#a lot of feelings about songs

[vintrage]

the young wolf

[benevolenterrancy]

May your hardened heart be woken By the soft and distant song Of all you left here unspoken All the shards we keep stepping on - Take this body home Take this body home Call the wind, and let her know Take this life outgrown Take this broken soul Call the stars, call them all And take it high, take it far, take it home

[birdy-babe]

APOLOGY TOUR THINGS

Okay so I found it really interesting that all the pictures/mirror things during the "That Motherfucker" song are memories (They have to be right? they are the ways Stolas remembers Blitzo. Thats why they are important)

And the focus is on the bad ones, right?

But look how many memories Stolas has of Blitzo smiling at him, being happy to be with him.

In some of them he turns sour. But I think that only happens when he notices Stolas is looking. And I think we all know why

[arthur-lesters-middle-c-key]

I’ll forever be annoyed that Malevolent doesn’t stop to recognize the significance of a PIANIST choosing to bite off part of his PINKIE FINGER. No matter the hand, the pinkie is maybe the second most important digit for piano playing, behind the thumb. (Second and third fingers, SIT BACK DOWN.)

Your pinkies are hyper-attuned to hit the right notes in a root chord, pick out an overall melody while the rest of your hand is playing a harmony, hell, it’s the start of most scales. As a pianist, I’ve put years of procedural memory into training just my pinkie fingers to do their jobs and if I lost part of one I would be devastated, even as a hobbyist.

There’s so much symbolism potential there, too! I love that John in general has control of Arthur’s left hand, which on piano controls the low notes, the accompaniment to the melody, and the root and stability of almost anything you play. It mostly supports, though can sometimes intertwine with the right hand or branch off into cello-like melody of its own (chopin does this a lot it’s great). That conceptually fits John SO WELL. Not to mention the idea of Arthur being so guilt-ridden with Faroe’s death that he distances himself from being a pianist at any opportunity, only to be reeled in by an Eldritch force that explains EVERYTHING to him as piano… the possibilities make me scream.

…Unfortunately though, I don’t buy the ‘the symbolism is there’ argument for this one, it’s FAR too niche to expect the average audience to know what exactly a professional pianist would value (besides the ~oooooo no don’t break my hands~ beat that every pianist character in a thriller/horror/action story ever seems to have gone through at some point), and malevolent goes out of its way so often to explain symbolism.

I think my frustration is that Arthur having trauma surrounding piano, losing direct control of his left hand, and losing/replacing his top pinkie joint, doesn’t have many narrative consequences. (Didn’t even talk about how a wooden pinkie would probably fundamentally change the sound/timbre of your playing, which would be cool to see reflected.) Arthur seems to be able to play piano fine even with John controlling his hand, and enthusiastically does so at several points post- starting to process Faroe’s death in the dreamlands. It’s fine as a narrative choice, there’s a story to tell after all, but I’ll always miss the character intricacy that could come from exploring these consequences and backstory specifics.

[gunstellations]

In the world I love

_

In a different world

[teamfortresstwo]

Circe’s PowerPoint presentation

[derpycatsu]

HELLOOOOOOO i got super into vocaloid (GIANT EXPLOSION)

[dykealloy]

the catholic rejection of it all

[poorly-drawn-mdzs]

I'm sorry I let down my guard.

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[dizzybizz]

obligatory ch40 fanart

[turtleblogatlast]

“Haven’t You Noticed (I’m a Star)” from Steven Universe works so ridiculously well for Leo

[agreatandhonorablesoldier]

Take this sinking boat and point it home We've still got time Raise your hopeful voice, you had a choice You've made it now

[zilabee]

I love how ridiculously warm John would feel about the fact that Paul still loves him so much and sings with him at concerts and wanted to finish another song with him after all this time, and I love how John would kind of just feel it all behind his beautiful face, looking down, trying to be nonchalant about it.

The way that Paul loves John, so absolute and steady. The way that John didn't feel loveable like that, but craved it, but didn't recognise or trust it, and the way it was there and real anyway despite him. I don't know. I like that Paul is so relentless in loving him.

[rozzsum]

Kingdom of the Planet of the Apes / Then There Was You by Calum Scott

[skywalker-swift]

btw cause I think some people still need to hear this, but the rose colored glasses coming off and the ‘revision’ to the meanings of her songs about joe was always gonna happen. with travis around or not. so saying she should focus on her new relationship is not the dunk you were thinking it is. like I keep saying it but she wrote him into her world, she included him in the world she wrote music in, and when she needed to, she wrote him out. why would he get to stay when he hasn’t earned that anymore? she would have kept him in, she even would have left the bad stuff in a box, but he didn’t seem like he wanted that part of her life. please can we all just realize that this is just such a normal reaction and end to a relationship and Taylor doesn’t need to ‘take the high road’ or whatever just because she’s in a new relationship. the reckoning of what happened was always going to be closing the chapter of the story she wrote for them. she’s releasing it whether you’re ready to reckon with her or not.

[lindamccartneysstrap]

paul mccartney you're gay and that's final

for legal/ethical/moral/psychological/spiritual reasons this is a joke