#a lot of these could easily be fics

[spagheddiesquash]

jawfizz doodles… actually maybe ill work on that ship name idk if i like the name i said.. anyway i mentioned before that my plan was to ship fizz with jawbone and so thats what i did!! never drawn anything like this before but im really liking how it turned out :^DDD

liked this? maybe u want to see more?? i dunno. but anyway if you liked it feel free to reblog!!

tracked time + kinda crappy bonus doodle under the cut

tracked time:

(do keep in mind this is elapsed. it really took me the past 3 days, on and off)

bonus doodle:

(i used up all my good art juices coloring the doodle sheet so unfortunately this one is noticeably not as good of quality. i at least got the idea down tho!!)

[frankiebirds]

will forever thinking about morgan refusing to leave dr. brazier's side while the bomb under her seat is being defused.

i didn't get a good screenshot of it, but he's also holding her hand the whole time.

and then the way he hugs her??

keep in mind he Just met this woman. he has no emotional connection to her beyond the fact that she is a person in distress and he is a person who cares. there is a bomb under her seat that could go off if she moves wrong or they fail to defuse it. if that happens, it will kill her, and almost certainly him too. he doesn't care. he kneels outside her car and holds her hand while she prays because he will not let her be afraid alone. he will not let her die alone, if it comes to that. derek morgan the bottomless well of compassion you are.

[cuz-reasons]

Summary: When he arrived in Hisui, he had nothing. Not even a name. He was given the name Nobori. Years later, he finds the name Ingo. Who is he?

It's MY turn to give Ingo identity issues! Also happy two year anniversary to me posting fic!

[sidesteppostinghours]

would you guys still love me if i made a roughly 3k word fic focusing on a side character you can completely miss that has less than thirty lines of canonical dialogue.

[nostalgia-tblr]

I watched Avengers: Age of Ultron (apart from I skipped some overly long action sequences) and I am not sure so can someone tell me whether or not Tony Stark was the baddy in that film? Because about halfway through I was sure he was but then it was maybe just an evil robot after all and I am confused because either this film was surprisingly subversive or it was about robots hitting each other.

[starrystevie]

steve harrington, luxury hotel heir, who wants nothing to do with the family empire. steve who remembers running away from every hotel he was dragged to as early as his memories allow, who stood in the lobbies and screamed until his throat was raw and his mother was so embarrassed she would take him outside.

he grows up knowing it’s in his cards to take everything over once he gets old enough and he despises it. the very idea of being in charge of the hotel chain has his skin crawling, electricity humming through his veins, makes the joint in his jaw constantly tense. rebelling isn’t really an option, not unless he wants to be kicked to the curb, so steve fights back in the smallest ways possible. he grows his hair a little too long, he wears his muddy reebok sneakers with his fancy suits at dinner parties, he snorts out a laugh with a roll of his eyes when his father introduces him as the future of the company.

it all gets to be too much. when steve, freshly 24 and old enough to take on more responsibility, tells his father that he won’t do it, that he won’t be a pawn in their game anymore, he gets cut off. credit cards canceled, fancy loft apartment lease forcibly broken by his father, access to the garages of bmws and mercedes taken away. he could get it all back, return to the ice of luxury he always knew, only if he could prove to his father that he could be a leader the company is proud of.

which is how steve finds himself working at the front desk at a smaller property of theirs in a place that should be named bumfuck, indiana. it’s the only hotel in town, which keeps them steadily busy with a bustling lobby bar and restaurant, as they’re the only lodging for out of town guests. he hates it, hates being confined behind the desks he’d look at with disdain as a kid in uncomfortable slacks and button downs that mirror his uniform now. he has to smile and schmooze and works off upgrade commissions and force himself to not stare off into space during the slow hours, imagining a life that could have been.

he’s been working there a little over a month when summer hours start and the lobby band comes back for the busy nights. it’s nothing exciting, a jazz band of sorts complete with a sax, but their guitarist catches his eye. he’s all long hair and smirks, leather and boots, and exactly the type of person mommy and daddy harrington would lose their minds over. he’s a way of rebelling all on his own in a gorgeously perfect package.

steve catches his eye as they’re setting up next to the bar for the night. the wink he confidently flashes causes the guitarist to stumble a bit before sending back a wave and a shy grin of his own, cheeks flushed the prettiest pink. there’s a phrase rattling around in the back of his head, something about not mixing work and play, but all steve can think of is tangling their fingers and pressing a kiss to the man’s temple before running away wherever together with his father’s angry face fading away behind them.

it’s too tempting of an idea not to try, especially when the guitarist keeps looking at steve with the same look he’s sure to be giving him. especially when they’re both ducking their heads with upturned lips only to glance back up and have their eyes meet again and again. especially when he comes over to the desk after the band's first set and slides a piece of paper with a name and phone number over to steve dotted with x’s and o’s and a smiley face.

and the thing that bothers steve the most is that something amazing could come out of this whole mess and he'd owe it to his father for giving it to him. he's still going to try, though, especially because some hotel band guitarist named eddie is smiling at him like that.

[okalanissolis]

⌖ ๋࣭ ⭑♚₊🗡 ๋࣭ ꜱᴇᴇ ɪꜰ ɪ ꜱᴛɪʟʟ ᴇxɪꜱᴛ

ᴀ ᴄᴇʟᴇꜱᴛɪᴀʟ ᴍᴀꜰɪᴀ ᴀ.ᴜ.

⌖ ๋࣭ ⭑♚₊🗡 ๋࣭ ᴏɴʟʏ ᴛᴏ ʙᴇ ᴋɪɴɢ ᴀɢᴀɪɴ ๋࣭🗡₊♚⭑ ๋࣭⌖

ʙᴇꜰᴏʀᴇ ᴛʜɪꜱ ᴘᴀꜱᴛ ɪꜱ ᴄᴏɴꜱɪᴅᴇʀᴇᴅ ᴘʀᴇᴠɪᴏᴜꜱ . . .

pt. ii | | series masterlist

focus on: muni sarang (diane meunier), choi san, & song deokhee word count: ~4.6k warnings: language, intermittent Lore Dumping™, mentions of violence, occasional graphic imagery, mentions of semi-main character death, Even More Gods Are Introduced and i think that is lovely

ᴛᴄᴅᴜ (ᴛᴏᴏ ᴄᴏɴᴠᴏʟᴜᴛᴇᴅ, ᴅɪᴅɴ'ᴛ ᴜɴᴅᴇʀꜱᴛᴀɴᴅ) ɪꜱ ɪɴᴄʟᴜᴅᴇᴅ ᴀᴛ ᴛʜᴇ ᴇɴᴅ ᴏꜰ ᴛʜᴇ ᴄʜᴀᴘᴛᴇʀ !

⌖ ๋࣭ ⭑♚₊🗡 ๋࣭

lilo's mic: still knee deep in history but with more character introductions! i think at some point i might do a character recap page where i can offer some quick stats about the character's strengths and role, but idk if it would be helpful or just another way that i Procrastinate™ — let me know your thoughts !

⌖ ๋࣭ ⭑♚₊🗡 ๋࣭

⌜ my girl pinched my hips to see if i still exist / i think not ⌟

ꜱᴇᴇ ɪꜰ ɪ ꜱᴛɪʟʟ ᴇxɪꜱᴛ ๋࣭🗡₊♚⭑ ๋࣭⌖

— ʜᴀᴇᴍᴏ ᴘᴏʀᴛ was the main harbour of hoku city. home to the oldest and most robust working port on the island, the leeward side of the city was often referred to as haemopu side — an amalgamation of the names ʜᴀᴇᴍᴏꜱᴜ, the god of light and namesake of haemo port; and ᴋᴀᴘᴜ: sacred, taboo, forbidden. it was an unspoken rule that the shadows that danced on haemopu side were all puppets of that power known as serpens, and if you saw their strings or witnessed their plays, you would keep quiet, or your days were numbered — your gift from samgong through.

— still, haemo port was vast and wide, and business had to keep. it wasn't particularly bad luck to be a shop stationed near haemo port: there was so much foot traffic there, so many lives crossing back and forth, still hungry to survive; the best of money could be found for those who dared haemopu and kept their sight where it belonged — out of their eyes and in the open hands of hoku — or so the urban prayer went.

to the untrained eye, haemo port and ʜᴀᴇꜱᴜ ꜱᴛʀᴇᴇᴛ (the road that led to the devouring mouth of it) were the same as any other harbour on the island: only slightly more complicated than the sum of their intricately stacked, labyrinthine parts; bathed in light by enormous streetlamps so that when the sun went down, the majesty of ʀᴀᴋᴇᴛᴜ, night, couldn't be the refuge with which spirits attempted to thwart demons. but the fangs of some serpents still found their venomous purchase, and the storefronts along haesu street were often just that — fronts. legitimate stores, but facades for things still sinister, sliding their way through the waters, encircling your world, whole.

— on the furthest place inland haesu street ever went, there was an old business complex that had stood so long the original signage was lost and along with it, the precedent name. haesu complex, haemo park, haemo plaza, haemopu ether — old things have many names, and in legend, the many named becomes gods. inside the six story building, shops and establishments checked in and out like aimless souls in a graveyard: some lingered, some faded, some lasted the test of time.

on the first floor of haesu complex stood a taekwondo studio.

next to it, an indoor shooting range.

— we start this story with the taekwondo studio — the dojang, where mountains go to be edified and pupils to be fortified. eventually, we will open the door to see what is made with bullets and loose gunpowder, but for now, we take an abrupt turn right, through the third set of doors on the ground floor.

ᴄʜᴏɪ ᴊᴇᴏɴɢᴄʜᴇᴏʟ, father of one, was the owner of the modest studio: a stern man with a compassionate underbelly, a fourth dan black belt and the first sabeom — teacher — to enter the business complex. in the early days, when he was newly teaching and the world was more cruel and wanton than it ought, he orchestrated and ran illegal fights in the backmost part of his dojang. necessity begged it; life forced his unwavering hand. he'd never been proud, but he stood in his choices steadfast, and if you only saw the whole of him from an angle upturned and below, it seemed the might of him was his honor, unmarred.

dealing in entertainment and prestige, jeongcheol made ends meet in the evening to bring necessities and opportunity to his wife and newborn son at dawn, and by noon, instill dreams in the children that called him sabeom, center of their budding confidence.

when the serpens found out about his midnight habits, they paid a prompt price for front row tickets. by the end of the evening, jeongcheol's rental payments were moved to an account more reliable, and his small family moved out of the back office space and into one of the apartments that sat on the fifth and sixth floors. in exchange, the fights would persist on a grander scale at a more regular schedule ad infinitum, and the serpens would get their due cut.

jeongcheol always knew that this favor would amount to more debt, in the future, but for the security he was promised, in this blood oath? for the advantage and chance he could bestow upon his son? if it were shortsighted and misguided — this business deal with the serpent of the sky — then forgive him, but omniscience was simply the name of his city, not the power in his mind.

— and as san, his darling boy, grew from jeja to seonbae and in the course of time, sabeom all his own — a 3rd dan black belt and the pride of jeongcheol's world — the price of a demon's mercy became ever clearer, crystalizing into the certainty of future: law.

— it was in that very dojang, after all, that jeongcheol added to his myriad of students two young girls: diane and soyeon, dawn and dusk. jeja diane, a student named wisdom, took early to sparring with san, never minding that the younger always won, ever scheming to learn from a protégé's skill.

when san was chosen to be the demon heir's protector, it wasn't a matter of surprise or honor, simply that of providence.

and san was dignified by it, at any rate.

— only ever envisioning an inherited taekwondo studio for himself, a modest future but fulfilling dream, san's world expanded at the hands of diane — and his dojang, while still being the center of all his tethered existence, was a future now shared. ʏᴇᴏꜱᴀɴɢ, a pupil and friend, would aid him in handling the fights in the backmost part all of his father's hope and shame, an eternal rite, the sisyphean promise the choi family would never complete.

— jeongcheol had slowly backed away from the uglier side of his business as he aged into complacency and fatigue, and san had taken up the mantle in his place. now, sin would beget sin and shackled to the serpens would be yet another soul.

yeo was clear that he didn't mind.

already one foot into corruption, what was one more leg?

— he'd been cleaning up bruises from betting fights and broken limbs from shadow duels for years. he'd sewn flesh together the way others might knit tenderness and virtue, goodness and love.

every dojang needed it's medic. and every medic needed his charge.

— this was merit enough, for the both of them. respect for san in being trusted with something on which the whole of the underworld revolved; prestige for yeosang in the power inherent of a ruling head of a domain long standing, and in it's ancience, revered.

and watching them both, once the hand that led them deep into the mouth of something ravenous, still, stood choi jeongcheol, left wondering when security was no longer security — a promise no longer words of honor.

ꜱᴇᴇ ɪꜰ ɪ ꜱᴛɪʟʟ ᴇxɪꜱᴛ ๋࣭🗡₊♚⭑ ๋࣭⌖ ᴄᴏɴᴛ.

— diane had asked him to disappear, again.

— it was never an explicit demand, not since the first time, when she'd been following the tail of a banker and realized it would be so much easier to approach him if she were just a woman and not a daughter, held.

the nameless banker had decided he no longer wished to be a pigeon fed from an opened hand but a raven shot out of the sky, the shiny things he stole slipping from his traitor beak and landing back into the hand of the power that wielded the shotgun evermore.

— "you're intimidating, san." and it hadn't been her words or the command in her eye so much as it was a shift in her being — sarang to diane, veracity to something mutable and ever brewing. "i need to ensnare him..."

and he'd slipped away, taken her half-cue and was already gone.

— if the demon of hoku knew how often diane asked him to slip away, san was sure the mythic ernest would be none too pleased. it takes half a second for malignance to seize you in hoku city, and only a fraction of that if you're particularly inclined. of course, san was never far, and sarang more competent than what the wills of well meaning fathers offered her, but it would be more than just san's immortal soul on the line if something befell her and he were at all still breathing.

but it was always sarang's eyes that sought for the mercy of him, in the hairbreadth turn of her infinitesimal micro-expression, the graceful warp into something so unseen it were all but hidden to eyes that were any less devoted than his. and it was never a question because she would never need to ask; he'd learned to read the depths of her during sparring sessions in a dojang made of his youth and all his tomorrow. once, he'd crafted alongside her the armor that was so much a second skin, there were barely any joints or seams that one could rub the pad of their thumb along.

he'd seen her, then, and so he always knew.

— and that's how he found himself here, again. vanished from a spot he said he'd always defend: dematerialized, because bang chan had come to call.

— or so diane let the boy think. she'd found chan first, weeks before this encounter he'd name 'chance' or 'fate'. it had been simple to learn his routine and easier to insert herself in it. a coffee shop he always walked past. her new favorite window seat. a position so comfortable it looked as though it had always been.

and so they talked; this woman neither diane nor sarang, crafting a life by degrees of admission, chan warming to the gentle flame of her lies so that eventually, perhaps, knowledge of him would melt, secrets in him slip between them, in this place behind glass, warm between cups of untouched coffee.

not even san would hear the things chan would reveal in his adventurous, half-flirtatious speech. the thought often made the black belt's heart skid — his resolve stutter — but the bulk of him never wavered. he was a mountain and summits never crumbled; their might certainly never moved.

and that simple conflict of interest was something his friends never failed to entertain, and in mocking, enjoy.

— ᴅᴇᴏᴋʜᴇᴇ, twin sister of ᴡᴏᴏʏᴏᴜɴɢ and the one-minute younger half of their expert gunman team, was the one to first discover san's internal battle, having joked about his affection for diane from his sabeom days at the dojang. first, a true baseless joke, then overtime, a comfortable uncomfortability for san as it grew in truth and size.

san and his diane; no one loved their work the way san did; if san could marry duty he would.

— if he wasn't always looking at deokhee down the barrel of her sniper rifle, he just might knock some humility into her near prophetic teasing and her twin's identical shit eating grin.

but what was he to do when she was, in part, always right?

— sarang laughed at something chan said, and diane reached out to touch his shoulder with the soft of her hand. san turned his gaze, somehow half guilty, and that's when he saw the ephemera of a shadow he should not have.

what was kim hongjoong doing all the way here?

— first order of business would be to pull sarang from the place at which she stood. second would be to see just who the informant whisperer was that hongjoong strove to meet. third would be to evaluate just where that placed this puppet-master of secrets in the ever turbulent waters of organization and fealty — obeisance and axis.

— san was standing in front of her in the coffee shop before the shadow had ever truly dissipated — before any of the prior thoughts had fully formed in his mind.

sarang was good at smoothing her own confusion and concern, and playing the part of the innocent and sheltered. she huffed a convincing sigh and muttered something about a father that, overprotective, cut her time with this young officer short, and san caught the thrown word of 'cousin' like a fire-hot, thousand pound and ever-burning coal.

so that's how she'd explained his presence to chan.

— when she knew she'd almost been caught in the act by hongjoong, sarang swore.

— ʜᴏɴɢᴊᴏᴏɴɢ was a member of the serpens syndicate, and had, since the death of byeonghwa, been the watchful eye that extended past the confines of hoku city. loyal to the demon — a horkos made potent in the poignance of a blood debt — hongjoong was trusted... so far as anyone could be reliable, in this city that ate you whole, in these times that twisted the sinew of your very heart. at any rate, he was an informant of ernest, and while not one nearly as volatile as soyeon, still convoluted in intent.

he would be interested — perhaps even moreso curious than san, who daily burned all of his inquisition and steadfast resolve near through — as to what the demon heir was doing out here, in the pristine half of hoku city, talking with an officer that would just as soon as imprison her, if he knew even a fraction of the atrocities and moral impurities she ordered and aided, abetted and carried out.

— of course, even if hongjoong were to ask, sarang would never tell.

— not even with san, himself, did sarang reveal her true intentions in this business involving newly minted officer bang chan, a rookie at some few years post-graduation, an acquaintance turned friend from their first windfall encounter. not even with san, who knew the verity of sarang and had cherished her humanity from it's first appearance, did she let any information slip, a single hint pass.

he'd look into her eyes and unexpectedly, a wall was there — a guardedness of which he'd never known. she was no longer forthright about all possibilities with him. her thoughts were not so easily read, her want not so readily known.

— but that was not the worry that had the jaw with which to gnaw at san. not yet, anyway. not when hongjoong was surreptitiously on the same path as them, in a place where neither was colloquially seen (his informant hadn't been anyone of note, and so the consequence of his gained knowledge that day couldn't have been much, but one could never be complacent, if they wished to thrive).

— not when soyeon was unhappy, and sarang was the fool to not believe it.

— not when ernest, kingpin of terror, chessmaster of the underworld and ruler of hoku city, was mired in that slow changing-of-hands and place of gentle retreat where all of his speech was about the hand of iku, that terrify in the weight of dying.

the death of a demon was always a wounded threat that demanded first redress.

— it had started, in part, with the death of byeong-hwa. what was a king, after all, when his sworn shield had fallen? what menace was left in a monster, when his right hand was rotting, 6 feet below? the monsoon season would come, and a sickness would plague ernest along with the rain. jangma was the will of bada — the monsoon season the cursing volition of the sea. it was divine law, in some ways, that bada would claim her vengeance on hoku by taking it's epicenter and sweeping it's fortune and prosperity into her tumultuous seas, but it was still too soon, and thus, a secret well hidden.

no one in the serpens outside of the few remaining elders that sat at the demon's table, byeong-hwa's only daughter, his heir, and his warded nephew knew of the state of ernest's true mind.

the tides were swelling, the ground was saturating; bada was clambering toward the city, and at the time least affordable, the cracks between sarang and soyeon's friendship and intertwined lives deepened to a schism, with roots on either side, blooms torn apart, thorns tearing stem like gnashing teeth devouring flesh.

— when it rains, it pours, and in jangma, the storms were violent and unending; when bada raged, all the gods hovered close to witness her torrential price.

— "i'll tell ʏᴜɴʜᴏ." when they were haemopu side, diane turned to san, the silence between them broken, the confidence that always held in it's place perhaps worse for wear, if either of them had the resolve to mention it. "he'll have some clever way to spin hongjoong off our track - if he even saw anything in the first place."

— san nodded: just once, a jerky motion that left this world still buzzing, a dull, low whine.

yunho, sarang's cousin, was a close confidant of theirs. he moved into the serpens complex when he was 17. some commonplace tragedy left him with a want in the pit of his belly, and ever since the breaking down of all that tied sarang to soyeon and night to the dawining day, he had played the role of strategist and pragmatic advisor to his cousin — a safer, less volatile option for diane to pick, considering soyeon had always been her council, former.

— diplomats need their advisors; conmen require their marks. diane had a necessity for yunho and a plan for bang chan, and of course, they would be dealt with first. san was just a bodyguard, and in this way, he'd always known his place. but favor had a way of lead to want, and if he tended to that fire, it could always lick its way past his defenses and consume him whole.

— sarang blinked, and the change pulled san from his thoughts the way it always would. born to serve, her movements were what he'd been shaped to read. "i guess i'll tell hermes that you stood him up for yunho again, when it's time for your 13:00 date and you don't show."

— sarang laughed at that, warm and clear, almost chasing away the mist that had gathered all through the day day, at choice intervals and expected alleyways, thickening to the obscurity of fog. hermes was sarang's greyhound — the puppy she'd once found when younger but crowned wise. she never had taken him to the serpens complex, where he could be socialized with the dobermans she'd cared for most her life. instead, san took him in — an act of kindness she never stopped praising him for, never quite forthright about her reasoning but offering just enough to where he was satisfied.

"tell the twins when you see them i need to have a word."

ꜱᴇᴇ ɪꜰ ɪ ꜱᴛɪʟʟ ᴇxɪꜱᴛ ๋࣭🗡₊♚⭑ ๋࣭⌖ ᴄᴏɴᴛ.

— the shop never had a name: just a wordless sign in the shape of a generic gun scope: the focus for an eye you'd never look into as you took your final, heaving breath.

the shooting range, the eye, akita's place, the final shop on the ground floor of haemo plaza.

— every child who'd ever touched a gun — any soul who had enough of some small mercy they had the fire to protect it in this heaving city — had, at some point, entered the shooting range that sat haemopu side. established longer than jeongcheol's dojang, but having changed hands at around the same time, the shooting range was owned by a woman named ᴀᴋɪᴛᴀ — ex-military but dishonorably discharged, a mother of twins, and simultaneously warm yet cold: distant, but always manning her station.

it was only natural that, sharpshooter of her squad, akita had taught her children to shoot from the moment their hands had the strength to thumb a trigger.

eyes bred to look at you through the barrel of a firearm, hearts trained to see the liberation at the end of a mission and none of the causalities between. akita took her twins, cradle of her future, and gave them all the skills she broke skin and bruised knuckle to hone. they would never have to struggle, because they would be born with skilled gift. they would have the freedom of honor, because no training would mar their resolve.

— at first, the shooting range was only that which sat within the four walls in the ground floor of that complex. but slowly it expanded: the back property, accessed through the side entrance, narrow but deep, for single sessions with moving targets; the abandoned lot near the docks that akita had come into possession of by chance and was appraising for sale until her daughter showed an aptitude for long range and a spark to pursue it.

before long, what was modest expanded, and with an open mouth, devoured until engorged. the shooting range was well known. beloved. conspicuous. exactly the sort of place one would expect to find a doorway into the depths of a now illegal, though still legitimate syndicate, and therefore, a place where they could never be found. in reverence and renown, akita secured a safe haven for her children, a place where they could rest without the fear of being poached.

two doors down, the serpens paid a lease, but here, in the four walls she maintained, they could never sink in their teeth.

but fate was the domain of samgong, and mischief the trait of hoku, and here, in a city where the presence of gods were only so strong because they were so ceaselessly revered, the two powers often conspired to thwart the dreams of those who dared trying, and those whose complacency masqueraded as crown.

— wooyoung, the younger of the twins, was the impulsive to deokhee's passion. touched by caprice, drowning in compulsion — akita whispered into his ear as he grew up, tickling the soft skin hidden there, that he was born the same star sprite as hoku: before he became the omniscient eye, back when he was nameless, and his fervency was tried by the test of his father's tedium. in constant motion, neverending activity: "make no deals with iku, listen not to the obligation of horkos. you are a star, you belong to nothing but your own burn."

— deokhee, of course, was the fire burning her younger brother brighter, still, the combustion in his path that kept him from apathy, that saw all his visions through. ᴇɴᴊɪ, her mother would call her, the fire god incarnate. the ardor, the devotion, the commitment deepening to obsession, the dedication to wooyoung's whims, the conviction in her twin brother's mania. akita adored her daughter's fervency, fanned the flames of her exuberance never quenched. "shackle yourself to no one, my enji, you are not meant to be contained. never turn in on yourself; find a direction to incinerate: you are meant to set this world ablaze."

— avoiding flirtation with the fetters of the serpens was an unspoken request from akita, a desire never plainly raised. if she had been wiser — if she saw all too clearly the way serpents rise to challenge and adaptable, warp their venom to something honey-sweet — perhaps akita would have been more explicit in her demands, exact in all she envisioned and prayed to conspire. but it seemed an evident requirement, a moral anchored deep and in it's inevitability, made potent and strange.

"you are made for more," she had always told them.

but what can be done when your only framework of 'more' and 'greater' is the gunpowder residue of a superior weapon?

— once, akita built her children into crook of a firearm. ever after, they would know mostly it's bitter taste.

— none of this is to say, however, that the twins were a tragedy and their penchant something acrid, lead.

— deokhee was bottled excitement and effervescent joy in every task, and wooyoung the kind of gregarious that surrounded him with enthusiastic friendship and kindred brotherhood in every space he ventured to grace.

— and ᴛʜᴇ ʟᴜᴍɪɴᴀʀʏ was one of those third spaces that wooyoung and deokhee frequented most.

a serpens owned establishment: an electricity plant on the edge of town, with hidden rooms that opened into dark things that could only hide in the shadow of a generator as massive as that which fueled a never-blinking city. the luminary was one of the largest holes in the wall that the serpens ran. there, you could order any sin you could pay the ferryman to usher you to.

so long as you were in the right room, of course. the serpens liked to keep their messes orderly.

— the twins mostly frequented the rooms with standard bar fare. alcohol, dance, betting and games of chance, fisticuffs when more than just spirits hit you square in the jaw after one freedom too many. a common enough vice with a burgeoning sea of acquaintances and a militia of contacts and friends. it was here, in the pale of haemosu's light — all the glare they could harness but never reach — that the twin's sociability spun a web that was never meant to entrap them, but still made them the perfect players for a serpent game.

after all, it was in the luminary that the twins aligned themselves with the spine breaker bikers.

a group of criminals and delinquents that rode through ꜱᴋɪᴛ — the next door neighbor of hoku city, and the border at which the serpens let their spines halt. the serpens owned hoku, and every gang and group of would-be hopefuls that they'd long run out had taken up station in skit and brawled it out, there. a neighboring city was of no consequence to the serpens as long as they spilled blood on their rightful side of the fault line, and the spine breakers were a fairly established group that occasionally crossed the borders of hoku — careful to always show their deference and pay their dues. they were a infrequent though to some familiar face in the luminary on nights when the moon hung low, mostly to work deals with the mercenaries for hire in the back, and always to chase a drink alongside the twins.

ᴊᴜɴɢᴋᴏᴏᴋ was their closest companion of the lot, and if his drink of choice was an expected usual, and his uninspired flirtation with deokhee an affectionate and comfortable aside, then the night would be warm and the luminary waitstaff would make better money in tips than they had all month.

— and it was precisely that friendship with jungkook (and perhaps their closeness with san, though why make complicated something already written by fate?), that brought the twins to the serpens those aging years ago.

it had been hongjoong, newly syndicate minted, that noticed these two sparrows who somehow seemed to know everyone he had been keeping his thousand eyes on, and dared to ask himself what use could come with knowing their names.

it had been simple, after, for seonghwa to convince him that wooyoung was the easier approach, and for soyeon to cast the die on his fate.

(but that had been years ago: before the breaking down of factions, before suspicion and envy cast shadows that demons new not how to play, before ties were cut like marionette strings, and seonghwa and soyeon became a duo, and hongjoong, far enough from the barrel to not yet choose how to align, had to keep his ideas in his breast pocket and his lies tucked beneath his tie.)

— in the end, the twins were brought into the serpens because their connections would open doors that had no keys. it was through wooyoung and deokhee that the serpens greedy left hand reached into the heart of skit and, with an emboldened and wanting jungkook, staged a coup and installed this friend as the spine breaker's acting head.

ever after, the gang would be in debt of the might of hoku, and in perpetuity, there would be scouts and reinforcements, should there be need of aid from a distance.

— it was simply providence that the twins would have use beyond their sociability and want. it was the work of that ever mischievous hoku that in a chance encounter and a single ploy, diane was gifted with the two best marksman the city could afford.

danger, of course, in the single-minded passion of deokhee and the brilliant aimless apathy of wooyoung, but when combined together (and wooyoung under the threat of the only one he swore obeisance to: san), they were more than their arsenal, a weapon greater than their might and distant reach.

— when san found the two of them sitting on his couch, deokhee knuckle deep in affectionate rubs for hermes, wooyoung eating noodles out of the pot, on his pinky swinging the apartment's spare key, there was less a reaction of disappointment or surprise, and more an acceptance that at least this way, the message would be easily delivered, sweet.

"diane's calling."

⌖ ๋࣭ ⭑♚₊🗡 ๋࣭ ᴏɴʟʏ ᴛᴏ ʙᴇ ᴋɪɴɢ ᴀɢᴀɪɴ ๋࣭🗡₊♚⭑ ๋࣭⌖ pt. ii | | series masterlist

ᴛᴄᴅᴜ (ᴛᴏᴏ ᴄᴏɴᴠᴏʟᴜᴛᴇᴅ, ᴅɪᴅɴ'ᴛ ᴜɴᴅᴇʀꜱᴛᴀɴᴅ) :

1 - jeongcheol, san's father, used to run a taekwondo studio. because times were hard, he ran illegal fights in the back of his dojang, and when the serpen's found out, they co-opted his business and expanded it. as he got older, he passed down his dojang to san, who now works as the bodyguard of diane. because of his busy schedule, he co-manages the dojang with yeosang, the medic of the taekwondo studio.

2 - the taekwondo studio is situated on haesu street in an unnamed work-live complex often referred to as haemo plaza. on the same floor as the dojang there is an unnamed shooting range, owned by akita, the mother of twin gunman for the serpens deokhee and wooyoung. akita does not know of her children's affiliation with the syndicate and would disapprove if she knew.

3 - san, deokhee, and wooyoung are all friends are are closely allied with diane. diane is also close allies with yunho, her cousin and strategist council after her falling out with soyeon has deepened in the past few years (there has been a vague multi-year time skip from pt. i to pt. ii).

4 - ernest, kingpin of the serpens, is currently dying. it is a well kept secret - but not from soyeon, who diane fears will use this knowledge opportunistically. recently, diane has been keeping many secrets from even her closest confidant, san, especially regarding her consistently visiting officer bang chan, trying to weasel from him secrets... but about what?

5 - hongjoong is a member of the serpens with many secrets and many informants. diane is unsure if, in the power vacuum created after ernest's death, if he will show loyalty towards her or soyeon, and so she is wary of what he knows, when he was in the area as she was meeting up with bang chan.

6 - hongjoong was the one to originally recruit twins deokhee and wooyoung, because they have many contacts in hoku and neighboring cities - notably jungkook, now leader of a biker gang in the neighboring city named skit.

7 - diane has a mission for deokhee and wooyoung heretofore lacking details or rhyme.

now onto pt. iii . . .

[leviathiane]

yes, death mark is a rather flawed game. its got a lot of problems in all three iterations and in some ways death mark one, while being less technically impressive (lack of animations, no character sprites actively moving, art a little worse overall, less character sprites in general) it kind of handled a lot of very important aspects of the game better. namely, the plot, character integration/interaction, timeline, and yashiki just being a lil baby who isnt straight up inexcusably bad at his job--

but you must consider this:

Death mark 2 yashiki bondage CG,

[newvegascowboy]

Filling holes both plot wise and characterization wise like im putting spackle on drywall someone punched a hole through

[pearlofthewoods]

okay, okay. deep breath. I have a confession to make. I love book hinny. I adore book hinny. But I can't lie... when I was a kid, I much preferred Cho x Harry as a ship. I think there were 2 reasons why. Firstly, Hinny in the half-blood prince film was so underdeveloped that there was about the spark of a wet leaf between Harry and Ginny in that movie. Secondly, because I thought Katie Leung as Cho was one of the most beautiful people I'd ever seen. (Yes, reader, I did turn out to be bi.)

Tbh it's not even that I want more Cho x Harry fics, I just wanna see more Cho in general. I love that girl. Free my wife.

[furashuban]

Honestly since joining the fandom last year nothing could've prepared me for how quickly the amount of Magic Misfits fics and fic writers would grow over such a relatively short amount of time (like every time i check the tag i see couple new fics or more each month in AO3 :0). And with a small and niche fandom like ours it's literally just the coolest thing ever <33

[tennessoui]

I adore the TA AU, but I feel like it needs a few more snippets before it could go on Ao3 and feel like a proper fic (not b/c of word count, but because it feels like there are a few key emotional moments missing). (What there is is so good!)

i guess that's the question though, like. a lot of my ficlets i have are just that--ficlets, meant to either lead into another ficlet eventually or lead into answering asks about the ficlet where i then talk more about the au and it gets all fleshed out.

is posting just a ficlet enough on ao3 or is it dishonest to what the au is on tumblr?

i think the ta au is a good example of that, where there are multiple ficlets but it may not feel complete in ficlet form because part of the au is the short ask answers and tags and head canon reblogs that can't be translated over easily to ao3 because it was born on tumblr and it's by it's nature a tumblr au

another example i think would be the princess diaries au where there are 2-3 really good ficlets i like a lot that i think people would like to read but they are by no means close-ended and they're written to leave the concept open to embellishment later on

so when it comes to aus like those, do i wait, do i try to write more, do i keep them solely on tumblr....and when it comes to aus that are JUST one ficlet but left-open ended, does that get to go on ao3?? do i wait?? do i try to write more?? at that point, is that no longer a copy-paste over project and an active effort to translate from tumblr norms to ao3 ones?

[mbat]

i dont know how to say it in a way that people wouldnt somehow still find an issue with but i think so much about how one of my main OCs currently is a goblin from world of warcraft, and i purposefully gave her features that people would say are offensive, and yeah they are in most contexts, but idk...

like, in the game theyre from, its definitely offensive. the entire goblin species in that game is, as far as ive seen, very one-note. they think only of money, and very much dont care about what it takes to get it, including carelessly killing other people (even other goblins) just for a quick buck. ive only ever seen one goblin who doesnt fit this description, and its no surprise to me that that goblin was only from a recent expansion. as a jewish person, and honestly as a person who thinks antisemitism fucking sucks in general, it doesnt feel great! i clearly like this game, but that doesnt erase the fact that a whole race in it is a walking antisemitic stereotype, and how it makes me cringe every. single. time.

and well, goblins are almost always like that. big nosed, money obsessed, conniving, and occasionally they even still love to eat children (coughs in the direction of the most recent season of doctor who). even the least bad depiction ive seen of goblins so far, being the ones from 'tell me why', theyre described as 'crafty' and are thieves, though theyre based on the main characters so its more of a playful thing, yet it still reminds me of certain things.

these traits are also often pointed out to be antisemitic even in non-goblin characters, which is of course fair, like the villagers and golems in minecraft. the villagers are big-nosed, and they used to be the only creatures with a concept of money, especially considering that money was the green gem in the game. not to mention, golems ARE LITERALLY JEWISH FOLKLORE! golems are from jewish myth! clay soldiers created to protect the jewish people from threat... its not hard to make the connection.

theres thing to say about the non-physical traits, but theyre not necessarily my point.

so... what is my point? and what about my OC? why did i give her these physical traits that i know are portrayed as bad and offensive, even though i know why theyre offensive? i couldve easily gone down the route of trying to give her traits that are as far from those as possible, or even have just not made a goblin OC at all.

well... reclamation. the thing is, these traits on their own, theyre not necessarily a bad thing. a hooked nose, green skin, other things that clearly make the character look less human, and therefore lean into the dehumanization of antisemitic depictions. these things together make a caricature, even though on their own theyre just traits.

i just hate that these things that i think are so fun to draw characters with are a bad thing in the right context, but most of all, i hate that a hooked nose is a bad thing in a lot of contexts. real people, especially jewish people, have hooked noses! or the bump seen higher up the nose bridge that adds to the shape thats often seen/depicted! i mean, i look at my own aunt or my grandparents and they have/had those noses.

it sucks that something thats a real, natural thing that my people have, has been taken and treated as an ugly, evil thing. i could get into the same thing many people have about how physical traits being treated as ugly and evil is already a horrible thing, but my point is specifically about this trait, and how it relates to jewish people and antisemitism.

why does this trait have to only be a bad thing? i mean, you dont exactly see it in the mainstream in any context that isnt a villain, i dont even know if i can think of any [animated/drawn] heroes who have big or hooked noses.

i have a few characters with this trait, but theyre either human-ish (an elf) or a bird-like creature, therefore the nose is meant to resemble a beak, or a furry that literally just has that nose because i wanted to give them that trait. then you have my goblin... a goblin based out of world of warcraft.

when i made her a few years ago, i did it out of spite. id already played the game a little bit on my main character (a draenei) and id seen how goblins acted and looked, and how they sounded (i mean, seriously, a new york accent??). and i was genuinely like. 'fuck you blizzard, im going to take your caricatures and make her a person, a fleshed out person whos more than the traits you gave them, and im going to love her for all of the things i give her, because likely no one else will.'

so i did. i gave her a history, i gave her a personality, a future, relationships, i made her a person. im also glad that when i made her, i made her do the starting zone made for beginners where you start on a shipwrecked beach, and they dont really treat you all that different based on race as far as i remember. i later went and made a new goblin to see what the goblin starting zone is like, and it pissed me off so bad... but thats its own conversation.

i made her a person so that the physical traits i gave her were simply traits that she had. i draw her happy and in love because shes a person to me. shes not money obsessed, shes not conniving. shes respected, she cares about people, she isnt sitting around rubbing her hands together plotting in secret.

i just dont want hooked noses to be a bad thing forever. i dont want every picture of a hooked nose to only make people think of the propaganda of the past drawn to disgust people and make people hate my people.

so yeah. i do draw her with a hooked nose, but i dont encourage anyone else to draw her. i dont even have her up on my artfight even though i have my other main world of warcraft character on there, and ive definitely drawn my girl enough that she could probably fill all 6 picture slots. i draw her for me, and i love her for me.

i draw her to take that power away from the hateful depictions. the punch in the gut when i see caricatures. its like when i say faggot and tranny to take away the power of queerphobes. i mean, i still remember the first time i was called a slur, called a tranny. the shock it sent through my body. its not that different from the pain i feel when i see nazi propaganda.

so i do it to take away that pain. to make it mine, and not theirs. thats why. people could see my character and criticize me for it, and thats fair, but i at least want people to know why i do it.

[manicpixiedreamedwins]

fandom imitates life in that it there’s a recent propensity towards violence but a deep discomfort towards sex

[ridiculously-over-obsessed]

When I say that I keep rambling while writing TMWYH, I mean it because the plan for the latter half of it is 5 sides of A4, but the last 3 chapters I've written have literally just covered the bit that's been highlighted 🤡

I think it's going to be closer to 40 chapters than 30... 😅

[smollandkindaannoyed]

It is a "Head empty, one thought" kinda day. And that one thought that has me thinking all day is Bucky calling himself "The Asset" in Sidereal from girlbookwrm and verbalatte.

Like I just finished the fic, loved it, but I cant stop thinking about how Bucky kept calling himself The Asset in the beginning. The way chapter two starts with: 'The Asset has no soulmark, as far as it is aware. Soulmarks are for the living, after all.' And that is some of the most heartbreaking shit ever. Like all I can think about is how Bucky really just became a weapon, an object, to be used for all those years till the point he himself doesn't even believe he is a living being anymore. How he talks about himself like HYDRA talks about him, how he starts to use their words and with talking in a thirth-person way also making his actions not his, because in the end all those missions were done by The Asset not by Bucky. Ye no this thought will be haunting my brain for next few days.