#You want to know what kills me?

[livelaughlovetoread]

James and Lily were probably buried next to Euphemia and Fleamont and Harry has no idea who they were.

[seren-dipitous-art]

I’ve been obsessed with the Olympics for the past week, and obsessed with Dick Grayson for longer, so here’s the crossover we all deserve.

Plus, gorgeous sweaty acrobat in gymnastics poses? Only positives.

[chloesimaginationthings]

Happy 1 year anniversary to FNAF ruin!!

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[basalting]

after jasons death bruce "accidentally" slips harvey a crowbar while hes in arkham and kisses his cheek and says, voice soft and colder than ice, "make him hurt for me honey"

it takes 6 guards to sedate and drag two face off the joker the next time two face sees him and for the rest of their lives as soon as harvey sees the joker he goes after him like a rabid dog.

[puppetmaster13u]

Prompt 266

Back on my Danny & Ras frienemies/rivals/maybe-lovers-nobody-can-tell-their-signals-are-very-mixed train. 

See, Danny has gone through time a lot. Often. It comes with being Clockwork’s charge-son-thing and honestly he finds it fun. And several times he’s used this time travelling to get some training in. Enter Ras, stage left, also a teen at the time and also learning swordsmanship from the same person. 

And they… utterly despise each other. They would kill the other for an apple slice, if the other one would die! But also, only they can kill the other, as it is obviously their right! 

And well, they keep running into each other. It has been a hundred years, surely the other would die by now? But of course their rival would live through utter spite. Probably to spite them specifically. 

The amount of times they have ended up sparring- trying to kill each other or not- the moment they see the other is actually ridiculous. But time is also passing. And… Danny understands, not having another to talk about things people are forgetting, or have already forgotten. 

How they ended up actually talking without a murder attempt was a long story that included a demon, a dragon, a pair of fae, some bandits, and a lot of alcohol, but it happened. And then it happens again. And again, and now it’s just kind of normal to share a drink after their spars, talking about things that no longer exist, and things they miss. 

Sure Danny can go back in time again, but he knows better than to do it willy nilly. He’s matured, he’s been an adult for a hundred years now, he knows there’s consequences for messing with time, even with Clockwork’s blessings. 

The first time they got married was technically for an undercover assassination. Well, Ras was there to assassinate someone, Danny was there to grab an artifact that should Not be in the realm of the living. And they got divorced after, it was fine. 

They just, also got married again when they met a few years later, for another job. And… okay, so maybe they have gotten married over a dozen times now and only divorced like half of those times. Half of those were for the bit or while drunk! 

And even if technically they’re married or shared a bed, it’s not like they're exclusive! As Ras’ daughters’ existences attest to (adopted in one case or not). They don’t exactly have a label for their relationship, despite others asking for one or trying to put a name to it themselves. 

Now Danny knows Ras isn’t exactly a good dude, or at least on the side of ‘good’ as he’s a literal assassin. But he also knows that good? Bad? Rather relative. He had gotten labeled as a villain when he was just trying to help all that time ago after all, and really who was he to tell someone else how to live their life? 

Which brings him to now, where he’s run into his old frienemy-rival and his youngest daughter. Who has a braindead teenager and a small toddler. Which is fine, really- but also, Talia dear, why are you using a brain dead teenager to guard your three year old son? 

…

Okay, Talia dear, Ras (Derogatory), why are you using your brain dead son and grandson to guard your younger son and grandson? Do you not have the Pits, which you were soo proud about Ras? Yes, he will spar with you, but for Realms’ sake, heal, what’s his name? Ah yes, go heal Jason and he’ll actually stick around for a few years, deal? Good. 

[egophiliac]

(breathing into a paper bag) FRALIO....

can't believe they gave us another guy. oh my god. so I guess Kelka is more, uhhh, more OOO then, and Fralio is Ankh? not that it matters too much, although they do seem to be doing something with the connected Riders so. who knows. anything goes! or if I may, anything gOOOes! god. of course they're the Ambition parallel. of course they are. oh my god.

fortunately there's nothing else they can throw at me right now that could possibly --

AHHHHHHHHHHHHHHHHHHHHHHHHHHH

[yrsonpurpose]

"such a mouth on you!" 👀👄

[frogaroundandfindout]

Do you think dick had to retire any moves once he became Nightwing because now that he has the strength and weight of an adult they’re just deadly to his opponents now no matter how much he tries to modify them?

When he was 10 and launching himself at a man’s throat it was one thing, now it’s another entirely.

[bertoyana]

Erik, what are you doing?

X-MEN: DAYS OF THE FUTURE PAST (2014)

[trappedinafantasy37]

"I never recruit her. She's so evil and mean!"

The 'evil and mean' companion:

[justaz]

merlin (immortal) giving arthur (pendragon) the only blade that could kill him

[vaguely-concerned]

fun detail I only put into context after seeing the post-fade jail romance scenes with all the companions: lucanis is the only one where rook is surprised when they realize he's there as he starts talking, because they didn't hear him come in haha. (Bellara and Neve knock before entering, like relatively normal people fhsda. Harding's scene starts in medias res but from the staging my vibe is that she and Rook entered the room together. Taash walks into the room ahead of Rook. Davrin comes in through a door left open for him -- Rook is standing with their back turned but they clearly expected him, they just smile a bit and don't seem surprised. Emmrich of course takes you to the Grand Necropolis for the top goth hookup since Mary Shelly fucked on her parents' graves, the man quite simply never misses.)

lucanis has also closed the door behind him without rook noticing. old assassin habits die hard I suppose lol. he totally still accidentally jumpscares the others without meaning to all the time because he moves around quietly when he doesn't think about it, I know this in my heart. I wonder if he was just... looking at them for a while before he spoke up.

[radiance1]

Alfred Pennyworth has in fact, perhaps, in the slightest of chances.

Picked up his Master's habit of collecting children as if they were on sale.

He was spending his time on one of those rare vacations he decided to take, it was nice, to relax with only the vague overhanging worry of something going wrong back at the manor that he's gotten very good at ignoring.

Only to come across a child bleeding out in an alley, heavily injured.

He would not be able to live with himself if he didn't at least try to help them however he could.

Such is how he acquired a child he later found to be a meta who whished to learn the ways of a butler.

---

Danny had escaped from a GIW compound, after having been handed over by his family a while after his reveal. He felt, completely and utterly betrayed, when it happened. His parents, while hurt, he was at least capable of actually seeing them do it, but never would he have thought Jazz would do so as well.

They did it so happily, that he wondered if letting him go really was the greatest thing to happen to this family.

He chained, muzzled, all the ways to bind him they pulled all the stops too, knowing how dangerous he was. He wouldn't have even done anything then, too stunned by his families apart willingness at handing him over to the government.

He hated them.

He hated them so much.

The GIW facility was a terrible, cold, unfeeling place. One where they drilled thoughts into his head again and again until he found himself unconsciously repeating them when his head felt empty, one where his body gained a new mark day by day and pushed through tests, he had no clue of even hoping to comprehend what they would gain out of it.

It was a cold, unfeeling place. Placed in a cell of white and nothing else, with low walls and chains binding his body in place until the time came for another experiment.

It was a room he grew used to. One he even held some kind of strange, twisted affection for.

It was a room that held a tiny piece of safety, of rest. It was a room that taught him to hate.

A deep, powerful, disgusting, twisting hatred that crawled from the depths of his cells, corrupting his blood and carving itself deep into his bones. Forcing it's out of his pores until it practically oozed from his flesh.

It drowned his mind, tainting each and every thought, every memory, every dream, every waking moment until he could feel nothing but hatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehate.

When he was taken out of that he could feel nothing, with the drugs swimming their way through his blood that snapped the thin string keeping him between a person and an emotionless puppet.

He thinks that's what the GIW thinks he is.

And when he was placed back in that room, he could only hate.

It was a cycle. Stuck between feeling either nothing or hatred.

He hated feeling nothing, it made him feel like he wasn't real. Like it snapped the thread that held him between what a real person was and a dream.

So, he allowed himself to drown deep into his hatred. Until the white walls of his far to small room seemed to fade, until whatever sound he could have heard became nothing but dull noise.

Until the passage of time seemed to become just a blink.

He didn't know what day it was, when he saw it. Saw them. He didn't know the time, the date, the day, the hours. He knew nothing.

But he could recognize his family. Recognize one of the objects of his intense hatred that he forced his thoughts too. The people who willingly gave him up just like that and one of the causes for his current life.

He didn't know why they showed him them, he felt it some sick, utterly cruel joke. A joke he didn't know the punchline for, a joke the universe sent his way to make his life all the more miserable.

There were multiple of them. Multiple clones of his family. Som within test tubes, some being pulled out from the tubes, some walking around in lab coats. A waste of talent, they called it in his dad's case, a waste of intelligence in his mother's, and a waste of intellect in his sister's case.

His original family was already dead, he was told. Replaced by clones, clones that took over the legal decision to change his guardianship. Clones walking around twisting and desecrating his family.

'At least it was painless.' One of the clones said, talking with his mother's face. 'Far more than they deserved for having keeping a thing like him' spoken by his father's imposter.

The drugs pumping through his system to keep him calm, to keep him feeling nothing was suddenly pierced through by an intense feeling of horror, hate and self-loathing.

He should've known it wasn't his family. He should've done more! More to protect them! To keep them safe! The could've still been alive if he just knew.

In that moment, watching imposters speaking, walking, talking, breathing, with his families faces. He exploded. Exploded with a power fueled by nothing but his intense hatred for every. Single. Living being in this goddamn facility.

He killed whoever stood in his way. Managing to get his hands on relatively newly designed weapon, an ectoplasmic scythe (that also apparently could revert into an everyday item). Which he used to rip and tear throughout the entirety of the facility. He got injured, of course, he couldn't dodge everything, but he didn't care.

A body stuck between life and death, incapable of fully going one way or the other no matter what happened. Gifted supernatural powers fueled by wrath and twisting hatred and a weapon made by man yet in the range of the supernatural.

They didn't stand a change. He killed them all. No matter who it was, man, woman, clone. He didn't, couldn't care. He could only kill, only maim, only hurt.

And that's what he did.

It was then, when the facility was blanketed with silence tainted by despair, death and hysteria. When previously white walls were covered by blood, and the halls turned into rivers of blood and corpses. That he broke down, the overwhelming hatred he felt replaced by relief then sadness then self-loathing.

His family didn't give him up! But they were killed. Kill because of him. He couldn't stand being in this place, anymore. His body felt as if it were moving on unseen strings as it walked through the halls, the scythe shrinking back what it was when out of combat, his mind too occupied by thoughts and feelings.

It walked through a portal, one to the ghost zone, and then promptly into another portal and spat him out into an alleyway. Which he then promptly collapsed and curled into a ball, curing the shrunken scythe in his palm and he was out like a light.

A few days after he woke up, he found himself growing attached to the human that found him in that alleyway. An old man, maybe, but a nice one. He didn't want to meet anyone, besides that man, so he turned invisible when anyone else come into contact with him.

Alfred Pennyworth.

It was a name he clung onto mentally and a man he clung onto physically as well. He wanted to be like that man, someone so nice and caring, someone who didn't mind that he turned invisible at the sing of another person, who let him cling onto him both invisible and not whenever he wanted to.

He did panic when he heard Alred saying his vacation was over, and such that he had to leave. He didn't want to be left alone again, he didn't know what he would do if he was left alone again.

Until Afred said we were going home.

We. As in, him plus another. Alfred plus Danny.

Home.

Heat blossomed in his chest, seeming to replace the constant, low hum of hate sitting beneath him skin.

Home.

[reds-skull]

Typical father-son bonding moment