#You know it was probably for the budget but I love how these shots I paired could be in one scene

[all-pacas]

If you could make any changes to House MD what would they be?

that is suuuuch a broad question and encompasses so much, so i'm just going to give my stock reply: i would keep cameron on the show.

i truly think writing her off was one of the show's biggest errors, and i think the show even realized it: masters and adams are both remixes of cameron, and even thirteen is a take on the same archetype (bonds with patients, cares about the moral/ethical problems and tends to over-emphasize with patients). actually, thirteen takes on a lot of cameron's role of the show: her relationship with house isn't romantically coded as cameron's was, but fulfills the same "i see you and our connection is different and special" niche cameron did to house. clearly the show thought cameron was important - she had far more focus and screentime than chase after s4, and more dedicated episodes and subplots in s5 than, like, actual members of the team. we know how deeply important cameron is to the show and the show's dna: she is a major part of the series finale despite it having been three years since she was on it. she is the final shot of the ending montage, smiling as she looks back on house and the original team.

the show also did a lot of work to position her as a future cuddy, as a clear parallel/successor to her: from s1 we hear that cameron's real strengths lie in administration and organization, in s4 she's on the hospital budget committee, in s5 she runs community outreach programs and literally gets a subplot about being dean of medicine for a week. had she not been written off, and had cuddy still gone, cameron absolutely would have been dean of medicine in s8. had cuddy not left, cameron probably would have been shown still taking up the role, maybe stepping in in some sort of unofficial second in command role during s7, dealing with house while he and cuddy were dating for example. i would have loved to see this, by the way. cameron has a pretty strong character arc and a very interestingly evolving relationship to house -- from naive idealism to treating him as and being treated by him as a peer -- and i think the arc of "underling to boss" makes a lot more sense from her and for her than it did foreman.

the official reason they wrote her off really does seem to be "we didn't know what to do with the character anymore." respectfully, i call bullshit: there was so much you could have done with cameron post s5, and it could have also opened up some fascinating other storylines. like, just imagine the chaos of still married cameron and chase, with chase back on house's team and cameron drifting further and further towards hospital administration. imagine a s8 with dean cameron and chase having to figure out how to deal with his boss house and his boss's boss, his wife. imagine the same chaos with them divorced. i'd love to see cameron struggling to define herself as herself, and learn to be in charge: this is a storyline we saw hinted at in s2, we know she wants to supervise and be a leader, but while we get to see foreman and sort of chase (in s8) struggle with it, we never get to see her: the two cases she brings to house in s5, she defers to him totally. she does a good job playing house in big baby, but doesn't ever step up and lead. i would have loved to see her management style. her leadership style. i would have loved to see her with masters and park (two young doctors who don't fit in and who i bet cameron would love mentoring). i would have loved her weird little friendship with wilson explored in the back half of s8, to hear the advice she gives him on his diagnosis. cameron was written off just as she was really coming into her own as a person and going in some incredible directions, and i will hate forever that we were robbed of seeing her go.

[no1ryomafan]

”Let me take you when I go”

I felt like making a Kikaider gif board like some of those tumblr posts do with animes… (I was just to lazy to crop out the watermark or put a filter on these gifs to make it more aesthetic)

[sleepybugeyes]

I read through all of Elias/Jonah's dialogue (as you do) plus some relistening and mentions of him, so here's a big list of some fun things and behaviors I noted!

I thought he made a lot of eye puns/jokes, but he only does it once in mag161, however he does enjoy making jokes. "Creativity never was their forte." from mag80, "You want my account? My sworn testimony? My statement?" from 82, "If you die, I’m afraid you probably won’t be able to claim your expenses." in 116 and "I only have two eyes, after all." in 120. no one ever laughs at his jokes only he finds them amusing

His last words telling Jon a sarcastic or mocking "good luck" are mirrored earlier as he also tells Basira good luck the last time he sees her, and Martin, as he's getting arrested

He loves gloating. "I forget how new you all are to this." from mag92, "Coffee is not as good for disguising tastes as you might think." in 98, "She’s hoping that even if I see it coming she’ll still be able to overpower me. She’s wrong, of course," in 102, "A masterpiece, isn’t it?" abt his panopticon in 158 and of course his whole monologue in 160

He does his budgeting on tuesdays and his scheduling on wednesdays

He also likes getting lost in work

in mag40 he makes up proper incompetency (said he didnt know how the fire system works, while he later admits he was actively waiting) just that once, but more so he acts like he doesnt get the full picture (doesnt know whats in the tunnels, whats strange about the institute) or acts too late and apologises (not stepping into jon's stalking behaviour). Which makes me think he is quite fine letting people think less of him but unless he has something to hide hes not actively looking to give the impression

in mag92 elias slides the papers for basira across his desk, but you don't hear him take them out before, meaning he prepared and got ready for this before he called the police

in general he's a very preparing man, Lukas steps in when Elias is arrested so has has control over who'd run it. in mag118 he says he prepared something to hurt martin (my speculation is that he likely has some trauma that could hurt you prepared for any person that could cross him, just in case he needs it). When he gets arrested he has something prepared so he doesnt get killed and ofc s1-4 is preparing Jon for his grand ritual

Elias admits the idea for his ritual kinda fell into place after Getrude didnt do anything about the people's church in march 2015. He shot Getrude and appointed Jon shortly after so "when you came to me already marked by the Web, I knew it had to be you." is pure dramatics as Jon was hired 4 years prior

also he got his ritual in 2018 so he managed to acomplish his life's goal in only 3 years, love his grindset 🔥

We never get a number for how many people Elias has killed in his ritual, the real life millbank has held over 1000 people at once, but id imagine his one panopticon held less than a whole complex

its really interesting to me in mag92 that hes SO sure they all know he's talking to them of his own free will. is he just that dead set on being in control or making sure they take no credit for his confession

there is a clock in Elias' office (but it's only heard in mag98)

He has killed people but Elias is very much not a blood thirsty person. Getrude and Peter are both surprised when he results to that. He's very much just ruthless and does not care, if to get his way he has to kill someone. It doesnt seem like he's ever happy to do so, maybe this is a quirk of being eye aligned and getting rid of any type of knowledge is painful (he does for example never want Tim to die at the Unknowing), or he just finds covering those murders up a hassle

for the Unknowing Elias books them all hotel rooms, how thoughtful

something cute to me that Jon was too good at the Eye that Elias couldnt meet him face to face post coma

In mag158 he implies that even Institute employees not in the archives are tied to it, at least enough that they could suffer or die if it burned down

between finding other people just as tools to watch and discard and saying empathy holds you back he was definitely a very very lonely man

He is a very breathy person. He sounds breathy when he talks. He takes deep breaths to ready himself and before he uses his powers. And he often breathes through his nose before speaking or during pauses

He has said Jon's name 62 times, only twice calling him "Jonathan" and called him archivist 25 times (24 in the mag120 statement, 1 in mag138 and 1 in mag161)(he also kinda calls him The Archive in 160)

other fun amount of words: know (65 times), see (42), martin (35), detective (20), eyes (20) and eye (9), afraid (9) and "bullshit" (1)

its still insane to me they added all of those sound effects of Elias' cuffs in prison, thats something fun to appreciate. It also means its canon he gestures quite a bit!

[vldunchartedregions]

Voltron Season 8 Meta - The Ground Work

Before we start our episode-by-episode deep dive & broader analysis of Voltron Season 8...

I wanted to address our main philosophy and themes we will be touching on our journey together.

Firstly, every frame, expression, shot, angle, storyboard, character placement, dialogue? It is all intentionally chosen to cater to the story. Animation is expensive and Dreamworks banked on this show being the success. It was greenlit for 78 episodes off the bat, sectioned into 3 parts (26 episodes each).

MM: Okay. So at that time did you know it was a 78-episode contract?

JDS: Yes.

LM: Yes we did. That was probably one of our biggest lies. You know, sadly. We try not to lie too much, but I’ll tell you, I’m gonna blow-blow the whole industry up right now: if an animated show tells you they don’t know if they have a second season, they probably know they have a second season.

Let's Voltron - Episode 175 - Transcript by Team Purple Lion

---

Oh yes, Dreamworks & Netflix were banking on this project. Budget comes into play and the show would've had an overall budget set in stone for animation, voice actors, writers, background artists, the showrunners, directors, marketing, events, etc. the works.

Moving forward, we must keep this philosophy in mind - every decision reflected within an episode - the title, all frames, shots, character placements, and dialogue choices within an episode that we'll be dissecting always has the following:

Intentions - The What?

Motivation & Purpose - The Why?

In a great audiobook I listened to from Reggie Fils-Aimé, called Disrupting the Game (highly encourage you to listen to it if you're curious about his time as President of Nintendo), he goes through his career journey chapter-by-chapter, tells important stories that helped shape him into who he is, and then ends each chapter with "The Why."

Why am I saying this? ADHD, but I do also have a point; walk with me here.

We will be looking at each episode with the lens of dissecting the double meaning of the episode titles - including the what and the why; identifying the layers in each episode that reflect the title's original intention and purpose. Neil Kaplan explains this notion well with "Launch Date" in his interview with Afterbuzz TV (Season 8, Episode 1 & 2 Recap)

[Timestamped: 3:07] 2. We will be dissecting scenes with the notion of the "What & "Why?" - from character expressions, to placement, to how the edits in post-production that were requested disrupts all of the original intentions of the episode and/or shots.

3. We will be looking towards my secret source (apologies to you all, but I'm NOT revealing who it is - sit down with some popcorn instead and enjoy the ride) with the information they have provided + other sources of information we've uncovered or have been informed of, to make informed conclusions with evidentiary support. Every step we take will be an informed conclusion.

In short, everything has a purpose and we will be walking through all of this with some lovely nuggets of (alleged) truth to feed our conclusions from my sources.

We also must keep in mind: explanations, intentions, and motivations can change throughout this meta. Our conclusions now might not be the ones we decipher later on. Not everything we know may be the truth, and even if we are to assume that what I've been told is all facts (allegedly; for entertainment purposes only), some facts even from my source may shift our current knowledge into a new truth.

When I tell you we have been binge watching these episodes again, and again, and tearing them apart limb from limb with the information we have, we are not exaggerating. We keep uncovering more with each rewatch and my friends, it is fascinating.

With ALL of this in mind, let's dive into some of the broader themes of Season 8:

In the first half of Season 8, we are shown that the paladins have not always made the correct decisions in their time defending the universe. Their actions DO have consequences, and their decision making from the past bites them in the ass.

...Case in point. 2. In the second half of Season 8, we unlock a few new themes: Love, Rebellion, & Redemption.

We will also address the Macross Theory™ Love Triangle.

Religious themes that go much deeper into the show than we initially thought. Further influence from many mecha shows (oh yes, this includes Evangelion here, friends - get in the robot, Lance).

Please see a screenshot from a DM from my valuable source from New Year's Day:

I was going to censor this message a little... however, I think it's a bit more fun to give you a teaser for what's to come. It's probably not what you're expecting.

Again, I must implore to you all - these changes were asked for last minute, hence why Season 8 is such a hard watch to old fans and new:

It was DONE. COMPLETE. FINISHED.

BEFORE Season 7 dropped.

They were ready to take a grand ol' break before Season 8 was meant to drop. Walk the dogs, paint some walls, eat some food. Y'know, they were on holiday mode - ready to book flights, job well done team!!

There was an incredible story awaiting us that unfortunately ended up on the cutting-room floor. This was even mentioned by LM at the NYCC panel in 2018, but for this purpose, I'll use a quote from the Afterbuzz TV podcast - February 25th, 2019:

LM: It was–there’s a ton of stuff that just hit the-hit the, kinda, cutting room floor, storyboard-wise, just because we didn’t have the time and so we’re looking like, it’s a kids’ show technically still, even though we’re trying to make it more than that. You have a-a scene that’s basically an act long that’s just in a white floaty space with people talking about, like, you know–

JDS: Bigger emotional stuff-

LM: Yeah. And, uh, you know, letting that go any longer than that is just like, “You can’t do it!”

ABTV Voltron February 25 Season Review with Showrunners in Studio - Transcript by Team Purple Lion

---

Now that's all addressed, I do want to lay some ground rules as we proceed through this meta. I'm going to sound like a broken record, but I want to make this clear to the fandom:

It was NEVER the crew, cast, or showrunners intention for Season 8 to pan out this way. They had an entirely different vision as to where the show was heading + they were probably confident it wouldn't be changed by the time they finished it. There was direct, last minute, executive intervention here. Do not hunt down all parties for this as it has been several years.

We implore you to approach this meta with empathy and kindness. How heartbreaking would it be to be the crew, let alone the showrunners, to be asked to amend and revise all of Season 8 after painstaking, hard work and having the season done already? With NO budget left? You can agree to disagree with me here, but this is how we will be approaching this meta. Be kind.

Your feelings are valid - abusive, unwarranted behaviours and opinions are not. We were not there and we don't know the full story and how it unfolded, no matter how much context and bits of information we were given. We DO have evidentiary support to fuel this meta and piece together a look at what may have been the original ending (allegedly; don't get me wrong) but I wanted to make this clear - no sending hate to anyone.

In light of all of this, let us begin with a teaser: I'll share one confirmation I had from my source...

Lotor was meant to be brought back to life from the rift.

Check out my Twitter page for any and all updates in regards to this insanely detailed meta; including teasers and screenshots! Please and thank you.

---

Disclaimer: The one thing I humbly request is PLEASE... No hate towards the showrunners, cast, crew, or the official Voltron IP holders. There's a lot that has changed culturally and intrinsically within the industry over the years and this outcome was not something they could simply control. Let's be adults, look at this open conversation with empathy and love, and respectfully, let's indulge in this topic with grace - your feelings, however, are incredibly valid when it comes to this meta and what we uncover, as there's many alleged finds that may shock the fandom.

[fishfooddude]

The Social Media Manager: The Series (Part 2)

Another installment of the social media manager series

Another shout out to @thebearsoc for the inspiration!

The Bear MasterList

Directory

Part 1

Meetings, Meetings, Meetings

“Wait, wait, wait-” Richie started rubbing a hand against the back of his head, “You’re tellin’ me, Marcus’s party girl 20-somethin’ year old friend is getting access to our social media? That’s bull, and you know it, Natalie.”  

Natalie rolled her eyes and glanced in Marcus’s direction, “Marcus, Rusty has done this before, right?”  he nodded before explaining, “Nat, Richie, I’m tellin’ ya’, Rusty is really good at this shit. Just give her a shot.” 

Carmy entered the sitting area of The Bear and sat next to Natalie without saying anything, “I don’t think we can afford this, Marcus. I’m sure Rusty is a wonderful social media manager, but the budgets tight.” Natalie sighed, staring at her computer screen.

 “That's the thing- you guys have a hookup.” Marcus grinned, hoping that this would be enough of a selling point. “Rusty owes me one. She’d probably do the setup for free, and I can do all the posting. She helped me redo my account when I came back from Cophegan- I went from like 100 followers to like 1,000 in a month.” 

Carmy looked around the group before nodding in Marcus’s direction, “Call her.”

Carmy stood up and walked out of the dining area through the kitchen and into the office, where his phone had been plugged in to charge. He quickly opened his phone, went to the seldomly used Instagram app, typed in your handle, and smiled as your account came up. He’d been Instagram stalking you since he’d heard Marcus giving Syd your handle. She’d laughed about it being a reference to a K-pop group he’d never heard of; granted, he’d never really listened to any of those groups. So far, he’d learned that you have an eclectic taste in music, an affinity for putting googly eyes on potted plants, a love for fancy coffees with overpriced pastries, and had, in fact, known Marcus since high school. He liked your style. There was something free about it; he admired your creativity. Carmy took notes about you through the account. Your highlight reels being indicative of your personality, the ‘Rusty cooking??’ highlight reel was particularly traumatizing. He wondered how you’d gotten into your 20s without knowing how to actually chop an onion, but he could show you how to do it properly; just the idea of that made his heart flutter. Carmy was incredibly attracted to you, but when you’d posted a boomerang of you kissing a guy’s cheek and tagged the guy’s account with a heart emoji, he was worried this would be another unrequited crush. 

When you walked into The Bear the next day in a pair of trousers with your hair up and a pair of glasses perched on your nose, Carmy felt like his heart was going to explode. He beelined for the bathroom to make sure he didn’t have anything in his teeth and washed his hands in an attempt to get the smell of cigarettes off his hands before going to talk to you. 

“So that’s what I would recommend doing for TikTok. The algorithm is tricky, but once you get on its good side, it can be really great publicity.” Carmy swallowed as he listened to you explain your strategy to Natalie and Richie. Natalie seemed impressed, while Richie seemed wary. “This is all really great Rusty. Thanks for getting back to me so quickly.” Natalie smiled as she shuffled a pile of documents into a yellow folder. You shrugged and responded with a playful laugh before explaining that work had been slow at the moment, so you had some extra free time to take a peak at the analytics you could see without access to the account details. 

After Richie and Natalie said their goodbyes, Richie was still seemingly cold toward hiring a social media manager and you in general. The two of them discussed it as they walked toward the kitchen. Carmy waited until they had walked through the kitchen door before approaching you. If he struck out with you he’d prefer not to do it within earshot of his sister and Richie; he’d never live it down. “Hey.” Carmy greeted awkwardly, rocking on his heels.

You smiled back, “Hey you. Long time no see.” Carmy blushed at your flirtatious tone. “How you doin’ Carmy? Spendin’ a lot of time on Instagram, huh?” 

Carmy needed some clarification on the comment. You noticed and giggled before explaining, “You liked a picture on my account from like two years ago.” Carmy tightly grinned out of embarrassment. He hesitantly nodded, “Uh yeah—Marcus recommended you do our social media stuff… I just wanted to check out what you post.” 

He hoped he saved himself, but self-doubt was taking over. He watched as you began twirling a strand of hair on your index finger. “It’s okay, Carmy. I think you’re cute, and I’m going out on Friday with a couple of friends… if you happen to show up at this bar across town called The White Rabbit, I might let you buy me a drink.” 

Carmy was speechless. He was by no means an experienced dater, and within that limited experience, he’d never had a girl come onto him like this. You noticed his awkwardness and found it endearing. “No pressure. You can also just call me sometime.”

 You pulled a Sharpie out of your bag and grabbed Carmy’s wrist to write your number across his forearm, “Bye, Carmy.” you winked before walking past him, making sure he’d get a whiff of your perfume. 

“B-bye Rus-sty.” Carmy managed to stutter out as he watched you walk out of the front entrance. He pushed the heel of his hand against his jaw. You were different, and it scared him, but also found it enchanting.

Part 3

[dnpanimationstudioclone]

What drinks could you see your I.M.P gang be?🍺🍸🍹🥂🍷

🔫Blitzø🐴: Moscow Mule. Strong, spicy but with sweet side(like him), and Iced(how he likes em and loves the name🫏. I imagine he can handle his liquor fairly well 🥃 and not really too picky with drinks. He def likes em hard enough to numb himself after a long day….or thinking too much on “stuff”.

🪓Millie🐂: Tequilla sunrise. Spicy & sweet, just how she likes em. Can really handle her liquor, even more than Blitz. Def enjoys spicy strong drinks like tequila! I can also see her have a bit of a sweet tooth so def enjoys a bit of sweetness with her drinks along with the spice, great balance! 🍹

🎼Moxxie🐊: French 75. Elegant & sweet just like him. I imagine Moxxie prefers lighter drinks, def a man of classic tastes 🍸🥂🍷 and fun fact, the drinks name was inspired from the 75mm field-gun used by the French during WW2🔫 perfect fit for our fav Gun-imp.

🌙Loona🐺: Blueberry Seltzer(fun fact wolves(I def see Loona be part wolf 🐺 ) actually like blueberries and in my take, Loonas a stoner and advice my friend @a-sterling-rose gave since I’m not the biggest expert with alcohol, weed & alcohol don’t mix very well so she’d most likely enjoy stuff like seltzers . I feel like if she had Beezlejuice it’d be watered down type of stuff or just flavour like it🍯🐝 I can def see her enjoy mocktails too like a Shirley Temple.

😈Addtional I.M.P facts😈

Blitzø would sometimes order Bloody Mary’s for his whole breakfast if he didn’t feel like making himself one🥓🥚 have you seen the kinda toppings they can get?! Calls it “brunching on a budget”.

Blitz loves doing drinking games 🥃🎱 would end up in the hospital trying to do “never have I ever”. Remeber when Quagmire was doing it? Like that🤣

Blitz is good at keeping track of happy hour 🍹🍻 other things not as much🤣

Blitz def enjoys getting crazy cocktails 🍹 enjoys trying out stuff with flashy colors and decor.

Alcohol tolerance High-low. Millie, Blitz, Moxxie & Loona.

DO NOT LET BLITZ &/OR MILLIE BE IN VEGAS! It will not end well

Millie’s great in drinking competitions would def do a shot competition with Blitz and win. Probably had tons of practice doing those with Sallie May(I can see her be a mint julep type). I imagine she def enjoys stuff with tequila too! I can see Striker be her best competition🥃

When it comes to Bar Trivia nights on the other hand��🩸not so well🩸 Warning, LOT of blood at the end.

Blitz & Mills have a fair share of bars they’re banned from. They sometimes keep track like a competition which Mox wish they didn’t.

Millie def went to a lot of saloon type bars back in Wrath. Loves the drinks. Loves the bar fights even more(there’s a very good chance she starts them or atleast def adding fuel to the fire) 💥🩸

Moxxie LOVES stuff like vineyard trips/wine tasting 🍷🍇 I don’t see Millie be too into wine/wine tours as much as Moxxie(I can totally see Blitz tag along if it means getting drunk with him). I can def see Moxxie being home meats & cheeses for Millie which she def enjoys 🍖🧀🫕

Moxxie def enjoys wine & cheese nights 🍷🥂🧀🫕 LOVES preparing charcuterie. Loona & Millie would most enjoy the meats, Blitz the cheese 🧀 🍖

Moxxies got a good collection of wine 🍷 great guy for asking to parties, brings good stuff.

Blitz has a lot of drink mixers.

I can see Moxxie be fairly good at making drinks himself🍸 even has his own lil kit. He was used to making em for his dad & associates.

Blitz has asked Mox for him tips & info about drinks/making them to make himself as well as occasionally impress Stolas🦉

If Loona was to drink stuff with alcohol I can see her like drinks such as Rum & coke, hard seltzer and champagne punch !

Loonas usually the designated driver for Blitz & the gang doing drink nights, second best chance would be Moxxie, third Millie🚐 Blitz is usually the one needing a designated driver with him.

What do u guys think? What drinks could u see fit the gang? I’d love to know💖

[avatarloverfrfr]

Dreamwalker Siblings

Chapter I: Cryo-sleep Masterlist Summary: Y/n and Jake Sully. Siblings, shipped off into the depths of space to explore the mysterious world of Pandora. Warnings: Mentions of death, reader is NOT excited at all, Constant reminder of deceased loved one. Word count: 3,6k

"You cannot ask this of us! Tommy is the scientist not us. He wanted to be shot light years into space, not us. We cannot do it." I shrieked, pleading with my brother for validation, but my cries were met with oppressive silence. His gaze fixed onto our fallen sibling, Tommy, robbed of life right before he went off to do the only thing that put a smile to his face. All sacrificed for the contents of his wallet.

"Your brother represented a significant investment, we'd urge you to accept taking over his contract." The man besides Jake had said, completely disregarding all that I had said. "I'm sure he would hate to have all his hard work go to waste, knowing someone so close to him would be able to continue his legacy." The second man, besides me, added with a curt nod.

Outrage boils within me at the audacity of these men, exploiting the loss of one of us, former triplets, as leverage against us. How dare they use Jake and I with their clear motives of greed, revealing to us that our worth to them is nothing but a budget they refuse to abandon.

"It'll be a fresh start, on a new world. And the pays good, very good." they said staring at Jake and I. Before I could even say something in retaliation. Jake had spoken for the first time that night. "We'll do it." Disbelief swept over me as I locked eyes with him. How could he agree so easily? How could he not see that these men were just using us— he probably could, yet chose to turn a bind eye.

"Perfect, Y/n we will get your Avatar ready, they will mature on the trip there." the men said walking out, leaving me in there with Jake.

"How could you just accept like that Jake. You caved! Just like that? You know they are just playing us, and you still went along with it! Don't you see–" I started, but he interrupted me. "Maybe you don't see it, but I do. We are dirt poor Y/n! Struggling... This cash could change everything. We could finally be able to live." he pleaded, desperate for understanding. "I could afford to use my legs again." he confessed.

While I was sitting there, next to my brother, a big whole blown right in the middle of our lives, I started having these dreams. Dreams that whispered secrets of possibility and untold wonders. Sooner or later though, you always have to wake up.

As I wake up, I glance around and it hits me, I'm in some sort of cryo pod. Flashbacks flood my mind, reminding me of the time before my life had got frozen, five years of my life, gone. The memories of Tommy's death, as if it was yesterday. 'We had to do it, so we could live." I think to myself, trying to find comfort in all of this.

"Rise and shine sleepy head." a doctor had greeted me as I exit the cryo pod I had spent the last five years of my life in. "We're here."

"Exo-packs on! Let's go! Exo packs on! Remember people, you lose that mask, you're unconscious in 20 seconds, and dead in four minutes–" I stopped listening to what the sergeant had to say. Looking around my eyes landing on Jake. We should not be here, this is not our home. But what's the point in dwelling now, there's no turning back. I think to myself while putting on my exo pack, adjusting it so oxygen could freely flow through.

"When that ramp comes down, go directly into the base. Do not stop! Go straight inside wait for my mark!" the sergeant yelled. Standing up I walk over to Jake who was still seated waiting for everyone in front of him to leave the air craft so that he was able to freely able to deploy his wheelchair.

"Let's go special case! Do not make me wait for you Sully's!" he barks. Not bothering to acknowledge him Jake and I walk off the ramp and onto Pandora, our "fresh start." Taking a long look around I spot soldiers, back on earth these guys were heroes, marines fighting for freedom. But out here they were all just a bunch of hired guns, serving the RDA until their last breath.

"You're not in Kansas anymore, you're on Pandora ladies and gentlemen–" the man, Quartrich, continued. Tommy was meant to be listening to this, not Jake and I.

"Excuse me. Excuse me. Jake!" a lanky man rushes up to us after the "safety brief." "You're Jake right? Tom's brother." he asked looking down at him to meet his eyes. I just stare at him, does he just not see me here?

"You look just like him." he says eyes finally landing on me. "Sorry– I forgot he had mentioned he had two siblings, Y/n. I'm Norm. Spellman. Went through Avatar training with him." he says leading us into some sort of bio-lab.

As Norm continues briefing us on the bio-lab procedures, my attention drifts, drawn to avatars in three separate cry-chambers. I approach them, circling until I stop at a particular one.

"Looks like him." Jake and I simultaneously say, not once taking our eyes off what our brother could have been.

"No, looks like you. This is your avatar now Jake." Norm reassures him placing a hand on Jakes shoulder before moving to the last tube in the bio-lab.

"And this is your avatar Y/n. She had to get to the lab as soon as possible, since you know–" Norm starts, but I cut in, "–I wasn't meant to be here. Yeah, I'm aware." I finish, stepping closer to my avatar.

She looks so much like me, except for the obvious differences. Blue skin, a queue, and her sheer size. "She's beautiful." I whisper, touching the glass, feeling a soft heartbeat pass between us.

"The idea is that every driver is matched to their own Avatar, so their nervous systems are in tune... Or something. That's why they offered us the gig. It's insanely expensive... Is this right? Do we just say whatever to the video log?" Jake questions turning to Norm and Max.

"And do we have to share the exact same camera to film these things?" I interject, trying to nudge Jake out of the screens view.

"Yeah, you both need to document everything you see, what you feel. Plus, you're twins, who knows if you both are able to feel the same emotions or not. It's all apart of the science." Norm explains, retuning to his work.

"Plus it'll keep you sane for the next six years," Norm adds chuckling.

"Not if I have to sit next to Mr. Jarhead it's not." I remark, rolling my eyes but smiling slightly.

"Look who's talking Miss. 'I might not be a marine, but I sure can beat your ass,' " Jake adds, playfully pushing me.

This was one the first times I had smiled since arriving to Pandora. Usually keeping a stoic face, only smiling around my brother. My only family, the only thing from my past life.

Entering the link room behind Norm and Max, we're greeted by a voice. "Who's got my goddamn cigarette?" a redheaded woman demands, emerging from one of the link pods.

"Grace Augustine is a legend. She's the head of the Avatar Program. She wrote the book, I mean literally write the book on Pandora botany." Norm gushes. "Well that's because she likes plants more than people." Max adds teasingly.

"Well, there she is, Cinderella back from the ball. Grace, I'd like you to meet Norm Spellman, and Jake and Y/n Sully." Max says pointing at each of us in turn.

"Norm, I've heard good things about you. How's your Na'vi?" she asks, completely ignoring my brother and me, then begins to speak in a language I can only assume is Na'vi.

"Uh- Grace, this is Jake and Y/n Sully," Max interjects, trying to redirect her attention.

"Yeah, yeah. I know who you are, and I don't need you. I need your brother. You know. the PhD who trained for years for this mission? Yeah him." she snaps.

"He's dead. We know it's a big inconvenience for everyone, including me." I reply bluntly. There's no need to sugar coat anything that's already happened.

"How much lab training have you had?" she asks, looking between Jake and I.

"We dissected a frog once." Jake simply states.

"You see? I mean, they're just pissing on us without even the courtesy of calling it rain. I mean hell, the girl isn't even supposed to be here! I'm going to Selfridge, this is such bullshit." she rants, storming off but not before putting out her cigar.

"Well she's kind." I remark dryly.

As Jake and I arrive precisely at the time Max had instructed us to the day before, 0800, Jake and I hasten to catch up with Grace and Norm, who are already stationed at the link pods.

"You're late Sully's. You're in there, you're here." Grace remarks, gesturing towards two pods for Jake and I, and we obediently follow her directions.

"How much have you both logged?" she inquires, turning to the screen besides Jakes link pod.

"Zip, but I read a manual." Jake replies with a nonchalant shrug, as he wheels over to his pod.

"I listened to him read it out loud, if that counts." I confess making my way to my own pod.

"Tell me you're joking." Grace says incredulously, as she abandons her work on Jakes screen to approach mine.

"So you just decided to venture out here, to the most hostile environment known to man with no training whatsoever and see how it went? What was going on through your head?" she questions, setting up both mine and Jakes link screens for launch.

"Maybe I was tired of doctors telling what I couldn't do." Jake retorts, lying down in this link pod. I look at him wondering if that is why he spared no chance in me saying anything back when those men asked us to take the place of Tommy, because he was tired of the life he had.

"Keep you arms in, heads down." Grace instructs, pushing me into my link bed before I had the chance to ask Jake what he had truly meant.

"Just relax and let your mind go blank." are the last words I hear Grace utter before she seals my link pod.

Off to the side, Max examines scans of Jake and my brain. Studying the intently, he remarks. "Jakes brain is gorgeous, with nice activity. However we're detecting some resistance in Y/n's brain. She's unconsciously pushing back against the transfer, if this continues it could potentially harm the link." he informs, turning to Grace for guidance.

"Once the link is established, it cannot be interrupted. It will only worsen the issue," Grace states matter-of-factly, keeping an eye on my Avatar. Stubborn and resistant to change- that's Grace's initial assessment of Y/n, even after less than 48 hrs of meeting her.

As my eyes flutter open, I'm greeted by a blinding light that pierces my eyes. A sharp ache throbs in my head, intensifying until two figures materialize before me- doctors, no doubt.

"She's awake. Y/n, can you hear me? Are you feeling alright?" the female doctor inquires, checking my expression for any sign of discomfort.

"Yeah, I'm fine." I reply, opting not to mention the pounding headache. Slowly, I sit up, only to find my hands adorned with five blue fingers.

"I made it." I murmur to myself in disbelief. Glancing around, I notice Jake already on his feet, a grin stretching across his face. He's standing, a sight I never thought I'd witness again, his legs finally functioning.

"Y/n you've got to see this. When's the last time you saw your brother standing tall, huh?" he exclaims, turning to face me while his tail knocks over everything in it's path.

Finally on my feet, I chuckle, "Bro, we're giants." The realisation hits me as I gaze at Jake and then towards the exit to find that he was already smiling at me– we're thinking the same thing. Tri– Twin telepathy perhaps?

Without a word Jake and I bolt, dodging Avatars engaged in a game of basketball, evading Norm and the two doctors running after us. We hurdle obstacles until a humanoid robot comes into view.

"Sorry! we both exclaim breathlessly, narrowly avoiding a collision as we skid to a stop near some flora. Catching our breath, we're approached by an avatar bearing striking resemblance to Grace.

"Hey, Sully's!" she calls out, closing in on us.

"Grace?" Jake questions, eyeing her up and down.

"Who else were you expecting numbnuts?" she retorts with a grin, with me laughing at the nickname Grace gave him.

As Jake and Grace catch up, I slip away into the area where Avatars are housed, searching for a change of attire. Opting for a top similar to Graces but in a deep shade of blue, that are about a shade darker than my current skin tone, pairing it with green cargo shorts. Hoping to blend in slightly to the flora and fauna of the forest.

Gazing up at the darkening sky, I realize it's nearly nightfall, meaning I had to delink for the night. "Alright, everyone, settle down! Lights out." Grace commands, ushering the remaining humans away.

"See you at dinner kiddos," she adds, flicking the lights off.

Lying back, I can still feel the remnants of the headache, but I decided to let sleep wash it away. Closing my eyes, I drift off into a peaceful slumber.

next II

Tag list: @pinkvrydag @neytirismissingtoe @youskawng @tsuteyssyulang @lylalaminated

[sobx9]

The fact that the pates said 4x10 is the best episode they’ve ever done and they’re really proud of it & it’s the lowest rated ep & the fans can cite a handful of better eps through the whole series just proves they never understand us enough - or their characters/plot lines

Hi, I completely agree.

I think there is a huge disconnect between what show the Pates wanted to create and how fans took to it. In my opinion, they wanted a dramatic action packed show about treasure hunting. But the viewers fell in love with the characters, with their friendships and relationships and their emotional journey. And they didn’t know how to handle that since that wasn’t their intention.

You can see this clearly with how many plot lines are swept under the rug and how the characters seem unaffected about what’s happened to them. We don’t see Kiara and JJ being affected by nearly drowning, we don’t see how Kiara feels about her parents sending her away or how Sarah actually feels about being pregnant at 19. We don’t even really see Sarah and John B being affected with loosing their fathers. It’s just go go go to the next thing. We don’t see any depth or development. Even Topper is still the same “villain” of the show in season 4, or Ruthie suddenly appears, but she’s there just to be a bitch to the Pogues and we don’t even really know why. Because showing us all of this would take time away from the action.

They don’t understand those characters they created. It’s why I think so much screen time is given to grown up men (Ward, Big John, Groff, or even Rafe) because they can actually relate to them the most. But fans don’t care about them. They care about the Pogues. The female characters specially are completely butchered over the years, because there’s no woman creating this show, no one to give them input on what it’s like being a teenage girl.

I get they were super proud of the finale episode, because it included all the action: fighting, bike ride, shootouts etc. It was probably super fun to make, they were on a beautiful location for most of it and had a big budget to play around with. But it was completely lacking the things fans love about the show. Obviously the death of JJ didn’t help the rankings. But for me the finale was bad overall and I skipped around a lot. For example the scene where JJ is actually getting the crown from the statue was unnecessary long, especially when you compare it to how short his actual death scene was. Or even if you compare his death scene with the scene of Big John dying. For JJ you had him dying, one shot of each Pogue and done, again you don’t see the emotional toll, just straightaway to the next thing, planning revenge.

It’s such a shame because the show had such a huge potential to be so great, but the Pates just didn’t manage to do it.

[gaykarstaagforever]

Heathers (1989)

"If everyone jumped off a bridge, would you?"

"...Probably."

[TRIGGER WARNING: The movie is about murder, suicide, depression, anxiety and bullying, and it's a Rated-R movie from 1989, so SA is going to keep coming up. I'm going to be referencing all of that in this review. Also I'm a gay man and will be teasing people who have made this movie their personality, so tap out now if you and your cool vinyl collection can't deal with that.]

The movie starts as a fun black comedic take-down of saccharine 80s John Hughes teen romance movies. New-kid-in-school badboy edgelord JD, and repentant former wannabe cool girl Veronica, hook up and decide to live out the ultimate bullied nerd fantasy by getting revenge on Heather, Veronica's frenemy and leader of the Heathers, the most popular clique in school.

But when things go darker than Veronica planned, the comedic satire becomes a Shakespearean melodrama, as Veronica is suddenly confronted by the surreal consequences of what she's done, including realizing that the simplest solution to a problem may in fact make everything a hell of a lot worse.

I'm not going to spoil it for the 5 of you who haven't seen this yet. Everyone else (including me now) has seen it, as it is probably one of the most universally-popular Internet-culture movies there is. You've seen at least one meme from it.

Probably this one.

While a flop in 1989, it quickly became a cult movie on home media, even by the late 90s being one of those movies your older brother and his friends introduced you to to let you know they didn't think you were a lame stupid baby anymore. And it seems now with streaming it is still kind of in that spot, the older brothers with tapes being replaced by Gen X / Millennials posting about how cool it is in front of teenaged lurkers.

So how did I miss it? I WAS the older brother growing up, and I was 7 when it came out. And when I did go back and get into all the 80s movies I missed out on by being a toddler when they were new, I stumbled into the Hughes stuff, notably Pretty in Pink, which is fundamentally the movie Heathers is mocking. As cynical and jaded as I am, I'm also a fruitcake, so I love me some sappy sunny crap (if it's to a greater artistic point, which the Hughes movies are). What I knew of Heathers had me thinking it was merely a demonstration of pretentious anti "popular media" whining from the sort of people who wear outdated hats and are insufferable about punk music.

...And it totally is. But also, it's more than that. It's actually really good and smart and occasionally insightful, when it restrains itself from all the emo "I can be your devil or your angle" posturing. Which, to be fair, it also makes fun of. Before that was even a thing.

Christian Slater and Wynonna Rider have fantastic chemistry, and there's never enough of the two of them just enjoying each other's company. Even when they're arguing, it feels like a real couple going through something they'll almost certainly get over in a few hours (until they very much can't, and then they'll literally try to kill each other). Passion, is the word for it. Sardonic and low-key most of the time, but still passion. And that's always delightful.

It's well-shot and well-directed, with good uses of lighting and dynamic camera angles. There is a lot of scenes that are just two people talking, and it's never boring. Impressive for filmmakers who were, at the time, fresh-faced and working with a small budget. The style ends up being like if John Waters (no relation to Dan Waters, who wrote it) had directed Corman's Rock and Roll High School: goofy and surreal and sarcastic, but also willing to get dark and push boundaries to make a point.

All the characters - even joke side ones - are thoughtfully drawn, given emotional depth and realistic motivations, even when they're doing something stagey and broad in this highly stylized, Tim Burton-esque dark fairytale world. Wynonna Rider fought for the role against all advice, and it is perfectly in-line with the characters she played and the movies she played them in of this era, Beetlejuice and Edward Scissorhands. Maybe even Bram Stoker's Dracula, if we're talking surreal melodramatic action-horror with disco lighting.

It is a movie with lots of big ideas (probably too many), but it manages to get those across effectively. What starts as a simple teenager revenge fantasy morphs into an armchair analysis of what America does to its children - instead of nurturing them and preparing them for the adult world, it points at them and gawks, and cashes in on their fear and self-loathing and predictable self-destruction. Everyone in the cruel high school world of Heathers is both a perpetrator and a victim, desperately fighting for survival by both submitting to abuse, and then immediately turning around and heaping it on someone "beneath" them. Death here isn't genuinely mourned or reflected upon; everyone simply starts plotting how they're going to exploit this new gap in the line. And whether the victims kill themselves or are murdered only matters as far as someone can spin that into self-promotion. Even the priest at the funeral (the late great Glenn Shadix, Beetlejuice again!) uses the supposed suicide of a child as an opportunity to make a ham-fisted youth-oriented alter call.

By the end of the movie, Veronica has triumphantly decided to rise up - not merely against the popular kids and exploitative / apathetic adults - but against the entire system of unending cruelty she didn't even know she was still playing a part in when she was actively attacking it. This finally sets her at odds with JD, who is too consumed by hatred to realize that the violence he thinks is a solution is fundamentally part of the problem.

And yet, as they come to blows, Veronica is also replaying the very same game that led her to become one of the Heathers in the first place, and then turn on them: use people to secure power, they use and hurt you, so you attack them. She knows the whole system is bad and broken and wants out, and seems to acknowledge the only way out is through earnest friendships and "growing out" of being shallow and petty. But by the end of the movie, despite her rebuke of JD...has she managed it? Maybe, maybe not. Maybe the system is inescapable, and all you can hope to do is find a way to force it to work for you. And choose then to make it less cruel. Maybe.

It's not a good or happy ending, it's just an ending. But a thought-provoking one, and the movie does it well.

...Mostly. The dialogue is trying very hard to be distinctively witty, but mostly comes across like a worse version of Clueless-ese, with more gratuitous vulgarities and no kitschy charm. A writer being very proud of how smart they are, without noticing that real people don't talk like this because it's awkward and obnoxious. Everyone's dialogue is basically interchangeable, including between the kids and adults (JD and his lunatic father have a fun distinctive thing they do, but that's about it). Now, lines being awkward and obnoxious doesn't mean they aren't eminently meme-able. In fact, that usually means they are. And they certainly are here. Nearly every scene has a memorable bon mot that can be endlessly parroted by people doing that so you won't notice their off-putting personality. ...I wouldn't call that a win for anyone, but it is certainly a thing.

Remember: just because someone said it in a movie, doesn't mean it's inherently funny or profound or relevant to the conversation you've currently having. And you're not suddenly smart because you found a movie quote that you think expresses your exceptional hot take. In fact, that might be a sign that your are NOT in fact smart or insightful. Just putting that out there.

Also the "mineral water is for fags" thing is only funny because it's stupid. It was stupid then. That's the point of that being in the movie, to show how stupid these podunk morons in Ohio are. Stop repeating that 'joke.' It isn't funny out of context.

Gen X. Looking at you on this one. It's just you trying to give yourselves permission to still call people "fags." Doesn't work that way.

Christian Slater claims he was "channeling Jack Nicholson for this film." Yeah, okay, dude. And for the rest of your life, all the time. He's still a good actor and very charming here, but if that "Christian Slater" thing he does annoys you, it's at 11 here.

The pacing and tone get pretty muddled after the initial black revenge comedy stuff stops, as the movie uneasily transitions to its second major focus. It stops being funny entirely for awhile, until near the end when it suddenly remembers that was supposed to be a part of this, then sitcomy stuff elbows its way in. And JD's plans post-breakup with Veronica are left vague until they suddenly aren't, and I feel like I missed something. I didn't, and there's a point to them doing it this way, but it is handled kind of confusingly.

The movie is a scaled-down version of whatever epic Greek tragicomedy the writer originally dreamed up, and the studio demanded the pitch-black orginal ending be changed. And you can kind of feel that throughout. As an R-rated movie it is a lot tamer than it feels like it should be, and I for one wish the kills were gorier and more over-the-top. That more fits the tone. Maybe that was never the original intention, but you don't do Titus Andronicus without getting gross with it, you know?

Any SA stuff is handled tactfully, and there isn't much of it, and it serves a narrative purpose. But that still feels like something that is only in here because it's 1989 and R-rated movies have to go there. And I don't feel like they really give those incidents the kind of emotional impact they should have on the victims. But again, this is a surreal world of unending cruelty, so maybe people shrug that off here. It's more my personal preference, if you're going to be gross to women in a movie (probably stop that, unless that's what the movie is about. Rape and molestation are not screenplay spices.)

The good far outweighs the bad, though. And Heathers is good, and is deservedly a timeless cult-classic for growing boys and girls, given what it deals with and how well it deals with it. It's entertaining and it makes you think, which is what good movies do. And it's endlessly meme-able, and that's okay, even if the people who meme it the most are silently warning you that they're pretentious and annoying about music. And that's only sort-of the movie's fault.

Also all the women in this movie have 9 lbs of dry fly-away hair that is just...painful. I realize this "unkempt Barbie hair" style was the best we could do at the time, but... I feel like I can hear it crunching every time they move.

Oh, and shoulder pads for days, shoulder pads FOREVER. I will never understand why the hell the 80s thought women weren't boxy enough. It was a thing.

[grits-galraisedinthesouth]

Madison Square Garden Trump Rally

Comedian Tony Hinchcliffe

Hillary Clinton warned Trump’s event tonight would be a reenactment of a 1939 Nazi rally at Madison Square Garden. What actually unfolded was one of the most patriotic events America has ever witnessed.

The evening started off with a bang when comedian Tony Hinchcliffe explicitly stated the Democratic Party is looking “more and more like a P. Diddy party” after Kamala Harris received a wave of “crazy endorsements” from the likes of Enimen, Beyonce, and Leonardo DiCaprio, and Taylor Swift.

In an act of pure bravery, Hinchcliffe took on Hillary Clinton, warning the audience that if he somehow ends up committing “suicide” in the next couple of weeks, “[he] didn’t.”

"Hillary Clinton said that this is a Nazi rally here today. Can you believe that?” he asked. The star of “Kill Tony” lamented that Clinton calls Trump “Hitler” when he’s “the most anti-war president of [his] lifetime.”

"Let me remind you, Hillary, it was your husband who shot innocent people, or as he called them, interns," Hinchcliffe rebuked.

“Yeah, Hillary, I bet you did not see that one coming.”

Tucker

The crowd went wild when Tucker Carlson issued a stunning rebuke to the ruling class, saying, “You are not better than us. No, you are not smarter than us. No, you do not deserve what you have. You probably stole it.”

He explained, “The big lie is that they're impressive. That's what the big lie is that the people in charge have somehow earned the right to rule over you, and they haven't.”

“No fair system would make Liz Cheney powerful. No fair system would make Larry Fink rich. No fair system would elevate someone like Kamala Harris to a presidential nomination,” Carlson declared.

Elon Musk

Musk was asked, “How much do you think we can rip out of this wasted $6.5 trillion Harris-Biden budget?”

His response was stunning: “Well, I think we can do at least $2 trillion.”

Musk epically told the packed audience at Madison Square Garden, “We're going to get the government OFF your back and OUT of your pocketbook!”

“All government spending is taxation. So whether it's direct taxation or government spending, it either becomes inflation or it's direct taxation,” Musk explained.

“Your money is being wasted, and the Department of Government Efficiency (DOGE) is going to fix that.”

America's not just going to be great. America is going to reach heights that it has NEVER seen before,” Musk continued. “The future is going to be AMAZING!”

The crowd responded with thunderous chants of “ELON! ELON! ELON! ELON!”

Musk then urgently called on every freedom-loving American to vote and encourage their friends and family to do the same, aiming for a margin of victory “so big that you know what can’t happen.”

He called on voters to deliver a “massive overwhelming sweep of every swing state. And even some of the states that aren't people don't think are swing states.

“Massive, crushing victory,” Musk reiterated. “Get everyone, friends, family, people on the street [to vote]. Put the signs up; put the hat on. Let's go!”

[thomaskong]

i'd be interested in your recent movie list - it's nice to hear what people are watching 🥰

OOOHHH thank you for asking!!! This gives me the perfect excuse 2 talk abt some of my favs ty hehe <3 The genres, years, countries, etc. might be wildly different and there’s no particular order to what I’m gonna list but here we go:

1. The Spook Who Sat by the Door

Ivan Dixon; action/political drama; America; 1973

EVERYONE needs to watch this honestly… it’s probably my favorite film I’ve seen this year. The movie’s about the first Black man, Dan Freeman, to be trained by the CIA, who then quits and takes the techniques he’s learned to create a team of Black youths to fight for freedom and against racism. Even though it’s a fictional plot, the real FBI pulled it from theaters for being too radical, and it has indeed been described as “the only true Black radical movie ever made.” I seriously can’t recommend it enough

2. Medicine for Melancholy

Barry Jenkins; romance/drama; America; 2008

If you’re familiar with Moonlight, you already know this filmmaker. Medicine for Melancholy is Barry Jenkins’ first film, about the romance between Jo and Micah after a one night stand that takes place in San Francisco. Some things I like about it are the ways the city and its racial issues so heavily influence the characters’ relationship so much so that it essentially becomes a character in itself. Since this is Jenkins’ first film, the budget was smaller ($15k) and it has a different feel from his newer movies which I personally really liked

3. They Cloned Tyrone

Juel Taylor; sci-fi/mystery; America; 2023

This movie was released on barbenheimer day and was WAY BETTER THAN BOTH OF THEM!!!! When Fontaine, a drug dealer played by John Boyega, seemingly gets shot and killed, Slick, a pimp, is shocked to see him walking around the next day as if nothing happened. Together, Slick, Fontaine, and Yo-Yo, a sex worker, work to uncover what actually happened and find that it’s much bigger than they could’ve imagined. This is a FANTASTIC sci-fi film with some fantastic writing (a lot of great one-liners lmao) and all the actors do amazingly. Also, the title goes hard!

4. Bad Genius

Baz Nattuwat; thriller; Thailand; 2017

I literally watched this last night (happy birthday Nonkul!) lol. In this movie the character Lynn gets paid to work with her friends to help other high school students cheat on tests. When I tell you this had me SWEATING from stress. It was very entertaining, I really liked the way it was shot and how it consistently kept the tension up

5. Do the Right Thing

Spike Lee; drama/comedy; America; 1989

Taking place on an unbearably hot summer day, racial tensions rise between the Black civilians and the Italian owners of a pizzeria in Brooklyn. This is a v famous movie, directed by Spike Lee, and honestly many of the themes still ring true today

6. Sorry to Bother You

Boots Riley; sci-fi/comedy; America; 2018

Set in the Oakland, Cassius Green becomes a telemarketer and uses a “white voice” to do better at his job. But when his coworkers form a union, he decides to take a promotion instead, leading to unexpected consequences. I don’t want to spoil anything, and this is another famous movie that many people have probably already seen and have probably been spoiled BUT. there is a crazy twist. I really enjoyed the messages and craziness this movie had to offer

7. Marry My Dead Body

Cheng Wei Hao; comedy/mystery; Taiwan; 2022

I saw this with my friend on my birthday and honestly it could not have been a better way to watch it. A homophobic cop accidentally gets into an arranged marriage with a dead gay ghost. Is that not one of the best plot descriptions u have ever heard. It’s horror, it’s comedy, it’s gay, it’s a romance (TO ME! And like everyone else who watched it)… WHAT MORE COULD U WANT!! It gave me a similar feeling as Secrets in the Hot Spring & Pee Mak, two movies that somehow seem to cover So Many Genres & that I love sooo much (the former is my fav movie ever). I literally laughed so hard I almost peed myself at times <3

Other than that some other movies I watched & enjoyed this year are: Love Lies Bleeding (2024), Claudine (1974), Eve’s Bayou (1997), and Bottoms (2023). I don’t wanna make this too long so I’ll stop it here but I hope you enjoy these films too if you decide to watch any!!

[cartoonsbyandie]

Nakamori ginzo for the character bingo sheet? :0

Thank you for sending in my specialest guy <3

Kogoro probably should take top billing for 'my dearest blorbo' but I think I get more associated with Nakamori just because he's a more niche pick to have as a favorite character. I do think I tend to gravitate towards characters that have a lot of blank spaces I can fill in myself, while still having a personality and some background info to draw on. It's why Nakamori having a wife out of nowhere made me mad for a whole day (apologies to a certain someone for having to deal with my angry ranting) before I remembered I can just ignore canon. But y'know, that wasn't an extra step I had to take before then, eh?

Anyway he's the best. A Diet Zenigata, which is still completely unhinged by Conan-universe standards. I love whenever he's on screen, he's this serious, straight-laced, always-pissed-looking adult who goes off screaming whenever Kaitou Kid is mentioned and god knows how much police budget he spends on his KID-capture plans. He's doing his best. Someone help him. (Someone being Kogoro.)

I WILL FORGIVE EVERYTHING IF I GET A SCENE OF KOGORO VISITING NAKA IN THE HOSPITAL AFTER HE GETS SHOT

[pandagalo]

[PJO SERIES EPISODE 1x08 COMMENT]

What an amazing episode!!

Starting from the RECAP: Poseidon speech as we relive Percy's quest is amazing, not just a montage of what has happened, but actually video editing to tie all together!

Annabeth confused about Kronos, great continuity.

THEY ARE IN MONTAUK. Poseidon is right by his side in the exact place where he met Sally! I know it was for time and budget, but it's a change that I personally L O V E.

WAIT, YOU PUT PERCY'S TRAINING WITH LUKE THERE? AND YOU MIRROR THEM AS IF YOU PUT THE TWO SHOTS TOGETHER THEY ARE POINTING SWORDS AT EACH OTHER. WHAT?!

Fight with Ares check: Percy easily overpowered, he finally has confidence in his powers and distract Ares as he hurts him. Of course Ares thinks Percy is going for the head. Ares thinks everyone in battle wants to kill the other, Percy used his brain and went for the ankle.

GOLDEN ICORE.

ANNABETH'S NECKLACE.

Now to Zeus. That sequence is absolute PERFECTION. We saw kids acting most of the time, now we got two adults that just DELIVER with their perfomance. Zeus is scary, has authority, HE IS A GOD. Poseidon portrayal is such a loving father, such powerful emotions and acting. They killed the scene, I couldn't stop smiling from how good it was.

"DO YOU EVER DREAM ABOUT MOM?"

Now to the Luke scene. Percy figured it out, but this time it was too late. He was already alone with Luke in the forest and was recalling the prophecy. The scene is masterfully portrayed, Luke tries to recruit Percy, only for him to have developed trust in his father, which push him to try and change Luke's plans. But when he mention Hermes, the fight starts.

PERCY APOLOGIZES WHEN HE HURTS HIM. He wasn't being serious, he probably thought it was like sword practice, but this time he didn't have a wooden sword. It's only when Luke hurts him that he understands how grave is the situation.

AND ANNABETH SHOWS UP. Because she had the same thoughts as Percy. She emphasized that they needed CONCRETE PROOF. Something wasn't quite right. She actually followed them with the cap. And when Luke harmed Percy, she understood that they weren't getting their friend back. And Luke couldn't bear her seeing him like that, and he escaped.

MR. D WHAT A SWEETIE PIE YOU ARE.

Gabe wasn't portrayed as abusive and bad as the book, if it was Sally to petrify him it wouldn't have sound right. BUT TO POSEIDON TO DO IT? To send back the Medusa's head, knowing Gabe would have opened their mail? To Poseidon to actually save Sally? (Friendly prophecy reminder: "You will not save what matters the most" in the book is about Percy letting Sally use the Medusa's head on Gabe, it isn't Percy who saves his mother, but herself)

GROVER GOT HIS LICENSE. Well, it's not actually that they never checked the sea, it's just no one ever returned. But probably no one knows it.

In the end, loved the episode and the show. Episodes 7 & 8 REALLY sold it to me. In my opinion, it went from a 7 to an 8/8.5 just because of the last two episodes. I'm really excited about Sea of Monsters, I don't think they will have any problem with the green light for Season 2, as the show is a success and it deserves it.

[haunting-hufflepuffs-basement]

Oh my gosh. OH MY FUCKING GOSH YOU GUYS!

I just, for the third time, rewatched Puffs the Play. I need every single Harry Potter fan (especially those of you who are Hufflepuffs like me) to know about this amazing AMAZING show and go watch it PLEASE.

Puffs the Play is a tongue-and-cheek irreverent adaptation of Harry Potter that covers what the hell the Hufflepuffs were doing during Harry's time at Hogwarts. The main characters are:

Wayne Hopkins, a kid whose parents were murdered on the same night as Harry's and who was sent to live with his well-meaning but super weird and oblivious redneck uncle in New Mexico. He grows up as a completely normal muggle child until he gets his letter, at which point his uncle realizes "We gotta talk more" and he gets thrust into Hogwarts. Wayne believes that he's destined for something great and very much wants to be important and save the wizarding world. Unfortunately, Harry is also there.

Oliver Rivers, an American math savant who just moved to England with his family to attend Oxford's mathematics program. Oliver is very VERY salty about Hogwarts not having a math class and has a lot of struggles adjusting to the absolute insanity that is wizard school

And Megan Jones, a girl whose family is known for being "the Puff family. Like the Puffiest of the Puffs." All except her mother Xavia, who was an infamous and dangerous Death Eat---no wait, sorry, Death BUDDY, who is currently in wizard prison. Megan strives to be just like her mother.

These dorks, along with several other background Puffs from the books (Hannah Abbott, Ernie Macmillan, Justin Finch-Fletchley, etc.) navigate 7 of the craziest years at the most dangerous wizarding school guided under their amazing mentor Cedric. . .at least for a while . . . As Puffs, the most beaten up, looked down on, and "worthless" house.

Now, this play is absolutely amazing you guys. It's hilarious, for starters, and takes a lot of liberties with the books. Every single person there is a cloud-cukoolander who is full of adorkable charm and ridiculous sass towards canon. Common catchphrases include:

"HI!" with a signature adorkable little wave.

"We're WIZARDS!"

"We are not a threat! Please be our friend!"

"Oh. My. Wizard. God!"

It's a filmed play that is deliberately low-budget to help with the comedy. Salazar Slytherin, Rowena Ravenclaw, and Godric Gryffindor are all played by hand puppets. Harry is there, played by the same (female) actress as Susie Bones and is an absolutely hilarious oblivious sweetheart, but Ron and Hermoine are a pair of mops dragged around by other cast members. The cast is a total of, like, 10 people who just continually switch roles. The narrator won't stop taking pot-shots at both the canon Harry Potter story and the story of Puffs, and keeps breaking the fourth wall. Some of my other favorite quotes include but aren't limited too:

"HI CEDRIC! Love your bones" -Harry Potter

"J-Finch is imaginary!?!? J-FINCH CAN GO WHEREVER HE WANTS!"

"AVIA FORMES!" (Chucks bird at person)

"If it makes you feel any better, he's ugly, and he'll probably stay that way forever!" (Said about Neville by the way)

"Someone said the snake monster only goes after pretty girls so I shouldn't have to oh I get it they were bullying me."

"JESUS CHRIST YOU ALL ARE 13!"

"Students who are Brave! Students who are Smart! Students who talk like they're about to throw a glass of white wine in your face! And the Puffs!"

It's really funny you guys.

But it is also incredibly heartwarming and can be sad and serious at times. It's a story of unbreakabke friendship. It's a story about how to keep on going when the going gets rough. It's a story that says it doesn't matter if everyone else thinks you're a bit of an idiot or if you're socially awkward or if you fail a whole lot. As long as you keep trying and keep working hard, something good will be there for you (even if it's not the something you wanted). It's a story about embracing your true self.

It's a story that says "I'm a Puff. And I'm staying."

It has also permanently affected the way I read the Harry Potter books, as I project the Puffs personalities (and frequently looks) onto all the Hufflepuffs when they show up in the books, even if a lot of them don't really match.

Everyone, please go watch Puffs the Play, and understand why I have some strange headcanons about the background Hufflepuffs from the class of '98.

[leincendiaire]

anyways salty thoughts. dont expect me to be nice

this is the one problem not exclusive to the finale, god ed's character arc just. didnt do it for me at all. I excused it before cuz I thought it would pay off as the season went on but nope. he never had a genuine apology moment, just that youtuber apology like gag and the cat collar joke. like they literally show us how the crew was completely scarred by his actions but theyre later just completely fine with him on board???? and stede keeps being his biggest stan when I think he would have been like hey what the fuck!! im sorry I hurt you but I am not responsible for your actions and you hurt my crew whom I hold very dear!! I love ed but Fuck he really went too far those first episodes and he never makes up for it. they only ever focus on His Own self journey, not how he hurt and traumatized practically every other character.

"well, I think narratively izzy's death made sense but—" no!! no it fucking didnt!! im sorry but it was just lazy writing!! they didnt know what to do with him so whoops he gets shot in the dumbest way possible. like, this aint my first rodeo, it aint the first time ive seen a character start off on their character journey to happiness only for writers to give up on it and kill them off. it's a tiring fucking trope tbh and I really wish they hadnt fallen into this trap. like his death scene wasnt good either, if youre gonna do it at least focus on his relationship with the crew, you know, the people he came to accept as family? not the man Who Shot Off His Fucking Leg And Almost Killed Him? I know they had an important relationship but that shit should have been talked about way beforehand, it deserved closure. they should have acknowledged they werent good for each other and made peace with it. izzy deserved a death with people who actually made him happy. ALSO THEY BURY HIM ON FUCKING LAND?????? he spent his life at sea!!!! he is the most devoted out of everyone to being a pirate and you bury him next to your fucking inn???? fucking twats istg

lastly I swear they forgot stede is the main character. they forgot literally everything about how to write him. he gets No Focus in the finale, and every scene he is in is bullshit. I actually wanted to punch my screen every time there was a joke about him being incompetent or whatever. like, hello??? thought we left that shit in s1??? he had Multiple Episodes about learning to be a pirate and adjusting to his new life and gaining more skills but no. he is just silly old loserboy for his cool war criminal boyfriend now. literally no skills or experience whatsoever. ok sure yea thats totally how he acted the rest of the season. also the fuck is it with him staying behind to run the inn with ed?? wasnt the whole conflict last episode their different desires out of life, with ed wanting to start a normal life and stede wanting to be a pirate?? when the Fuck did he change his mind. who are you and have you done with my boy

honestly I feel bad because jenkins is actually a good writer and the whole fandom really expected a lot from a man making his second show, and I think there were a lot of budget cuts and production issues so I can see why it turned out this way. he is probably mad about this too, I bet the cast also, like even the acting in this episode didnt feel passionate, and thats saying a lot since these actors really love this show. im just frustrated. man. time to write fics ig

[synthient]

Rogue script dropped!

pfft. If they haven't already made their stance on "who leads" clear enough with the dance scene.......

Limited emotional direction for Rogue so far - which is both pretty standard for a script (you don't really want to limit the range of the actor's performance), but would also check out with the possibility that there are Things About Rogue they don't want public yet.

But note that Rogue is "loving it," not flattered or flustered himself, and also that he was going to be a little meaner/neggier

Exact same emotion inspired by "the Doctor thinks I'm hot" and "I'm holding the Doctor over an incinerator"

not his flat little wow getting literally written as "[dot dot dot] wow."

and not her Sinister Groan

owo ? the first time in the whole episode he's been honest?

The "ancient Earth tradition of cosplay" line is missing from the script. When I look back at the transcript now, it does seem fairly obvious that the Doctor's response ("Oh, Rogue. It's when fans dress up as characters that they like") was added after they received the note "not every viewer is going to know what cosplay is." It's telling, though, that they took the opportunity to throw in one more Rogue Says Something Kind Of Suspicious And Weird for the bargain

We lost an 1813 fujoshi warrior 😔

[bane voice] I watch from the shadows

they really decided that the world wasn't ready for her fujo swag. Only Clara gets a license to fujo out

ok I do think it was the right move to cut this. would've pushed the gag past its breaking point. however, what this really emphasizes is that Rogue is perfectly capable of getting silly with it in front of a crowd -

- but it was specifically the Doctor's little speech here that threw him off and reduced him to stammering. Which I'm taking as confirmation of my theory that the Doctor just out of nowhere started reciting the breakup argument at his ex.

the fact that Claims To Be A Dnd Fan, Can't Roleplay happened solely because they cut this gag and replaced it with Nothing......

the date on this script is like a month into the episode's shooting block. do you think they literally shot this whole thing as written, made the decision to ax it in post, and went "oh god. we have no way to salvage this except to use the shots of him dropping to one knee + holding the ring and cut around every single word of dialog"

Iconic Image Alert

we also lost a Queering The Murder-Cosplay moment (though according to the transcript, the king line stayed)

ok I harped a lot in yesterday's meta on how Rogue doesn't express much sympathy for the Doctor here. Script Rogue seems to strike an interesting balance between Book Rogue letting the Doctor sob in his arms and Episode-As-Aired Rogue barely blinking.

they probably cut the lead-up to this moment (the Doctor asking if there's any possibility the Chuldurs could have shapeshifted into Ruby without killing her) because its exposition wasn't really necessary. but it seems like they could have kept the wordless shots of the Doctor breaking down and Rogue putting a hand on his shoulder. unless they decided they didn't actually want Rogue to come off as too warm here...?

this exchange was in the novelization, and apparently also in the original script. hashtag masterdoc coded

wouldn't want to give away spoilers about your ending and ruin the plot, right?

looks like they didn't bother to get attached to any specific pop hits besides Kylie (bad guy also isn't mentioned in the balcony scene) until they knew the rights sitch.

it is interesting that their budget priorities were "beatles songs in the beatles episode: 0. pointed background lyrics about having a dark secret/maintaining your poker face/being the bad guy, in the cute gay romance episode: 3," right?