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#a queer teenager of color who comes from two parents who are both teachers
granma-sweetie · 2 years
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arguing with my grandma about politics and money
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kendrysaneela · 4 years
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The whole point of The Wilds is not “Women are better than men” it’s supposed to show the flaws in that argument. A great example is when Gretchen says “And because they’re women there will be a peaceful transfer of power” and then it cuts to Rachel and Nora physically fighting the beach therefore proving Gretchen’s statement false. If they wanted to show that women are perfect they wouldn’t have made Dot’s Dad nice,Leah’s boy best friend nice and the moral complexity of the male Agent who is complicit in the experiment but who’s nice to the girls and wants to tell the truth to them along with evil women like Gretchen and the women who work with her and then add the moral complexity of Nora and Linh working with her. They have both evil women and evil men on the show and morally complex men and women on the show because the show is supposed to be about how neither gender is inherently evil or better than the other and how each gender has its toxicities and inherent goodness that come from how genders are socialized in the United States and how it changes depending on your race,gender,socioeconomic status and what state you’re from and how it benefits and harms each gender differently. (I say the US because this show takes place in the US with US American characters and every country socializes people differently so the social rules of the US will be different from other countries so the experiment would be different in different countries as socialization will be different) this is shown when Leah says “Being a teenage girl in normal ass America that was the real living hell” There’s a reason the girls are all different but in pairs still from the same area to show how they’re affected differently. Like how Dot and Shelby go to the same school but Dot is poor and has a loving single father who’s dying and Shelby has an unsupportive father and she also has a mother who are both perfectly healthy plus two siblings and she’s rich or at least upper middle class (hard to tell with Texas houses haha they’re so cheap) plus Shelby is closeted and Dot so far has been shown as straight. Bringing in boys that are just as 3 dimensional and diverse will be just as interesting as the girls. Plus it’s necessary to see how a diverse group of boys is affected by the experiment to really push the shows point across. Plus the experiment Gretchen is doing is about how girls vs boys react to the experiment so there has to be a boy experiment. There’s probably a coed experiment too. Not to mention that men need representation too. There are queer men and men of color out there who deserve 3 dimensional representation too. Also it’s been confirmed that the girls will all still be main characters the boys are not taking over the show. They’re just joining it. The boys are probably being brought in to be a foil to the girls. I wouldn’t be surprised if Gretchen chose boys of the same ages and races and areas and socioeconomic status and sexuality as the girls. Which would be cool. Two Native American boys maybe who are also Ojibwe! Fraternal twin biracial black boys! A Pakistani Muslim boy! Two gay boys one who’s closeted and ones who’s not! A mentally ill boy! A boy who just lost a parent! Which will be amazing representation for the boys who need it. This isn’t a bad thing guys. It’s a win for representation for boys AND girls. (It would be cool if they included trans people but I heard Gretchen is a transphobe that’s probs not gonna happen unfortunately but maybe in the flashbacks one of the characters can have a trans sibling or friend or parent or teacher or something) Also just remember intersectional feminism is about equality for every gender and race and sexuality. Not just women.
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ucflibrary · 3 years
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Pride Month has arrived!
While every day is a time to be proud of your identity and orientation, June is that extra special time for boldly celebrating with and for the LGBTQIA+ community (yes, there are more than lesbian, gay, bisexual, and transgender folx in the queer community). June was chosen to honor the Stonewall Riots which happened in 1969. Like other celebratory months, LGBT Pride Month started as a weeklong series of events and expanded into a full month of festivities.
2021 is also the 5th anniversary of the Pulse nightclub shooting in Orlando where 49 members of our community were murdered on June 12, 2016. On the main floor of the John C. Hitt Library there will be display cases with items from the University Archives relating to Pulse memorials as well as a display wall honoring the lives lost. Both of these library memorials were created in partnership with UCF LGBTQ Services. UCF will also be hosting several events in June to help the community remember, grieve and grow stronger. Full listing of events is available on the Pulse Remembrance event calendar.
Additional Pulse memorial events will be hosted by the onePULSE Foundation.  An memorial archival collection from the first anniversary of the shooting can be found as part of the Resilience: Remembering Pulse in the STARS Citizen Curator collection.
In honor of Pride Month, UCF Library faculty and staff suggested books from the UCF collection that represent a wide array of queer authors and characters. Click on the read more link below to see the full list, descriptions, and catalog links. There is also an extensive physical display on the main floor of the John C. Hitt Library near the Research & Information Desk.
All Adults Here by Emma Straub Emma Straub's unique alchemy of wisdom, humor, and insight come together in a deeply satisfying story about adult siblings, aging parents, high school boyfriends, middle school mean girls, the lifelong effects of birth order, and all the other things that follow us into adulthood, whether we like them to or not. Suggested by Rachel Mulvihill, Downtown Library
 All the Young Men: a memoir of love, AIDS, and chosen family in the American South by Ruth Coker Burks & Kevin Carr O'Leary A gripping and triumphant tale of human compassion, is the true story of Ruth Coker Burks, a young single mother in Hot Springs, Arkansas, who finds herself driven to the forefront of the AIDS crisis, and becoming a pivotal activist in America’s fight against AIDS. Suggested by Megan Haught, Student Learning & Engagement/Research & Information Services
 And the Band Played On: politics, people and the AIDS epidemic by Randy Shilts An international bestseller, a nominee for the National Book Critics Circle Award, and made into a critically acclaimed movie, Shilts' expose revealed why AIDS was allowed to spread unchecked during the early 80's while the most trusted institutions ignored or denied the threat. One of the few true modern classics, it changed and framed how AIDS was discussed in the following years. Suggested by Becky Hammond, Special Collections & University Archives
 Big Gay Adventures in Education: supporting LGBT+ visibility and inclusion in schools edited by Daniel Tomlinson-Gray A collection of true stories by 'out' teachers, and students of 'out' teachers, all about their experiences in schools. The book aims to empower LGBT+ teachers to be the role models they needed when they were in school and help all teachers and school leaders to promote LGBT+ visibility and inclusion. Each story is accompanied by an editor’s note reflecting on the contributor’s experience and the practical implications for schools and teachers in supporting LGBT+ young people and ensuring they feel safe and included in their school communities. Suggested by Terrie Sypolt, Research & Information Services
 Call Me By Your Name by André Aciman The sudden and powerful attraction between a teenage boy and a summer guest at his parents' house on the Italian Riviera has a profound and lasting influence that will mark them both for a lifetime. Suggested by Rebecca Hawk, Circulation
 Fun Home: a family tragicomic by Alison Bechdel Meet Alison's father, a historic preservation expert and obsessive restorer of the family's Victorian house, a third-generation funeral home director, a high school English teacher, an icily distant parent, and a closeted homosexual who, as it turns out, is involved with male students and a family babysitter. Through narrative that is alternately heartbreaking and fiercely funny, we are drawn into a daughter's complex yearning for her father. And yet, apart from assigned stints dusting caskets at the family-owned 'fun home, ' as Alison and her brothers call it, the relationship achieves its most intimate expression through the shared code of books. When Alison comes out as homosexual herself in late adolescence, the denouement is swift, graphic, and redemptive. Suggested by Michael Furlong, UCF Connect Libraries
 Gender Queer: a memoir by Maia Kobabe; colors by Phoebe Kobabe In 2014, Maia Kobabe, who uses e/em/eir pronouns, thought that a comic of reading statistics would be the last autobiographical comic e would ever write. At the time, it was the only thing e felt comfortable with strangers knowing about em. Maia's intensely cathartic autobiography charts eir journey of self-identity, which includes the mortification and confusion of adolescent crushes, grappling with how to come out to family and society, bonding with friends over erotic gay fanfiction, and facing the trauma and fundamental violation of pap smears. Started as a way to explain to eir family what it means to be nonbinary and asexual, this is more than a personal story: it is a useful and touching guide on gender identity--what it means and how to think about it--for advocates, friends, and humans everywhere. Suggested by Megan Haught, Student Learning & Engagement/Research & Information Services
 Heaven's Coast: a memoir by Mark Doty The harmonious partnership of two gay men is shattered when they learn that one has tested positive for the HIV virus. Suggested by Claudia Davidson, Downtown Library
 Hurricane Child by Kheryn Callender Born on Water Island in the Virgin Islands during a hurricane, which is considered bad luck, twelve-year-old Caroline falls in love with another girl--and together they set out in a hurricane to find Caroline's missing mother. Suggested by Rebecca Hawk, Circulation
 Last Night at the Telegraph Club by Malinda Lo Seventeen-year-old Lily Hu can't remember exactly when the question took root, but the answer was in full bloom the moment she and Kathleen Miller walked under the flashing neon sign of a lesbian bar called the Telegraph Club. America in 1954 is not a safe place for two girls to fall in love, especially not in Chinatown. Red-Scare paranoia threatens everyone, including Chinese Americans like Lily. With deportation looming over her father--despite his hard-won citizenship--Lily and Kath risk everything to let their love see the light of day. Suggested by Claudia Davidson, Downtown Library
 Laura Dean Keeps Breaking Up with Me by Mariko Tamaki & Rosemary Valero-O’Connell All Freddy Riley wants is for Laura Dean to stop breaking up with her. The day they got together was the best one of Freddy's life, but nothing's made sense since. Laura Dean is popular, funny, and SO CUTE ... but she can be really thoughtless, even mean. Their on-again, off-again relationship has Freddy's head spinning - and Freddy's friends can't understand why she keeps going back. When Freddy consults the services of a local mystic, the mysterious Seek-Her, she isn't thrilled with the advice she receives. But something's got to give: Freddy's heart is breaking in slow motion, and she may be about to lose her very best friend as well as her last shred of self-respect. Mariko Tamaki and Rosemary Valero-O'Connell bring to life a sweet and spirited tale of young love that asks us to consider what happens when we ditch the toxic relationships we crave to embrace the heathy ones we need. Suggested by Sara Duff, Acquisitions & Collections
 LGBT Health: meeting the needs of gender and sexual minorities edited by K. Bryant Smalley, Jacob C. Warren, K. Nikki Barefoot A first-of-its-kind, comprehensive view of mental, medical, and public health conditions within the LGBT community. This book examines the health outcomes and risk factors that gender and sexual minority groups face while simultaneously providing evidence-based clinical recommendations and resources for meeting their health needs. Drawing from leading scholars and practitioners of LGBT health, this holistic, centralized text synthesizes epidemiologic, medical, psychological, sociological, and public health research related to the origins of, current state of, and ways to improve LGBT health. Suggested by Sandy Avila, Research & Information Services
 Lived Experience: reflections on LGBTQ life by Delphine Diallo  A beautiful series of full-color portraits of LGBTQ people over the age of fifty, accompanied by interviews. Suggested by Jacqui Johnson, Cataloging
 Love is for Losers by Wibke Bruggemann When Phoebe's mother ditches her to work as a doctor for an international human rights organization, she is stuck living with her mom's best friend, Kate, and helping out at Kate's thrift shop. There she meet Emma. Phoebe tries to shield her head and her heart from experiencing love-- after all, love is for losers, right? Suggested by Pam Jaggernauth, Curriculum Materials Center
 Man Into Woman: an authentic record of a change of sex edited by Niels Hoyer This riveting account of the transformation of the Danish painter Einar Wegener into Lili Elbe is a remarkable journey from man to woman. Einar Wegener was a leading artist in late 1920's Paris. One day his wife Grete asked him to dress as a woman to model for a portrait. It was a shattering event which began a struggle between his public male persona and emergent female self, Lili. Einar was forced into living a double life; enjoying a secret hedonist life as Lili, with Grete and a few trusted friends, whilst suffering in public as Einar, driven to despair and almost to suicide. Doctors, unable to understand his condition, dismissed him as hysterical. Lili eventually forced Einar to face the truth of his being - he was, in fact, a woman. This bizarre situation took an extraordinary turn when it was discovered that his body contained primitive female sex organs. There followed a series of dangerous experimental operations and a confrontation with the conventions of the age until Lili was eventually liberated from Einar - a freedom that carried the ultimate price. Suggested by Richard Harrison, Research & Information Services
 On Earth We’re Briefly Gorgeous by Ocean Vuong This is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family's history that began before he was born -- a history whose epicenter is rooted in Vietnam -- and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Suggested by Rachel Mulvihill, Downtown Library
 Queer Objects edited by Chris Brickell & Judith Collard Queer lives give rise to a vast array of objects: the things we fill our houses with, the gifts we share with our friends, the commodities we consume at work and at play, the clothes and accessories we wear, various reminders of state power, as well as the analogue and digital technologies we use to communicate with one another. But what makes an object queer? 63 chapters consider this question in relation to lesbian, gay and transgender communities across time, cultures and space. In this unique international collaboration, well-known and newer writers traverse world history to write about items ranging from ancient Egyptian tomb paintings and Roman artefacts to political placards, snapshots, sex toys and the smartphone. Suggested by Megan Haught, Student Learning & Engagement/Research & Information Services
 Real Life by Brandon Taylor A novel of rare emotional power that excavates the social intricacies of a late-summer weekend -- and a lifetime of buried pain. Almost everything about Wallace, an introverted African-American transplant from Alabama, is at odds with the lakeside Midwestern university town where he is working toward a biochem degree. For reasons of self-preservation, Wallace has enforced a wary distance even within his own circle of friends -- some dating each other, some dating women, some feigning straightness. But a series of confrontations with colleagues, and an unexpected encounter with a young straight man, conspire to fracture his defenses, while revealing hidden currents of resentment and desire that threaten the equilibrium of their community. Suggested by Sara Duff, Acquisitions & Collections
 Riley Can’t Stop Crying by Stephanie Boulay While his sister tries everything to help, a young boy isn't sure why he can't stop crying in this transitional picture book. Suggested by Pam Jaggernauth, Curriculum Materials Center
 Supporting Success for LGBTQ+ Students: tools for inclusive campus practice by Cindy Ann Kilgo This book aims to serve as a one-stop resource for faculty and staff in higher education settings who are seeking to enhance their campus climate and systems of support for LGBTQ+ student success. Included are theoretical frameworks and conceptual models that can be used in practice. Suggested by Terrie Sypolt, Research & Information Services
 The City and the Pillar: a novel by Gore Vidal Jim, a handsome, all-American athlete, has always been shy around girls. But when he and his best friend, Bob, partake in “awful kid stuff,” the experience forms Jim’s ideal of spiritual completion. Defying his parents’ expectations, Jim strikes out on his own, hoping to find Bob and rekindle their amorous friendship. Along the way he struggles with what he feels is his unique bond with Bob and with his persistent attraction to other men. Upon finally encountering Bob years later, the force of his hopes for a life together leads to a devastating climax. The first novel of its kind to appear on the American literary landscape, this remains a forthright and uncompromising portrayal of sexual relationships between men. Suggested by Richard Harrison, Research & Information Services
 The Invisible Orientation: an introduction to asexuality by Julie Sondra Decker Julie Sondra Decker outlines what asexuality is, counters misconceptions, provides resources, and puts asexual people's experiences in context as they move through a sexualized world. It includes information for asexual people to help understand their orientation and what it means for their relationships, as well as tips and facts for those who want to understand their asexual friends and loved ones. Suggested by Dawn Tripp, Research & Information Services
 The New Testament by Jericho Brown The world of Jericho Brown's second book, disease runs through the body, violence runs through the neighborhood, memories run through the mind, trauma runs through generations. Almost eerily quiet in even the bluntest of poems, Brown gives us the ache of a throat that has yet to say the hardest thing-and the truth is coming on fast. Suggested by Claudia Davidson, Downtown Library
 The Prophets by Robert Jones With a lyricism reminiscent of Toni Morrison, Robert Jones, Jr., fiercely summons the voices of slaver and enslaved alike, from Isaiah and Samuel to the calculating slave master to the long line of women that surround them, women who have carried the soul of the plantation on their shoulders. As tensions build and the weight of centuries—of ancestors and future generations to come—culminates in a climactic reckoning, masterfully reveals the pain and suffering of inheritance, but is also shot through with hope, beauty, and truth, portraying the enormous, heroic power of love. Suggested by Rachel Mulvihill, Downtown Library
 The Ship We Built by Lexie Bean A fifth-grader whose best friends walked away, whose mother is detached, and whose father does unspeakable things, copes with the help of friend Sofie and anonymous letters tied to balloons and released. Includes a list of resources related to abuse, gender, sexuality, and more. Suggested by Pam Jaggernauth, Curriculum Materials Center
 Tinderbox: the untold story of the Up Stairs Lounge fire and the rise of gay liberation by Robert W. Fieseler Buried for decades, the Up Stairs Lounge tragedy has only recently emerged as a catalyzing event of the gay liberation movement. In revelatory detail, Robert W. Fieseler chronicles the tragic event that claimed the lives of thirty-one men and one woman on June 24, 1973, at a New Orleans bar, the largest mass murder of gays until 2016. Relying on unprecedented access to survivors and archives, Fieseler creates an indelible portrait of a closeted, blue- collar gay world that flourished before an arsonist ignited an inferno that destroyed an entire community. The aftermath was no less traumatic--families ashamed to claim loved ones, the Catholic Church refusing proper burial rights, the city impervious to the survivors' needs--revealing a world of toxic prejudice that thrived well past Stonewall. Yet the impassioned activism that followed proved essential to the emergence of a fledgling gay movement. Fieseler restores honor to a forgotten generation of civil-rights martyrs. Suggested by Andy Todd, UCF Connect Libraries
 Transgender: a reference handbook by Aaron Devor and Ardel Haefele-Thomas This book provides a crucial resource for readers who are investigating trans issues. It takes a diverse and historic approach, focusing on more than one idea or one experience of trans identity or trans history. The book takes contemporary as well as historic aspects into consideration. It looks at ancient indigenous cultures that honored third, fourth, and fifth gender identities as well as more contemporary ideas of what "transgender" means. Notably, it focuses not only on Western medical ideas of gender affirmation but on cultural diversity surrounding the topic. This book will primarily serve as a reference guide and jumping off point for further research for those seeking information about what it means to be transgender. Suggested by Richard Harrison, Research & Information Services
 Transnational LGBT Activism: working for sexual rights worldwide by Ryan R. Thoreson Thoreson argues that the idea of LGBT human rights is not predetermined but instead is defined by international activists who establish what and who qualifies for protection. He shows how International Gay and Lesbian Human Rights Commission (IGLHRC) formed and evolved, who is engaged in this work, how they conceptualize LGBT human rights, and how they have institutionalized their views at the United Nations and elsewhere. After a full year of in-depth research in New York City and Cape Town, South Africa, Thoreson is able to reconstruct IGLHRC’s early campaigns and highlight decisive shifts in the organization’s work from its founding to the present day. Suggested by Sandy Avila, Research & Information Services
 Upright Women Wanted by Sarah Gailey Esther is a stowaway. She's hidden herself away in the Librarian's book wagon in an attempt to escape the marriage her father has arranged for her--a marriage to the man who was previously engaged to her best friend. Her best friend who she was in love with. Her best friend who was just executed for possession of resistance propaganda. The future American Southwest is full of bandits, fascists, and queer librarian spies on horseback trying to do the right thing. Suggested by Sara Duff, Acquisitions & Collections
 Walt Whitman's Songs of Male Intimacy and Love: "Live oak, with moss" and "Calamus" edited by Betsy Erkkila This volume includes Whitman's handwritten manuscript version of the twelve "Live oak, with moss" poems along side with a print transcription of these poems on the opposite page, followed by a facsimile of the original version of the "Calamus" poems published in the 1860-61 edition of Leaves of grass, and a reprint of the final version of the "Calamus" poems in the 1881 edition of Leaves of grass. Suggested by Rebecca Hawk, Circulation
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letterboxd · 4 years
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Survival Mode.
In ten recent coming-of-age films, Ella Kemp finds the genre thriving—and looking very different than the 1980s might have predicted. Film directors and Letterboxd members weigh in on the specific satisfactions of the genre, especially in a pandemic.
There have been jokes, some more serious than others, about the art that will come out of this time. How many novels about a fast-spreading disease are you betting on? Will Covid-19 be better suited to documentary or fiction? But the art I’m most looking forward to, and revisiting now, is the art made about teenagers going through it.
Physical school attendance, so central to the John Hughes movies of the 1980s, is up in the air for so many. Sports practice, theater clubs, mall hang-outs; the familiar neighborhood beats of a teenager’s life are more confined than ever. All of us have had to tweak our reality to make the best of invasive changes forced upon us during the pandemic. In a sense, it feels like we are all coming of age.
Teenagehood, though, is a particularly tricky time of transition, and we don’t yet know the half of how the pandemic is going to impact today’s young adults—and, by association, tomorrow’s coming-of-age films. But in the last two years alone there have been enough brave new entries in the genre, about young people so enlivening, that there’s both plenty for young film lovers to lose themselves in, and plenty for us slightly older folks to watch and learn from.
So I sought out ten recent coming-of-age films (and several of the directors responsible) to see what these stories teach us about teenagers, and how we might empathize with them. The list—Jezebel, Beats, Zombi Child, Blinded by the Light, Selah and the Spades, The Half of It, Dating Amber, Babyteeth, House of Hummingbird and We Are Little Zombies—is by no means exhaustive. But it allows us to look at several things.
Firstly, that the genre is thriving, considering these titles barely scratch the surface. Secondly, these ten films look a whole lot different than their 1980s counterparts. Six are directed by women. Four tell queer stories or, at least, feature queer characters in a prominent subplot. Seven tell stories about Black people, Asian people, Pakistani people. Only three are from the US.
And: they’re really good. They understand teenagers as angry, energetic, passionate, confused, desperate and deeply intelligent beings, echoing the nuances that we know to be true in real life, but that can often get watered down on the screen.
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Blinded by the Light (co-written and directed by Gurinder Chadha) We Are Little Zombies (written and directed by Makoto Nagahisa) Beats (co-written and directed by Brian Welsh)
The protagonists in these first three films use music to feel their way through panic, brought on by both internal and external circumstances. Screaming another’s lyrics, furiously composing their own anthems, dancing along and sweating out their fear to the beat, the ongoing beat, and nothing more. It’s salvation, it’s release—when you’re left with your own thoughts, the only way to fight through them is to drown them out.
Music acts as a source of enlightenment in Blinded by the Light, directed by Gurinder Chadha (who made 2002’s coming-of-age sports banger Bend it Like Beckham). In Thatcher’s Britain, Pakistani-English Muslim high schooler Javed discovers the music of Bruce Springsteen, and his world bursts wide open. The wisdom and fire of the Boss helps Javed to make sense of his own frustrations; that the film is based on a real journalist’s autobiography makes it all the more potent.
Meanwhile, in Beats, a real-life law enacted in Scotland in the 1990s temporarily banned raves: specifically, the gathering of people around music “wholly or predominantly characterized by the emission of a succession of repetitive beats”. As the UK struggles to contain a youthful, exuberant new counter-culture, the central characters face what it means to enter adulthood. The answer to both: a forbidden rave.
“I have to say, there’s probably no such thing as teenagers without complicated emotions,” We Are Little Zombies writer-director Makoto Nagahisa tells me. The Japanese filmmaker—who loves the genre, known as ‘Seishun eiga’ in Japan—wrestles with the frustration and hopelessness of the world by giving his film’s four orphaned teens the tools, and the permission, to find solace in something other than their everyday life. Following the deaths of their parents, the quartet create their own catchy, cathartic, truth-bomb music; it’s an instant hit with kids across Japan, but the adults miss the point, of course—that the cacophony of superstardom is filling the silence of their mourning.
Nagahisa-san’s film is named after a fictional 8-bit Nintendo Game Boy game that the main character is addicted to. “I used to get through my day relatively painlessly by pretending I was a video game character whenever bad shit happened to me,” he explains. Teenagers “are constantly feeling crushed by reality right now… I want them to know that this is a valid way to escape reality. That reality is just a ‘game’. I want them to know they don’t need to face tragedies, they can just survive. That’s the most important thing!” Who else needed to hear that right now?
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Jezebel (written and directed by Numa Perrier) Zombi Child (written and directed by Bertrand Bonello) Selah and the Spades (written and directed by Tayarisha Poe) House of Hummingbird (written and directed by Kim Bo-ra)
Our next four films turn to technology, mythology, hierarchy and education to animate their protagonists’ lives with a greater purpose. In Jezebel, nineteen-year-old Tiffany finds her way through mourning with a new job, earning money as a cam girl and subsequently developing a bond with one of her clients. There’s a magnetic aura, one that harnesses grief and turns it into something more corrosive as this teen puts all her energy into it. Similarly there’s mysticism in the air in Zombi Child, in which Haitian voodoo gives a bored, heartbroken teenage girl a new purpose as she searches for a way to connect with the one she lost—and with herself.
Selah and the Spades and House of Hummingbird understand the third-party saviour as more of a structure, that of a school or an inspiring teacher. Selah finds herself by doing business selling recreational drugs to her classmates in a faction-led boarding school. Nothing mends a sense of aimlessness like power. This same framework lets Hummingbird’s Eun-hee, a schoolgirl in mid-90s South Korea whose abusive family invest their academic focus in her useless brother, search for love and find connection in her school books—and from the person who’s asking her to read them.
The films on this list are not perfect; some might be criticized for specifically following a formula, the tropes of the coming-of-age film, a little too well. Jezebel lets its protagonist rise and fall with familiarity, while Selah suffers the consequences of her extreme actions, and even Eun-hee reckons with a few recognizable pitfalls. But still, the fact that these films exist is “innately radical”, says Irish writer-director David Freyne, whose queer Irish comedy Dating Amber is covered below. The filmmaker describes the coming-of-age genre as mainstream, but in the best possible sense: “It’s a broadly appealing film,” he says.
This is why, to see these stories reframed with minority voices, with queer voices, is so quietly revolutionary. “The more you see them, the more broadly we see them being enjoyed—the more producers and financiers will realize these stories don’t have to be niche just because they happen to frame a minority voice. Everyone can enjoy it.”
Film journalist and Letterboxd member Iana Murray, a coming-of-age genre fan, echoes Freyne’s thoughts. “Representation is absolutely not the be-all end-all, but I’d love to see more coming-of-age films that reflect my experiences growing up as a woman of color,” she says, before introducing what I’d like to call the Rashomon Effect. “I see it as like one of those films that tell the same events from different perspectives, something like Rashomon or Right Now, Wrong Then,” she explains. “A story becomes even more vibrant when told through a different set of eyes, and that’s what happens when you allow women, people of color, and LGBT people to create coming-of-age narratives.”
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Dating Amber (written and directed by David Freyne) The Half of It (written and directed by Alice Wu) Babyteeth (directed by Shannon Murphy, written by Rita Kalnejais)
Which brings us on nicely to our last three: wildly different titles, each with young protagonists at war with themselves, trying to make sense of their bodies and minds as best they can. In this context, companionship is everything. Finding a platonic soulmate in Dating Amber, a sexual awakening in The Half of It, a first love to make a short life worth living in Babyteeth. Each film is directed with a verve and passion that you know must be personal.
The story of a frustrated boy in the closet in Dating Amber aches with care from Freyne behind the camera, while Alice Wu directs Ellie Chu, the main character in The Half Of It, with patience and the kind of encouragement that quiet girls who live a life between two cultures are rarely given. And with Babyteeth, Shannon Murphy returns Australian cinema firmly to the center of the movie map, with a quintessentially Australian optimism and sense of humor, which Ben Mendelsohn called “delightfully bent”.
These perspectives are specific to each teen, but the intensity transcends genres and borders. It manifests musically, verbally, visually, aesthetically. These teens connect with their favorite music and means of entertainment, but also simply to their favorite clothes and accessories—blue bikinis and green wigs, red neck-scarves and floaty white dresses. These details give the characters ways to reinvent themselves while standing still, which certainly feels apt for a life lived, for now, at home.
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‘Pretty in Pink’ (1986), written by John Hughes and directed by Howard Deutch.
Many argue that the coming-of-age genre peaked with John Hughes, who defined the framework in iconic 1980s films that have his stamp all over them, whether he wrote (Pretty in Pink, Some Kind of Wonderful) or also directed them (The Breakfast Club, Ferris Bueller’s Day Off, Sixteen Candles). Hughes’ world view was of a specifically suburban, white, American corner of the world, which he filled with misfits and ultra-hip soundtracks. “John Hughes was to the genre what The Beatles are to rock and roll,” confirms Letterboxd member Brad, maintainer of the essential coming-of-age movie list Teenage Wasteland.
After Hughes, the genre tumbled, Dazed and Confused, into the 1990s—notable voices include John Singleton with his seminal Boyz n the Hood, and Gus Van Sant’s My Own Private Idaho and Good Will Hunting. This was also the decade of Clueless, which informed the bright, female-forward fare of the 2000s, like Mean Girls, The Princess Diaries and the aforementioned Bend it Like Beckham. The last decade has seen new American storytellers step into Hughes’ shoes, including Greta Gerwig (Lady Bird and Little Women), Olivia Wilde and the writers of Booksmart, and the autobiographical voices of Jonah Hill (mid90s) and Shia LaBeouf (Honey Boy, directed by Alma Har’el).
It’s interesting to note—whether it’s the 1860s or the 1980s—that many coming-of-agers from the past decade take place in an earlier period setting. Social media has demanded the upheaval of entire lives, but it seems some filmmakers aren’t yet ready to grapple with its place on screen.
The audience, on the other hand, is far more adaptable. The way we’re watching coming-of-age films has shifted, and it’s more appropriate for the genre than we could have imagined. On the last day of shooting Dating Amber, Freyne recalls one of the young actors asking, “So, is this going to be on Netflix or something?” This is when cinemas were still open.
“That’s often how younger people are devouring content now,” Freyne reasons. His film, in the end, was snapped up by Amazon (a US release date is yet to be announced). “It’s creating a communal experience with the intersection of social media: live streams, fan art, daily messages… It’s made us feel incredibly connected, moreso than I think we would have got with a cinematic release.”
Streaming platforms also cater to one key habit of a younger film lover: the rewatch. The iconic teen films of the 80s embedded their reputations thanks to the eternal allure of the Friday night video store ritual, and constant television replays. These days, it’s only with a film finding a home on Netflix, on Amazon or on Hulu, that a younger person (or, in times of global crisis, any person) can both financially and logistically afford to devote themselves to watching, again and again, these people onscreen that they’ve immediately and irrevocably found a connection with.
It’s always felt hard to be satisfied with just one viewing of a perfect coming-of-age film—observe how many times Iana Murray has logged Call Me By Your Name. What is it about the slippery, universal allure of the genre? It’s possibly as simple as the feeling of being seen in the fog of intergenerational confusion. Says Nagahisa-san: “Grown-ups think of teenagers like zombies. Teenagers think of grown-ups like zombies. We’re never able to understand what others are feeling inside.”
“The reaction is always emotive rather than intellectual,” adds Freyne. “There’s something quite visceral and instinctive about coming-of-age films; it’s an emotional experience rather than an analytical one.” That emotional experience is tied up in the fact that we often experience coming-of-age movies just as we ourselves are coming of age, establishing an unbreakable connection between a film and a specific period in our lives. MovieMaestro Brad explains it best: “There is a bit of nostalgia in a lot of these films that take me back to my younger days, when life was simple.”
But that’s not to say only those coming of age can appreciate a coming-of-age film. On her favorite coming-of-age film, Mike Mills’ 20th Century Women, Murray explains, “It doesn’t see coming-of-age as exclusive to teenagers, because that process of growth is really about transition and change.” (In a similar vein, Kris Rey’s new comedy I Used to Go Here, in select theaters and on demand August 7, meets Kate Conklin, played by Gillian Jacobs, in a sort of quarter-life-crisis, needing to grow down a bit in order to grow up.)
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Natalia Dyer in ‘Yes, God, Yes’ (2019), directed by Karen Maine.
There is endless praise, conflict and wonder to be found in the ten films mentioned above—and all the ones we haven’t even gone near (Karen Maine’s orgasmic religious comedy Yes, God, Yes, now available on demand in the US, deserves an honorary mention, as does Get Duked!, Ninian Doff’s upcoming stoner romp in the Scottish Highlands). The thing about this genre is it’s raw, it’s alive, and it’s always in transition. Just when you might think it’s gone out of fashion, it emerges in a new and fascinating form. And yet, there are still so many filmmakers who haven’t tackled the genre. I asked my interviewees who they’d like to see take on a story of teens in transition.
“I’d love to see Tarantino’s take on a coming-of-age tale,” says master of the genre himself, MovieMaestro/Brad. Murray gives her vote to Lulu Wang, saying, “I love the specificity she brought to The Farewell, I think it would transfer well to a genre that needs to escape clichés.” Freyne, meanwhile, wants to see if Ari Aster might have another story about young people in him. Maybe something a bit less lethal next time.
Ultimately, “you write from empathy, not from experience,” says Freyne. I think the same goes for watching, too. It won’t be tomorrow, and it might not be this year, but eventually, the world will emerge from Covid-19. What will we have learned from the films that we watched while we were waiting? From the sadness, the angst, the determination, the rage and the passion?
Nagahisa-san already knows, and his advice is everything we need right now: “You don’t need others’ approval of who you are, as long as you understand and approve of yourself. Do whatever pops up in your mind. Live your life without fear or despair. Just survive.”
Related content
See where most of the recent releases mentioned here are virtually screening, in our Art House Online list.
Shannon Murphy talks to us about Babyteeth, and shares a list of her favorite Australian films.
Makoto Nagahisa’s 25 favorite teen movies
David Freyne’s 25 favorite LGBTQIA+ films
Growing Pains: The Ultimate Coming of Age Movie Challenge
(Happy) Queer Coming of Age Movies
Coming of age—but make it diverse
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2020’s Self Care Books for Trying Times
With Covid-19 a global pandemic that is still lingering in the air, and keeping our connections at a social distance, added how here at NYPL our librarians miss the frequent interactions with our patrons, I was contemplating on ways to keep our reading connected, our souls warm, and our health having its self care. Before google, I’d rely on the plethora of information our branches hold on any challenge in life I’d be facing. Now with a myriad of problems we can tackle, and resources we can all use to improve our lives, I wanted to tackle grounding and elevating ourselves to cope with our surroundings, than advice I can provide on financial, relationship, life goals, etc.
In this blog “2020’s Self Care Books 4 Trying Times” I’ve comprised my 20 favorite titles for the year 2020 on wellness, people’s journeys, and how health experts can help guide us to a calm and vibrant place for our wellbeing. From parenting tips, to self acceptance, coping with a mental health disorder, or even self care rituals, the need for healthy habits is a topic we all can relate and rely on to keep us striving through this winter, and being united through our current unstable climate. We should never be ashamed of our experiences, asking for help, and addressing challenges in our lives to be at peace with our pasts, content with our present, and hopeful about our futures.
What is Self-care, according to very well mind, describes a conscious act one takes in order to promote their own physical, mental, and emotional health. There are many forms self-care may take. It could be ensuring you get enough sleep every night or stepping outside for a few minutes for some fresh air.
What is mindfulness? Mindfulness refers to being in the moment. This means feeling what our bodies feel, letting ourselves think without judging our thoughts, and being aware of our environment. It is about paying attention on purpose to both what is happening inside and outside of you.
ADULT
The 7 Habits of Highly Effective People: Powerful Lessons in Personal Change by Stephen R. Covey
Topics: Professional Development, Success, Psych Evaluation
One of the most inspiring and impactful books ever written, The 7 Habits of Highly Effective People has captivated readers for nearly three decades. It has transformed the lives of presidents and CEOs, educators and parents—millions of people of all ages and occupations. Now, this 30th anniversary edition of the timeless classic commemorates the wisdom of the 7 habits with modern additions from Sean Covey. The 7 habits have become famous and are integrated into everyday thinking by millions and millions of people. Why? Because they work!With Sean Covey's added takeaways on how the habits can be used in our modern age, the wisdom of the 7 habits will be refreshed for a new generation of leaders.
Stay Positive: Encouraging Quotes and Messages to Fuel Your Life With Positive Energy by Jon Gordon
Topics: Self Help, Affirmations, Optimism
Stay Positive is more than a phrase. It's an approach to life that says when you get knocked down, you'll get back up and find a way forward one faithful step and optimistic day at a time. Start your day with a message from the book, or pick it up anytime you need a mental boost. You can start from the beginning, or open the book to any page and find a message that speaks to you. The book is a go-to resource for anyone wanting to inject a healthy dose of positivity into their life
$9 Therapy: Semi-Capitalist Solutions to Your Emotional Problems by Megan Reid and Nick Greene
Topics: Life Skills/Hacks, Self Care Rituals, Budgeting
A collection of the authors' favorite life hacks and mini-upgrades, such as craft cocktails on the cheap or tips for a perfectly planned staycation. Sometimes it takes as little as nine dollars to turn your life around. How to find simple pleasures in a pricey, wellness-obsessed world.
You Were Born For This: Astrology for Radical Self-Acceptance by Chani Nicholas
Topics: Astrology, Self Acceptance
A revolutionary empowerment book that uses astrology as a tool for self-discovery, success, and self-care from the beloved astrologer Chani Nicholas, a media darling with a loyal following of one million monthly readers.
TEEN
Teaching Mindfulness to Empower Adolescents by Matthew Brensilver
Topics: Mindfulness, Educational Guides, Learning Disabilities, Reflections
Effectively sharing mindfulness with teenagers depends on distinct skill sets . . . done well, it is incredibly joyous." Matthew Brensilver, JoAnna Hardy and Oren Jay Sofer provide a powerful guide to help teachers master the essential competencies needed to successfully share mindfulness practices with teens and adolescents. Incorporating anecdotes from actual teaching, they blend the latest scientific research with innovative, original techniques for making the practices accessible and interesting to this age group. This text is an indispensable handbook for mindfulness instruction in its own right, and a robust companion volume for teachers using The Mindful Schools Curriculum for Adolescents
The Self-Love Revolution: Radical Body Positivity for Girls of Color by Virgie Tovar
Topics: Self Esteem, Plus Size Positivity, Hygiene
Every day we see body ideals depicted in movies, magazines, and social media. And, all too often, these outdated standards make us feel like we need to change how we look and who we are. The truth is that many teens feel self-conscious about their bodies and being a teen girl of color is hard in unique ways. So, how can you start feeling good about yourself when you're surrounded by these unrealistic, and problematic images of what bodies are "supposed" to look like? This book is an unapologetic guide to help you embrace radical body positivity. You'll identify and challenge mainstream beliefs about beauty and bodies; celebrate what makes you unique and powerful; and build real, lasting body empowerment. You'll also learn how to spot diet culture and smash your noisy inner critic so you can start loving your body. It's time to create your own definition of beautiful and recognize that your body is amazing. It's time for a self-love revolution!
Out!: How To Be Your Authentic Self by Miles McKenna
Topics: Coming Out, Self Acceptance, Family Dynamics
Activist Miles McKenna came out on his YouTube channel in 2017, documenting his transition to help other teens navigate their identities and take charge of their own coming out stories. From that wisdom comes Out!, the ultimate YA guide to the queer lifestyle. Find validation, inspiration, and support for your questions big and small--whether you're exploring your identity or seeking to understand the experience of an awesome queer person in your life."
Dancing at the Pity Party: A Dead Mom Graphic Memoir by Tyler Feder
Topics: Grief Counseling, Coping with terminal illness, Bereavement. Family Estrangement
Tyler Feder shares her story of her mother's first oncology appointment to facing reality as a motherless daughter in this frank and refreshingly funny graphic memoir.
Superpowered: Transform Anxiety Into Courage, Confidence, and Resilience by Renee Jain and Dr. Shefali Tsabary
Topics: Health, Fitness, Selt Esteem.
The perfect tool for children facing new social and emotional challenges in an increasingly disconnected world! This how-to book from two psychology experts—packed with fun graphics and quizzes—will help kids transform stress, worry, and anxiety
Teen Guide to Mental Health by Don Nardo
Topics: Teens, Mental Health, Body Image, Puberty
Todays teens face and are expected to deal with a wide array of personal, social, and other issues involving home-life, school, dating, body image, sexual orientation, major life transitions, and in some cases physical and mental problems, including eating disorders and depression. This volume examines how many teens have learned to cope with and survive these often stressful trials and tribulations of modern youth.
KIDS
Turtle Boy by Evan Wolkenstein
Topics: Social Life, Friends, Relationships, School Stress
Seventh grade is not going well for Will Levine. Kids at school bully him because of his funny-looking chin. His science teacher finds out about the turtles he spent his summer collecting from the marsh behind school an orders him to release them back into the wild. And for his Bar Mitzvah community service project, he has to go to the hospital to visit RJ, an older boy struggling with an incurable disease. Unfortunately, Will hates hospitals. At first, the boys don't get along, but then RJ shares his bucket list with Will. Among the things he wants to do: ride a roller coaster, go to a concert and a school dance, swim in the ocean. To Will, happiness is hanging out in his room, alone, preferably with his turtles. But as RJ's disease worsens, Will realizes he needs to tackle the bucket list on his new friend's behalf before it's too late. It seems like an impossible mission, way outside Will's comfort zone. But as he completes each task with RJ's guidance, Will learns that life is too short to live in a shell.
How To Make A Better World: For Every Kid Who Wants To Make A Difference by Keilly Swift
Topics: Activism, Human Rights, Organizing
If you are a kid with big dreams and a passion for what is right, you're a world-changer in the making. There's a lot that can be changed by just one person, if you know what to do. Start by making yourself into the awesome person you want to be by learning all about self-care and kindness. Using those skills, work your way up to creating activist campaigns to tackle climate change or social injustice. This fun and inspiring guide to making the world a better place and becoming a good citizen is packed with ideas and tips for kids who want to know how to make a difference. From ideas as small as creating a neighborhood lending library to important ideas such as public speaking and how to talk about politics, How to Make a Better World is a practical guide to activism for awesome kids.
All About Anxiety by Carrie Lewis
Anxiety. It's an emotion that rears its head almost every day, from the normal worries and concerns that most of us experience, to outright fear when something scary happens, to the anxiety disorders, that many kids live with daily. But what causes anxiety? And what can we do about it? All About Anxiety tackles these questions from every possible angle. Readers will learn what's going on in their brain and central nervous system when they feel anxious. They'll learn about the evolutionary reasons for fear and anxiety and that anxiety isn't always a bad thing--except for when it is! Most importantly, kids will discover new strategies to manage their anxiety so they can live and thrive with anxiety
Dictionary for a better world: poems, quotes, and anecdotes from A to Z by Irene Latham
Topics: Inspiration, Self Help, Advice
Organized as a dictionary, entries in this book for middle-grade readers present words related to creating a better, more inclusive world. Each word is explored via a poem, a quote from an inspiring person, and a short personal anecdote from one of the co-authors, a prompt for how to translate the word into action, and an illustration".
I feel... meh by DJ Corchin
(E-book)Topics: Health, Fitness, Management
This series helps kids recognize, express, and deal with the roller coaster of emotions they feel every day. It has been celebrated by therapists, psychologists, teachers, and parents as wonderful tools to help children develop self-awareness for their feelings and those of their friends. Sometimes I feel meh and I don't want to play. I don't want to read and I have nothing to say. Sometimes you just feel...meh. You don't really feel like doing anything or talking to anyone. You're not even sure how you're feeling inside. Is that bad? With fun, witty illustrations and simple, straightforward text, I Feel...Meh tackles apathy—recognizing it as a valid emotion, while also offering practical steps to get you out of your emotional slump. It's the perfect way for kids—and adults—who are feeling gray to find some joy again!
Violet Shrink by Christine Baldacchino
Topics: Phobias, Relationships, Social Skills
Violet Shrink doesn't like parties. Or bashes, or gatherings. Lots of people and lots of noise make Violet's tummy ache and her hands sweat. She would much rather spend time on her own, watching the birds in her backyard, reading comics, or listening to music through her purple headphones. The problem is that the whole Shrink family loves parties with loud music and games and dancing. At cousin Char's birthday party, Violet hides under a table and imagines she is a shark gliding effortlessly through the water, looking for food. And at Auntie Marlene and Uncle Leli's anniversary bash, Violet sits alone at the top of the stairs, imagining she is a slithering snake way up in the branches. When Violet learns that the Shrink family reunion is fast approaching, she musters up the courage to have a talk with her dad. In this thoughtful story about understanding and acceptance, Violet's natural introversion and feelings of social anxiety are normalized when she and her father reach a solution together. Christine Baldacchino's warm text demonstrates the role imagination often plays for children dealing with anxiety, and the power of a child expressing their feelings to a parent who is there to listen. Carmen Mok's charming illustrations perfectly capture Violet's emotions and the vibrancy of her imagination. A valuable contribution to books addressing mental health."-- Provided by publisher.
Check out this link to a presentation by NYPL’s Children’s Librarians, Sarah West and Justine Toussaint on Mindfulness/Social-Emotional Self-Esteem Picture Book Spotlight. Featuring popular book titles in our database of the past few years promoting kids well beings!
Pre-2020 Books
Aphorism by Franz Kafka
Topics: Life Quotes, Recovery, Future Planning
For the first time, a single volume that collects all of the aphorisms penned by this universally acclaimed twentieth-century literary figure. Kafka twice wrote aphorisms in his lifetime. The first effort was a series of 109, known as the Zurau Aphorisms, which were written between September 1917 and April 1918, and originally published posthumously by his friend, Max Brod, in 1931. These aphorisms reflect on metaphysical and theological issues--as well as the occasional dog. The second sequence of aphorisms, numbering 41, appears in Kafka's 1920 diary dating from January 6 to February 29. It is in these aphorisms, whose subject is "He," where Kafka distills the unexpected nature of experience as one shaped by exigency and possibility."
This Book Loves You by PewDiePie
Topics: Life Skills, Inspiration, Food 4 Thought
A popular blogger shares humorous pieces of advice and positivity, including "Never forget you are beautiful compared to a fish" and "Every day is a new fresh start to stay in bed."
The Subtle Art Of Not Giving A Fuck: A Counterintuitive Approach To Living A Good Life by Mark Manson
Topic: Self Help, Happiness, Motivation
In this generation-defining self-help guide, a superstar blogger shows us that the key to being happier is to stop trying to be 'positive' all the time and instead become better at handling adversity. For decades we've been told that positive thinking is the key to a happy, rich life. But those days are over. 'Fuck positivity, ' Mark Manson says. 'Let's be honest; sometimes things are fucked up and we have to live with it.' For the past few years, Manson--via his wildly popular blog--has been working on correcting our delusional expectations for ourselves and for the world. He now brings his hard-fought wisdom to this groundbreaking book. Manson makes the argument--backed both by academic research and well-timed poop jokes--that improving our lives hinges not on our ability to turn lemons into lemonade, but on learning to better stomach lemons. Human beings are flawed and limited--as he writes, 'Not everybody can be extraordinary, there are winners and losers in society, and some of it is not fair or your fault.' Manson advises us to get to know our limitations and accept them. This, he says, is the real source of empowerment. Once we embrace our fears, faults, and uncertainties--once we stop running from and avoiding, and start confronting painful truths--we can begin to find the courage and confidence we desperately seek. 'In life, we have a limited amount of fucks to give. So you must choose your fucks wisely.' Manson brings a much-needed grab-you-by-the-shoulders moment of real-talk, filled with entertaining stories and profane, ruthless humor. This manifesto is a refreshing slap in the face for all of us so we can start to lead more contented, grounded lives."
Zen Pencils: Cartoon Quotes From Inspirational Folks by Gavin Aung Than
Topics: Writing Development, Expression, Quotes
Gavin Aung Than, an Australian graphic designer turned cartoonist, started the weekly Zen Pencils blog in February 2012. He describes his motivation for launching Zen Pencils: I was working in the boring corporate graphic design industry for eight years before finally quitting at the end of 2011 to pursue my passion for illustration and cartooning. At my old job, when my boss wasn't looking, I would waste time reading Wikipedia pages, main biographies about people whose lives were a lot more interesting than mine. Their stories and quotes eventually inspired me to leave my job to focus on what I really wanted to do. The idea of taking these inspiring quotes, combining them with my love of drawing, and sharing them with others led to the creation of Zen Pencils.
By: @Mx.Enigma
She/They/Queen
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im-not-a-joke · 4 years
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Mmh... All the field
the whole- the whole field....
thank you for asking, this is going to be one long post
Alisons: Sexuality?
asexual, unlabeled/queer romantic
Amaranth: Pronouns/Gender?
they/them or he/him, nonbinary
Amaryllis: Birthday?
february 4th
Anemone: Favorite flower?
bleeding heart
Angelonia: Favorite t.v. show?
steven universe
Arum-Lily: What’s the farthest you’d go for a stranger?
probably offer a place to sleep overnight
Aster: What’s one of your favorite quotes?
“Do you think God stays in heaven because he, too, lives in fear of what he’s created?”
Aubrieta: Favorite drink?
strawberry lemonade
Baby’s Breath: Would you kiss the last person you kissed again?
my gf? yes, absolutely.
Balsam Fir: Have you ever been in love?
i’d like to think so, yes
Baneberries: Favorite song?
currently “better than me” by the brobecks
Basket of Gold: Describe your family.
a mess, i have three siblings, and two of them are currently living at home, we also have two large dogs
Beebalm: Do you have a best friend? Who is it?
yes! my best friend anna, and her brother bryan!
Begonia: Favorite color?
purple
Bellflower: Favorite animal?
mantis shrimp
Bergenia: Are you a morning or night person?
night person
Black-Eyed Susan: If you could be any animal for a day, what would it be?
dog, i want the constant love and affection
Bloodroots: When you were a kid, what did you want to be when you grew up?
first a botanist, then a geologist
Bluemink: What are your thoughts on children?
i want to adopt some someday! sometimes they suck, but i want to be there for someone who doesn’t have a family to lean on.
Blazing Stars: What are you afraid of? Is there a reason why?
abandonment, because i’m annoying
Borage: Give a random fact about your childhood.
i shared a room with my little brother until i was like 12.
Bugleherb: How would you spend your last day on Earth?  
visiting all the people i love most, all of my friends, my gf, i’d call my sister
Buttercup: Relationship Status?
taken!
Camelia: If you could visit anywhere, where would you want to go?
france
Candytufts: When do you feel most loved?
when people take the time out of their day to talk to me
Canna: Do you have any tattoos?  
nope, i do want some someday, though
Canterbury Bells: Do you have any piercings?  
yes! i got my ears pierced twice because it ripped my earlobe the first time
California Poppy: Height?  
~5′8″
Cardinal Flower: Do you believe in ghosts?
yes, and if i die before any of my friends, i’m coming back to haunt them
Carnation: What are you currently wearing?  
a floral tank top, my favorite sleeveless cardigan, and jean shorts
Catnip: Have you ever slept with a nightlight?
yes, my little brother was afraid of the dark and insisted on having a nightlight on
Chives: Who was the last person you hugged?  
my mom
Chrysanthemum: Who’s the last person you kissed?
my gf
Cock’s Comb: Favorite font?
architect’s daughter
Columbine: Are you tired?
yes, very
Common Boneset: What are you looking forward to?
tomorrow i get to leave the house all day to drive across the state and it’s going to be a lot of fun
Coneflower: Dream job?
language teacher! either english to people who don’t speak it or german/french to english speakers
Crane’s-Bill: Introvert or extrovert?
introvert. i’m on tumblr all day
Crocus: Have you ever been in love?
yeah, i think so
Crown Imperial: What’s the farthest you would go for someone you care about?
i’d actually die for multiple people in my life
Cyclamen: Did you have a favorite stuffed animal as a child? What was it?
yes! a stuffed white dog with a plaid scarf and matching antlers! my friend got it for me because it reminded her of my big white dog.
Daffodil: What’s your zodiac sign?
aquarius
Dahlia: Have you done anything worth remembering?
once i came 3rd in my age group for a 5k i ran
Daisy: What do you feel is your greatest accomplishment?
i successfully kept a frail axolotl alive for an entire summer
Daylily: What would you do if your parents didn’t like your partner(s)?  
i dont care what my parents think about stuff like that, they cant tell my who i am or am not allowed to date
Dendrobium: Who is the last person that you said “I love you” to?
@byler-obsessed literally like, maybe 15 minutes ago as of writing this
False Goat’s Beard: What is something you are good at?
i’d like to think i’m decent at singing
Foxgloves: What’s something you’re bad at?
staying awake during the day
Freesia: What are three good things that have happened in the past month?
i saw my gf for the first time in months! i came out to the girls team for xc! i spent a lot of time with one of my closest irl friends!
Garden Cosmos: How was your day today?
decent, i had coach practice, which was nice
Gardenia: Are you happy with where you’re at in your life?
yeah, i’d say i’m pretty happy where i am
Gladiolus: What is something you hope to do in the next year or two?
learn guitar
Glory-of-the-Snow: What are ten things that make you happy/you’re grateful to have in your life?
my best friends anna and bryan, my older brother, the girls on the team, my ukulele, my therapist, my dogs, the creek in my back yard, my grandma’s amish apple dumpling recipe, random internet memes, books
Heliotropium: What helps you calm down when you feel stressed?  
listening to my spotify playlist
Hellebore: How do you show affection?
reassurance and/or talking about things that i enjoy, i’m really insecure so if i’m talking about something i like, that’s me trusting you. 
Hoary Stock: What are you proudest of?
the mental health progress i’ve made
Hollyhock: Describe your ideal day.
i lay in bed until like 11, then, i spend the rest of the day out with my friends, we get sushi for dinner and stay up until like 3am
Hyacinth: What do you like to do in your free time?  
be on tumblr
Hydrangea: How long have you known your best friend? How did you meet them?
i met them both in 6th grade, anna nad i were in the same science class and i met bryan at lunch, he didn’t talk to me for at least the first half of the year.
Irises: Who can you talk to about (almost) everything?
bryan, he always knows just what to say, and knows that he doesn’t have to fix my problems to be a good friend.
Laceleaf: How many friends do you have?
like, 13?
Lantanas: What’s the best compliment you’ve ever received?
my friend once told me that they couldn’t tell if i was a boy or girl upon first meeting me and it made my day.
Larkspur: What do you think of yourself?
i’m a mess, an anxious, depressed, gay mess
Lavender: What’s your favorite thing about yourself?
my hair, it’s really fluffy and soft, and just about light enough to dye bright colors
Leather Flower: What’s your least favorite thing about yourself?  
my chest, it’s always been a huge part of my dysphoria and i want it gone please
Lilac: What’s something you liked to do as a child?
i would play dress up with my dog, he had to suffer through wearing all my old dresses, but he got treats so it was ok
Lily: Who was your best friend when you were a kid?
my friend ry, we met in second grade, we’re still on and off friends, currently off
Lily of the Incas: What is something you still feel guilty for?
in 5th grade i used the word “suck” in class and got yelled at
Lily of the Nile: What is something you feel guilty for that you shouldn’t feel guilty about?  
see above answer
Lupine: What does your name mean? Why is that your name?
carson: christian. it’s my name because i like how it sounds, and anna really liked it too, she picked it for me.
Marigold: Where did you grow up? Tell us about it.
white, suburban ohio. all the kids had cliques by the second day of kindergarten, and if you were knew, you generally had a pretty good chance of being picked up by the popular kids.
Morning Glory: What was your bedroom like growing up?
i had bunkbeds with my little brother, i slept on the bottom.
Mugworts: What was it like for you as a teenager? Did you enjoy your teenage years?  
so far, not really. i’m just mentally ill and closeted, it’s not great
Norwegian Angelica: Tell us about your mom.
she likes to dye her hair crazy colors, and she used to be a beekeeper, even though she’s allergic to bee stings.
Onions: Tell about your dad.  
he rides his bike almost every day, and supports my mom in whatever she does
Orchid: Tell about your grandparents.
on my mom’s side, the kindest boomers i’ve ever met, my grandpa used to take us on “adventures” to the park and just watch us play
on my dad’s side: my grandpa loves seeing us but doesn’t get out much, my grandma laughs hysterically at every family gathering, and has all the best amish recipes
Pansy: What was your most memorable birthday? What made it be so memorable?
when i turned 13, i went ice skating for the first time and fell and sprained my wrist
Peony: What was your first job?
mowing lawns
Petunia: If you’re in a relationship, how did you meet your partner(s)? If you’re not in a relationship, how did you meet your crush/how do you hope to meet your future partner(s), if you want any?
we had mutual friends and slowly ended up being close, we were in school plays and track together.
Pincushion: How do you deal with pain?
i bite down on my finger to simultaneously distract myself, focus on something else, and hold myself back
Pink: Where is home?
my best friends’ living room at 1 am, with the golden girls playing in the background
Plantain Lilies: If you could go back in time, what is one thing you would stop/change?
i’d go back and stop current president from becoming president
Prairie Gentian: Who is someone you look up to? Describe them.
my sister, she has always been driven and passionate and talented, and she makes everything seem effortless and still gives it her all.
Primrose: Describe your ideal life.
me and my spouse and my kids amd my dogs all live in a decently spacious house in europe, my job is stable and i love my work, my students think i’m cool and come to me if they need help, i am doing well.
Rhodendron: What is something you used to believe in as a child?
i used to believe that the smoke from fireworks was where clouds came from
Ricinus: Who’s the most important in your life?
my best friends
Rose: What’s your favorite sound?
the sound of rain on my roof at night
Rosemallows: What’s your favorite memory?
when my sister, dad, and i all climbed to the top of a mountain in california
Sage: What’s your least favorite memory?
throwing up in the car on the way home for visiting my sister in new york
Snapdragon: At this moment, what do you want?  
a hug from anna
St. John’s Wort: Is it easy or difficult for you to express how you feel about things?
it’s hard because i don’t trust people
Sunflower: What is something you don’t want to imagine life without?
the internet
Sweet Pea: How much sleep did you get last night?
like 5.5 hours
Tickseed: What’s your main reason to get up every morning?
to run, it makes me feel better and i love cross country
Touch-Me-Not: How do you feel about your current job?
lmao i dont have one
Transvaal Daisy: What’s your favorite item of clothing?
my binder!
Tropical White Morning Glory: Describe your aesthetic.  
the record player song but a boy
Tulip: What would be the best present to get you?
a list of reasons why you deal with me/things you like about me
Vervain: What’s stressing you out most right now?
the fact that this is taking a lot longer than anticipated and i don’t want people to think i’m ignoring their asks
Wisteria: How many books have you read in the past few months? What were they called?
actual books? only 2, Catcher in the Rye and the Night Circus
Wolf’s Bane: Where do you want to be in life this time next year?
out with my friends
Yarrow: Do you know what vore is?
yes, and i regret it
Zinnia: Give a random fact about yourself.
i’m double jointed in my left pinky
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meredithritchie · 6 years
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Mask of Anonymity: Anonymous Asks as a Teen Outlet
[The following is an article I wrote for a campus submission. I retained the rights to publish it here, as well. It regards my experiences as a fandom blogger.]
“Hi, I’ve been suffering with what is probably depression for years without any help and recently it’s been getting worse,” begins the anonymous message that drops into my inbox one night. It’s a teenager asking me how to keep themself stable until they can get a diagnosis from a pediatrician. I tell them I’m proud of them. I tell them I’m not an expert. I tell them to be kind to themself. I tell them they’re loved.
Since founding my Tumblr blog in April of 2017, these messages have become almost routine. In just a few months of actively posting my fanedits and fanfiction online, I amassed almost five thousand followers.  In this particular fandom, where the most popular bloggers have ten thousand followers, that’s a dramatic amount. Via the blog’s anonymous ask feature (colloquially called “anons”), anyone in the world can drop a question into my inbox without revealing their username, even if they aren’t one of those five thousand. Many if not most of these followers are minors, and some of them are not even of the minimum age to use the site: thirteen. My sister is twelve and loves watching fandom videos on YouTube, and in one year, she will be old enough to make an account with access to my blog and the blogs of all five thousand of my followers. I wonder if she’ll be one of the faceless messages I get in my ask box.
“Could I ask for some advice? It's about gynaecologists and vaginal health while being trans.”
“What I’m wondering is, how did you go about narrowing down lists of colleges to go to?”
“I basically cant[sic] think anymore and it's really hard to do school work because of this. Do you have any advice?”
“How does one stop obsessing over someone, when that person will never be theirs?”
“Hey I really need some help like older sister stuff help”
“I had a breakdown at school today. At least I think that’s what happened because I don’t remember it clearly.”
Some of it is generalized, and some of it is specific, but it all comes from a recognizable place of teen struggle and fear. Sometimes these messages linger in my inbox, as I try to struggle for just the right words. Other times I feel urgency, and dash off a response as quickly as possible. I re-read the post later and wonder if I said the right things, if I said what I meant. I’m not the only one.
Other fandom blogs, some even larger than I am, have turned off anons or closed their ask box entirely because of an influx of personal rants, requests for help, and even suicide notes. While Tumblr’s anon feature is meant to be a place for shy and intimidated users to express themselves in a way that isn’t possible via conventional social media like Facebook and Twitter,  the double anonymity of a hidden screenname offers confidence to say things that are otherwise difficult or even unsayable. When it comes to personal questions and statements, many young people lack a safe location to speak them, and the ask box offers a unique relief. Many teens don’t want to speak to their parents, teachers, or guardians about their sex life, their mental health, or their personal problems. Even Googling answers sparks fear that a teacher will confiscate their phone, or a parent will borrow their laptop, and evidence will be left in view. With a generalized segregation of America by age, most teens also don’t have other adults which they can speak to on a friendly basis, let alone speak to face to face for advice on difficult issues. Often the only adults that young people interact with face-to-face are authority figures like older relatives, teachers, and coaches. In the absence of face-to-face interactions, teens instead turn to the leaders of their fandoms, who often foster online personas  as Fandom Rens, Moms, Uncles, and Sisters. Plenty of older fandom members cultivate this image, though “older” is relative and in a small community these members may be only eighteen or nineteen years old, though they are generally in their twenties and thirties. While many fandoms have a primary userbase of tweens and teens, these senior members often run the most popular blogs and produce the highest quality fanart, fanfiction, and other fan content. During fandom “discourse,” these older members often lead the way and resolve conflict.
“Discourse” in fandom is not like discourse in the academic sense. While academic discourse encompasses many elements of rhetoric and debate, fandom “discourse” is essentially a euphemism for argument, frequently with an ethical element or discussion of “problematic” behavior. This discourse can involve either relationships between real human beings like celebrities and fandom members or the content of any fictional work contained in the fandom canon. The wide umbrella of “discourse” covers everything from discussion of whether a fandom celebrity’s recent comment was racist all the way to whether fanwriting two characters romantically is incestual when both characters are figments of a third character’s imagination. In essence, discourse gets hairy, complicated, and even philosophical. Like real political and social issues and like fandom itself, discourse gives some young people a sense of belonging and also the feeling that they are on the side of right and reason. An individual’s choice to participate in discourse becomes part of their identity.
In this way, fandom becomes what Mary Louise Pratt refers to as a contact zone, “where cultures meet, clash, and grapple with each other.” Through fanfiction “AUs” (alternate universes) fans of color write white characters as PoC, queer fans write cisgender/heterosexual characters as LGBT+, and neuroatypical fans write neurotypical characters as autistic, depressed, anxious, or otherwise neuroatypical. While alternate universe only emerged as a genre with the rise of the internet, these stories reflect a longer history of the insertion of the subordinate into dominant texts. Pratt refers to a text called The First Chronicle and Good Government, in which a man native to South America uses the language of his colonizers, the Spanish, to talk about the experience of the indigenous people, “in which the subordinated subject single-handedly gives himself authority in the colonizer’s language and verbal repertoire.” Through this text, Pratt touches on what she calls transculturation, a product of the contact zone, in which “members of subordinated or marginal groups select and invent from materials transmitted by a dominant or metropolitan culture.” In the modern world, the dominant culture produces Steve Rogers, a cisgender man, and fandom reinvents him as a transgender man. The dominant culture creates Hermione Granger and Harry Potter, two white children, and fandom reinvents them as black and Indian. The dominant culture offers Legolas and Gimli, both ambiguously straight, and fandom reinvents them as a gay couple. For young marginalized people encountering this kind of contact zone for the first time, fandom becomes a community that is irreplaceable and unique, where they have the ability to express themselves and see themselves in characters.
Between the aspects of community in fandom itself and the discourse which offers a cause and creates both positive and negative relationships, it is hardly surprising that young people turn to fandom elders when they encounter a problem. After watching older fandom members participate in, manage, or even quell discourse, younger fandom members begin to look up to them as people who have all the answers, as leaders of this unique community. The availability of anonymity makes the opportunity even more enticing. A kind older fandom member becomes everyone’s shoulder to cry on, everyone’s outlet, and everyone’s therapist. While this may serve as a resource for plenty of teens, there is always an associated toll taken on the mental wellbeing of the members who serve them. Fandom creators want to help their followers, but may be struggling with their own past or present depression, anxiety, PTSD, eating disorders, body image issues, and attacks on their identity.
Self-proclaimed “Fandom Grandpa” @randomslasher (known in the community as LJ) runs the largest art and writing blog in my fandom and has struggled with a history of anon rants and anon requests both to themself and to their partner Thuri, who also runs a popular blog. As long ago as 2013, LJ posted, “I don’t think I will ever understand people who hide behind a mask of anonymity for the sole purpose of making someone else feel bad. Just because we can do something doesn’t mean we should [emphasis original].” LJ has made additional posts before and since requesting that people abstain from ranting into their inbox, but the issue continues for LJ and other major bloggers who gain new followers every single day. Many of these anonymous messages are never published, as evidenced by posts like this one, which appeared on LJ’s blog in 2018: “Anon i’m sorry to hear that, but that wasn’t a safe ask to send someone without a trigger warning, and i won’t publish it. Try to get help if you can.” The message of the post alone is ominous, and one can only guess at the content of the ask.
The teenage years are known to be a time of struggle, both personal and social. This is significant now more than ever as depression and anxiety rates among teens rise, and many teens experience suicidal ideation, unhealthy relationships with their own bodies, and struggles with their gender and sexuality in addition to the classic problems of teenhood which should be no more serious than asking someone to homecoming, getting a driver’s license, or taking a chemistry exam. However, as student struggles become more severe, especially among marginalized groups, resources to cope with this period is not moving apace, and young people use fandom as a resource to get answers and to express themselves. Older fandom members are suddenly bearing the weight of hundreds of teen struggles, and most of them have no formal training or resources to cope with them.
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anonsally · 6 years
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Nothing Happened, by Molly Booth
This is a very good YA adaptation of Shakespeare’s Much Ado About Nothing, set at a summer camp in Maine. Most of the main characters are counselors at the camp--i.e., teenagers. Different chapters are told from different characters’ points of view.
[spoilers below for both the play and the novel]
In this adaptation, Bee and Hana live year-round at Camp Dogberry, but during the summer their family runs the camp, and Bee (18) and her younger sister Hana (16) are among the counselors. Donald and Ben are one year older than Bee, just done with their first year of college, and unexpectedly back to work one more summer at the camp. Bee and Ben have not recovered from misunderstandings after having secretly hooked up the previous summer; Hana and Claudia (17, I think) have been flirting via text.
Claudia’s insecurity and inexperience lead to Donald talking to Hana to get them together. John’s motivations are a bit different from in the play: he is interested in Claudia himself, which is why he is so invested in breaking her up from Hana. He doesn’t “get it” when Claudia rejects him by being vaguely uninterested. He doubts that Claudia and Hana have actual feelings for each other and homophobically assumes that they’re just hooking up as a “typical” young female experimentation. The whole thing blows up into a public humiliation of Hana (who is still in recovery from a major depression after being dumped by a boyfriend a few months ago), but no physical violence and no actual condemnation by the parents. 
However, the rumors fly wildly among the kids, and Hana is condemned by nearly everyone as a cheater, with Claudia garnering sympathy as the one betrayed. Hana hides in her parents’ house instead of sleeping in the cabin with the kids, and stops teaching swimming like she normally does, and stops doing all the activities that normally keep her anxiety under control. Eventually there’s a public exculpation of Hana; most of the guilty parties apologise (John has run off by then; he only came back to camp because he wanted to date Claudia, though it’s possible his father also insisted) and Hana is happy to no longer be harassed. 
Partly because Claudia has suffered bullying herself at school for being queer (and does not appear to have supportive parents) and partly because she was tricked and actually had slightly more evidence than Claudio does in the play, her eventual reunion with Hana doesn’t feel as gross as it does in the play... but perhaps the main reason is that although Hana hadn’t cheated on Claudia with her ex-boyfriend, she had been texting him and hadn’t been honest with Claudia about that. 
Bee and Ben’s story unfolds a bit out of order--the story of the night they hooked up the previous summer is told gradually in flashbacks from their different points of view, and the story of how they finally get back on the same page this summer is a pretty faithful retelling of the play. Their backstories are delved into a little in the flashbacks (Ben’s stepfather is somewhat abusive; Bee used to try to run away from home when she was little because she felt so out of place [she was adopted and the only nonwhite kid in town], but her parents would always help her pack her backpack and put in a note saying how much they loved her and hoped she would come back, so she always did come back before she got very far), and the closeness that led up to their hooking up feels like a real loss in the face of Bee’s hostility to Ben, who clearly does have feelings for her. 
Bee’s close relationship with her sister is the best. The night when Hana (having failed to convince her parents to let her leave in order to avoid Claudia after the breakup) tries to sneak away to see her ex-boyfriend, she finds her backpack packed for her with a note from Bee saying how much she loves her. 
All in all, I thought this was an excellent retelling of the play, and one that shows the dangers of rumor-mongering and the importance of communication, trust, and respect. Bonus points for a few characters of color (Bee was adopted at age 5 from Ethiopia; Donald is black; and possibly some other characters I’ve forgotten) and for queer representation: Hana is bi or pan (she herself isn’t sure which label she prefers), Claudia is apparently mainly or exclusively interested in women, and two minor male characters hook up, plus the adult drama teacher is gay.
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pebblesandjamjam · 7 years
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JAM’s Top 8 for 2017
I retired the concept of publication years in 2016 and that tradition holds this year.  When you meet a book matters more than when the book met the world. You’re a certain sort of person when the text comes into your life and if you read it at a different time, you’d likely see it in a different way. What’s more: there’s just too much in the world for me to focus on what was published when–so this list represents the best of what I experienced in 2017, independent of its publication date. It represents me, my year, where I started, and where I ended. Hope you enjoy the ride.
8. Jackass // Scarlet Beriko (2015, tr. 2017)
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Scarlet Beriko is one of the best cartoonists in the game and their chosen field is: BL. Lucky, I think. I have always admired their variety and control of line weight, wielding it carefully to allow the tone to turn on a dime. (Their comics, including this one, are hilarious.) But with Jackass in particular,I think what I admire most is how much affection each character--even the secondary ones, the nameless ones--seems to show.
The main pairing is two high school students and best friends, Keisuke and Masayuki. Their relationship ends up in a strangely sexual place when Keisuke accidentally puts on his older sister’s pantyhose--and Masayuki discovers a kink he never knew he had. The comic is impressive enough in that the accidental putting on of pantyhose is actually believable in context, but the true mastery is how protective the boys and their friends are of one another. A secondary romance is built between Keisuke’s childhood friend, Katsumi, and the school doctor, but even this romance is less about the two characters and more a vehicle for emphasizing Keisuke and Katsumi’s friendship--which is a relief, as I generally frown upon even fictional student-teacher relationships for reasons that should be obvious. All of these boys (and, notably, Keisuke’s sister) love each other, take care of each other, treat each other preciously--the way I wish all the precious men in my life would treat each other.
The major flaw of the book comes with the character Miyoshi, another student. Even he becomes part of the flow of affection, but the character uses the word ‘queer’ pejoratively quite a few times, which is to be understood as a sort of defense mechanism given the completion of his arc--but of course, does not undo the violence of either the nature of the word’s use or its larger participation in queerphobic narratives. I very much enjoy the deep love this book shows, which is why it’s frustrating (to say that absolute least) to see it casually undermined by queerphobic language and themes.
It was one of the best books I read this year, but that enjoyment was tempered by the sharpness of that experience. If you do decide to enjoy the book yourself: please do so carefully.
7. Mix-Plate // Emily Forster (2017)
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BL brought me other gifts this year, but this time from a surprising source: the West. In 2017, seven Western cartoonists put together Boy, I Love You: a BL comics anthology, a work collecting pieces inspired by and celebrating the genre. The anthology itself was enjoyable on the whole, but Emily Forster’s piece, “Mix-Plate”, was an impressive standout.
Not unlike Jackass, affection looms large throughout the story, though this one is much more familial. Jordan is a teenager whose parents don’t quite support him as they should. One day, he meets another boy named Eli who has a different relationship with his family. Jordan eats with Eli’s family on the beach several times and the family’s affection for one another is arguably the true primary relationship of the story.
The imbuing of culture and setting is also key to the story. Though it is never said directly, the comic is ostensibly set in Hawaii given Eli’s family uses Pidgin with significant frequency. This element may be the part that I liked most of all--if anything because I don’t get to read many comics that invoke elements of Hawaiian culture and daily life by cartoonists from Hawaii. The authenticity shines through as much, if not, moreso, than the romance itself.
The comic feels warm and, ultimately, welcoming. Just as a love story should.
6. Akira, vol 1 // Katsuhiro Otomo (1982, re-translated 2017)
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I’ve read volume 1 of Akira three times in my life, across about five years. I’ve seen the film several times. And now, I think, Otomo and I are beginning to understand one another. Part of it is certainly that this go round I’ve been reading editions with higher production quality and significantly better translations--but I think I needed to sit with the book for a few (or several) years before it began to resonate.
Finally, after Time Number Three, I understood Kaneda’s cool, Kaneda’s foolishness, and the quiet implication of Kaneda’s tragedy--maybe because they’re all the epitome of youth, or perhaps more accurately, the epitome of lacking control. Ultimately, Akira is really a story about attempts at either control or the illusion of control. What’s cool about Kaneda is that he gets thrown into the center of a government conspiracy and simply rolls with the punches. He’s cool; he’s in control. But what’s foolish about him is even the thought that he’s in control, that he knows it all, that he’s got it figured out. You can’t have one without the other. And the tragedy is what robs him of the control in the first place, what seems to control him, what he has to settle for instead of control--which are things Otomo carefully intimates but never says outright, because..well, tragedy, isn’t cool. Kaneda is at the edge of everything because his youth and his edge are all he has. And you roll with it, just as he does, not just because that edge is cool but because you too are lacking control. You too want to roar in defiance, to make someone or something remember you, even if you can’t. It took some time, but, I got there.
I’m glad I did.
5. Navigating Trauma // Shan Murphy (2017)
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Navigating Trauma is a 2017 mood if I’ve ever seen one. I saw it go by on Twitter and was immediately staggered. I looked it several times that day. I’ve looked at it several times since. It depicts the feelings with immediately recognizable truth and honesty. It lets you know where you’ve been. It lets you know where you’ll eventually be. Though this is my first time coming across their work, Murphy’s work here is reminiscent of Tove Jansson’s Moomin strips--in both style and tone, I think. There’s a sweetness and a sharpness. Something gentle that will not lie to you about the difficult portions of life. But also something that will comfort you through them. A fantastic piece.
4. Stages of Rot // Linnea Sterte (2017)
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I’ve been thinking for a while about how to describe what’s good about Stages of Rot and I keep coming back to the notion of it representing the quietest, stillest, and most undisturbed parts of my heart. It’s the art, mainly. The narrative relies much less on words and much more on “vibe,” as my friend and colleague Shea Hennum is wont to put it. The story doesn’t even matter to me, all that much. I have trouble keeping it together, though the description on the back helps:
“An alien desert comes to life around the body of a dying whale. Animals, insects and ancient peoples scramble for her remains and make their homes among her bones, struggling through a millenia-long process of decay.”
As I said, though, it’s the art. The lines and colors are both, at once, soft but definitive. Any more words would ruin it because it’s the feeling--the feeling of being in tune with something across time and space. A kind of purpose and significance to the movements of the earth, and you. It’s something holy. A pure experience.
3. Shinobeba Koi // Yukue Moegi (2014)
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Well, it’s BL again. Sorry, not sorry. And even worse, it’s a title that hasn’t been translated to English (yet). I know, I know, but I’m even less sorry than I was previously. I’m speaking it into the universe such that some intrepid young licenser will come across this post and think, yes, today I will, because honestly, I’ve read this comic about 6 times this year and I am moved each time.
Shinobeba Koi is a two-volume comic that is actually a spin-off from a different comic, Nirameba Koi. It follows the older brother of the main character from Nirameba, but that doesn’t matter because Shinobeba is entirely enjoyable without that context (and is a definitively superior comic.) It tells the tale of a long love between Tora (the older brother) and Tetsuya. The story starts when they’re older, working at a hair salon together, but readers learn that they knew each other from before, when the two were teenagers. Tetsuya was 18, the leader of a bike gang and Tora, 16, admired him deeply, desperate to join his gang.
The depth of their feelings is apparent and holds throughout the narrative, gently but firmly. There are a number of opportunities for Moegi to overdo it, but she never does. The story is always told with restraint and deep sensitivity, which is particularly fitting against the setting of an extremely masculine bike gang. I’m continually swept away by the gentleness and the certainty of affection between the two leads, even at troublesome intersections. I love a story of a long, patient love--perhaps because patient love is the sort that I feel that I need--so this one is among my very favorite.
2. On A Sunbeam // Tillie Walden (2016-7)
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I almost put On A Sunbeam on last year’s list, but it hadn’t finished yet, and I have been burned by the floppy endings of too many otherwise brilliant works to make similar mistakes again. With that in mind, I should note how I felt reading the end of this comic.
It had been finished for a few weeks, but I was already three or four chapters behind--and I was also a bit depressed. I wasn’t interested in much, couldn’t do much, didn’t want to do much beyond feeling bad about not being able to do or wanting to do much. My friend Mark suggested that I read the final chapters of the comic, in hopes of improving my mood, but I told him I didn’t want to, since the weight of those final chapters possibly being bad (or worse, middling) seemed like too much additional sadness. And then I would never know if the comic was bad or if I was bad. And that too seemed too much.
So I waited. I waited for a day that I felt, at a minimum, okay, and then I read it. And, of course, once I did, I was ready to spin-kick the sun out of the sky. (I say that a lot for things I like, because it’s the only thing that really adequately describes how it feels when I experience something I love, so you may have heard me use the phrase before.)
I could write about the sheer industriousness of Walden’s work on this webcomic--she was putting out 20-30 pages...a week, never mind a month--or I could write about it in context of how much I love her other work, but really, I just want to say that On A Sunbeam is chockful of artfully restrained and fine feelings--of love, of fury, of warmth.
It’s a space comic that, in one timeline, follows Mia, a girl working as a part of a ship’s crew that restores various buildings for money, but then also follows her at a different time, when she’s at a new boarding school after some troubles at her old one. The work emphasizes the forced closeness of spaceships in the vast distances of space, how crews live together and become families. Use of space and architecture are probably my favorite things about Walden’s comics and On A Sunbeam is no exception. My experience of the comic was always relief, gratefulness, and joy at having such quality work available to me on a regular basis.
It’s going to be published in print in 2018, if webcomics aren’t your thing. I hope it brings you as much relief, gratitude, and joy as it brought me.
1. Finder, vol 1 // Carla Speed McNeill (1997-present, collected in 2011)
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Finder is a miracle comic, I think. It behaves as though it’s real, which a lot of fictional works strive for, but rarely actually achieve. I was immediately engrossed after the first few pages and the huge library volumes collected by Dark Horse in 2011 are massive--664 pages, precisely. But it’s likely the casualness of it all, the evidence of the world building without explanation, and the compelling character (protagonist is the wrong word, in the context of Finder) we have in Jaeger, an Ascian sin-eater. If you haven’t read Finder, you don’t know what either of those words mean, but that’s fine, don’t worry--whatever I tell you about it won’t be as good as if you just pick up the book and let McNeill tell you herself. Or, I don’t know, let Finder tell you itself, as it almost seems to function on its own.
That’s part of it too. McNeill’s work is impressive such that the seams, the hand of the creator is almost, oddly, invisible (even though it could in no way happen without her, dare I say, genius.) There are many comics that I can imagine working on myself, even several of the ones by the greats (I admit, audaciously) but Finder is its own separate, brilliant thing that I could never either conceive of or create, even knowing about it after the fact.
I imagine I’m frustrating you because you’ve arrived at #1 and I haven’t even told you what the comic is about but, to be honest, I don’t know! I can’t say. Anything I’d say would be incomplete and a disservice to an undefinable truth. I can tell you that some of it is about Jaeger, but much of it isn’t. My favorite parts are about him, but there’s plenty I love that’s hardly related.
It’s a comic I can’t define with all my words and critical prowess, can’t create with all of my imagination and sense of structure, but absolutely love. It’s a world. It’s several. It’s a life, a series of lives.
And how on earth could I adequately tell you about that?
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nightcoremoon · 7 years
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now that I've driven home and had a few minutes to cool off and collect my thoughts, I feel I should explain myself to the people who have been following me and know who i am so I don't damage my relationship or reputation more than I probably already have. there was a post that an autistic person I follow made, where he vented about bigotry against autistic people, and ended with a passive aggressive "...janice". there was another post that a nonbinary person I follow made where they vented about bigotry against gender nonconforming people, and ended with a passive aggressive "...denise". I'm not 100% sure which was which but I DEFINITELY remember the posts, as well as the profile pictures of the people who posted them. I don't remember the urls though, and even if I did remember them I wouldn't list them in case the people who are now harassing and spamming me in my inbox and activity feeds decided to also hop on their [proverbial] dicks as well as mine because they apparently culturally appropriated those post templates, of ending extended rants about various bigots and ending them with names befitting of middle aged suburban soccermoms, karen. now, when listing people of this demographic, I used to include white among those adjectives. however, there are black middle aged suburban soccermoms, hispanic middle aged suburban soccermoms, and asian middle aged suburban soccermoms, and pretty much people of every race who have the potential to be this type of person the practice strawmans. obviously not every single middle aged suburban parent of children who participate heavily in after school activities is going to be the type of person to scream at retail workers or starbucks baristas or people who cut off their minivans when they're driving 15 under the speed limit in the left lane. not every single middle aged suburban person is an undeducated bible thumping bigot with their head shoved up their ass. not every one of them is a problematic piece of shit that stands by the #alllivesmatter crew or trump or whatever the republicans are rallying around this week. not even all of the white ones, and there are some people who fit the trope who are not white. I've dealt with many of them during my days at target, but I always stood by including white. until recently. when I learned it made black people uncomfortable when white people made white jokes, I was of course initially hesitant. "that's fucking stupid!" I though. "I'm not assuaging white guilt by doing this, I'm just finding it in me to laugh at myself". and then I read a bit more about the subject and figured it isn't worth the potential heartache if I fought it because in all honesty it kind of makes sense. my mom's boyfriend's son is black (and hispanic), and I had once made a white girl joke to my sister in front of him and mom told me later that both he and her boyfriend were uncomfortable with me saying that. after seeing the post that talked about it, and my... slight breakdown where I may have dramatically overreacted... I decided to try and stop with the white people jokes because I want to unlearn all of the racist shit that my dad, stepmom, aunts, uncles, grandparents, former friends, former acquaintances, and society in general that I possibly could, because racism as a concept digs into my skin and fucks me up. it used to make me absolutely seethe with rage, and I still get a little steamed by it. in fact I once got in a LOT of trouble with my high school sociology student teacher because I got really shitty with her when she- an anthropology student no less- kept calling one kid in our class by his initial because apparently kudsai is just Too Hard™ to pronounce. one day, an off day where I forgot to take my medicine, she called him that and I yelled at her "he has a name, so use it". granted I didn't like the kid. I thought he was annoying; loud, obnoxious, constantly making sex jokes while we were studying freud (and even the fucking holocaust), in the choir and the football team... basically like any other cishet teenage boy. but being annoying is no excuse for a teacher to not take five fucking seconds of her day to learn how to say his name right just because it wasn't franklin or gregory, two of the other black kids who I went to school with. anyone following me as far back as when annie got remade with quvenzhane wallis as the titular role might have read my thoughts on the matter of pronouncing people's names right. i'm not saying this to pat myself on the back for not being racist, because WOW was I a rough mess of things back then, but I was never like my dad's side of the family about race. back when michael brown's death and ferguson were still talked about, I found myself agreeing with rush limbaugh about some of the things he said, so clearly I haven't been a perfect angel my whole life. anyway, back to white people jokes making black people feel uncomfortable. I've been trying to make myself agree with that, which as anyone who has the syndrome formerly known as aspergers can probably attest to, is hard as shit to do. possible but hard. like, I'm even now still unlearning some acephobia, transphobia, queerphobia, islamophobia, and even though I know the occasional fleeting thoughts that I think are wrong and bad, they still happen very frequently. same goes with various forms of racism and xenophobia. my dad (and former stepdad's) influences are probably so deep because of various issues with abandonment and abuse that I'm not gonna discuss here, and they're both absolutely reeking with white supremacist microaggressions. so I'm definitely trying my hardest. part of that is why I reacted so negatively when people misinterpreted what I said, put words in my mouth, and straight up told me to kill myself in all of these messages that are still flooding in. another part is because I truly do stand by the things that I meant to say, rather than the things that it appears I've said. I really do think that it's unreasonable to say that it's racist for people who aren't black to make posts where we vent about various injustices we face from people who are misinformed and ignorant and straight up smarmy condescending assholes and then end it with a passive aggressive name of some baby boomer fuckwit, peggy. because these baby boomer fuckwits come in many colors (black people are still capable of being racist [against hispanic/asian/etc people, not whites, I need to make that abundantly clear], classist, misogynist, queerphobic, ableist, otherwise bigoted prejudiced assholes), and these names that are heralded as "typically white", like henry or franklin or gregory or harold or penelope or alice or etc, are not exclusively white names. I've seen or met black people with names like this and while it's definitely not the majority (not even close), and it's definitely partially due to cultural erasure perpetuated by gentrification, it still exists. so it doesn't make sense to me why the person who wrote the post that started me on this whole sequence of posts about this topic insisted that it was a 'white people names' thing. especially when white people names are more like khaeylieghhe or miakkaylia or annedeeye or some other ridiculous bastardisation of english language in order to make your child feel special and unique and end up growing to be a cookie cutter member of the conservative party that tries to take down affirmative action because they feel like it's reverse discriminatory or some shit. if it was something like that, making fun of those names that are actually like making jokes at the expense of white people [I think I should apologize in advance because technically this counts as a white people joke even if it's just an example] would make perfect sense. however I have not only seen posts in this template of ending with baby boomer names being used as tools to express their distaste in queerphobia, ableism, classism, xenophobia, and intolerance of other sorts, but I've made them before, and it has had not a god damn bit of racial connotation to it at all unless it's been specifically a black millennial on tumblr venting specifically about a white people-ism, and to make a post that shits on everybody who uses this template to cope if they're not black, and causes those kids who use it to cope to ask why not, and then get immediately shit on by assholes who treat them just like people are treating me, who tell them that it doesn't matter if they're neurodivergent or gay or trans or whatever because they're being Big Bad Evil Racists™ by ending their rant posts with names like becky, allison. I don't care if you're black. if you treat queer or disabled kids like shit and call them racist when they're not being racist, no matter what color your skin is, you're an asshole. and to act like fucking salem massachusetts when confronted with legitimate criticism of your ill-informed unbridled assault of an angry mama bear to queer and disabled kids, is just DISGUSTING. WEAK. and PATHETIC. and only serves to strengthen my points. so you know what, go ahead. keep sending me your hate anons. keep sending me the smarmy condescension. I can take it. just stop being fucking assholes to my family. your race isn't something I have any authority over but I won't let you use it as a weapon to beat people over the head with just because you get high off of the power you get from the veil of anonymity. false accusations of being a tier 6 skinhead is more palatable than telling us to kill ourselves.
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mumuofdurin-blog · 6 years
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Vogue Interview: The Man Behind The Machine
by Jeanie McMillan, senior Culture writer
As we all know, technology is something that we can’t do without; even people who decide to try living off the grid and go back to the days where we lived off the land will agree that technology, even the smallest bit, is something we can’t live without (remember back when I stayed with my cousin Eric in Alaska for a while to see what it was like to live off the grid? Yeah, even Mr. I Can Show Up Bear Grylls admitted that his satellite phone was a necessity, especially when it was winter and the snow could effectively block you in the house). Whether it’s competing cell phone companies, building your own custom computer from scratch, the latest VR headset, or something more work-related like all the medical technology that helps us live longer and better lives, technology isn’t going away any time soon, and in fact, is getting more, and more easily, integrated into our every day lives. From Steve Jobs to Bill Gates, everyone claims that they are at the head of the pack, at the top of their game, but when it comes down to it, there’s really only one person who can claim they really are at the top of their game: Genysis Industries’ CBDO (Chief Business Development Officer) and soon-to-be CEO, Nikolai “Nik” Dmitryevich Tereschenko.
**on cover of the magazine: a picture of Nik standing in a gray suit, jacket unbuttoned to show off a crisp, white shirt and a charcoal-colored tie with almost vein-thin, barely-there, diagonally-placed slate gray stripes. His hands are in his pockets, legs slightly apart; his expression is neutral, mouth slightly open as he looks down a little towards where the photographer was most likely crouched or kneeling down**
**inside, on the first two pages of the article: a picture of Nik on a couch in his penthouse, jacket up and shirt sleeves rolled up to his elbows. One leg is brought over the other, one knee sticking out as he rested his ankle on the other knee. One arm rested on the back of the couch; the other was up by his mouth, wrist loose and fingers relaxed as his index finger rested on his lip while he looked off into the distance. The left page contains the picture of Nik and title of the article; the right is where the interview starts**
So, Mr. Tereschenko, let me start off by saying that I’m super excited that you agreed to this interview. I may not know a lot about programming or the difference between a processor and a microchip, but as someone who uses a lot of technology each and every day, I can tell you that I’m always excited when I hear that I can put in a pre-order for an upcoming piece of GenTech. Well thank you, that’s very flattering! I love hearing that people are pleased with what we come out with; numbers can tell us how popular our products are, but those number mean nothing when compared to hearing actual people’s opinions on everything, no matter how good or bad they can get.
Now, I know your father was the one who created Genysis Industries back in the day, but as a Russian immigrant, how did that all start? My father started out as your average, middle class person over in Russia--his dad worked at an office, his mom worked as a school teacher, and he, my uncle Vladimir, and my aunt Yulia lived comfortably in a two-story house with a dog and plenty of books and toys. They weren’t hurting for money, but my father was always trying to come up with something that would give him a little extra money beyond what he received for an allowance each week--lemonade stands, recycling people’s tin cans and glass bottles, lawn mowing, the usual things that kids would do. He, however, would get his friends to help him out, and they would split their wages--half would go to themselves, and half would go into the “company”, helping them do things like buy paper to make fliers around the neighborhood, or get better lemonade making supplies, or whatever they needed to do. This continued all throughout his life, even going into college, where he majored in business. The problem, however, was starting up a business in Russia. It’s rather difficult to do there, partially because of the laws there regarding starting your own business and partially because of various social issues, and so my father, with a lot of English and a little bit of money, got a visa, came to the United States after finishing his schooling, and started working at Chevrolet.
**the next two pages of the interview: on the right page, Nik is at the island in the kitchen, sunlight brightening the area, as he tosses up an apple and watches it fly up into the air. The left page contains the rest of the kitchen, used as the background for the continuing interview**
Starting at Chevy? Where exactly in did he start off with them? Well, originally he thought he’d take the usual immigrant route, and start off working on the line, making car parts. Apparently he managed to impress the head of the plant at the time so much that he put into management, and that was actually was where he eventually met the men he’d eventually partner with to help start Genysis Industries.
And the name “Genysis”? Where did that come from? Ah, now that actually came because my father, while he could speak English very well, wasn’t that great of a speller when he was younger. The word itself he knew the meaning of, which has to do with the beginning or formation of something, and he thought it was rather appropriate when they were starting out, but he could never spell the word the same way twice. It became a bit of a inside joke between him and his business partners, and they eventually ended up with the current spelling because it was the one that, in their words, “looked the best and made us stand out”.
I love it! Now, though, I think we need to move on to the man of the hour--you. You are the current Chief Business Development Officer of Genysis Industries, and you’re poised to take over when your father retires. Can you tell us a bit of how you came to be in your current position? Well, for as long as I can remember, my parents had the idea in place for me that I would take over as head of the company one day, and I was pretty much groomed for that from a young age. There were times when I didn’t think I wanted to take over, especially in my teenage years, but as soon as I started working there back in high school, I knew that I was, in fact meant to be there. My father didn’t want me to feel entitled or to have an ego, though; he made sure I started at the bottom and worked my way up, and that way, I wouldn’t think I was better than everyone like I might if I started much closer to the top. I’m grateful that he did that; not only did it show me what it was like at every level, but in doing so, I found my love of computer sciences and engineering. Eventually I made my way to my current position, and once my father retires, I’ll be taking over his position as CEO.
That actually leads to my next topic, so thank you for that! Not only are you the second highest position in the company, but you’re also very important with the development of various software, hardware, and designs for the products that Genysis Industries comes out with, with a lot of people calling you “the real life Tony Stark”. I’ve seen that before, and while I’m not the engineer he is, I’m very flattered by the comparison. Yes, while I do have a lot to do with the business side of things, I have spent a fair amount of my career as a part of the technological side of the company, and in fact I actually did a double major when I was in college. I love developing new programs and operations for the products that are specifically GenTech products, as well as having input in developing the parts that Genysis Industries makes for other companies to use in their products; in fact, I was the one that developed the Genysis OS, helping to take us off of using Windows on our computers, and I was a part of the development team to make the mobile version of Genysis OS when we entered the smartphone game.
**on the next two pages have two different pictures--the left page has Nik in the dining room, siting in one of the chairs, with Ace behind him, his arms around Nik’s shoulders and clearly joyous smiles on their faces as the two men look at each other, the tips of their noses touching; the right page has more of the dining room, with the interview printed over that.**
Now, Genysis Industries doesn’t just do things like phones, computers, teevees, computer parts, etc., correct? You’ve expanded to touch things in the medical field, philanthropic work, and other such things? That’s correct. One of the things we’re extremely excited to be doing is to really dive more into the bioengineering field, combining our advanced technology with both leading and up-and-coming scientists in the field to start working on things such as lab-grown human organs, plants that are more highly resistant to fungus and things that destroy them without losing any of their nutrition or any of the negative side effects, and even growing meat in a lab using a small sample of cells from a living organism--meat you can eat without killing an animal. We’ll also be partnering with such companies as Medtronic and Siemens to improve current medical devices, from something as simple as a thermometer to more advanced things like MRI and CATscan machines, so that, for things consumers use, they’re both as efficient as possible and as affordable as possible, no matter how much or how little you make, and on the medical professional’s side, they’ll get the same, if not better, quality they’ve already been getting, but at a cost that won’t break both their bank and their patients’ banks.
And the philanthropic side? With that, we do as much charity work as we can, whether through donations of money, equipment, supplies, or whatever we can, both at home and abroad. One thing that’s close to my heart is helping out the queer community, especially queer youth of any sort. I want to make sure that everyone, young and old, will have a place to go if they get kicked out of their house, or if they need support, a job, education...anything that could help them out, really. There’s also the part where we believe in all of our employees, from the CEO to the cleaning staff to even the interns, should be paid a living wage and have benefits that aren’t just benefits in name, and the fact that we’re very open and accommodating to all races, genders, sexualities, and the like,  but that should be considered “common sense” instead of “philanthropy”.
I know there have been stories and pictures of you, but to get a definitive answer--does that mean you are gay? (he laughs) No, no, most definitely not; plenty of women could tell you I’m not gay. No, I’m proudly bisexual, but growing up, my father, and to a slightly lesser extent, my mother, and I didn’t quite see eye to eye on that. I may be currently engaged to the wonderful man that’s currently imitating a blanket or a sweater hanging off of my shoulders, but I’m definitely bi.
As you can see from the picture, we were unexpectedly joined by the young man hanging onto Nikolai, but I’d be lying if I said that it was an unwanted intrusion. The way that Nikolai smiled when Ace, as he called himself, came into the room and started being affectionate was like watching the love interest of a Hallmark movie hear that the protagonist had agreed to stay in the small town with said love interest. He didn’t stay long, just enough for some slightly posed, mostly candid pictures, but then it was back to business.
So, do you mind if I...? (he laughs again) Go ahead, I’ve got nothing to hide.
(I laugh myself) Since it seems like you’re taken, I know a lot of our readers are going to be sorely disappointed that they no longer have a chance with you, especially since you said you were engaged to Ace--who, by the way, is absolutely great--but how did you guys meet? I...to be honest, we met online. I hadn’t been in a relationship for over a year; it had been a serious relationship, and I was planning on asking her to marry me, even picked the ring out. Before I could do that, she came to me and told me that not only had she been seeing someone else behind my back, but she was pregnant and it was his. I broke it off immediately, they went to live in a different state, and for more than a year, I had nothing but one night stands. Then one of my friends showed me a site and told me to check this out, I stumbled upon Ace’s profile, and the rest is history. We weren’t serious about each other at first, just a casual thing, but somewhere along the way my thinking went from ‘Hold my hand so we look like a couple’ to ‘Hold my hand because it feels right in mine’.”
Awww that’s so sweet! You guys seem like you fit really well together. We do, and honestly, it’s refreshing. There’s definitely an age gap between us, and I’m always surprised he said ‘yes’ when there’s so many people his age that would be glad to snap him up in a heartbeat, but I don’t take it for granted. He makes my day better just with a ‘hello’ or an ‘I love you’, and when it’s time to leave for the day at work, I actually think ‘Well, time to go home’ with the feeling that I am going home, not just to the place I live. Ace is truly the best thing that’s happened to me, and I’m not fucking that up--sorry, am I allowed to say that for this interview? I’ll rephrase that--I’m not messing that up, I’m sorry. But yes, we do really fit well together, and I don’t know who’s more excited about getting married, him or me.
So I have to ask--when exactly is the wedding, and what are you guys planning for it? I can tell you right off the bat that it’s going to be either Spring, Summer, or Fall, but the exact date is still up in the air. There’s going to be friends and family there, but we’re not going to make it something that gets shown on every news station; it’s not unusual to have paparazzi snap pictures of us, but this is going to be closed to the press. Other than that, we’re still looking at ideas and what month and year we’re going to have it, and that’s all I can say. Wait, no, I lied--I’m pretty sure our cats, Lucky and Chip, are going to be involved in some way, even if it’s just in the staged pictures.
Well this has been an absolutely wonderful interview, and I’ve enjoyed speaking with you a lot-- Well thank you, miss McMillan, the feeling’s mutual.
--but there’s just one more question: there’s no way I can get on the waiting list for the latest GenTech phone right now, is there? (he laughs) Not yet, but give your information to my assistant, including your cell phone provider, and I’m sure we can work something out.
To see the transcript of the full interview, as well as all of the pictures that were taken, go to vogue.com and look up ‘Nikolai Tereschenko’.
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mrmichaelchadler · 6 years
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Monica Castillo's Top Ten Films of 2018
As much as I like putting together these year-end lists, I also somewhat dread them. I always change my mind after sending them in, always want to fit in one more movie and worry that my rankings are off. This year was more troubling than usual because I liked so many movies—a good and bad thing. The good news is I easily thought of ten movies I loved this year. The bad news was I had to pare down a list of 30 or so films I really enjoyed this year. There are worse problems to have, so I’m just happy to have found some escapism, reflection and joy at the movies this year.
10. "Annihilation"
This women-led sci-fi movie has inspired some of the best writing about film in 2018, and I regret having waited so long to get around to it. The interpretations are many, but the one I hold onto to is that the film is a metaphor for depression, what it does to you and what it can make you do. Alex Garland’s adaptation of the novel by the same name looks stylish and weirdly colorful with a pastel color palette to create the divide between our world and that of an alien presence that has leeched onto a marshy spot on earth. Natalie Portman, Tessa Thompson, Gina Rodriguez and Jennifer Jason Leigh play women sent into this new unknown, finding not just an alien enemy that rearranges DNA and warps time, but also to face-off against their worst self-destructive habits.
9. "The Ballad of Buster Scruggs" 
What seems like a desperate set of grim yet cheeky stories based in an antiquated vision of the frontier are united under the Coen brothers’ acerbic wit for one delightfully weird journey to the old West. Step right up for a funny yarn from a singing cowboy, a heartbreaker about showbiz, a warning about the dangerous side of anxiety or be charmed by the oddly endearing quest of a lonely prospector digging for his biggest score. Each vignette in the Coen brothers’ movie has its own unique style, set of costumes and cinematography, but they share at least one final punchline: we’re all headed to the same grim reaper, one way or another.
8. "Zama" 
Lucrecia Martel has no mercy for her leading man in her scathing adaptation of the Argentine novel. The movie’s namesake Latin American-born Spanish subject endures several demotions and indignities in his Sisyphean quest to try to get a transfer to a happier part of the country. He is denied, but through his tortured experience, audiences have the pleasure of experiencing one of Latin America’s sharpest directors examine issues of colonialism, gender, class, duty and society until the jungle comes to claim what’s left of him.
7. "Sorry to Bother You"
Musician and director Boots Riley made his feature debut with a rollicking, off-the-wall satire about capitalism, love, art and selling out. Cassius “Cash” Green (Lakeith Stanfield) lands a much-needed job at a telemarketing firm where they push him to achieve impossible selling goals to get a promotion. He does so at a terrible personal cost and perhaps learns a bit too much about the shadier side of his business. There’s so much going on at once—from the film’s neon lit cinematography and Riley’s eclectic soundtrack—and I loved every surreal minute of this film.  
6. "Private Life"
After years of unsuccessful fertility treatments, a middle-aged couple (Kathryn Hahn and Paul Giamatti) are at their wit’s end about what to do next. Tamara Jenkins’ bittersweet comedy explores the many emotions tied up with trying to conceive, how society judges peoples’ personal decisions and the pull towards starting a family when you hit a certain age. The script is at once devastatingly clever yet heartbreaking in its honest depictions of those private family feelings. The film’s jaw-dropping ending is possibly one of the best final moments in a movie all year.
5. "Shoplifters"
In the middle of a bustling city, a group of misfits and cast-offs find each other through desperate circumstances and create a rogue family of shoplifters, con artists and survivors. The makeshift family at the center of Hirokazu Kore-eda's quiet film may only be loosely connected to one another, yet each has a role to play in the family. Because they believe in their family so deeply, eventually, you do too. There’s a beautiful loveliness to their united perseverance even as their home is overcrowded by too many people and overshadowed by the booming skyscrapers around them.
4. "Shirkers"
I raved about Sandi Tan’s “Shirkers” earlier this year, and my feelings for this rescued documentary has not waned. Back in her rebellious youthful years, Tan and her two friends, Jasmine Ng and Sophie Siddique, collaborated with their film teacher Georges Cardona to shoot an experimental and existential road movie. It could have been a breakout work of Singapore cinema. Unfortunately, after the young women wrapped filming, their mentor took off with the footage, leaving behind a painful mystery and a stalled career of an aspiring woman filmmaker who looked up to him. But the story doesn’t stop there, and the highs and lows of Tan’s saga rival those of the best fictional page-turners. Matching insightful interviews with her friends with what colorful 16mm remnants survives of their project, Tan examines the past in order to reclaim it.
3. "Cold War" 
After meeting at an audition, Wiktor (Tomasz Kot) and Zula (Joanna Kulig) embark on the kind of fiery romance that burns beyond distance and time at the height of—you guessed it—the Cold War. It is a love that magnetically pulls the two wildly different personalities into each others’ arms. Loosely based on his parents’ relationship, Pawel Pawlikowski’s film wonderfully melts style, emotions and an evocative soundtrack for a moving work that has haunted and thrilled me ever since.
2. "Can You Ever Forgive Me?"
Like Marielle Heller’s breakout film, “The Diary of a Teenage Girl,” her second movie “Can You Ever Forgive Me?” follows a fiercely imperfect yet independent female character through an introspective time in their lives. Melissa McCarthy gives a career-best performance as Lee Israel, a curmudgeonly writer down on her luck who figures out how to forge antique letters from famous authors, earning herself a nice income and the attention of the FBI. McCarthy’s co-star, Richard E. Grant, nearly steals the movie from her as a dashingly charming scammer turned friend and accomplice. Smartly adapted by Nicole Holofcener and Jeff Whitty from Israel's memoir, “Can You Ever Forgive Me?” is a delicious black comedy about queer friendships, the strange world of collecting culture, and the bygone New York of the early ‘90s.
1. "Roma"
I laughed, I cried, I loved this movie so much. Alfonso Cuarón's latest is based loosely on his childhood and the memories of the domestic worker, Libo Rodríguez, who looked after his family. “Roma” feels like a sweeping epic, both intimate and distant, so specific yet somehow universal. Cleo (Yalitza Aparicio), the character based on Libo, lives and works for a middle-class family in Mexico City, but her life and those of her employers undergo a tumultuous period when Cleo’s boyfriend leaves her after learning she’s pregnant and the family’s patriarch runs off with his mistress. There’s much technical prowess to admire in Cuarón's film, especially since he also served as the film’s director of photography, editor, writer, and producer.
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nonpienary · 7 years
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Responding to: MAKE ME ADMIT STUFF
I'm a nerd and I'm doing it. For no good reason honestly: 1. Would you have sex with the last person you text messaged? That was my boyfriend, so yes. 2. You talked to an ex today, correct? Nope but I decided to look at his facebook for the first time in years yesterday - it was uninteresting. 3. Have you taken someones virginity? Nothing to take. I've been someone's first time and someone's first time with a guy though. I've also been like three girls' first kiss, even though two of them were stage kisses. One of those still used a lot of tongue, though. 4. Is trust a big issue for you? Nope, I generally give people the benefit of the doubt. I was lucky to have a stable-ish childhood. 5. Did you hang out with the person you like recently? Lots! But if you mean romantically, it's been a week since we've been together but we text daily and had a video call for hours last night - we're moving in together this week! There's lots to talk about, it's a big transition for both of us. 6. What are you excited for? See #5! I'm gonna move in with my boyfriend on Friday!!! He's wonderful and thoughtful and the apartment is great. 7. What happened tonight? I... got home from D&D and called my mom? 8. Do you think it’s disgusting when girls get really wasted? I think this question is disgusting and sexist, and that men are generally encouraged by society to be far more disgusting than women, especially when they get drunk (which they are also encouraged to do more than women, as seen in the wording of this question) 9. Is confidence cute? Loaded question - it can be attractive, but it can also be toxic and gross, especially in men who have been trained to believe in themselves at the cost of discounting others and/or reason/safety. I think earned confidence in something you were once unconfident in can be endearing, particularly to those who saw that change take place! Confidence for its own sake can be gross though 10. What is the last beverage you had? Water 11. How many people of the opposite sex do you fully trust? First, "opposite sex" is such an outdated and awful term, implying two inherent genders at some cosmic diametric odds with each other, which is bullshit. As far as my current (increasingly tenuous) male identity meaning you're asking me about trusting women? Ummm, 'how many' is a weird question. Like trust how? I have like 10-15 female-identifying people I'm very close with, but a lot more family members and the like whom I trust very much. This is a dumb question and seems pretty cissexist and heteronormative, as well as supporting this culture of gendered enmity. 12. Do you own a pair of skinny jeans? Multiple. 13. What are you gonna do Saturday night? Sleep, it'll be the day after move-in 14. What are you going to spend money on next? Parking for work tomorrow. Thus question is for kids. 15. Are you going out with the last person you kissed? I'm moving in with him. 16. Do you think you’ll change in the next 3 months? Yes. 17. Who do you feel most comfortable talking to about anything? Probably my boyfriend? Depends on the thing. If it's really anything I guess it's my sister. 18. The last time you felt broken? When hearing people insist all couples argued a lot. 19. Have you had sex today? Only with myself. 20. Are you starting to realize anything? ??? I'll get back to you? 21. Are you in a good mood? Somewhat. This is putting me in a weird place I guess. 22. Would you ever want to swim with sharks? What a curveball. Um, only to see them up close, but likely not. Video is fine by me. 23. Are your eyes the same color as your dad’s? Yes. 24. What do you want right this second? Ice cream and my boyfriend. I'm getting o e on friday, and the other one is in my freezer. Please place them properly to avoid disaster. 25. What would you say if the person you love/like kissed another girl/boy? My turn? I'm ok sharing but I like attention too. 26. Is your current hair color your natural hair color? This was written with teenage girls in mind. Yes. 27. Would you be able to date someone who doesn’t make you laugh? Probably not 28. What was the last thing that made you laugh? Something my mom said? 29. Do you really, truly miss someone right now? One of my dogs moved to florida with my parents 30. Does everyone deserve a second chance? Very vague, generally yes but that doesn't mean you don't deserve to be safe from them. Abusers use this to lure victims back in. Nobody deserves anything FROM YOU. 31. Honestly, do you hate the last boy you were talking to? Fuck no - just many of the other ones 32. Does the person you have feelings for right now, know you do? I should hope so 💜 33. Are you one of those people who never drinks soda? Yes! There are others? I just always hated carbonation. 34. Listening to? Rainbow by Kesha. You should too. 35. Do you ever write in pencil anymore? Yeah, just started to at work lately and it feels so good 36. Do you know where the last person you kissed is? At home with a fever 37. Do you believe in love at first sight? No but ours was pretty fast. And attraction that leads to love is a thing. I did blow my boyfriend within an hour of meeting him in person, but we'd been talking fir a while by that point and in my defense, the internet in my room had gone out. 38. Who did you last call? My mom 39. Who was the last person you danced with? Myself at the train station the other morning. 40. Why did you kiss the last person you kissed? To say goodbye, and that I would see him soon, and that I wouldn't let all the awful things the president wanted to do to him take him away from me, and that I loved him so fucking much. Also, because his train was about to leave but I needed to kiss him one more time. 41. When was the last time you ate a cupcake? Too long ago. 42. Did you hug/kiss one of your parents today? No but I blew my mom a kiss, does that count? She's far away 43. Ever embarrass yourself in front of a crush? All day erry day. It's my natural state. 44. Do you tan in the nude? I burn in clothes 45. If you could, would you take back your last kiss? Fuck no, did you read what I just said about it? 46. Did you talk to someone until you fell asleep last night? Not really. 47. Who was the last person to call you? 💜Babe💜 48. Do you sing in the shower? Where don't I sing? 49. Do you dance in the car? On occasion 50. Ever used a bow and arrow? I rocked at it as a kid, but not in years. I loved the tigers'-eye beads they gave for archery at cub scout camp, so I became an Archery Expert to get a bunch. 51. Last time you got a portrait taken by a photographer? High School 52. Do you think musicals are cheesy? YES, GOT A PROBLEM??? 53. Is Christmas stressful? I give awful gifts 54. Ever eat a pierogi? How is this a question 55. Favorite type of fruit pie? Trick question it's pizza, but I also love most. Blueberry is amazing though 56. Occupations you wanted to be when you were a kid? Archaeologist, artist, singer. 57. Do you believe in ghosts? Only my ghost boyfriend 58. Ever have a Deja-vu feeling? Yes 59. Take a vitamin daily? Am I fucking MOTHER TERESA? God, what do you even EXPECT from me, perFECTION? 60. Wear slippers? Rarely 61. Wear a bath robe? Never 62. What do you wear to bed? Bf is converting me to underwear and a t-shirt 63. First concert? PWR BTTM but they're abusers and broke my heart so let's forget that one and say Regina Spektor 64. Wal-Mart, Target or Kmart? No 65. Nike or Adidas? No 66. Cheetos Or Fritos? Crunchy Cheetos but that's my addiction talking 67. Peanuts or Sunflower seeds? What? I guess peanuts 68. Favorite Taylor Swift song? No? 69. Ever take dance lessons? I got told I could not take a coed bellydancing class once because I was the first guy to show interest and the instructor would have had to have asked the students, which she just decided not to do. She also didn't tell this to my friend (who had asked the teacher if I could come and been told yes) until we were literally walking into class, me in shorts I had just bought for the class. She basically told me it was for the students' comfort which I understood even though I'm queer, but then was like you can sit in and watch maybe? But that seemed even weirder so I just went gome 70. Is there a profession you picture your future spouse doing? Assuming everyone gets married is bullshit 71. Can you curl your tongue? Lotsa ways 😉 72. Ever won a spelling bee? Nah but I've been in the musical 73. Have you ever cried because you were so happy? Yes 74. What is your favorite book? Probably one of the Circle of Magic books but I dunno which one 75. Do you study better with or without music? I don't study well 76. Regularly burn incense? No 77. Ever been in love? Yup 78. Who would you like to see in concert? More queer people 79. What was the last concert you saw? Tank and the Bangas!!!! They were so good 💜 80. Hot tea or cold tea? All Tea (all shade) 81. Tea or coffee? Teaaaaaa 82. Favorite type of cookie? Chocolate chip? Madeline? Raspberry marzipan? Thumbprint? Rainbow? Black and White but only the white side because I'm ✨racist against icing✨? Lots 83. Can you swim well? Sorta 84. Can you hold your breath without holding your nose? Yeah I guess 85. Are you patient? Sorta? 86. DJ or band, at a wedding? Me, in The Best Dress, singing my little heart out 87. Ever won a contest? Yes! Mostly math stuff 88. Ever have plastic surgery? No 89. Which are better black or green olives? Green 90. Opinions on sex before marriage? Sex is great, marriage is problematic, def do the first one first. Also like, this is such an outfated question wtf 91. Best room for a fireplace? All of them 92. Do you want to get married? Yeah but blame Disney for that propaganda. I'm getting over it, my bf is very against the state getting involved in relationships. That said, we might have to get married for dumb legal reasons for his well-being? It's gross and not a fairytale at all
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