#good omens opening sequence

[youryurigoddess]

Thy Kingdom Airways

Attention all passengers, please fasten your seatbelts. We are preparing for take-off. This time our analytic journey will revolve around planes as a recurring motif in Good Omens 2 and possibly Good Omens 3. Since a part of this post will add some new crumbs of information about the ongoing production to the discourse, please make sure to spoiler tag your replies accordingly.

We’re starting literally at the beginning, AND YES, I’m painfully aware that this is my third time breaking apart this particular scene from the new title sequence (Peter Anderson, I’m in your walls). We’re witnesses to the Second Coming brought to us via Thy Kingdom Airways.

And this big silver plane is actually a part of some good old — literally 20-year-old — spoilers from the never published Good Omens sequel:

Director Douglas Mackinnon personally chose the poster for A Matter of Life and Death / Stairway to Heaven (1946) to appear here as well. The movie itself is referenced multiple times in both seasons of the show, but what interests us here is the fact that its MC is a British pilot who dies in a plane crash.

He gets another chance at life due to an angel’s error and eventually must argue for his life before a celestial court, hoping to prolong his fledgling romance with a radio operator who shared his last moments on Earth over the airwaves.

Douglas is also responsible for the movie playing in the background of The Resurrectionist pub scene in S02E06 — The Spirit of St. Louis (1957), a biopic of Charles Lindbergh, the pilot who made the first nonstop solo flight from New York to Paris.

To finish the transatlantic flight, Lindbergh has to stay awake for 33 hours (33 happens to be biblically significant, i.a. as the age of the crucified Jesus). He succeeds by talking to a fly that had buzzed into the cockpit and reminiscing to it about his life (via flashbacks).

Once an accident, twice a coincidence, three times a pattern, right? So there’s a plane. And a character traveling through time and space to navigate some dangerous circumstances. Looking for help or… clues? The danger is either their own feelings or something more ominous here.

Flash-forward to 2025. It might be completely off, but considering the overall panic I think it’s worth mentioning that I found some crumbs of information suggesting a Good Omens film shoot with a certain amount of angels at an airport right now.

I was casually screening the extras’ profiles for Good Omens 3 the other day, as one does to learn that e.g., one of them is a professional contortionist (really!) and after a while, it came to my attention that a few of the profiles repeated mentions of “angels”, “2nd unit angels”, and “airport” across a few days in late February. Interestingly, some of them also listed sword fighting skills and law enforcement background underneath.

The implications seem obvious to anyone familiar with the plot of the unpublished Good Omens sequel and what I just shared above: please take a minute of your time to consider Aziraphale in a new suit, new hairstyle, a headset, and surrounded by at least one unit of angelic bodyguards in dark glasses.

Now, the filming dates in question consist of days and months only, so technically could also refer to their Good Omens 2 work since some (not all) of the extras were also employed by the show at the time. And Heaven’s corridors scenes could be shot at an airport instead of a studio, right? But the thing is, the background angels seen on screen in S2… don’t seem to match the profiles I found.

A perfunctory social media screening revealed one mention of Boeing 737 interior scenes filmed this month in the area, at Dunsfold Aerodrome. Is this connected? No idea, but if at least some of my speculations are correct, a follow-up exterior shoot at an airport would make sense.

Another interesting crumb that may or may not be related in some way is this photograph from the set shared by Guy Spangler, a professional dressing props specialist and armourer on Good Omens 3. Not quite the big silver plane of Thy Kingdom Airways we’re waiting for, but still!

[rainbowpopeworld]

We love the Peter Anderson Studio and they love the fandom!

Do we think this is the South Downs? Does anyone recognize the structures? That looks like a telephone box on the left

Also I love that the crows are there in the sky😍

Above image is from this post and the rest are from the short video here

And the black and white version if Georgia Tennant were making this post 😅 (too soon?):

[crowleysgirl56]

Good Omens season 3/finale thought of the day:

The opening credits sequence! One thing that I’m very sad about is how we’ll only get to see it the one time. I had wondered if each episode was going to be slightly different to give us more clues as to what would happen. But I guess there isn’t really any point in dwelling on what might have been. So instead, let’s speculate on how the opening sequence might look for the finale.

My initial thoughts begin with where Crowley and Aziraphale are. For seasons 1 and 2 they are always walking together from left to right (kind of like an old 2D platform game), walking towards a specific destination…

…and always had many other characters trailing behind them.

But they aren’t talking this time round. So I believe we’ll have Aziraphale walk across the top of the screen (in the Heavens) and Crowley walking across the bottom (on earth).

Will we see them meet together again in the end? Will we see battles being fought? Will that giant mountain thing with the staircase going up one side and the weird thing sticking out the other side in the first two seasons get explained?

I can’t wait to find out! Let me know your thoughts and theories!

[captainfantasticalright]

The Peter Anderson Studio and how they originally developed the ineffable opening sequence for Good Omens.

I also covered most of the easter eggs you can find in the season 2 opening sequence here.

And if you want to read the interviews used for this post:

Peter Anderson Studio Title Sequence

Title Sequence Polygon

Indigo Awards

Art of the Title

The official page of the Peter Anderson Studio

[beebopboom]

hey Aziraphale bud, whatcha doing here?

don’t know how I missed the giant floating Aziraphale head all these times watching it. And no I could not find a matching Crowley one. Which weird right? I mean they were both there.

Unless it’s visual commentary on Crowley not being that angel anymore - erased from his own creations.

[ineffable-museum]

It’s #priDEMONth guys! 🥳🏳️‍🌈 and 57 days…

[realitythroughthelensoffiction]

I have a crazy theory on this: what if Adam and Eve return in the finale? Gabriel's prophecy about the dead leaving their graves already implied that we will see some deceased people again, and the very first human couple might well be among them.

And about the inscription on the gravestone: yes, it is a quote from Death to Adam Young, but it could be applied to the first Adam as well. Heaven and hell use the earth as their chessboard and humans as their chess pieces to battle each other, something that shall finally result in the apocalypse. So it is true that the very existence of Adam (i.e. of men) "requires the ending of the world".

Bringing Adam and Eve back would also create the opportunity to point out once more the importance of Crowley tempting them to eat from the Tree of Knowledge and thus giving them free will, as well as the unforeseen consequences of Aziraphale providing them with a weapon and bringing violence in the world. Both was somehow necessary; the whole state of humanity is basically the result of a joint effort between an angel and a demon.

What was that about Adam's gravestone again...?

I finally got my hands on a 4k copy of the opening credits of GO S2. So, before I write up the huge dissection post, let me just say something extremely fishy is going on in the graveyard portion.

Thanks to some help from my friends over at @ineffable-detective-agency, we've managed to manipulate the footage enough to read Adam's green gravestone, with some with suspicious results. (here's a closeup, and the transcription I was able to pull off the footage, click to enlarge).

here lies.... ADAM "I do not understand, surely your __________________ requires ________________________ of ___________." If your senses are tingling, that's because this phrase is actually pulled from Good Omens the novel, helpfully provided by @somehow-a-human's copy below:

They made is very hard to read indeed, but it does seem that despite Neil Gaiman's sneaky misdirections, this grave is in fact about Adam Young.

So this gravestone *is* about Adam Young, and yet we know that he's also fine. To reconcile the two, what if we took a lateral approach. After all, there are at least 2 meaning of the word "lies"....

When we see the words "Here lies" on a gravestone, we're given heaps of cultural and contextual information to infer that the first meaning of the word "lie" is meant. But if you're using language games and puns all over the place, who's to say that "Here lies..." doesn't mean something entirely more sinister.

With love, Your Ineffable Detective Agency Our other active members include: @embracing-the-ineffable, @kimberleyjean, @theastrophysicistnextdoor, @maufungi, @somehow-a-human, @lookingatacupoftea, @havemyheartaziraphale, @dunkthebiscuit, and @251-dmr

[mintmillipede]

things i noticed in the good omens 2 opening title sequence part 1

i watched this frame by frame and have had many thoughts. i'll put things which are interpretation or my perspective in purple. feel free to watch along whilst you read if you haven't seen it yet.

also couple of disclaimers which u may feel free to skip: i grew up with chrisitan iconography but am not christian but because of that i know more about that perspective of abrahamic texts so keep that in mind! i'm using guy as a vibe more than a gender but am happy to take criticism on that bc i'm not sure myself yet. also i haven't looked at any other analyses because i want this to be like a fun little puzzle so apologies for overlap/missing things/being wrong. ok enjoy!

ok, scene 1. mountain range, not sure which one but it could be a biblical reference? so possibly judaean mountains but that is a big stretch. aziraphale is coming down from the heavens whilst crowley emerges from a glowing orange crater, which looks a lot like hell especially with the context later in the intro.

they emerge behind a rock into scene 2 into a tunnel and crowley lights a match with his hell powers? this actually interests me because why use a match if you have fire powers? perhaps he's conserving miracles.

scene 3: we don't actually see them emerge from the tunnel, they're seen up ahead later. we start with an animal's skull in the foreground, and i think it's a ram. there's other ram skeletal remains later and there are various rams eating on the hills. from stage right enters: a delivery guy. they've got a delicate package. it's giving me like holy land vibes? idk i grew up christian and it's like christian movie landscape to me.

anyway the delivery guy is trailing behind a figure all in black who is almost camouflaged in the murky landscape. there's also a tree by them which i think is a mustard seed tree!!! there's a parable about it and it's the vibe of starting from small beginnings like the small little mustard seed grows into a tree which birds chill on.

the figure in black is following a couple of steps behind aziraphale and crowley, and they pass a little ram on a rock which has a fleece which reddens. rams were often used as sacrifices in the old testament and probably in other abrahamic texts. not a good omen.

a raven is on a cart with bags which look like they are full of coin. they are having a little snack. this may be about matthew 6:26 where jesus basically says don't worry so much about money look god's feeding the ravens (sometimes translated as birds in general) and they suck (bc they are seen as unclean maybe because they eat carcasses) and you're better than them. it's like god cares for fucking ravens so he's gonna care for you sinners. also they're omens of death. this will be important very shortly.

there's also some real funky looking birds with four legs on the mountain and those were not in the bible (/j idk if they are or not but i couldn't remember them and i feel like i would have). and the paths on the mountains are scrolls, suggesting maybe that the world around them is literally made of scripture.

crowley sets fire to a little bb ram and now they're all on fire it's very mean of him. no i am not colouring that in purple. i think in this context it might be to cleanse the sins of humanity?

scene 4! finally ok immediately wtf aziraphale why are you secretly a lamp??? my bf thinks this is a supernatural show so i looked it up to spite him and there's a bunch of references to lamps in the torah and talmud but bc english-speaking christians can't be bothered to learn hebrew or greek the bible has the most direct reference i could find: 'the spirit of man is the lamp of the lord'

also crowley is a vibe! not sure what gender she's presenting as here but i'm hazarding a guess as femme. blue has a bunch of meanings but none i was sure about, but i saw a bunch of references to the sky. the funky guy behind him does have a human face with a helmet of black hair i think and is carrying something big that i cannot make out. the person in front of them is giving zombie and they are in a graveyard and there's more context later imo for that being accurate.

going stage left, we have another aziraphale and crowley, not in disguise. if i had to guess, these would be muriel and another new ally who are disguised as them to take the heat off of them. i think.

everyday on a gravestone? could be a reference to the song everyday by buddy holly which has been used in promo so far. it's a song about working up the courage to ask someone out... which could signify a development in aziraphale and crowley's relationship but also could signify something coming in the plot relating to heaven/hell. on a gravestone, the song could reference the fast approach of death. could be a combo of these things too. or could be none! i am no oracle. or am i...

at the back, a bucket of pickled herring is being transported by a skrungly little guy. pickled herring does have links to jewish culture but we know there's a pickled herring scene in edinburgh which maybe more suggests scottish fishing culture (not that the two are mutually exclusive of course). the guy travelling alongside the cart with a goth vibe has a shovel suggesting he's a gravedigger.

jane austen! suggests some of her themes popping up in the show but also suggests they're around winchester cathedral, and it does look like they're going into a building but it looks more like a crypt/mausoleum to me. i tried to find more information about a building like this in winchester but i was looking on ecosia and thus found nothing.

here lies the former shell of beelzebub is a canon reason for the change of actors, but here lies adam?!?!??! i know time could have just passed, but it's still mean!!!!! maybe it's a different adam?

scene 5! i think they've entered down a secret passageway in the crypt - you can see some coffins there and i think the masonry fits well enough. we've got some more people following behind the ones who are dressed like azi and crowley. it's a bit too blurry but i've spotted a few who could be aziraphale in disguise as the odd lantern is gone - i think though he is dressed as the gravedigger now as the original gravedigger seems to have changed their garb. a few more could be crowley although crowley's original form with the blue headscarf is still there. the figure in white near the front gives me undead vibes. helmet hair guy is more visible now. we've got someone holding a lantern near the back who is a vibe (could be religious or in some way guiding the souls of the dead). they're followed by a real funky looking guy who i think is wearing a mask??? hard to tell

ok so so so there is so much around them. skeletons and gravestones suggest we're still in a cemetery. if you look on the left, it's the box the delivery guy from the beginning had!!! so many thoughts about this. mentions of a delivery are everywhere. this box is in the recent prime insta post with angel and demon feathers emerging from it. basically this is very very important, so how did it end up here? was the delivery guy buried with this on his body?

we see a web. we'll come back to that!

little feature i like the skull we see has a backbone and a ribcage which is a vibe

scene 6! a lot of ppl too many to talk about in full but def some skeletons. i think religious figures. there's a cool looking punk? too many things so many stimuli. anyway i think this is a crowd of undead people being led into hell to assist on a mission. why just the undead?

they're exiting something that looks like the crypt they came in from, suggesting it's a secret entrance to hell. might this be where hastur met crowley in season 1?

we've got a big wheel which looks like it's used for some kind of pulley contraption imo, but i don't think it would be for the guillotine unless they wanted to adapt the guillotine somehow, perhaps automate it? big stretch

we've got the pyres of files and computers and office chairs. this is a metaphor for capitalism sucking balls.

web! like before. ok so theories perhaps it's a metaphor showing the web of all of the connecting entrances. perhaps it's a big magic hell thing drawing power from everywhere to its centre. perhaps hell listens to people from webs. maybe demons can travel through webs? idk maybe one of these is 25% right. also later we see a spooder so maybe she has laid eggs?

oooh mysterious fire cave. mayb that's where satan is chilling. the inverted pentacle's outside of it. could also be the government of sorts. my boyf thinks it looks like a skeletal face in a witch hat and i think he is festering with lies.

leetle dragon gargoyle!!!! i love her she can do no wrong

i like to think we see the different stages of their headquarters. the castle was the first, the grey building is the current/s1 one, and the blueish lighting is coming from what they're upgrading to. this may also be why there's the pyres of stuff: they're doing a little clear out!

also the crushed metally thing in the foreground... i don't want to say it's the bentley.............. so i will not i refuse to be devastated before the show has even begun

scene 7: we come out of the stairs leading up to the public loos by liberty's london which is right next to soho, the implication being that that's another entrance to hell which is in fact true irl. the old-timey underground logo (probs oxford circus) suggests we're not in present day (so maybe adam is fine! or maybe they're time travelling?) which suggests we're in the blitz (ww2) because of the barrage balloon and the aircrafts. this is also suggested by the old routemaster bus.

ok we're up to 0:33! coffee break meet back in like a day i did not expect this trailer ok i have things to pretend to do

[azariah-z-fell]

What if Aziraphale hasn’t fallen not he hasn’t sinned or heaven does make angels fall anymore or he is god’s favorite but…

But because he never lost faith in god? His wings are still pearly white. Haven’t darkened at all. Crowley while talking about asking questions wings turn light grey.

[metatronhateblog]

The Opening Sequence Pt 2 The Cemetery

Welcome back to the opening sequence breakdown. It only took me forever to get back to this thanks to con crunching (curse you Crowley's leather vest), split attention, and work. Today I will be, you guessed it cause you probably read the title, talking about the cemetery sequence.

Now there isn't too terribly much here, and I'm sure a lot of this has already been talked about. I've no doubt people were smart enough to already find all this.

But as I have no self control and am in fact procrastinating finishing my Crowley cosplay, here we are. I promise we'll get into some more....weird? Less noticeable??? I don't even know? Stuff as time goes on. We're just starting off with the basics cause it's easier on my brain.

So in the cemetery, we already know that Jim is hiding out behind some headstones next to the mausoleum they enter. Nothing too weird there, aside from the fact he's hiding. BUT WE'RE NOT HERE TO TALK ABOUT JIM.

Instead I'm here to talk about all the weird little things on the headstones. Again, I wouldn't be surprised if it's all already been found, I just personally haven't seen anyone talk about it?

We start off seeing this little mausoleum that says 'ARCHER' on it

Which we also see make an appearance in episode 3, when our beloveds are in Edinburgh.

(Did I start this draft then immediately drop everything to lighten/color correct all of season 2 episode three so I could see if there was anything in the background? Maybe...)

Then we have our lovely statue of the one and only beloved yet self absorbed Gabriel. Again, nothing too fancy.

And this little cross with an very interesting symbol on it right next to Gabriel. The symbol from a glance looks to be a money sign but when you take a closer look, I think it's actually three crosses? Or maybe one cross with two little lines on either side and a big 'S' slapped over top.

Then we have our 'Everyday' headstone which is of no surprise due to reoccurring song appearances in the season.

But then something else caught my eye while I was making this post that I didn't notice previously... See that little guy up in the corner of the everyday headstone?

Him?

yeah well idk who he's supposed to be but he's not the only one...

And then a third that is hidden behind a cross

Perhaps important characters? Or maybe a little hint about something that I don't know yet. Or maybe even just put there to fill in the background with no meaning....who knows.

Either way these gentlemen (or ladies) appear in the actual episode behind the Gabriel statue.

Then here we have two...stone caskets? Above ground graves? Where they both look the same, but one appears to be crossed out, maybe worn away with time, and you can't see the other because it's hidden by a headstone that says 'Peter Paintball.'

I have no clue who Peter paintball is. Maybe it's a reference to Season 1, or maybe it's someone on the crew or something. But I have no Earthly clue.

Moving on. As our boys continue their cemetery date with a trail of people and creatures and...objects? Behind them. We see the mastermind behind our Clerkenwell Diamond Robbery. Miss Austen herself.

I'm just as unphased at her name being in this cemetery as I am 'everyday.'

From here, I've had to do a lot of tweaking and playing with the lighting, and I won't lie, some things are still kind of...not quite able to be made out imo. So now we have...

A two for one that kind of leaves my brain churning questions like butter. I'll start with the more legible one.

"Here lies the former shell of Beelzebub."

I mean 'they're just such a little ray of sunshine' so of course this headstone makes sense. But also...why? What exactly does this mean. Like what's it referring to? I get that demons are dead inside which...mood. But could this possibly be referring to whoever Beelzebub was before falling? Or maybe the fact that Beelzebub feels some sort of happiness after meeting Gabriel and therefore the shell has been buried? I don't know. I just sit here and mull this over sometimes and maybe it's not a detail I should agonize over, but still.

Then we have 'here lies...Adam...' with the words underneath that I can only barely make out some of. I have tried fixing this so many different ways, and maybe it's just my lacking photo editing skills but still. I believe Neil has said this headstone is referring to Adam as in Adam and Eve? (Correct me if I'm wrong.) And if I squint I can make out....(from my best attempt at cleaning this up enough to see it)

"I do not understand, surely your very existence requires....of the world..."

Some of the words I can't make out, and the whole bottom line is a mystery to me because it's blocked entirely by the shadow that I can't fix.

Buuuuuut using my skills of deduction I'm going to assume this is a quote from Adam in the show? Gonna assume show and not book all things considered. (Upon further investigation it's Death who says this to Adam.) I can't remember. But the quote is something like

"I do not understand, surely your very existence requires the ending of the world. It is written."

Which...well hell that's a very interesting thing to put on a headstone (once again questioning which Adam Neil said that headstone belongs to...)

(Maybe it's a reference to Adam Young but Neil is saying he's not dead? Because he never actually confirms which Adam this is a reference to but I suppose it could be either considering it begins and 'ends' with an Adam.

But the thing I find really interesting is actually the headstone right next to it, also a take on something Death says in season 1.

'Left early to beat the rush.'

Which. Hell this one took me by surprise the first time I read it. Death says it to the mail man in Season 1 'Think of it as leaving early to beat the rush.' And if I recall correctly (I don't know where the source is) Neil has said something similar about Terry? So for all I know this headstone could be a nod to Terry Pratchett....or it could be two very interesting Death quotes on back to back headstones.

Could the Adam one possibly be referring to the fact that Adam, by the end of season 1, technically reversed the end of the world? Or something along those lines? I just find it weird that amongst a bunch of (i'm using this word lightly) joke headstones we have two very intriguing Death quotes....

Finally, we have this little interesting bit on the side right here.

We have that symbol from before but a little clearer now...and? A head? There's a bust here in the corner in front of Gabriel.

At first glance it reminds me of the Gabriel angel statue...and maybe this is supposed to be Gabriel...But if you look a little closer...you can see a button up.

Now this is the best shot I can manage of it.

This looks specifically like Jim. Not Gabriel, but Jim. It's dressed similarly and I think that's his hairstyle. The face looks similar. I momentarily thought it might be Aziraphale or even Crowley but that wouldn't make sense...right?

So for now, I'm thinking that this is a bust of Jim. Very interesting considering Jimbriel is hiding right in front of it and there's a different statue of the Archangel Gabriel earlier in the cemetery....So what the heck is this all about...

Now if I missed any, or if any of the headstones in the background have writing that is hard to make out, let me know and I'll update this post.

But as I said before, I'm sure someone has already done this. Consider this a reference post, maybe let your gears turn a bit about some of the epitaphs because they're certainly some head scratchers if you ask me.

Thank you for reading this, and keep a look out for more of the opening sequence breakdown series in which I slowly lose more and more of my mind staring at this thing and picking out little tiny details.

[melbatron5000]

*GASP*

I did not notice this! Holy shit, this needs thought!

Okay. Okay. Terry Pratchett always talks about the Multiverse in his Discworld books. I don't know if that applies here? I don't know what it means. Does it mean anything?

There has to be some sort of basis or precedence for all this. Something we can spot in the show itself that explains it all.

Right? Right?

Ugh.

Eden

(No spoilers for season two in here, promise) One of the most interesting parts of getting to visit the Good Omens set was talking with set designer Michael Ralph. Mostly it was about the bookshop, but he also talked about back before season 1 was done and he was first envisioning and drawing the concept art for everything. His image of the Garden of Eden was that it would be behind walls, obviously, and that outside those walls would be a vast desert.

And that in that desert were the remains of the first attempts of building other Edens. Failed prototypes now left to turn to ruins.

I think about that a lot now. About what might have been in the other Edens, what was left when they were abandoned.

[okapiandpaste]

(practically shaking) you know good omens 2 is the most autistic story ever, right? that crowley getting cast out of heaven for asking too many questions and aziraphale needing justification for all his decisions is so autistic, right? that two people falling in love by navigating through and accommodating each other's complex moralities is such an autistic way to fall in love? that some of their most intense acts of trust were about sharing things they love with each other (food, magic, crowley letting aziraphale drive his car)? previously unprecedented autism levels have been reached.

[ineffableheartbreakers]

(I only just noticed "The 2nd Coming" in the opening titles)

I also noticed a ship that was crashed near the end BUT I CAN'T FIGURE OUT WHAT IT SAYS ON IT

And since Mr Neil has said there are things in the opening that may or may not be hints to S3...

SOMEONE TELL ME THE SIGNIFICANCE OF THIS SHIP IT'S LITERALLY SO PROMINENT IN THE FINAL TITLE SEQUENCE I NEED AN EXPLANATION

[captainfantasticalright]

Good Omens 2 opening sequence easter eggs:

I had originally posted these after the last Ineffable Con, but in separate posts. A lot of the things mentioned here were covered in the Con and said by Peter Anderson. (He actually left this comment).

Other easter eggs are mentioned inside of the X ray section of Prime! You can watch an extensive behind the scenes there and appreciate how the flames here were built using cotton balls or how the tartan hills were made. (Including our little spider friend, which I also asked some extra pictures from because the original concept was very creepy). You can see them better here.

[kimberleyjean]

Oh yay! I saw your comment on my post but didn't get the time to verify it myself. I'm so glad you got official confirmation instead!

confirmation from peter anderson studio that the tartan behind aziraphale and crowley when they're perched on a soho rooftop is aziraphale's tartan! only took me til this past week for my brain to suddenly go "wait a minute...."

[leftduck9986]

Opening Title Sequence Glitch (S2E3)

Is anything glitching out here?

Why, yes. Look:

Both Saraqael and her earthly wheelchair completely disappear for a frame!

Shortly before they do, there's a black shape that flashes twice in front, as if to grab attention and count us in. One, two, pause for a beat and then Saraqael blinks - or, because this scene is in The Windmill Theatre, fails to miracle herself away, because of a miracle-blocker? (Except that this only happens in the opening title sequence of the third episode, not in all of them) - on three!

Here is a second attempt at the gif, this time even slower, with extra delay during the frames with glitches and on either side:

It kind of looks like the black outfit worn by the character behind Saraqael is flashing to the foreground for two frames - for both the first and second time this occurs - and most of Saraqael's earthly wheelchair is disappearing at the same time. Is there a little green screen popping through as well?

The first flicker appears for the last two frames of the animated text, "based on the novel by Terry Pratchett and Neil Gaiman" and then disappears with it, as if this animation layer is what affected the layers underneath. Could it possibly be to do with rendering, lag, exporting and whatnot? I really have no idea. Still...

After all that work, layering lots of elements and tiny videos together, to be simply undone like that? Yeah, nah.

Cheers to the Peter Anderson Studio ;)