#a classic of the genre

[ohdeargodwhy]

[abnormes]

Spirit, George Roux (1885)

[haveyoureadthispoll]

[leatherandmossprints]

‘The Quiet Pet’ (detail) by John William Godward, c. 1906.

[k-i-l-l-e-r-b-e-e-6-9]

Kurt Cobain asleep after the underwater shoot of Nirvana for Nevermind. Kurt didn't feel well that day.

[nerdby]

ALL👏🏻MEDIA👏🏻IS👏🏻POLITICAL👏🏻

[manny-jacinto]

AUSTENLAND (2013) dir. Jerusha Hess, Jared Hess

[artthatgivesmefeelings]

Sir Edward John Poynter (French-born British, 1836-1919) When the World was Young, 1891

[classic-art-favourites]

Grandmother's Garden by Vasily Polenov, 1878.

[lionofchaeronea]

Dissonance, Franz von Stuck, 1910

[r-aindr0p]

Uhhh Elias stuff, twisted from no one, he's just a guy !! Since I draw my twst ocs once every century each I'll link his introduction here

Basically an ignihyde student w/ a prosthetic arm (upgraded by idia) and a nature based unique magic + something something "I'm the better hunter here !!" (he is miserably failing at it) Trying to step out of my comfort zone in art context wise and mere text makes my whole being cringe and retract on itself like grafield's face after unsweetened lemonade... So I left it in French, ough

[abnormes]

Lovers in the Small Boat, Maximilian Pirner (1884)

[solcattus]

The proposal, c. 1850

By Adolf Alexander Dillens

[haveyoureadthispoll]

[feline-evil]

I love the universal concept of Big Worm In The Desert; if youare making ANYTHING set in a fictional desert it is seemingly IMPERATIVE you put a worm of considerable size in there. Be it friend or foe, simply large or absolutely ginormous, all that's important is it is a Big Worm or Wormlike-Being In The Desert

[k-i-l-l-e-r-b-e-e-6-9]

Blue Öyster Cult - (Don't Fear) The Reaper