#a year in book reviews

[emachinescat]

A Year in (Book) Review: My 2024 Reading Journey 📚

#33 - Part of Your World by Liz Braswell

Fantasy / Twisted Tales #5 / 482 pages / published 2018 / Finished Mar. 20

One Sentence Review:  A much-matured Ariel takes charge in this Twisted Tale filled with magic, deception, romance, revolution, and very large, very real stakes - dark and rich, this book expands on the worlds above and below the sea in a wonderful way.

Favorite Quotes

"'There is magic,' she said softly. 'There is always magic. Even if you can't see it.'"

*

"All right, all right. Octopuses are great. I'm a bigot with tentacle issues."

*

"So little actual communication was represented by words that were said aloud, she had realized upon losing her voice. Often the real meaning lay underneath and unspoken."

*

"She had the voice of the wind and the storm and the crash of the waves and the ancient speech of the whale. She had the voice of the moon as it glided serenity across the sky and the stars as they danced behind. She had the voice of the wind between the stars that mortals never heard, that rushed and blew and ushered in the beginning and end of time."

My rating: 4/5

A Few More Thoughts (Spoilers):

Though there is a lot to love about this book - the expanded world, the character growth, Eric as the "Mad Prince" - the pacing was slower than I expected. I did really enjoy the way Ariel and Eric's relationship developed.

The dynamic between Eric and Ursula was quite bizarre, though this isn't necessarily a bad thing. I found myself most surprised by the dynamic between them after the enchantment over him broke, the sort of stalemate and "silent revolution" that followed. Ursula's characterization as a vain, out-of-control and madly violent but still calovulating villain was interesting.

This book shows thay a true, good leader is one who puts her people first, who does not compromise for her own personal desires. It also illustrates that just because someone isn't speaking out loud - or they cannot speak - it does not mean they have nothing to say. Pay attention and listen.

[nedlittle]

it drives me bonkers the way people don't know how to read classic books in context anymore. i just read a review of the picture of dorian gray that said "it pains me that the homosexual subtext is just that, a subtext, rather than a fully explored part of the narrative." and now i fully want to put my head through a table. first of all, we are so lucky in the 21st century to have an entire category of books that are able to loudly and lovingly declare their queerness that we've become blind to the idea that queerness can exist in a different language than our contemporary mode of communication. second it IS a fully explored part of the narrative! dorian gray IS a textually queer story, even removed from the context of its writing. it's the story of toxic queer relationships and attraction and dangerous scandals and the intertwining of late 19th century "uranianism" and misogyny. second of all, i'm sorry that oscar wilde didn't include 15k words of graphic gay sex with ao3-style tags in his 1890 novel that was literally used to convict him of indecent behaviour. get well soon, i guess...

[clonerightsagenda]

Spotted the word "blorbo" in The New York Times book review. Listen NYT romance reviewer, I really do not think your paper's audience is going to recognize that one

[fandom]

Books

In which the demigods and a conniving triangle knock the necromancers and their cavaliers from their celestial heights!

This list is brought to you by Tor Publishing Group (@torpublishinggroup), which you’re probably familiar with, given that this is tumblr dot com.

Percy Jackson +1 by Rick Riordan

The Book Of Bill by Alex Hirsch

Harry Potter by J. K. Rowling

The Locked Tomb series -3 by Tamsyn Muir

The All for the Game series +3 by Nora Sakavic

The Warrior Cats series by Erin Hunter

A Song of Ice and Fire by George R. R. Martin

A Court of Thorns and Roses series +2 by Sarah J. Maas

Dracula -4 by Bram Stoker

The Trials of Apollo series +9 by Rick Riordan

The Odyssey +10 by Homer

Wings of Fire series +5 by Tui T. Sutherland

Six of Crows duology -9 by Leigh Bardugo

Discworld -5 by Terry Pratchett

The Silmarillion -4 by J. R. R. Tolkien

The Vampire Chronicles by Anne Rice

Pride and Prejudice -5 by Jane Austen

The Outsiders by S. E. Hinton

The Raven Cycle series -5 by Maggie Stiefvater

Frankenstein -7 by Mary Shelley

The Iliad -1 by Homer

Stormlight Archive +2 by Brandon Sanderson

1984 +4 by George Orwell

The Folk of the Air series -2 by Holly Black

Romeo and Juliet +20 by William Shakespeare

The Simon Snow series -6 by Rainbow Rowell

The Secret History -9 by Donna Tartt

Captive Prince series +13 by C. S. Pacat

The Great Gatsby by F. Scott Fitzgerald

Good Omens +20 by Terry Pratchett & Neil Gaiman

The Picture of Dorian Gray +18 by Oscar Wilde

The Sun and the Star -17 by Rick Riordan & Mark Oshiro

Wuthering Heights by Emily Brontë

The Mortal Instruments series by Cassandra Clare

The Far Side +11 by Gary Larson

The Animorphs series -13 by K. A. Applegate

Throne of Glass series -4 by Sarah J. Maas

Magnus Chase and the Gods of Asgard series -3 by Rick Riordan

Strange Case of Dr. Jekyll and Mr. Hyde +8 by Robert Louis Stevenson

Mistborn -1 by Brandon Sanderson

Diary of a Wimpy Kid -16 by Jeff Kinney

American Gods by Neil Gaiman

The Song Of Achilles -13 by Madeline Miller

Crescent City series by Sarah J. Maas

The Twilight Saga -3 by Stephenie Meyer

Much Ado About Nothing by William Shakespeare

The Infernal Devices series by Cassandra Clare

The Bell Jar -12 by Sylvia Plath

The Wicked Powers series by Cassandra Clare

The Dark Artifices series by Cassandra Clare

The number in italics indicates how many spots a title moved up or down from the previous year. Bolded titles weren’t on the list last year.

So many books, so little time. Come find your online Community for all things books and reading. Right this way.

[myjetpack]

My Reading Year.

(My last @guardian Books cartoon for 2023)

[haveyoureadthisbook-poll]

Look at tumblr's 2024 year in review here

Movie version of this poll

tv show version of this poll

[tvb0y]

OH HELL YEAH THIS IS TEN TIMES BETTER THEN SPOTIFY WRAPPED BABY

[elennemigo]

Benedict Cumberbatch´s year in review ✧ 2024.

"This isn’t a very natural thing, you know what I’m doing right now, talking to all of you, but the person in here, that’s carrying this through to try and communicate to you, is someone who’s tied to people that they’ve known for a long time in their life, tied to family, tied to children, tied to things that keep me grounded. I’m not afraid to tackle darkness or difficulty or the less attractive sides of the human condition as long as I know there is space to take that off and put that on, and if I feel safe doing that, then I’m good.” x

[thedeathwitchescats]

Okay, review time!! If you are one of the oddballs who thinks you cant be critical of something you love I suggest you stop reading now before I ruffle your feathers. Iron flame, second in the empyrean series. I am gonna start with what I was not a fan of and then go into the shit I adored.

1) what in the actual fuck was the pacing of this book?? I can tell you what, it was non existent. There was none. Where I thought there was a lot of filler in the last book there was none in this one. We got snap shots of conversations and then *boom* more plot flew at you. The timeline of this book greatly suffered for it i think bc we end only a couple weeks, if that, after threshing, which happens sometimes in October. This book was actually so wild with times.

2) while it was a spectacular cliff hanger, xaden becoming venin pisses me off. Especially if Rebecca yarros isnt going to have him tell violet. Like if that small tid bit of a conversation we got wasnt him telling vi that he was venin then the entire romantic conflict of this book was rendered pointless and their going to be having the same fucking fight for the rest of the series and at rhat point I give up.

3) I understand that the revolution is trying to take down basgaith and make the world better or whatever the fuck but can someone actually formulate a real plan for me?? Because I feel like their mission is just, giving violet and xaden something to be pissed at each other about.

4) the entirety of cats character. I get that she was set up as a spin on the typical jealous ex. Like having her be bitter about xaden picking violet over her but OH WAIT it wasnt actually about the man it was about the crown, oohh not like other girls. Im a writer too I see the point. I dont care. I think it was trashy. If you wanted her to be a bitter spiteful ex then have her be a bitter spiteful ex, the whole crown thing was shallow.

OKAY haters your time is up now onto the shit that made my heart hurt with joy and sadness

1) xadens arc in this book. I really liked that he went from "transparency is never gonna happen" to losing his fucking mind over violet and giving her everything. I love feral men and he qualifies. I think his arc was really well done and i liked it.

2) I appericiate that violet stuck to her guns for this book. She wouldnt let xaden off without a fight and I loved that. She made him bow and scrape and I was eating it up. It was spectacular.

3) the throne room scene. Violet on the throne. "Im making a temporary point not a lasting vow of maschocism" xaden being feral.

4) that gets its own point actually, just xaden being completely feral this entire book healed a part of my soul.

5) andarna's little speech at the end where she was like "I waited for you violet" made me ugly cry. That was just so hopelessly good I loved it. Andarna in general heals my heart but that part was just *chefs kiss*

6) tarin being completely and utterly ready to eat people this entire book. Just, at every turn "I want lunch their pissing me off " was spectacular

7) every scene their squad was in. Rihannon, violet, sawyer and ridoc are my roman empire. Their bond is so amazing. The fact that they launched a rescue mission for violet. Rihannon being ready to kill xaden at every turn. Ridoc being so platonically and adorably in love with violet. Just- augh happy cries happy cries. I love it all. Their so special tbh.

8) I love xaden actually, just, the whole book every scene hes in lives in my brain.

9) I liked that we saw a small bit of violet being feral this book too. I hope that we get more of that in future books. I want more of violet losing her fucking mind. Hot, badass women covered in blood

10) Liam. Fucking Liam. When violet was kidnapped and Liam was there. Now, do I logically understand that he was a hallucination, yes, do i care?? No. He was a gift from Maleck I will be hearing no critiques on that. It was so fucking sweet and amazing. I love violet and Liam and Liam being dead so horribly breaks my heart. I loved Liam. Liams death lives rent free in my skull.

[placeofwonder]

lately: enjoyed my beautiful town in the sun and reviewed two plays for the student magazine, which is a great outlet for the part of my brain that wishes I was still studying humanities

[emachinescat]

A Year in (Book) Review: My 2024 Reading Journey 📚

#7 - Straight on Till Morning by Liz Braswell

Fantasy / Twisted Tales #8 / 363 pages / published 2019 / Finished Jan. 14

One Sentence Review: A surprising contender for one of my favorite books in the series, Straight on Till Morning takes the focus off of Pan - and the patriarchy - and puts it on Wendy and Tinkerbell, and it reminds us that Neverland will always have monsters as long as the real world stays broken.

Favorite Quotes

"She didn't need to see her scars to know that they were real."

*

"There was no room for weakness or second thoughts in a hero, and if nothing else, Wendy had to be the hero of her own soul."

*

"She felt a little stirring of self-recrimination: Why hadn't she even thought things like this before? Why hadn’t she even noticed the invisible prison she was in? 'Because,' she told herself gently, 'I've never been able to fly before.'"

*

"Are things broken here? Save this world. Then go back to your own broken world and fix it. Perhaps we shall be mended as well."

*

"'Do as thou wilt,' Slightly quoted back at her. 'We wiln't.'"

My rating: 5/5

A Few More Thoughts (Spoilers)

It was so much better than I thought it would be! Though I nearly rated it 4/5 because of how much I hated the witch, the rest of the book was so solid that I had to keep it at 5.

I was surprised that Peter Pan himself was only in the last quarter of the book, and amazed at how okay I was with that. I also delighted in the depth of the narrative, and the idea that in order Neverland to be better, we must work to make our own world better. I was also far more invested than expected in Wendy and Tink's friendship.

I love how Neverland may be a place where dreams come true - but not all dreams are good dreams, which is why until cruelty and hunger and hate and abuse are no longer a problem in the real world, there will always be monsters in Neverland. (Also, Hook doesn't hate Pan or fear the crocodile, but rather is chasing his youth and is running away from the passage of time as well.)

[that-butch-archivist]

"Tess was a performance artist and part-time jewelry maker who now worked as a set designer. [...] The first night we spent together, I taught her to knit — my classic seduction technique (High Femme Camp Antics, or HFCA) — and about frisson, that carbonated feeling that accompanies a crush. We stared at each other for a long time, unblinking. Because I knew that this otherwise might take forever (lesbians!), I finally asked Tess point-blank if she felt a frisson for me (HFCA). In response, Tess kissed me hard, with teeth. I knew she wanted to fuck, but I pushed her hands away dramatically when they crept under my skirt (HFCA). I told her that I didn’t typically sleep with people so soon (HFCA), which was true not for any real reason but because I was privately humiliated by my body (HFCA). Instead of letting her fuck me, I scratched Tess’s entire torso with my long, pink fingernails (HFCA). “Her fingernails drifted down my neck, across my shoulders,” Jess Goldberg, the butch narrator of Stone Butch Blues, says of a high femme whose camp antics thrill her. “I’d forgotten the sheer pleasure of a high femme tease.” “Your fingernails are full of frisson,” Tess said as morning light began to stream in through the window above her bed. “I know,” I said. I recently read a collection of funny stories by Lesléa Newman, high-femme chronicler of dyke life in the 1990s (the materialistic, shopping-addicted Golden Age of HFCA). In one story, a butch named Flash arrives to pick Lesléa up and take her out to dinner. Flash politely tells Lesléa that she looks nice. “The average femme would have taken that to be a compliment,” Lesléa dishes. “But this high-maintenance femme hadn’t spent the last two weeks shopping for the perfect outfit and the last seven hours bathing, shaving, bleaching, filing, polishing, combing, brushing, drying, moussing, spritzing, spraying, and applying five pounds of makeup to have all her efforts summed up in one little four-letter word.” Flash’s flimsy compliment doesn’t satisfy Lesléa’s desires to be seen, appreciated, and worshiped, and so Lesléa starts from the bottom and works her way up, prompting Flash to compliment her shoes, her miniskirt, and finally her hair in a grand, shimmering pyramid of HFCA. But even as she performs satiation, Lesléa is insatiable. Her antics fail at getting her precisely what she wants from Flash, because there’s always something unsatisfying about getting what you want by asking for it. Lesléa’s desire glows from within the frame of her HFCA, distilled and exposed and unmet. Can I Come Inside, my high-femme sex game, deals primarily with unmet, outsourced, and circumnavigated desire. In Females (2019), trans lesbian critic Andrea Long Chu argues that femaleness is a universal, existential condition rather than a gender or a sex — a condition of being and of consciousness that involves letting others do our desiring for us. At stake in Can I Come Inside, as well as in HFCA at large, is a femaleness that both craves and rebels against its tendency to outsource desire. In playing Can I Come Inside, I, like Lesléa, ask Tess to do my desiring for me, and Tess in turn defers her desire to me: the game is strictly my desire, one that she insists she does not share. Even though it mandates a performance of aggressive desire from Tess, there’s no doubt that Can I Come Inside is about my desire; it’s my game; I make the rules."

-- An excerpt from "High Femme Camp Antics," an essay written by Jenny Fran Davis. (Emphasis in bold my own.)

[javapie-of-many-eyes]

Can we please talk about how Gravity Falls dominated most of the Tumblr year in review categories?

#1 in TV shows

Billford is literally the top Tumblr ship for the year (and Fiddauthor got 12th).

Book of Bill is #2 in books

And look at how high up all the characters are, with Bill at #1

Bonus: Alex Hirsch at #48 on the Celebs list

[fandom]

Books

Huge congrats to The Iliad. It's only taken 3,000 years. This list is brought to you by Tor Publishing Group, which you're probably familiar with, given what tops the list this year.

The Locked Tomb series +3 by Tamsyn Muir

The Percy Jackson & the Olympians series -1 by Rick Riordan

The Harry Potter series by J.K. Rowling

The Six of Crows duology +3 by Leigh Bardugo

Dracula -3 by Bram Stoker

The Warrior Cats series -1 by Erin Hunter

A Song of Ice and Fire -1 by George R. R. Martin

The All for the Game series by Nora Sakavic

The Discworld series +7 by Terry Pratchett

A Court of Thorns and Roses series +3 by Sarah J. Maas

The Silmarillion -1 by J. R. R. Tolkien

Pride And Prejudice -3 by Jane Austen

Frankenstein by Mary Shelley

The Raven Cycle series +3 by Maggie Stiefvater

The Sun and the Star by Rick Riordan & Mark Oshiro

The Vampire Chronicles by Anne Rice

Wings Of Fire +9 by Tui T. Sutherland

The Secret History -7 by Donna Tartt

The Trials of Apollo series -4 by Rick Riordan

The Iliad +10 by Homer

The Odyssey +24 by Homer

The Folk in the Air series -8 by Holly Black

The Animorphs series +5 by K. A. Applegate

The Stormlight Archive +8 by Brandon Sanderson

Diary of a Wimpy Kid by Jeff Kinney

Moby Dick +24 by Herman Melville

1984 +6 by George Orwell

Fables by Bill Willingham

The Diaries of Franz Kafka by Franz Kafka

The Song of Achilles -10 by Madeline Miller

The Last Hours series by Cassandra Clare

The Simon Snow series -10 by Rainbow Rowell

The Throne of Glass series +13 by Sarah J. Maas

Nimona by ND Stevenson

Magnus Chase and the Gods of Asgard +6 by Rick Riordan

The Bell Jar -15 by Sylvia Plath

The Dreamer trilogy +6 by Maggie Stiefvater

The Shadowhunter Chronicles -15 by Cassandra Clare

The Mistborn series by Brandon Sanderson

This Is How You Lose the Time War by Amal El-Mohtar & Max Gladstone

Captive Prince -1 by C. S. Pacat

The Twilight Saga -7 by Stephanie Meyer

The Sandman by Neil Gaiman

The Deltora Quest series by Jennifer Rowe

Romeo and Juliet -8 by William Shakespeare

The Far Side by Gary Larson

Strange Case of Dr Jekyll and Mr Hyde +2 by Robert Lewis Stevenson

Calvin and Hobbes by Bill Watterson

The Picture of Dorian Gray -31 by Oscar Wilde

Good Omens by Terry Pratchett & Neil Gaiman

The number in italics indicates how many spots a title moved up or down from the previous year. Bolded titles weren’t on the list last year.

[mayasaura]

AYYYY!!! MOVING UP IN THE WORLD

🥳🎉🎊💀⚔️🎊🎉🥳

[taylor-titmouse]

Coming in late on this one, but if you're saying you're not planning on your work being piblished... but isnt there a graphic novel coming out soon? There was a link to pre-order it at least via bookshop or barnes and noble (can't remember which off the top of my head). Were you able to get your blook distributed to them as a self-piblished creator? Or was the graphic novel trad-pub and you're just saying you can't see your prose writing/books getting published?

what a funny thing to gotcha me on

yes, i do have a traditionally published graphic novel coming out. under a different name. in a different genre. for a different audience. it's not relevant for me to bring it up every time somebody asks me here if my work will ever be physically printed because it's not the work they're asking about.

so yeah. the last thing you said.