#a omen of things to come

[allysketches]

organizing my art folder I found this one drawing sitting there for months bc I didn't like how it turned out and meant to come back to it later but never did lol

but on second thought I guess it looks fine so I might as well post it now 😅

also I've been pretty much MIA these past few months bc life (good and bad) and tbh it was nice, so I'll mostly stay that way, I think... pop back now and then, whenever I finish more drawings lol

[bilaudad]

wing stuff!

experimenting with a more cartoon style, idk what i'm doing loll

tagging: @goodomensafterdark <3

[possession1981-moving]

THE FIRST OMEN dir. Arkasha Stevenson, 2024

[nothorses]

I think the other thing about it is that sometimes what you get out of art says a lot more about you than it does the artist. and what you see in people says more about you than it does them.

the people who looked at Gaiman's work and saw beauty and love for humanity and a life worth living may have been looking at the mask of a monster, and they may have been seeing a bit of something real in an otherwise abusive person, but what they were definitely seeing was a reflection of something already inside themselves.

your relationship with art isn't just about the art, and it isn't just about the artist. it's about you. you are a lens the art shines through, and you are a part of the conversation the art is having, and you are reflecting and being reflected through and by the art, and you are echoing and interpreting pieces of yourself alongside pieces of the art.

it's not foolish to see good things in art made by shitty people. it's not foolish to see good in people who are lying. it's not foolish to trust, believe, hope, or love. I think you might just have hope, love, and joy in your heart, and you might just be finding it in all of those places because you carried it there with you in the first place.

[cozylittleartblog]

worst way to start my new year, thanks. i have a lot of things to say about these companies but i'm tired and just keeping it focused to the pin side of things for this one. do not ever buy pins from these companies, literally ALL of them are stolen from small artists like me. if you want to buy enamel pins, check out etsy, and artist's personal websites and shops! (though even Etsy has some bootleg pins that ship straight from china, so tread carefully…)

Every pin I've designed is, thus far, EXCLUSIVE to my etsy. if you find it anywhere else, it's been ripped off! and once these stupid bootlegs pop up, it's basically a never ending game of whack-a-mole trying to get them all taken down...

[crowlixcx]

Then that’s what you need to tell yourself. Every time you feel that panic. That anxiety. You need to soothe yourself like you would soothe the little girl... You need to tell yourself that everything’s going to be OK. If you commit to that, then I promise you you’ll be able to face anything. And it starts right now.

My Mad Fat Diary (2013-2015) S02E07 - "Glue"

[twilightcitysky]

Hypothesis: Aziraphale HATES that Crowley is living in his car.

Supporting evidence:

The very first thing we see him do in the present is stop Maggie from moving out and making sure she feels welcome to stay as long as she likes.

He clearly knows Crowley’s unhappy before anything happens in the plot: “Does it calm you down?”. And also clearly feels helpless about it. Enter the conspicuous Eccles cakes: Aziraphale’s offer, which is rejected.

Crowley’s obviously, for all his hedging, spending a lot of time at the bookshop— so much that he has his own glasses perch and feels immediately comfortable removing them. See also: “Technically my bookshop but we both get plenty of use out of it”, “Why don’t you wait inside? You like waiting inside”.

It’s Crowley who immediately shoves the box of plants into Aziraphale’s arms after Aziraphale returns from Scotland.

Speaking of Scotland, why wouldn’t Aziraphale take the train? Why insist on driving the Bentley? Is it perhaps because he wants to get Crowley and his plants into the shop, and thinks if he creates a situation where Crowley has to stay there, maybe he won’t immediately leave again?

He’s got an empty bedroom and an apparently pathological need to make the person staying there very comfortable, creating cute little customized souvenirs like he’s an Air B&B host (displacement!).

He immediately jumps to having Gabriel stay with him— he didn’t have to. Arguably, both Gabriel and Aziraphale would be safer if Gabe stayed elsewhere.

That’s what I’ve got for now but I’m sure there’s more. Throughout the show, watch what Aziraphale gives to others and does for others, and it’ll tell you what he wants to do for Crowley. He’s living so deeply in displacement in makes him come across as manic and brittle.

(What probably happened is Aziraphale offered the spare bedroom and Crowley, who unconsciously didn’t want to be his roommate or sleep in a single bed with Aziraphale right downstairs because how could the poor lovesick boy cope with that, told him he wasn’t a “good deed” for Aziraphale to do and stormed off.)

Conclusion: Aziraphale asked Crowley to stay at his place, immediately and probably repeatedly. They had a row about it, and Crowley refused, and to this day Aziraphale doesn’t understand why.

And it hurts him.

[bluberryfields]

This is what happens when you're raised by TV and trained in literary analysis

Beyond the crushing heartbreak of that finale, one thing in particular has stuck with me when I look at it in the context of S2 as a whole.

He lays out their relationship, "We're a team, a group. A group of the two of us. And we've spent our existence pretending that we aren't."

He then turns his head away and says, "I mean, the last few years, not really."

He pauses here, facing the interior of the bookshop. Really looks it up and down.

Turns back, "And I would like to spend" before choking on his words and looks toward the window. He can't finish saying something like "And I would like to spend eternity with you" because that's too much, too fast, for both of them.

But it's that "last few years" bit that has firmly lodged itself in my very broken brain.

According to Gaiman, it's been "a few years" since the end of Season 1. Armageddon has been averted. Heaven and Hell have reluctantly retreated. Crowley and Aziraphale have been effectively cut loose from their "sides," leaving them to form their own side.

So at the start of Season 2, we get a glimpse of the “fragile existence” they have carved out for themselves. To me, the biggest difference that we see is how they exist together in front of others. Going to the coffee shop, the pub, and the other shops along the street that Aziraphale has lived on for over 200 years. And don’t forget how they act in front of Nina, Maggie, and sweet, dim Muriel.

At the coffee shop, Aziraphale stammers a bit when Nina asks who Crowley is, but he still seems to have affection in his voice when he says, "We go back a long time."

Compared to Shakespearian "He's not my friend! We've never met before. We don't know each other!" panic, this is an incredible difference.

Of course, each time, Crowley is cool and cheeky and does nothing to indicate that they aren't a pair. Though, of course, he does deny it when Nina asks about Aziraphale being his side piece. “He’s not my bit on the side! He’s far too pure of heart to be anyone’s bit on the side.” And refers to him as an “Angel [swallows]I know.”

When they go the pub, Crowley's joy at doing something together in public that they do not normally do is super cute, including his cheeky order for Aziraphale's sherry. Then, when bringing the drinks over to the socially trapped Aziraphale, he greets Mr. Brown with a truly adorable, "Hello" and a signature DT smile. Then upon hearing how “excited” Mr. Fell is to host the meeting, he looks down and says, “Oh? You astonish me.” while Aziraphale sips his sherry and squirms.

We also watch as Crowley follows Aziraphale as he goes to each shop and talks to the owners about the meeting/secret ball. In theory, Crowley has no reason to tag along, and he certainly doesn’t help sway anyone who doesn’t want to/can’t go. He goofs around at the magic shop. He splays out on the bench, chin on hand, looking for all the world a husband waiting for his wife to pick out a dress at the department store. They are so married it’s ridiculous.

Finally, their behavior in front of Muriel while inside their sanctuary. Crowley sits on the arm of Aziraphale’s chair, somehow looking supremely comfortable on the old-fashioned furniture. He folds up those gloriously long limbs and presses himself as close as possible.

He smiles and plays along with Aziraphale’s coaching of Muriel in her disguise. Calls him Angel and asks to speak in private. And at the end, during the awful wait while Aziraphale talks with The Metatron, Crowley cleans up the shop and tells Muriel that he and Aziraphale will need some “us” time after all this. No beating around the bush. 

Without oversight, they can be openly together and happy. But Heaven just can’t let that happen. 

[queerolddad]

yall mind if I infodump real quick

I personally love that in fanfic, we’ve all silently agreed to describe Aziraphale’s hair as Michael’s hair.

Every fic (including mine) is like “his cherubic ringlets” even tho the 40 volume double process plus short cut makes it much more fluffy and less ringlet-y

And I love both dearly but I love love that we all just refer to this

as if it’s this

So what I’m saying is, give that man a protein treatment, let that shit grow and give us our cherubic Azi curls 🙏

[ducks-love-peas]

Crowley in the pub | [Aziraphale]

[mizgnomer]

They know each other so well (or do they)

Good Omens Season 2

[artyphex]

I cannot wait for Maggie and Nina to spot Crowley lurking around and after successfully cornering him ask how things are with him and Aziraphale and he sarcastically says "Bloody excellent" and when they do wring the truth out of him they're just like

[everysongineverykey]

as part of the getting-worse-before-it-gets-better portion of aziraphale and crowley's season 3 relationship arc we NEED a desperate "i love you" from aziraphale met with a hissed, spiteful, and quickly regretted "i forgive you" from crowley

[chaoticfvckingdisaster]

Forget about Barbieheimer what about Miraculous Omens in 6 days

[izelleon]

can this bitch just wake up already!!!!!

[youryurigoddess]

Thy Kingdom Airways

Attention all passengers, please fasten your seatbelts. We are preparing for take-off. This time our analytic journey will revolve around planes as a recurring motif in Good Omens 2 and possibly Good Omens 3. Since a part of this post will add some new crumbs of information about the ongoing production to the discourse, please make sure to spoiler tag your replies accordingly.

We’re starting literally at the beginning, AND YES, I’m painfully aware that this is my third time breaking apart this particular scene from the new title sequence (Peter Anderson, I’m in your walls). We’re witnesses to the Second Coming brought to us via Thy Kingdom Airways.

And this big silver plane is actually a part of some good old — literally 20-year-old — spoilers from the never published Good Omens sequel:

Director Douglas Mackinnon personally chose the poster for A Matter of Life and Death / Stairway to Heaven (1946) to appear here as well. The movie itself is referenced multiple times in both seasons of the show, but what interests us here is the fact that its MC is a British pilot who dies in a plane crash.

He gets another chance at life due to an angel’s error and eventually must argue for his life before a celestial court, hoping to prolong his fledgling romance with a radio operator who shared his last moments on Earth over the airwaves.

Douglas is also responsible for the movie playing in the background of The Resurrectionist pub scene in S02E06 — The Spirit of St. Louis (1957), a biopic of Charles Lindbergh, the pilot who made the first nonstop solo flight from New York to Paris.

To finish the transatlantic flight, Lindbergh has to stay awake for 33 hours (33 happens to be biblically significant, i.a. as the age of the crucified Jesus). He succeeds by talking to a fly that had buzzed into the cockpit and reminiscing to it about his life (via flashbacks).

Once an accident, twice a coincidence, three times a pattern, right? So there’s a plane. And a character traveling through time and space to navigate some dangerous circumstances. Looking for help or… clues? The danger is either their own feelings or something more ominous here.

Flash-forward to 2025. It might be completely off, but considering the overall panic I think it’s worth mentioning that I found some crumbs of information suggesting a Good Omens film shoot with a certain amount of angels at an airport right now.

I was casually screening the extras’ profiles for Good Omens 3 the other day, as one does to learn that e.g., one of them is a professional contortionist (really!) and after a while, it came to my attention that a few of the profiles repeated mentions of “angels”, “2nd unit angels”, and “airport” across a few days in late February. Interestingly, some of them also listed sword fighting skills and law enforcement background underneath.

The implications seem obvious to anyone familiar with the plot of the unpublished Good Omens sequel and what I just shared above: please take a minute of your time to consider Aziraphale in a new suit, new hairstyle, a headset, and surrounded by at least one unit of angelic bodyguards in dark glasses.

Now, the filming dates in question consist of days and months only, so technically could also refer to their Good Omens 2 work since some (not all) of the extras were also employed by the show at the time. And Heaven’s corridors scenes could be shot at an airport instead of a studio, right? But the thing is, the background angels seen on screen in S2… don’t seem to match the profiles I found.

A perfunctory social media screening revealed one mention of Boeing 737 interior scenes filmed this month in the area, at Dunsfold Aerodrome. Is this connected? No idea, but if at least some of my speculations are correct, a follow-up exterior shoot at an airport would make sense.

Another interesting crumb that may or may not be related in some way is this photograph from the set shared by Guy Spangler, a professional dressing props specialist and armourer on Good Omens 3. Not quite the big silver plane of Thy Kingdom Airways we’re waiting for, but still!