#You made me make something sad

[brother-emperors]

something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.

it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.

and love. it's also about love. even when you had nothing, you had love.

on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.

edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.

Perseus, Daniel Ogden

Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet

[flowercrowngods]

based on this post, because at this point i think it's safe to say @unclewaynemunson is actually my muse or something (hi anna i hope this is okay even though it’s, like, way angsty and way too long huh)

🤍 also on ao3

Two days after Starcourt, concussed and beaten, Steve has a seizure.

His ears are still ringing when the doctor gives him a stern glance over the rim of his glasses and pronounces him unfit to drive. No, in fact, he claims Steve poses a real danger to himself and others if he sat behind a wheel again.

Immediately, Dustin and Robin jump to promising that they won't let him do that, and in another life Steve is sure he would be grateful, or at least reasonable about it, but in this one he has a horrible second where the floor falls out from under him and he wishes, for just one second, that his head had been shaken a bit more, just enough to–

It makes him nauseous even thinking that. Everything does, lately. He closes his eyes against the offensive brightness of the hospital room and lets the sound of Dustin's and Robin's voices wash over him as he takes a moment to really take in what the doctor's orders entail.

He can't drive anymore. No more late night drives to watch the street lights pass and lull him into a safer state of mind than his bedroom walls could. No more driving the kids to their DnD sessions, no more taking Robin anywhere at the drop of a hat, no more bickering, no more reign over the music, no more stern glances through the rearview mirror, no more "Shut up, Wheeler, or you're leaving the car."

No more "Thanks, Steve!", no more "I'll bring some of mom's cookies if you drive us to the arcade", no more "You're the best" or "You're a lifesaver" or "I owe you one".

No more place for him in the group, no more use for him, no more...

No more. Nothing. Now he's just Steve, would-be lifesaver, 'has-been babysitter', 'could-have-been somebody until he lost his license to drive because he wasn't quick enough, wasn't good enough, wasn't strong enough'. Just Steve.

He doesn't know how to be that. Who is Steve Harrington without his car, without the one thing he was good for anymore?

The pit in his chest is deep enough, dark enough to pull him in, and for a moment the very thing he is good for is misery.

He waits until a nurse makes everyone leave for the night, and then he cries. It makes his head hurt, pressure building behind his eyes, but he's used to being in more pain than any teenager should be in, so he curls in on himself and hides underneath the blanket.

Here's to hoping the others won't notice just how useless he is now. Not too soon, anyway. He wants another month. A painless month filled with laughter and hugs, and then they're free to leave, to pull back slowly. Calls unanswered, radio channels changed so he won't reach them, sheepish apologies and rain checks, because now Nancy will drive them. Or Jonathan. Hell, maybe Max will take the risk just to avoid him.

---

He gets a week of daily visits in the hospital, the doctors and nurses insisting on keeping him here, a watchful eye on his vitals, scanning his head three times during his stay, insisting he has head trauma of a severely worrying degree.

Nancy picks him up from the hospital and it's awkward, tense, too much left unsaid between them but there's no one else to do it. Steve's hands are shaking, gripping the seatbelt the whole way home – and then his heart falls when he sees his Beemer in the driveway. The glorious, trusty, wonderful, best fucking car anyone could wish for. His baby. His.

He throw up into the brushes when he realises that he won't get to take it on one last ride. Maybe he shouldn't be so attached to a car. Maybe he's being pathetic about it. At least he can explain away the fat tears in his eyes now, and Nancy doesn't press.

The first thing he does when Nancy is gone is calling Robin, and she's excited when she says, "I'll come right over!" and Steve wants to ask, how, but he keeps his mouth shut, biting his lip. It's stupid, but the thought of someone else driving Robin over makes his skin crawl.

"Alright," he says instead, his voice raspy, and he hangs up before she can detect something in his voice.

After that, he goes outside again and runs his hand along his Beemer. It's shining in the sun; he had it cleaned the other week, the full program, every step in the book to celebrate four years since he got her.

"Four years, huh," Steve says, his nail catching on a minor scratch that isn't even visible but might be more familiar to him than even his home. "Damn good four years."

He's talking to his car. God, it's so stupid, it's so stupid, it's so stupid–

Steve's knees give out and he gives in to the desire that's burning under his skin sometimes, the desire to just sit down and ignore the world. Because everything is less real when you're sitting down somewhere you're not meant to be, and the ground is warm, and Steve just wants the world to go. His head is leaning back against the warm metal of the driver's door, and he closes his eyes for a while, his head still spinning, his ears still ringing, everything still awful.

After a while, there’s a shadow followed by a weight settling down between him, a head landing on his shoulder, a hand taking his.

"I'm so sorry, Stevie," Robin says. The lack of dingus makes it more real, somehow. More tragic. More pathetic.

"I'll live." And it feels a bit like a lie.

---

He gets his month. A month filled with barbecues in his backyard, the kids coming by after school to check on him, and Robin has practically moved in. Joyce picks him up on Friday nights for dinner at their house for a change of scenery.

It’s a good month, though Steve feels trapped. Caged. A bird without his wings, a boy without his car. Steve without his one purpose, the one thing he was good for. He has to be picked up because they don’t trust him walking, or they have to come to his place. And soon the worried glances that are thrown his way are too much, caging him further, reminding him of what this is. A pity party — quite literally. No one trusts him anymore, there’s always someone jumping to help him, not caring or listening to his protests.

And he can’t leave, because “What if you have a seizure in your room?”

It makes him want to scream.

Maybe it shows, or maybe everyone’s just fed up with him now that he can’t provide his taxi services anymore, but after summer the Byers dinners stop and the kids pull away.

“Told you that’s all I’m good for,” Steve says with a mean, pained huff as he hangs up the phone. Claudia said Dustin isn’t home, but he could hear the kids in the background. It hurts more than it should.

“What is?” Robin asks from her place on the floor with her back against the wall.

“Nothing.”

She frowns. “Come on, dingus, you can’t start and then—“

“No, I mean it. Nothing. That’s what I’m good for now that I can’t drive them anymore.”

“Bullshit!” she says, and it comes out so harsh that it makes Steve flinch. He swallows. Right. Robin isn’t hear to listen to him whine about how he feels like he has no place in this town, in this group, in this life anymore now that his head is so fucked up he can’t even be trusted to live alone.

That’s why Robin is here, right?

The babysitter becomes the babysitted… or something.

She doesn’t care, not really. She doesn’t listen. She doesn’t ask.

“Steve, they’re kids.”

“Yeah, well. So am I.”

He turns away from her and ignores the tears threatening to fall. The door to his room falls shut and he would love to lock it just to make a point to the world at large, a point that it can’t shut him out if he shuts himself in, but he knows it’s too risky. If he has a seizure, Robin needs to get in.

He can’t even stay in his room alone without supervision anymore. What kind of a fuck-up is he becoming, where does it end? He’s already managed to chase away the kids, even Dustin only checks on him sporadically anymore, and it hurts. He wants to know why, wants to know what he did, how to take it back, how to get them back.

But then he remembers how it all started. Dustin needed a ride and someone to take a beating. Both of which he can’t do anymore without risking life and death of himself and others. He’s a safety hazard. He’s useless. He’s Steve fucking Harrington, which doesn’t mean anything anymore.

---

And then it’s spring, and Chrissy Cunningham is found dead in Eddie Munson’s trailer. The group is back together again, the Party assembled once more. And Steve, for a just one second, hopes that he can get it right this time, that he can do this again. One last time. Because Vecna slash Henry slash One surely is it.

But then they turn on him — even Eddie looks confused, which is a rather adorable look on him — the moment Steve tries to get a word in.

“You’re not coming with us, Steve.” That’s Dustin, and Steve just rolls his eyes, but then Robin joins in.

“Yeah, no, I’m with the gremlin on this, dingus.”

“Hey!”

“Oh shut it, Henderson.” She turns to him, her eyes softer but no less burning another hole inside Steve. “We can’t risk it, Steve.”

“Risk what?” It’s a challenge. His shoulders squared, his jaw clenched, he’s challenging her, and it’s cruel.

She holds his eyes, her expression icy, like he’s stupid. “We can’t risk you dying. We can’t risk you getting a seizure mid-fight or just by being in the Upside Down.”

“Hey, woah,” Eddie tries to get a word in, but Steve won’t hear him as the desperation, the loneliness, the feeling of being caged like a bird and still the only human left on a desolate planet, all that breaks free.

“We all know that dying in a fight is the only thing I’m good for anyway.”

The silence among their war council, as Max dubbed it, is deafening.

“What?” Lucas sounds small when he asks that, and Steve closes his eyes. He hadn’t meant for him to hear that. Any of them, actually. They weren’t supposed to know.

“Steve, that’s not true.” Dustin’s words are filled with disbelief and worry, and Steve hates the worry, it makes his skin crawl, it makes his heart race, it makes his fists clenched and it makes him want to scream again.

“What else then, huh?” he asks weakly. “What else is there? None of you even talk to me anymore since Starcourt. Since summer.”

“Because you were pulling away,” Nancy explains, though her words are weak and her mouth clicks shut when Steve looks at her.

“Because we’re scared.” Max this time, and Steve doesn’t want to look at her, doesn’t want to tell a child that she’s not allowed to be scared for him— not more than he is, anyway. It doesn’t make sense for him to be hurt. They don’t want him to die. That’s a good thing, right? They didn’t want to see him hurt, so they looked away. It makes sense.

But it also hurts.

Steve shakes his head and pinches the bridge of his nose before all but running from the trailer. He doesn’t make it far (“Stay close so we won’t have to worry”), just needs some fresh air and to sit down somewhere the world will become a bit less real again.

The stairs it is. He tries to breathe through the lump in his throat, clenching and unclenching his hands to get rid of the anger and the hurt and all that excess energy.

He doesn’t want to die, is the thing. The very thought makes him nauseous and panicky. He wants his life back. His car. The freedom to just jump in there and get away. He doesn’t want the cage or the worry or the hovering or the loneliness when he isolates himself from all that.

Face buried in his hands, Steve almost misses it when someone comes to sit beside him. The thick smell of leather and cigarettes tells him who it is without looking up.

Eddie doesn’t speak for a while, just sits with him as Steve calms down.

And then, after a while, he lights a cigarette and asks, “You get seizures, Harrington?”

Steve nods. “Sometimes.”

Eddie hums. “That sucks.”

He nods again, and then that’s that. But even though it was a rhetorical question and Eddie didn’t even need an answer, it feels pathetically good to be asked about something. About himself. It only makes the pit inside his chest deeper, cutting into his soul with a sharp edge, this tiny little moment of normalcy. He wants to cling to it. He wants to talk to Eddie. God, he hasn’t really talked to anyone in so long.

“Before Starcourt — remember, the mall? The fire? Yeah that was, uhm. More monster shit. And Russians who thought I was a spy and then… yeah. Anyway. Uh. We used to be friends, I think. The kids and I. They used to care — or I like to think that they did. And then I got one too many head injuries, and the seizures started, and then they… It became too much. For them, for me. And the caring stopped. And, like, it’s fine or whatever, but I still care, and I can’t let them do all that alone. I know that all I was good for was taking them somewhere with my car, but I can’t drive anymore, so now I’m just… I’m just Steve. No titles attached, no use or function or point.”

Eddie just stares at him, puzzled and intrigued and even a little sad, and Steve wants to laugh it off when the silence stretches.

“Sorry, that’s kind of a sob story, you—“

“Wait here,” Eddie says, stubbing out his cigarette before disappearing back into the trailer. Steve watches him with a confused frown but stays put. A minute later, the door flies open and a scandalised looking Max appears, followed by the rest of the crew.

“You what?!”

“Uh,” Steve blinks. “I what?”

“Eddie told us you think you’re useless and that we don’t like you and that all you were ever good for is driving us from A to B with, like, no personal value whatsoever,” Dustin fills in, sounding no less bewildered. “Is that true, Steve?”

And God, the kid is so good at making all his questions sound like dares that Steve instinctively wants to swallow and negate it, tell them that Eddie misheard, that he’s fine, that everything fine.

But then Robin’s whispered little, “Steve” stops him from doing that. In fact, the sadness and confusion on their faces makes the dams break once more, confronted with months of spiralling and no one to drag him out, no one to listen.

Tears spring to his eyes and he gets up from the stairs to properly face them. He shrugs. It’s as much of a confirmation as anything.

And then Dustin sprints forward and tackle-hugs him, burying his face in Steve’s chest with no intention to let go anytime soon.

“I’m sorry,” he mumbles into Steve’s shirt and Steve runs a hand through his hair immediately.

“It’s okay, Dustin.”

“No! It’s fucking not okay, Steve, stop saying that. You’re my big brother, you’re my best friend, you’re my hero! You’re the coolest guy I know and nothing’s gonna change that, okay?”

“Then why’d you leave?” His voice is so small, but Dustin only hugs him tighter.

“Because you were hurting and I was… I feel like all of that is my fault.”

“Why would it be your fault, Dustin?”

He shrugs, and it breaks Steve’s heart. Dustin thinks everything is his fault just like Steve thinks it’s his.

“It’s me who got you into the thing with the Russians. I insisted. And you were tortured for it, Steve! You… You told us to go, and we did, and then we came back and you were— you-“

“Hey,” Steve whispers, curling himself around and over Dustin. “Hey, no, it’s okay. It’s not your fault. None of that.”

“Okay.”

“Okay.”

“I’m sorry I pulled away, Steve,” Dustin sniffles and looks up at him. “I swear it’s not because I think you’re useless. It’s just… I’m so scared.”

And it makes sense, somehow. The anger leaves Steve when he whispers, “Me too. And I don’t like it when you’re all scared and worried. I hate it.”

“I know. Sorry.”

“No, you’re not.”

“Shut up.”

And then they’re both laughing with tears in their eyes. Lucas and Max join them with their own promises that Steve isn’t worthless to them.

“Did you read my letter? You know, the one if…”

“No,” Steve says. “You told me not to.”

“Right. Anyway, read it. Whatever happens, I want you to read it. Because you’re my brother and you mean too much for me to, like, never let you know. But, uh. Billy died. And I hated him, but it fucked me up. And then you almost died, and then you almost died again; and then you just… collapsed. And I thought, I cant do this again, not with someone I actually like. Not with you. And I didn’t wanna watch. I watched Billy. I… I can’t watch you die, Steve.”

She’s crying by the end of it, and Steve pulls her against his chest. Shit, he hadn’t meant to make anyone cry like that.

“It’s okay, Max, I get it.”

“Not okay,” she shakes her head again. “I know it’s not. But—“

“I know.” He’s stroking through her hair. “I know.”

“Uh, guys? I hate to break up the heartfelt confession time,” Eddie chimes in. “But I think our window is closing.”

Right. The end of the world.

With one last squeeze to Max’s shoulders, he lets her go and they gather their things. Discussions about Steve’s joining their mission have been put on hold while their window is still open. They can continue this later.

Nancy drives while Max holds Steve’s hand in the back. They don’t talk and she has her headphones on, letting Kate Bush work her magic, but it’s fine. It feels a bit like healing.

He catches Eddie’s eyes on the other side and holds them for a while. Eddie smiles before looking away, and Steve does the same.

---

In the end, Steve doesn't climb the rope with them. He stays behind in Eddie's trailer even though every fibre of his being screams at him to join. But Nancy has a point when she explains to him that she and Robin got this. It's the first time he stays behind, and he hopes it will be the last.

They hug him before leaving, all of them. Promises are made to talk about this later, after, and he nods.

"Go save the world for me," he tells Robin, holding her tight, unwilling to let go.

"Only for you," she promises, and kisses his cheek before pulling away. "You better be right here when we come back."

He shrugs and gives her an encouraging smile. "I've got nowhere else to be, Buckley. Now go." The last words are whispered and it feels like goodbye. Steve should join them, he should be there! But his head is pulsing and he knows that one wrong move could leave him half blind with a migraine, and they don't need one more handicap.

The one thing he can do, though, is helping them climb the rope, and it makes him feel ridiculously proud, seeing them land safely on the other side, smiling up (or down?) at him. Robin and Nancy wave one last time before heading off.

That leaves him alone with Eddie and Dustin. The latter is already climbing the rope, itching to finally do something, preparing the trailer for their plan.

Only Eddie is left, and Steve looks over at him.

"Will you be okay, Steve?"

"Sure."

Eddie sighs and looks up at the gate, disbelief and resignation and even a hint of fascination in his eyes.

"It should be you," he says, and Steve frowns, confused. "You're the hero here."

"No," Steve huffs, smiling at the metalhead. "No, I'm no hero. The real heroes are already up there, and in California. The real hero died after Starcourt. I'm just the driver who lost his license, the boy with the bat. The protector who needs to be protected."

Eddie looks at him again, that kind of intense stare, the one that shows Steve that Eddie sees something in him. He wonders what it is, but isn't sure he wants to know.

"I think you're wrong, Steve." He says it with such gentle conviction that it takes Steve's breath away for a second, and something passes between them as they hold each other's eyes.

Eddie opens his mouth to say something, but then–

"Eddie!" Dustin is calling for him from the other side, and the boys snap out of their daze.

Steve steps into Eddie's personal space and pulls him to his chest. "Make him pay," he says. "But stay safe. Come back, okay? First sign of danger, you abort mission. Come back, Eddie. I'll be right here."

"Yeah," Eddie rasps, and he squeezes Steve once more. "Catch me when I fall through that gate in two hours?"

Steve laughs, a sad little thing, and he pushes Eddie away from him, hands steady on his shoulders. "Sure, big boy."

"Hey, that's my part."

"Say it when you come back, then."

This thing passes between them again, and then Eddie goes to climb the rope. Steve's hands find their way to his hips, steadying him, but Eddie is strong enough to pull himself up without problem. Huh.

"In the meantime, wrap your head around the fact that you're the one I'm coming back for, pretty boy."

And then Eddie is gone. Steve watches as he falls through the gate, landing on the mattress with more elegance this time, and then he, too, grins down (or up?) at Steve.

He gives a little wave, and then he is alone.

Plenty of room to think when your friends have gone on a suicide mission and you're the one who has to stay behind. The one who will have to do the explaining when things go south. The one who will have to watch and listen, helpless.

It makes him regret the past few months, the self isolation, all the times he pulled back, all the times he didn't push for an explanation or a conversation, all the times he hadn't asked the kids if they're alright because he was too caught up in all the ways that he wasn't.

God, he wants them to be okay. He wants to talk about this, wants them to tell him he's more than the driver without a license, more than the protector who needs protecting. He wants Eddie to come back and explain what he meant, say what he wanted to say. He wants...

He wants his old life back. But more than that, he wants them in his new life just as much. He wants to be brave enough for this new life and find a new purpose. Create one if he can't find it.

But he can't do it alone. He refuses to do it alone even one day more.

"Come back to me," he whispers, looking up at the gate from where he's sitting on the floor, back against the wall. "Come on guys, you've got this. Please work. Please, make the plan work."

And then, miraculously, it does. Eddie falls into his arms with an undignified squeal and the rest of the Party soon follow. They're unscathed, miraculously, and Steve cries as he holds them, all of them, in a group hug that makes the trailer smell like relief and grief and a new life ahead of them. Slowly, with an unnatural sound, the gate above them closes, and then silence reigns.

They cling to him now. Refuse to let go. Good thing he has nowhere to go as Lucas gasps and sobs into his chest, explaining what happened, that Jason almost destroyed the walkman, that Max could have died. And Steve runs shaky hands through his hair, pulling in Max, too, so the three of them can just hold each other for a second.

Dustin and Eddie are hugging beside them, and Nancy and Robin hold hands, a different kind of horror in their eyes, but they smile wetly at Steve as their eyes meet.

It's over. It's done.

They did it. They really did it.

Steve closes his eyes and holds Lucas and Max tighter. They don't complain.

---

Three days later, Steve's house is brimming with life again like it hasn't in months. Turns out, Hopper survived, and he hugged Steve for a whole five minutes, telling him he did good, he did great, he's a hero. Again with that shit that Steve doesn't believe, but he doesn't have the heart to tell Hop, so he just buries deeper into their embrace.

"It's good you're alive," he tells him, and the Chief sobs out a laugh.

"You too, kid. This town would be lost without you."

"Yeah, right," Steve laughs back, and then that is that.

Except, it isn't, because when he returns to the living room with Hop, Joyce and El in tow, everyone's standing, looking at him with timid expressions. Robin and Eddie are holding hands this time, and so are all the kids. They all look like they have something to say, and the only thing missing is a large banner that says INTERVENTION.

"Uh, what's going on?"

Dustin is the first to clear his throat, but only after Erica kicks him. "We wanted to apologise. For leaving you when you needed us the most."

Oh. Steve's shaking his head, placating words already on the tip of his tongue, ready to explain to them how that's not their fault, how that was all him, he could have said something, he could have asked, he could have–

"Steve," Nancy says, effectively cutting off any protest he could have voiced. "Just listen, okay? Don't say anything."

He looks at Joyce, who nods, and Hopper who looks about as lost as he feels.

Dustin continues then. "You deserved better, Steve, you really, really did. We all did, I think, but you... You put yourself in harm's way from the get-go."

"Yeah, you came to protect me when you didn't even like me." Jonathan this time. "No thoughts, just protection. I owe my life to you. Every single one in this room does, y'know."

"And what you got for it is severe head trauma and... us abandoning you." Nancy.

"You're not just the driver, Steve. You never were just a driver to us." Hell, even Mike is in on this? "You're annoying, you suck, and you don't even try not to act like you're everyone's big brother."

"You're family, Steve." Oh, baby Byers. That's what gets his eyes stinging and his lip trembling, so he bites down on it so they won't have to see. It's futile with the way they're smiling.

"Yeah. You're so much more than our babysitter," Lucas explains. "You're the best basketball coach."

"You actually listen to my music and read comics with me," Max continues with a smile. "You suck just a little less than everyone else in this town."

"Hey!"

"No, she has a point."

Steve's not keeping up with the who's who anymore, he's trying too hard to keep it together.

"You teach me new words," El says, smiling. "You give me your clothes, you take me shopping, you teach me how to deal with meanies."

And the list goes on. Everyone has something to say to him, something beyond the ways he can be useful. Something that he is to them, something meaningful, something that sounds a lot like purpose and family.

"And we were so scared, because you were hurt. Because of us. You were protecting us, and look where it got you. You're a hero, Steve. As real as they get, you are one."

"More than Wonder Woman," Max agrees. "More than Superman. You're Steve! And that's... He’s our hero."

"He’s our brother," Dustin says.

"He’s my son," Joyce adds, taking his hand.

"He’s our friend," Erica, Mike and El say in unison.

“He’s the one we stay for.” Robin’s eyes shine as she smiles.

“And the one we come back for.” Eddie’s smile is gentle, confident, and captivating. Steve can’t look away, even through his own tears.

---

In the following months, Robin gets her license and Eddie develops a sixth sense for whenever Steve needs to just sit in a car and ride around town, watching the street lamps pass and letting them lull him to sleep. There’s an upside to being a passenger, he finds, because he falls asleep like this a few times, always waking when Eddie kills the engine. He drives for hours sometimes, admitting with a blush high on his cheeks that he didn’t want to wake Steve.

Somewhere on the highway to Indianapolis, between three and four in the morning, Steve looks at Eddie in the soft glow of the night, and finds that he’s fallen in love.

And in the weeks and months and years that follow, he realises that that’s something new he’s good at.

[ruporas]

post ep 11

[poorly-drawn-mdzs]

Spice is the variety of life!

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[doverstar]

actually I love Tentoo and he is the Doctor and it was the only ending for Rose that worked and it is a huge gift to be able to have the man she loves grow old with her, they were always heading for that, y'all be quiet. I 100% understand the angst but it's okay, they're okay, good ending-

[margoshrmargoshing]

Too tired for words

Waaagh sniffs sobs hhh.... cries sniffles sniff... wahh... starts rolling on the floor crying...... wahgh

[gen4grl]

you would think after all the yapping i do about these losers i would have a plethora of art uploaded … no… so here is my first kantrio post lol

i did these over the last month while watching the olympic weightlifting and jamming to kpop (stan red velvet and kiss of life BTW!!!)

[xenomorphicdna]

On the string propaganda

Heeellll yeah

Bestie is an entire PLACE

I look at those guys and let me tell you the soul of that thing ain't just in the puppet, it's in all the neurons carrying the thoughts and emotions, it's in the power rails that serve as the heart. All the memories in the memory conflux and all the numbers we see flicker across displays, the flux condensers, the puppet; a little avatar.

No way these massive machines see life the same way we do. They have their own experiences and senses and things they hold dear. A world we can't imagine, a way of living we couldn't even comprehend.

I could never tear an iterator apart to be just a puppet. Who am I to decide how's life supposed to be enjoyed or perceived?

You treat your creechurs however you want- I ain't gonna dictate that. But damn, hearing the thrums and buzzes of the linear systems rail? They are alive with so much power, these mechanical beasts are exactly what they should be.

[morganbritton132]

in the EMTTS, does Diane ever find out about the death threat letters to Steve? if her daughter watches Eddie’s tiktok she would’ve seen the videos about it so did she tell her mom? how would Diane react? would her reaction annoy Steve or would he actually find it sweet?

Oh man, her daughter would show her Eddie’s TikTok and Diane’s response would be the same one she has for a death in the family and divorces: desserts and being a pleasant presence in their lives.

Steve doesn’t immediately put two and two together because he kinda assumes that Eddie told their friends about it and that’s why people knew, not that he posted about it on the internet. He honestly just thinks that Diane is being her usual annoying self and thus, following the rules of upper-middle class etiquette, keeps having to bake for her.

She stops by one evening and brings them a plate of macaroons and spends an hour standing on their front porch talking about the neighborhood watch. They gained three new members. Steve interprets this as dig about his sleepwalking and then spends the rest of the evening hate-baking her a pie.

Steve is sitting outside waiting for his carpool one morning and she accosts him to have him try this new doughnut recipe she’s trying out. They’re begrudgingly delicious, but her interrupting the only peace and quiet he’ll get all day to talk about the neighborhood watch again is unforgivable. Steve makes her brownies.

Steve is laying with his back flat against the deck in the backyard, listening to Eddie chase Ozzy around the yard. His eyes are shut but he can feel the sun shining on him, and it’s the first time in a long time that he doesn’t feel like complete shit. So, of course.

“Yoohoo, boys,” Steve hears called over the fence and when he cracks his eyes open, he can see her waving at them. She has a tin of cookies with her and is already handing a homemade dog treat to Eddie, and Steve just sighs so deep within himself that he can feel it in his toes.

When he peels himself off the deck and drags himself over to have a pointless conversation by the fence, he can hear her talking about the neighborhood watch. Again. She is saying something about Suzanne down the street seeing a car circle the block a few time this week with their lights off, and Steve’s just had enough.

He doesn’t have it in him to bake another fucking pie.

He cuts off her rambling about being bad at guessing the make and model of cars with some barely concealed frustration, “That’s Ryan and Jackie’s kid. The one that just got a permit. He and his friends take their car out and joyride it around the neighborhood because Ryan refuses to teach him to drive.”

“We live in a cul-de-sac,” Steve adds because he thinks that she’s being a little ridiculous. He says it like he was no longer a person that had trouble leaving the house, that could open the mail without their hands shaking, that wasn’t in their backyard instead of on a run because they’re afraid – Wait.

Steve’s eyes flicker over to Eddie and then to Diane, and everything slots into place like the most obvious puzzle. Of course, she knows. Everybody probably knows. That’s why the neighborhood watch is suddenly so popular, and yeah.

Later when Steve can think about it all more rationally, it is sweet that their neighborhood is looking out for them and that they’re concerned. But in the moment, Steve feels like he’s been hit with a tidal wave of pity, and he gets frustrated. He gets angry.

He barely registers that he drops the cookie tin on the ground or hears Eddie’s blasé response about Steve’s clumsiness. He knows that he’s about to get mean and he doesn’t want to, so he just turns around and goes inside.

Eddie follows him a few minutes later, asking questions and says that it’s not a big deal that people know. He says that it’s actually better because it means there are more people looking out for him. Steve tells him that he’s not talking about it and goes to bed early.

He wakes up early too. He puts on his shoes and he goes across the street, and he tells Diane when she opens her door, “This needs to stop.”

“Oh good, you’re awake. When I saw you on the porch, I thought you might be…” She trails off, making a twirling gesture at her temple and then frowns. “Oh, that’s not correct, is it? April is always trying to teach me these new rules. I mean nothing by it, dear.”

“I’m not – I’m not broken,” Steve says. “I’m not sick, or weak, or – and I don’t need you to bake things for my husband or form a neighborhood watch for me. I need-“

“Dear, that’s simply not true,” She says, voice dropping into something serious. This might be the first time that Steve has ever seen her not smiling. “I heard about those awful letters you got sent to your door and you may not like it, but at times like these. You need people. You may not like that it’s me, sweetie, but that’s what you got.”

Steve hates how he feels like he’s ten years old and making up excuses for why his parents didn’t pick him up, “I can look after myself.”

“I’m sure you can, but do a girl a favor and let us look after you too,” She says. She must see that he’s not thrilled with that statement because she tells him about a sorority sister she had and the anonymous notes she used to find, and how they buried her two years after graduating.

So, she takes his hand and gives it a squeeze, “Let me do this. For me.”

Steve doesn’t pull his hand away and admits maybe for the first time, “I’m so scared all the time.”

[statementlou]

https://www.tumblr.com/louisupdates/754934426217152513/goodbye-faith-in-the-future-world-tour-272024?source=share

did he or did he not lose fans then?

I will answer this because this anon actually brings a concrete question to the table rather than just "hurhur but you're a larrie??" (tell me you can't actually refute any of our points…). Anyway this post shows the decrease in Louis instagram followers between the screenshots taken directly after the release of Faith in the Future in Nov '22, when he changed his bio to promote that album and the tour tickets, and now, when he changed it again to mention the current release. But I'm putting that response under a cut because I'm tired of the actual POINT of all this nonsense getting lost in a sea of made up things people insist are important:

There is no rational argument you can make to say that Louis has less fans now than he did 2, 4, or 6 years ago. You don't need a spreadsheet of details you need to USE YOUR EYES! He has gone from filling theaters to filling arenas and stadiums. His second album made a higher chart position than his first album. His festival has doubled in size EVERY year of its existence. And for that matter: his insta post engagement numbers remain about the same (despite the fact that older posts should have way MORE likes due to having been there longer, even aside from follower counts.) SO WHO FUCKING CARES ABOUT HIS INSTA FOLLOWER NUMBER???? Serious question: what does the word "fans" mean if these things aren't what matters? ALL of this quibbling about what he should do to make things better and people can't even see that THINGS AREN'T BAD.

Anyway to address the specific question- (con't......)

NO- HE DID NOT LOSE FANS. HE LOST SOME INSTA FOLLOWERS. THESE ARE NOT THE SAME THING. As I said above, literally what does it mean to lose fans if that number change coincides with him having higher sales, more audience members, and higher engagement than ever before? Whatever he lost ISN'T FANS. I wouldn't be surprised if a significant factor was something like a bot purge, but also yes: I'm sure a lot of casuals followed him around the time of his big album release and later unfollowed him. That's extremely normal because that's how casual engagement works, and why the definition of fan really matters. Louis and his team understand this and have referenced it repeatedly, talking about how lucky he is to have *us* specifically, to have the kind of dedicated fanbase he has, to have the KIND of fans he does who will allow him to do what HE wants. @dogsliampaynedoesntinstagram named the issue of depth vs breadth with regard to fans a long time ago, and pointed out why having DEPTH is so much more important. It's like this- artists who are on top 40 radio have more numbers on things like insta follows, and for a time on sales and tickets. But those aren't FANS- they're people with a casual interest. And as soon as that person isn't being forced in their ears 10x a day, those people lose interest and stop supporting them, stop buying stuff and unfollow, and those artists end up doing the 'opener on the jingle ball' circuit rather than their own tours. One Direction as a whole, and Louis maybe most of all or near to at this point, have something MUCH MORE VALUABLE than that- DEPTH FANS. Louis has fans who will support him even if he takes years to release music, or stops parading around with a pretend girlfriend to stay in the headlines at least once a month, or completely changes his image and genre, and that is UNHEARD OF. It's ASTONISHING and worth SO MUCH MORE. And they get that! THAT is why he always bragging about us, why industry people he works with are always so agog about us, why he will do anything for US- not for randos. He is also growing his breadth- and it's OBVIOUSLY WORKING whatever his follower counts are, but that is always going to be secondary to doing things for THE FANDOM because that is his sustainable business model. That is what keeps him onstage and reaching number one. And not coincidentally, the things they do are also working to grow that- much more valuable- commodity. So the fact that that's exactly what these chuckleheads complain about- that he does things that are just fandom facing or serving rather than everything being aimed at recruiting casual fans- does nothing but betray how completely they, unlike Louis and his team, misunderstand the actual drivers of his (actual, existing, happening) success. Luckily for Louis, he and his team rely on their own data harvesting (they do a LOT of it) and growth metrics (they're off the charts) rather than the smug assumptions of random (mostly quite new to this) fans and the few bitter people leading the complaining about everything Louis does.

[captn3]

until next time.... stay fresh [plain text: until next time.... stay fresh]

[secondary-colorentimy]

we got the gotdam uhhhh idk

[cozy-the-overlord]

Catching up on the whole watcher situation because I ironically stopped watching their channel regularly because I didn’t like how expensively produced their shows were compared to Buzzfeed Unsolved’s simplicity

[ministarfruit]

day 28: parting gift ♡

(prompt list for femslashfeb)

[space-sheep08]

Actually so tired that people mainly focus on the bdsm when they talk about La Pianiste when we literally have this dynamic right here. Like, that's insane.

What if you were a little girl in her 40's who couldn't grow up because of your mother-wife who made you sleep in her bed and forced you to repress every sexual desires and thoughts of becoming your own person just to keep you close to her ? What if you fought back and yearned for dangerous things out of her reach ? But also, what if you let her because it's all you've ever known and been taught to want ?

[captainharlock]

I think the "yeah why not" type of tags in reblogs can be annoying because it feels dismisive of the art itself. If you, in person, showed something you made with love to someone, and their reaction was "yeah sure whatever" it wouldnt be read as a compliment in any way. I realise that thats not the tags' intention, but it can read that way

yeah it doesn't make me feel good at all. it's like do you guys enjoy anything without irony in your hearts. anything. like i know you think its stupid but i genuinely enjoy both hatsune miku and depictions of christ. it's not "whatever yeah sure" to me