#a hater to the end.

[princepasio]

grinding his teeth and stomping his feet about red!!!!

[christadeguchi]

i'll let phie-san say it:

[starlitrise]

katara is aangs body guard, THE original aang defender. you talk shit about him? she’s there. you try and attack him? she’s there. from the moment he fell from that iceberg into her arms and said “wanna go penguin sledding with me?” katara decided to be by his side till the every end

just LOOK at this

[crunchchute]

My Sam & Max cosplay I debuted at a local con during the weekend!

[starrylayle]

To all those shippers that depict Sirius as a self-absorbed, short, fem twink with a flare for dramatics -- and Remus as a tall, angry, buff, dom werewolf daddy -- go ahead, it's a fully rounded dynamic! You're actually shipping Gilderoy Lockhart x Fenrir Greyback though! Remember to tag correctly folks! Hope this helps 🥰 🥰 

[aroaceleovaldez]

my hot pjo take is that Jason isn't a second Percy, Jason is a second Annabeth. Jason is just if Annabeth was a guy and also a Big 3 kid.

[tea-cat-arts]

Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will

[neodiekido]

the fucking head turn

[kimwexlersponytail]

No. No. Just tell me what I need to do to change, okay? Just tell me what it is and i'll do it. Jimmy. No, Kim. You make me happy. We make each other happy. How can that be bad? Hey... I love you. I love you, too. But so what?

McWexler in Every Season

SEASON SIX

[emiliagrant]

Buck and Tommy ♡ flirty, kinky and in love

[marasschino]

Finished oniisama e and will now launch myself off a cliff

[bruhstation]

man who enjoys every single second he's dedicated to hating to the point it pisses everyone except him off

[wildflowercryptid]

the girls are beefing in the clubroom again. [ og post ]

[sixth-light]

I do wanna say without derailing the other post that there are, absolutely, books and TV series and movies out there, including adaptations of things I love, that I hate. No nuance, no complex relationship, no I-hate-this-but-I-love-that, I just think they're terrible, sometimes for reasons of genuine objective badness and sometimes for reasons of my personal taste and often for a mix of both. And I certainly have complained, and will in future complain, about these things both to my friends and in public.

What I don't do is make hating those things a long-term lynchpin of my fannish experience, because...I hate them, so I do not wish to spend time thinking about them. Yeah, it's satisfying to know other people feel the same way I do, but once we've established that then what else is there to talk about? There's joy in a good Fisking, to be sure, but that requires extended and thoughtful engagement with the thing (that I hate) and even, I would argue, a measure of affection for what it could be in other circumstances.

Cultivate profound indifference to the stuff you hate. Cultivate happiness within yourself for the people who don't hate it, having fun over there. Cultivate the ability to exorcise your demons in the group chat and then let it go. I promise, with all my heart, it makes fannish life a hell of a lot nicer.

[dailyloopdeloop]

loop and mirabelle. That's it that's the ask

DAY 84: enrolled in the gossip wars

[gingermintpepper]

Okay, let's finally talk about EPIC's Apollo

I feel very compelled to say, first of all, that I do not dislike Epic. In fact, I am very fond of Epic and have been following its production and status very eagerly! I attend all the launch streams, I watch all of Herrans' update videos; I am, at the end of the day, a fan and I want it to be known that my words are spoken out of love and passion as much as they are spoken from a place of critique.

So really, what my problem with Epic's Apollo?

In the briefest possible terms; the choice to have Apollo be defined by his musical aspect in God Games is thematically strange. And not in the 'oh well in the Odyssey, Apollo was important to Odysseus and his family so it's weird that that wasn't kept in Epic' strange, strange in the sense that Odysseus' character arc since My Goodbye has been getting more and more obviously Apollonian and so it is positively bizarre that when we get to meet Apollo, the god seems entirely disinterested in him and his affairs. So much so that he is not even defined by any station that would indicate that he has been watching over and protecting Odysseus and his family.

What do I mean by 'Odysseus has been following an Apollonian arc'? I'm so glad you asked!

Remember Them is the last song in which Odysseus explicitly uses his sword until Mutiny where he must use it to defend himself against Eurylochus' blade. He uses it to help enact the plan to conquer Polyphemus and, due to Polites dying in that battle, Polites who wished for Odysseus to put the blade down entirely and embrace a post-war life, Odysseus also retires his sword. This is an action that symbolically separates him from Athena - and the image of Odysseus as a traditional warrior set for him in Horse and Infant - as much as My Goodbye physically separates him from the goddess and her war-ways - from this point onwards, Odysseus will no longer be leaning on Athena's wisdom or methods to solve his problems. Likewise, he will no longer be able to rely on her protection.

Odysseus thusly solves most of his upcoming problems through diplomacy and avoidance. He approaches Aeolus - a strange and ambiguous god (both in gender and in motivation) and appeals to them for help. Circe too, he approaches not with wishes to conquer or for revenge, but for the safe returning of his men and an alternate way forward. In all of these scenarios, there is some Apollonian element which is subtly interweaved alongside the influence of other gods; it is with a bow and arrows that Polyphemus' sheep is slain (and thus it is this Apollonian element which is at the root of Odysseus' spat with Poseidon), it is a vision of Penelope that warns Odysseus that his men are about to open Aeolus' wind-bag, Circe's peace offering to Odysseus is to refer him to a prophet of Apollo who has since died.

In this way, Apollo is walking alongside Odysseus for all of his journey after Athena departs - even in the Underworld, he is guiding him. It is Tiresias' proclamation that is the last straw for Odysseus, it is by the power of a mouthpiece of Apollo that Odysseus decides to embrace his ruthlessness. It is with the bow and arrow that Odysseus subdues the siren who sought to trick him, likewise, Odysseus does not attempt to undermine or escape the fate of paying Scylla's passage price - he knows of the doom about to befall the six men and quite unlike the rest of the journey until this point, he does not fight against it. This all comes to a head on Thrinacia where it is a blade which sacrifices the sun god's cow and brings destruction upon the crew once more.

My point with all of this is that when I heard the teasers for God Games years ago, it made perfect sense to me that Apollo would be Round One - he is not Odysseus' adversary and has no reason to oppose Athena's wish to free him. From other teasers about what will happen in the climax of Epic, Apollo will still be walking alongside Odysseus - it is Apollo's bow that Penelope will give the suitors to string. Likewise, it is Apollo's bow that will prove Odysseus' legitimacy and identity. That bow will be the power by which Odysseus hunts his adversaries and cleans out his palace - it is Apollo who is the avatar of Odysseus' ruthlessness, not Athena.

So tell me, truly, what was the point of having Apollo raise a non-argument in God Games? Why have him appear unconcerned, aloof and slightly oblivious? Why have him appear in his capacity as the Lord of Music at all?? And if the intention was never to make Apollo an active player in Odysseus' life like he was in the Odyssey, why keep Odysseus as a primary archer?

The answer of course is that Apollo is inextricable from the fabric of the Odyssey - his influence and favour exudes from Odysseus just as much as Athena's. In Athena's ten year sulk, it would have been Apollo who kept Telemachus and Penelope safe. It would have been Apollo protecting Odysseus from Poseidon's gaze as he travelled the seas (according to the Odyssey anyway)

Forgive me for not being excited about something that I thought was being purposefully set up. I was extremely ecstatic about all of the little Apollonian details that litter the sagas because I know where this story ends up (loosely) but all God Games did was reveal that maybe those Apollonian details were not intentional at all, but merely the ghost of the Apollo who persistently haunts those he favours, even if he cannot explicitly come to their aide in an adaptation.