videos and to spot limited , rare and NFT trades.
I will also try and look for cast to the shows that doesn't have cast written.
I'm listing first my top actors and then alphabetically. You have at the bottom online concerts.
Colour coordination
Audios with pink
Proshot with purple
Limited trade with orange
Rare trades with red
NFT with blue
Rules :
Be nice and uphold your deal on trading.
Trading normal videos 1:1 or 2 audios.
Limited trade videos 2:1 or 4 audios.
Rare trade videos 3:1 or 6 audios.
If you ask first for a bootleg , send me your list and upload first and send the links before I send you the link. (I already been short scammed for bootlegs.)
Wants
1. Any videos of my favourite actors and actress from down bellow that I don't have already.
2. The last five years , video , West end 2016 with Jonathan Bailey as Jamie
3. Company , video , West end , 2018 with Jonathan Bailey
4. if theres any sex with stragers play in Londion with Theo James , audio or video
5. &juliet with Alex Romeo that I don't already have , preferably him with goatee from December 2019
6. &juliet crazy second cover madness with Danielle Juliet , Dillon Romeo and Alex Tranter Shakespeare if it exists
8. Bonnie & Clyde , San Diego 2009 with Stark Sands as Clyde
9. Any Zachary Levi videos that I don't have .
10. Pretty woman , West end ,with Ben Darcy especially in cover roles Stuckey , Giulio , Edward ( from the tour 2023/2024)
11. Soho Cinders, West end 2019 with Ben Darcy that i don't have
12. Bat out of hell , West end with Jordan Luke Gage that I don't have
13. Heathers west end 2021 with Christina Benington and Jordan Luke Gage or any Chris Parkinson cover roles
14. Taboo , UK with Jordan Luke Gage
15. Hair , uk ,2020 with Jordan Luke Gage , Grace Mouat , Danielle Fiamanya
16. Six , West end with Grace Mouat in all their covers
17. Killer Joe , London 2018 with Orlando Bloom
18. Everybody is talking about Jamie , West End with Layton Williams
19. Hamilton , West End , from 2020-2022 with Matthew Caputo is his ensemble cast and in his King George role
20. Any White Christmas , West End from 2018 or 2019 video
21. Any videos with Alex Tranter in it.
22. Grease , West end 2022/2023 with Jocasta Almgill and Peter Andre
23. Any videos with Damon Gould
24. Beautiful : the Carole King Musical , WE , 2015 , video , Cassidy Janson
Aaron Tveit
• Grease Live , 2016 proshot with Vanessa Hudgens , Julianne Hugh , Jordan Fisher
• Hairspray , US Tour , 13.12.2005
• Les Miserables , 2012 , movie
• Moulin Rouge , Broadway
1. Dec 2019 with Karen Olivo (1h55m)
2. Jan 2020 with Ashley Loren (1h46m)
3. Jan 2020 with Amber Ardolino and Dylan Paul as Duke (1h52m)
4. Date unknown with Karen Olivo ? ( Full show with full wide stage , no close ups and medium quality , includes bows ) (2h27m)
5. 1 Oct 2021 , AUDIO with Natalie Mendoza
6. 04.09.2023 . AUDIO
• Rent , Hollywood Bowl , 04/2010
• Saved ! The Musical , 2008
• Wicked , Broadway , as Fiyero , date unknown
• Next to Normal , pre-Broadway/Arena Stage , 21 December 2008
Catch me if you can , Broadway , 04.09.2011 , AUDIO , as Frank Abagnale Jr.
Jeremy Jordan
• Parade , Lincoln Central Concert , 16.02.2015
• Bonnie and Clyde
1. obc
2. concet , London , 2022 , with Francis Mayli McCann - Bonnie , AUDIO
• Finding Neverland , Original A.R.T. , 2014
• Heathers , US , concert version
Little shop of horrors
1 .off Broadway, AUDIO , 21.09.2021 , opening night
2. off Broadway, AUDIO , 9.01.2022 , last show
3. off broadway , video , 01 sept 2021 , starcuffedjeans master
jeremy jordan (seymour), tammy blanchard (audrey), christian borle (orin & others), tom alan robbins (mushnik), aaron arnell harrington (voice of audrey ii), salome smith (ronnette), aveena sawyer (crystal), joy woods (chiffon), teddy yudain (derelict/audrey ii manipulation), eric wright (audrey ii manimulation), chelsea turbin (audrey ii manipulation)
• Newsies
The Broadway Musical , 2017 , proshot
2. Broadway , July 29 , 2012
• Waitress , Broadway , April 2019 as Dr Pomatter
• West Side Story , Hollywood Bowl concert
Bombshell , actor fund benefit concert , US , 2020
Rock of Ages , US , 2009 , AUDIO
The Great Gatsby , Broadway , 11.11.2023 , AUDIO
Skylar Astin
• Into the woods , hollywod bowl , 28/07/2019
• Spring Awakening
Broadway , February 10 , 2007 , with Jonathan Groff
Broadway , May 18 , 2008 , with Jonathan Groff , Leah Michelle
• Rent , Hollywood Bowl , April 2010
Little shop of horrors , Broadway , 2 July 2022 , audio
Ryan McCartan
• Frozen , Broadway , 2020 as Hans with Ciara Reneé
• The Rocky Horror Picture Show : Let's Do The Time Warp Again , 2016 proshot
• Wicked , Broadway , 2018 or 2019 as Fiyero
Heathers , off-Broadway , March 24 , 2014 , previews , act 1 only (GIFTED UPON REQUEST)
Heathers , off Broadway , AUDIO , last show
Ciara Renée
• The Hunchback of Notre Dame , US , La Jolla Playhouse , as Esmeralda
• Frozen , Broadway , 2020 , as Elsa
• Waitress
Broadway , AUDIO , 29.11.2021 , as Jenna
Broadway , 4 Dec 2021 , with Joshua Henry
Hamilton , workshop , US , AUDIO , May 5 , 2014 as Peggy Schuyler/Maria Reynolds
Pippin , Broadway Revival , June 2014 as the main player
Vanessa Hudgens
• Gigi , Broadway , 28.03.2015
• Grease Live , 2016 , proshot
• Rent , Hollywood Bowl , April 2010
• Rent Live , 2019 , proshot
Tick Tock Boom , 2021 , movie
Jordan Fisher
• Grease Live , 2016 , proshot
• Rent Live , 2019 , proshot
• Dear Evan Hansen
Broadway , 2020
11.12.2021 , reopening
Hamilton , Broadway , 26.12.2016 as John Laurens/ Philip Hamilton , AUDIO
Michael Luwoye alt Hamilton , Elizabeth Judd u/s Elizabeth, Andrew Chappel u/s Aaron Burr , Jevon McFerrin s/b Hercules Mulligan/ James Madison , Rory O'Malley u/s King George .
Notes : Andrew Chappelle's second time as Aaron Burr. Recorded from front row.
Sweeney Todd
Broadway , 26.02.2023 , AUDIO
Jake Gyllenhaal
Sunday in the Park with George
Little Shop of Horrors , Broadway Encores! , 2 July 2015 , sunsetblvd79 master
Jake Gyllenhaal (Seymour), Ellen Greene (Audrey), Joe Grifasi (Mushnik), Taran Killam (Orin), Eddie Cooper (Audrey II), Marva Hicks (Crystal), Ramona Keller (Ronnette), Tracy Nicole Chapman (Chiffon)
Jordan Luke Gage
Taboo , WE , 31.03.2013 , AUDIO
Bat Out of Hell , WE
Aug 2018 , act 1 with Christina - Raven
12.12.2018 , Georgia Raven , Barney Strat at the end
& Juliet , WE ( check list )
Heathers , WE
West End , June 2021 , highlights only , with Jordan Luke Gage as JD , Christina Benington as Veronica , Chris Parkinson , Jodie Steel , Frances Mayli McCann , Ross Harmon , Joaquin Pedro Valdes (LIMITED TRADE)
2. West End , July 2021 , Jordan Luke Gage as JD , Christina Benington as Veronica , Chris Parkinson , Jodie Steel , Frances Mayli McCann , Ross Harmon , Joaquin Pedro Valdes etc (LIMITED TRADE)
3. West End , July 2021 (hitmewithyourbethshot master) , Jordan Luke Gage as JD , Christina Benington as Veronica , Chris Parkinson , Jodie Steel , Frances Mayli McCann , Ross Harmon , Joaquin Pedro Valdes etc (LIMITED TRADE)
4. West End , Aug 2021 , (from forfivemoreminutes master) , Jordan Luke Gage as JD , Christina Benington as Veronica , Chris Parkinson , Jodie Steel , Frances Mayli McCann , Ross Harmon , Joaquin Pedro Valdes etc (LIMITED TRADE)
5. West End , September 2021 , highlights only , Jordan Luke Gage as JD , Christina Benington as Veronica , Chris Parkinson , Jodie Steel , Frances Mayli McCann , Ross Harmon , Joaquin Pedro Valdes etc (LIMITED TRADE)
Hair
04.09.2020 , AUDIO
11.09.2020 , matinee
Norwich , oct 2020
WE , june 2021
In Pieces , 2021 , proshot ,
Cast: Kyle Birch (Austyn), Amy Di Bartolomeo (Alex), Hiba Elchikhe (Sam), Jordan Luke Gage (Grey), Ross Harmon (Charlie), Beccy Lane (Jael), Danielle Steers (River), and Luke Street (Hunter), Erin Bell, Millie Cranston, Jack Dargan, Megan Cerys Holland, Rhianna Richards, Jason Leigh Winter
Bonnie & Clyde
West End , 29 may 2022 , Frances Mayli McCann - Bonnie , Jordan Luke Gage - Clyde , Natalie McQueen - Blanche , George Maguire - Buck , Cleve September - Ted , Ako Mitchell - Preacher , Pippa Winslow - Cumie Barrow / Governor Miriam Ferguson / Eleanore , Gracie Lai - Emma Parker / Stella , Alistair So - Sherriff Schmid , Alexander Evans - Henry Barrow/ Deputy Johnson , Ross Dawes , Captain Frank Hamer , Barney Wilkinson - Bud / Archie , Lauren Jones - Trish (RARE TRADE)
Light in the Piazza , concert , nov 2022 (rhythminme)
Bat Boy in concert
London , 31st oct 2023 , AUDIO
• &Juliet
1. 14 September 2019 , Manchester , incomplete
2. November 2019 , Miriam Teak Lee , no Grace Mouat , swing Sophie Usher
3. November 2019 , Grace Mouat Juliet Debut , swing Sophie Usher
4. December 2019 , Ivan DeFreitas Shakespeare , Chris Parkinson Lord Capulet
5. 02 January 2020 Matinee , No Danielle and Dillon with swing Sophie Usher and Chris Parkinson
6. January 2020 , only act 2 , Alex Tranter Romeo , Danielle Fiamanya Lady Capulet
7. February 2020 , Grace Mouat Juliet , Ivan DeFreitas Lance , Chris Parkinson Lord Capulet
8. 18 Feb 2020 , Grace Mouat Juliet , Kirstie Skivington Anne , Jaye swing (only act 1) (Kirstie's second Anne show) ( LIMITED TRADE )
9. March 2020 , very incomplete , Kirstie Skivington Anne Hathaway/April , Josh bathroom attendant , Billy Lord Capulet , Jaye Benvolio but cut out (LIMITED TRADE)
10. 12 March 2020 , matinee , Alex Romeo , Grace Juliet , Nate May , Dillon Frankie (LIMITED TRADE)
11. September 2022 , with all OG cast plus Alex Thomas Smith as May , Roshani Abbey as Lucy , Rhys Wilkinson as Richard.
12. & Juliet | West End | December, 2021 (1) | (LIMITED TRADE ) | MP4 (HD) |
Cast: Miriam Teak-Lee (Juliet), Jordan Luke Gage (Romeo), Oliver Tompsett (William Shakespeare), Cassidy Janson (Anne Hathaway), Alex Thomas-Smith (May), Melanie La Barrie (Nurse), Tim Mahendran (Francois), Alex Tranter (u/s Lance), Jocasta Almgill (Lady Capulet/Nell), Chrisopher Parkinson (s/w Lord Capulet/Fletcher), Kirstie Skivington (Eleanor/Benvolio), Antoine Murray-Straughan (Augustine), Nathan Lorainey-Dineen (Gregory). Billy Nevers (s/w Cuthbert), Rhian Duncan (Imogen), Grace Mouat (Judith), Kieran Lai (Kempe), Abiola Efunshile (s/w Viola), Kerri Norville (Susanna)
Notes: Full HD camshot video of Alex's Lance debut! This was my first time filming a video on camera and it definitely shows, but the quality improves as the video goes on. Video starts just after Larger Than Life and is complete apart from a short break in Show Me Love where my camera stopped filming for some reason. Act 1 is mostly clear aside from some heads at the bottom, people moved in front of me for Act 2 but I worked around them surprisingly well
13. & Juliet | West End | December, 2021 (2) LIMITED TRADE | MP4 (HD) |
Cast: Miriam Teak-Lee (Juliet), Jordan Luke Gage (Romeo), Alex Tranter (u/s William Shakespeare), Cassidy Janson (Anne Hathaway), Alex Thomas-Smith (May), Melanie La Barrie (Nurse), Tim Mahendran (Francois), Ivan De Freitas (u/s Lance), Jocasta Almgill (Lady Capulet/Nell), Chrisopher Parkinson (s/w Lord Capulet/Fletcher), Kirstie Skivington (Eleanor/Benvolio), Antoine Murray-Straughan (Augustine), Nathan Lorainey-Dineen (Gregory). Billy Nevers (s/w Cuthbert), Abiola Efunshile (s/w Viola), Grace Mouat (Judith), Kieran Lai (Kempe), Roshani Abbey (Lucy), Kerri Norville (Susanna)
Notes: First known video of Alex as Shakespeare! I'm still inexperienced at filming so shaking, wandering, and some weird zooms are present, but overall very watchable. Act 1 is almost completely unobstructed, Act 2 is filmed around a head in a awkward place and starts 7 minutes early (I pressed record too soon lmao). HD camshot up until just after Roar, with the last 7 minutes plus curtain call filmed on phone and included separately
14.& Juliet | West End | December, 2021 (3) | LIMITED TRADE | MP4 (HD) |
Cast: Miriam Teak-Lee (Juliet), Jordan Luke Gage (Romeo), Alex Tranter (u/s William Shakespeare), Kirstie Skivington (u/s Anne Hathaway), Nathan Lorainey-Dineen (u/s May), Melanie La Barrie (Nurse), Billy Nevers (u/s Francois), David Bedella (Lance), Roshani Abbey (u/s Lady Capulet/Nell), Chrisopher Parkinson (u/s Lord Capulet/Fletcher)
Notes: A cut show with some fun covers on! The first time Nathan and Billy have been on together as May and Francois and the chemistry is amazing. Act 1 isn't the best, fairly shaky at times and drifts around a lot, this somewhat improves for Act 2. A little Billy-centric and occasionally becomes an Abiola/Roshani fancam when Miriam and Jordan bore me in Act 2.
15. & Juliet | West End | January, 2022 (1) | LIMITED TRADE | MP4 (HD) |
Cast: Grace Mouat (alt Juliet), Alex Tranter (u/s Romeo), Oliver Tompsett (William Shakespeare), Cassidy Janson (Anne Hathaway), Alex Thomas-Smith (May), Melanie La Barrie (Nurse), Tim Mahendran (Francois), David Bedella (Lance), Jocasta Almgill (Lady Capulet/Nell), Ivan De Freitas (Lord Capulet/Fletcher)
Notes: Good capture of Grace and Alex on together as Juliet and Romeo with minimal obstruction and a little noticeable washout on wider shots. Includes bows and some of the pre-show. Abiola swung on for Grace’s track and also played Vaseline due to a lack of female ensemble members. Ensemble also had noticeably fewer costume changes for unknown reasons. Cassidy had a particularly emotional That’s The Way It Is and Grace was amazing as ever
16. & Juliet | West End | January, 2022 (2) | LIMITED TRADE | MP4 (HD) |
Cast: Grace Mouat (alt Juliet), Jordan Luke Gage (Romeo), Oliver Tompsett (William Shakespeare), Cassidy Janson (Anne Hathaway), Christopher Parkinson (u/s May), Melanie La Barrie (Nurse), Tim Mahendran (Francois), Ivan De Freitas (u/s Lance), Roshani Abbey (s/w Lady Capulet/Nell), Billy Nevers (s/w Lord Capulet/Cuthbert)
Notes: Fantastic capture of Chris’ debut as May! Ivan and Chris-centric but there are some nice moments for everyone. Almost completely unobstructed and captures the entire show including bows (apologies for the loud cheering)
17.& Juliet | West End | January, 2022 (3) | LIMITED TRADE | MP4 (HD) |
Cast: Miriam Teak-Lee (Juliet), Jordan Luke Gage (Romeo), Alex Tranter (u/s William Shakespeare), Jocasta Almgill (u/s Anne Hathaway), Alex Thomas-Smith (May), Melanie La Barrie (Nurse), Tim Mahendran (Francois), Ivan De Freitas (u/s Lance), Roshani Abbey (s/w Lady Capulet/Nell), Billy Nevers (s/w Lord Capulet/Cuthbert)
Notes: Good capture of Jocasta’s full-show debut as Anne! Very Jocasta-centric (I may have gotten a little over-excited about her debut) but all the action is captured well. A few very brief dropouts towards the start due to usher activity.
18. & Juliet | West End | January, 2022 (4) | LIMITED TRADE | MP4 (HD) |
Cast: Miriam Teak-Lee (Juliet), Jordan Luke Gage (Romeo), Ivan De Freitas (u/s William Shakespeare), Jocasta Almgill (u/s Anne Hathaway), Alex Thomas-Smith (May), Melanie La Barrie (Nurse), Tim Mahendran (Francois), David Bedella (Lance), Roshani Abbey (s/w Lady Capulet/Nell), Billy Nevers (s/w Lord Capulet/Cuthbert)
19. & Juliet | West End | February, 2022 (2) | LIMITED TRADE | MP4 (HD) |
Cast: Miriam-Teak Lee (Juliet), Kirstie Skivington (u/s Anne), Oliver Tompsett (Shakespeare), David Bedella (Lance), Alex Thomas-Smith (May), Jordan Luke Gage (Romeo), Melanie La Barrie (Nurse), Tim Mahendran (Francois), Abiola Efunshile (s/w Viola), Jaye Marshall (s/w Margaret), Billy Nevers (s/w Cuthbert), Sophie Usher (s/w Gwynne)
Notes: Fantastic capture of Kirstie’s last scheduled show as Anne! Occasional obstruction at the bottom of the screen from a railing but completely clear aside from that. This video is a total Kirstie fancam and I’m not even sorry <3
20.& Juliet | West End | February, 2022 (3) | LIMITED TRADE | MP4 (HD) |
Cast: Roshani Abbey (u/s Juliet), Cassidy Janson (Anne), Oliver Tompsett (Shakespeare), David Bedella (Lance), Christopher Parkinson (u/s May), Jordan Luke Gage (Romeo), Melanie La Barrie (Nurse), Tim Mahendran (Francois), Jaye Marshall (s/w Margaret), Billy Nevers (s/w Cuthbert), Sophie Usher (s/w Gwynne)
Notes: Great capture of Roshani’s last scheduled show as Juliet! Video starts just after Larger Than Life. Shot from the stalls with minor obstruction from heads, I opt for a lot of wider shots here but the focus is still very much on Roshani. Occasional issues with camera focus and washout aside, this is a great video of a great show
21.& Juliet | West End | February, 2022 (4) | LIMITED TRADE | MP4 (HD) |
Cast: Miriam-Teak Lee (Juliet), Cassidy Janson (Anne), Kirstie Skivington (e/c Anne), Oliver Tompsett (Shakespeare), David Bedella (Lance), Nathan Lorainey-Dineen (u/s May), Jordan Luke Gage (Romeo), Jocasta Almgill (u/s Nurse), Tim Mahendran (Francois), Roshani Abbey (u/s Lady Capulet/Nell), Ivan De Freitas (Lord Capulet/Fletcher), Abiola Efunshile (s/w Viola), Josh Baker (s/w Thomas), Billy Nevers (s/w Cuthbert), Sophie Usher (s/w Gwynne)
Notes: Crazy show! Cassidy had to come off during Blow due to a leg injury and Jocasta covered some of her lines, with Kirstie taking over the role for the rest of the show after a brief show stop, and Sophie swinging on for her track. I must stress, this is a fancam boot, and I mean it when I say fancam. Sometimes I follow the action, sometimes I spend a whole song zoomed on various actors (more details provided upon request). At times this severely impacts your ability to follow the story and I would not recommend this video unless you know the show well
22. & Juliet | West End | March, 2022 (1) | LIMITED TRADE | MP4 (HD) |
Cast: Grace Mouat (alt Juliet), Jocasta Almgill (u/s Anne), Oliver Tompsett (Shakespeare), David Bedella (Lance), Nathan Lorainey-Dineen (u/s May), Jordan Luke Gage (Romeo), Melanie La Barrie (Nurse), Tim Mahendran (Francois), Roshani Abbey (u/s Lady Capulet/Nell), Christopher Parkinson (s/w Lord Capulet/Fletcher), Abiola Efunshile (s/w Viola), Josh Baker (s/w Thomas), Sophie Usher (s/w Gwynne)
Notes: Decent capture of Jocasta’s third full Anne show! Starts from just after Hit Me Baby due to forgetting to press record. The show was delayed due to problems with the stage, and there are multiple mic/sound issues throughout, particularly in Blow. A fair amount of wandering in this one due to an usher being literally directly behind me for half the show, and less close zooms than usual
23. & Juliet | West End | March, 2022 (2) | LIMITED TRADE | MP4 (HD) |
Cast: Grace Mouat (alt Juliet), Cassidy Janson (Anne), Oliver Tompsett (Shakespeare), David Bedella (Lance), Alex Thomas-Smith (May), Alex Tranter (u/s Romeo), Jocasta Almgill (u/s Nurse), Tim Mahendran (Francois), Jaye Marshall (s/w Lady Capulet/Margaret), Ivan De Freitas (Lord Capulet/Fletcher), Abiola Efunshile (s/w Viola), Josh Baker (s/w Thomas), Billy Nevers (s/w Cuthbert)
Notes: Good capture of Jaye’s Lady Capulet debut, and Alex/Jocasta’s last weekend of scheduled shows as Romeo/Nurse! Slightly shakier than usual for the first act and a half as I messed with the stability settings on my camera, and the view wanders during Problem while I change them back. Act 1 is almost completely unobstructed but one head moves into my shot for act 2
24. & Juliet | West End | March, 2022 (4) | LIMITED TRADE | MP4 (4K) |
Cast: Miriam-Teak Lee (Juliet), Kirstie Skivington (u/s Anne Hathaway), Oliver Tompsett (William Shakespeare), Jordan Luke Gage (Romeo), Billy Nevers (u/s Francois),Alex Thomas-Smith (May), Melanie La Barrie (Nurse "Angelique"), David Bedella (Lance), Jocasta Almgill (Lady Capulet/Nell), Ivan de Freitas (Lord Capulet/Sly), Jaye Marshall (s/w Margaret)
Notes: Good capture of Kirstie and Billy’s final shows as cover Anne and Francois! Both give strong emotional performances. Very minor obstruction from two heads at the bottom visible in some scenes. Video starts in the scene after Larger than Life but is otherwise full
25.& Juliet | West End | March, 2022 (5) | LIMITED TRADE | MP4 (4K) |
Cast: Miriam-Teak Lee (Juliet), Cassidy Janson (Anne Hathaway), Oliver Tompsett (William Shakespeare), Alex Thomas-Smith (May), David Bedella (Lance), Jordan Luke Gage (Romeo), Melanie La Barrie (Nurse "Angelique"), Tim Mahendran (Francois), Roshani Abbey (Lucy), Jocasta Almgill (Lady Capulet/Nell), Ivan De Freitas (Lord Capulet/Sly), Billy Luke Nevers (s/w Cuthbert), Christopher Parkinson (s/w Fletcher), Sophie Usher (s/w Gwynne), Josh Baker (s/w Thomas), Abiola Efunshile (s/w Viola), Jaye Marshall (s/w Margaret)
Notes: Obstructed 4K capture of the last show for Mel, David, Jordan, and the majority of the ensemble! An issue with my camera caused roughly 20 mins of the first act to have a white blur effect, this is cleared up by the end of Show Me Love. One extended dropout lasting for roughly 2 minutes of Confident due to a medical emergency in the row in front. Aside from this, most scenes are filmed nicely aside from minor wandering. The obstruction, while annoying, is worked around to the best of my ability.
26.& Juliet | West End | April, 2022 (2) | Partial | LIMITED TRADE | MP4 (4K)
Cast: Miriam-Teak Lee (Juliet), Cassidy Janson (Anne Hathaway), Alex Tranter (u/s William Shakespeare), Tom Francis (Romeo), Tim Mahendran (Francois), Alex Thomas-Smith (May), Keala Settle (Nurse "Angelique"), Julius D’Silva (Lance), Sophie Usher (s/w Lady Capulet/Gwynne), Ivan De Freitas (Lord Capulet/Sly), Benjamin Terry (s/w Thomas), Suki Wong (s/w Viola)
Notes: Decent capture of Alex as Shakespeare! Act 1 is only up to I Kissed A Girl, shot from the grand circle in between heads. Act 2 is full and a much better view from the dress circle
27.& Juliet | West End | April, 2022 (4) | LIMITED TRADE | MP4 (HD) |
Cast: Zara MacIntosh (alt Juliet), Cassidy Janson (Anne Hathaway), Oliver Thompsett (William Shakespeare), Tom Francis (Romeo), Tim Mahendran (Francois), Alex Thomas-Smith (May), Cassandra Lee (u/s Nurse "Angelique"), Julius D’Silva (Lance), Rachel Moran (s/w Lady Capulet/Margaret), Ivan de Freitas (Lord Capulet/Sly), Ebony Clarke (Susanna), Rhian Duncan (Imogen), Bessy Ewa (Lucy), Collette Guitart (Eleanor), Carl Man (Gregory), Christian Maynard (Kempe), Alex Tranter (Henry), Sophie Usher (s/w Gwynne), Rhys Wilkinson (Richard)
Notes: Fantastic HD capture of Zara's Juliet debut! Minor obstruction from one head blocking the right of the stage but worked around well. Minimal wandering and washout and just a few brief dropouts, particularly in the boring scene with all the men because my hand got tired. Full show is captured but the first 5 minutes are filmed very poorly, after the first song I move seats and the quality improves. Act 2 starts about a minute in.
28.& Juliet | West End | April, 2022 (5) | LIMITED TRADE | MP4 (4K) |
Cast: Miriam-Teak Lee (Juliet), Cassidy Janson (Anne Hathaway), Oliver Tompsett (William Shakespeare), Tom Francis (Romeo), Tim Mahendran (Francois), Benjamin Terry (u/s May), Cassandra Lee (u/s Nurse "Angelique"), Julius D’Silva (Lance), Sophie Usher (s/w Lady Capulet/Gwynne), Nathan Louis-Ferdinand (s/w Lord Capulet/Cuthbert)
Notes: Good capture of one of Benjamin’s first shows as May! Occasionally obstructed by my sleeve over the lens but a clear shot aside from that.
29. & Juliet | West End | April, 2022 (7) | LIMITED TRADE | MP4 (4K) |
Cast: Miriam-Teak Lee (Juliet), Collette Guitart (u/s Anne Hathaway), Oliver Tompsett (William Shakespeare), Tom Francis (Romeo), Christian Maynard (u/s Francois), Alex Thomas-Smith (May), Keala Settle (Nurse "Angelique"), Julius D’Silva (Lance), Rachel Moran (s/w Lady Capulet/Margaret), Ivan De Freitas (Lord Capulet/Sly), Jaz Terry (s/w Thomas), Suki Wong (s/w Viola), Nathan Louis-Ferdinand (s/w Cuthbert), Aaron Shales (s/w Fletcher)
Notes: Solid capture of Collette’s debut day as Anne! Mild obstruction, picture starts from after Larger Than Life but is otherwise full. Centres heavily on Collette. I uh… got a bit excited
30.& Juliet | West End | May, 2022 (3) | LIMITED TRADE | MP4 (4K) |
Cast: Bessy Ewa (u/s Juliet), Cassidy Janson (Anne), Oliver Tompsett (Shakespeare), Keala Settle (Nurse), Julius D’Silva (Lance), Tom Francis (Romeo), Alex Thomas-Smith (May), Christian Maynard (u/s Francois), Cassandra Lee (Lady Capulet/Nell), Ivan De Freitas (Lord Capulet/Sly), Sophie Usher (s/w Gwynne), Suki Wong (s/w Viola), Rachel Moran (s/w Margaret), Benjamin Terry (s/w Thomas), Aaron Shales (s/w Fletcher)
Notes: Sensational capture of Bessy’s debut as Juliet! Entirely unobstructed for act 1 aside from a bar rarely seen at the bottom of the screen, and shot between two heads for act 2 that are only visible in extreme wide shots. A part of Bessy’s Roar costume fell off and she had to hold it in place for half of the song.
31.& Juliet | West End | June, 2022 (1) | LIMITED TRADE | MP4 (4K) |
Cast: Zara MacIntosh (alt Juliet), Collette Guitart (u/s Anne Hathaway), Alex Tranter (u/s William Shakespeare), Tom Francis (Romeo), Tim Mahendran (Francois), Benjamin Terry (u/s May), Keala Settle (Nurse “Angelique”), Julius D’Silva (Lance), Sophie Usher (s/w Gwynne), Aaron Shales (s/w Fletcher)
Notes: Fantastic capture of Collette and Alex on in their covers together for the first time!. Almost entirely unobstructed, a brief dropout in Show Me The Meaning when the people in front of me get up and again when they return but complete otherwise. I take advantage of this clear view with wide shots where possible but can’t help myself from getting obligatory zooms on Zara and Collette
32.& Juliet | West End | June, 2022 (2) | Highlights | LIMITED TRADE | MP4 (4K) | Lasagna's video |
Cast: Zara MacIntosh (alt Juliet), Cassidy Janson (Anne), Oliver Tompsett (Shakespeare), Keala Settle (Nurse), Julius D’Silva (Lance), Carl Man (u/s Romeo), Alex Thomas-Smith (May), Tim Mahendran (Francois), Rachel Moran (s/w Lady Capulet/Margaret), Nathan Louis Fernand (s/w Lord Capulet/Cuthbert), Sophie Usher (s/w Gwynne), Benjamin Terry (s/w Thomas), Aaron Shales (s/w Fletcher)
Notes: Poorly shot highlights from Keala’s last weekend! Includes most of act 1 from the start through to the scene after Oops I Did It Again, and It’s My Life. Video wanders often and is fairly obstructed in places
33. Broadway - October 2022 , LIMITED TRADE
Master: catcherinewasamassivec
CAST:Lorna Courtney (Juliet), Betsy Wolfe (Anne), Stark Sands (Shakespeare), Melanie La Barrie (Nurse), Paulo Szot (Lance), Ben Jackson Walker (Romeo), Justin David Sullivan (May), Philippe Arroyo (Francois), Veronica Otim (Lady Capulet/Nell), Nicholas Edwards (Lord Capulet/Sly), Tiernan Tunnicliffe (Eleanor/Benvolio), Brandon Antonio (Richard), Virgil Gadson (Augustine), Megan Kane (Lucy), Bobby “Pocket” Horner (Rumour), Joomin Hwang (Kempe), Joe Moeller (Henry), Jasmine Rafael (Imogen), Matt Raffy (Gregory), Rachel Webb (Judith)
34. Juliet - Broadway , October, 2022 (2) - StarCuffedJeans , LIMITED TRADE
CAST: Lorna Courtney (Juliet), Betsy Wolfe (Anne Hathaway), Stark Sands (William Shakespeare), Ben Jackson Walker (Romeo), Philippe Arroyo (Francois), Justin David Sullivan (May), Melanie La Barrie (Nurse "Angelique"), Paulo Szot (Lance), Veronica Otim (Lady Capulet/Nell), Nicholas Edwards (Lord Capulet/Sly), Tiernan Tunnicliffe (Eleanor/Benvolio), Virgil Gadson (Augustine), Matt Raffy (Gregory), Joe Moeller (Henry), Jasmine Rafael (Imogen), Rachel Webb (Judith), Joomin Hwang (Kempe), Megan Kane (Lucy), Brandon Antonio (Richard), Bobby "Pocket" Horner (Rumour)
NOTES: This is mostly a Betsy fancam
35. & Juliet - Broadway , November, 2022 (2) - StarCuffedJeans , LIMITED TRADE
CAST: Lorna Courtney (Juliet), Betsy Wolfe (Anne Hathaway), Stark Sands (William Shakespeare), Daniel J. Maldonado (u/s Romeo), Philippe Arroyo (Francois), Justin David Sullivan (May), Melanie La Barrie (Nurse "Angelique"), Paulo Szot (Lance), Veronica Otim (Lady Capulet/Nell), Nicholas Edwards (Lord Capulet/Sly), Tiernan Tunnicliffe (Eleanor/Benvolio), Virgil Gadson (Augustine), Nico DeJesus (s/w Cuthbert), Matt Raffy (Gregory), Joe Moeller (Henry), Jasmine Rafael (Imogen), Rachel Webb (Judith), Joomin Hwang (Kempe), Megan Kane (Lucy), Bobby "Pocket" Horner (Rumour), Michael Iván Carrier (s/w Thomas)
NOTES: Daniel's romeo debut Michael was on for Brandon Antonio's track. Nico went on for Joomin's track mid-Act 1.
36. & Juliet - Broadway , November, 2022 (3) - StarCuffedJeans , LIMITED TRADE
CAST: Lorna Courtney (Juliet), Betsy Wolfe (Anne Hathaway), Stark Sands (William Shakespeare), Ben Jackson Walker (Romeo), Philippe Arroyo (Francois), Justin David Sullivan (May), Melanie La Barrie (Nurse "Angelique"), Paulo Szot (Lance), Veronica Otim (Lady Capulet/Nell), Nicholas Edwards (Lord Capulet/Sly), Tiernan Tunnicliffe (Eleanor/Benvolio), Virgil Gadson (Augustine), Matt Raffy (Gregory), Alaina Vi Maderal (s/w Gwynne), Joe Moeller (Henry), Rachel Webb (Judith), Joomin Hwang (Kempe), Megan Kane (Lucy), Brandon Antonio (Richard), Bobby "Pocket" Horner (Rumour)
37. & Juliet - Broadway , November, 2022 (5) - StarCuffedJeans , LIMITED TRADE
CAST: Lorna Courtney (Juliet), Betsy Wolfe (Anne Hathaway), Stark Sands (William Shakespeare), Brandon Antonio (u/s Romeo), Philippe Arroyo (Francois), Justin David Sullivan (May), Melanie La Barrie (Nurse "Angelique"), Paulo Szot (Lance), Veronica Otim (Lady Capulet/Nell), Nico DeJesus (s/w Lord Capulet/Cuthbert), Tiernan Tunnicliffe (Eleanor/Benvolio), Virgil Gadson (Augustine), Matt Raffy (Gregory), Alaina Vi Maderal (s/w Gwynne), Joe Moeller (Henry), Jasmine Rafael (Imogen), Rachel Webb (Judith), Joomin Hwang (Kempe), Megan Kane (Lucy), Michael Iván Carrier (s/w Thomas)
38. & Juliet | West End | December, 2022 (1) | LIMITED TRADE | MP4 (4K) |
Cast: Zara MacIntosh (alt Juliet), Cassidy Janson (Anne), Oliver Tompsett (Shakespeare), Malinda Parris (Nurse), Nicolas Colicos (Lance), Joe Foster (May), Rhys Wilkinson (u/s Francois), Tom Francis (Romeo), Cassandra Lee (Lady Capulet/Nell), Ivan De Freitas (Lord Capulet/Sly), Rachel Moran (s/w Margaret), Aaron Shales (s/w Fletcher), Sophie Usher (s/w Gwynne), Jaz Terry (s/w Thomas)
Notes: Great capture of Zara and Rhys on together as Juliet and Francois for the first time! Very minor camera fog between Show Me The Meaning and Show Me Love
39. & Juliet - Broadway , January 14, 2023 - shesmydoctor , Matinée , LIMITED TRADE
CAST: Lorna Courtney (Juliet), Betsy Wolfe (Anne Hathaway), Stark Sands (William Shakespeare), Ben Jackson Walker (Romeo), Philippe Arroyo (Francois), Matt Raffy (u/s May), Melanie La Barrie (Nurse "Angelique"), Paulo Szot (Lance), Brittany Nicholas (s/w Lady Capulet/Viola), Nicholas Edwards (Lord Capulet/Sly), Alaina Vi Maderal (s/w Gwynne/Benvolio), Virgil Gadson (Augustine), Daniel J. Maldonado (s/w Fletcher), Jasmine Rafael (Imogen), Rachel Webb (Judith), Joomin Hwang (Kempe), Megan Kane (Lucy), Brandon Antonio (Richard), Bobby "Pocket" Horner (Rumour), Michael Iván Carter (s/w Thomas)
NOTES: Great, unobstructed video focused on choreography, with a mix of close-ups and wider shots.
40. & Juliet | West End | February 2023 , Carl Man Shakespeare LIMITED TRADE
41. & Juliet , West End , Miriam and Carl Romeo , date unknown , LIMITED TRADE
42. & Juliet - Broadway , March, 2023 (1) - StarCuffedJeans , LIMITED TRADE
CAST: Rachel Webb (u/s Juliet), Tiernan Tunnicliffe (u/s Anne Hathaway), Stark Sands (William Shakespeare), Daniel J. Maldonado (u/s Romeo), Philippe Arroyo (Francois), Justin David Sullivan (May), Melanie La Barrie (Nurse "Angelique"), Paulo Szot (Lance), Brittany Nicholas (s/w Lady Capulet/Viola), Nico DeJesus (s/w Lord Capulet/Cuthbert), Alaina Vi Maderal (s/w Gwynne/Benvolio), Virgil Gadson (Augustine), Joe Moeller (Henry), Jasmine Rafael (Imogen), Joomin Hwang (Kempe), Megan Kane (Lucy), Kate Mina Lin (s/w Margaret), Brandon Antonio (Richard), Bobby "Pocket" Horner (Rumour), Michael Iván Carrier (s/w Thomas)
NOTES: starcuffed award for audience participation. Michael was on for Matt Raffy's track. Kate was on as Rosaline, Rachel Webb's track.
43. & Juliet | West End | March, 2023 (1) | LIMITED TRADE| MP4 (4K) |
Cast: Zara Macintosh (alt Juliet), Cassidy Janson (Anne), Oliver Tompsett (Shakespeare), Joe Foster (May), Nicolas Colicos (Lance), Tom Francis (Romeo), Malinda Parris (Nurse), Billy Luke Nevers (Francois), Ivan De Frietas (Lord Capulet/Sly), Rachel Moran (s/w Lady Capulet/Margaret) Sophie Usher (s/w Gwynne)
Notes: Great capture of Zara’s last show as Juliet! A little wideshot towards the start due to an usher spooking me but overall a beautiful, unobstructed capture of this beautiful show
44. & Juliet | West End | March, 2023 (2) | Closing Night | LIMITED TRADE | MP4 (4K) |
Cast: Miriam Teak Lee (Juliet), Cassidy Janson (Anne), Oliver Tompsett (Shakespeare), Joe Foster (May), Nicolas Colicos (Lance), Tom Francis (Romeo), Malinda Parris (Nurse), Billy Luke Nevers (Francois), Ivan De Frietas (Lord Capulet/Sly), Cassandra Lee (Lady Capulet/Nell)
Notes: Obstructed capture of the final performance of & Juliet on the West End! I worked my ass off filming around this huge goddamn head and I think I did a great job. Includes special bonus footage I took at the theatre after the show because I could not bring myself to leave
45.& Juliet - Broadway , August 19, 2023 - bikinibottomday , LIMITED TRADE
CAST: Lorna Courtney (Juliet), Betsy Wolfe (Anne Hathaway), Austin Scott (William Shakespeare), Joe Moeller (u/s William Shakespeare), Ben Jackson Walker (Romeo), Philippe Arroyo (Francois), Justin David Sullivan (May), Melanie La Barrie (Nurse "Angelique"), Paulo Szot (Lance), Veronica Otim (Lady Capulet/Nell), Daniel J. Maldonado (s/w Lord Capulet/Fletcher), Tiernan Tunnicliffe (Eleanor/Benvolio), Virgil Gadson (Augustine), Nico DeJesus (s/w Cuthbert), Matt Rafy (Gregory), Joe Moeller (Henry), Jasmine Rafael (Imogen), Rachel Webb (Judith), Joomin Hwang (Kempe), Megan Kane (Lucy), Bobby "Pocket" Horner (Rumour), Michael Iván Carrier (s/w Thomas)
NOTES: Excellent 4K capture of a unique performance! In the scene before "Oops!..." a show stop was called and the cast change from Austin to Joe was announced (included in audio only). Most of the kisses in this performance were adjusted due to COVID. Some minor head obstruction on the bottom that only blocks off action at the very front of the stage, and occasionally increased obstruction when the person in front was shifting / leaning forward. Some wandering / readjustment and unfocusing throughout. Includes curtain call, audio is fed from external source. Michael was on for Brandon Antonio, Nico swung on for Joe.
• &J AUDIOS
1. September 2019 , Manchester
2. 10.09.2019 , Manchester , first preview show
3. 20.09.2019 , Manchester
4. 28.09.2019 , Manchester
5. 7.10.2019 , West End
6. 10.10.2019 , West End
7. November 2019 , West End
8. 12.11.2019 , West End
9. 17.12.2019 , West End , Alex Romeo DEBUT
10. 2.01.2020 , matinee , West End
11. 6.01.2020 , West End , Nate May DEBUT , Jocasta Nurse
12. February 2020 , Alex Tranter Romeo
13. 14.02.2020 , West End , crazy Valentines Day , Dillon Scott-Lewis
14. 15.02.2020 , West End , act 2 Jocasta Almgill as Anne Hathaway
15. 17.02.2020 , West End , Kirstie Skivington Anne Hathaway DEBUT , Ivan Shakespeare
16. 18.02.2020 , West End , Kirstie Anne second show
17. 09.03.2020 , West End , last Jordan Luke Gage Romeo show
18. 11.03.2020 , West End , crazy second cover debuts , Alex Tranter Shakespeare , Danielle Fiamanya Juliet , Dillon Scott Lewis Romeo , Billy Luke Nevers Lord Capulet , Ivan DeFreitas Lance (LIMITED TRADE)
19. 14.03.2020 , West End , matinee , concert version , Alex Tranter Romeo , Danielle Fiamanya Juliet (LIMITED TRADE)
20. 24.09.2021 , West End , reopening night , OG cast + Roshani Abbey as Lucy , Rhys Wilkinson as Richard , Alex Thomas Smith as May
21. 11.10.2021 , West End , Roshani Abbey as Juliet , Chris Parkinson Lord Capulet , with Jaye as Margaret swing and Sophie Turner as Gwynne swing
22. 1.12.2021 Miriam Teak-Lee (Juliet), Jordan Luke Gage (Romeo), Oliver Tompsett (William Shakespeare), Cassidy Janson (Anne Hathaway), Alex Thomas-Smith (May), Melanie La Barrie (Nurse), Tim Mahendran (Francois), Alex Tranter (u/s Lance), Jocasta Almgill (Lady Capulet/Nell), Chrisopher Parkinson (s/w Lord Capulet/Fletcher), Billy Nevers (s/w Cuthbert), Abiola Efunshile (s/w Viola) Alex’s debut as his second cover Lance!
23. 2.12.2021 Miriam Teak-Lee (Juliet), Jordan Luke Gage (Romeo), Alex Tranter (u/s William Shakespeare), Cassidy Janson (Anne Hathaway), Alex Thomas-Smith (May), Melanie La Barrie (Nurse), Tim Mahendran (Francois), Ivan De Freitas (u/s Lance), Jocasta Almgill (Lady Capulet/Nell), Chrisopher Parkinson (s/w Lord Capulet/Fletcher), Billy Nevers (s/w Cuthbert), Abiola Efunshile (s/w Viola)
24. 11.12.2021 Miriam-Teak Lee (Juliet), Cassidy Janson (Anne Hathaway) / Jocasta Almgill (u/s Anne Hathaway), Alex Tranter (u/s William Shakespeare), Jordan Luke Gage (Romeo), Tim Mahendran (Francois), Nathan Lorainey-Dineen (u/s May), Melanie La Barrie (Nurse "Angelique"), Ivan de Freitas (u/s Lance), Jocasta Almgill (Lady Capulet/Nell) / Sophie Usher (s/w Lady Capulet/Gwynne) Christopher Parkinson (s/w Lord Capulet/Fletcher), Roshani Abbey (Lucy), Josh Baker (s/w Thomas), Rhian Duncan (Imogen), Abiola Efunshile (s/w Viola), Kieran Lai (Kempe), Grace Mouat (Judith), Billy Nevers (s/w Cuthbert), Kerri Norville (Susanna), Rhys Wilkinson (Richard)
N: Cassidy called out for Act 2 due to injury and so Jocasta took over as Anne and Sophie took over as Lady C, but no additional swing swung on for Sophie. Includes announcement of the cast change, cast board, bows and post-show fundraising speech.
25. 13.12.2021 , Miriam-Teak Lee (Juliet), Kirstie Skivington (u/s Anne Hathaway), Alex Tranter (u/s William Shakespeare), Jordan Luke Gage (Romeo), Billy Nevers (s/w Francois), Nathan Lorainey-Dineen (u/s May), Melanie La Barrie (Nurse “Angelique”), David Bedella (Lance), Roshani Abbey (u/s Lady Capulet/Lucy) Christopher Parkinson (s/w Lord Capulet/Fletcher), Rhian Duncan (Imogen), Abiola Efunshile (s/w Viola), Kieran Lai (Kempe), Jaye Marshall (s/w Margaret), Grace Mouat (Judith), Kerri Norville (Susanna), Rhys Wilkinson (Richard)
26. 21.12.2021
27. 30.12.21 , West End , Abiola Benvolio
28. 20.01.2022 , Grace Mouat (alt Juliet), Jordan Luke Gage (Romeo), Oliver Tompsett (William Shakespeare), Cassidy Janson (Anne Hathaway), Christopher Parkinson (u/s May), Melanie La Barrie (Nurse), Tim Mahendran (Francois), Ivan De Freitas (u/s Lance), Roshani Abbey (u/s Lady Capulet/Nell), Billy Nevers (s/w Lord Capulet/Cuthbert), Abiola Efunshile (s/w Viola), Josh Baker (s/w Thomas), Sophie Usher (s/w Gwynne)
N: Chris’ stunning debut as May! Emotional show for the whole cast
29. 21.01.2022 ,Grace Mouat (alt Juliet), Cassidy Janson (Anne Hathaway), Ivan de Freitas (u/s William Shakespeare), David Bedella (Lance), Christopher Parkinson (2nd u/s May), Jordan Luke Gage (Romeo), Melanie La Barrie (Nurse), Tim Mahendran (Francois), Roshani Abbey (u/s Lady Capulet/Lucy)
N: Cut show with Roshani covering both Lady and Lord Capulet's lines. Josh Baker covered the doorman/bouncer part of Lord C's track.
30. 26.01.2022 ,Miriam Teak-Lee (Juliet), Jordan Luke Gage (Romeo), Alex Tranter (u/s William Shakespeare), Jocasta Almgill (u/s Anne Hathaway), Alex Thomas-Smith (May), Melanie La Barrie (Nurse), Tim Mahendran (Francois), Ivan De Freitas (u/s Lance), Roshani Abbey (u/s Lady Capulet/Nell), Billy Nevers (s/w Lord Capulet/Cuthbert), Abiola Efunshile (s/w Viola), Josh Baker (s/w Thomas), Sophie Usher (s/w Gwynne)
N: Jocasta’s first full show as Anne!
31. 27.1.22 , West End , Miriam-Teak Lee (Juliet), Jocasta Almgill (u/s Anne Hathaway), Ivan de Freitas (u/s William Shakespeare), Jordan Luke Gage (Romeo), Tim Mahendran (Francois), Alex Thomas-Smith (May), Melanie La Barrie (Nurse "Angelique"), David Bedella (Lance), Roshani Abbey (u/s Lady Capulet/Lucy), Billy Nevers (s/w Lord Capulet/Cuthbert), Josh Baker (s/w Thomas), Rhian Duncan (Imogen), Abiola Efunshile (s/w Viola), Kieran Lai (Kempe), Nathan Lorainey-Dineen (Gregory), Grace Mouat (Judith), Kerri Norville (Susanna), Kirstie Skivington (Eleanor), Alex Tranter (Henry), Sophie Usher (s/w Gwynne), Rhys Wilkinson (Richard)
N: Jocasta’s second full show as Anne, she got a cheer as she came out and a lot throughout the show. Billy was still recovering from an injury so Sophie danced some of his ensemble parts. Includes Cast Board and Bows.
32. 14.2.22 , Alex Romeo
33. 17.02.2022 , West End , Alex Tranter u/s Romeo , Chris Parkinson u/s Lord Capulet , with Jaye Marshall and Sophie Usher swings ( notes : Chris was the bathroom attendant too cause there were no covers for Alex so Chris had to do it that one too)
34. 18.02.2022 matinee , West End , Roshani Abbey u/s Juliet , Chris Parkinson u/s May , Billy Nevers u/s Lord Capulet , with Jaye Marshall and Sophie Usher swings
35. 18.02.2022 evening , West End , Miriam Juliet , Chris May , Billy Lord Capulet , swings Jaye and Sophie
36. 21.02.2022 , West End , Ivan DeFreitas u/s Lance , Jocasta Almgill u/s Nurse , Roshani Abbey u/s Lady Capulet , Chris Parkinson u/s Lord Capulet , swings Josh Baker , Abiola Efunshile , Jaye Marshall
37. 25.02.2022 matinee , West End , Grace Mouat alt Juliet , Ivan DeFreitas u/s Shakespeare , Jaye Marshall u/s Nurse , Billy Nevers u/s Francois , Roshani Abbey u/s Lady Capulet , Chris Parkinson u/s Lord Capulet , swings Abiola Efunshile and Sophie Usher
38. 25.02.2022 , West End , Miriam Juliet , Ivan Shakespeare , Jaye Nurse , Billy Francois , Roshani Lady Capulet , Chris Lord Capulet , swings Abiola and Sophie
39. 8.03.2022 , Jocasta Anne , Ivan Shakespeare , Alex Romeo , Roshani Single Lady Capulet
40. 12.03.2022 , Miriam-Teak Lee (Juliet), Cassidy Janson (Anne), Oliver Tompsett (Shakespeare), David Bedella (Lance), Christopher Parkinson (u/s May), Jordan Luke Gage (Romeo), Jocasta Almgill (u/s Nurse), Tim Mahendran (Francois), Ivan De Freitas (Lord Capulet/Sly), Roshani Abbey (u/s Lady Capulet/Lucy), Kirstie Skivington (Eleanor/Benvolio), Josh Baker (s/w Thomas), Rhian Duncan (Imogen), Abiola Efunshile (s/w Viola), Jaye Marshall (s/w Margaret), Grace Mouat (Judith), Billy Nevers (s/w Cuthbert), Kerri Norville (Susanna), Alex Tranter (Henry), Rhys Wilkinson (Richard).
41. 16.03.2022 , Grace Mouat (alt. Juliet), Jocasta Almgill (u/s Anne), Ivan De Freitas (u/s Shakespeare), David Bedella (Lance), Nathan Lorainey-Dineen (u/s May), Jordan Luke Gage (Romeo), Melanie La Barrie (Nurse), Tim Mahendran (Francois), Christopher Parkinson (s/w Lord Capulet/Fletcher), Roshani Abbey (u/s Lady Capulet/Lucy), Jaye Marshall (s/w Margaret/Benvolio), Rhian Duncan (Imogen), Abiola Efunshile (s/w Viola), Kieran Lai (Kempe), Billy Nevers (s/w Cuthbert), Kerri Norville (Susanna), Alex Tranter (Henry), Rhys Wilkinson (Richard).
42. 18.03.2022 matinee
43. 18.03.2022 evening , Jocasta Anne Alex Romeo
44. 19.03.2022 matinee
45. 26.03.2022 , last OG cast night
46. 29.03.2022 , second day with new cast
47. 1.04.2022 , matinee , Grace Mouat (alt Juliet), Cassidy Janson (Anne), Oliver Tompsett (Shakespeare), Alex Thomas-Smith (May), (Lance), Tom Francis (Romeo), Keala Settle (Nurse), Tim Mahendran (Francois), Ivan De Freitas (Lord Capulet/Sly), Cassandra Lee (Lady Capulet/Nell), Collette Guitart (Eleanor), Zara Macintosh (Judith), Alex Tranter (Henry), Rhys Wilkinson (Richard), Rhian Duncan (Imogen), Bessy Ewa (Lucy), Ebony Clarke (Susanna), Carl Man (Gregory), Christian Maynard (Kieran), Owen Siward (Augustine).
Batbootleg’s audio master. Tracked by HeavenSevered. First week after cast change, and Grace's second show with the new cast.
48. 4.04.2022 , Ivan Lance , Aaron's Fletcher DEBUT
49. 11.04.2022 , Jocasta Anne return , Alex Shakespeare , Benjamin's Thomas DEBUT
50. 12.04.2022 , Alex Shakespeare + 3 swings
51. 15.04.2022 , last Grace Juliet show + new cast
52. 18.04.2022 , Cassy Nurse debut
53. 27.04.2022 , Zara Juliet
54. 6.05.2022 , Carl Romeo , Zara Juliet
55. 07.06.2022 Collette Anne
56. Toronto - June 22nd, 2022 (First Preview)
Master: Unknown
CAST: Lorna Courtney (Juliet), Betsy Wolfe (Anne Hathaway), Stark Sands (William Shakespeare), Ben Jackson Walker (Romeo), Justin David Sullivan (May), Philippe Arroyo (Francois), Melanie La Barrie (Nurse "Angelique"), Paulo Szot (Lance), Veronica Otim (Lady Capulet/Nell), Nicholas Edwards (Lord Capulet/Sly), Tiernan Tunnicliffe (Eleanor/Benvolio), Virgil Gadson (Augustine), Matt Raffy (Gregory), Joe Moeller (Henry), Jasmine Rafael (Imogen), Rachel Webb (Judith), Joomin Hwang (Kempe), Katy Geraghty (Lucy), Brandon Antonio (Richard), Bobby "Pocket" Horner (Rumour)
57. 24.06.2022 , evening , Rhys Romeo
58. 27.06.2022 , Carl Romeo
59. TORONTO , 24.06.2022 , LORNA COURTNEY - JULIET , PAULO SZOT - LANCE , BETSY WOLFE - ANNE HATHAWAY / APRIL , STARK SANDS - SHAKESPEARE , JUSTIN DAVID SULLIVAN - MAY , MELANIE LA BARRIE - NURSE , BEN JACKSON WALKER - ROMEO , PHILIPPE ARROYO - FRANKIE , BRANDON ANTONIO , NICO DE JESUS , NICHOLAS EDWARDS , KATY GERAGHTY , VIRGIL GADSON , BOBBY "POCKET" HORNER , JOOMIN HWANG , MICHAEL IVÁN CARRIER , ALAINA VI T.MADERAL , DANIEL J.MALDONADO , JOE MOELLER , BRITTANY NICHOLAS , VERONICA OTIM , JASMINE RAFAEL , MATT RAFFY , TIERNAN TUNNICLIFFE , RACHEL WEBB.
60.Toronto - July 8th, 2022 (Matt Raffy May Debut!) , Master: ghostlighttrading
CAST: Lorna Courtney (Juliet), Betsy Wolfe (Anne Hathaway), Stark Sands (William Shakespeare), Ben Jackson Walker (Romeo), Philippe Arroyo (Francois), Matt Raffy (u/s May), Melanie La Barrie (Nurse "Angelique"), Paulo Szot (Lance), Veronica Otim (Lady Capulet/Nell), Nicholas Edwards (Lord Capulet/Sly), Tiernan Tunnicliffe (Eleanor/Benvolio), Virgil Gadson (Augustine), Joe Moeller (Henry), Jasmine Rafael (Imogen), Rachel Webb (Judith), Joomin Hwang (Kempe), Katy Geraghty (Lucy), Brandon Antonio (Richard), Bobby "Pocket" Horner (Rumour), Michael Iván Carrier (s/w Thomas)
61. Toronto, 27.07. 2022 , Master: HTtrading
CAST:Rachel Webb (u/s Juliet), Tiernan Tunnicliffe (u/s Anne Hathaway), Stark Sands (William Shakespeare), Ben Jackson Walker (Romeo), Philippe Arroyo (Francois), Justin David Sullivan (May), Melanie La Barrie (Nurse "Angelique"), Paulo Szot (Lance), Veronica Otim (Lady Capulet), Nicholas Edwards (Lord Capulet/Sly), Alaina Vi Maderal (s/w Gwynne/Benvolio), Nico DeJesus (s/w Cuthbert), Daniel J. Maldonado (s/w Fletcher), Matt Raffy (Gregory), Joe Moeller (Henry), Jasmine Rafael (Imogen), Joomin Hwang (Kempe), Katy Geraghty (Lucy), Brandon Antonio (Richard), Bobby "Pocket" Horner (Rumour), Michael Iván Carrier (s/w Thomas)
62. we , 12.07.2022 Aaron May , Ivan Lance
63. We , 10.08.2022 Alex Shakespeare, Carl Man Romeo Zara Juliet
64. Toronto - August 14th, 2022 , Master: TheaterAquarium
CAST:Lorna Courtney (Juliet), Betsy Wolfe (Anne Hathaway), Stark Sands (William Shakespeare), Ben Jackson Walker (Romeo), Philippe Arroyo (Francois), Justin David Sullivan (May), Melanie La Barrie (Nurse "Angelique"), Paulo Szot (Lance), Veronica Otim (Lady Capulet/Nell), Nicholas Edwards (Lord Capulet/Sly), Tiernan Tunnicliffe (Eleanor/Benvolio), Virgil Gadson (Augustine), Matt Raffy (Gregory), Alaina Vi Maderal (s/w Gwynne), Joe Moeller (Henry), Jasmine Rafael (Imogen), Rachel Webb (Judith), Joomin Hwang (Kempe), Katy Geraghty (Lucy), Brandon Antonio (Richard), Bobby "Pocket" Horner (Rumour)
65. We , 2.09.2022 , Carl Romeo
66. Broadway , 08.02.2023 , matinee
67.& Juliet - Broadway , February 25, 2023 - Hadesundergroundtrades , Matinée
CAST: Rachel Webb (u/s Juliet), Betsy Wolfe (Anne Hathaway), Stark Sands (William Shakespeare), Ben Jackson Walker (Romeo), Philippe Arroyo (Francois), Michael Iván Carrier (u/s May), Melanie La Barrie (Nurse "Angelique"), Paulo Szot (Lance), Alaina Vi Maderal (s/w Lady Capulet/Gwynne), Nicholas Edwards (Lord Capulet/Sly), Tiernan Tunnicliffe (Eleanor/Benvolio), Virgil Gadson (Augustine), Nico DeJesus (s/w Cuthbert), Matt Raffy (Gregory), Joe Moeller (Henry), Jasmine Rafael (Imogen), Joomin Hwang (Kempe), Megan Kane (Lucy), Kate Mina Lin (s/w Margaret), Brandon Antonio (Richard), Bobby "Pocket" Horner (Rumour)
68. & Juliet - Broadway , April 8, 2023 - ColorAndLight , Matinée
CAST: Kim Onah (u/s Juliet), Betsy Wolfe (Anne Hathaway), Joe Moeller (u/s William Shakespeare), Ben Jackson Walker (Romeo), Brandon Antonio (u/s Francois), Justin David Sullivan (May), Melanie La Barrie (Nurse "Angelique"), Paulo Szot (Lance), Brittany Nicholas (s/w Lady Capulet/Viola), Nicholas Edwards (Lord Capulet/Sly), Alaina Vi Maderal (s/w Gwynne/Benvolio), Nico DeJesus (s/w Cuthbert), Daniel J. Maldonado (s/w Fletcher), Matt Raffy (Gregory), Jasmine Rafael (Imogen), Joomin Hwang (Kempe), Megan Kane (Lucy), Kate Mina Lin (s/w Margaret), Bobby "Pocket" Horner (Rumour), Michael Iván Carrier (s/w Thomas)
NOTES: Act 1 recorded from standing room. Act 2 recorded from front mezzanine. Gift, share, trade. But don't post on social media or YouTube or whatever.
69.& Juliet - Broadway , April 19, 2023 - pinkashouses , Matinée
CAST: Veronica Otim (u/s Juliet), Betsy Wolfe (Anne Hathaway), Stark Sands (William Shakespeare), Ben Jackson Walker (Romeo), Philippe Arroyo (Francois), Justin David Sullivan (May), Melanie La Barrie (Nurse "Angelique"), Paulo Szot (Lance), Kim Onah (u/s Lady Capulet/Olivia), Nicholas Edwards (Lord Capulet/Sly), Alaina Vi Maderal (s/w Gwynne/Benvolio), Virgil Gadson (Augustine), Nico DeJesus (s/w Cuthbert), Matt Raffy (Gregory), Joe Moeller (Henry), Jasmine Rafael (Imogen), Joomin Hwang (Kempe), Megan Kane (Lucy), Bobby "Pocket" Horner (Rumour), Brittany Nicholas (s/w Viola)
NOTES: Brittany was on as Rosaline, Rachel Webb's track. Includes the BCEFA speech made by Stark Sands. Feel free to use for gifts or trades
70. & Juliet Merlbourne , 22 april 2023 , Clay Romeo RARE TRADE
71. & Juliet Merlbourne , 23 april 2023 , Imani Juliet , Sarah Nurse RARE TRADE
72.& Juliet - Broadway , June 16, 2023 - missceliespants
CAST: Lorna Courtney (Juliet), Betsy Wolfe (Anne Hathaway), Stark Sands (William Shakespeare), Ben Jackson Walker (Romeo), Michael Iván Carrier (u/s Francois), Matt Raffy (u/s May), Melanie La Barrie (Nurse "Angelique"), Nicholas Edwards (u/s Lance), Veronica Otim (Lady Capulet/Nell), Daniel J. Maldonado (s/w Lord Capulet/Fletcher), Tiernan Tunnicliffe (Eleanor/Benvolio), Virgil Gadson (Augustine), Alaina Vi Maderal (s/w Gwynne), Joe Moeller (Henry), Jasmine Rafael (Imogen), Rachel Webb (Judith), Joomin Hwang (Kempe), Megan Kane (Lucy), Bobby "Pocket" Horner (Rumour), Ava Noble (s/w Titania), Brittany Nicholas (s/w Viola)
73. & Juliet - Broadway , June 17, 2023 - ColorAndLight , Matinée
CAST: Rachel Webb (u/s Juliet), Betsy Wolfe (Anne Hathaway), Stark Sands (William Shakespeare), Ben Jackson Walker (Romeo), Michael Iván Carrier (u/s Francois), Justin David Sullivan (May), Melanie La Barrie (Nurse "Angelique"), Nicholas Edwards (u/s Lance), Veronica Otim (Lady Capulet/Nell), Daniel J. Maldonado (s/w Lord Capulet/Fletcher), Tiernan Tunnicliffe (Eleanor/Benvolio), Virgil Gadson (Augustine), Nico DeJesus (s/w Cuthbert), Matt Raffy (Gregory), Joe Moeller (Henry), Jasmine Rafael (Imogen), Joomin Hwang (Kempe), Megan Kane (Lucy), Bobby "Pocket" Horner (Rumour), Ava Noble (s/w Titania)
NOTES: Ava was on as Rosaline, Rachel's track. Recorded from standing room. There was an annoying family in front of me and they kept talking so that might be audible I don’t know I didn’t check.
74. & Juliet - Broadway , August 6, 2023 - ColorAndLight , Matinée
CAST: Veronica Otim (u/s Juliet), Betsy Wolfe (Anne Hathaway), Stark Sands (William Shakespeare), Ben Jackson Walker (Romeo), Matt Raffy (u/s May), Philippe Arroyo (Francois), Brittany Nicholas (u/s Nurse "Angelique"), Paulo Szot (Lance), Kim Onah (u/s Lady Capulet/Olivia), Nicholas Edwards (Lord Capulet/Sly), Ava Noble (s/w Titania/Benvolio), Virgil Gadson (Augustine), Daniel J. Maldonado (s/w Fletcher), Alaina Vi Maderal (s/w Gwynne), Jasmine Rafael (Imogen), Joomin Hwang (Kempe), Kate Mina Lin (e/c Margaret), Bobby "Pocket" Horner (Rumour), Michael Iván Carrier (s/w Thomas)
NOTES: Daniel was on as the Bathroom Attendant, Joe Moeller's track. Kate was on as Rosaline, Rachel Webb's track. Alaina was on as Helena, Megan Kane's track. Stark's last performance. Recorded from front mezzanine. Very responsive/lively audience.
75. & Juliet - Broadway , August 8, 2023 - ColorAndLight
CAST: Veronica Otim (u/s Juliet), Tiernan Tunnicliffe (u/s Anne Hathaway), Nicholas Edwards (u/s William Shakespeare), Ben Jackson Walker (Romeo), Philippe Arroyo (Francois), Matt Raffy (u/s May), Brittany Nicholas (u/s Nurse "Angelique"), Paulo Szot (Lance), Kim Onah (u/s Lady Capulet/Olivia), Daniel J. Maldonado (s/w Lord Capulet/Fletcher), Ava Noble (s/w Titania/Benvolio), Virgil Gadson (Augustine), Nico DeJesus (s/w Cuthbert), Alaina Vi Maderal (s/w Gwynne), Jasmine Rafael (Imogen), Joomin Hwang (Kempe), Kate Mina Lin (e/c Margaret), Bobby "Pocket" Horner (Rumour), Michael Iván Carrier (s/w Thomas)
NOTES: Nicholas's first time on as Shakespeare. First act recorded from standing room. Second act recorded from mezzanine. There was a tech right after "Show Me Love," so there is the stage manager announcement and some chatter/dead noise before it picks back up about 25 minutes in. The show restarts with the end of the song. Some audience chatter, very responsive crowd. Kate was on as Rosaline, Rachel Webb's track.
76. & Juliet - Broadway , August 29, 2023 - ColorAndLight
CAST: Lorna Courtney (Juliet), Megan Kane (u/s Anne Hathaway), Austin Scott (William Shakespeare), Ben Jackson Walker (Romeo), Philippe Arroyo (Francois), Justin David Sullivan (May), Melanie La Barrie (Nurse "Angelique"), Paulo Szot (Lance), Veronica Otim (Lady Capulet/Nell), Nico DeJesus (s/w Lord Capulet/Cuthbert), Tiernan Tunnicliffe (Eleanor/Benvolio), Virgil Garson (Augustine), Matt Raffy (Gregory), Joe Moeller (Henry), Jasmine Rafael (Imogen), Rachel Webb (Judith), Joomin Hwang (Kempe), Brandon Antonio (Richard), Bobby "Pocket" Horner (Rumour), Ava Noble (s/w Titania)
NOTES: Megan's Anne debut. There was a woman in the row behind me who sang along a lot during the second act so you might hear some echoing. Ava was on for Megan's track
77. & Juliet , Australian Tour / Singapore , 6 october 2023 , RARE TRADE Master: whodis
CAST:Lorinda May Merrypor (Juliet), Amy Lehpamer (Anne Hathaway), Rob Mills (William Shakespeare), Blake Appelqvist (Romeo), Yashith Fernando (Francois), Jesse Dultow (May), Casey Donovan (Nurse "Angelique"), Hayden Tee Lance), Sarah Murr (Lady Capulet/Nell), Sean Sinclair (Lord Capulet/Sly), Jade Delmiguez (Eleanor), Coby Njorge (Augustine), Jacob Rozario (Gregory), Clay Robertz (Henry), Riley Gill (Imogen/Benvolio), Giorgia Kennedy (Judith), James Elmer (Kempe), Imani Williams (Lucy), Jordan Koulos (Richard), Selina Salgadoe (Gwynne)
78. & Juliet - Broadway , December 13, 2023 - Unknown
CAST: Lorna Courtney (Juliet), Betsy Wolfe (Anne Hathaway), Austin Scott (William Shakespeare), Ben Jackson Walker (Romeo), Philippe Arroyo (Francois), Justin David Sullivan (May), Megan Kane (u/s Nurse "Angelique"), Paulo Szot (Lance), Brittany Nicholas (s/w Lady Capulet/Viola), Andrew Chappelle (Lord Capulet/Sly), Tiernan Tunnicliffe (Eleanor/Benvolio), Virgil Gadson (Augustine), Matt Raffy (Gregory), Joe Moeller (Henry), Jasmine Rafael (Imogen), Rachel Webb (Judith), Joomin Hwang (Kempe), Makai Hernandez (Richard), Bobby "Pocket" Horner (Rumour), Ava Noble (s/w Titania)
NOTES: Ava was on as Helena, Megan's track.
Addams Family
1. Broadway , date and cast unknown
2.West End , date unknown with Carrie Hope Fletcher as Wednesday Addams , VOBS
3.West End , date unknown with Carrie Hope Fletcher as Wednesday Addams Mp4 files
4. first uk tour , may 16th 2017 , AUDIO , Carrie Hope Fletcher
• Aladdin
Broadway , date and cast unknown
First National Tour , Chicago , April 16 , 2017
Chicago , 16 April 2017 , mp4
• Amélie , UK Tour , 06/2019 ( LIMITED TRADE )
Angels in america , National theatre London , 2017 , Andrew Garfield (Prior Walter), Russel Tovey (joe), Denise Gough (harper), James McArdle (Louis Ironson), Nathan Stewart-Jarrett (Belize), Nathan Lane (Roy Cohn)
• Back to the Future , Manchester , February 2020 ( LIMITED TRADE )
• Bat out of hell , West End
1. Andrew
Manchester, 17 Feb 2017 , act 2 highlight only (Christina is flying) (LIMITED TRADE)
Manchester, 15 March 2017
12.08.2017 with Danielle Steers , Georgia Carling
2. Barney
15.12.2018 with Georgia Carling Raven (LIMITED TRADE)
3. Simon
05.2018 with Georgia Carling Raven , Jordan Luke Gage Hoffman , Collette Guitart , Danielle Steers , Alex Thomas Smith (LIMITED TRADE)
07.12.2018 with Christina Raven , act 1 (LIMITED TRADE)
4 UK Tour , September 2021 (RARE TRADE)
Cast: Glenn Adamson (Strat), Martha Kirby (Raven), Sharon Sexton (Sloane), Rob Fowler (Falco), Killian Thomas Lefevre (Tink), Joelle Moses (Zahara), James Chisholm (Jagwire), Kellie Gnauck (Valkyrie), Danny Whelan (Ledoux), Laura Johnson (Kwaidan), Jamie Jukes (Markevitch), Rebecca Lafferty (Scherzzo), James Lowrie (Denym), Amy Matthews (Vilmos), Samuel Pope (Hoffman), Luke Street (Hollander), Rory Maguire (s/w Astroganger), Beth Woodcock (Spinotti)
• Bat audios
1. Toronto , 17.01.2018 , last show
2. WE , 11 June 2018
3. WE , 20 June 2018
4. WE , 9 July 2018
5. WE , 11 July 2018
6. WE , 16 July 2018
7. WE , 18 July 2018
8. WE , 27 July 2018
9. WE , 6 August 2018
10. WE , 20 August 2018
11. WE , 22 August 2018
12. WE , 27 August 2018
All West End audios are LIMITED TRADE from Master Simbaharmony .
• Be More Chill
1. Probably Broadway
2. 35 minutes youtube rip
3. West end , audio , 5.09.2021 , closing night , Notes: includes closing night speeches
Cast: Scott Folan (Jeremy Heere), Blake Patrick Anderson (Michael Mell), Miracle Chance (Christine Canigula), Stewart Clarke (The SQUIP), Eloise Davies (Brooke Lohst), Grace Mouat (Chloe Valentine), Nathania Ong (Jenna Rolan), Miles Paloma (Jake Dillinger), James Hameed (Rich Goranski), Christopher Fry (Mr. Heere/Mr. Reyes/Scary Stockboy) Scott Folan (Jeremy Heere), Blake Patrick Anderson (Michael Mell), Miracle Chance (Christine Canigula), Stewart Clarke (The SQUIP), Eloise Davies (Brooke Lohst), Grace Mouat (Chloe Valentine), Nathania Ong (Jenna Rolan), Miles Paloma (Jake Dillinger), James Hameed (Rich Goranski), Christopher Fry (Mr. Heere/Mr. Reyes/Scary Stockboy)
4. West End, July 2021 , hitmewithyourbethshot master
Scott Folan (Jeremy Heere), Blake Patrick Anderson (Michael Mell), Miracle Chance (Christine Canigula), Stewart Clarke (The SQUIP), James Hameed (Rich Goranski), Miles Paloma (Jake Dillinger), Eloise Davies (Brooke Lohst), Millie O’Connell (Chloe Valentine), Renée Lamb (Jenna Rolan), Christopher Fry (Mr. Heere/Mr. Reyes/Scary Stockboy) ( LIMITED TRADE)
• Beautiful
1. 2nd UK Tour , February 2020 , with Vicky Manser
2. Broadway , Jessie Mueller
3. Broadway , Melissa Benoist
4. West End , 6.01.2005 , Cassidy Janson - Carole King
Beauty and the beast
Bristol Hippodrome, Aug 2021 , Courtney Stapleton Belle , Emanuel Kojo Beast , Tom Senior Gaston (LIMITED TRADE)
Beauty and the Beast | UK & Ireland Tour | July, 2022 | NFT until 29/12/2023 | MP4 (4K) |
Cast: Courtney Stapleton (Belle), Shaq Taylor (Beast), Gavin Lee (Lumiere), Alyn Hawke (u/s Gaston), Sam Bailey (Mrs Potts), Nigel Richards (Cogsworth), Martin Ball (Maurice), Samantha Bingley (Wardrobe), Emma Caffrey (Babette), Louis Stockil (Le Fou)
Notes: Good capture of the tour’s first week in London! Very little obstruction throughout, a few brief dropouts due to hypervigilant ushers but complete video otherwise. Much of the transformation sequence at the end is blindshot and so some parts are missed.
3. Courtney Stapleton and Shaq ft red hawke replacement (youtube rip)
4. West End , 25.08.2021 ,opening night , audio , Courtney Stapleton as Belle
• Beetlejuice
OBC
Broadway , April 2022
• Being Shakespeare , with Simon Callow
Bonnie and Clyde
West End , may 2022 , Barney Clyde , Frances Bonnie , Charlie McCullagh swing (RARE TRADE)
2. West End , march 2023 , Charlie Clyde , Frances Bonnie , Jodie Steele Blanche , Michael Cortez sherrif (NFT FOREVER)
3.
Bonnie and Clyde Audios
1. West end , 2.04.2022
3. West end , 27.04.2022
4. West End , 2.05.2022
5. West End , 11.05.2022 Charlie Deputy , Barney Buck
6. West end , 22.06.2022
7. WE , 16.03.2023 , Sydnie Trish + Michael Ted
8. WE , 18.03.2023 matinee , Barney Clyde , Sydnie Bonnie DEBUT
9. WE , 18.03.2023 evening , Jordan + Sydnie Bonnie
• Bring it on , youtube rip
But I'm a cheerleader
WE , 19 March 2022 , audio
WE , 8 May 2022 , audio
UK London, March 2022 , hitmewithyourbethshot master
Alice Croft, Evie Rose Lane, Tiffany Graves, Lemuel Knights, Jodie Jacobs, Oliver Brooks, Edward Chitticks, Jodie Steele, Aaron Teoh, Damon Gould, Kia-Paris Walcott, Harry Singh (LIMITED TRADE)
Book of Mormon , WE, 5 may 2016 , AUDIO , Oliver Ormson
• Cabaret
US , with Emma Stone
WE , 11.10.2023 , Damon Gould , AUDIO
3. WE , 31 july 2023 ( forfivemoreminutes ) , AUDIO
• Cats
1. 2014 , probably Broadway
2. Broadway , 22.07.2016 , with Leona Lewis as Grizabella
3. London Paladium , AUDIO , 27.12.2014 evening , with Nicole Scherzinger as Grizabella , Antoine Murray- Straughan as Rum Tum Tugger
• Chicago
1. US Tour , 2005
2. Broadway , 2007
3. Broadway Revival , 12.11.2023 , AUDIO , Dylis Croman's Roxie Hart Return , only act 1
• Cinderella
1. West End , June 2021 , with Carrie Hope Fletcher as Ella (RARE TRADE)
2. West End , AUDIO , premiere night
3. Broadway , very old , VTS
City of angels , WE Revival , 9 march 2020 , Theo James , Nicola Roberts , Vanessa Williams , Rosalind Craig , Hadley Fraserburgh, Rebecca Trehearn , Jonathan Slinger , Marc Elliott , Emily Mae , Cindy Beliot , Michelle Bishop , Nick Cavaliers, Rob Houchen , Manuel Pacific , Mark Penfold , Ryan Reid , Joshua St Clair , Sadie-Jean Shirley (LIMITED TRADE)
• Come from Away , Broadway , 10.03.2017
• Dear Evan Hansen
1. Broadway , with Ben Platt
2. West end , audio , 21.02.2020 , Sam Tutty (Evan Hansen), Rebecca McKinnis (Heidi Hansen), Lucy Anderson (Zoe Murphy), Lauren Ward (Cynthia Murphy), Rupert Young (Larry Murphy), Alex Thomas-Smith (u/s Jared Kleinman), Nicole Raquel Dennis (Alana Beck), Doug Colling (Connor Murphy)
Audio including 2 short clips during “Waving Through a Window” running five minutes long, filmed from the rear stalls. queenofthedead’s master
3. WE , april 2022 , Sam Tutty
Death Note London
Concert , august 2023 , LIMITED TRADE
sept 2023 , Carl Man alt L , NFT
21.08.2023 , AUDIO
22.08.2023 , AUDIO
10.09.2023 , AUDIO
date unknown , AUDIO
• Dr Seuss The Grinch Musical , 2020 , proshot , Billy Luke Nevers , Booboo Steward , Matthew Morrison
Dick Whittington , proshot , 2021 , Melanie LaBarrie
Diana the Musical , concert , London , 12.04.2023 , Kerry Ellis + cast board , AUDIO
• Eugenius , West End , 2018 , proshot released in 2020
• Everybody is talking about Jamie , West End , proshot , with Kirstie Skivington
Emojiland (Concert) | Garrick Theatre | October, 2022 | LIMITED TRADE | MP4 (4K) |
Cast: Blake Patrick Anderson (Nerd Face), Laura Baldwin (Smize), Louise Dearman (Princess), Olly Dobson (Skull), Inez Budd (Pile Of Poo), Dean John-Wilson (Sunny), Renee Lamb (Police Officer), Hannah Lowther (Kissy Face), Tim Mahendran (Guard), Natalie Paris (Construction Worker), Oliver Saville (Prince), Tom Scanlon (Person In Suit Levitating)
Notes: Stunning capture of this single night concert! Very minor lens blurring at certain points towards the start of act 1
Evita
1. Regents Park Open Air Theater, Sept 2013 , Trent Saunders Che , Samantha Pauly Eva , Frances Mayli McCann Mistress
2.First Broadway Revival - March 14, 2012 (Preview) (SunsetBlvd79's video master) vob/smalls
CAST: Elena Roger (Eva Perón), Maya Jade Frank (Young Eva), Ricky Martin (Che), Michael Cerveris (Perón), Max von Essen (Magaldi), Rachel Potter (Perón's Mistress)
NOTES: Great Capture of the due Broadway transfer from London. Elena is a great Evita, the addition of Michael, Ricky and Max are excellent. A lavish and well executed Evita that was due for a date with Broadway.
3. First Broadway Revival - July 28, 2012 (SunsetBlvd79's video master) vob/smalls
CAST: Christina DeCicco (alt Eva Perón), Ricky Martin (Che), Michael Cerveris (Perón), Rachel Potter (Perón's Mistress)
NOTES: Excellent HD capture of the Alternate Eva. Christina vocally commands the score and thrilling to watch. She really should have had the role full time! Beautiful production and stunning Eva.
4.First Broadway Revival - August 15, 2012 (SunsetBlvd79's video master)
CAST: Jessica Lea Patty (alt Eva Perón), Ricky Martin (Che), Michael Cerveris (Perón), Max von Essen (Magaldi), Rachel Potter (Perón's Mistress)
NOTES: Beautiful HD capture of Jessica in the role of Eva with a fresh take on the character. She brings a great element to Eva, since she is normally in an ensemble track, her dancing flourishes with perfection!
Fantastic great women who changed the world , UK , Liverpool , 1.04.2022 , AUDIO , Renee Lamb , Christina Modestou , Jade Kennedy , Kirstie Skivington , Kudzai Mangombe (LIMITED TRADE)
• First Date . The Musical , US , with Zachary Levi
Frozen
1. WE , Sept 2021 , Samantha Barks Elsa , Stephanie McKeon Anna , Obioma Ugoala Kristoff , Oliver Ormson Hans (LIMITED TRADE)
2. WE , February, 2022 - sandrabanana (RARE TRADE)
CAST:Danielle Fiamanya (u/s Elsa), Stephanie McKeon (Anna), Sasha Watson-Lobo (Young Elsa), Summer Betson (Young Anna), Craig Gallivan (Olaf), Obioma Ugoala (Kristoff), Ashley Birchall (Sven), Oliver Ormson (Hans), Jak Skelly (Oaken), Richard Frame (Weselton), Jason Leigh Winter (u/s Pabbie), Emily Mae (Bulda), Chris Fung (King Agnarr), Jacqui Sanchez (Queen Iduna), Jak Skelly (Bishop)
NOTES:
shot around a safety rail, shown in the screencaps. despite the obstructions, the colours showed up beautifully. there are a few blackouts in act 2 amounting to ~5 mins in total due to latecomers and people filming on their phones. a child was kicking me in the head throughout the show so there is some wandering
Frozen Audios
1. WE , 8 oct 2021 , Danielle Fiamanya (u/s Elsa), Stephanie McKeon (Anna), Tilly Raye Kayer (Young Elsa), Asanda Masike (Young Anna), Craig Gallivan (Olaf), Obioma Ugoala (Kristoff), Mikayla Jane (Sven), Oliver Ormson (Hans), Jak Skelly (Oaken), Richard Frame (Weselton), Joshua St. Clair (Pabbie), Emily Mae (Bulda), Gabriel Mokake (King Agnarr), Jacqui Sanchez (Queen Iduna), Lauren Chia (s/w Ensemble), Hannah Fairclough (Ensemble), Emily Lane (Ensemble), Sarah O’Connor (Ensemble), Jemma Revell (s/w Ensemble), Isabel Snaas (Ensemble), Monica Swayne (Ensemble), Cameron Burt (Ensemble), Chris Fung (Ensemble), Joe Griffiths Brown (Ensemble), Jacob Maynard (Ensemble), Jake Small (Ensemble), Jason Leigh Winter (Ensemble).
Shoeroom’s master. Full principal cast with Danielle Fiamanya (1st cover) making her debut as Elsa. Cast board image is in the zip file.
2. WE , 17 oct 2021 evening , Danielle u/s Elsa second show
Notes : contains cast board and bows
3. WE , 23.06.2022
• Grease
1. youtube rip
2. West End , July/Aug 2022 , Iwannadanceandsing master ( LIMITED TRADE ) Olivia Moore , Dan Partridge, Jocasta Almgill , Paul French, Damon Gould , etc
2. WE , AUDIO , 2.06.2022
3. WE , AUDIO , 22.06.2022
• Hadestown
1. OBC
2. Vertical version
3. AUDIO , Nation Theater
4. Broadway , 12.02.2023 , evening
Hair
1. Hollywood Bowl , Aug 1 , 2014 , with Sarah Hyland
• Hairspray , 2017 , movie
• Hairspray live ! , proshot with Dove Cameron , Ariana Grande
Halls
WE , workshop, AUDIO , 1st August 2021 , Rebecca Wickes (Natalie), Will Haswell (Will), Kelly Sweeney (Sam), Merryl Ansah (Zoe), Alex Tranter (Josh), Liam Doyle (Dan), Olivia Moore (Jessie), Layton Williams (Lewis) First ever public performance of this new musical. Stage directions read by director Andy Fickman. Occasional interruption from trains going over the theatre. Lasagna's master.
2. WE , Workshop | May, 2022 | NFS | MOV (4K) | Lasagna’s video
Cast: Meryl Ansah (Zoe), Kyle Cox (Will), Jacob Fowler (Dan), Olivia Lallo (Natalie), Michael Mather (Lewis), Sharan Phull (Jessie), Kelly Sweeney (Sam), Alex Tranter (Josh)
Notes: First known video of this new musical! This is a vertical phone boot shot from the front row. I forgot to switch to the wide lens so some of the action is missed, particularly on the right side of the stage. Recording ends roughly 9 minutes before the end of the show (Full audio can be provided upon request)
Hamlet , Live Almeida Theater 2017 , BBC Drama
• Hamilton
1. Los Angeles Tour , 8.12.2017 , matinee , with Emmy Raver-Lampman as Angelica Schyler
2. Broadway , 2016 , OG cast
3. Previews
4. Broadway , with Javier Munoz as Hamilton
5. 2020 Disney + proshot
6.West end , jan 2020 ,
Jay Perry (s/b Alexander Hamilton), Sharon Rose (Eliza Hamilton), Simon-Anthony Rhoden (Aaron Burr), Allyson Ava-Brown (Angelica Schuyler), Trevor Dion Nicholas (George Washington), Jason Pennycooke (Marquis De Lafayette/Thomas Jefferson), Emile Ruddock (Hercules Mulligan/James Maddison), Ashley Daniels (u/s John Laurens/Phillip Hamilton), Dujonna Gift Simons (u/s Peggy Schuyler/Maria Reynolds), Gavin Spokes (King George III) Manaia Glassey-Ohlson (James Reynolds), Joe Griffiths Brown (Charles Lee), Robson Broad (s/w Samuel Seabury), Curtis Angus (George Eacker)
7.Hamilton, West end , sept 2021 , hitmewithyourbethshot master
Nuno Queimado (alt Alexander Hamilton), Sharon Rose (Eliza Hamilton), Simon-Anthony Rhoden (Aaron Burr), Ava Brennan (Angelica Schuyler), Trevor Dion Nicholas (George Washington), Waylon Jacobs (Marquis de Lafayette/Thomas Jefferson), Aaron Lee Lambert (standby Hercules Mulligan/James Madison), Khalid Daley (John Laurens/Philip Hamilton), Emilie Louise Israel (Peggy Schuyler/Maria Reynolds), Harry Hepple (King George III)
8.Hamilton | West End | June, 2022 | LIMITED TRADE |MP4 (4K) |
Cast: Reuben Joseph (Alexander Hamilton), Shan Ako (Eliza Hamilton), Simon-Anthony Rhoden (Aaron Burr), Allyson Ava Brown (Angelica Schuyler), Trevor Dion Nicholas (George Washington), Waylon Jacobs (Marquis de Lafayette/Thomas Jefferson), Emile Ruddock (Hercules Mulligan/James Madison), Jake Halsey-Jones (John Laurens/Philip Hamilton), Roshani Abbey (Peggy Schuyler/Maria Reynolds), Joel Montague (King George)
Notes: Solid capture of the first performance for the new cast of Hamilton! Some notable obstruction, worked around fairly well. At points I had to lower the camera due to usher presence and so these parts are more obstructed but this never lasts too long. The back of the catwalk is almost entirely cut off by balcony overhang.
9.Hamilton | West End | July, 2022 | Partial | LIMITED TRADE | MP4 (4K) |
Cast: Reuben Joseph (Alexander Hamilton), Shan Ako (Eliza Hamilton), Simon-Anthony Rhoden (Aaron Burr), Maya Britto (s/b Angelica Schuyler), Trevor Dion Nicholas (George Washington), Waylon Jacobs (Marquis de Lafayette/Thomas Jefferson), Aaron Lee Lambert (s/b Hercules Mulligan/James Madison), Jake Halsey-Jones (John Laurens/Philip Hamilton), Roshani Abbey (Peggy Schuyler/Maria Reynolds), Joel Montague (King George III)
Notes: An attempt at a capture of Maya as Angelica! Starts from the end of My Shot, this video is shaky and follows action poorly at times, particularly in act 2 where some parts are blindshot and I drop out for basically everything involving Phillip. Everything involving Maya is captured well however
10.Hamilton | West End | October, 2022 (2) | RARE TRADE | MP4 (4K) |
Cast: Alex Sawyer (alt Alexander Hamilton), Roshani Abbey (u/s Eliza Hamilton), Manaia Glassey-Ohlson (s/b Aaron Burr), Maya Britto (s/b Angelica Schuyler), Trevor Dion Nicholas (George Washington), Waylon Jacobs (Marquis de Lafayette/Thomas Jefferson), Emile Ruddock (Hercules Mulligan/James Madison), Jake Halsey-Jones (John Laurens/Philip Hamilton), Lindsey Tierney (u/s Peggy Schuyler/Maria Reynolds), Aaron Lee Lambert (s/b King George III)
Notes: Fantastic capture of Roshani’s debut as Eliza! Some moments are blindshot, particularly towards the start, but all action captured well
Hamilton audios
1.West End , 24.02.2022 matinee (contains cast board too)
2.West End , Jan 2018 , matinee , with Miriam Teak-Lee as Angelica Schuyler DEBUT
3. WE , 24.02.2022 , matinee + cast board
4. WE , 19.06.2023 , new cast debut + Alex Tranter - Simon Seadbury
• Harry Potter and the Cursed Child
Broadway , May 2019
Broadway , 29.10.2023 , AUDIO
Broadway , 11.11.2023 , AUDIO
• Head over Heels , The Musical, youtube rip
• Heathers
1. West End , with Jodie Steele, Carrie Hope Fletcher , Sophie Isaacs
2. West End , act 2 only , with Olivia Moore as Veronica Sawyer (very shaky video and recorded over heads)
3. WE , date unknown, Olivia Moore full show
4. Broadway , cast and date unknown
5. UK Tour , with Simon Gordon as JD , (LIMITED TRADE)
6. UK Tour, 5 Aug 2021 , (OPN) , Simon Gordon as JD
7. UK Tour , Sept 2021 , Simon Gordon as JD , Rebecca Wickes Veronica , Daisy Twells u/s Heather Chandler , Bailey Hart u/s Ms Fleming/Veronica's Mom , Callum Connelly u/s Ram (LIMITED TRADE)
Heathers AUDIO
West End , 22 or 23 June 2021 , Jordan Luke Gage JD
West End , 26.06.2021 Jordan Luke Gage JD
West End , 02.09.2021 , Chris Parkinson emergency JD , (RARE TRADE)
• Hedwig and the angry inch
1. V1 with Darren Criss
2. V2 with Darren Criss
3. Darren Criss + LH
How to Succeed in Business Without Really Trying - Second Broadway Revival - February 4, 2012 (SunsetBlvd79's video master)
Al Hirschfeld Theatre, NYC vob/no smalls
CAST: Nick Jonas (J. Pierrepont Finch), Beau Bridges (J.B. Biggley), Rose Hemingway (Rosemary Pilkington), Tammy Blanchard (Hedy La Rue), Michael Urie (Bud Frump), Mary Faber (Smitty)
NOTES: Excellent capture of Nick and Michael who had just joined the cast. Nick and Michael do a great job of stepping into the role and making it their own! Abefore going onto the Broadway 2012 Revival. Unfortunately, The person who plays Judas wasn’t in the role for this capture but, the understudy takes over and gives an amazing performance. Quick dropouts here and there for applauds and etc but, it is very nice capture
• In the Heights
1. OBC
2. AUDIO , West End , 08.01.2017 with Arun Blair Mangat , Aimie Atkinson , David Bedella
3. AUDIO , US , Nov 1 , 2010 with Jordin Sparks as Nina
Into the woods , Broadway , City Center , AUDIO
Jesus christ superstar , Regents Park Open Theater, august 2022 , Queenofthedead’s master
Declan Bennett (Jesus Christ), Tyrone Huntley (Judas Iscariot), Anoushka Lucas (Mary Magdalene), David Thaxton (Pontius Pilate), Ivan de Freitas (Caiaphas), Nathan Amzi (Annas), Shaq Taylor (King Herod), Cedric Neal (Simon Zealotes), Phil King (Peter), Barnaby Thompson, Billy Nevers, Charlotte Riby, Dale Evans, Daniel Bailey, Elliotte Williams-N'Dure, Genesis Lynea, Josh Hawkins, Rosa O'Reilly, Stevie Hutchinson, Tara Young, Tinovimbanashe Sibanda, Rosie Fletcher (LIMITED TRADE)
Kinky Boots
US , 2017 , with Brendon Urie (Notes : Starts at Sex in the heel)
West End , Nov 27 , 2018 , proshot , with Christopher Parkinson
Broadway, 15 march 2013 , Lanelle Master
Stark Sands (Charlie Price), Billy Porter (Lola), Annaleigh Ashford (Lauren), Celina Carvajal (Nicola), Daniel Stewart Sherman (Don), Marcus Neville (George), Jonah Halperin (s/b Young Charlie), Marquise Neal (Young Lola)
• Les Miserables in concert. The 25th Anniversary , 2010
Les Miserables
1.West End , Sept 19 , 2013 , with Carrie Hope Fletcher , Rob Houchen
2.West End , AUDIO , The Staged Concert , June 5 , 2021 , with Lucie Jones as Fantine
3.West End , AUDIO , The Staged Concert , Aug 22 , 2021
4.Les miserables, we , staged concert , june 2021 , forfivemoreminutes master
Jon Robyns (Valjean), Bradley Jaden (Javert), Lucie Jones (Fantine), Charlie Burn (Cosette), Harry Apps (Marius), Shan Ako (Eponine), Jamie Muscato (Enjolras), Gerard Carey (Thénardier), Josefina Gabrielle (Madame Thénardier)
5. London , 06.09.2023 , Lucie Jones Fantine , AUDIO
• Lestat the Musical , Broadway , opening night
Legally blonde , London, Regents Park Open Theater, may 2022 , sandrabanana master
Courtney Bowman (Elle Woods), Michael Ahomka-Lindsay (Emmett Forrest), Alistair Toovey (Warner Huntington III), Nadine Higgin (Paulette), Vanessa Fisher (Vivienne Kensington), Lauren Drew (Brooke Wyndham), Eugene McCoy (Professor Callahan), Isaac Hesketh (Margot), Hannah Yun Chamberlain (Serena), Grace Mouat (Pilar), Alžbeta Matyšáková (Enid), Liam McEvoy (Bruiser), Gabriela Benedetti, Lucca Chadwick-Patel, Jasmin Colandelo, Allie Daniel, Joe Foster, Dominic Lamb, Billy Nevers, Shakira Simpson (s/w) (RARE TRADE)
Little shop of horrors
1. off Broadway revival , audio , 12.12.2019 , with Jonathan Groff
2.off broadway , 27.09.2023 , Constance Wu , Cordin Bleu , AUDIO
Lizzie , UK Tour , nov 25th , 2023 , AUDIO , Lauren Drew + cast board
Mean Girls
Broadway , date unknown , with Cameron Dallas
Broadway , date unknown , with Ashley Park
Moulin Rouge
WE , November 2021 MTS 15.1 GB Jamie Bogyo (Christian), Liisi LaFontaine (Satine), Clive Carter (Harold Zidler), Jason Pennycooke (Toulouse-Lautrec), Elia Lo Toro (Santiago), Simon Bailey (The Duke), Sophie Carmen-Jones (Nini), Timmika Ramsay (La Chocolat), Zoe Birkett (Arabia), Johnny Bishop (Baby) shot around heads , hitmewithyourbethshot (LIMITED TRADE)
Moulin Rouge Audios
1. WE , 5 jan 2022
2. WE , 8 June 2022
3. WE , 10 June 2022
4.West End , 2022 , act 2 only
5.WE , 18 Dec 2021 , Matinee
6.WE , 04.09.2023
7.WE , 10.10.2023
8.WE , 19.06.2023
9.WE, 14.10.2023 , last show of cast 22/23
10. Broadway , 09.08.2023 , Casey Cott
Mamma Mia
WE , sept 18th 2023 , AUDIO
Newsies
1. Troubadour Wembley Park Theatre | January, 2023 | LIMITED TRADE | MP4 (4K) |
Cast: Michael Ahomka-Lindsay (Jack Kelly), Bronté Barbe (Katherine Plumber), Ryan Kopel (Davey), Nesim Adnan (Les), Matthew Duckett (Crutchie), Moya Angela (Medda Larkin), Cameron Blakely (Joseph Pulitzer), Jamie Golding (Wiesel), Samuel Bailey (Specs), Josh Barnett (Race), Jack Bromage (Tommy Boy)
Notes: Decent capture of this show shot around heads. Captures everything important including my best attempt to show the immersive use of the theatre space.
2. WE , 18.05.2023 , Matt Jack , Damon Gould Davey DEBUT , AUDIO
3. WE , 04.06.2023 , matinee , Damon Gould Davey , George Jack , AUDIO
4. WE , 19.03.2023 , George Jack Damon Gould ensemble , AUDIO , cast + bows
Next to Normal
off WE , sept 29th 2023 , AUDIO , Jack Wolfe
2.
Once Upon A One More Try
Broadway , 03.09.2023 , closin performance , AUDIO
Picnic , US , 5 December 2012 , with Sebastian Stan
• Pippin , Broadway , 13.07.2013
• Prince of Egypt , West End , February 2020
Pretty Woman
WE , Aug 2021
WE , Dec 2021 (rhythminme) NFT FOREVER
WE , 21.03.2023 , AUDIO , cast board
WE , 24.03.2023 , evening , AUDIO , cast board + bows
WE , 12.04.2023 , Elly Vivian , AUDIO
WE , 30.04.2023 , Tom Edward , Ben Stuckey , AUDIO
WE , 28.12.2022 , Elly e/c Kit , Ben Stuckey , AUDIO
WE , 11.04.2023 , Elley Vivian , Hannah Kit , Matt Happy , AUDIO
• Ratatouille The Tiktok Musical , 2021 proshot
• Rent , Manchester , 2020 , proshot , with Jocasta Almgill , Millie O'Connell , Alex Thomas Smith
• Rodgers and Hammerstein's Cinderella
Broadway , with Carly Ray Japsen and Fran
Broadway , 2 March 2013 , Laura Osnes Ella and Santino Fontana Prince Topher
• Romeo and Juliet
1. USA , 2013 , Orlando Bloom as Romeo
2. West End , July 2016 , with Lily James and Richard Madden
3. West End , 14 February 2021 , proshot
Cast: Sam Tutty (Romeo Montague), Emily Redpath (Juliet Capulet), Brandon Bassir (Mercutio), Daniel Bowerbank (Benvolio), Jonny Labey (Count Paris), Vinta Morgan (Frair Laurence), Lucy Tregear (Nurse), Sylvester Akinrolabu (Tybalt Capulet), Marc Ozall (Lord Montague), Jessica Murrain (Prince Escalus of Verona), Helen Anker (Lady Capulet), Timmy Driscoll (Sampson), Tats Nyazika (Gregory), Ollie Tennant (Balthasar), Iskandar Eaton (Abram)
Rebecca
off we , nov 16th , 2023 , AUDIO , Piers Bate
off we , sept 6th , 2023 , AUDIO , Piers Bate , David Breeds , Lauren Jones
• Six
1. Broadway , with Adrianna Hicks Aragon , Andrea Macasaet Boleyn , Abbey Mueller Seymour , Britney Mack Cleves , Samantha Pauly Howard , Anna Uzele Parr
2. West End , September 2018 , Aimie Atkinson Howard , Natalie May Paris Seymour , Millie O'Connell Boleyn , Jarnéia Richard-Noel Aragon , Maiya Quansah-Breed Parr , Alexia McIntosh Cleves
3. West End , March 2019 , Aimie Howard , Vicky Manser swing Cleves , Natalie Seymour , Millie Boleyn , Courtney Stapleton swing Parr , Jarnéia Aragon
4. WE, Dec 2019 , Jarnéia Richard-Noel Aragon, Cherelle Jay alt Boleyn, Natalie Paris Seymour, Collette Guitart swing Cleves, Hana Stewart 2nd cover Howard, Danielle Steers Parr
5. West End , January 2020 , Jarnéia Aragon , Courtney Bowman Boleyn , Hanna Alt Seymour , Cherelle Alt Cleves , Zara Alt Howard , Collette Guitart swing Parr
6. West End , April 2019 , Grace Mouat Aragon , Courtney S. Seymour , Millie Boleyn , Alexia Cleves , Maiya Parr , Aimie Howard
7. West End , September 2019 , Collette Aragon , Millie Boleyn , Natalie Seymour , Shekinah Cleves , Vicky Manser Howard , Maiya Parr
8. West End , March 2020 , Jarnéia Richard-Noel Aragon, Courtney Bowman Boleyn, Collette Guitart swing Seymour, Alexia McIntosh Cleves, Sophie Isaacs Howard, Hana Stewart Parr
9. West End , June 2021 , Jarneia Aragon , Collette Boleyn , Hana Seymour / Liv Alexander Seymour , Cherelle Cleves , Zara Howard , Danielle Steers Parr / Hanna Parr ( Notes : Crazy night , changes mid show )
10. West End , July 2021 , Zara Aragon , Cherelle Boleyn , Natalie Seymour , Alexia Cleves , Collette Howard , Hana Parr
11. Second UK Tour, 12 Aug 2021 , Cassandra Lee alt Aragon , Byony Duncan universal swing Boleyn , Natalie Pilkington swing Seymour, Liv Alexander universal swing Cleves , Vicki Manser Howard, Hana Stewart e.c. London cast Parr
12. Hampton Court Palace | June, 2022 | LIMITED TRADE | MP4 (4K) |
Cast: Jarnéia Richard-Noel (Catherine of Aragon), Millie O'Connell (Anne Boleyn), Natalie Paris (Jane Seymour), Alexia McIntosh (Anna of Cleves), Aimie Atkinson (Katherine Howard), Maiya Quansah-Breed (Catherine Parr)
Notes: Incredible capture of the last show of the Hampton Court Palace run of Six! Shot between heads but this is only noticeable when action happens on the far right. Very brief blackout after AYWD but complete otherwise
• Six audios
1. West End , 17.08.2019 , Grace Aragon , Collette Boleyn , Courtney Seymour , Alexia Cleves , Aimie Howard , Maiya Parr
2. West End , 19.04.2019 , evening , Courtney Aragon , Vicky Boleyn , Grace Howard
3. West End , 1.08.2021 , Collette Parr
4. West End , 16.11.2021 , opening night with the new queens
5. Six but it's only Collette Guitart in all songs (collage)
6. Six but it's only Vicki Manser in all songs (collage)
7. WE , 17.10.2023
• Soho Cinders
off WE , oct 2019 , Ben Darcy + cast board
off WE , dec 2019 , Ben Darcy
off WE , 23 dec 2019 , cast change
• Something rotten
Broadway , youtube rip
broadway , youtube rip 2.0
broadway , 10.06.2023 , evening , AUDIO
• Sweeney Todd
OBC
broadway , 23.08.2023 , AUDIO
broadway , 28.10.2023 , AUDIO
broadway , 16.09.2023 , AUDIO
broadway , 25.10.2023 , AUDIO
SuperYou , London , concert , 15.11.2023 , evening , Lucie Jones , AUDIO
Sunset Boulevard
WE , 02.10.2023 , AUDIO , Tom Francis , Nicole Scherzinger
WE , 09.10.2023 , AUDIO
WE , 22.09.2023 , AUDIO
WE , 30.10.2023 , (forfivemoreminutes) , AUDIO , Rachel Tucker alt Norma
Stranger Things : The First Shadow , WE , 8th Dec 2023 , evening , AUDIO
The Elephant Man , Broadway, with Bradley Cooper
• The Grinning Man , Bristol Old Vic
The Rocky Horror Show Live , West End , 2015 , proshot , with David Bedella as Frank-N-Furter
• The Last Five Years
1. West End , 2020 , proshot , with Olie Higginson and Molly
2. Broadway , 10 March 2013 , Betsy Wolfe , Adam Kantor
The Ocean at the End of the Lane
WE , 26.11.2021 , st martins lane , AUDIO
WE , nov 2023 (1) , AUDIO
WE , nov 2023 (2) , AUDIO
WE , nov 2023 (3) , AUDIO
WE , nov 2023 (4) , AUDIO
WE , oct 2023 (1) , AUDIO
WE , oct 2023 (2) , AUDIO
The Great British Bake Off Musical | West End | April, 2023 | MP4 (4K) | LIMITED TRADE
Cast: Haydn Gwynne (Pam Lee), John Owen-Jones (Phil Hollinghurst), Zoe Birkett (Kim), Scott Paige (Jim), Michael Cahill (Russell), Damian Humbley (Ben), Claire Moore (Babs), Grace Mouat (Izzy), Aharon Rayner (Hassan), Jay Saighal (Dezza), Cat Sandison (Francesca), Charlotte Wakefield (Gemma), Amelie Rouse (Lily)
Notes: Wonderful capture of this surprisingly great show! Shot over a head only visible in wide shots
Tina , WE , Zara Tina DEBUT , AUDIO
• Waitress
1. Broadway , August 2019 , Colleen Ballinger
2. Broadway , 29.06.2017 , Betsy Wolf as Jenna , Molly u/s Dawn
3. West End , Lucie Jones as Jenna , Marisha Wallace and David Hunter
4. West End , December 2019 , Sarah O'Connor u/s Jenna , Piers Bate u/s Earl
5. West End , January 2020 , Desi Oakley e/c Jenna , Piers Bate u/s Earl , Marisha Wallace , David Hunter
(Missing act 1 , part 1 cause I can't download it)
6. Broadway , November 2019 , with Jordin Sparks as Jenna
7. WE , July 2019 , with Olivia Moore as Jenna
8. WE , Oct 2019 , with Lucie Jones Jenna , Joe Sugg Ogie , Laura Baldwin Dawn, Kelly Agbowu u/s Becky , David Hunter Dr Pomatter, Sarah O'Connor swing
9. Broadway, reopening night , with Sara Bareilles
10. WE , aug 2019 , Piers Bate Dr Pommatter + cast board
• Waitress Audios
1. Broadway , 09.01.2018 , Betsy Wolf , Jason Mraz (LIMITED TRADE)
2. West End , 29.11.2019 , Lucie Jones , David Hunter , Laura Baldwin , Joe Sugg
3. West End , 26 Oct 2019 , with Olivia Moore Jenna , Piers Bate Dr Pomatter , Laura Baldwin Dawn , Joe Sugg Ogie ( Notes : only show where the couple where playing a couple together. )
• Wicked
1. Broadway , Old version
2. Broadway , Adam Lambert , Teal Wicks , VTS
3. West End , 18.10.2007 , Oliver Tompsett as Fiyero
4. West End , 26.10.2007 , highlights , with Cassidy Janson as Elphaba , Oliver Tompsett as Fiyero
5. West End , March 23 , 2019 , with Alice Fern Flinda , Melanie LaBarrie Madame Morrible
6. 1st National Tour, 25 Feb 2014 , Emmy Raver-Lampman s/b Elphaba , Gina Beck Glinda
7. Wicked | West End | August, 2022 | LIMITED TRADE | MP4 (4K) |
Cast: Lucie Jones (Elphaba), Charli Baptie (e/c Glinda), Micheal Colbourne (u/s Fiyero), Gary Wilmot (The Wizard), Sophie-Louise Dann (Madame Morrible), Maggie Lynne (u/s Nessarose), Nicholas McLean (Boq), Rhidian Marc (u/s Doctor Dillamond)
Notes: Stunning capture of Charli’s emergency return as Glinda! Unobstructed, starts out a little shaky with a few dropouts but improves as it goes on. Show stop just after As Long As You’re Mine, video cuts straight to the following scene
Wicked Audios
1.San Diego Tour , 29 Nov 2014 , with Emmy Raver-Lampman as Elphaba
2. West End - January 3, 2007
CAST: Cassidy Janson (u/s Elphaba), Helen Dallimore (Glinda), Adam Garcia (Fiyero), Andy Mace (u/s The Wizard), Miriam Margolyes (Madame Morrible), Katie Rowley Jones (Nessarose), James Gillan (Boq), Martin Ball (Doctor Dillamond)
9. West End - Magicinthemess - 01.02.22 - M4A Untracked
Lucie Jones (Elphaba), Helen Woolf (Glinda), Ryan Reid (Fiyero), Carina Gillespie (Nessarose), Nicholas McLean (Boq), Gary Wilmot (The Wizard), Sophie-Louise Dann (Madame Morrible), Simeon Truby (Doctor Dillamond).
10. West End , 9 feb 2022 , Carl Fiyero
11. Edinburgh , 17.12.2023 , Laura Pick , Carl Man Fiyero
Witches , WE , Zoe Birkett , date unknown , AUDIO
Zorro , off WE , April 2nd 2022 , AUDIO , Ben Purskin as Zorro
• Online concerts /shows
• Letter Live feat Toronto Egerton , Benedict Cumberbatch , Olivia Colman etc
• The Show Must Go On ! Live Concert 2021
• All I Want For Christmas Is Theater , UK , December 2020
• Girl Power , UK , December 2020 , with the cast of Six West End and band Seven
• Unlimited The Songs of Stephen Schwartz , UK , December 2020 , with the cast of Wicked West End
• Oops I Streamed It Again , UK , December 2020 , with the cast of &Juliet West End
Six reunion concert / Svn concert
Disenchanted , London , April 2021 , proshot with Grace Mouat Pocahontas
#west end#west end musicals#west end bootlegs#Broadway#broadway musicals#broadway bootlegs#bootlegs#slime tutorial#theater#musicals#juliet musical#bat out of hell#pretty woman#ben darcy#six musical#collette guitart#grace mouat#alex tranter#jordan luke gage#city of angels#theo james#waitress west end#waitress broadway#ciara renee#skylar astin#aaron tveit#jeremy jordan#&juliet#waitress musical#bootleg trades
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One thing I find very lacking in the Circus of Your Mind choreography between the Pre-Broadway and Broadway/Tour versions is the struggle of J.M. Barrie as he navigates through the chaos of his mind, befuddled by others’ criticisms and his restless imagination.
In Pre-Broadway, J.M. feels the pressure and expectations as he gets ‘pulled’ in every direction; stumbling, staggering, crawling through the recess of his turbulent mind trying to grasp a sense of clarity but couldn’t as he continuously gets mocked for prioritising his play and wanting it to come into fruition. And his life at this point was at the lowest, close ones who he thought he could rely on were cold to him. Every door that he opens leads nowhere except to another door, getting more feverish by the second, and eventually he’s down on his knees, defeated and without any resolve left.
Meanwhile, the Broadway version just felt flat after experiencing A.R.T.’s production. Sure, they have implemented colourful imagery and extravagant props but the stage direction for J.M. was so mediocre, he just wandered around from one side of the stage to the other. Going, “Oh! That is happening. Ah! Another thing is happening!” and the minimal struggle that he does show feels more like him playing peek-a-boo than anything. As if he wasn’t as bothered as you’d care to think he would be.
What went from an intense and pivotal number to Barrie’s mental downfall became instead a lack lustered albeit colourful performance. But, I won’t deny the inclusion of the backdrops and the lamp posts are interesting additions to showcase how vastly imaginative he can be but also how easy it was for him to get lost in the clouds.
#finding neverland#jus talks#or it could just have been jeremy giving his all into the role#and the severe desperation wasn't even in the choreo#either way there's a win and a loss for both versions#jeremy jordan#matthew morrison
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Fairy tale retellings! because I couldn’t help myself (under the cut because I got carried away and remembered my fairy tale retelling phase from middle school........ oh boy)
Cinderella
Cinderella (2015 Disney live action): beautiful beautiful BEAUTIFUL (the music! the script!! the Hope! the costumes! the dress! the gentleness at its heart! the overall design and the colours!) (I still believe it’s the best live action re-adaptation they’ve come up with so far) (then again they DID have one of the Rogue One writers and Kenneth Branagh--both of whom understand story AND fairy tales--on the team, and possibly the best combination of actors and costume designers)
Cinderella (Disney animated movie): like a dream. Can’t remember it that well because I haven’t watched it in over ten years, but I remember that I loved it
Cinderella, the Rodgers & Hammerstein musical featuring Laura Osnes and Santino Fontana: Laura’s Cinderella is so lively and hopeful and bright and affectionate and I Love Her!!! The script is also surprisingly funny, and the little changes they made (like the fairy godmother being an old beggar woman in the village, the subplot with her stepsister, the scene at the ball where she suggests that they should all be kind to one another, the fact that the prince is called His Royal Highness Christopher Rupert Windemere Vladimir Karl Alexander Francois Reginald Lancelot Herman (HERMAN!) Gregory James....... iconic) added rather than detracted from the themes they chose to emphasize
A Cinderella Story: possibly one of my favourite films. I loved the fact that they knew each other before the ‘ball’. Loved the way the fairy tale was ‘translated’ into the 2000s. The friendship was strong with this one. I had the best time watching this movie. (Dress-wise, Hilary Duff’s dress is my least favourite, but that’s a minor quibble, and is also due to the fact that it has Lily and Laura’s gorgeous fluffy ballgowns to contend with, and that’s not fair competition)
Persuasion, by Jane Austen: does it count?? The way I see it, Persuasion is like Cinderella gone wrong (we discussed this in class, and my prof called Lady Russell a fairy godmother who means well but fails her protege before the story even begins. We talked about Anne’s ‘Cinderella’/makeover moment taking place over a longer period of time, about the ‘evil’ stepsisters, etc. etc. I’m not entirely sure I agree with every single comparison he made, but he made some Very interesting points).... at least the first time :)
Cinder, by Marissa Meyer. Oh, the images!!!!! Marissa Meyer is WONDERFUL at them. You wouldn’t think they’d translate well into a futuristic sci-fi (almost steampunk) world, but she did it SO brilliantly (the slipper! the ‘dress’! the whole family situation!)
Rapunzel
Tangled (Disney animated movie): an absolute joy. Rapunzel is an Ariel-like character who has hopes and dreams of her own, and I love how warm and vivacious and endearingly transparent she is. The dance scene is so, so lovely. (I stand by my opinion that very few little went right with Disney’s fairy tale retellings after Tangled.)
Cress, by Marissa Meyer: once again. Images. I can’t believe she managed to pull Rapunzel-in-space off so well. (Plus she’s a hacker, and such a sweetheart!!)
Beauty and the Beast
Beauty and the Beast (Disney animated movie): Amazing. Gorgeous. Brilliant. The buildings and the music and Belle (Belle, my darling!!) and the darker, more Gothic feel to the art and the design...... Yes
Beauty, by Robin McKinley: knocked it right out of the ball park, right through the atmosphere, right into outer space... The language is so lush and atmospheric, and even though I knew roughly what was going to happen, I loved every moment of it. She puts a special emphasis on family and on human connection and I Loved that so much.
Rose Daughter, by Robin McKinley: also gorgeous!!!!! Beauty is still my favourite of the two, but this one was also a gem. (Again: the emphasis on family and sisterhood!!!)
Beauty and the Beast (the Broadway musical): Susan Egan’s voice is SO lovely. And Home deserved more than just an instrumental reference in the 2017 version.
The Twelve Dancing Princesses
Princess of the Midnight Ball, by Jessica Day George: the Best. The sisters are easier to distinguish, the changes/things she added (the war, the queen’s past, etc.) make the story even more interesting, and Galen is fantastic (courteous, kind, brave, AND likes to knit?? NICE)
The Barbie movie: I loved it when I was a little girl (it is also Muffin-approved!)
The Princess and the Pea
@fictionadventurer‘s Wodehousian one :) which is an absolute delight. Every once in a while I remember it and then can’t stop smiling
The Goose Girl
The Goose Girl, by Shannon Hale: the Best. And by the Best, I mean the absolute Best. Her writing is so beautiful and her characters are so real and distinctive. The worldbuilding is fascinating. It’s so simple and so beautiful, and is near-perfect as a retelling and as a novel. The rest of the Bayern series is also wonderful!!
The Little Mermaid
The Little Mermaid (Disney movie): can’t remember it very well, except for the chef who wanted to cook Sebastian and also Ariel’s very cool sisters.... the music and Ariel’s character are lovely :)
The Little Android, by Marissa Meyer: genius. The first time I read it, I cried furiously. What does it mean to be human?? Marissa Meyer loves to talk about this in her other books (through malfunctioning robots, androids, werewolves, etc.). And the conclusion she comes to is always the same (and always done so beautifully): it’s about love and sacrifice (and tbh even though she’s talking about this through robots and werewolves, she’s got a point!!! When you act with love and self-sacrifice, you reflect the character of the Maker and His love and self-sacrifice, which is what makes us in that moment the most human--or at least human in the sense that that’s what we were made to be and to do towards our neighbours and enemies)
Ponyo (Studio Ghibli movie): this counts, doesn’t it?? A film that is an absolute joy through and through. It doesn’t completely stick to the original fairy tale but it also talks about compassion, kindness, and love as a choice
The Princess and the Frog
The Princess and the Frog (Disney animated movie): can’t remember it very well, but Anika Noni Rose has a fantastic voice, and I loved Tiana’s practicality, optimism, and kindness
The Prince of the Pond, by Donna Jo Napoli: can’t remember it either (read it in third grade) but basically it’s about how the prince turns into a frog and starts a family with another frog (the story is told from her perspective). I do remember that the ending made me so sad, though
Sleeping Beauty
Sleeping Beauty (Disney movie): can’t remember it at all either, except for: 1) Once Upon a Dream (a brilliant song) and 2) forget pink or blue. I liked her grey dress the most
Spindle’s End, by Robin McKinley: the story was told in such an interesting way (the animals! the way she wrote about love and protecting the people you love and self-sacrifice in familial and platonic relationships!) with Robin McKinley’s beautiful style
East of the Sun, West of the Moon
East, by Edith Pattou: I was obsessed with this book in elementary school. Obsessed. I kept rereading it over and over again because I just loved it so much. It’s been a few years since I’ve read it, but I can remember certain scenes (Rose entering the ballroom for the first time, the white bear’s hulking figure in the doorway, the architecture of the hall where she washes the shirt, her fingers running over the wax, the reunion scene) so vividly as if it had been a movie instead of a book, or if I’d actually been there, experiencing what Rose was experiencing
Orpheus and Eurydice (which kind of counts)
Hadestown (the Broadway musical, the original cast, AND Anais Mitchell’s original concept album): I’ve talked about it so much I probably shouldn’t even start slkfjsdl;kfjlk; I just wanted an excuse to mention it again
Tam Lin
Fire and Hemlock, by Diana Wynne Jones: I loved it when I first read it but I was so confused and so fascinated by it.
The Snow Queen
Frozen (Disney animated movie): no (insert heart emoji)
And contemporary(?) books that are considered modern classics, if not modern fairy tales (depends on how you look at it, really):
Peter Pan
Peter Pan (Disney animated movie): a childhood favourite!!!
Peter and the Starcatchers, by Dave Barry: the whole series is so much fun (and they’re among some of the funniest books I’ve read). This one serves as a sort of prequel to Peter Pan, but it’s safer to say that Dave Barry reimagined the whole story.
Peter and the Starcatcher (Broadway play adaptation of the book, which is a reimagining of the original Peter Pan..... yeah): the source material is incredibly funny, so naturally the play adaptation makes you laugh until your sides feel ready to split (I mean!! You have Christian Borle as Black Stache, Adam Chanler Berat as Peter, Celia Keenan-Bolger as Molly..... they’re all brilliant) The script, the way the cast makes use of the set and props, the perfect comic delivery....... love it
Finding Neverland, a musical adaptation of the movie (the A.R.T. production with Jeremy Jordan as James Barrie): the music is so good, and the way they write about the value of looking at the world through the eyes of a child?? of seeing the beauty in everything?? of hope and imagination and wonder?? If it weren’t for the way it handles adultery (even emotionally cheating!) and divorce :( but Laura Michelle Kelly is absolutely enchanting, and the script is also incredibly funny and heartwarming
Tiger Lily, by Jodi Lynn Anderson: a twisted fairy tale... it was quite disturbing at times, but it was also beautiful and heartbreaking. It’s a darker take on the story, which I tend not to like (at all), but the way it explored Tiger Lily and Peter was quite interestng
The Wizard of Oz
WIcked, the Stephen Schwartz musical--I haven’t read the book: as far as retellings-about-the-villain-of-the-original-story goes this one is my favourite. It is another twisted fairy tale, though, and there’s a constant undercurrent of doom and dread, even in the motifs Stephen Schwartz uses... the ending is not completely happy, but the music is FANTASTIC (Mr. Schwartz also did The Hunchback of Notre Dame and Prince of Egypt!!)
Alice in Wonderland
Alice in Wonderland (Disney movie): another childhood favourite... I also haven’t seen this one in over ten years, but I can still remember specific scenes very clearly in my head
Alice by Heart: a musical about a girl called Alice Spencer whose coping mechanism (quite literally) is Alice in Wonderland. She knows it by heart (again. Literally) and she dives into the world as a form of escapism (LITERALLY. There’s even a song at the end where the characters acknowledge how unhealthy this is). There’s a lot about growing up, losing a loved one, learning to let go... about self-deception and grief and the control one has over one’s life (unfortunately it IS subtly antagonistic towards Christianity at times)..... i do wish that writers didn’t have to treat sexual maturity as the most prominent/interesting part of coming-of-age stories, though. The characters, the set and lighting and costume design (BRILLIANT, by the way!!!!)... all wonderful. But the strangely sexual references can be a bit uncomfortable. (Really!! You can tell a coming-of-age story WITHOUT that stuff, you know!!!!!)
That Disney Movie directed by Tim Burton: wouldn’t recommend. Alice doesn’t need to be a warrior. (At ALL.)
Would also like to mention: Princess Tutu :)
#i am sorry but i am very emphatically not a frozen fan#especially since we read snow queen at jellicoe lodge?? it's such a beautiful story#and the IMAGES#but hollywood is more into self-actualisation/self-discovery/self-acceptance/self-centric stories these days#i guess they just didn't want to tell a story about self-sacrifice and selfless acts of love ? i don't know#anyway i get irrationally worked up about frozen sorry#the second one nearly made steam pour out of my ears#i GET they want to focus on the Self (and all the selfishness and self-importance that comes with our world's idea of self love)#but ELSA as an oldest sister HOW could you make all these decisions#fairy tales#i need to finish princess tutu sometime (sigh)#songbird again#my posts
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Now that contracts are signed & the ink is dry, I’m finally ready to share that I’ve moved into the “mid-twenties playing a young teenager” phase of my career! . I am honored to be playing Beth March in @hedgepigensembletheatre ‘s new adaptation of Louisa May Alcott’s LITTLE WOMEN! We’re working collaboratively to develop this story of young women finding their way in the world to premiere a new version that proves “there isn't ONE WAY to be a woman in the world -- neither then nor now.” . Catch us this December in the Great Room in the South Oxford Space in Brooklyn! . . . #NYC #Actress #Director #FemaleDirector #Producer #Stage #Screen #Theatre #Film #Playbill #IMDB #Broadway #OffBroadway #Show #Production #Audition #Casting #BTS #ActorsLife #Work #Hustle #Art #HelloMyNameIsAshleyPleasePayMeForActing #AndDirecting #AndDeveloping #WellIActuallyAmGettingPaidToDoAllOfThoseThings #ICanPassFor13Right? #MerryChristmas! (at South Oxford Space - A Project of A.R.T./New York) https://www.instagram.com/p/B3-TPV5JcVx/?igshid=12i7t70d44u7g
#nyc#actress#director#femaledirector#producer#stage#screen#theatre#film#playbill#imdb#broadway#offbroadway#show#production#audition#casting#bts#actorslife#work#hustle#art#hellomynameisashleypleasepaymeforacting#anddirecting#anddeveloping#welliactuallyamgettingpaidtodoallofthosethings#icanpassfor13right#merrychristmas
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Okay, you guys know what this means, right? (Other than the fact that I will surely end up arranging a trip to “visit family” in Tokyo in January 2019.) That’s right, it means that Natasha, Pierre & the Great Comet of 1812 will be getting its first post-Broadway production in Tokyo next year!
Congratulations to the show, and I would be lying if I said I wasn’t going to make every earthly effort to get there to see it. Because my husband does still have family living in Tokyo, we’ve been there a number of times and I’ve been lucky enough to see several Broadway-style shows there. Let me give some straight-talk insight on what to expect from a Japanese production; those who are offended by straight-talk may stop reading now. ;)
-The company producing it: Toho Stage. If I’m being totally honest, this fact has kept me up half the night worrying. To be fair, they have produced plenty of what I would call “legit” musical theatre, including, coming soon, Fun Home, as well as everything from South Pacific (I know, whut) to Secret Garden. The problem is that they also produce tons and tons of Bway flops and Euro-pop musicals, which is mostly my personal experience with Toho. (Anytime a French musical is licensed in Japan, I know before even looking that it will be with Toho. No exceptions.) And they are usually veeeeery loose adaptations of those shows, so I am a bit concerned. But probably I’m worrying for nothing on this point...We’ll see.
-The staging: Japan does many musicals, both old and new, American, European, and Asian, but when it does first run versions of recent Broadway musicals, it usually makes some attempt to replicate the staging, stage design, and/or costumes. You see much more slavish imitation productions out of Shiki musical productions than out of Toho ones, but that’s because Shiki holds the rights to every Disney musical ever, and Disney is very particular about such things. When Toho puts on Les Mis, they do have an exact replica production of whatever’s playing in other countries, because Cam Mac is similarly particular about it--however, I’ve also seen them change many production designs for other shows. It all depends on who’s granting the rights and what restrictions are placed on those rights. The Natasha, Pierre rights holders would be very wise to insist on a similar production to the American one, imo, but then again, I really can’t see any of the immersive stage designs working in the theatre that Toho uses...Not because the stage couldn’t be adapted to, say, the A.R.T. configuration they used in Boston, but because I don’t think the interactive elements/jokes would go over that well with typical Japanese audiences (I think the majority of Japanese musical fans would be very uncomfortable with it).
Whatever the stage and costume design, I imagine it will be beautiful, since I have always been impressed by that aspect of every production I’ve seen there, whether imitation staging or new staging.
The only thing that worries me about the staging is, well, the stage--or, more precisely the theatre. Toho’s usual theatre is huuuuge compared to your standard Bway theatre. We always knew this would be a problem if this show toured, since most touring houses in America are also huuuuge, but I always secretly hoped they’d go back to a tent format and do sit-downs in big cities that way. I...don’t think a tent is what Toho has in mind. We’ll have to wait and see, but I will say I don’t think I’d want to be in the back of the balcony on this one.....
-The casting: Yes, they will all be Japanese, except for the Koreans they hire. So, in that sense, yes of course it won’t resemble the diverse ensemble from the OBC. On the other hand, I am quite confident they can find a girl who can look and act the part of Natasha, since most of the female leads I’ve seen in musicals there are quite ingenue-typed sopranos. They will also make a killer Anatole.
Also, I forgot to mention: it will likely be double-cast, meaning there will be two separate actors or actresses cast for each of the most demanding parts (in this case, probably Natasha, Pierre, Anatole, Sonya, and maybe Helene), and they’ll rotate their schedules throughout the run. This is typical of Japanese musicals, and should be interesting.
-The singing: Compared to the OBC, it will most likely suck. Japanese musical theatre voices are trained to sound a bit different from contemporary Broadway voices, so they usually already sound pretty different when singing regular Broadway scores, but this one? I predict that this’ll be baaaad. But you may say, ‘everyone in the OBC sounded “different” from a standard Bway voice, why couldn’t that work for the Japanese, too?’ to which I say, well, it’s a different kind of different. The OBC had distinctive voices, interesting voices (which, personally, I feel like we’ve been missing more and more on Broadway in these past 10-20 years), but they were hitting very specific notes, often weird ones, since it’s Dave after all. ;) Not only have I not seen proof that the average Japanese musical singer can sing a score of this complexity (I’ve never seen them do Sondheim, for instance, though I know it does exist), but they seem to be mostly trained to do a sort of “Rodgers & Hammerstein” style of singing in which everyone attempts a pretty classical musical theatre sound with lots of vibrato and a woman’s break occurs very low, that is, the head voice is used where often the original show belted the notes (see: the painful rendition of Evita’s “A New Argentina”). High belting is not even a lost art in Japan, because I’m pretty sure it was never found to begin with: clips from shows as disparate as Aida, Hunchback of Notre-Dame, and Wicked have made this clear to me, and certainly every experience I’ve ever had mixing Wildhorn with Japan (Scarlet Pimpernel, Jekyll&Hyde, etc.), or even the more poppy French musicals in Japanese. Does every actor/actress belt flat? No, of course not--but plenty of them do. New contemporary musical theatre continues to move into the realm of American Idol, producing beltier and beltier music, so it’s only bound to become a worse problem over time...
But anyway, even with bum notes and heavy vibrato being consistent annoyances, will that really affect Nastasha, Pierre, which is not really an example of the “belt it higher/longer” Wicked school of musical writing? Well, of course it will, sometimes. Don’t expect anyone who can tear into Maria Dmitrievna in Japan. Don’t expect Natasha will be able to powerfully slam those top notes in her “argument” scenes. Don’t expect the end of Dust & Ashes to sound great. And certainly don’t expect to get a reliable “PETERSBUUUUURG!!!” out of anyone (though one might say that for most actors working on Bway, too ;)).
And even if they somehow find a miraculous cast hidden away somewhere who can sing the shit out of the notes, there will always be:
-The translation: This shit will be difficult as all hell to translate. Between Malloy’s own writing style and Tolstoy’s text, I really don’t know how it will be done. I’ve attempted it myself, so I’ve already seen the challenges first hand... Japanese is acknowledged as one of the most difficult languages to translate English lyrics into, mostly because the structure of the two languages differs so greatly: in Japanese, you can usually express pretty much any of the same ideas you can in English, but you usually can’t express them in as few syllables. When my husband and I made a project of translating “No One Else,” it proved almost impossible to fit every idea expressed in the English lyrics into the translation without running waaaay too long to fit the meter. This is usually solved for in professional Japanese musical translations by cutting out whole lines from the original libretto and taking, say, two lines to translate one line of English text. It can also be solved by pretty much ignoring the English lyrics and just making up some different ones in Japanese that fit the meter and don’t sound too out of place thematically. These methods work fine for shows that were lyrically insipid to begin with, like the Euro-pop musicals (yes, Romeo & Juliette, I am looking at you), but on Dave Malloy’s libretto??? Why bother if you have to do a hack job to make it work...? There’s a reason Sondheim is so infrequently produced in Japan......
Now, for many of you, the translation will not affect your life in the slightest. For my husband and other bilinguals, it will be excruciating to listen to. He already gets annoyed enough listening to Japanese Les Mis...I don’t know how I’m going to get him to listen to a translation of lyrics he actually loves to death in English. ;)
Anyway, if it sounds like I’m very wary of this production, that’s because...I am. It’s scary not only because it’s a Japanese production, but also because it’s the first production post-Bway, and nobody knows quite what sort of adaptation to expect. I’ll try to keep the faith, while still keeping it real... The good news is that you all will likely be able to judge it for yourself, because Toho usually puts out at least a cast recording for its musicals, and sometimes even a DVD of them!
And will I be attending, in spite of my serious concerns? Yeah, duh, if I can swing it. XD I can already tell you there will be tears at the end, which is one thing I fully expect them to get perfectly right. :’)
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