#a painting OF a screencap so like. close enough

[chthonicrose]

I have a normal number of good omens playlists

(can I hear a wahoo: general s1 playlist. we came so close to being close: s2 breakup playlist. you know we tried: s1 breakup playlist. more than I can pay: uh weird mpreg angst fic playlist. time can do so much: a/c but it's just 60s music. anywhere you want to go: a/c generally.)

(can I hear a wahoo is only at the top because it was below some other things in this folder and I needed it to group with the other children. I have been listening exclusively to the angst playlists.)

(however, I will say that when I hit play on can I hear a wahoo, it started playing jolene by dolly parton, which is hilarious. I don't remember half the shit that's in these, I made all of them but the s2 one four years ago. there's fucking lemon demon in here. there's a song from disney's descendants. there's a song from a monster high movie on multiple of the angst playlists, also. my taste is impeccable.)

[avaantares]

Wait, Zhao Yunlan's gun is actually a...?!

(I've never claimed production meta for @guardianbingo before, but after the amount of time and research I put in on this, I feel like I've earned the "Zhao Yunlan's Gun or Whip" square, haha)

SO. GUYS.

Maybe this is something fandom as a whole figured out back in 2018, but I, who didn't hear of Guardian until 2020, did not realize until now and I need to share the knowledge because when I finally noticed, I made an unholy sound.

I've tracked down where Zhao Yunlan's gun came from -- or at least, what it most likely started as. Not the in-universe dark-energy-maybe-uses-bullets-maybe-doesn't-device-that's-best-not-thought-about-too-long, but rather the actual fake-steampunk-revolver-that-is-best-not-looked-at-too-long-because-it's-awful prop.

Y'know, this disaster:

I was actually working on a different Guardian Bingo fill and needed to look something up for continuity, so I'd flipped through a couple of episodes at super high speed trying to find a scene. As luck would have it, one of my skips forward happened to land on the scene I screencapped above, when ZYL confronts Zhang Shi.

Normally we don't get this clear (or this stationary) a shot of the godawful gun prop. I'd assumed all along they had just taken a plastic gun, glued some extra bits and bobs on it to make it look fancy, and hit it with some dry brushing (fun fact: you can watch the paint flake throughout the series; check out the top of the barrel and the side of the cylinder in the above screenshot!) to make it look #steampunk like the abandoned aesthetic of 25% of the show (as I've said before, I have theories about what happened in preproduction, but that's another post). This sort of thing is exactly what I've done for cheap cosplay weapons or background props for film work that aren't going to be seen at HD detail range.

Anyway, since the detail showed up better here than in other shots, I paused the video to look at the random screws and hex bolts (why??) they'd glued on it, since I recalled that I had the aforementioned gun/whip bingo square to fill.

That's when I noticed a detail that had eluded me before: An inverted V shape at the bottom of the grip.

Only looking more closely, that's not an inverted V. It's a symbol that I've seen a whole series of variations of over the past 15+ years... every time there's a new installment of the Assassin's Creed video game series:

So I started hunting. The principal weapons in each game turned up no matches, but eventually I found a gun that looks almost exactly like ZYL's:

It's not a perfect replica, but the details are certainly all there: The stylized logo; the leaves and swirls on the grip; the feathers up the back; even the Victorian scrollwork beneath the barrel.

Now, what's really interesting is that this gun isn't actually from the AC game series. It's part of an elaborate fan project by artist David Paget that started as a class assignment back in 2014. Even though it gathered a bit of steam in the AC fandom and generated a couple of forum role-play groups, OCs and the like, nothing about this artwork was ever connected to a real Assassin's Creed title. So why would there be a physical version of a gun that was only someone's fanart?

This is where the smoking gun (*rimshot*) goes missing, because I can't prove any of this, and it's been long enough that digging through the archives of the internet to find answers is going to take way more time than I can afford to spend on a project I'm not getting paid for. But there are two likely possibilities:

Scenario A: Some employee in a toy factory somewhere in China got told, "This Assassin's Creed franchise is really big, so we need to be producing replicas from those games to sell. Work up some designs." So the employee Googles "assassin's creed gun," finds David Paget's very professional-looking art, and whips up a replica to mass-injection-mold without realizing it's not actually from a game. Later, someone on the cash-strapped Guardian production team needs a gun to mod, and finds a cheap toy revolver on clearance after several years of sitting in storage because there was little demand for a replica of a gun that was never in a game. They buy several, glue hex bolts on the cylinder for reasons unknown, and poof! Instant pseudo-steampunk!

Scenario B: Other fans were involved in the design. Someone did build a 3D model of David Paget's design that's still available on Sketchfab (screenshot below), and it's not unreasonable to assume that other fans could have thought it looked cool and built 3D printable models. Later, someone on the cash-strapped Guardian production team needs a gun to mod, and acquires the 3D print file of one of those models from the interwebs. They mod the file a bit, print some, glue hex bolts on the cylinder for reasons unknown, and poof! Instant pseudo-steampunk!

Personally, I find Scenario A far more likely than Scenario B, for two reasons: First, the hero prop looks more injection molded than 3D printed, especially given the technical state of 3D printing back in 2017-8. And second... Budget-challenged dramas do have a history of picking up bulk video game replicas and using them as cheap props. I made a post back in 2019 about the WoW Horde shields we spotted in a different drama...

Anyway, no firm answers about the source of the hero prop -- the world may never know! -- but we have now confirmed that in some alternate universe (possibly one of the first eighty?), Zhao Yunlan and/or Zhao Xinci is an Assassin.

Wait, wait, wait... *recalls mechanics of how the whole Assassin's Creed frame story is supposed to work* Uh... so... who wants to write a genetic memory explanation for the whole Kunlun -> [lots of lifetimes] -> Zhao Yunlan thing?

.

(I did actually check the catalogue of a friend of mine who makes replicas of props from various media franchises to see if he'd done a commission of the David Paget design, since a surprising number of his custom pieces actually do end up on film and television, but while he has a gorgeous replica of a revolver that actually appears in an AC game, it appears he has not done the Zhao Yunlan gun. I didn't really think it likely, since he's in the U.S., but you never know.)

[ethicaltreatmentofcowplants]

Asylum Challenge: Days One & Two

For the first two days, the Watcher mostly used the gameplay to beef up the one means she's using to organize the townies: clubs. There are two: a chore/self care club and a socialisation club. By the end of Day Two, we had eight members in them all and had redeemed points to give them a 'friendly' vibe.

The first of Lilac's four aspirations that she has to complete, according to the rules, is Painter Extraordinaire. Here's her progress after Day One.

Level One: III at Easel

✅ Paint for 5 Hours ❌ Start 3 Paintings While Inspired (2/3)

With such a motley crew as this, clashes were inevitable - and an occult combustion spontaneously occurred.

I regret to inform you that Vlad, with his nighttime strength perks, won the rematch after dinner, so for now they are tied.

Some friendly interactions also bloomed, with Lilac, Ted and fellow foodie L. appreciating maxed out chef Raj Rasoya's tasty dinner, and Lilac even sharing her joke about a sage, a corrupt mayor and a wanted criminal who one day walked into an asylum.

"We've heard this one before," said L.

Meredith and Jacques also joined them. So far everyone seems to like Meredith, possibly because of her GOOD trait, and even Jacques has been somewhat behaving himself.

After dinner it was reading, cleaning, napping and shower time via the house/self care club rules. MEAN L. Faba and EVIL Ted naturally hit it off, with Meredith electing to leave them to bond about... likely nothing good for the rest of us.

What was Raj doing lurking in the garden? Well, at that point there was only one toilet, so likely he was making use of the party bush.

The too-bright hallway lighting showing off his melanin-deficient charms to the fullest, Vlad attempted to win over Meredith, but where his EVIL trait didn't dissuade her, his uncontrolled hissing and spitting did the rest. Better luck another day, Vladdy.

And then as the witching hour struck, the Watcher realised that there was one Sim whose needs she wouldn't have to monitor too closely...

I truly have no idea why there were so few pictures from Day Two - maybe I had been struggling with the lighting and finally conceding defeat (three days so far have been played, so by Day Four it should be better :x). Meredith was on cooking duty, so the Sims got good eats for the second day in a row... including Vlad who joined in spite of that trait that makes him sick when he eats food.

Both he and the party bushes were later ruing his choice.

Level Two: Fine Artist

✅ Reach Painting Level 4 ✅ Sell 3 Paintings to Collectors or the Art Gallery ❌ Complete 3 Emotional Paintings (1/3)

Lilac painted enough to reach Level 2 of her aspiration, and even earned a stan in the process, who turned out to be Eleanor Sullivan. Haven't you darkened our doors enough by calling my teenaged Sims who don't even have children?

Fortunately L. was around to deal with the nuisance.

Upon setting this up, I'm realising just how ungainly it is to switch between the game and Paint 3D in order to take multiple screencaps, so hopefully C becomes more instinctual (also screencaps keep things in chronological order). More happens in Day Three, I promise.

[rockmiyabideusexmachina]

2024 Megaman Valentine's Day/White Day Contest Results!

Hopefully this post won't feel too rushed; it certainly is rare for me to get contest results posted before 2 days have passed. Once again, I thank everyone who drew something for this year's event, as well as those who helped spread the word. Even with a smaller turnout, you guys still made it really hard on me to choose winners. All your art is deserving of praise! I wish I could afford to give you all some prize money! While I am posting this right now a little late into the evening in my time zone, I will be sending all the winners a message about your prize winnings soon enough, later tonight. If you don't see something right away, just know my message is on the way, within the next few hours. After the break, you will see all the pics and this year's winners!

As usual, after each entrant’s name, there will be a link to their entry, too, just in case the inserted images don’t load for you. With a smaller turnout this year, everything has been uploaded into a single imgbox gallery folder. Should be alphabetical by alias for each category, with the first 7 images for Cat. 1, and the last 4 images in Cat. 2.

[Full entry gallery]

CATEGORY 1 (Talent): Black and White Day

For this category, participants were tasked with creating an image celebrating White Day, with the requirement that their art mimic the "rubber hose" art style from around the 1920's. All entries needed to use a black and white or monochrome palette. 1.) HikariLux [Entry] [GB Alternate] $175 Winner!

A cute scene with Rock presenting Alia with a ring that was made even better by adding an alternate original Gameboy palette pixel version of the same art. That added creativity made an adorable pic stand out even more, to give two different retro vibes to your art.

2.) @eulogysinger [Entry] $100 Winner!

As an overall scene, your piece felt the most like it was screencapped straight out of a 20's cartoon, so I give you your props on getting your style to match so well! You can feel the movement with the curve in the Big Snakey's necks as Snake Man slides on down to Toad with his candy bouquet gift.

3.) @sylviidaee [Entry] $75 Winner!

Sure, because of all the Axess storyboard posts I've been doing lately, this trio is probably in my mind more lately. But animating your piece to give it that added life, as the guys bonk each other with their gifts for Mariko, helped boost your entry into the top 3! LOL at the fish crying when Masa gets bonked. And again, style-wise, great job pulling off the rubber hose look.

And the rest of the wonderful entries in alphabetical order by alias: Kaitlin.EXE [Entry]

Y'arr, that Pirate Man be takin' the girl and a pricey pearl wit 'em. But I bet once Diveye the Sailor Man eats his seaweed, that Pirate has a few punches coming to him. Retro Splashy's design is so cute! Totally a fun scene and creative takes on all three.

Komito [Entry]

Like a vintage Norman Rock(man)well painting, the diner scene truly gives off the retro vibes, from the checkboard floor to Big Boy waiter Rock in the background. Love the touch of Splashy's straw curving into a heart shape as she longingly stares at Blues.

@wennastudio [Entry]

I get the vibe of Axl imitating Porky Pig here, saying "That's All Folks!" to end the episode, as he pops out before the fades out. And since you are alphabetically last, it makes your piece even more fitting to close out this category's pics with this cute piece!

CATEGORY 2 (Humor): Showing Some Skins

For this category, entries needed to contain a character wearing an out-of-place holiday-themed skin or outfit that was not Valentine's Day-related, while in a Valentine's Day scene or setting. Being the humor category, the more it makes us laugh, the better! 1.) @aurantia-ignis [Entry] $175 Winner!

🎵Zero the Snowman was a jolly, happy soul...but are YOU happy, Ciel? I love how Zero took White Day this literally to don this amusing snowman outfit. And out of all the entries for this category, you pulled off the absurdly humorous costume the best.

2.) @drewblossom [Entry] $100 Winner!

It might just be a simple party hat, but I mean, Bass isn't wrong. Subtle, but I was amused! The heart shaped speech bubble was a nice touch to help sell the dialogue's punch line as well.

3.) AbilityField [Entry] $75 Winner!

Clever way to show the rush in changing between events, as RiCO is in part Valentine's skin and part Celebration skin dress that are digitally switching. ViA has it much easier throwing on a coat. It's always easier for the guys to get ready, as they say.

4.) Miralie [Entry]

While Zero and Iris are dressed for the day, X's date does sort of have that Halloween vibe to her, as a witch. While Axl is clearly enjoying Singles Awareness Day...or doing his best Stuart Smalley impression by giving his Daily Affirmation that he's good enough, he's smart enough, and doggone it, Reploids like him.

[foxs0x]

Just some ramblings about my art

I've been painting realism for so long now that I realised I DO NOT HAVE MY OWN ART STYLE.

My profile picture is a painting I did of durge but it looks so close to the real screencap I took of him that there is nothing that truly jumps out at me that makes it special.

I'm basically pushing myself to find my own art style and it feels like I've gone back to square one. It can feel disheartening and difficult when the work I'm doing now lacks the details and lighting I always focus on. But at the same time, this is good. NOT adding details is HARDER for me because I'm so used to obsessing for hours over whether the eye looks wet enough or if the ears are shaded right, or if the fingernails look polished.

I think this is a really important step for me, for getting out of my comfort zone and trying something new, something looser, and art that isn't polished, but I'm finding that it's WAY MORE expressive and enjoyable!!

[ro-botany]

Bonus Content & Bloopers for the fake marlear screencaps

(I love behind the scenes stuff ok can you really blame me)

Ripping animations to help with some basic expression work was..... it was an adventure.

The first image above is an attempt to blend Marth's "surprise" and "smile" faces together but I uh...... Hit the wrong setting in the dropdown. I nearly died from laughing too hard pff.

The Alears there are what happens when you import the characters face rigs with different settings (still screaming at myself for that one) and then try to use a facial expression from one of them on the other one of them. That was supposed to be an :0 face.

The FEH players among you may have recognized the setting of that piece as the scenery for S supports in FEH! Figured if I'm setting the scene in Askr anyway I may as well go for the cheekiest spot. :P

While it probably would've looked great if I'd modelled all that out, after the effort that went into getting the character models looking good I really just did Not have it in me to do that, so this scenery is... A complete and utter lie made of layered image planes.

This was part of why I opted to crank the depth of field so much in the final piece. Helps hide that everything aside from the guys themselves are crusty PNGs. :P It does a half-decent job of looking like a 3D scene even in motion though, so long as you don't rotate the camera TOO far.

I REALLY liked how these close shots of Marth and Alear for the first pose turned out, but in the end I didn't think they fit with the other two poses. There was a timeline where I modified the expressions a bit and made fake dialogue boxes where they're talking about how surprised and happy they are they can actually touch each other in Askr, but I didn't feel confident enough to write in their voices for that.. So in the final shots that story just gets to be implied in their poses and expressions instead.

For the hug shot, I feel it is important to reveal that Alear's head is clipping halfway into Marth's shoulder and armour there. It's fine though. Animate for the camera, professionals always say! If it isn't gonna be viewed from every angle it doesn't have to look good from every angle. :P

Engage renders their characters' eyelashes and eyebrows ABOVE their hair, no matter what, in order to help the readability of facial expressions. I wanted to stay true to that look, so I had to render their eyebrows and eyelashes separately and then combine them in post. Enjoy eyelash-free Marth and Alear. :P

You can also see some areas there where I had to manually fix some shading and outlines in post, too. Blender has a bug with rigging right now that was affecting the face shading in odd ways, so I painted over that; and the inverse hull method I've been using for most of the outlines is very much imperfect and needed touching up in some areas, lips especially.

Since these character rigs were.......... We'll say not intended for use in Blender, they were fairly tedious to get posed right. No rotation or location constraints. These were joint-only rigs with no connections between bones so you couldn't use the auto-IK feature to, say move the whole arm at once. (Which made hand posing the WORST THING EVER AAAA EVERY FINGER JOINT MOVES INDIVIDUALLY why did i pick TWO poses where hands were a critical component)

Part of my process ended up being doing rough sketches of what the final shots were going to be first, so I could keep in my head what sort of poses and expressions and camera angles I was going for. And by rough I mean ROUGH. I kept laughing looking at these little egg head guys for reference as I worked.

Engage's models also come with some "extraneous" bones; "piv" bones that I can't figure out what they do, spots where weapons and shields can snap to, "vol" bones for changing the thickness of specific body parts as defined in the big XML file of character proportions buried in the game. Unfortunately these bones overlap the actual posing joints in many cases, so until you get fed up enough to find and hide them all, you'll try to move the character around and end up doing shit like this by accident

(Me too Marth, idk what the hell his skeleton is doing either)

And as you may have noticed - no particle effects in these behind the scenes shots so far! That's because I both A) couldn't for the life of me figure out how to do that smoke effect, and B) couldn't render a particle system with anywhere NEAR the number of objects I would need to get a similar look to the game. So, I drew those in post! Shoutouts to the random sparkle and smoke brushes in my collection, you're the real ones.

[noctumsolis]

I want to share a piece of fan art and, since the specific fandom is as tangible as fog on Mars, I'm going to make my followers look at it.

So a little background. A while ago Compass Rose (my wife) was reflecting on the fact that our walls were festooned with the art of mostly her fandoms and one that we share. So she encouraged me to think about what I'd like for my fandoms.

The answer was both immediate and impossible. I wanted the painting of the titular character’s home from the old TV adaptation of John Wyndham’s Chocky. It was on ITV back in the eighties. Unsurprisingly there was never merch and the digital fandom was all but nonexistent. I did find a couple of pictures based on the painting, done by other geriatric millenials, but neither was what I wanted.

Luckily, screencaps! Here is the best screencap I have of the painting.

It's poorly lit, partially obscured, angled and low definition but it wasmsomething to work with. I modelled the scene in Blender, because my 3D skills are far greater than my 2D. It's not perfect, some bits aren't quite the right shape or in exactly the right spot, but I decided the geometry was close enough. Unfortunately my shading skills just weren't up to the job and I couldn't get the colours right.

Fast forward four years and Compass Rose has given me a shiny new tablet with a proper stylus. So I dug out my old render and the above screencap and started recolouring the image in Krita. Take a look!

I am, amazingly, happy with it! So much so that I gave it the protag's signature.

Now I can print it out, maybe even get it printed on a canvas, and display this on our wall! :D

[bargalaxies]

can i ask you how the DUCK you get your arcane gifs so silky smooth? even the ones that have tons of super bright colors just look flawless and it seems like wizardry to me

lolll thanks, glad you like them 😄 Generally speaking, I have a tutorial tag where I've answered questions about my coloring and sharpening process. It’s the same way I make Arcane sets.

More specific to your question, you definitely want to make sure you gif from as HQ a source as possible always, and don’t oversharpen your gifs. (I’ve talked more extensively about that here.) That’ll immediately make your job a lot easier. I think coloring vibrant gifs is the harder part, so I’ll explain my thought process for that some more.

Gifs can only have 256 colors, so I’d think about the following:

You should try to make as much “negative space” as possible instead of involving the “actual” colors. You can usually do this with the background, because that’s typically not what the main focus of the gif is. If you do this, it frees up more space in the color table for the colors you actually want in your gif. This is probably the most important thing you could do.

The more you limit your palette (i.e. making a gif blue-themed, or red-themed, etc.), the more shades of that color can be included in the color table, so the nicer it’ll look. I’d say if you want to include a lot of shades in a gif, you should limit yourself to two.

The more colors you want to include in your gif, the less shades of those colors there should be, so that each color can be represented with the minimum possible in your color table.

Also, in general, smaller gifs mean typically mean less pixels/colors, so those will look nicer if you want to include a lot of colors in your gif. That being said, I like big gifs a lot, so mostly I try to make those work :P

I’ve included some example gifs and commentary on how/why I colored them the way they did under the cut for further context. Hopefully, I’ve been detailed enough, but if you have any more questions, my inbox/DMs are always open :)

Example 1

Caitlyn is what people are going to be looking at in this gif, so we want to make sure there are enough colors for her in the table to make her look good. In the original screencaps, the background would take more more colors than we want it to because of the trees and fog, as would her gun:

So, when coloring this scene, I tried to darken the shadows of her gun and brighten the highlights in the background as much as possible without making the gif have too much contrast (which can also ruin a gif, imo; you kind of just need to eyeball that part). I did this with Curves, Selective Color, and Levels.

In the end, I’d say at least a third of the gif is just white and black. Therefore, that leaves more colors for Caitlyn herself, which make the gif look nicer to the viewer.

Example 2

I can’t do the same thing to the background that I did for the previous example, because I want it to be seen as part of the gif with Vi and Jinx. So instead, I decided to darken the shadows on the bottom half of Vi and Jinx themselves as much as possible. This is because when people look at this gif, they will primarily notice Vi hugging Jinx, which is mostly just the middle of the gif. They probably won’t be paying close attention to the bottom half of Vi and Jinx that much.

Since this was a bit difficult to do just using adjustment layers, I literally added a blank layer of black paint on the bottom and put a multiply filter over it. Look at the gif again — the edges of the “shadow” there don’t actually move. You can see the edges pretty easily across Jinx’s gun. That’s that layer!

But I’d hope that most people either wouldn’t notice it until it got pointed out, or noticed it but think it looked “real” enough that the gif still looks good in general. I’ve used this idea for some of my other gifs too.

Example 3

This is an example of the “limited color palette” I mentioned earlier. The less colors you include in a gif, the more space you can just devote to shades of that color in the table, so the result will look nicer. This can be hard to do and make it look consistent, though. For the above gif, I actually layer masked the entire background to have that magenta hue because I couldn’t figure out another way to do it lol. Tbh it took a lot of time and effort and I’m not sure I’d do it again. But I do think the end product looks really nice, so if you want to put in the time to do something like that, go for it!

That being said, I also think these types of gifs (themed colors) are not really used for gifsets of shot-for-shot scenes (i.e. the first example gif), but more for “artistic” kinds of sets. Since you’re not trying to follow a scene shot-for-shot, you can make it easier on yourself by picking scenes that will be easy to gif in this manner. Here’s an example of a gif from such a set.

All I did here was shift the hue/saturation meter on the original blue sky background to yellow. I was able to do this because blue was not a color actually seen on Mel here at all, so changing the cyans/blues in the screencaps didn’t affect her look. Since the yellow background shades are fairly uniform, yellow is the color of her jewelry, and we get a lot of solid black in her hair and outfit, you see that Mel looks very HQ.

Example 4

This is a more “multi-colored” gif. We can see red, yellow, green, blue, and purple. However, each of these colors have large areas that have similar shades. When coloring the screencap, I tried to make these areas as uniform as possible. So, not as many colors in the table need to be occupied for each hue to represent all of them in the gif. That’s how the gif looks colorful, but still smooth.

Example 5

It kind of looks like there’s a lot going on in this gif, but again, it’s mostly a few colors. A lot of this gif is the blacks and whites, important as discussed earlier. The main colors are still magenta and blue, with some uniform yellow/orange highlights. You can see this reflected in this gif’s color table, which is largely shades of magenta, and then blue:

So, it still looks fine when saved.

[snacksizedgates]

Proof Mike Picked Up on What Will Was Saying in the Van Scene from the Very Beginning.

This is a pretty long post but there are some really interesting things I noticed while finally properly analyzing this scene. I breakdown all of Mike's facial reactions and even other visual clues in this scene that points toward Byler. Hope you enjoy!

Here's screencaps of when Will asks Mike if he can show him "something." He keeps glancing up and down between Will's face and the poster, indicating nervousness/curiosity. He does this because he recognizes the poster from the airport. He also knows Will was painting something and El heavily implied it's for someone he likes.

They didn't just throw these two scenes/lines in the season for no reason. They put them in there to set a precedent that Mike knows about the existence of this painting, not just through El but also by physically seeing it. This establishes that he knows what this painting is and what type of person it's for (a crush).

His reaction to the painting. He's happy as indicated by the open mouth smile instead of the more flirtatious close mouth smile. He's genuinely happy that Will made him this, because at this point that is what he's assuming. He believes what El said (the truth), so at this point he's thinking "he painted this whole painting for ME."

Then this scene. He definitely knows Will's lying. As soon as he starts saying it was El's idea, Mike get's confused and looks back down at the painting. Kind of like "there's no way he's telling the truth cus the math just dont add up." When he looks back up, his lips are pursed, in a disapproving way. He knows Will is lying to him. And then he looks back down to reexamine the painting again. He's perplexed.

Not only that but this part is seen through the perspective of Jonathan, who definitely knows Will is lying. So when they flip to Jonathan's POV we can assume whatever Will's saying, is understood by both Jonathan and Mike, because they're the only one's on screen beside Will and they're both intently listening to him. (by on screen I mean Jonathan was just previously on screen intently listening to Will, creating a comparison between Jonathan and Mike, that essentially they are the same in this scene. Quiet but intently listening and having at least an inkling of the truth) Plus we already established other reasons why Mike knows. So this shot just emphasizes that point even more.

So now, since Mike understands the El commission thing is a lie, and that this painting was made for him by Will, he can reasonably presume that other things Will is about to say are lies or taken out of context. He can assume when Will refers to El, he's referring to himself, because Will has already set that precedent and Mike picked up on it.

Now, since he knows Will is lying, he gets nervous. Will starts talking about heart and pointing to it drawn on Mike's armor and that's when Mike get's excited. At first he's gazing down at it with a happy and inviting facial expression . Then it cuts to Mike looking at Will explaining how "we'd" all fall apart without (mikes) heart and Mike literally takes a huge deep breath. You can kind of see it in the screencaps, but I would suggest just rewatching the scene after finishing the thread with everything I point out in your mind.

Anyway, his chest rises and his throat gulps. Nervous. His demeanor slowly changes from lighthearted and happy (when Will gives him the painting and he can easily assume its for him from Will and nothing else) to a more hardened, serious expression (when he realizes Will doesn't feel comfortable enough to say it's from him, he's lying to him and he realizes the implications that creates.)

He's overwhelmed with feeling in this whole entire scene, just like Will is. Except Will has better access to his emotions than Mike who represses his. So that's why he's so quiet/stunned and doesn't say anything. Not because he's clueless but because he has TOO MANY clues. Lol.

This is right after Will finishes talking about heart and for the first time since Mike understood he was lying under the guise of El, he references El. He says "Even El (needs your heart) Especially El." Mikes reaction is pictured above. His face changes from overwhelmed/nervous to a serious expression. Almost confusion but more like an epiphany, like he's thinking. When Will mentions El again, he immediately looks back down at the painting. Like he can't understand how what is being explained to him is true. Look at the eyes. In the previous pictures, his eyes are just ever so slightly squinted which gives off an inviting, warm expression. In the pictures above, his mouth closes and his eyes "harden." He's looking back down at the painting realizing that Will has feelings for him. He put a damn heart on Mike and only Mike. That's why he's looking at it seriously and intently.

Because either he realizes that wow, my internal feelings were being reciprocated this whole time and I didn't notice or he's just beginning to understand that Will is gay and likes him.

However, Will is basically telling Mike I Need You, something Mike always wants to hear, and it's throwing him over board with feelings, so I honestly think this scene is more about reciprocation. Mike's too mixed emotions for me to believe he's not having gay panic inside.

Now either he didn't think Will had feelings for him or he didn't think they were that strong. But this scene is essentially a wake up call for Mike.

Now in the top two screenshots, it's from Jonathan's perspective again. And once again, he's referencing El by using the pronoun "she" to describe his experience not hers. That's why it goes to Jonathans POV because Jonathan knows his secret (so he knows his lie) and it only goes there when he starts referencing El. Happening more than once indicates meaning to the shot, and that meaning is Mike knowing Will is calling himself different not El. And then he switches to "you" pronouns to make it more vague, but at least it's not lying. And it switches right back to regular audience POV - so he's being truthful now and Mike can discern between the two. Not to mention, Will has his faced turned away, indicating whatever he's saying now is emotional for him, and then he turns back around with slight tears in his eyes. Most people would pick this up in a best friend so it's safe to assume Mike does too. Also Mike's completely focused on what Will is saying, so it's very important to him. He's not even slightly smiling, he has a completely serious look on his face meaning he's really taking in what Will is saying and he knows the implications of everything Will is saying is serious.

This shot pretty much sums it up like lets be real. Will basically apologizes for being a douche/being distant (even though he never was, Mike was) and Mike looks guilty because he feels bad for doing this exact thing to Will in the beginning of the season. He realizes how similar they actually feel. And he starts smiling/heart eyes in the last frame because 1) Will's apologizing to him when he doesn't even need to making him so selfless 2) his feelings are being reciprocated. Notice "seemed like she was pushing you away" Mike now knows Will wasn't intentionally pushing him away and that also makes him smile. He breaks his serious expression once Will admits he wasn't intentionally creating distance between them, meaning this is something Mike cared or thought about. This is the first time he breaks his serious expression since Will started explaining the heart metaphor, which initially caused Mike to be nervous.

Not to mention if he didn't know before this, then he definitely knows at this point. Many people have pointed it out but let me reiterate it: El never acted distant towards Mike, until the end of season 4. In fact she was heavily concerned with Mike most of the time, wanting HIM to be less distant, so it's quite the opposite. This means he 100% knows Will is talking about himself.

They don't pull away to Jonathan's POV even though he's talking as if he were El here because 1) they want the close up reaction from Mike, meaning its IMPORTANT and 2) Mike isn't thinking about why Will is using El as a cover anymore. Jonathan may be but we've already seen his POV for the last time, so at this point that fact that he was lying about certain things has been understood and moved past by Mike, as conveyed by the different shots. He doesn't care at this point because he's too engrossed in what Will is saying. He isn't thinking in Jonathan's POV anymore that "Will is lying" because he realizes Will's being more honest than he ever has in the entire series. Jonathan stills cares about Will lying, and we know that from the last shot in this scene being Jonathan panning out of the frame looking slightly upset. But they didn't go back to the mirror POV to indicate Jonathan was worried about Will - meaning there was a specific reason they were using the POV shot (to indicate Mike knows Will was lying just like Jonathan).

This is right after Will saying the bandaid line. Mike gulps and breathes heavy. Since Will is in this scene and we've established Mike knows Will is talking about himself and that he reciprocates the same feeling, he gulps because he thinks about losing Will too. He remembers losing Will. He doesn't want to lose will.

Then we have the "El needs you Mike. She'll always need you" with Will's tears about to pour down his face. And I know I sound like a broke record, but Mike knows he means "I need you mike. I'll always need you."

Then the "Yeah" "Yeah" which mirrors saying I love you to someone because you typically repeat it back to each other. You can't compare it to hello, or goodbye, or good day because it doesn't fit in the context. So what other comparison is there? Not only that but they also say it in different tones. Mike says it in a slightly questioning way, like he's needs reassurance that its true. He still doesn't believe it fully. But also with a smile indicating he's happy with this. That Will (the protected) is never going anywhere because he'll always need Mike (the protector). He's smiling because of this. Once Will reassures him, Mike's face soften with adoration for him. There's no other way to describe his face than adoration. He also glances back and forth at Will which I think indicates nervousness, uncertainty, awkwardness. Regardless it indicates Mike is feeling a lot in that moment.

Will, on the other hand, says it with finality, like end of discussion it will never change. It mirrors their relationship dynamic because Will knows he's never going to not need Mike in his life but Mike doesn't know that... Until now. We assume he does know things like this because to us, the audience, it's obvious but Mike doesn't see Will the way we see Will. It also goes back to the connection between Will and El (read my theory about that here if you're interested). They mirror each other. And just a few minutes ago he was talking about how scared he is of El not needing him. Their scenes are so byler coded this season if you really look into them. Lowkey has me thinking this is the most byler-y season lol.

And really quickly back to Heart Eyes Mike Wheeler - he's smiling yet he doesn't say anything else. He returns his focus to the painting and stays quiet. This is very atypical of Mike who also usually has something to say.

This is because he just realized his feelings are reciprocated and he's overwhelmed with Will liking him back. He's literally holding his feelings in this whole scene between the deep breathes and serious faces and slightly opened mouths.

And lastly we have the crying scene. People say Mike just ignores Will and goes back to looking for El but that's not at all what happened here. Look deeper.

Before I analyze the actual actions in the scene I first want to point out how this shot references Will's Boys Don't Cry poster, because it's very important and is more queer coding for Mike. Basically, boys crying = accepting of their feelings, boys dont cry = repressing their feelings, toxic masculinity etc. So while Will is accepting his feelings and having less shame about them, Mike is repressing his. Or at least has been. That's why he's rigid. He's not moving and only just glances at Will. He's feeling a lot too. Furthermore, the poster is yellow and blue, with blue in the bg and yellow in the fg, along with a pyramid in the sunny desert with three trees. Mike in the bg with a blue shirt, Will in the fg with a yellow shirt. The pyramid represents the Love Triangle between Byler and Mileven and the three trees represent each one of them. They're also in a sunny desert and majority of that time they're by themselves until they find El. After that, they're in a nightime desert along with El and we don't get to see them in the sunny desert again I believe (don't quote me on this). Mike went from being in the light with Mike to being in the dark with the both of them. The visual references are actually insane once you start looking into them. A lot of thought was put behind this.

But let's get to analyzing the actual scene.

Firstly, he's staring down at the painting.. They never moved it off his lap so he's literally in silence, kind of stunned just looking at Will's painting. All he said was "You painted this? It's amazing" and "Yeah?" the entire conversation. He barely had a response. To me that indicates nervousness/being overwhelmed. To Will this probably indicates his feelings aren't reciprocated :(

Secondly, he glanced at Will for a second. This doesn't show he's "ignoring" him; if anything the opposite. He most likely heard him sobbing quietly and was checking on him because he cares about him. He can't resist taking a glance at Will. But he knows how Will is, and the fact that they're not alone, so he just lets Will cry quietly.

Thirdly, he's most likely dealing with his own feelings in this scene internally. Mike and Will are queercoded very differently (as I have mentioned in my other posts). Mike represses, ignores his feelings, hence why he is shown just staring at the painting in silence not moving. Will accepts his feelings but letting them out both relieves and upsets him. It's overwhelming but he had to finally say it.

So, imo, Mike's glance at Will wasn't judging or ignoring, he looked over and saw exactly how he wanted to react but couldn't because he's still scared of the repercussions of being gay/dating Will. As seen by the his heavy breathes and mixed facial expressions.

Lastly, why would any of Mike's behavior be appropriate if he thought Will was talking about El by the end? It wouldn't. How would any of Will's behavior be appropriate if he were really talking about El? It wouldn't. There's no need to cry over someone else's relationship and Mike knows this. He saw Will with tears in his eyes and then breakdown. Those have PERSONAL implications. If he thought Will were really talking about El, it would've been a discussion not a Will speech. He would've chimed in like "yeah but I don't know if I actually believe she needs me" "im nothing in comparison to her" or SOMETHING because this is typically what people do when they're being praised, especially someone with low self esteem.

So the fact that Mike lets Will ramble about "El's" feelings completely uninterrupted, with comments that are praising him, is sus on it's own.

The fact of the matter is he recognizes that Will is way too emotionally attached to what he's saying.

And that's the end. This is soooooo much longer than I thought it was going to be. Mike Wheeler is definitely gay. And no one can tell me otherwise.

[korpikorppi]

Oh no, he's smoking again!

After reposting this Tag of the Week -post by @lanwangjihouse and calling WWX smoking hot (which he is), I got an inspiration to make an edit where he is... smoking. Literally. And then I just had to add LWJ. Because.

Anyway, the smoking hot Yiling Laozu there is an edit of two screencaps from ep33. I do not usually have a clear plan on how I'm gonna do the editing of an image (and if I had to repeat the process I most likely couldn't 😄), so I decided, for once, to loosely document the different steps on how I ended up with that one. If anyone's interested, check below the cut (it's not very specific, though).

My computer is an ages-old relic with no proper software, so I make all my edits (and screencapping) on my smartphone, using mostly free image editing apps from the Google app store. I usually jump between various apps when making an edit, using one for something and another for something else, as I have not yet come across one that could be used to do everything. I have mentioned the apps I used on this one, in case someone wants to check those out. They are pretty handy 🙂.

Below are the original screencaps with the dark edges and the WeTV logo removed (with my phone's photo editor), and the first trial of the fitted together image (made with an app called "Text on Photo") to see if they work (the first cap roughly resized to match the second):

Not an exact match, but close enough, although in the first cap, the fingers of the left hand are more shadowed. So, tweaking. Below are the images after a bit of sharpening and overall lightening; I also further lightened the left hand in the first image and darkened it in the second; I lightened his face as well and added some colour saturation on it (all with an app called "Snapseed"). The match is better now:

Not perfect but good enough. Next, I removed part of the upper right corner and the tip of the left hand's middle finger from the first cap (with a "Background Eraser"-app) to show his hair and finger tip from the second cap. I also more or less removed the black box (background from the "Text on Photo") from the upper left corner of the combined image (using my phone's photo editor):

At this point, I remastered the image (using my phone's photo editor), then tweaked the colours and contrast a little bit further (with "Photoshop Express"-app):

Getting there... but the left hand and the area just above it still needed fixing, so I did some blending and painting by hand (using an app called "Sketchbook" which is pretty neat) to take care of that (painted some further little wisps of resentful energy above his left middle finger while I was at it):

And a bit more tweaking of colours and brightness etc. (with the "Photoshop Express"-app):

Then I decided to desaturate his hands a bit to better match his face (with the "Snapseed"-app) and re-coloured some of the highlights on his fingers by hand, because the one on his left ring finger was too blue compared to the others (so back to the "Sketchbook"-app):

Thats it 🙂.

[poptod]

Cyber Security (Elliot Alderson)

Description: An online ad leads him to you, though in reality he has little interest in your ad. What interests him is how you accidentally doxxed yourself and how oblivious you are to that fact.

Notes: idrk what to say about this one its one of those things that i wrote at midnight after almost falling asleep to a fantasy and then realizing it could work as a fic. like i did this same thing with ‘close your eyes’ that one was also a before-bed-to-get-to-sleep fantasy. this is also not a particularly romantic interaction, though it can be read as such WC: 2.2k

+

Sweat drenched his sheets, bathing him in the cold wind that breezed past his only air conditioner lodged in a nearby window. He stared blankly upwards, half shivering and half overheated, as he once again found himself in a familiar predicament—the practice of sleep.

It was no secret he had trouble calming himself down, and that aspect of himself reached into the evening, as well. He already downed three melatonin pills hours earlier, along with smoking a joint that should’ve put him to bed. Unsurprisingly, that did not work.

“Xanax,” he mumbled to himself, hearing it bounce back from empty walls. “Need to get xanax.”

In the meantime he raised himself to his feet, padding across freezing floors to his computer. With a click of a button the white screen buzzed to life, shining bright onto his sleep-heavy eyes, that did their best to acclimatize to the sudden change.

Hypnotization—strange as it might’ve been—had worked a couple times before. Not all the time, but decently enough to give it a try. He had work in the morning and he didn’t need to be more miserable than usual, especially since he hadn’t slept almost the entire weekend.

sleep hypnosis

The blinker flickered for a moment before his fourth finger slammed down on enter, the last step in calculated movements. What popped up first was a video titled [ SLEEP HYPNOSIS ] 8 Hour Loop with a screencap of a spinning black and white screen. Below that, however, was something he hadn’t seen before—a YouTube video titled exactly what he’d typed, lacking the caps just as he had. The title screen appeared to be some sort of poorly-drawn painting.

Curiosity overcame his hazy, aching head, and he clicked, finding a playlist of videos containing what could be the titles of songs, along with several different poorly-drawn title screens.

The first video began to play before he could realize it. What he first noticed was it was bereft of ads—that meant the publisher made no money off the album.

Sat in the presence of God

whose name means filthy old fraud

Captions had been manually added by, he assumed, you. The author. There were three views on the video, no comments, and no likes, leaving few other options.

Maybe it was the melody—maybe the lyrics, who talked of a world plagued by aristocrats. But he found his eyelids heavy, dropping dark eyelashes in his vision that blurred the screen. By the third song, reciting verses of an Islamic poem, he was slouched in his seat.

He slid down to the floor, crawling his way back to flop onto his bed. The music continued to play till the first ad popped up, at which time he opened his eyes, seeing a music video from Katy Perry, at which time he promptly reached over and unplugged his computer. He wasn’t sure which cord he pulled out, but the screen still went black. With that, he just barely sneaked into his covers, dozing until the morning.

It was far too easy to get information on you. Your full name was stated clearly in your youtube bio, alongside several different social media tags leading to instagram, tumblr, and facebook.

Facebook alone provided him the means to your address, and he didn’t even have to go looking for it. Your most recent post was an ad, searching for someone good with computers to aid you in your recording process, which you noted as ‘dismal’.

Are you fucking kidding me? He thought to himself, reading the ad once more.

Your address, your real, physical address was stated as the place you wanted to meet those interested in helping you. On the internet. You had doxxed yourself after less than a year of being online.

Okay, he thought, clicking on your listed email. Someone needs to be taught a lesson.

Three days later—after about two weeks of listening to your echoing voice every night—you replied, sending a cheerful email detailing when you would be available to meet him. After shooting a short message back, the date was organized.

Two more days and he was standing at your doorstep, his neck craned upwards as he scanned your tall, narrow home squished between two other apartments. He just barely knocked before the black door swung open, revealing a familiar face belonging to a stranger. Elliot was dressed in his black hoodie and jeans, a stark difference to your long, colorful robes, coming out of a sort of fantasy world.

“Hi,” he said, his voice grating with how low and quiet he kept it.

“Hello,” you said with a smile that did not match his hunched posture. “Are you Mr. Alderson?”

“Elliot,” he corrected, his chin just barely raising to meet you. “Elliot Alderson. Elliot works.”

“Alright,” you said, nodding. “Come inside? I was just making tea. Do you like tea? Or do you prefer coffee?”

“I... I’m fine, thanks,” he said softly, scooting past you when you opened the door wide enough for him to enter. He sucked in a breath as his chest brushed yours.

Your home was modern—far fancier than Elliot’s own apartment, with large windows flanked by soft grey curtains. A small, upright piano was in the corner of the living room, set upon a reed mat lined with Korean symbols. The couch was clinical, made of a sort of black plastic leather that matched the grey skies beyond the window panes.

He sat down, shifting his feet closer together as his fingers dug into his palms, continuing to scan the room in its’ entirety until you returned with your own tea.

“What kind of experience do you have? School counts,” you said, setting your cup down on a tiny plate whose decorations matched your teacup.

“I’ve been... experimenting, with computers, since I was around 9,” he said, mumbling the words out as his shoulders hunched awkwardly down. “Have a job at a cyber security firm. Started a while back.”

“You still have that job?”

“Yeah,” he said with a small nod. “Jus’ thought this would be... fun.”

The dead look on his face indicated no humor whatsoever, but you took his word as it was.

“How’d you find the ad I put out?”

“I... I listened to your music,” he answered honestly for once. “Helps me fall asleep.”

“Oh,” you said, clearly taken aback. Your face grew warm as you glanced away with wide eyes. “I’m glad I could help.”

“You’re not very good with technology, though,” he said in his usual low, grating voice.

“Not really,” you chuckled sheepishly. “That’s why I put out the ad -“

“No, not that,” he interrupted you. “You put your physical address on the internet. You doxxed yourself. Do you even know how dangerous that is?”

The lyrics of your songs pointed towards a kind of brilliance, balanced against emotions felt thoroughly on pages and screens. It didn’t match your actions at all.

“What’s doxxing?” You asked.

Elliot had to physically stop himself from sighing and leaving.

“You want everyone to know where you, a minor celebrity, live?”

“I’d hardly call myself a -“

“I could’ve been a murderer,” he said, reaching into his bag.

He looked you in the eye as he pulled out a gun, clicking on the safety before he pointed it at you.

“This is how easy it would be to kill you.”

As expected, you stiffened at the sight of the iron barrel, your fingers withdrawing to your chest. Your lips pursed as you met his gaze once more.

“Please put the gun down,” you whispered, your voice cracking.

He did as you said, resting the gun on the table.

“That’s a hell of a way to start an interview, Mr. Alderson,” you said quietly. “Please get out of my house.”

His heart sank. What had he expected? For you to fall to your knees and sing to him as he desired you to do? He threatened you with a gun to teach you a lesson, and you reacted accordingly. Calmer than others would.

Elliot stood on shaky legs, sliding the pistol into his backpack before he zipped it up. Throwing the pack over his shoulder, he swallowed through a tight throat, shuffling as he delayed his departure.

“Keep safe from people like me,” he said in a strained mumble. “Take that ad down. Meet people from the internet only in inhabited, public areas.”

You tapped your fingernails on the table for a moment, chewing on your bottom lip. Suddenly you stood, tugging on his sweatshirt sleeve to get him to face you, instead of staring at his feet.

“Alright. If you’re really so good at the internet -“

He ignored your incorrect grammar.

“- and... if you actually do want to help me with my songs,” your tone softened, “then you’ll be able to find my real name, not my stage name. If you do.. I’ll hire you.”

“Alright,” he said monotone, knowing the battle was already won.

Even though he knew your name already, he turned away and left to his apartment, immediately going to work on figuring out everything he could about you. If you willingly still offered him the job after that, he knew it would take a lot to scare you off. He could impress you.

It was, after all, the only thing he was good at.

Two days later he showed up at your apartment again, quietly thanking you when you let him in. The clean floors and walls remained unchanged since his last visit, and you led him to the same table, sitting him down on the same seat.

“Your name is (Y/N) (L/N),” he started with. You already appeared to be surprise. “You grew up near LA and you’ve had a chronic illness all your life. At eleven you saw your first therapist.. that must’ve been when you first got diagnosed with depression... and anxiety.”

“Killer duo,” you muttered.

“Your parents split when you were thirteen, which came at the same time as your dog, Penelope, died. Or... sometime that year. When was that... 1997?”

“1999,” you said quietly.

“Your mom homeschooled you,” he continued. “That’s probably why you don’t know how computers work. Rather eclectic, in a.. boring way... an ex-Amish, right?”

You nodded and his heartbeat tripled. Everything was right thus far despite a two year difference in his guesstimate of your life’s timeline.

“Then there was your dad... logger in the Redwood forests. Burly guy. Not a great man, from what I saw,” he said.

“He was fine,” you said with a small shrug as you looked away. “Didn’t ever hurt me, or anything.”

“Abuse isn’t always physical,” he said faster than he could think, dizzied by his own memories playing behind his eyes.

“I know,” you murmured.

You went silent, so he continued, hoping to pry more precious words from you.

“Your favorite color is yellow,” he said, leaning closer to you. “On Valentine’s you get chocolate strawberries, and on easter you get kinder eggs.”

Nothing.

“You studied mythology as a kid, and you made paintings of the forest you lived in with your mom. Santa Cruz mountains, I think.”

“Yeah,” you said. “I miss the forests.”

“I know. You want to visit Ireland again because it’s a land of faeries and moss, it’s a breeding ground for your song lyrics.”

“How did you find all this out?” You finally asked.

“You use the same password on everything,” he said, though that was far from the actual answer. “Your web browser tracks all your movements and you don’t try to stop it, or hide ads, or stay away from sketchy websites. Your parents aren’t much better, either.”

You chuckled, shaking your head as you brought your hand to massage your brow.

“You’re way too smart to be helping me,” you said with soft laughter, blushing with your smile.

“It’s better than working for E Corp,” he said, huffing out a laugh that was hardly humored.

“E corp?”

“My.. uh, place of work,” he brushed off his slip. “My point is... I’d rather work with you and do easy work than work with my current fucking coworkers.”

You laughed, truly and fully this time, curling into a little ball that shook with the force of it. Your feet tucked into your tiny chair, making you even smaller.

“Bad people or just annoying?”

“Stupid,” he chuckled. “Don’t let me wear my sweatshirt.”

“Ooh, now it’s my turn,” you suddenly interrupted him, earning a strange look. “I’ve noticed things about you, too. I couldn’t learn anything off the computer, but you, you have anxiety too. Probably some childhood trauma.. maybe a dissociative disorder of sorts or a form of PTSD. Your jacket is like your home, and... you have sensory issues. Few types of fabric, don’t like to be touched, if I had to guess I’d say you might be autistic.”

“Blunt,” he said after a full minute’s silence.

“Do you mind?” You asked.

“No, not really.”

“Good. Then you’re hired,” you said with a smile, extending your hand for him to shake. “If you still want the job, of course.”

He watched you with evident apprehension, but took your hand after much thought, shaking with a firm grip.

“When do I start?”

[daijoboob]

wassup wlws and treasured allies. heres the wilw redraw that i started/dropped back in august, freshly polished for @diakkoday​ :^)

elapsed time: 15 hours? 17?? i lost my sense of time in the lining process

(click on the images for higher quality!)

LOTS of notes and bonus art (including old drafts :o) under the cut!

most important business is up first! this is the last intensive lwa piece that i intend to produce for the foreseeable future. i burned myself out on drawing the girls way back in dianakko week, and then again last month. 

while i (accidentally,,) paced myself for this one, i’m not quite feeling it anymore. i don’t know when i will be next, or frankly if at all. rebounding back into the fandom at all was a big quarantine induced surprise in itself. which is all to say- sorry if you were looking forward to more lwa from me :(

for the moment, i’m posting a whole lotta love live, personal pieces, and likely some other fandoms. please hang around for that if you’re interested!

NOTES:

i am aware that accidentally made diana’s face too ikemen >>; i intended to redraw it every time i popped open the doc, and forgot every single time. 

i opted not to use a harsh lighting layer for this! just a gradient overlay (specific layer effect: add). i felt like hard lighting would take away from the cartoony vibe.

the lining took so long. every couple of weeks i’d just pop open the doc, slog through a couple lines, and close it indefinitely. i wanted so badly to not have to deal with the anatomy but we managed it ok bros

a lot of time was also dedicated to cleaning the lines. i’d taken so long to finish it that i figured i might as well make it just, way too polished 

i wasn’t sure whether or not to keep the colored lines! i like the version with black lineart just about equally. colored lines feel more polished to me, but maybe it could use the extra contrast haha.

i was very tempted to change the color palettes- particularly in switching diana’s shirt to a blue, like i did with the face paint. 

the last image is a reference to a meme that circulated back when the toh episode aired! i’d love to give credit to the original creator, but have completely lost track of it. if anyone recalls the link and can shoot it over that’d be very appreciated :)

lotte is a national treasure and i love her to bits

this is what the bg looks like! i rendered it just enough for it to look full with all the layers up. this was the quickest part of the process hands down- completed it start to finish in ~1.5 hours. because i rendered diakko+lotte in harsh solid lines and shading, i wanted the bg to be soft and fuzzy. ideally the contrast between the foreground and background coloring would be stronger, but i gave up trying to figure that out lol.

the og sketch!! when i was putting together this post, i did a handful of screencap redraws and saw what stuck.

more of those sketches! i liked how diana turned out :^)  you can see that i still wasn’t sure how much of the toh style to integrate at this point!

figured i might as well stick the other sketches from diakko week in here as well! the latter two led to this and this respectively. i switched to diana not Doin Too Well with scary movies purely because i thought it was funnier lmao

and that’s it! thanks for reading through if you did. i thought about not doing this at all, but i find others’ artist notes really interesting and figured some of you might as well.

[myassbrokethefall]

Did you create Mulder and Scully on the sim creator yourself? Their likeness is very good!

Thank you! Yes, I did — I made them when I first got the game (as I have done for previous sims games going back to the distant past) and I keep tweaking them. Last time I got into this game (I'm very on and off with it) I apparently modified both their cheekbones, as I have a household saved called "M&S new cheekbones."

I find it frustrating (yet satisfying) to try to make sims who look like existing people, because you think you have it nailed in the close view in CAS and then once they move they start making goofy sims faces and their eyes go into their forehead or something. They look more or less like they're supposed to in those screencaps, but I definitely resign myself to living with them looking somewhat ok most of the time at best.

Funnily enough, the last time I played my M&S sims, I made them a whole house and put them on secret agent career paths and spent a long time "shopping" for a decent revival-era hair for Scully and tried to make it all very accurate, but then I petered out before too long. This time I just threw Mulder in a random trailer with a bunch of cats and so far it is more fun. I think sometimes the amount of setup I do is inverse to my enjoyment once I actually start playing.

One thing that was fun though when I was changing their outfits to try and get them more early-seasons M&S: I wanted to make some silk PJs for Scully, and the game doesn't really have anything close (and it's not something I care about enough to search for appropriate custom content). BUT, one of the somewhat more recent (and very welcome) game developments is that you can use any gender clothing for any sim, and they've put everything on a tag system so you can just untag any filter you don't want. So you can be making the pajamas of a female sim and basically you can use any top and any bottom from any category. I found her a baggy button-down from somewhere that looked reasonably pajama-y and a pair of pj pants that matched and now she has cute, plausibly silk pjs.

(I would never use that hair for baby Scully but it is one I sometimes use for current-day Scully [as I reject the short bob, haha]. Maybe I will look for some shorter hairs today.)

Isn't she cute? I love that ponytail too but it looks glitchy in actual gameplay. And I do really like that skin despite the load of eye makeup, which at least looks nice (and reasonably Scullyish).

(to be clear I don't/can't skin! any custom content I have is downloaded)

Here's a Muldo for fairness:

I don't love his face skin, but there is a real lack of male skins that I've found that stay within the general palette that I want (lots of super pale or ethereal-looking ones, but I like ones that don't look totally out of place in a Maxis universe but also are a little more refined). Sometimes I just use a female one and as long as their shirt stays on, you don't notice that they have painted-on boobs, haha.

[dojolarusso]

daniel larusso's outfits megapost

hello, loves! i'm just gonna go through the movies and make a few comments on all of daniel's outfits. give or take a few that i may have missed, but i tried to get them all. they will also (mostly) be in chronological order.

so here goes. if you wanna read my ramblings, look under the cut!

okay, here goes. the first time we see our daniel. not my fave. but when i first watched thses movies, i was instantly attracted to him lmao. he was my first celeb crush at like age 12/13 and he still is as a 59 year old man now..

the beach wear is nice but not one of my favourites. 

v cute when he adds the red hoodie though. definitely his colour

this look is one of my favourites, vvvv nice and he does actually look really cool. the red checkers are real nice - i am very much a fan of anything plaid/checkered/flannel, so i always love it on him. i would wear this for sure, glasses included

his gym wear, we see twice.. another fan favourite, i believe. i prefer it without the jacket though

probably my least favourite out of the movies. not a fan of the orange, daniel

the yellow shirt was really nice, he looks very good in this with his very pretty bruise too. we only get to see this outfit for like a minute though :(

the red jacket -  very very nice. he is stunning in this scene

this one always has a lot of different opinions. personally, i really like it and it's one of my favourite outfits of his. he makes the colliding patterns work, right? and the whump adds to the look. he wears the same pants when he's trimming his bonsai tree with miyagi too.

this is another one of my faves but we see it for literally 4/5 seconds because he's trying to avoid ali. it's vvv cute.

he usually wears his flannel buttoned up, but here, he wears it open and i get writer or artist vibes from him here too

another fave.

look at himmmmm. or...... it. lmao

hi beautiful boy

okay, and this scene after the fight, wearing the same shirt and looking so so comfy and cosy (despite the whump). i just wanna cuddle him so bad in this scene

guess what? another favourite outfit.. in fact, the rest of the outfits from part 1 are in my favourites. he looks v good. the blue and white checks are one of the best ones he wears.

this little moment where miyagi puts on the headband... doesn't it feel like some very monumental moment? like when someone in your family passes down a watch or piece of jewelry, or just any kind of item with meaning. it feels special and it's very nice too. the fact that this scene was improvised by pat oo, and then the headband became a statement.. amazing. also, i was curious about the pattern, and looked some stuff up, so if you didn't already know - it's a japanese hand towel or handkerchief, called a 'tenugui'. they are usually used to dry hands, sweat, etc (never for blowing your nose though), but they can also be used to wrap things, to give gifts, as belts etc. so hopefully that's something new for some of you to learn today. also! how sweet that ralph still has one of them!!

okay, enough on that.. the next one.. the green/navy kinda flannel, also very nice on him! the whump!!!

the date night outfit is basically and example of how i dress whenever i'm not working or living in hoodies. very lush

this could be my top favourite if there wasn’t so many. the headband around his neck, the plaid, the smiles, the background... it all adds up and it’s stunningly gorg

this one is like, probably one of the most popular, no? it's like one of the first pictures you see if you search daniel larusso on anything. he looks angelic

this one is pretty too! it's like he knew he would be painting or something because the outfit sort of gives off artist vibes again

these are probably the same shorts that he wore to the beach party, right? listen, he was the same age here, that i am now and just, like... turn around, daniel, pls :)

okay, fine..

look at that background.. so pretty.. and so is the main subject :)

his birthday outfit is him in a sweater, so of course, i love it very much. the hat just makes it that much more adorable too

then he tries on the gi for the first time.. gorgeous

this jacket is really nice.. one of my top faves! i would probably buy a jacket like this

the plaid he wears just before the tournament.. pretty pretty

the gi!! it's very hard to pick an all time favourite, but this is very close to being it. idk what it is but i just really enjoy him in it.

and the patch is really really cool

first outfit of part 2... a top fave. another outfit that is pretty much an example of what i wear a lot

not a fan, not a fan. the colour of his prom suit is nice, but it's not his best look

it looks slightly better without the jacket though

not a fan of this striped shirt either

it seems like part 1 was a lot of plaid/flannel and part 2 is a lot of stripes.

he wears this shirt a few times throughout this movie..

the pink shirt is quite cute, and he's a lil cutie during this scene meeting yukie

this scene is very sad, but the outfit is very good. wish we'd seen this at some other point

one of everyone's favourites. yesyesyes. very, very nice.

damn, he looks good. the peaking shoulder and the shirt blowing in the wind. yesyesyes. very, very nice.

just... yes.

he wears that tank top again a little later too!

more stripes, very cute

i've realised that a lot of you love red on him and i happen to very much agree.

gorgeous

then here's the shirt that kumiko gifts to him. also, very very nice

the pink checkered shirt - he wears this for the cermony, then through the storm, up until this moment.. again, it's another that i really like

bet you've been waiting for this one, huh?

or maybe you scrolled down to it because you wanted to see what i would say.. hm? haha

it's actually shiny just so nice. the bonsai is so cool too. and it matches with miyagi's grey version

anyways, if he didn't have so so so many good outfits then this would be my all time favourite. he is radiant. the little bonsais on the front are so sweet!!! ugh, i just love bonsai trees too, i guess

this is like the only full shot of it, unless you use something from the actual fight

had to include this glorious, perfect smile and moment. ugh, just look at him.. stare at it for a moment and enjoy his beauty and the very nicely done whump goodness

okay, you done staring? good, because we're onto the final movie... part 3

these three shirts are some of the few that i like in part 3. the blue is cool

the yellow is nice

the red is pretty

this puffy jacket appears a lot in this part, and i don't really like it

this shirt is one that miyagi gifted to him, very nice.. and i think it's actually very similar to one that miyagi wears in the first movie too

the sweaters. oh, the sweaters. he looks so good in them. this grey one with the red pants.. gorgeous

such a pretty man

he just looks so comfy and cuddly, pls

ugh, precious angel

i can't decide if i like the grey or dark blue one more, but they are both really nice and two of my favourite colours which is part of the reason why

come and cuddle me, pls

this has to be the same outfit he worse while running with jessica, only with the joggers rolled up a little.. v cute

this was a nice outfit! despite the heartbreaking moment that comes right after. i think he really suits red.. and blue 

this jacket, he wears it a few times with different shirts. i actually love this one. it has like a plaid/check inlay which is really cool - i want it.

i prefer it like this though, with the collared shirt and sweater

and finally, we have the gi again. a classic, one of his best best looks ever.

if you would like to use these screencaps, please feel free, but just tag me somewhere because it truly tok a long time to get them all/edit/sort etc :)

[renegadewangs]

Van Zieks - the Examination, part 7

Warnings: SPOILERS for The Great Ace Attorney: Chronicles. Additional warning for racist sentiments uttered by fictional characters (and screencaps to show these sentiments).

Disclaimer: (see Part 1 for the more detailed disclaimer.) - These posts are not meant to be taken as fact. Everything I’m outlining stems from my own views and experiences. If you believe that I’ve missed or misinterpreted something, please let me know so I can edit the post accordingly. -The purpose of these posts is an analysis, nothing more. Please do not come into these posts expecting me to either defend Barok van Zieks from haters, nor expecting me to encourage the hatred. - I’m using the Western release of The Great Ace Attorney Chronicles for these posts, but may refer to the original Japanese dialogue of Dai Gyakuten Saiban if needed to compare what’s said. This also means I’m using the localized names and localized romanization of the names to stay consistent. -It doesn’t matter one bit to me whether you like Barok van Zieks or dislike him. However, I will ask that everyone who comments refrains from attacking real, actual people.

Part 1 Part 2 Part 3 Part 4 Part 5 Part 6

Back to the second game we go for The Return of the Great Departed Soul! (Part one, this is another two-parter case)

Episode 2-3: The Return of the Great Departed Soul

So now, chronologically, six months have passed since The Unspeakable Story. Susato returned to Japan at the end of the first game and hasn't returned yet. Ryu was reprimanded for all the perjury and the questionable McGilded defense, so he had his right to stand in court revoked for now and instead had to focus on studying English law some more. He's done so quite patiently and now he feels he's ready to return. He just needs to get Stronghart's permission first. Meanwhile, the Great Exhibition is happening in Hyde Park, pulling in visitors and scientists from all over the world. Exciting! (S)Holmes hands Ryu a newspaper with an article on the exhibition, talking about how the brighter things shine, the darker the shadows cast behind them. By now, Ryu is fluent enough in (S)Holmes speak to know this means he should flip over the newspaper. There, we find an article of an entirely different sort.

So not only was Van Zieks apparently attacked, Ryu shows horror and concern at the notion. No hard feelings from our wholesome boy! (S)Holmes explains that London's finest criminals often find ways to get acquittals from trials through bribery, threats, sham witnesses... We saw this in McGilded, of course, so we know all too well how dangerous that can get. But since the Reaper and his curse are immune to such tactics, when a ringleader or fellow ends up being 'taken' by the curse, retaliation can occur. So it's established that this isn't the first time Van Zieks has been attacked by a group of thugs. Fortunately, Van Zieks is an “accomplished combatant” who doesn't take these attacks lying down. Unfortunately, the thugs were carrying guns this time. Uhoh.

This warms my heart, it really does. Van Zieks has been a terrible scumbag, but Ryu doesn't think he's gotten his comeuppance at all. He's genuinely concerned for this man and intends to find out more about his condition. So since he was planning to meet with Stronghart and ask for attorney permission anyway, it's the perfect opportunity to also ask about Van Zieks! Iris decides to tag along because she wants to visit the Great Exhibition. Let's shove the newspaper in Stronghart's face as soon as the game allows it.

The phrasing of “number one prosecutor” is interesting, but then... We never learn of any other (living) veteran prosecutors in this country, so of course Van Zieks would be number one. Stronghart says there's no need for concern; Van Zieks would not be so easily dispatched. Street ruffians are no match for him, since he's a very capable fighter. Seems like that sword he carries around isn't just for show after all. As for why he was attacked this time... Well, a month ago Van Zieks prosecuted a leader of a criminal organization. Nice to know he didn't just return to retirement and instead got back to work like a normal person without cherrypicking his cases based on what Ryu's doing. The defendant was acquitted, no doubt thanks to large sums of money being shifted around behind the scenes, but he still met a dramatic end just yesterday during an accident at the Great Exhibition. The man in question was Odie Asman, and the one now being detained on suspicion of murder without a defense attorney is Professor Albert Harebrayne. Albert's case has just been assigned to Ryu, so we're sure to find out more about Asman as we go. As as final touch, Ryu asks Stronghart why he continues to use Van Zieks as a prosecutor. Since the criminals are becoming fearful of the curse and attacking him, it's dangerous to Van Zieks himself. Stronghart explains that he has two reasons: Firstly, Van Zieks is the best prosecutor in the capital, bar none. And secondly, any deaths that have occurred outside the courtrooms after his trials have nothing to do with him. (S)Holmes alluded to the same thing, saying that Van Zieks had a rock-hard alibi for each and every mysterious death.

“So he will continue to prosecute on behalf of the Crown. ...Unless he wishes otherwise, of course.” With that, Stronghart admits he needs to get going since he's already 11 hours late to his next appointment (fsdkjfls). Ryu asks where he might be able to find Van Zieks and is told to head to his office. So even after being told that Van Zieks is just fine, Ryu is still concerned and wants to discuss the matter with the man himself. Let's gooo! Naturally, the first thing out of Van Zieks's mouth when he catches Ryu and Iris in his office is to wonder what the heck they're doing here.

So there's several things of interest in the office, with the game automatically addressing the biggest one: Van Zieks has an apprentice now! It's a mysterious, rigid dude wearing a hood and a mask who is absolutely not familiar to us, nope. We don't know him. Gosh, what a mystery. Van Zieks doesn't seem to know who he is either, instead just referring to him as his apprentice and nothing more.

Ryu sees this as an opening to ask about the attack on the Reaper that was in the newspaper. Van Zieks admits that he too is very interested in the true identity of the Reaper. “Assuming, that is, such a fabled fiend genuinely inhabits our great courtrooms.” The conversation halts for a moment so we can examine the office and this is the best opportunity for humanizing traits we've gotten so far, so LET'S DO IT! The enormous portrait in the back is the first thing to peek at.

Iris says whoever painted it exaggerated the subject's handsomeness, which in turn is reminiscent of Napoleon ordering the painter to make him look more attractive. That's super vain and not an attractive quality in a person at all. I laughed the whole way through that bit of dialogue and Van Zieks, who was in earshot the entire time, gets his feathers ruffled.

When Ryu asks who it is then, Van Zieks doesn't reply. BACKSTORY ALERT! Examining the chalices and bottles on the left leads to Van Zieks explaining the hallowed bottles are filled with the finest grapes from the finest vineyards he visits (so it is grape juice!!!) and he personally oversees the chalices being made by the finest crystal craftsmen in the world. Right, so not only is he filthy stinkin' rich, he's a perfectionist. Iris points out that Van Zieks throws the chalices and bottles around like they're worthless, to which Van Zieks says:

“Before you open your mouth next time, you should consider the poor artisans whose work you defile.”

As it turns out, passive aggression is contagious now. Ryu replies with a “So it's my fault? Silly me! How could I ever have thought otherwise?” and honestly I love that he's got enough guts to say this out loud. Our boy is growing a spine. Examining the wine casks has Ryu and Iris theorize about how there might be dead bodies in there, which once again ruffles Van Zieks's feathers.

Snrk. Examining the big diorama in the middle of the room has Ryu and Iris wonder whether Van Zieks can't go to the Exhibition in person and this is his way of dealing with that, which has Van Zieks snap that it's obviously an investigative aid.  He even has pets of sorts in his office, in the form of a couple of bats hanging from the curtains. Alright, so the game's definitely humanizing this poor man now. No matter how many crazy stories Iris and Ryu come up with about him, there's usually a very innocent explanation to debunk the eerie myths. Something particularly interesting happens when Ryu shows Van Zieks his defense attorney armband. Van Zieks asks what the reason is for showing it to a British prosecutor, to which Ryu admits that he doesn't quite know. Van Zieks is silent for a bit, then says that he understands. “There's merit in reminding yourself of who helped you become what you are today.”

As he says it, he reaches for his prosecutor's badge and if you're aware of the backstory, you'll know he's thinking of Klint. More importantly, this conversation puts Ryu and Van Zieks on the same level. Ryu is always thinking of Kazuma, who 'helped him become who he is today' and the armband signifies this, along with the sword. Similarly, Van Zieks lost someone very close to him and he's walking the path of prosecutor in his brother's memory. Ryu thanks Van Zieks for understanding and it's very significant that Van Zieks understands in the first place. Remember, in the first game he was under the impression that a Japanese person could never understand a British person and vice versa.

Showing Van Zieks the newspaper article has him looking a bit embarrassed, pointing out that a reporter must've been nearby and he'd been careless to let himself get photographed. Either way, all the thugs responsible have already been apprehended. The investigation into Odie Asman's activities meant that their arrests were already imminent anyway, and some hoped to kill Van Zieks before that happened. Much like McGilded, Asman used his wealth to buy his way towards an acquittal in court, but “he got his comeuppance in the end.” Which is strange, right? Very suspicious. Van Zieks asks whether Ryu believes he has some sort of divine ability to make an accident like that happen. Ryu admits that would be far-fetched, and thinks to himself that even if Van Zieks were the Reaper, he'd have to be innocent of this particular death. We also learn that Van Zieks is familiar with Professor Harebrayne, the suspect in the Asman incident. When told that Ryu will be taking on the defense, Van Zieks is shocked.

Van Zieks goes on to explain that he knows Albert quite well. They were at university together. While he's lived in Germany for quite a few years, Albert is actually from a respectable British family. And despite Albert being in the science faculty and Van Zieks in law, they got along quite well. Now he's in pretty hot water for that Asman accident.

Hm. I don't quite know what to make of this reaction. I think what's going on here isn't that Van Zieks is rattled because Albert is being defended by a Japanese person, but because he's being defended by a rookie attorney who was just disbarred for six months for accidentally encouraging perjury, false witness and crime scene tampering in a court of law. Yes, Ryu has won his trials every single time, but it came at a price. Aside from this, there's one other thing Van Zieks knows about Ryu: he'll pursue the truth, no matter what. This means that if Albert indeed didn't succeed at inventing teleportation, it'll be revealed in court because exposing shams is Ryu's whole deal.

We learn that Van Zieks will be the one to prosecute Albert tomorrow, which is curious to say the least. Ryu wants to know why he'd do something like that, with Iris pointing out that so long as the Reaper is the prosecutor, Albert is doomed. Van Zieks replies that he's a Crown prosecutor and a mortal like any other; he's no demigod. In other words, he doesn't believe the curse to be a real curse. Iris points out that everyone who's been prosecuted by Van Zieks has died (which is already objectively wrong), to which Van Zieks replies that he usually prosecutes the vilest wretches of society.

… Harsh. Ryu points out that Soseki wasn't a vile wretch though, with Iris chiming in that Gina's also turned her life around and she's working very hard now. Van Zieks admits that things have changed ever since meeting Ryu- which of course has to do with Van Zieks's need to face Ryu in court even in mediocre trials rather than pursue his usual corrupted targets- but the point is that if any of those vile wretches died in mysterious circumstances, it was “at the hand of their own kind”, not Van Zieks's. So basically, he believes that they were killed because they were dubious people engaged with dubious activities, not because of the Reaper's curse. Not only that, but ever since the rumors of the Reaper began, the number of serious crimes in London has decreased significantly. Even the most hardened criminals can be made fearful of their lives. Therefore, if his pseudonym of the Reaper can serve a useful purpose, he'll “adopt it gladly and with honour”. Ryu repeats that which he already told Stronghart; that it's putting Van Zieks in danger.

He really is a prosecutor on the edge with nothing to lose, huh. So what Van Zieks is basically saying is that he doesn't care if he dies, so long as he spends the rest of his life serving the 'useful purpose' of carrying the Reaper moniker to intimidate the vilest of society. But is that really all there is to it? (Spoilers: It's not)

There's a bit more talk about the mysterious apprentice here, with Van Zieks explaining the man was placed in his care under Stronghart's orders. He's wearing a mask on Stronghart's orders and also doesn't speak to anyone from outside the office on Stronghart's orders. HM. Van Zieks claims that Stronghart isn't one for “meaningless follies”, therefore he must have a good reason. This implies that Van Zieks believes in Stronghart's judgment almost blindly. To round up the conversation, Van Zieks asks about “that Nipponese man. The one arrested twice in succession six months ago. With the stoop. And the moustache. And the jitters.” Looks super offensive at first glance, but I gotta admit, after six months I wouldn't remember Soseki's name either. Better to describe him than to guess the name and get it wrong. Still though, just because it's not super offensive doesn't mean it's not offensive. Just saying “the one you defended six months ago” would've done the trick. Either way, Ryu says he's doing just fine and a letter from him arrived by post just the other day.

So this is interesting. Earlier, Van Zieks claimed in his own words that he doesn't believe in the curse and those who died had it coming to them, but he's still inquiring after Soseki. Perhaps not so much because he's worried about Soseki himself, but because he's curious whether this man has successfully escaped the curse so far. He would know that for a fact about Gina, but the only way to verify Soseki's status is to ask Ryu about it.

Time to leave this glass cage of exposition and meet the defendant in person! Albert spouts a whole lot of dialogue about how his machine is treated differently depending on whether the case is treated as an accident or as murder. If it's murder, it can be examined up close and that's what Albert doesn't want. It has to be treated as an accident so that it'll be protected from prying eyes through The Special Dispensation for Scientific Equipment Act (wow that's a mouthful). Of course, that's not entirely what we're interested in. Let's ask about his friendship with Van Zieks! Ryu asks what he was like back in his university days and the answer surprises him.

HAH, wonderfully written exchange, this one. Albert goes to describe him as “the little darling of the Van Zieks family, with all its great aristocratic origins”. So Van Zieks has some very noble blood in him. We could've already guessed this from his title of Lord, but apparently it's a bit more serious. I could derail here with wild theories about his family originating from the Netherlands and having migrated to the UK around the time the first king of the Netherlands, Willem I van Oranje Nassau, rose to power in 1813. Willem changed the way nobility works to some degree in the country and not all noble families would've agreed with his way of doing things. But anyway, point is, Van Zieks is a big shot. Albert says that it was kind of a shock to him when he came back to Britain and discovered 'what Van Zieks had become'. He heard that there was 'a very big event' that completely changed Van Zieks after his graduation, but doesn't know what it was because he was already in Germany at the time. So here we have some more traces of that backstory and we have enough pieces to start sticking some things together. We know Van Zieks was once betrayed by a friend and we now know he was a very modest, pleasant gentleman when he was young. Whatever happened must've been very harsh indeed to turn him into such a sour lemon. Either way, Albert doesn't seem to know yet that Van Zieks will be the prosecutor and Ryu doesn't have the heart to tell him.

So let's investigate the crime scene! Here, it's confirmed that Gina Lestrade is indeed just fine and now in training to become a detective with Gregson. Cute! So eventually we get to talk to Gregson about Van Zieks and how he's acquainted with Albert. Gregson is overdramatically shocked to find out that the two of them are old buddies.

Remember when Van Zieks took a five year hiatus and nobody had to mysteriously die from the Reaper's curse? Those were the days, eh Gregson? Now he's even prosecuting his own friends willy-nilly. Gregson states he has no idea what goes on in Van Zieks's head  (a sentiment we've heard before in 1-4) and goes on to bring up the newspaper article about Van Zieks being attacked. When told that our good old pal the Reaper is just fine, Gregson utters a very uncomfortable “glad to hear it” which honestly had me wondering whether he'd preferred Van Zieks to die.

Up until a certain someone gets killed and stuffed into a suitcase, I'd reckon. Gregson says that Van Zieks is a top class prosecutor, but not even he can always push the right verdict through. “Sometimes justice can't win.” Gregson explains that naturally, Scotland Yard suspected Van Zieks at first and assumed he was taking matters into his own hands. There was a very thorough investigation and the outcome was that Van Zieks was in no way related to the mysterious deaths. So that's three people now who all insist Van Zieks couldn't possibly have committed the murders. Gregson says he's willing to stake his reputation on it, even. Of course, Gregson would know for sure, wouldn't he? But the narrative is telling us over and over that Van Zieks himself isn't the Reaper, with even Van Zieks himself implying he'd like to know just who the Reaper is. There's a conspiracy happening that Van Zieks is the centerpiece of, with the narrative really pushing the mystery aspect of it. The writers want us to care about the truth of the Reaper for sure.

OOOH that's meta! Ryu, being nosy and overly invested in Van Zieks's life, asks Gregson whether he knows about the 'incident' which changed Van Zieks after graduation.

Okay he clearly knows. Even a first time player can tell from this single reaction that Gregson's lying. The mystery thickens! At the end of the conversation, when Gregson's gone off, Iris recommends asking (S)Holmes about it instead. Safe bet, since (S)Holmes continuously knows more than he's letting on. To the house of wax we go! When asked about it, it's clear that he does know something (and is described as suddenly clamming up), but before he can explain there's a distraction in the form of Madam Tusspells and we have to sit through a mostly-unrelated Joint Reasoning segment. It leads into a conversation about a mass murderer known as the Professor. Ten years ago, there was a series of murders which rocked the capital right around the time Van Zieks graduated from university. Five people were killed before the man was caught and executed. This fifth victim was Klint van Zieks, Barok's older brother.

I really, really dislike this phrasing because Van Zieks was already studying law to begin with. He'd just graduated as a prosecutor; his brother's death had nothing to do with him pursuing that path. Anyway...

OOOH that's meta! So remember way back in the first essay when I said the backstory is optional? Well, here it is. The Great Ace Attorney is going all in for it. It's being tied to the ongoing plot, just as pretty much all the main prosecutor backstories are. Edgeworth's backstory is tied to Von Karma being the final boss, Godot's backstory is tied to the Fey lineage, Klavier's backstory (I say this lightly) is tied to Phoenix's disgrace... Now Van Zieks's story is tied to the serial killer who ruined so many lives a decade ago. And technically, we already have all the puzzle pieces we need for the next twist; we know Van Zieks was betrayed by a Japanese person who was his friend. So really, we can now say with absolutely certainty that the man arrested and executed back then was a Japanese buddy of Van Zieks.

The investigation segment is pretty much over, but the game has one more scene for us. This is something Ryunosuke won't witness, but the scriptwriters deemed it so important that we're ignoring Ryu to focus solely on the two characters involved. And cutting away from our main character is something that usually doesn't happen in Ace Attorney. Even when characters like Phoenix or Ryu are out of commission for whatever reason, a new 'main character' takes over for a second and we see everything from their point of view. I can think of only one other scene viewed without Ryu there, which happened in 1-5 just before Susato had to leave London. So what we have here is a very private moment between Van Zieks and Albert.

AWWW... The scenes in the office were great and all, but this right here is perhaps the most humanizing exchange we'll ever see with Barok. The reason for that, I think, is precisely because Ryu isn't there. He's alone with an old friend now, which means he can let his guard down more than he usually would. Even so, it's worth noting here that he doesn't look directly at Albert. He stands with his back to him the entire time and I'm certain this is intentional, because they could just as easily have rotated him into that sideways view that's often used in dialogue and courtroom scenes. He made his way down to the gaol to speak with his friend after ten long years, but is reluctant to look right at him. The conversation itself feels rather distant as well. Albert is delighted to see Van Zieks, but the sentiment isn't returned vocally. Van Zieks points out that they're meeting again “in prison of all places” and that the court will decide Albert's fate tomorrow. When Van Zieks raises a warning, Albert says he already knows his friend will be prosecuting and doesn't appear bothered at all at first. He does try to raise a question in the form of “Are you really...?”, but ultimately drops it and says that he knows Van Zieks has his best interests at heart. Van Zieks says he wouldn't entrust the trial of his friend to anyone else, and Albert thanks him for that. So my first guess upon taking in that dialogue is that Albert wonders for a brief moment whether Van Zieks really is the Reaper/really is cursed, only to shake it off because he considers the man his friend. Van Zieks seems to know it's risky to prosecute Albert, but deems it more important to handle the case himself than to let someone else do it. This, as we learn later, has to do with the Special Dispensation for Scientific Equipment Act and the protection of Albert's scientific secrets.

Next day, we're at the Old Bailey! In the defendant lobby, Ryu is once again told by Albert that the true goal to aim for in this trial is to protect his scientific hypothesis. So hypothetically speaking, the ideal outcome here would be to prove the death was accidental and that the kinesis was a success at the same time. (S)Holmes and Iris don't believe Albert's theory to be sound though, instead saying it couldn't possibly be done. In the courtroom, Ryu faces off against Van Zieks once more for the first time in six months! The judge is quick to point out that Odie Asman is a name familiar to him; a man who was prosecuted only a month ago by Van Zieks. When he asks whether this death is the work of the Reaper, Van Zieks instead describes it as “divine retribution”, but also “a direct result of the actions of the accused, Professor Albert Harebrayne”. The prosecution asserts that the instantaneous kinesis demonstration was a success. He himself can't say for certain whether it's a sound theory, but it's being investigated by the British government since it was deemed to have potential and the prosecution's case aligns with the notion that there was indeed instantaneous- You know what? Let's just call it teleportation. That's easier to type.

Unfortunately, Van Zieks doesn't want to follow the accident angle. Instead, he outright accuses his old friend of murdering Asman using the totally-functional-teleportation-machine-which-totally-worked to be the sole benefactor of a scientific grant. Harsh. Very harsh. I don't entirely understand why he didn't pursue the accident angle instead, but then, I don't quite know enough about law. My guess is that as the prosecution, he's not allowed to. Scotland Yard found enough evidence at the scene to substantiate a murder plot, especially that damning screwdriver that Ryu so graciously handed to Gregson, so that's what the prosecution has to go with, maybe? It's up to the defense attorney to debunk that down to an accident, then, so in essence Van Zieks is counting on Ryu to 'defeat him' and prove the murder aspect wrong. It would align with the conversation Albert had with Van Zieks in prison, where he said that 'it was a terrible accident and the young Eastern man acting as his defence assured him that he can prove it'.

So speaking of that screwdriver, Albert tries to discredit it himself by saying that if he had stabbed Asman on the stage, there would've been a whole lot of blood. Van Zieks pours himself a glass of wine and 'congratulates' his friend on a good rebuttal.

“Here's to you, Albert!”

Albert laughs it off sheepishly, saying he's nothing compared to “Barok” (awww, first name basis), but a chalice is immediately flung. Van Zieks says Albert neglected to mention one crucial possibility, which is that the lack of blood is explained by the notion that the screwdriver remained in the victim's chest to plug the wound. Therefore, since the demonstration was totally a success, the screwdriver was teleported along with the victim. Ryu thinks to himself that he had no idea the victim had been stabbed and wonders whether Van Zieks kept that information to himself to keep the upper hand on purpose. This whole thing jars me a little, because the screwdriver is brought up relatively early in the trial during the very first cross-examination. Is not mentioning it during the opening statement and waiting for Gregson to bring it up three minutes later really the same as 'keeping it to himself to gain the upper hand'?

Either way, Ryu counters, saying that the screwdriver was found at the stage and therefore didn't teleport at all, with Gregson serving as an official witness to this location. It's pretty clear from the next dialogue that Gregson never told Van Zieks where that screwdriver was found.

“That you contravened the Special Dispensation for Scientific Equipment Act?”

Gregson is immediately up in arms, but it's fine. There was no investigation needed to find a screwdriver lying in plain sight. So now Ryu decides to tighten the screws. He claims that if the prosecution can't explain the inconsistency (the screwdriver being found on the stage but no blood being there so clearly it must've plugged the wound), the testimony is unreliable. Van Zieks doesn't reply and Ryu thinks to himself that he looks stumped, but uh...

He just looks annoyed to me. The person to object next is not Van Zieks, it's Albert. He says that metal can't be teleported with the machine, so it only makes sense the screwdriver stayed behind and there's no inconsistency at all. Van Zieks suggests: “Clearly we should hear the accused's explanation. … Or should I say, this brilliant scientist's explanation?” And I think here in these two sentences we have the crux of the issue. Albert wants to be treated as a legitimate scientist above all else. Even if that means he's branded a murderer, so long as his hypothesis is protected and the confidentiality stands, it makes no difference to him. This was likely discussed with Van Zieks the night before as well. Albert is apparently willing to die for the sake of his scientific principles and... Well. I'm sure Van Zieks can understand. He's willing to die for the sake of serving the Reaper purpose. In a way, this means the defendant and the prosecution are in cahoots together, which is another first in Ace Attorney history. The two of them are fighting to keep the hypothesis of teleportation intact and if Ryu manages to prove that it was an accidental death, then great! Unfortunately, the second that screwdriver was discovered, the chances of that became slim to none. It was murder, plain and simple. On a sidenote, I found this little gem:

I'm counting this as humanization, because the underlying sentiment here is that despite his haughty better-than-thou attitude, Van Zieks is still friends with someone so very scatterbrained, his name is forgotten sometimes. Even Ryu is taken aback by the purity of the friendship.

Heh heh... Time to cause some more havoc by informing the court that Asman's metal-rimmed glasses were still on his face and since Albert already said metal can't be teleported, his hypothesis is a load of tosh. The jurors go up in arms about it, saying the machine should be stripped down and examined. The game gives Ryu the option to either raise an objection or 'wait and see', but this is another one of those fake choices. Waiting and seeing just leads to a bit more dialogue between the jurors before Ryu steps in of his own accord. He says Albert would have no reason to build such an elaborate fake machine and put on a public display for murder, but Van Zieks counters with the very good reason: Money. The jurors are even more outraged, calling him a fake scientist who's only in it for the guineas, and Albert begs them to believe that his science is built upon a sound hypothesis. Van Zieks comes in to 'save the day' (sort of).

“The fact remains that the victim was transported instantly to the Crystal Tower. Which means that the experiment... was a success.”

And I gotta say, this next bit is just very enjoyable to me. The way it's written is so great.

HEH HEH.... Van Zieks has some more witnesses to summon who saw the incident from some 'very special seats', but let's end the essay here for now and pick it back up next time!

[what-breaks-my-heart]

DanHwa Couple: Happy Ending versus Sad Ending

Note: I did plan to publish this post in conjunction with the last day of Run On Week when I came up with the idea for this post but I never thought this post would eventually be this long so I’m not going to ruin it for everyone 😂🙈

Previously, I’ve touched on the main theme of DanHwa’s storyline - goals & dreams.

Before I continue, I wish to extend my heartiest gratitude to @belsmultifandommess for taking my gif requests specifically so I could include them in this post ❤❤❤ You can click on “GIF by belsmultifandommess” to view the full sets from which the gifs I’ve included in this post were sourced. If you haven’t already, give some love to those beautiful gifsets.

This is going to be one hell of a long post so hydrate yourselves, get some snacks, prepare a box of tissues if you are a softie like me, and buckle up.

Previously in my series of write up on DanHwa storyline...

About Seo Dan Ah

Seo Dan Ah, Her Little Brother Seo Tae Woong, and A Planned Coup in Seomyung Group

Goals & Dreams - The Main Premise in the Live of Seo “Rapunzel” Dan Ah

Goals & Dreams - I Need You to Cooperate with Me

I have to be honest. The finale left me with so much feelings that made me struggle to understand how DanHwa’s storyline was concluded. There have been various takes on the conclusion of their storyline and I cannot totally disregard each of them because they do make sense in a way.

After seeing the preview for the finale, I did pose a question whether Young Hwa would agree to cooperate with Dan Ah’s potential goal to stop seeing each other, while still holding on to his dream of not breaking up with her.

As I was starting the finale, I saw the episode description on Netflix and giggled at how the storyline of DanHwa was described.

Mi-joo’s work gets a director noticed overseas. Yeong-hwa and Dan-ah achieve their own goals. Seon-gyeom officially becomes a sports agent.

Earlier, I did a write up about how Dan Ah was plotting a coup in Seomyung Group. Later in the finale, it was revealed that all along, she had been waiting for her father to pass away so she could take back what’s rightfully hers. I stand corrected. Dan Ah sweetie, I should have thought better than slandering you 🥺

True enough, she needed Tae Woong’s support in the coup, but she didn’t say the situation might call for him to turn against her because she wanted him to come clean about his paternity, but she said it because she knew how the bastard ‘older’ brother would blackmail Tae Woong into voting for him for the position of the successor in Seomyung Group by abusing his power and influence in Seomyung Group. I bet he was the one who started the rumour about Tae Woong’s paternity in order to control Tae Woong.

However, Dan Ah needed Tae Woong’s support as one of the major shareholders so that she could obtain enough support to be in a position of power in Seomyung Group. And thanks to his support, Dan Ah was promoted as the youngest Vice President of Seomyung Group. Yes, she was not yet wielding the power as the Chairwoman of Seomyung Group, but being a Vice President of Seomyung Group was itself a shorter-term goal, or a milestone towards achieving her dream of taking back what’s hers - her title as the rightful heiress of Seomyung Group.

Just like what Young Hwa - bless his young, optimistic yet immature self - told Dan Ah when she first came to his college after he kept crossing the line; if a dream seemed impossible to be achieved, focus instead on shorter-term goals while working towards chasing that dream.

By the way when I think of it, it was never made clear if the ‘older’ bastard son was appointed as President of Seomyung Group. Imagine if he was, because it wouldn’t be surprising, but he could never have things done his way because Dan Ah would keep having his ass handed to him by convincing the board room just how stupid his ways were.

Anyways, the way the story of DanHwa was concluded could be open to various interpretation, and I now believe it was intentionally done so. Why?

Exhibit 1

Young Hwa telling Dan Ah that his new goal was to watch her from a distance neither too far that he could not see her, nor too close that his field of vision would be blocked, so that he could always see her wherever he was.

He did so by asking her to just stay where she was. Of course the moment he said it, my alarms were buzzing because of how the story had compared her to Rapunzel living in a castle.

It was when Young Hwa looked “Seo Dan Ah” up on the internet when he later realised that he had forgotten how Dan Ah had been living in a castle that a peasant like him could never even dream of entering, since she was Rapunzel.

Exhibit 2

When Young Hwa and Dan Ah finally met again in front of his painting at the gallery, Dan Ah said that she was going to make that day to be her real birthday, before Young Hwa was finally able to wish her happy birthday.

These lines did seem rather out of place, but when I think more about it, it was Dan Ah cooperating with Young Hwa’s goal for both of them to celebrate her real birthday together.

This was in contrast to when she said her birthday was far away. This to me, seemed like both a literal and figurative remark.

In the literal sense, she was not sure at that point in time if they could still see each other when the day would eventually come.

Whereas in the figurative sense, celebrating her real birthday would symbolise a celebration of her successfully claiming her rightful title as the heiress of Seomyung Group - which seemed like a stretch to her at that time because she didn’t know about her father’s health condition.

But when they finally met again, she realised that there was someone who cherished her and kept her inside his radiant heart. And this person wanted to celebrate her real birthday with her because her being born was a miracle (just as other birth), because she was healthy, and because she was seeing him.

And he wanted to celebrate her real birthday with her as a way of expressing his gratitude to the heaven for all of these.

But ultimately, Young Hwa wanted to celebrate Dan Ah’s real birthday with her to get her heart in return.

And when Dan Ah decided to make the day they finally met again as her real birthday, it was symbolic that instead of obsessing over her dream of getting back her rightful title as the heiress of Seomyung Group which might require her staying in her castle, she finally gave her heart to Young Hwa, even though she was desperate to keep her heart intact due to her health condition. Maybe it’s just me but I think it’s poetic in a way.

And when she made the decision, it was symbolic to her accepting living with a fake birthday as long as someone truly cherishes her, because it may be fake, but her feeling was otherwise as real as it gets.

Exhibit 3

When the four besties met up and discussed about endings, Young Hwa told the group that his happy ending would be living well, giving birth to children like a rabbit with the person he loved (no joke that’s exactly what he said in Korean, hence the look of disgust on Dan Ah’s face).

And when he asked Dan Ah about what she wanted as her happy ending, he also asked if they could share the same happy ending, claiming their love would last forever (ah, the pure innocence of first loves).

Dan Ah then argued that she even faked a coming out to her family specifically because she did not want to get married, so sharing the same happy ending with Young Hwa like what he imagined would totally be out of the question.

Exhibit 4

DanHwa official Before poster

I’m sure many of us didn’t see this poster before the drama started airing. To be completely honest, I was not anticipating for this drama to air. There I was, minding my own business, when I saw gifs and screencaps from this drama’s first 2 episodes suddenly showing up on my dash. And then I read the usual caption spam by @dangermousie​ for those episodes and those caption spam actually piqued my interest.

You could see a sense of giddiness in this poster, as if they were playing a game of cat and mouse with each other. For those of you who don’t read hangul, the lines highlighted in this poster read as below:

“Don’t keep crossing the line.”

“But you came to see me because I crossed the line.”

DanHwa official After poster

And on the day the finale aired, JTBC released this official After poster. In this poster, both of them were portrayed to be lost in their own thoughts, no longer giddy and teasing each other.

Again, for those of you who don’t read hangul, there was only one line highlighted in this poster which reads:

“Don’t get sick, my first love.”

Special shoutout to @its-chelisey-stuff for highlighting the differences in these two posters in a post of its own.

Exhibit 5

After everything was said and done, the two of them kept hanging out together and seeing each other. They even went as each other’s plus one to the premier of Yook Ji Woo’s movie, Killing Day. And it was a public setting where people could gossip about them going together too, so it was clear she was not bothered by the possibility of people gossiping about it.

So with these 5 exhibits, it was clear that the drama was intentionally sending us viewers mixed signals about the conclusion of the story of DanHwa. But what exactly should we take from this intention?

Now, let’s talk about Young Hwa. Our precious little crybaby goof ball. We’ve seen lots of movies (or Young Hwa (영화), geddit??) with happy endings. Some gave us sad endings, but those sad endings were not unrealistic.

Throughout the drama, we could see the growth of both Dan Ah and Young Hwa since they first met each other.

In the beginning, Young Hwa told Dan Ah that he was too busy with what was in front of him (life of a college student coming from a small town in the rural area) that he never got to have a dream. When he finally had one, i.e., to not break up with Dan Ah, he gave her the assurance that he would make that dream comes true. He even tried delaying their breakup as soon as he realised that she would be breaking up with him. Not breaking up with Dan Ah was Young Hwa’s first dream ever, but he eventually learnt how hard it was to chase his dream.

But going back to the episode description, why did Netflix say that both Young Hwa and Dan Ah achieved their own goals? I’ve argued earlier in this post how Dan Ah’s appointment as the youngest Vice President of Seomyung Group could fit in this narrative. Young Hwa’s goal to keep watching Dan Ah from a distance neither too far nor too close could arguably fit in this narrative too.

I know, I know, the irony of me spending so much time thinking and talking about the ending is clear to me. But to me, the whole story of DanHwa was cleverly concluded. If we go back to episode 7, Dan Ah expressed her regret that she let go of her dream to play professional soccer (I much prefer the word ‘football’ but Koreans use the word ‘soccer’ so I’m sticking to it for consistency purpose) so easily and that she was still looking forward to having chances to kick the ball every now and then.

Later on, Dan Ah disclosed to Young Hwa how desperate she was to make time for her to go running to him despite time being of utmost importance to her, and how she desperately wanted to grab onto the little time she managed to make to be with him.

We also saw how despite being so desperate, she had initially tried to resist her urges to just run to him. Because to her, she could not afford to be distracted from running towards her dream. But she eventually ran towards him and gave in to her feeling nonetheless, albeit timing herself so she wouldn’t forget about her dream altogether.

I personally believe that their relationship would keep on going the same way it had been going - them chasing after their own individual goals, them cooperating with each other to make sure their individual goals would be achieved, Young Hwa keeping Dan Ah deep inside his heart with more subtlety just like how his painting evolved from a big drawing of Dan Ah to the silhouette of Dan Ah hiding in his painting which was displayed in Seomyung Art Gallery, while Dan Ah grabbing onto what little opportunity she would have to spend her time with Young Hwa, even if it was only for a short, sweet moment.

They might live the rest of their lives together, or they might not. But what Run On managed to tell me is we should not be too obsessed with our endings which may or may not be far away from us. Instead, we should focus on what’s right in front of us.

Instead of obsessing over our dreams and happy endings which may demotivate us if we keep stumbling onto boulders while chasing our dreams and happy endings, we should focus on shorter-term goals. Because who knows what great opportunities and sweet moments are standing right in front of us, waiting to be grabbed, if only we allow ourselves to cherish them and in return, being cherished ourselves.

And that to me, is the biggest takeaway from the story of DanHwa.