#YOU SHOULD BE TELLING EVERYONE???

[gaypirate]

found out pg&e offers a program for people who have medical equipment because of the summertime power shutoffs and was like "oh they're taking a bit of responsibility, i'll see if they offer backup batteries or something i could use for my cpap"

but no. they just offer a slightly lower bill and a "we'll tell you in advance if we're going to shut off power"

i don't know why i expected anything actually useful from them lmfao

[geryone]

I know it seems silly but I do think that love is the most important thing in the world

[bookalicent]

yeah so this was insane

[cosmicredcadet]

enough stories about how someone learns to truely be happy through love. i want a story where someone is desperately seeking out love thinking it's the only way to be happy only for them to learn by the end that happiness is what they make of it and they don't need love at all to make it.

[slfcare]

the most difficult thing about growing as a person socially, as in getting out of your shell and noticing that you are, is that there will still be times when it doesn’t feel like you’ve grown at all! times when you can’t really connect with anyone around you, times when you fail to enter into an existing conversation, times when you say the wrong thing (or nothing at all when in hindsight you probably should’ve). but that’s also kind of the best thing, because that’s the thing that helps you realize that sometimes, it’s not you or your lack of skills or any shortcoming. sometimes certain environments just aren’t for you and certain people aren’t your people, and that’s okay. that’s human. it’s okay to not feel the progress you have made all the time.

[gunsatthaphan]

#ready to be shaking & quaking.

[vaguely-concerned]

for what it's worth I personally don't believe spite had anything to do with the pantry near-kiss experience at all. I think that was a 100% lucanis naturel disaster no supernatural additives present or indeed required. at most spite was watching that whole situation go down with mild puzzlement about approximately every part of it, I don't think he'd have much interest in it one way or the other. the explanation seems much more mundane and grounded and in some ways much sadder to me.

if your nervous system has never been in a place where any surge of emotion, even -- in fact sometimes especially! -- a good and exciting one makes you feel like your soul just touched a hot stove it can't get away from, then sincerely, from the bottom of my heart and without a trace of snark, thank goodness and I hope you never experience it. For the rest of you... fistbump of solidarity it's rough out here but *grits teeth* we stay silly etc. In the place lucanis is in during that part of the game, feeling like you're losing control (again even for ostensibly good happy reasons) can feel an awful lot like you're dying, or worse. on top of everything else going on for him -- again going only with non-supernatural elements and not even comprehensive: a year of non-stop horrific trauma added to pile of previous mountain of childhood and attachment trauma. chronic sleep deprivation. apparently dead grandma doubling as mother figure. cousin-brother aggressively fucking around and in real danger of finding out. fucked up the ONE thing he thought he knew how to do that's been the central pillar of his identity. the world might be ending even more than it already was because of it. keeps faceplanting with barely any dignity and having to get up again with alarming regularity GOD how could I ever not save treviso this man desperately needs a W (just one!!) like few people in the history of the world have before him. he's more caffeine than man because the alternative feels worse. it's bad in here. and ON TOP of all that he's in the process of falling just. appallingly soul-shrivingly in love, which can notably be playing on hard mode even when you're in a mostly functional place, that shit routinely rocks people to the core under the best of circumstances.

so I'm not surprised it's too overwhelming for him to handle when he tries to throw himself in head first -- in fact I'd have been more surprised if it weren't lol. he clearly wants it so much, which only makes it so much more painful that he can't actually bear to touch it when it's offered to him freely and eagerly. this is the tantalus-level awfulness of this kind of attachment trauma; food seems to be right there, you can see it, almost smell it sometimes, but no matter what you just can't seem to reach it. seemingly not for any flaw in the existence of the food, but because of something broken in you that can't or can't bear to actually eat. his deliberate flirting routine is kind of deeply dorky tbh lol (in the most endearing way possible let's be perfectly clear) and I don't think it's entirely natural to him -- that's a hastily cobbled together 'oh god I am getting the vibes here it is happening for some reason they like me for my personality quick what would illario do' approach if ever I saw it, supported by the fact that it never really makes a return after this --

BUT I do think his obvious near-unbearable delight with rook's existence and person that shines through in that scene is entirely real and unfeigned. he likes them so much. he wants so bad to be able to be close to them. he's so hungry for the reprieve and release and relief they represent to him, just for one moment, just one break from all the awfulness to have something uncomplicatedly good. and it's here, it's been offered, he's welcome!!! and he has to flinch away at the last minute anyway because he's an exposed nerve of a human being. there's a point at which every sensation including joy becomes indistinguishable from agony. he's pretty much exactly at that point. for the love of god have some mercy on him people. the feeling that salvation is right here but you're too broken a vessel to hold it is one I wouldn't wish on anyone. let him have a few moments to stare into the void before he's ready to get back up and try again surely we all deserve at least that much lol

[dukeofthomas]

I find the fact that the confrontation at the end of UTRH is often summarized as Jason asking Bruce to kill the Joker for him fascinating.

Because that's not what happened.

Jason holds a gun up to Joker's head, gives Bruce another, and tells him that if Bruce doesn't do something (shoot Jason), he will kill Joker.

Jason doesn't give the gun to Bruce so that he would shoot Joker. He isn't expecting Bruce to pull the trigger on the clown. He's asking Bruce to do nothing. To be inactive. Because that will still be a choice, and despite having done nothing, everybody clearly agrees that Bruce would still, at least in part, be responsible for Joker's death.

...And to me, this moment is a kind of- microcosm, of the rest of Jason's point. Because after being captured and carted off to Arkham, the villain will escape again, and will kill more people. The only way to truly prevent that from happening would be to kill them; Bruce refuses to do so, and I respect his right to choose such a thing for himself, but it is still a choice, and if we agree that Bruce's inaction during the confrontation would leave him at least partly responsible for the Joker's death, then we must also agree that his inaction in permanently preventing the Rogues from killing more people means he is also, partly, responsible for all of those deaths.

[harriertail]

what could have been!!

[kittykatstiles]

“why do you ship stiles with a grown man like derek” oh my goddddddddddd i’m so sorry that 15 yo me has no idea how old derek was and seeing him like an older boy whose stiles has a gay awakening on. i’m sooo sorry that years later i still chose to not taking teen wolf’s inconsistent writings and inaccurate timeline of changing derek’s age just for the plot convenience seriously. so sorry for being able to grasp how fictional age is an arbitrary number where i can change derek’s age however i want. i am sooooo so sorry for not being serious about his age because the show runners made it so sloppily. in fact i should be sent to the deepest pits of HELL!!!!!!!!

[butyouaremymess]

Colin + his (many) love confessions for Penelope

[erikahenningsen]

The debates about whether Mean Girls (2024) is a "good movie" is so silly to me. Must a movie be good? Is it not enough to watch Reneé Rapp in a sexy angel costume singing her face off while everyone around her vibrates like they're being exorcised for seemingly no reason?

[thefloatingwriter]

it is not a fix-it if stanley uris is still dead. it is not a fix-it if stanley uris is still dead! IT IS NOT A FIX-IT IF STANLEY URIS IS STILL DEAD!! IT IS NOT A FIX-IT FIC—

[amphibianaday]

day 1421

[vaguely-concerned]

To the ‘themes I am picking up on in Veilguard’ list, let's go ahead and add what I have a sneaking suspicion will actually turn out to be The theme:

— the world has changed and can never be as it was again.

— I have been changed and can never be who I was again.

— in this simple unavoidable truth there is endless grief and endless hope.

And I… may be getting a bit emotional about it haha. Let me show my work a bit: 

if da:o is a game about people who are already dead or half ghosts in some form (through societal forces, psychologically, functionally, literally, in body, through the joining etc.) coming together anyway to save the world from being swallowed by total nihilism and despair (symbolized by the blight) through the power of love and friendship and also this sword/potential heroic sacrifice that I found, da2 is a game about people who have lost their homes and been set adrift finding and building new homes in each other (while completely failing to save the world. also through the power of love and friendship. as well as years of petty bickering <3 we must imagine kirkwall if not happy then worth having been because the love was there the love was there and that's the only sanctifying force we can ever have in this doomed world and city of ours), and da:i is a game about old stabilizing-but-unjust comfortable lies vs. disruptive but potentially liberating uncomfortable truths, and the power of friendship to help us distinguish the one from the other and navigate through them...

folks… I'm starting to think that veilguard might be a game specifically about moving towards recovery and acceptance after trauma — about how even in this flawed, severed, scarred state, what is here right now is worth loving and worth caring for. even in an imperfect and impermanent world and self, there is worth and joy. and of course the first real tragedy — and threat — of Solas is that he just cannot find it in himself to accept this and move on, to let go of what was, the regret won’t let him go or he won’t let go of it. which means that even though on the surface it’s Elgar’nan and Ghilan’nain (and the will to subjugate and violate they represent) who are the main villains, the real antagonistic force in this story beneath that is the Dread Wolf’s despair. A despair Rook must make an answer to by the end of the game, one way or another, compassionately or with righteous fury, triumphant or pyrrhic.

The world will change again and again and so will you — BUT the crucial element is that so will everyone else who exists along with you, you are fundamentally not alone in this existential truth. all we’ll ever have is each other and my god that is plenty, my god that is enough!!! Which is the second thing Solas just can’t accept, he keeps himself separate and completely alone out of an awful mix of fear and pride and feeling himself unworthy of anything else. Rook and the player want to save the world of Thedas because it’s where everyone we love lives, Solas wants to go back to the past because that’s the only neighbourhood where he can still visit those he loved — and the person he himself was, before. A very sympathetic and human instinct/trap to fall into when touched by trauma, I think, if only it wasn’t backed by godlike power, a fundamentally oppositional personality, and a catastrophic lack of therapy to make it literally everyone else’s problem too lol. It’s varric and solas’ banter about the man on the island and where meaning in a life comes from all over again, writ large and with detail work — and the added idea of ‘what if there are also other islands out there, though. With other people on them that you could find if you reach for each other’. Rook with the best of intentions has to make choices to which there are no perfect outcomes and live with what happens — and not cut themselves off from everyone else around them even when there is regret or shame. You get back up every day and you make a life with other people doing the same and you do your best, and that’s the only victory this world will give you. In the end, that is more than enough, that is essential. And I um. I love that. So much. It’s why some of the writing clumsiness on top can’t hurt me because this thematic spine is so solid and so beautiful to me. It’s DA2 all over again that way for me personally — I forgive this story for what it isn’t and couldn’t be, and I love it with my whole stupid open heart for what it actually is. Thank you for coming to my TED-talk and goodbye etc.      

(For my fellow TLT heads out there — you know what this story is reminding me of most of all, actually? It has some big Nona the Ninth vibes down there in the deep. It’s about… the horror and unspeakable beauty that can only be found in liminality, and the role of love in making that basic fact of existence bearable. And also even more unbearable at the same time. I'm so sorry.)

[saamaton]

landoscar + running up that hill (deal with god)