#good omens opening sequence

[captainfantasticalright]

The Peter Anderson Studio and how they originally developed the ineffable opening sequence for Good Omens.

I also covered most of the easter eggs you can find in the season 2 opening sequence here.

And if you want to read the interviews used for this post:

Peter Anderson Studio Title Sequence

Title Sequence Polygon

Indigo Awards

Art of the Title

The official page of the Peter Anderson Studio

[beebopboom]

hey Aziraphale bud, whatcha doing here?

don’t know how I missed the giant floating Aziraphale head all these times watching it. And no I could not find a matching Crowley one. Which weird right? I mean they were both there.

Unless it’s visual commentary on Crowley not being that angel anymore - erased from his own creations.

[ineffable-museum]

It’s #priDEMONth guys! 🥳🏳️‍🌈 and 57 days…

[melbatron5000]

*GASP*

I did not notice this! Holy shit, this needs thought!

Okay. Okay. Terry Pratchett always talks about the Multiverse in his Discworld books. I don't know if that applies here? I don't know what it means. Does it mean anything?

There has to be some sort of basis or precedence for all this. Something we can spot in the show itself that explains it all.

Right? Right?

Ugh.

Eden

(No spoilers for season two in here, promise) One of the most interesting parts of getting to visit the Good Omens set was talking with set designer Michael Ralph. Mostly it was about the bookshop, but he also talked about back before season 1 was done and he was first envisioning and drawing the concept art for everything. His image of the Garden of Eden was that it would be behind walls, obviously, and that outside those walls would be a vast desert.

And that in that desert were the remains of the first attempts of building other Edens. Failed prototypes now left to turn to ruins.

I think about that a lot now. About what might have been in the other Edens, what was left when they were abandoned.

[leftduck9986]

Foreshadowing, out of order?

In storytelling, is there a single word that means "the opposite of foreshadowing"?

WARNING: in trying to wrap my head around this, there will be wittering!!!

Wikipedia tells me that a flashback is a method of foreshadowing.

The Bullet Catch in the NZF minisode, being a flashback as well as told before the "present day" [speculated] event it sets up a clue for, well, that's what I've understood foreshadowing to mean until now, because isn't foreshadowing always presented before the event it foreshadows comes to pass?

The flashback/memory minisode, A Companion To Owls, is told after the "present day" event it foreshadows. Does that still count as foreshadowing, or is it instead considered "the big reveal" because it is told after?

And is this all that is meant by various things in Good Omens 2 being "out of order"?

The Hiding Miracle and the Memory That Both Foreshadows and Reveals It?

Indeed, it was a tiny miracle - as titled in the soundtrack - that worked as planned and "barely moved the dials" (but still a miracle in which "Noone will have noticed A Thing" however tiny it was, and that "Nobody notices he's here (...) Nobody can spot him, (...) especially if they're looking for him").

I believe it was the first of three events that happened that night, which, became the main focus of this "quiet, gentle, romantic" season, but paling in comparison to the other two events. Moving on!

Returning to how A Companion to Owls isn't told until after The Hiding Miracle and clues us in as to what was actually going on: this tiny miracle was made to appear far more powerful than it actually was, with the use of showmanship:

The ceremonious setup of being positioned on the circle in the middle of the room hidden under the carpet, between Aziraphale and Crowley; he could have been standing, but instead, "Jim... Sit in this chair." And it's a beautiful chair, like a throne, but Jim being taller wouldn't have worked for the image of the 'W' (similar to the 'W' shape made with Shadwell standing between Aziraphale and Crowley at the airbase, in the book Good Omens.)

ta-da!-look-at-this-very-complicated-and-powerful-miracle-that-we-are-doing

Why perform at all then, for an audience of none?

Ah, they're not alone, oooOoOoOOOoOoOooo, spooky. Go and see for yourself: check out the bottom left area of the screen when Crowley returns to the bookshop and says, "I'm BACK" (this is to do with the "framing opportunities" secret mentioned in the Gavin Finney BTS article https://britishcinematographer.co.uk/gavin-finney-bsc-good-omens-2/) Aziraphale calmly replies, "Yes, I can see that" and later gasps, reacting to something happening off-screen at 40m41s.

So this performance, not yet knowing who their audience might be, could be as a precaution, just in case.

Gabriel instinctively crosses his hands and is confused when Aziraphale and Crowley uncross them - or likely because Aziraphale was even standing there at all - because he remembers, or rather, in his mind's eye, sees the shape left behind by a missing piece of furniture.

The ceremonious setup of being positioned in the centre, between Sitis and Job, this time in the background to have Bildad appear a little shorter in height for the stylized 'W', then crossing his hands. The pot containing Sitis and Job's children being the circle, hidden by the circle of carpet (robes) made as Sitis and Job embrace.

ta-da!-look-at-this-very-complicated-and-powerful-miracle-that-we-are-doing

Had we seen Jim's and Crowley's conversation about memory before The Hiding Miracle instead of much later in episode 5, then it would have been foreshadowing, yes?

*temper rising* A "reveal," or "out-of-order foreshadowing"? (VBUAXNAUSX*keyboard smash*NYVIFGNOMAI) grrrrrr!

...

After the Job story is told, (save for the final scene) and Aziraphale calls for Crowley, my head-cannon used to be that Aziraphale wanted to talk about hair -

Aziraphale: Crowley, I gave you lovely long locks in my retelling of this story, how about you? Crowley: Nah, "shoulder-length bouncy 'bob'" is what I put - a "Lob" I think is what they're calling it these days.

But now I think that, to book-end Crowley's beginning with, "Your boss said that to Job, do you remember?" (imo they are so good at blending in, they can act human better than any human can act human! So, while feigning the memory span&loss&retention of a human, of course they can remember most everything. Angel stock: constitution of an Ox, memory of an Elephant.) Aziraphale may have wanted to remark on Jim's crossed hands from the night before and how similar it was to Crowley's doing so; that it was evidence of Gabriel still somehow being able to connect with images from his memory. "Crowley? You also did that thing... does Gabriel remember?"

If each minisode contains something that foreshadows or reveals what magic tricks occurred during this season's present day events, I feel that the only thing left is from "The Resurrectionists" minisode, where Crowley Goes Large (woah, woah, woah, another case for The Song Is The Clue?!?) ... or makes himself, something or someone else tiny.

"Size and shape are simply options" after all, so I do wonder about Hell's Usher, where the only time we've seen him is when he is small enough to fit in a bathtub and yet he is HUGE in the opening title sequence of season one. Behind him, Noah's Ark stranded between two damaged buildings (or one damaged building and maybe the Pleasure Cruiser Morbillo?)

Something else that may be revealing of stories yet to be told of the past, while also foreshadowing a near-future event:

Based on what Crowley said, this is not the first time Crowley and Aziraphale have performed a half-miracle together! Whatever biiiig miracle they're about to do (speculated event #2) could still be completely balanced and undetected, but then a plume of miraculous activity emerging from the circle gateway (privately speculated event #3) is what poor Aziraphale will appear to take the blame for.

Things being out of order may have started with the question, are season two's present day events being told out of order? There are other things appearing out of order as well, for example a change in the order of colours in the Rainbow (for "present day" episode two only I think, beginning Violet then Red, etc.) Or, in this case, narrative devices being so intertwined, one flashback-event can contain images and phrases that both foreshadow something yet to happen as well as to reveal what happened in a part of the story already told.

As always, please no asking or tagging Mr Gaiman as this blog post contains theory and speculation, thank you.

[mintmillipede]

things i noticed in the good omens 2 opening title sequence part 1

i watched this frame by frame and have had many thoughts. i'll put things which are interpretation or my perspective in purple. feel free to watch along whilst you read if you haven't seen it yet.

also couple of disclaimers which u may feel free to skip: i grew up with chrisitan iconography but am not christian but because of that i know more about that perspective of abrahamic texts so keep that in mind! i'm using guy as a vibe more than a gender but am happy to take criticism on that bc i'm not sure myself yet. also i haven't looked at any other analyses because i want this to be like a fun little puzzle so apologies for overlap/missing things/being wrong. ok enjoy!

ok, scene 1. mountain range, not sure which one but it could be a biblical reference? so possibly judaean mountains but that is a big stretch. aziraphale is coming down from the heavens whilst crowley emerges from a glowing orange crater, which looks a lot like hell especially with the context later in the intro.

they emerge behind a rock into scene 2 into a tunnel and crowley lights a match with his hell powers? this actually interests me because why use a match if you have fire powers? perhaps he's conserving miracles.

scene 3: we don't actually see them emerge from the tunnel, they're seen up ahead later. we start with an animal's skull in the foreground, and i think it's a ram. there's other ram skeletal remains later and there are various rams eating on the hills. from stage right enters: a delivery guy. they've got a delicate package. it's giving me like holy land vibes? idk i grew up christian and it's like christian movie landscape to me.

anyway the delivery guy is trailing behind a figure all in black who is almost camouflaged in the murky landscape. there's also a tree by them which i think is a mustard seed tree!!! there's a parable about it and it's the vibe of starting from small beginnings like the small little mustard seed grows into a tree which birds chill on.

the figure in black is following a couple of steps behind aziraphale and crowley, and they pass a little ram on a rock which has a fleece which reddens. rams were often used as sacrifices in the old testament and probably in other abrahamic texts. not a good omen.

a raven is on a cart with bags which look like they are full of coin. they are having a little snack. this may be about matthew 6:26 where jesus basically says don't worry so much about money look god's feeding the ravens (sometimes translated as birds in general) and they suck (bc they are seen as unclean maybe because they eat carcasses) and you're better than them. it's like god cares for fucking ravens so he's gonna care for you sinners. also they're omens of death. this will be important very shortly.

there's also some real funky looking birds with four legs on the mountain and those were not in the bible (/j idk if they are or not but i couldn't remember them and i feel like i would have). and the paths on the mountains are scrolls, suggesting maybe that the world around them is literally made of scripture.

crowley sets fire to a little bb ram and now they're all on fire it's very mean of him. no i am not colouring that in purple. i think in this context it might be to cleanse the sins of humanity?

scene 4! finally ok immediately wtf aziraphale why are you secretly a lamp??? my bf thinks this is a supernatural show so i looked it up to spite him and there's a bunch of references to lamps in the torah and talmud but bc english-speaking christians can't be bothered to learn hebrew or greek the bible has the most direct reference i could find: 'the spirit of man is the lamp of the lord'

also crowley is a vibe! not sure what gender she's presenting as here but i'm hazarding a guess as femme. blue has a bunch of meanings but none i was sure about, but i saw a bunch of references to the sky. the funky guy behind him does have a human face with a helmet of black hair i think and is carrying something big that i cannot make out. the person in front of them is giving zombie and they are in a graveyard and there's more context later imo for that being accurate.

going stage left, we have another aziraphale and crowley, not in disguise. if i had to guess, these would be muriel and another new ally who are disguised as them to take the heat off of them. i think.

everyday on a gravestone? could be a reference to the song everyday by buddy holly which has been used in promo so far. it's a song about working up the courage to ask someone out... which could signify a development in aziraphale and crowley's relationship but also could signify something coming in the plot relating to heaven/hell. on a gravestone, the song could reference the fast approach of death. could be a combo of these things too. or could be none! i am no oracle. or am i...

at the back, a bucket of pickled herring is being transported by a skrungly little guy. pickled herring does have links to jewish culture but we know there's a pickled herring scene in edinburgh which maybe more suggests scottish fishing culture (not that the two are mutually exclusive of course). the guy travelling alongside the cart with a goth vibe has a shovel suggesting he's a gravedigger.

jane austen! suggests some of her themes popping up in the show but also suggests they're around winchester cathedral, and it does look like they're going into a building but it looks more like a crypt/mausoleum to me. i tried to find more information about a building like this in winchester but i was looking on ecosia and thus found nothing.

here lies the former shell of beelzebub is a canon reason for the change of actors, but here lies adam?!?!??! i know time could have just passed, but it's still mean!!!!! maybe it's a different adam?

scene 5! i think they've entered down a secret passageway in the crypt - you can see some coffins there and i think the masonry fits well enough. we've got some more people following behind the ones who are dressed like azi and crowley. it's a bit too blurry but i've spotted a few who could be aziraphale in disguise as the odd lantern is gone - i think though he is dressed as the gravedigger now as the original gravedigger seems to have changed their garb. a few more could be crowley although crowley's original form with the blue headscarf is still there. the figure in white near the front gives me undead vibes. helmet hair guy is more visible now. we've got someone holding a lantern near the back who is a vibe (could be religious or in some way guiding the souls of the dead). they're followed by a real funky looking guy who i think is wearing a mask??? hard to tell

ok so so so there is so much around them. skeletons and gravestones suggest we're still in a cemetery. if you look on the left, it's the box the delivery guy from the beginning had!!! so many thoughts about this. mentions of a delivery are everywhere. this box is in the recent prime insta post with angel and demon feathers emerging from it. basically this is very very important, so how did it end up here? was the delivery guy buried with this on his body?

we see a web. we'll come back to that!

little feature i like the skull we see has a backbone and a ribcage which is a vibe

scene 6! a lot of ppl too many to talk about in full but def some skeletons. i think religious figures. there's a cool looking punk? too many things so many stimuli. anyway i think this is a crowd of undead people being led into hell to assist on a mission. why just the undead?

they're exiting something that looks like the crypt they came in from, suggesting it's a secret entrance to hell. might this be where hastur met crowley in season 1?

we've got a big wheel which looks like it's used for some kind of pulley contraption imo, but i don't think it would be for the guillotine unless they wanted to adapt the guillotine somehow, perhaps automate it? big stretch

we've got the pyres of files and computers and office chairs. this is a metaphor for capitalism sucking balls.

web! like before. ok so theories perhaps it's a metaphor showing the web of all of the connecting entrances. perhaps it's a big magic hell thing drawing power from everywhere to its centre. perhaps hell listens to people from webs. maybe demons can travel through webs? idk maybe one of these is 25% right. also later we see a spooder so maybe she has laid eggs?

oooh mysterious fire cave. mayb that's where satan is chilling. the inverted pentacle's outside of it. could also be the government of sorts. my boyf thinks it looks like a skeletal face in a witch hat and i think he is festering with lies.

leetle dragon gargoyle!!!! i love her she can do no wrong

i like to think we see the different stages of their headquarters. the castle was the first, the grey building is the current/s1 one, and the blueish lighting is coming from what they're upgrading to. this may also be why there's the pyres of stuff: they're doing a little clear out!

also the crushed metally thing in the foreground... i don't want to say it's the bentley.............. so i will not i refuse to be devastated before the show has even begun

scene 7: we come out of the stairs leading up to the public loos by liberty's london which is right next to soho, the implication being that that's another entrance to hell which is in fact true irl. the old-timey underground logo (probs oxford circus) suggests we're not in present day (so maybe adam is fine! or maybe they're time travelling?) which suggests we're in the blitz (ww2) because of the barrage balloon and the aircrafts. this is also suggested by the old routemaster bus.

ok we're up to 0:33! coffee break meet back in like a day i did not expect this trailer ok i have things to pretend to do

[azariah-z-fell]

What if Aziraphale hasn’t fallen not he hasn’t sinned or heaven does make angels fall anymore or he is god’s favorite but…

But because he never lost faith in god? His wings are still pearly white. Haven’t darkened at all. Crowley while talking about asking questions wings turn light grey.

[kimberleyjean]

Oh yay! I saw your comment on my post but didn't get the time to verify it myself. I'm so glad you got official confirmation instead!

confirmation from peter anderson studio that the tartan behind aziraphale and crowley when they're perched on a soho rooftop is aziraphale's tartan! only took me til this past week for my brain to suddenly go "wait a minute...."

[metatronhateblog]

The Opening Sequence Pt 2 The Cemetery

Welcome back to the opening sequence breakdown. It only took me forever to get back to this thanks to con crunching (curse you Crowley's leather vest), split attention, and work. Today I will be, you guessed it cause you probably read the title, talking about the cemetery sequence.

Now there isn't too terribly much here, and I'm sure a lot of this has already been talked about. I've no doubt people were smart enough to already find all this.

But as I have no self control and am in fact procrastinating finishing my Crowley cosplay, here we are. I promise we'll get into some more....weird? Less noticeable??? I don't even know? Stuff as time goes on. We're just starting off with the basics cause it's easier on my brain.

So in the cemetery, we already know that Jim is hiding out behind some headstones next to the mausoleum they enter. Nothing too weird there, aside from the fact he's hiding. BUT WE'RE NOT HERE TO TALK ABOUT JIM.

Instead I'm here to talk about all the weird little things on the headstones. Again, I wouldn't be surprised if it's all already been found, I just personally haven't seen anyone talk about it?

We start off seeing this little mausoleum that says 'ARCHER' on it

Which we also see make an appearance in episode 3, when our beloveds are in Edinburgh.

(Did I start this draft then immediately drop everything to lighten/color correct all of season 2 episode three so I could see if there was anything in the background? Maybe...)

Then we have our lovely statue of the one and only beloved yet self absorbed Gabriel. Again, nothing too fancy.

And this little cross with an very interesting symbol on it right next to Gabriel. The symbol from a glance looks to be a money sign but when you take a closer look, I think it's actually three crosses? Or maybe one cross with two little lines on either side and a big 'S' slapped over top.

Then we have our 'Everyday' headstone which is of no surprise due to reoccurring song appearances in the season.

But then something else caught my eye while I was making this post that I didn't notice previously... See that little guy up in the corner of the everyday headstone?

Him?

yeah well idk who he's supposed to be but he's not the only one...

And then a third that is hidden behind a cross

Perhaps important characters? Or maybe a little hint about something that I don't know yet. Or maybe even just put there to fill in the background with no meaning....who knows.

Either way these gentlemen (or ladies) appear in the actual episode behind the Gabriel statue.

Then here we have two...stone caskets? Above ground graves? Where they both look the same, but one appears to be crossed out, maybe worn away with time, and you can't see the other because it's hidden by a headstone that says 'Peter Paintball.'

I have no clue who Peter paintball is. Maybe it's a reference to Season 1, or maybe it's someone on the crew or something. But I have no Earthly clue.

Moving on. As our boys continue their cemetery date with a trail of people and creatures and...objects? Behind them. We see the mastermind behind our Clerkenwell Diamond Robbery. Miss Austen herself.

I'm just as unphased at her name being in this cemetery as I am 'everyday.'

From here, I've had to do a lot of tweaking and playing with the lighting, and I won't lie, some things are still kind of...not quite able to be made out imo. So now we have...

A two for one that kind of leaves my brain churning questions like butter. I'll start with the more legible one.

"Here lies the former shell of Beelzebub."

I mean 'they're just such a little ray of sunshine' so of course this headstone makes sense. But also...why? What exactly does this mean. Like what's it referring to? I get that demons are dead inside which...mood. But could this possibly be referring to whoever Beelzebub was before falling? Or maybe the fact that Beelzebub feels some sort of happiness after meeting Gabriel and therefore the shell has been buried? I don't know. I just sit here and mull this over sometimes and maybe it's not a detail I should agonize over, but still.

Then we have 'here lies...Adam...' with the words underneath that I can only barely make out some of. I have tried fixing this so many different ways, and maybe it's just my lacking photo editing skills but still. I believe Neil has said this headstone is referring to Adam as in Adam and Eve? (Correct me if I'm wrong.) And if I squint I can make out....(from my best attempt at cleaning this up enough to see it)

"I do not understand, surely your very existence requires....of the world..."

Some of the words I can't make out, and the whole bottom line is a mystery to me because it's blocked entirely by the shadow that I can't fix.

Buuuuuut using my skills of deduction I'm going to assume this is a quote from Adam in the show? Gonna assume show and not book all things considered. (Upon further investigation it's Death who says this to Adam.) I can't remember. But the quote is something like

"I do not understand, surely your very existence requires the ending of the world. It is written."

Which...well hell that's a very interesting thing to put on a headstone (once again questioning which Adam Neil said that headstone belongs to...)

(Maybe it's a reference to Adam Young but Neil is saying he's not dead? Because he never actually confirms which Adam this is a reference to but I suppose it could be either considering it begins and 'ends' with an Adam.

But the thing I find really interesting is actually the headstone right next to it, also a take on something Death says in season 1.

'Left early to beat the rush.'

Which. Hell this one took me by surprise the first time I read it. Death says it to the mail man in Season 1 'Think of it as leaving early to beat the rush.' And if I recall correctly (I don't know where the source is) Neil has said something similar about Terry? So for all I know this headstone could be a nod to Terry Pratchett....or it could be two very interesting Death quotes on back to back headstones.

Could the Adam one possibly be referring to the fact that Adam, by the end of season 1, technically reversed the end of the world? Or something along those lines? I just find it weird that amongst a bunch of (i'm using this word lightly) joke headstones we have two very intriguing Death quotes....

Finally, we have this little interesting bit on the side right here.

We have that symbol from before but a little clearer now...and? A head? There's a bust here in the corner in front of Gabriel.

At first glance it reminds me of the Gabriel angel statue...and maybe this is supposed to be Gabriel...But if you look a little closer...you can see a button up.

Now this is the best shot I can manage of it.

This looks specifically like Jim. Not Gabriel, but Jim. It's dressed similarly and I think that's his hairstyle. The face looks similar. I momentarily thought it might be Aziraphale or even Crowley but that wouldn't make sense...right?

So for now, I'm thinking that this is a bust of Jim. Very interesting considering Jimbriel is hiding right in front of it and there's a different statue of the Archangel Gabriel earlier in the cemetery....So what the heck is this all about...

Now if I missed any, or if any of the headstones in the background have writing that is hard to make out, let me know and I'll update this post.

But as I said before, I'm sure someone has already done this. Consider this a reference post, maybe let your gears turn a bit about some of the epitaphs because they're certainly some head scratchers if you ask me.

Thank you for reading this, and keep a look out for more of the opening sequence breakdown series in which I slowly lose more and more of my mind staring at this thing and picking out little tiny details.

[okapiandpaste]

(practically shaking) you know good omens 2 is the most autistic story ever, right? that crowley getting cast out of heaven for asking too many questions and aziraphale needing justification for all his decisions is so autistic, right? that two people falling in love by navigating through and accommodating each other's complex moralities is such an autistic way to fall in love? that some of their most intense acts of trust were about sharing things they love with each other (food, magic, crowley letting aziraphale drive his car)? previously unprecedented autism levels have been reached.

[ineffableheartbreakers]

(I only just noticed "The 2nd Coming" in the opening titles)

I also noticed a ship that was crashed near the end BUT I CAN'T FIGURE OUT WHAT IT SAYS ON IT

And since Mr Neil has said there are things in the opening that may or may not be hints to S3...

SOMEONE TELL ME THE SIGNIFICANCE OF THIS SHIP IT'S LITERALLY SO PROMINENT IN THE FINAL TITLE SEQUENCE I NEED AN EXPLANATION

[captainfantasticalright]

Good Omens 2 opening sequence easter eggs:

I had originally posted these after the last Ineffable Con, but in separate posts. A lot of the things mentioned here were covered in the Con and said by Peter Anderson. (He actually left this comment).

Other easter eggs are mentioned inside of the X ray section of Prime! You can watch an extensive behind the scenes there and appreciate how the flames here were built using cotton balls or how the tartan hills were made. (Including our little spider friend, which I also asked some extra pictures from because the original concept was very creepy). You can see them better here.

[ineffablelvrs]

is that gabriel

[nomoremrnicefag]

oh my god my phone is mocking me

[poobur79]

Gobsmacked! 🫠 Thanks to everyone involved in making and sharing this with us! 💖

Peter Anderson: Hi, my name is Peter Anderson. I'm from Peter Anderson Studio and we created the title sequence to Good Omens Season Two. So this scene is quite literally a continuation from Season One.

An interesting detail with this scene is the fly. The fly is significant because it stores Gabriel's memory.

Gabriel is hidden in every scene. This is the first time we see it.

This goat is half bird, half goat, representing a mistake in a moment of transformation.

In the pickled herring barrel, we have literally red herrings sticking out.

A lot of the gravestones have hidden engravings, easter eggs, all written by Neil.

[This one says: HERE LIES THE FORMER SHELL OF BEELZEBUB referncing Beelzebub having a new face in S2 :), another ones are: EVERYDAY, JANE AUSTEN, Here lies ADAM (the Adam from Adam and Eve is meant)]

Another hidden Gabriel.

Our same character that was trying to escape Hell in Season One titles is also trying to escape here, moving in the opposite direction to the rest of the procession. Except this time he's apprehended and dragged back into the procession.

Our Hell spider from episode four makes a little appearance in the background here.

Can you tell where the bus is going? Director Douglas McKinnon selected Powell and Pressburger's Stairway to Heaven to put on the billboard.

Another thing to note here is the type is all handmade specifically for Good Omens. The Alphabet only exists within the show.

The big floating turnip is a nod to Azirafel's magic tricks.

The Ladies of Camelot poster we pulled from the show.

We added plaques to the back of the chairs and Neil chose who to honour.

[There are: A TALE OF TWO CITIES by CHARLES DICKENS, PRIDE AND PREJUDICE by JANE AUSTEN, THE CROW ROAD by IAIN BANKS (twice!) and GOOD OMENS by TERRY PRATCHETT (Neil missing for some reason :) <3)]

Saraquiel made an appearance from Heaven.

Our Space is back from Season One. Aziraphale and Crowley are having a little dance here. A moment of flirtation. There's a tiny planet in the middle that comes into existence at this moment.

Our Scottish tartan hills make an appearance here.

The aeroplane and the airline is a little bit of a clue here.

[THY KINGDOM AIRWAYS 👀]

It's raining love hearts in reference to Aziraphale's attempt at making Maggie and Nina fall in love.

Here are elevators to Heaven and Hell. A wee thing to spot. Here is Gabriel in the lift arriving from Heaven.

We've updated our flags to reference some of the plotlines in Season Two. For example, The Second Coming.

The movie poster artwork changes every week, representing the episode plotlines and the minisodes. We made the posters to look like the time period and in this case we've got a Good Omens version of Buddy Holly.

[The posters are:]

In the snack bar some of our popcorn is actually communion wafers.

There are specific characters from Season One in the boxes watching the movie as the procession goes by. This includes some of our original concept art from Season One.

The duck playing the accordion is from a newspaper headline that someone is reading in The Dirty Donkey from one of the episodes.

[this is also from the Good Omens book :): "Daily Mail. 'Letter From America.' Um, August the third," said Newt. "Just after the story about the woman in Worms, Nebraska, who taught her duck to play the accordion."]

Each episode is showing a new movie on the screen, each one selected by Douglas, and has clues about what's to come.

The season one foam box tumbles in the background.

The big mountain is made of all the ingredients from Season Two and a couple of remnants from Season One. We are heading towards the biggest Easter Egg, which is the lift. We're heading towards the Second Coming..

[leftduck9986]

Opening Title Sequence Glitch (S2E3)

Is anything glitching out here?

Why, yes. Look:

Both Saraqael and her earthly wheelchair completely disappear for a frame!

Shortly before they do, there's a black shape that flashes twice in front, as if to grab attention and count us in. One, two, pause for a beat and then Saraqael blinks - or, because this scene is in The Windmill Theatre, fails to miracle herself away, because of a miracle-blocker? (Except that this only happens in the opening title sequence of the third episode, not in all of them) - on three!

Here is a second attempt at the gif, this time even slower, with extra delay during the frames with glitches and on either side:

It kind of looks like the black outfit worn by the character behind Saraqael is flashing to the foreground for two frames - for both the first and second time this occurs - and most of Saraqael's earthly wheelchair is disappearing at the same time. Is there a little green screen popping through as well?

The first flicker appears for the last two frames of the animated text, "based on the novel by Terry Pratchett and Neil Gaiman" and then disappears with it, as if this animation layer is what affected the layers underneath. Could it possibly be to do with rendering, lag, exporting and whatnot? I really have no idea. Still...

After all that work, layering lots of elements and tiny videos together, to be simply undone like that? Yeah, nah.

Cheers to the Peter Anderson Studio ;)