#YOUR TRYING TO REPLACE ME!

[kamilucky-blog]

here's a fun theory.

Grian is a human turned watcher. He is trying to cause chaos and does not want to function

BigB is a Watcher turned human. That's why he's actively trying to be a normal person but what is normal to him?

[boygirlctommy]

i love the bit from oct 17 2020 when tommy and quackity trapped wilbur in a cobblestone box to keep him from pressing the button... wilbur punching through the blocks with his bare hand to try to get to the button... tommy frantically replacing the block in front of him yelling for quackity to do something... the moment when tommy stops, blocks the exit, and tells wilbur to do it. press the button. but then theyd die with him. quackitys like "wait, wait-" but tommy holds his ground and wilbur. ohh wilbur. "why'd you have to make it so hard?"

[little-pondhead]

The Curse Of Hope

_

Danny is in another universe. He had a reason, but he doesn’t remember anymore. He can only stare, horrified and disgusted, at the sickest city spirit he’s ever seen. Shivering and swaying with every step, core exposed, and ectoplasm leaking from wounds that are decades old. A ratty blanket was thrown over their shoulders, barely hiding the spirit’s pale grey skin and protruding black bones.

The spirit didn’t even sense him until he reached out to touch its wispy shoulders. The spirit flinched, clutching at the dozens of trinkets hanging from their neck and tucking in on themselves like they were expecting a blow.

“Oh, shit,” He swore, floating back a few feet, hands in the air, to show he meant no harm. “I’m sorry. I promise, I’m not here to steal from you.” The spirit shivered again and rolled a pearl necklace in between their fingers. A nervous habit. “Uh, I like that pocket watch? It’s very nice.”

That got their attention. They peeked at Danny, and he saw that more tattered cloth was covering their eyes, blending in with the stringy hair that reached the ground. Their blanket fluttered weakly, revealing hundreds of thousands of tiny marks etched into their skin. Scars, really. Scars that wrote out curse after curse onto the spirit’s very being. They burned with evil intent, and even reached inside the spirit’s body and wrapped around their core.

Occasionally, blinding specks of color raced across their body, temporarily erasing the writing, but it always returned quickly. He watched, a little detached, as one particular line rewrote itself across their rough forearm, drawing fresh ectoplasm like someone was writing it with a thin knife.

“Are you…alright?” Danny stuttered. A stupid question.

The spirit cocked its head. He couldn’t see their eyes, but he felt their burning gaze as they pondered the question.

“The pain of others becomes mine own.” They rasped. “The lights of the city dim as rotten wealth clogs mine veins. Magicks long forgotten have eaten mine skins, pulled mine cloak, and darkened mine skies. Helios has refused to grace mine doorstep, and the seasons of the Earth have revoked their kindness.”

Danny held his breath. It felt like he was the one with the exposed core, not the spirit.

The spirit shivered once more. “Tell mine soul, little lamb. How could this Forsaken City know peace, when it was long since ripped from mine hands?”

Shit, he needed Frostbite. And maybe Clockwork. Now.

-Or-

Danny meets the spirit of Gotham City. The villains and rogues that have plagued the city for decades are literal curses that are taking quite the toll on Gotham, and honestly, Danny isn’t sure how much longer they can hold out. The heroes seem to be doing some help, and are probably the reason Gotham made it this far, but the poor city needs help from the Realms if they want to get better.

Luckily, Danny can provide that help.

But only if he could get Gotham to leave their city behind. Because recovery is going to take a very long time.

[rudeboimonster]

~help your local rat get stable housing~

edit post nov 2023: I GOT THE HELP I NEEDED THANK YOU SOSOOSO MUCH

dramatically sprawled out on the floor

so i gotta move for the third time in that many years. unfortunately between health problems and the General State of The Economy, I have been unable to find work to be able to save any money. i have no choice but to leave the entire state. i thankfully have somewhere to go, however I need help getting there. i've been trying to do the math to get what I need to its lowest amount possible, but even that is still at least $2.5k.

after this move, i should be able to get things more stable and I might even have a couple job prospects lined up in that area, but right now I'm really scraping the bottom of the barrel funds wise and desperately need help.

if you're able to spare anything, i've set up a goal through kofi so i can track it publicly. i have trouble asking for help but i really need what help i can get. thank you, so so so much.

[uniiiquehecrt]

Voice actors are NOT the same as actors.

It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.

Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.

The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.

This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.

Actors are not the same as voice actors.

And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.

I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.

People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.

Voice Actors ≠ Actors.

[writinganon1]

@cokoweee

Ya’ll ever have a dream so lifelike it feels aggressively real until one thing goes a little too wrong and then you start to realize that maybe you’re in a dream but it’s also too real to convince yourself it’s not real that you can’t wake yourself up? 

TW: panic attack, I say gun, uhhh blood ig? Bishop says a kinda weird thing but that's just him bein him

can I say blood? last time I did it marked me as mature...

-

Her heart thumped against her chest, lactic acid building in her legs as she ran. She tapped furiously at her phone, fingers slipping over the screen as she tried to deploy Sheldon. 

Donnie says “no no no” chimed a pixilated picture of Othello, his finger waving back and forth. 

“What the-” She slammed against a wall, her shoulder crunching against the brick. 

His stupid programming on the poor thing to keep Sheldon at his house. Maybe she could override it? 

No, not enough time. She was just going to have to run and hope for the best. 

Her shoulder screamed in protest as she climbed the ladder in the alley. Scrambling over the side of the building to catch her breath, she tapped at the screen again. 

There had to be something she could do to foil his programming. She wiped at her nose, the cold still not quite gone even after days of bed rest. Bullets flew over the edge of the building, seemingly locking on to her body heat. Throwing herself at the ledge at the last second to force the bullets to crash into the wall she coughed violently, phlegm coating her throat.

Stupid sickness. 

Stupid Othello leaving her with the stupid rabbit farmer.

She pushed herself off the ground, arms struggling under the weight of herself. It was as if every muscle in her body was on fire, each fiber screaming at her to stop. She gulped raising her head over the ledge. Agent Bishop was standing on the adjacent rooftop, his face curled into a sneer, eyes unblinking despite the sun in his eyes. 

He waved at her, fingers waggling in the air as he pulled a small gun from his pocket. Aiming it directly at her chest he grinned, his eyes flickering with something distinctly unhuman. 

She stumbled backward, her feet skidding over the concrete as he seemed to lock onto her. Loose rock dug into her knees as she clambered over the rooftop. 

Away.

All she needed to do was get away. 

She placed a hand over her stomach, feeling the raised bump of the scar, as she moved.

This was…

This was wrong? 

It didn’t happen this way. 

No. She didn’t need to get away, she needed to get out. 

The bullet ripped into her skin, tearing away at muscle, and shattering the bone in her rib.

She screamed, blood pouring from the gaping hole in her chest, as Bishop moved closer. He walked to her side, footsteps clanking against the concrete. 

Clawing at the ground she dragged her body along the roof, rocks digging under her nails. Bishop laughed, his foot trampling her hand, digging it into the ground. She gasped, breathing shallowly as she fought to get loose. 

He grabbed her hair, wrapping it between his fingers and tightening his grip as he pulled her from the floor. 

“Oh, this is wonderful.” He smiled, voice dripping with venom. “Such a pretty little thing I caught this evening. I’ve been dying to chat with you.” He pulled her hair up, forcing her to rise. “I wonder if she’ll do any tricks?” 

She spat in his face, her ears filled with an all-consuming ringing. 

Away. 

She needed to get away. 

It didn’t matter how. She needed to get away. 

He said something else, flaunting some sort of mechanism he had hidden in his shirt. She tried to focus on his words, but her breathing was too shallow, her limbs too shaky, the ringing too loud for her to hear a word. 

She clamped a hand over her chest, a sorry attempt to staunch the flow of blood from the gaping hole in her body. Cursing softly she watched as the red seeped into a slithering pink fleshy mass. 

She stifled a scream as the pink turned an orange maroon, her own blood fueling some sort of monster. 

“Shhhhhhh.” Bishop whispered against her ear, “It’ll be done soon. Just one quick slash and you’ll be out of my hair for good.” 

The mass jumped forward, faster than she could comprehend, her body spasming in pain as she scrambled back.

Was this the Krang she’d heard so much about after she’d left the jail? Weren’t they supposed to be mindless or something? 

It lunged forward again, tentacles lashing toward her face. Bishop shook her in front of him, like a toy for a dog. 

“Kendra?”  

She screamed as he tightened his grip on her, shaking her around like a bag of flour. The world around her turned hazy, her vision blurring in and out. 

She wasn’t going to go out without a fight. 

Throwing her head back she jammed her skull into his chin, breaking the grip he had on her hair. 

She clawed at the ground, a strange silky feeling coating her fingers. Pushing away the softness of what was sure to be Krang, she kicked at the mass as it wiggled unnaturally. 

“KENDRA!” A familiar voice shouted at her, a gentle three-fingered nubby touch against her arm. 

Her eyes flew open, arms flailing to the sides to swat at what was left of the Krang matter, as hands held her back. She gasped, her chest heaving as a sinking feeling hit her gut. Dread splashed over her head like a wave, drowning her, leaving nothing but fear.

Eyes widening she looked next to her for Tello, horrified as darkness encroached on her vision, leaving her staring through a pin hole. Nausea rolled through her stomach as she gasped for air, her chest shuddering to keep up with her breathing. 

It hurt. It hurt so bad. 

“Hey, hey, hey.” He whispered, hand placed against her back. “It’s ok you’re home. You’re with me.” 

She jerked backward. He was loud. So so loud. Even with the ringing in her ears, he was too loud. 

Breaths were punched from her lungs faster than she could finish taking them in. Tears streamed down her face as her eyes blew wide. Her chest tightened, lungs twisting as she shook. 

She’s dying. She has to be dying. There’s no other explanation. 

Dead in her room from a nightmare-induced heart attack,  

Her eyes flickered back and forth over the room, not focusing on anything, just wildly scanning for danger she knew wasn’t there. Willing her arm to move, she let out a chocked warble. 

The room seemed to melt around her. Things blurred together, a fuzzy abstract painting of almost-real-life. Sweat beaded on her forehead as she tightened her muscles. 

Her whole body shook as she tried to take steadying breaths. 

“Did you know softshell turtles only have half a plastron?” 

She was in the middle of dying. 

She most definitely did not need turtle facts right now. 

“Technically a full one, but it’s covered by skin, rendering it effectively useless for plastron purposes.” He shrugs. “Same deal as the shell.” 

She looked at him, confusion breaking through the panic. 

“Makes us really flexible though. Wanna see?” 

He got off the bed, walked to the middle of the room, and bent backward. He smiled upside down at her from the floor and smoothly brought himself back up. 

“Pretty neat huh?” He waggled his eyebrows. “Bet no other turtle you meet could do that.” 

Amusement rippled through her as she watched him demonstrate his stretches and various yoga poses.

“I’ve never met another turtle like you.” She breathed, some of the panic melting away. 

“Precisely! No one can do it like me!” He said, pointing his finger at her triumphantly before his face softened. “ We starting to feel a bit better?” 

She brought her thumb and pointer finger close together. A little 

He nodded. “Am I good to come back up or do you need some space?” 

She patted the bed next to her, inviting him closer. She waited until he was seated comfortably before slumping against his shoulder, exhausted. 

He shifted slightly, reaching for his phone with one hand, the other wrapped around her. He let them sit for a moment, reminding her to breathe every few seconds before Sheldon zipped into the room. 

He whispered something to Othello before zooming out of the room. She watched passively as it happened, her body still not quite connected to her soul. 

Sheldon returned moments later, a bag of ice, a bottle of water, a cookie, and tub of lavender lotion in his little propeller arms. 

Othello took them from him, patted his head, and shooed him away. Taking one of the ice cubes he flattened out her hand and placed it in her palm. 

She jerked slightly at the sensation of cold in her hand, surprised when he placed another in her palm. 

“Focus on the melting.” He said, voice low and gentle. 

The ice filled the lines of her hand and dripped over the sides and down her arm. She shivered as the water pooled in her hand. Othello grabbed the cookie from the pile he had created and broke off half to give to her. 

“Thanks?”

He watched her carefully. “What does it taste like?” 

“A cookie?” She said through a mouthful, her hands still full of TV static. 

“I need details.” He pressed. 

She paused, taking a moment to consider the flavors in her mouth. “Vanilla, chocolate chips.” She took another bite. “ Like I left it in the oven a minute or two too long and overcooked them just slightly.” 

She’d have to make another batch, this time keeping an eye on the time. 

He pressed an uncapped water bottle into her hand. “Drink.” 

She pressed the bottle to her lips, feeling the way the cold blossomed against her skin as she held it there. Quietly observing the way she could feel it go down her throat and into her stomach. 

“Are we feeling more alive?” 

She nodded, running her hand along her thigh to feel the fabric of her pajama pants as she pressed her head against his side. 

“Good.” He murmured, sleep creeping into his voice. “You had a panic attack I’m pretty sure.” 

“...Sorry it was for something stupid.” 

“I get worked up over stupid stuff too.” He mumbled, eyes half closed. 

“Your stuff isn’t stupid.” She countered. 

“Then neither is yours.” 

She stopped, lifting her head to look up at him.

He grabbed her hand, flexing the fingers for her. “You feel ok?” 

“I don’t know.” She answered honestly. 

He nodded and guided her to a lying position. “Tell me five of your favorite things.” 

She paused, looking around the room. “Hmmmmm. You.” 

“Thank you.” 

“Mhm. Uhhh, lavender. The color purple. Satin jackets. Baking. Messing around in the lab. Oh, I guess that’s more than five.” 

He tapped her shoulders rhythmically, “You can keep going if you need to.” 

She took in a deep breath. “I think I’m ok now.” 

“Positive?” 

Nodding she pulled the blankets over herself. What she really needed was rest. She was so exhausted from the whole ordeal that the idea of doing anything else felt impossible. 

He got off the bed again, searching beneath the bedframe for something before he pulled a large purple blanket from under the bed. She blinked in surprise as he placed it over her, a weight holding her down to the bed. 

“I should’ve mentioned it was weighted.” 

She pulled her hand out to give a quick thumbs up as he climbed back into bed. She shifted to hold out her arm for a hug. He smiled and pulled her close, wrapping his arm around her waist. 

“You smell like you’ve been using my soap.” She grumbled against his plastron. 

He shrugged. “ I like the way you smell.” 

Rolling her eyes she tugged the blanket higher over her shoulders smiling as soft chirping filled the room, the sound he always made right as he fell asleep. 

“Good night Tello.” She whispered.

His plastron vibrated as he churred back, gently running circles through her hair. 

She was home. And she was safe.

~

squad don't write stuff at four AM I'm pretty sure this only makes sense to me at this point. Anyway I was listening to my pretty princess playlist while writing this 💁‍♀️

the reason why this was written is in the tags btw

[necrotic-nephilim]

I am always thinking TimJay thoughts related to the fact that they have matching scars from getting their throats slit, and not only that, but Jason slit Tim's throat first in an attempt to threaten Bruce, where Tim was nothing more than a pawn for Jason to use to emotionally manipulate Bruce.

batman (1940) #618

And then, just a little while later when Jason is trying to confront Bruce and do his whole dramatic moment with Joker in UTRH, and Bruce slits Jason's throat to stop Jason from killing the Joker.

batman (1940) #650

It makes me so Unwell. They have literal matching scars. When do you think Jason realizes it? When do you think, while running his fingers over the scar he has to always remind himself that Bruce was willing to jeopardize Jason's own life just to save the Joker, Jason realized it was the same scar *he* gave Tim? And does it click for him too, that he and Tim are a lot alike? Being used as pawns in Bruce's game? And for the first time he maybe understands Tim Drake, just another kid trying to get Bruce's attention and approval? And Jason did to Tim exactly what Bruce did to Jason? And that's part of what spurns on Jason's obsession with Tim, trying to "save" Tim from Bruce's ideology?

When they finally get together does it make Jason even more possessive? He put that mark on Tim and now he has his own to match. It's the closest to being understood and loved he's ever felt when Tim runs his fingers over Jason's scar at the same time Jason touches Tim's. Mirrors of each other, in a fun, fucked up little way.

[nekohrine]

ace culture is listening to a fun popular song and not relating to a single lyric

[withasideofshakespeare]

Have you ever noticed that pretty much everybody in Shakespeare's histories is an awful parent? Now you can rank them according to your tastes in (bad) parenting with my tier list maker:

I probably forgot somebody (please tell me if I did) and also all of the parent-adjacent characters are included according to my personal tastes (mostly because Falstaff does a LOT of (weird) parenting and deserved a spot and then pulled a bunch of other people along with him).

Here's mine:

[aroaessidhe]

2024 reads / storygraph

Bury Your Gays

Horror

a scriptwriter in hollywood who’s getting attention & an Oscar nom after working in the industry for years, but is being pressured by algorithm-obsessed producers to kill off the queer characters in the season finale of the show he writes

and when he starts getting stalked by the monsters he wrote (based on traumas of his past) he has to figure out how to survive, along with his best friend and boyfriend

[shannonsketches]

He said "Fuck this shit, I'm out" I'm crying. Toriyama's Vegeta was so top shelf 🤌

(From Neko Majin Z Chapter 5!)

[bumblingbabooshka]

Harry Kim saying Naomi is lucky to be born on Voyager and that he would have given "anything" to have her life when he was a kid...

[deoidesign]

Can you make a tutorial on how you world build and make ocs? I can't seem to make any people in my brain, but then when I try to come up with environments jobs, beliefs and little details to slowly come up with someone, I think: well I don't really know how people have influenced the world- it's a weird loop

To be honest, I don't think I can! Writing is an extremely personal process. The way I write is directly related to how I process things, what I find important in stories, years of my own analysis of my and other's writing, etc... The way you write will be unique to you, as well. But I can explain how I personally think of it.

The short answer:

Write. Write anything and everything, it's a tool to explore your ideas. Analyze your own writing, and write more. Then, as you discover which ideas you want to develop, write more to explore them more. You won't know what you want otherwise!

The long answer:

I think this kind of loop is common. It's easy to feel like everything needs to be done "at once," because our job as writers is to make elements logically fit with each other for our readers. But as you've discovered, developing multiple elements simultaneously isn't really possible, or at least is extremely difficult.

Personally, when I think of writing, I break it into three major elements; characters, world, and plot. As much as possible every scene explores one or more of these, and as much as possible these three things tie back into what I personally consider most important: theme.

Everything I do is in service of the themes I want to present. Without them my events feel aimless. It can take a while to discover them, but they're the core of my work. You will have to discover what you feel is the core of yours. Analyzing other media helps with this too.

Concepts in your brain exist in a state of infinite potential. But when you start writing you have to start making choices, which removes potential as you move forward... But you have to move forward anyways. If there's ideas you want to explore later, you can always explore them later.

What this ends up meaning, to answer your question, is that I don't think of my characters as "people in my brain" or my worlds as something people have influenced... Not at their core, at least. They are tools that I use to represent specific ideas. Obviously they're also my blorbos, but mostly they're serving a specific narrative purpose.

So above all else... Write. Write, and discover what you're writing about, and then start over and write with that in mind. Keep doing this. But you have to write!

[dizzybevvie]

"Kingdom Hearts is so complicated" "Nomura made it up as he went along" "KH makes no sense" Have you considered that Riku is 15 and autistic and gay bc if you do I think itll change things

[fortjester]

ur supposed to get one period a month yea? not me. i'm periodmaxing. we're on the fourth month of the year and guess how many periods i've had. brother, we are solidly on no. 7

[mistress-light]

Sorry for being a bit MIA these last days. Had a issue with my driver, but also just discovered that the 13th and 14th gen of Intel cpu's can suffer from a degrading problem over time! Well I wasn't sure mine was effected.. But I took no chances and got a brand new replacement with the latest bios update.

If you have a 13th or 14th gen intel cpu, update your Bios asap! It could suffer from a degrading issue or else over time. Intel has released a patch in August to prevent that. But existing damage cannot be helped.

More info here!