#X-Men: Blood of Apocalypse | Explore Tumblr posts and blogs

chorus-the-mutate · 7 days ago

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In another instance of fuck it, we ball this year I am here to drop one of my most nuclear marvel takes: I hate the direction the newest X Men comics have taken all of the X Men characters in. Once the theme of coexisting with humanity and the struggles the X Men faced to integrate with the world at large was abandoned in favor of self segregation on Krakoa I gave up on their comics. This defining theme is not only what the X Men were built on but was the biggest, defining theme that has kept them relevant for half a century when the Inhumans failed to do the same. While finding community is important, especially for all marginalized people, self segregation just isn't feasible because every marginalized group is so large and diverse that they'll eventually divide into subcategories and fall into conflict after conflict until there is no group at all. Just look at how often mutant kind fights each other and that even with Krakoa there's still a Brotherhood. Then look back into your life and your community of choice to see if this same kind of division and subcategorization is happening there. The X Men and every real life rights activist group they've ever paralleled showed that when we as people are struggling to protect ourselves we take a stand, we reach out to the world around us and reaffirm our right to exist. Sure, there are people that will never understand, people that fall into supremacy groups or people that maliciously co-opt these causes for the benefit of themselves. But you know what we do with them? We leave them behind and face tomorrow together, no matter how long it takes to shake off the bad actors. Self segregation might protect you in the short term, but you won't always be able to protect the people you care about. The bad actors, the people in power that instate policies to strip away our human rights count on us to lay down and die or in fight until we give up all of our own. And when you or I are alone, when there is no community, the bad actors will know that their war has been won. The X Men themselves, all of their recent writers and the world at large has seemingly forgotten that. But we shouldn't. Facing the world and reaffirming our right to exist is the only way forward.

And with that serious discussion of why I hate the current state of Krakoa as a concept out of the way, I'm just gonna discuss everything I know about the X Men comics currently and what I dislike about them.

Fair Warning there will be discussions of crimes ahead, including discussions of sexual assault, enslavement, eugenics and murder, lots of murder

. I hate the recent trend marvel has had of babyfying a lot of mutant villains but it is especially egregious with villains like Apocalypse, Sabretooth and Omega Red. Apocalypse's farce of a redemption arc is so bad it deserves its own bullet point later on but Sabretooth and Omega Red aren't getting away so soon. Even if Sabretooth is literally one of the only mutants being punished for the plethora of crimes he's committed he is still a serial killer/mass murderer/terrorist/rapist and in spite of the efforts he has made to change he still doesn't take responsibility for his past when he is judged by the council on Krakoa. The sheer amount of destruction he has caused is just something that cannot be undone and if Sabretooth has made as much progress as certain writers want us to believe he should face imprisonment or execution with acceptance. And if writers want us to believe that Sabretooth is as irredeemable and cutthroat as always why is he being promised any sort of amnesty by people who know that he will do even more reprehensible things? Then we have Omega Red who's somehow more of a muddled mixed bag than Sabretooth is. His edgy death powers, his presentation as a character in general and his mix of good and bad deeds seem to set him up as a prime example of an anti villain/anti hero character. But then you have the Official Handbook of the Marvel Universe Volume 1, Issue 8 that mentions how Omega Red was killing and assaulting children which is a huge crime that needs to be addressed and retconned if writers want to redeem him. And if writers don't want to redeem him, especially if he is a confirmed child murderer/predator then why are the X Men so cooperative with him? Why are the members of the quiet council willing to prosecute Sabretooth (even if his punishment is lacking) but not prosecute villains like Omega Red or Mister Sinister for the severe past crimes they have committed and still need to be held accountable for? Because they agreed to follow three laws??? That's not enough of a reason to give these people a pass, hell it's not enough of a reason to give people like Professor X or Cyclops a pass for their worst crimes that they still refuse to take accountability for. Also before anyone brings up the point of rehabilitative justice vs punitive justice I'm just gonna say that rehabilitative justice is for people that have committed minor crimes like drug crimes and theft or for people that have committed murder under extenuating circumstances like self defense, the defense of others, revenge for extreme injustices against someone's loved ones/an innocent party and murders committed under duress. Not for people committing war crimes, organized crime, sex crimes or murder for the fun of it. Sabretooth and Omega Red definitely fall into the latter category.

. Everything from Apocalypse's farce of a redemption to his farce of a wife in these recent runs are poorly written disservices for Apocalypse's character as well as a disservice to the characters around him. Apocalypse has been made to be irredeemable from the jump because he is a mutant supremacist that constantly commits mass murder and enslaves others to commit mass murder at his side. Angel's most iconic storyline as a character is about how Apocalypse emotionally manipulates him after the loss of his wings and kidnaps him for the expressed purpose of brainwashing him into the horsemen of death. And this is brainwashing that Angel has been battling on and off with for years. Hell his entire goal as shown through every iteration of the Age of Apocalypse storyline is to create a mutant supremacist ethnostate where he puts mutants in breeding camps and forcibly conscripts them into his armies to kill or subjugate any dissidents he finds. And now that Genesis is around we're supposed to believe that this goal of creating this mutant supremacist ethnostate where his own people are systematically enslaved, abused, bred and killed off is for the greater good??? HELL NO. Apocalypse's goal in and of itself is too harmful for the world at large to ever feasibly be implemented and hand waving that fact off by having Genesis instruct Apocalypse to "make mutants stronger to fight Annihilation," isn't gonna cut it. Genesis herself ain't gonna cut it because she is an arrogant, self righteous war monger who beat her own children to "make them stronger" and dragged half of her people, including her own children, into thousands of years worth of warfare against an alternate dimension of demons because she couldn't handle losing. But the worst part of this all is that the writers don't have the balls to make Genesis look bad. They hand wave her actions away and play up how much Annihilation is influencing her actions in the present, then give her a slap on the wrist by having her exiled somewhere. Hell even Storm, who should know that someone like Genesis is full of shit, voted not to exile her after taking over Arrako and got outvoted. The writers could've saved her character by being honest with the fact that she's a bad person and actually exploring that by discussing if surviving Annihilation's invasion at all costs is worth the price of everyone's humanity and quality of life. That way, when it's revealed that Genesis plunged her own people into war when there was an out it could actually fucking mean something. Looking back on Apocalypse and thinking of his lost loves I am reminded of Autumn Rolfson, another very good reason Apocalypse never deserved a fucking redemption arc. He met her and hired her to become his horseman of famine as a teenager. And then he has a kid with her. At best this is a blatant abuse of power on Apocalypse's part, at worst it's grooming. You could even make an argument that Apocalypse is also guilty of rape by proxy because Angel had sex with Ichisumi, a horseman of pestilence, while he was brainwashed and Apocalypse is responsible for taking away Angel's ability to consent because he brainwashed him.

. Also there is no way in hell I am supposed to sit here and believe that Genesis didn't take Apocalypse with her to Amenth because he wasn't strong enough. That motherfucker is one of the most blatantly overpowered and competent characters in Marvel and all she can do is control plants. While I'd usually admire someone's creativity with their powers there is no way in hell that Genesis is more powerful or capable than he is when she is dumber than a sack of bricks and only controls plants. Hell she's so underpowered in comparison that all of their kids are underpowered. How the fuck was she even able to do that???

. Also also Genesis is beautiful but her main outfit is very unflattering on her, her shoulder pauldrons are extremely bulky and gaudy looking which makes the rest of her outfit look unnecessarily clunky. But even if you removed the shoulder pauldrons her outfit isn't well constructed because the shirt has weird embellishments that don't add anything and her skirt can range from normal to unnecessarily bulky depending on whoever's drawing her. If anything Genesis should've stayed in her Annihilation outfit because at least it actually flattered her and seems to pay more homage to her Egyptian heritage than her main outfit does.

. On another note I feel like the original Horsemen of Apocalypse need to be reworked. None of them make me angry like their parents but I feel like their power sets are lacking, especially in comparison to the other horsemen, and it feels like a wasted opportunity that the writers mainly focused on Genesis instead of them. It also feels like a massive waste of potential for the original Horsemen of Apocalypse to go with their mom to Amenth. I feel like it would've been more interesting to see the original horsemen focus on the goal of making earth stronger, setting a real example for all horsemen to come, and really explore their relationship with Apocalypse, especially since Death seems like a relatively good aligned character all things considered. Them being gone until now could've been explained by having the original horsemen being put into stasis after a devastating defeat and Apocalypse secretly protecting them this whole time because he loves them so much. Plus the emotional reunion of Apocalypse finally seeing his children awaken from stasis and truly being ok after thousands of years would be so much better than what we got.

. Isca the Unbeaten, Bei the Blood Moon, White Sword and Gorgon have all just been wasted in this run because their characters are interesting but are being used in service of Apocalypse's shitty new lore made to help "redeem him". Isca especially shines above the rest because her power of literally being unbeatable is extremely well crafted. Not only has it been explained in a way where she still has tangible, realistic weaknesses but it also shapes her personality and leads to interesting developments where her flaws are acknowledged. I just wish she stayed red. She is perfect and needs to stay when better writers start retconning this entire run. Bei the Blood Moon is also quite nice, she's well designed, has a good personality and her efforts to make her marriage with Cypher is quite sweet. I just hate that they killed Cypher and just turned him into Apocalypse's successor with making mutant kind better but that's not a her problem. White Sword has a really cool power where he just summons an army of champions he's killed with said sword and his temporary dissent into madness where he was trying to defend this one stronghold for ages is quite intriguing, he just needs more content. And our boy Tomi Shishido aka Gorgon has always been an interesting villain, one I always thought was most interesting as a member of the HYDRA Council, but he falls into the redemption arc trap every other mutant in fucking existence fell into. The reason he gets a pass is because compared to the likes of Sabretooth, Omega Red and Apocalypse his redemption isn't as egregious and I respect him for not becoming one White Sword's champions even when White Sword proceeded to kill him. Hopefully when he eventually comes back he'll just go back to working for HYDRA and getting into drama there.

. These recent X Men comics have been very bad at exploring their own allegories relating to mutants as marginalized people. Not only have they had the X Men and mutant kind as a whole self segregate on Krakoa they have also redeemed every goddamn mutant in existence because marginalized mutant = good. This kind of behavior is how we get people being shielded from the consequences of their racism, sexism, anti LGBT sentiments or other forms of bigotry because they're part of a different marginalized group. This behavior is how we get predators, abusers and animal abusers co-opting LGBT spaces for their own benefits. And this sentiment of all mutants being good hasn't even been working in their own comics, sure poor baby Apocalypse has been going through his "redemption arc" but Mister Sinister is actively fucking over other people and using his position on Krakoa as cover for his research even though he knows it's wrong. The X Men, especially the Quiet Council, come off as immoral cowards because they've bent over backwards to shield war criminals, mass murderers and creeps just because they're mutants that are capable of following three basic ass rules (or capable of lying about following those rules like Mister Sinister). But the worst part is that there are enough writers saying that it's moral to shield and babify terrible people just because those terrible people happen to be marginalized. It's the coward's way of writing diversity and I'm tired of seeing this babyification everywhere I look. They also take their own allegory too literally by reincorporating Orchis as the human supremacist opposition to the X Men and fully diving into this conflict, hoping to reflect real life struggles people face against bigotry. But all of these mutants have superpowers and Orchis, a human organization where some people randomly gained powers at some point, are trying to make sure that humanity isn't overtaken by mutants population wise because they're worried about the consequences it'll have on humanity. And yes, I know it's supposed to reflect the fear white Americans have of any minority group out populating them but that fear doesn't make any sense and Orchis' fear does to an extent. X Men stories like these fail all the time because bigotry against super powered mutants can be rationalized to an extent while real life prejudices can't. X Men stories revolving around anti mutant sentiments are at their best when they focus on the mutant characters feelings and the social ramifications this bigotry has on their lives. Nightcrawler running away from his home because people fear him for nothing more than his appearance is impactful. Angel's anguish at having his wings amputated by his own father because his father couldn't stand the sight of them is impactful. This story where a bunch of extraordinarily powerful people bicker and fistfight over who should inherit the earth in 20 years time isn't. Plus characters like Abigail Brand, MODOK and Fenris (Andreas and Andrea von Strucker) have more interesting things to do with their time, why are they here?

. These X Men comics are also structurally horrible. The writers not only eliminated most of their compelling villains by going out of their way to redeem every mutant they could but the pacing is so fast that even I can't keep up with what's happening anymore. The breakneck pace is a trap all marvel comics have fallen into recently in the quest to make the next big event™ but now these writers have to scramble and find things for the X Men to do because they intentionally handicapped themselves by eliminating so many goddamn villains. There's no longevity that gives the readers time to breathe and there are no real stakes to keep readers invested because conflicts are solved so quickly in favor of creating the next big conflict. Pair all of this with how Krakoa functions and the fact that basically any mutant character can be resurrected any time a writer wants them back, nothing matters to the audience reading these comics because every single problem can be solved with ease.

. I also hate how Broo became the Brood King. I love my boy Broo but him becoming Brood King was a contrived solution to the Brood conflict and it detracts from his character since being king of the brood keeps him from exploring his own scientific interests and completing his own goals. I want my boy to cure cancer, not take the Brood out of the equation when we are desperately in need of a sustainable, reliable source of conflict. If the writers wanted to explore Broo's relationship with the Brood more he should've had an adventure where he finds kinship with more Brood mutants and has to decide if he should bring them to earth or not.

. Also while we're talking about space I hate how the X Men just terraformed Mars for Arrako. It feels tacky to mess with Mars and like a waste of potential to do something cool with Mars if someone did want to mess with it.

Tl;dr: These recent runs of X Men comics ruin almost everything good about the X Men and I hope the reception to MCU X Men movies that follow the formula that works for them forcibly retcons the X Men comics back to their roots

#anti x men #anti apocalypse #anti genesis #broo #isca the unbeaten #bei the blood moon #white sword #the horsemen of apocalypse #please forgive the length and walls of text I had a lot to cover #also there's a lot of discussion of politics because the x men are inherently political characters #be warned there's a lot of discussions of crime as well #including some dark subject matter #ash rants

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graphicpolicy · 8 months ago

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Deadpool and Wolverine get the spotlight on new variant covers in July

Deadpool and Wolverine get the spotlight on new variant covers in July #comics #comicbooks #variantcovers

With Deadpool on the loose, no one is safe from his insane pranks—especially Wolverine! This July, the Stormbreakers celebrate the Merc With A Mouth and The Best There Is in the latest batch of Stormbreakers Variant Covers. Arriving just as Deadpool & Wolverine hits theaters, these covers spotlight why Deadpool and Wolverine are the ultimate—and most hilarious—super hero team-up in comic…

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heckcareoxytwit · 11 months ago

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Since the Arakko Civil War had ended, the deported mutant civilians of Krakoa are no longer hiding. The mutants of two groups (Krakoan mutants and Arakki mutants) are assembled as Apocalypse acts like a general. The mutants are greeted by Rogue, Manifold and Gambit. They had brought the S.W.O.R.D space station with them to not only bring home the mutant civilians, but to also bring the two groups of mutant fighters with them to fight Orchis on Earth.

Fall of the House of X #3, 2024

#wednesday spoilers #Apocalypse #En Sabah Nur #Rogue #Anna Marie #anna marie lebeau #Manifold #Eden Fesi #Gambit #Remyl Lebeau #X Men #XMen #Bei the Blood Moon #Fall of the House of X #Arakko #marvel

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shamlesspandanerd · 6 months ago

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#douglas ramsey #heir of apocalypse #apocalypse #cypher #warlock #bei the blood moon #x-men #marvel #comic books

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xoxo-sarah · 4 months ago

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My Wife

Part 2 | part 3

↝a/n: 2,605 w/c... I like this one, guys.

↝pairing: Season 1!Daryl x wife!reader

↝warning: usual walking dead stuff, angst, animal death (mentions blood. No details), reader being sexualized?, creepy men, harassment, the creepy guy getting punched (he deserved it), cursing, protective Daryl, Merle (ew), crying, moody and soft Daryl, sassy Daryl (it's season one, what do you expect?), slightly proofread

|| Disclaimer: I do not own Daryl Dixon, or any character from The Walking Dead. I only own y/n and any characters I create with my own brain. ||

↝⎙ 10.2.24

Daryl Dixon masterlist

Before the apocalypse, you'd say your life wasn't bad. You had a decent job that paid well. A husband, a dog, and a house you owned all on your own, without any help from your parents.

You had met Daryl fresh out of college. He was staying with Merle at the time. In a rush to get away from your parents, you found a rent-to-own house on the outskirts of Atlanta. It wasn't extravagant, only having 2 beds and one bath. It was still a house-your house.

The first time you went to the grocery store to stock up before you started work since the big move, an old man had hit on you. Daryl listened from afar, not wanting to cause any more trouble for you. He knew you hadn't been in these parts of town before, he hadn't seen you before.

After many attempts at shooting the guy down, Daryl had to intervene. The guy had grabbed your arm, and before you knew it, the guy was backing away from you.

“She said she's not interested.”

“My bad, man. Didn't know she was yours.” He raised his hands, grin still on his face. It was a game to him.

“So you only take no for an answer if I 'belong' to someone?” Venom laced your voice, disgust painted into the wrinkles between your eyebrows and frown lines, glaring through the guy. A chuckle rumbled out of his chest, followed by a smoker's cough that told you he had more tar in his lungs than he had sense in his brain.

“Ma'am, will all due respect-”

“I doubt anything respectful comes out of that raunchy mouth of yours.”

His grin dropped, eyes slanting in your direction. “This one sure has a mouth on her,” his attention moved back to Daryl. “She have that mouth in the sack?”

You scoffed, glancing down at the floor, collecting the words you wanted to shoot back at him.

In the time you looked away, Daryl had put the 12-pack of beer down and swung. You snapped your head up at the sound of a fist colliding with a cheek. Daryl glared, spitting at the man as he held his cheek in shock. “Give the lady some respect, prick.”

“Damnit, Dixon!” An elderly man came running down the aisle, a manager tag clinking against the pins on his shirt. Safe to say both men had been kicked out.

After checking out, you caught sight of Daryl hunched over, looking at his bruising knuckles.

“Here's for helping me.”

Daryl's head shot up, eyes flickering to the 12-pack in your outstretched hand. “Ya didn't have to.”

“You didn't have to.” He shrugged, taking the box from you.

the rest was history.

You eventually got together, then, moved in together. He supported you in your job, making jokes about you “bringing home the bacon”. The only downside was his brother.

“Damnit, Merle.”

An intoxicated Merle flopped on your couch, cackling up at Daryl. You watched from behind the couch, arms folded across Daryl's shirt draping over your form. Daryl's own top half was bare, his muscles flexing when he folded his arms in disappointment, glaring down.

“What? Did I interrupt you 'n your housewife duties?”

You scoffed, turning around to walk back to your room, the dog Daryl had gotten you for your birthday following after you. Merle watched your movement, lowly whistling. “I'd be a housewife for that piece, too.”

Daryl grabbed the collar of Merle's shirt, bringing him to eye level. “Don't talk about my wife like that.” He threw him back against the couch, “You're out by the mornin'.”

The world had gone to shit right in the middle of your workday. Everyone was running around, yelling and panicking. You tried making a beeline for your car, getting pushed and pulled every which way. The traffic was the worst you had ever seen, when you had finally made your way onto the road.

When you finally got home, the door was open.

You rushed in, looking in every room. There was no sign of Daryl besides the place being completely trashed, in a rush to leave. He wasn't there. You had no clue where he was, if he was safe, if he knew what was happening.

You cracked the backdoor open, nearly falling to your knees. A body laid on the back porch, blood dried on its way down the person's forehead. A lump of fur and blood was right beside it. A sob racked your body on your way back to your car. Your knuckles were ghostly white as they gripped the steering wheel, as you made your way out of town, away from the life you worked hard to get and worked harder to keep.

You eventually got stuck in even more traffic. Everything only got worse when your car ran out of gas.

You had to hide in the city, which was run with zombies. Luckily for you, you had found a few bodies that hadn't turned yet, stealing anything that could be used as a weapon. You were able to stay safe, hiding in an empty office building. Living off of the vending machines and what was left in the break rooms.

You regularly walked up to the roof, getting fresh air, wondering where Daryl had gone and if he was thinking of you. Sure, a part of you wanted to be mad at him for leaving without you, but you knew he had to have his reasons. Merle had to of made him run away with him when the news first got out.

While you looked over the edge, watching as dead bodies herded together, feasting on whatever had run into the city on your way up here, you saw quick movement to your left. Swirling around, you held your gun up, pointing it at the kid in front of you.

“Woah, Hey! I'm alive- I'm alive! Not going to hurt you.” The poor boy might as well have been shivering in his boots. His hands shook in the air. He was probably the third person you've seen, alive, since you squatted in the top floor. He didn't seem like the guy to kill you just to take your stuff. “Look, there's a guy in the tank down there. I'm just trying to help him.” You thought back to the sounds of pained neighing you heard when you first stepped onto the roof, but you had shrugged it off, figuring you were going insane already. No sleep and being isolated will do that to you. “C'mon, dude.” He was practically begging you to not shoot him in the head.

What would Daryl do in this situation? He wouldn't just trust anyone when it comes to survival. You reluctantly put your gun down, watching as he sighed in relief. You hid the shake in your hands when they fell to your sides, not wanting him to know you didn't want to kill him even if he were dangerous.

“We have to get down there to help him.” The boy leaned over the edge, at the tank and the 'geeks' that surrounded it.

“We?”

He looked back at you, then to the tank. “The extra help would be appreciated.”

Somehow, you followed after him, climbing down fire escapes and counting the amount of bodies in each alleyway. He was quick, but you kept up with him with ease.

He led you down the alleyway, hiding behind the trashcans and gate separating you and a painful death. “You have good aim? I need you to shoot that big guy closest to the tank.” He whispered, fixing the hat on his head.

You glanced at him, watching as he awaited your next move. You whispered back, “it's empty.” You held the gun up in emphasis. You weren't going to tell him that when it was pointed at him. He huffed, throwing his head back. “I only have a knife.”

He shrugged off his backpack, grabbing the empty gun and throwing it in there. It was useless with no bullets, and it only took up a hand, making it harder for you to climb.

“Alright, change of plans.” He grabbed the walkie, bringing it to his mouth before pressing the button. “Hey, you alive in there?”

A frantic voice broke through the static, “Hello? Hello?!”

The next thing you knew, you were running downstairs with the young boy, Glenn, you had figured out, and the guy you nearly died saving, Rick. Glenn led you two to another alleyway, before the door to the building in front of you busted open, 2 people filing out with gear and helmets on, attacking the walkers wondering in front of you.

“Lets go!” Glenn jumped over the bodies on the ground, running through the door, you and Rick following. As soon as you were through the door, you were pushed to the other side of the wall, before Rick was pushed back, a gun aimed at his face. “You son of a bitch! We ought to kill you.” A blonde woman was seething, ready to put a bullet in Rick's head.

“Just chill out, Andrea. Back off.” One of the guys who bashed the walker's head in pulled off the armor, glaring at the blonde.

“Come on, ease up.”

“Ease up? You're kidding me, right? We're dead because of this stupid asshole.” The gun was pointed at you next, “And her.” Her finger twitched on the trigger, but you were at a loss of words.

“She helped.” Glenn was ignored.

“Andrea, I said, back the hell off. Or pull the trigger.” The same guy from before stepped forward, closer to Andrea. It was silent for a second, before Andrea dropped her hand, lips quivering with oncoming tears. You took a breath, having the room to do so when a gun isn't pointed at you.

“We're dead,” Andrea sobbed, “All of us.” Her gaze moved back to Rick, “Because of you.”

You wondered after everyone as they walked through the old building, listening as they scolded rick for firing his gun.

“No signal. Maybe the roof.” The man, who was introduced as T-Dog, said, holding the walkie. Before anyone else could reply, a gun shot fired, echoing from above.

“Oh no, Is that Dixon?”

“Dixon?”

Andrea stopped her movement, looking back at you. “Yeah. What, you know 'em?”

Sadly, you were met with a distasteful Merle on the roof. He refused to tell you about Daryl-about how Merle had to drag in out of the house. About how Daryl wanted to pick you up and take you with them. About how Daryl had gone back, against Merle's wishes, and found you nowhere in the house. But you weren't told that, so the nerves in your stomach still fluttered, making you feel like you were going to vomit any minute. The only thing he told you was that Daryl was with the rest of the group by the quarry.

The nerves still fluttered even on your way to the said quarry. The thought of Merle being trapped in the roof was at the back of your mind, the thought of seeing Daryl for the first time in God knows how long, being front and center in your mind. Your leg shook with nerves as you sat in the back of the van, hitting a bump every once in a while, and knocking into one of the other people.

The van pulled up to the quarry, people piling out of the back, running to their families.

You were introduced to a woman named Carol. She was surprised when you told her that you knew Daryl. The short time she had known the man, she couldn't think of him having a soft spot for anyone, but here you were. She told you that he had gone hunting and that he should be back before dawn.

You sat around, getting to know everyone. As soon as Carol's husband raised his voice to her, you had kept an eye on him, instantly feeling protective of the woman. As she silently did for you. She kept an eye on you, making sure you felt comfortable among all of the strangers.

Night fell and there was still no sign of Daryl. You distracted yourself by helping Carol with whatever, or Dale with lookout. You hadn't told anyone much about you and Daryl. Mostly because you couldn't form a coherent sentence with Daryl on your mind. Where was he? Was he okay? Why wasn't he back? The band around your ring finger became a fidget habit. You spun it around any time the thoughts got too much.

The crisp morning air did little to wake you. You might as well have been a walker with how you sluggishly moved around camp, helping with anything, wanted to be helpful and pull your weight.

Carol handed you another pair of soaked pants, to ring the water out and hang it up to dry. While doing so, your eyes caught sight of Rick and Lori. They had been reunited. When was it your turn?

“How did you and Daryl meet?” Glancing back up at Carol, you cleared your throat to speak.

Before you could utter a word, a scream echoed throughout the camp, followed by Carl's screams for his mother.

Everyone stopped what they were doing, a few running toward the screaming, ready for the worst.

You walked behind the group, watching as Rick, Glenn, Dale, Shane, and a few others beat the walker that had made it from the city.

Dale swung down with his axe, cutting the head clean off the walker's body.

“It's the first one we've had up here.” He heaved, “They never come this far up the mountain.”

“Well, they're running out of food in the city, that's what.” Another guy, Jim, said, wiping the sweat from his brow.

Branches snapped, followed by more footsteps. The guys with the weapons moved toward the sound, weapons ready.

Your breath caught in your throat.

He hadn't seen you yet.

Daryl stepped over branches, slightly taken aback with everyone standing in front of him, ready to strike.

Everyone took a step back, “Oh, Jesus.” Dale's shoulders released the tension.

“Son of a bitch.” Daryl cursed, “That's my deer!” He walked to what was left of the poor animal.

He looked how he did when you first met. Frustration clear on his brow. You had helped him get rid of the constant scrunch of his brow and frown on his lips, and here it was, making its appearance in a dramatic manner.

“Look at it, all gnawed on by this-” He kicked the headless body that laid on the ground, “filthy,” kick “disease-bearing,” kick “motherless,” kick “poxy bastard!”

“Calm down, son. That's not helping.” Dale peeped, infuriating Daryl more.

“What do you know about it, old man?” Daryl walked closer, getting in Dale's face. "Why don't you take that stupid hat and go back to “On Golden Pond”?"

“Daryl.”

Daryl paused, his face dropping. He turned to the voice, his knees nearly collapsing from underneath him.

Before you could say anything else, his crossbow was dropping to the ground, followed by the string of squirrels on his shoulder. He rushed over, his body colliding with yours. His calloused hands pulled your face closer to his.

He didn't care if everyone was watching. Or if the scene made them think differently about his tough-guy thing he had going on. His lips moved against yours.

“I didn't know where you were.” He mumbled against your lips. “I tried looking everywhere-”

“I know, I know. Doesn't matter.”

Part 2

•2021-2024 by xoxo-sarah on Tumblr•

•My work is not to be translated, copied, modified, and/or reposted on any other site without my permission. [I don't give permission!]

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ungoliantschilde · 1 year ago

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Seriously. The whole Blood of Apocalypse arc was filled with Larocca doing inkwash and grayscale painting work. Beautiful artwork on a terrible and unpopular storyline.

Salvador Larocca’s original cover art for X-Men # 182.

Unfortunately, Peter Milligan’s “Blood of Apocalypse” sucked (IMHO), and Larocca has yet to explore coloring his own art since that story arc. X-Men went on to be Mike Carey’s book that lead to Messiah Complex, and Larocca went on to do Iron Man with Matt Fraction.

#salvador larocca #x-men #peter milligan #apocalypse #marvel #comics #art #illustration #marvel comics #en sabah nur #cover process #X-Men: Blood of Apocalypse #Blood of Apocalypse

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abrilmayo20105 · 3 months ago

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LOOKED WHAT A JUST FIND today I’m gonna watched if serve

#cherik #charles xavier #erik lensherr #x men #x men movies #cherik is so real can i give my blood #xmen apocalypse

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rei-ismyname · 5 months ago

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Bei The Blood Moon best lines Part 2

These deal with Bei's actions and feelings in the final days and aftermath of the Genesis War.

Lots of friends lost.

The battle expressed poetically as only Bei does.

Roberto was concerned that she was taking too much upon herself, but Bei was not dealing with Doug's getting snatched up by Krakoa very well.

Information we knew, but it's a pretty rad stylisation of how Bei sees it. Krakoa's 'facial' expressions are hard to read but I think they look a bit cruel here.

Of course.

Awww. Pretty sure we're switching into Berto's viewpoint here with the visuals, or maybe they're both tight with the New Mutants. Either way it's nice to see them.

She asks if Arakko is observing the Blood Dawn this year. Kobak Never-Held has his perspective on it.

Bei has a more romantic explanation.

In what I believe is a moment of closeness, she sticks a knife in Sunspot's face and asks him if he's down.

Room for one more picture, so here's her impromptu wedding vows. I really wish we got to see Bei interact with Magneto, Exodus and Storm. Her sense of poetry and drama is legendary. A true romantic!

#x comics #bei the blood moon #marvel #x men #cypher #xmen #comics #krakoa #arakko #apocalypse #blood dawn #x of swords #unlimited comics #sunspot #roberto da costa #Kobak Never-Held #new mutants

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comicwaren · 8 months ago

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This week on Marvel Comics (26th June 2024):

Black Widow & Hawkeye #004 (Finale)

Blood Hunt #004

Daredevil Vol. 8 #010

Hellverine #002

Jackpot and Black Cat #004 (Finale)

Midnight Sons: Blood Hunt #002

Spectacular Spider-Men #004

Spider-Gwen: The Ghost-Spider #002

Star Wars: Darth Maul - Black, White & Red #003

Superior Spider-Man Vol. 3 #008 (Finale)

Thanos Annual Vol. 3 #001 (One-shot)

Ultimate Black Panther #005

Vengeance of the Moon Knight Vol. 2 #006

X-Men: Blood Hunt - Magik #001 (One-shot)

X-Men: Heir of Apocalypse #002

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bi-writes · 3 months ago

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attached | ghost x f!reader

i have no idea what it is that binds us together. but it doesn't really matter.

type: one-shot (8.4k)

cw: zombie apocalypse au, mature language and content, suggestive language and content, dark!ghost, dark!reader, reader described as curvy/plus-sized + has hair long enough to braid, graphic depictions of violence + murder + gore, depictions of suicidal thoughts + intentions (no actual action), mentions of depression + sadness + loneliness, depictions of assault + harassment (not by ghost), horror movie vibes, unprotected piv, allusions to baby trapping, cumplay, oral (fem!receiving), 18+

Death can be a curious thing. It used to be something definitive. Exact. It used to mean the end of something.

No, now it's a beginning. Not a sweet beginning, but a beginning nonetheless. It turns a new tide. Reactivates cells that were once dead. Sparks nerves that used to be dormant, that used to be dark. It makes muscles move even when they aren't supposed to. Brain-dead, but still hungry.

He hasn't been able to understand the phenomenon quite yet. He's tried. He's picked up a few books and tried to do his own research, but it's difficult when there is no way for him to view the cellular structure of it all on a micro-level. He cannot see the way it grows or how it takes over. He hasn't been able to figure out what techniques it uses to keep a body awake even when the central organs no longer function the way they're supposed to. What keeps it moving? What keeps the feet running and the stomach hungry and the saliva warm?

Why is it that when he plunges his blade through its heart, it still kicks? The brain is its engine, as with his own body, but this is different. The brain runs even when it has lost its necessary components. Blood circulation, oxygen, the things it needs to thrive; but this state of being is not like his own. It doesn't need the same things it used to need because its purpose is not to keep a body running. Its purpose is to eat. To infect. And that is all.

He likes to play games these days. He has a lucky silver euro, one he pried off the dead body of someone that he hated. He spit on that body before raiding his pockets. He hated that fucking brute; he disgraced the style of wearing a mask by using a fucking t-shirt instead. Perhaps Austria is a beautiful country, but it certainly produced one of the most unlikable of men. He thinks even if the world was still right-side up, he would've killed him anyway. The only thing useful about him was that he was carrying a few extra magazines and this coin in his front pocket.

Every morning, when he wakes up, he makes whatever will happen that day a game. If the coin lands on heads, he gets to kill himself today. If it lands on tails, he has to endure 24 more hours before he can play again. The rules are simple. The game is easy. Everyone knows how to play it, but not everyone will like to win it.

Today, he decides to do something different. Today, he decides if he wins, he will wait another day. He has never won this game; he decides if he can't win it, he'll manipulate it until he gets what he wants.

It hits the table with a light clink. It rattles around in a few circles before settling, and when he leans back in his chair, he sighs. He knows what it will be even without looking, but he looks anyway. When he sees the carved outline of its face-side up, his eyes flash. He won.

He never wins.

Something is keeping him here. He chooses not to ask questions. There isn't anyone to ask anyways. No one answers when he speaks. He doesn't think there is anyone left to listen.

If someone would ask him why he doesn't just put the muzzle to his temple and pull the trigger, he would just say that it was because that was how the game is played. Those are the rules. He can't try unless that's what it tells him to do. There is no fun in cheating the game; it wouldn't be proper, it wouldn't be correct. It would be grounds for disqualification, and that just wouldn't do, not for him.

He has to do things the right way. Always. It's how you keep order in a world that has none left. It's how you maintain structure even without the lines drawn in the sand. This is the way things are done; God is not waiting at the end of a very long staircase, He is rattling that coin on the table and waiting for Ghost to take a peek.

He thinks it keeps landing on tails because perhaps God is tired of playing this game with him; Ghost has never been surprised. He will always be ready for disappointment. Giving a gift is no fun when the recipient simply receives it.

It landed on heads today. He won the game. He tried to play it differently, but someone won't let him.

There's snow on the ground this morning. It snowed all night, coating the ground in a few inches of powdery ice. He looks away from the window and back towards the mirror, continue to run the razor over his head. His blonde hair falls in clumps in the sink. He keeps it neat and short, close to the head, and then he does the same with his face. He cuts the stubble close, keeping his face clean, but it doesn't wipe away the rest of his face, the things he can't just cut away. The scars, the ridges, the skin that closed over wounds angry and white and uneven. He can see his teeth through the broken skin above his lip, the yellowing of them now that he only brushes them a few times a week with his lack of proper toothpaste, and he grimaces when he sees the new red spots of raised skin left behind from the dirty mask he wears now. He dips his toothbrush into his bottle of water before brushing, careful to scrub his gums properly before spitting into the sink.

When he finishes, he makes his way back into the bedroom to get dressed. He did the washing yesterday; he found a creek only half frozen over, and he made use of the bar soap he keeps and managed to clean off most of his clothes. He feels a little better slipping into his cargos now that they aren't drenched in sweat or dirt. He tucks a long-sleeve into his pants before putting a thick windbreaker on over it, but he finally feels complete once he slips his mask on over his face. In the mirror, he adjusts it, making the skull straight, and he blinks back at himself. The mask does more than just hide him from the dead.

It keeps the living walking a careful circle around him, and he wants to keep it that way. He hasn't spoken to a single person since it began. He stopped counting the days once his boots ran out of space for notches. Anyone he sees now, he scares them off with one look, or he puts them down before they can take a step closer to finding out if he's real or not.

He doesn't take chances. He has always had a special skill, being able to sniff out the bullshit before it begins. He leans into it now, and it isn't a bullet wasted if it stops the chaos before it can wind up.

He still wears his tactical gear. He can't part with it. His holsters have not failed him, still buckled around his thighs. His vest is still strapped on, and without it, he feels naked. He has long since discarded of the Union Jack patch on his chest; there is no king nor country anymore. They are colors in different shapes, and they mean nothing now; they were buried a long time ago.

His backpack feels light. He's running out of bullets, and he doesn't like how it feels. Nowadays, he has to go further and further to get what he needs, and recently, he's taken to picking up everything and simply moving to make the trips all the easier with no home to go back to.

It's not all that different to the life he had before. He never stayed in one place too long then either. He signed the shortest leases, and he would move once it was up, never lingering and never buying more things than he could carry in the back of his truck. His memories are in his head and nowhere else. He keeps no trinkets. He saves no pictures. There is nothing from the old life that needs to be brought into the new. He shifts between both lives, one foot in the past and one in the future, and he thinks that's what really makes him live up to his name.

He's a Ghost. A drifter. Standing between two places at the same time, not knowing which to stay in and which to leave. It would hurt, if he was really human inside, if he could feel anything at all.

But he's not. His insides are nothing but organic matter. His head is a clock, ticking, counting down, but he's not aware of when it runs out.

He digs the heel of his boot into the snow to gauge the depth. It barely comes up over his toes. He huffs a little before taking a peek at the map tucked into his vest. He had circled a place just north, a main street he is hoping will have a stash of things he will need.

Ammunition. Weapons. Food. Water. A new book, for fuck's sake, maybe a Sudoku puzzle that isn't already scribbled into.

The forest gives him cover, so he sticks to it. Out in the open, he would stick out, dressed in all black. He keeps to the trees, ducking under the leaves and trying not to leave too much of a track behind. He doesn't plan on staying in that cabin again, but if he must, he doesn't want anyone seeing a way to come back to it.

The one thing he does appreciate about this new place is the quiet. It lingers, and it's calm, and when he breathes, the world breathes back. He feels like he had always been telling everyone to shut up, but now, his voice hasn't been used in months. Even when he passes other people, he doesn't speak to them. If they don't spot him, he keeps to the shadows, and if they do, they don't see him for long enough to know what hit them.

It's a good stash. The store had been rifled through by now, but in the office, there had been a nice drawer filled with supplies. A few boxes of ammunition, a revolver, and a new blade to stick in one of his boots. He picks up some other odds and ends. Batteries. A roll of yarn. A small sewing kit. A few pens. His backpack feels a little heavier, and it's a weight he appreciates when he makes his way back outside.

He sticks to the alleyways as he searches for the roof over his head for the night. He decides the cabin he slept in last night was too close to the road; if anyone was driving or following it, they could find that place too easily, and he wouldn't be able to sleep another night comfortably there knowing this truth.

He finds himself veering off road just enough. It's fucking cold, freezing, and he's grateful to the mask for helping him keep it together as he ducks under the wind and keeps an eye out for any nearby landmarks. Sometimes, on slow days like this, he would sit on a ridge and kill infected for sport. Practice focusing his sight, calculating the wind, keep his mind in check by hitting his targets and ridding the world of another one of those things.

There are different kinds of hunters out today.

He hears them before he sees them. He knows what kind they are when he hears their laughter. Low and untamed, sloppy and fucking messy. They always are. These kind spoil their treasures. They eat their food until it makes them sick, and then they do it all over again. They never learn their lesson.

When he settles his rifle down along a fallen tree, he eyes them through his scope. There are two of them. Both are fattened, with dark hair and lazy eyes, and they look greasy. Their clothes are in ruins, and their packs are light, and Ghost figures that they look enough alike to be perhaps brothers, or maybe cousins. Their smiles are equally as sadistic. The taller one tugs something along, and when Ghost aims the scope down a little, he sees her.

Her.

He's dragging her by her legs. She's kicking, but it's hard for her to do much when her arms and legs are bound by mismatched bits of fabric and rope. She's crying, that much is clear, squirming as she spits and gargles around the gag in her mouth as she tries to break free. She has heart, but she isn’t a fighter. If she was, she would’ve realized her teeth could snap that fabric of her gag, and she would know that the knot they’ve tied succumbs easily to upwards pressure.

He follows them. They keep going, dragging you and laughing as they make it to a makeshift camp hidden amongst a clearing. There's a few tents set up, a small dip in the earth to hold a campfire, and when they settle on tree trunks to sit, the smaller one takes a blade and cuts your gag off, leaning over you with a low chuckle. They mean to maim and to take and then to kill, and you know this when you look into his eyes.

"Hello, darling."

"Bite me."

He laughs again, dropping onto his knees over you, but when he gets close enough, you sit up with what little strength you have and bite him along his ear. The cartilage rips, and you tear half his ear off, and then he's scrambling off of you, screaming, holding the side of his head as he rolls around in circles in the snow. He colors it red, and you snarl with satisfaction. Ghost takes a deep breath in and lets it out shakily. The look in your eyes–he can taste that, roll it around on his tongue. You did not clock the poorly-tied knots, but you do see opportunity, and you are the kind to take it.

"You bitch!"

Just as the taller one is about to get on top of you, Ghost decides he's seen enough. He closes one eye, lines up the sight, and he lets out a cool breath as he drops the both of them within a second of each other. They fall easy; a bullet clean through the back of their heads, and now they're finally quiet again. They will not get up, either.

Your lip trembles as you look towards the trees. You watch as the leaves rustle, and when you see a man emerge from the thick of them, you start to cry. You think maybe you're seeing things; you must be so dehydrated, so hungry, that a reaper has come for you, and you are much deader than you thought.

The reaper stares down at you curiously. He swings his rifle over his shoulder, tilting his head to the side as he bends, getting a blade out of his boot before he cuts the restraints that bind you. He doesn’t hesitate when he does this; he does not deem you enough of a threat to keep you bound.

You sit up slowly, wiping your face, and when you meet his eyes, you're surprised to see how human they are. They're dark, but alive, and he has blonde lashes and pale skin underneath. He covers himself, but you can still see him. There's a man under there, not a reaper.

Just a man.

I hate men.

You shake off the rest of the restraints, turning your wrists and ankles and flexing your muscles for good measure. When you realize you are nothing but a little shaken up, you look back up. He's still staring at you, hard eyes lowered in a glare as he looks you over. He's sizing you up, maybe, deciding what to do with you. You meet his eyes one more time before gathering the saliva into your mouth and spitting onto the floor. It's a garbled mess of blood, from the flesh you had severed from that man.

He blinks slowly at that, makes some decision that he doesn’t voice out loud, and then he starts to walk away.

You stand on shaky legs, taking it as your cue. You watch as he rips open the flimsy tents that those men had left behind, and he's already grabbing backpacks and rifling through them for goods. He already starts filling his own vest and backpack with the things he finds; some flashlights, fishing line, more food and ammunition. You follow him, moving to the other tent beside it and starting to grab their things and toss them outside. You get to your knees and open the packs, laying out what you find carefully. They have interesting materials in here, ones you associate with explosives. C4. Lighters. Batteries. Wiring. You clench your jaw when you pull out the last box in the bag.

Condoms.

Bunch of pricks.

He finds your discoveries useful. He opens up an empty pack he found and fills it to the brim with supplies. When he zips it up, your stomach drops when you think he might toss it over his shoulder and leave. It only sinks for a moment before he turns the backpack around, holding it up for you.

You pause for a little and think. It only takes a few seconds for you to decide to stand up and slip your arms through the straps.

When he walks again, you follow.

The sun is setting by the time you find somewhere to sleep, but it looks like luxury to you. A quaint little brick house tucked between the hills, a ways from the road and positively hidden. He spotted it through his scope a few hours ago, and he made a beeline for it. It's difficult to keep up with him; he has incredible stamina and the longest legs. He moves like a ghost, too quiet for his own good. You would never know from looking at him how stealthy he could be. For such a huge man, you would never notice him before he could get the drop on you. It makes you conscious of your own steps and how loud they are, and you try to mimic the way he moves as you keep walking.

You don't know why, but you think he must be very pleased with how quiet you've gotten. You don't know why that fact pleases you, too.

He makes you stay outside when you arrive. He pulls a small handgun out of his backpack, and he checks the chamber before handing it to you. He clicks his tongue, forcing your eyes on his, and he puts a finger to his mask-covered lips, telling you to keep quiet. You take the gun from him, pointing it at the ground and holding it at your side, and he touches a knuckle under your chin before he twists a silencer onto his own gun.

You watch with rapt attention as he clears the house. His movements are quick and calculated, and he keeps low to the ground. It's mesmerizing. Big and capable, one with the shadows. The only thing you see in the dark is the white of the skull over his face, and if you didn't know it was him, you would think that you have just seen God.

But God isn't real. Apparently ghosts are.

He is back outside in less than ten minutes, nodding his head at you. You take it as your cue to come towards him, and you hand him the gun back when you pass him. You go into the house and immediately start to light some of the candles scattered around. You set your backpack down, rubbing your shoulders out, and you take a seat on the couch.

It hits you then, the gravity of it all. Men are your captors, and then they are your savior. They'll never leave you alone. They'll never let you go. You were ruled by their iron fist in a previous life, and you will endure their wrath in this new one.

You start to cry. It's the first sound you've made since screaming. You cover your face with your hands, and you don't know why you feel safe enough to cry, but you do, and it comes out of you fast.

He tilts his head to the side as he watches you. It's a strange thing to see something so...alive. He's used to only seeing things moving that can't speak back to him. If he does see things alive, he puts them down as if they are rabid dogs.

He can't find it in himself to kill you. Something is so odd about it. About you.

Everything about today seems more than coincidence. He won the game today. And then he found you.

When he tries the sink in the bathroom, he's surprised to find it working. He grabs a bowl and fills it with water, and when he comes back into the living room, you are staring at one of the flickering candles blankly, shivering. You have stopped crying, but your face is still wet with fat, lingering tears.

It looks like you've been hit by a brick wall. Your hair is matted in places, in tangles. It’s in desperate need of a cut. It's stuck to your face around the perimeter, caked by sweat and mud and dried blood. Your clothes are in ruins; you wear a ripped jumper, thin jeans, and the soles of your boots are starting to fray and come off, and he can see where you've tried to mend them unsuccessfully with duct tape. You wear no jewelry, and your fingernails need to be cut. Those men have left marks on you, but those will fade.

He kneels in front of where you sit on the couch. Using a threadbare cloth, he dips it into the water and raises it to your face. You show no resistance. You let him wipe your face off, the tears, the dirt, the blood. It stains the cloth ugly, but you can't look at anything else except for his eyes.

They're so dark. Brown, like bark, like honey. You haven't spoken a word to him yet, but the silence is sort of bliss. All you can hear is the drip of the water when he rings out the cloth.

He helped you. He didn't have to. He could've kept walking, but he stayed with you. He didn't leave you. He could've walked away again, but he let you follow.

He isn't a good man. You know that. Anyone who has lasted this long isn't a good person. You've done the same. You've let it take you, once or twice, let the snarl in the back of your throat guide your hand. You've let the voices fester, let them eat at the acid in your stomach until they begged for more, and you won't admit it, but it felt good. Felt good to protect yourself. To rid the earth of something terrible. To say no.

He must understand that. He's decorated in its essence, the one of understanding, the one that says I know what it's like to take matters into your own hands, and he did it with you, too.

He's doing it now, cleaning you up, and you don't know him, or his face, or his name, but you'll try hard to give it back. To give him something. To tell him you are worthy and not useless. It doesn't show today, how far you've come, but you'll try.

"Thank you," you finally whisper. He's dragging the cloth over your bottom lip, and he blinks rapidly, as if a bit startled by hearing your voice. When you speak again, it's to tell him your name, and he thinks for a few moments before continuing, wiping under your jaw.

He doesn't sleep that night. He stares out the window, like a guard dog, and he lets the soft breaths of your sleep keep him awake.

The gas lighter on the stove still works. It takes a match to light it properly, but when the fire starts, you take some of the soup cans from your pack and make breakfast.

Your smile when he comes into the kitchen nearly blinds him. You look more rested than yesterday, and you ladle some soup into a bowl for him, setting it down at the table. He notices the two bowls, his and yours, and he notices that his bowl has more food.

It is then that he decides to keep you.

What he doesn't know is that you've decided the same. The world has thrown you the way out. A man, built like a bear, happy finger on the trigger and capable of getting you out of harm's way. You need to convince him that you are worthy. You need to convince him that you are valuable. A keepsake.

Men are what start wars, not what end them. Men are the cause of chaos and destruction, it is prevalent throughout history, and it is why you are here now, in a place that doesn’t exist, where people don’t breathe the same air anymore. A man thought himself correct, but he was wrong, and he didn’t listen when someone told him otherwise. They are the ones that take advantage of your vulnerability, and instead of trying to understand it, they use it to get what they want.

You can do the same.

You start by mending his clothes. He's laid some out to dry after washing, and you notice the tears in his shirts. When he comes back a little while later, with dinner hanging off his shoulder, you are seated on the couch, feet tucked under you, with a needle in your hand as you sew up one of his shirts.

You've bathed, found new clothes, warmer ones, and your hair is braided and off your face. He hates to say he prefers you a little dirty, but he likes this, too. A natural beauty. A soft face.

You make a real dinner that night. There's canned vegetables that you try to spruce up with the spices you find in the cupboards, but the real meal is the venison you're served. He butchers it outside like a professional, and he sears it on the stove with a perfect touch. When he feeds you that first bite, your mouth explodes with flavor. Your belly is full that evening, and when he blows out the candles for bed, he eats you out in the dark of the corner bedroom.

He's not sloppy like you thought he might be. Not overeager. He's easy with it, casual. Big hunk of a man smothered between your thighs, and he laves his tongue through your folds like his very own personal dessert. He drinks straight from the source, holy water spilling sweet between his teeth, and when he gets his tongue inside of you and holds it there, you nearly leave earth for somewhere else. You come like that, too, his filthy mouth sucking on your clit before he's slipping that tongue in you again, and you mewl against the bed as he tucks his hand under your ass and spreads you wider.

He tells you his name a few nights later. He doesn't speak, not ever, but when you're crying around his thick fingers, he whispers it against your ear.

"'s Simon," he growls, and you know what he means by that. He wants you to say it while you bounce on his fingers, when you rut against his thigh. He wants you to say his name when you're coming undone riding his face, when you're wetting his mask with your pussy and making him choke on your cum. Such a wet, sweet girl you are, and sometimes he skips wash day for his mask so he can shove it into his mouth and pant around it and taste you while he fucks his own fist.

It's insanity, he thinks, as he's cleaning his rifle. The idea of traditional. But it's what befallen him, what he sees all around him, and he tucks his index finger into a hole too small to pinch himself just to make sure he isn't living a dream. You're in the kitchen, mending more clothes, something warm boiling on the stove. There were seeds in the greenhouse, and you're saving them to plant in the spring, so for now, you make do with canned goods and whatever Simon hunts for during the day. You found books in the attic, and you read them at night, head in Simon's lap as he plays with your hair or rubs your sore ankles or cuts your nails. You're the only one that ever speaks; he hasn't said a word to you except for telling you his name, and you're content to be the only one that uses their voice.

He always listens. You told him one time that you loved the shade of green that the trees wore, and he came back one day with a sweatshirt of the same color for you. He noticed you trying to mend those terrible boots, and he found a new pair for you, your size this time, barely worn and fit for winter. He brings lots of things for you; books, clothes, even rocks sometimes, when he just thinks he found one that you might like.

You do like them. You have started filling a small bowl with the ones he brings, and he notices you rifling through it sometimes, just looking at them, and it makes his chest swell with pride.

Like giving a treat to a dog. Like giving him a fucking bone.

He teaches you how to shoot. You know how to pull a trigger, but that’s the extent of your expertise. He teaches you how to stand, how to turn the safety on and off, how to hold the gun between two hands so not even his own can take it away from you. He makes sounds when you please him. Hums low, lets out a soft breath, sucks in the air through his teeth. You can’t see his face, but the way he looks at you when you fire a bullet and knock bottles off their ledges, it warms you, all the way down your spine, reaching your toes. You want him to keep looking at you this way, so you try hard, and he notices.

You’ll never be what he is, but the small victories are what have him chubbing up in his cargos and falling asleep between your thighs. You give, and he takes, and he keeps coming back for more.

He teaches you that distance is your strength. You aren’t like him; you aren’t built like a brick house, you won’t be bigger than a lot of your opponents. You need to keep them away from you, however you can. He makes you good with that gun because it’s your best chance, but in the even that you lose it or you run out of bullets, he shows you how to aim a hatchet so that the blade always lines up between someone’s shoulders.

The way you listen makes him salivate. The way you blink up at him and say yes, Simon and take his orders, it makes it difficult to keep away from you.

Today marks two months in the house tucked on the hill. Simon hunts, and you cook, and you live in some sick, twisted housewife fantasy at the end of the fucking world. Simon provides, and you keep, and when the box of condoms falls out of your backpack one day, you glance at Simon for just a moment before he's on you.

It's animal, that first time. He tackles you practically onto the carpet of the living room, and he props you up onto your elbows and only pulls down your jeans enough that he can fit his cock between your thighs. You hear the tear of the condom wrapping, and then he's laying over your back, sinking to the base, cock nestled inside of you as he grips your throat gently and fucks you into the carpet. Poor beast, he's definitely going to need his knees massaged after this, but you can't think about that much when you're taking the fattest cock of your entire life and trying to survive underneath him. It's that fine line between pleasure and pain that you're desperate for, and you pull threads out of the carpet as you try to hang on and take it like a good girl.

You can hear his voice. It's low, and subtle, but he grunts with each agonizing thrust, hips snapping against your ass as he fucks you back onto him over and over and over again.

It's primal. Nasty. You wish he wasn't wearing a condom, you want him to be in your skin, you want him to fill you until you're full, let it spill over, and then do it all over again. You want him to bite into your throat and tear, and you want him to eat you and then put you back together, and then do it again and again and again.

"So big," you gasp, and he falters at that. You recognize it, the need for praise, and you latch onto it with claws and stay there. I need him to stay here with me. "So good...so good t-to me, Simon–"

He groans. It's music.

Keep me. Keep me. Keep me.

"Simon, please–" You scratch at his arm, not satisfied until you feel blood. When you break the skin, he laughs, a breathless laugh that has your eyes rolling back in your head as he shoves your face into the carpet and mounts you like a fucking horse. The deep slap, slap, slap of skin is enough to send you away, send you home, your mind foggy as your pussy squeezes him for all he's worth. The slick of the condom is pleasant, but you want it raw. You want every part of him carved into you, and you arch your back, suck him in, whine and cry and beg for him to just, "please, Simon, I need it, I need it."

"Need wot?"

The sound of his voice is whiplash. He hisses when he sinks deep, staying there, holding you at a sharp angle so he can knead your ass and watch it bounce back on him. He sucks on his teeth, and there's drool slipping out of your mouth. That accent, his voice, like velvet, from deep within his chest. You want to hear more of it.

"Be a man," you gasp. "Be a man, and fuck me."

He doesn't see the desperate look on your face when he slips out of you. He doesn't see the relief that washes over you when you hear the condom come off, latex crumbling as he tosses it, but he feels the warmth of your pretty pussy when he sinks back in, skin to skin, and feels you clench for dear fucking life.

"Fuckin' Christ," Simon groans, and you reach back for him, gripping his arms, forcing him to fall over on top of you. He settles with his elbows on either side of your head, and you bow your back and grip the carpet again as he fucks into you nice and slow, deep, fat head leaking precum and making you cry because finally, yes, please, this is it, what I want, I'll have you forever.

You're so pretty. Even in his past life, Simon never got to have anything pretty. He was too ugly, too big, too awkward. Any woman of good faith stayed 100 yards away, as if his mere presence was a warning alarm, some invisible radius that kept them away from him. He always thought it was for the better. He always thought good riddance, they shouldn't have me, I shouldn't have anyone. Not when only days before, he had tortured a Russian militant until he had no teeth and hung his severed fingers on twine around his own neck.

But you won't run away. He's given you opportunity. He's left the cottage and staked out the outside just to watch you, and all he sees is you moving between windows, shaking out the dust from old blankets and washing the dishes. All he sees is you sewing his clothes and cooking his food, and when he comes back inside, all he sees is your smile and your face and your pretty mouth that falls open when he makes you come all over his hand.

Now it's the end of the world, and he lets a coin flip decide whether or not he lives or dies. And even when he flips it now, it never agrees. When he asks to die, the coin tells him no. When he asks to live, it’s always interrupted by you.

Yes, it tells him. Yes, yes, yes, because it's been keeping him here, because it knows, because it saw, because he couldn't see both sides of the coin, but he can see it now, plain as day, and she's underneath him now, letting him inside, and she's begging him to come and to fill her up, and she's crying because he's such a big man, and she wants him everywhere and always and all at once, and Simon is nothing if he isn't an insatiable bastard that can finally be fucking selfish.

The way you say his name could make him move mountains. That soft breath you take. The falter of your voice. The whine. The world has gone quiet, but he'll make a new one, and he will leave it at your feet for you to step on or pick up.

Whichever you choose. You can do no wrong.

When he comes, he moans. Into your ear, he lets you hear him, lets you bask in his pleasure as he spurts hot inside of you, hauling you a little higher on your knees so he can make sure you come, too. He gives you the palm of his hand to grind on, fucking into you at the same time, humming deep when he feels you squeeze around him and shatter like glass.

He takes his mask off for the first time that night. You see his face, all of it, not just glimpses when he lifts it to eat or to drink, you see the whole thing. He has a terrible looking face. Something only a mother could love. Too old of scars to be from this new life. They slash across his brow, across his cheeks. He has a jagged nose, and the skin around his lips had been reconstructed poorly from however they had been slit.

He's a terrifying piece of flesh. He is surprised when you lean in and kiss him. He's even more surprised when you kick off your jeans, turn over, and fuck him again.

The mantra that sounds like mine repeats in his head over and over. He feels it, deep, warm and beating under his ribs alongside his heart that hasn't moved in a long while.

He found you in those woods, kicking amongst predators, and he took you home with him. Picked you up like a stray, fed you, clothed you, and now you've stayed. For a moment, he thought it wasn't real. Thought your full belly is what kept you here, the warm house. He didn't mind pretending, but he figured it wouldn't last.

He doesn't think that anymore. Not with the way you kiss his severed face. You nuzzle into it, cup his cheeks, and he finds it agony when you pull away.

He hovers now. In whatever room you are in, Simon must also be in it. If he leaves, he makes you board the doors, and you are only allowed to open them if he knocks in his special way. He tested you once, came back earlier than expected, and he was so pleased you did not open the door to his casual knock and only the special one that he made you come one, two, three times with your thighs locked around his face.

A terrible thing happens.

Not to you.

You're searching the greenhouse. Hoping to find some flower pots for the herb seeds you found, you're rummaging through the cabinets beside it. Your gun is sitting away from you, and although Simon would chastise you for this, you feel safe here, and it doesn't bother you.

It flings itself at you. It cries, what used to be a teenage girl, reaching for you because it wants a chunk of your softness, of the life you pump into the muscles that keep you running. You're protected by all the clothes you wear for the weather, and it is slow because of the cold freezing their rigid, dead bones, but it does not lessen the hunger, the fight, the determination to eat and spread.

Before it can bite, the back of its head explodes. You close your mouth and shut your eyes as rancid brain matter splatters the white snow and you, and it is wrenched off of you immediately. Simon stands there, his pistol in hand, and you have never seen him quite so angry as he is right now.

His eyes are wild. He heaves under that tact vest, breathing hard, and his grip on the handgun shakes, so much that he has to shove it back into the holster at his thigh and lean over to pick you up off the ground.

He jostles you. Growls. Is nearly an animal himself as he shoves you up against the glass of the greenhouse and snarls.

"Wot the fuck is wrong with ya?!" Simon snaps. "Is y'r fuckin' head on?!"

It's so quiet in your head even as he yells. Your eyes tear, but not because you're upset. You reach out and cup his face gently, and he stops. Stops talking, just watches, just looks at you as he bends and leans his forehead against yours and squeezes you to his chest.

What is this thing you have? What have you become? What innate thing has festered between you? He’s gripping the edge of the glass so hard, you hear it crack under his hand. There is some kind of sick sense of devotion among you. Some kind of responsibility. He’s angry because something under his tongue tasted bitter when he saw you struggling. It won’t be this easy. He won’t make it this easy. If he doesn’t get to die, then neither do you, and he will make sure of that, because that is the only way this game can remain fair.

You never wander to the greenhouse again. He makes you promise (lest he wastes his cum between your thighs instead of inside you, that's it, promise me).

Another terrible thing happens.

Not to you.

They're wanderers. When they knock at the door, they don't use Simon's special knock, so you don't open it. Instead, you blow out the candles and hide, peeking at them from the fogged window in the attic.

They are men (you aren't surprised, they seem to be the only thing that survives nature's heavy hand). Cold. Shivering. One of them is bleeding, you can see it from the blood trail he leaves in the snow that seeps from somewhere under the hem of his jeans. The one uninjured tries to force his way through the door, but Simon added more deadbolts to it, and it doesn't give under his weak attempts. You trade your handgun for the rifle, aiming it at them. If they get through the door, maybe you can draw them back out, keep them away from the house.

You try to stay quiet, but the healthier one uses his body and a log of wood to get through. They're desperate, desperate enough to not care that breaking through the door cuts him severely, splits through his jacket. The second man limps behind him, getting inside, and you decide to put the rifle back.

You will stay quiet until Simon gets back. Your strength is not being a bulldozer, so you'll hide until he can be that for you. You steady your breathing; even if they make it to the attic, you won't go quietly. You tried that last time, and if it wasn't for Simon, you'd surely be naked and dead in that clearing that you were dragged to.

This time, if you go, you will take someone with you at least. Severed ears are not enough. You will not make them artists, you will make them forgettable and unrecognizable, and you will give back what they give you tenfold. Even if it kills you.

It takes them all night before they finally make it to the attic. They eat your food and take showers in your bathroom and stink up the living room, you can hear them. And when their bellies are full and their minds wander, you dread the pull of the attic door as he wrenches it open and the ladder falls.

You manage to kill one as he drags you out from the corner. He latches onto your ankle, and as he pulls, you put your finger on the trigger of your handgun, and you put one right between his eyes. The other takes advantage of your moment of pause, turning you over onto your stomach so hard the gun flies across the attic from your hand. He tosses you down from the attic, and you land on your side in the hallway, and you cry as you get to your elbows and crawl, trying to get to your feet, but he's larger than you.

He catches you in the kitchen. Slams you over the kitchen counter, using his weight to pin you down, but Simon taught you better than that. He taught you not to give in. He taught you not to give up. You think about him when your fingers find the discarded fork on the counter and you drive it right through his fucking eye.

You don't stop. You don't let his cries keep you from bringing your arm down again. And again. And again. You make his face your blank canvas, and you paint it with your anger. For every man that ever touched you. For every man that ever thought himself worthy to have you. For every man that tried to make your body his prize, you poke a thousand holes in him, and you scream with him as you do it until he can't scream anymore.

You're holding the fork and standing over him when Simon comes home. His handgun drawn, silent as he makes his way in, his body visibly relaxing when he sees you. He glances at the man at your feet, still alive, gurgling there, choking on his own blood as he tries to breathe through the holes that are scattered across his face and neck. You meet his eyes, and you smile. It's uncanny to do it now, but you are happy to see him.

"There's..." You sniffle, wiping your face with your sleeve. "There's another i-in the attic."

You don’t get to see him smile under the mask. You don’t hear the near purr that leaves him as he climbs the ladder and sees the perfect place you’ve left your mark. He’d frame it if it wouldn’t rot.

You twirl the fork in your hand before going to the sink, dropping it in there, and you close your eyes as you listen to Simon's footsteps as he goes into the attic. It takes him a little less than an hour to get the bodies out the back door, and when he comes back inside, you're already wiping up the floor in the kitchen.

There's nothing to talk about. This is normal. This is just another day. Tomorrow, you might have to do it again, and you'll still cook dinner after sunset and clean the kitchen like you're doing now and sit Simon on the edge of the bathtub and cut his hair.

Simon found chocolate on his trip today, and you make cake with it. You sit in his lap under the candlelight, and you feed each other, bite by bite, and you giggle when Simon gets it all over his lips.

You kiss him to clean it off, and then you reach for another bite of cake. There's some measure of satisfaction you feel when your tongue finds the dent in the fork prongs from when you used it earlier. The chocolate tastes better somehow. Sweeter.

You catch him in the morning, limbs tangled with yours under the sheets, flipping a coin. You smooth a hand over his thick chest, along his pudgy stomach, and you watch with him as the coin lands on the bedside table, falling flat.

It comes up tails.

He decides then that he doesn't have to flip it anymore. It's pointless. He asked for answers, and he got one.

You were not luck. You were fate. And because of it, the coin will always land the same way.

His thoughts are interrupted when you reach for the coin. You twirl it between your fingers, thinking. He doesn't see what you see, but that's okay. Maybe he'll let you play now. Some other game, a better one.

Heads or tails, win or lose, alive or dead. Either way, you are attached. Woven together, thread by thread. There are no vows to say in this new place, but you aren't tested by the same kinds of things. There is no law to keep two people together, no governing power of men that say if left is truly left and that right is really right.

You are drawn together by shared experiences. The same trauma. You won't leave each other not because you said you wouldn't leave, but because there is no one else in the world that has seen the same things you have seen and has done the same things you have done. There is no one else in the world that will forgive you for what you had to do to survive. That will love you not just in spite of it, but because of it, because you did what was necessary, and you are here now to learn a lesson and not suffer its consequences.

It's just a game. If you win, he wins. If you lose, he loses. If you're alive, he's alive.

And if you're dead, then he must be, too.

#simon ghost riley #simon riley #simon ghost riley x reader #simon riley x reader #simon riley x you #ghost mw2 #ghost cod #ghost call of duty #ghost mwii #ghost x reader #cod #call of duty #simon riley smut #simon ghost riley smut #dark!ghost #dark!simon

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yanderedrabbles · 3 months ago

Text

THE SINNERS WELCOME YOU TW: noncon and yanderes ahead

Hi! I'm val and this is where you can find everything I've written. Maybe bring protection? These boys are not nice.

Requests: closed for now

Current Anons: 🍪, 🐰, ♥️, 🐧, 🧷, 📌, 📮, ⚙ 🤖, 🍯, 🦚, 💵, ⭐, 💗, 🌙, 🐳, 💣

What I won't write about: pregnancy

Art & Doodles

Yandere Witch: She adores anything cute and turns you into a plushy just to cuddle.

You on a shelf You getting cuddles

Yandere Fairytales

Dark and sinful, these stories are from a time long ago. When the gods still walked the earth and when monsters wore the skin of men and when a bride could still be built out of wishes and blood.

In a time and place far, far away...

The North Wind fell in love

A sorcerer turned a witch wicked

Drabbles, Imagines & Oneshots

Superstitious: Drabble about needy and superstitious yanderes.

Not so honourable after all: Drabble about princes and heroes with rotten hearts.

Yandere Actor: The Golden Age of Hollywood. Stars are born every day and you're desperate to become one.

Yandere Yakuza: When your brother gets himself deep into debt, one yakuza is surprisingly willing to help you get him out.

Yandere Bisexual Best Friend: He just wants what's best for you. If he has to tell a few white lies now and again, then so be it.

Come for me: Drabble about yanderes who force pleasure on you for their own sick enjoyment.

Yandere Pirate Captain [dubcon] A naive aristocrat's daughter, you're crossing the Atlantic in a heavily guarded ship. Pirates assume guns and guards mean treasure but when all they find is you, they decide to make the best of their luck.

Yandere Werewolf: There's something terrorising your town every full moon. And a stroke of bad luck has you running into it more than once.

Yandere Sugar Daddy: Money can't buy love, but maybe it doesn't have to.

Yandere Cyberpunk Mercenary: A ruthless mercenary and you, his spoilt little prize.

Letters from a Yandere Vampire: A handsome stranger seems intent on courting you but his letters hide a darker secret.

The worst sort: Drabble about the most sleazy and perverted type of yandere.

Cheat on me please: Your boyfriend just won't let you break up.

Lovesick Dogs: Drabble about poor fools who love like wretched dogs.

Yandere Mobster: Chicago - 1931 The Height of Prohibition The mafia is earning top dollar smuggling alcohol into the country. And one mobster has his eye on you.

You wouldn't reject him, would you?

Yandere Gladiator: A man can become a god in the arena. But all he fights for is you.

Yandere Cyberpunk Riot Control Officer [noncon] There's nothing he hates more than degenerates and rioters. When he gets his hands on, he's going to pound some law and order into you.

Cyberpunk Yanderes: A little drabble about neon soaked streets and criminals with their eye on you.

Cyberpunk Yanderes with an oblivious country Darling

Yandere Greek Champion x Priestess Reader [noncon] He was chosen by the Gods to slaughter, to strike down all who stand against him. Your city has fallen at last and he has come to claim his prize.

Exploring his villa Finding you asleep

Yandere Stalker/Cop: A vicious stalker has been terrorising you for months. Luckily, your friendly neighbourhood cop is around to comfort you.

Yandere Apocalypse Survivor: The world you know is dead and gone. And he's the only reason you're still alive.

Yandere Soldier [noncon] He knows what he's doing is wrong, but if he closes his eyes, he can convince himself that your muffled cries are moans for him to keep going.

Yandere Soldier - Stockholm Syndrome: It was bound to happen eventually, right?

Softcore Yandere Boyfriend: A guy who has every yandere urge in the book and is trying very hard to be normal about it.

Yandere Boyfriend Surprise Party: How does your Yandere! Boyfriend react when you start acting distant and keeping secrets from him? Yandere Boyfriend as a husband: He might be jealous of the kids but shhh. Way of the yandere house husband: More things your hubby does for you. Yandere Boyfriend as a gym buddy: You're his favourite kind of cardio. Yandere Boyfriend x Coquette Reader: You can put bows on him if you ask nicely.

Yandere Cowboy [noncon] He just wants a roll in the hay. It doesn't matter if he has to hold you down to get it.

Yandere Cowboy - Proposal: Does he ever learn to be sweet with you? Yandere Cowboy - Jealousy: You're his girl and he ain't gonna stand around and let some other bastard steal you away. Picking wild flowers with him If you try running away before your wedding

Yandere Cop [noncon] All you want is to get home after a midnight shift and relax. But a State Trooper pulling you over on an isolated stretch of road is more than you bargained for.

Yandere Cop - Baby Trapped: You're stuck in a position where you just can't say no anymore.

Yandere Ganster x Mafia Boss Reader: He's your loyal dog. Now and always.

Yandere Ganster - Jealousy: For the first time, he sees you be physical with another man. And he's trying his hardest not to punch the bastard right in the mouth. Yandere Ganster - Rainy Days: After a difficult job, he comes back soaked and shivering. Naturally, you think of a few ways to warm him up.

Yandere Desert Bandit [dubcon] When planning to cross the desert, all travellers are warned about the bandits. Heartless, they're called. Brutal. Inhuman. So why has one of them fallen in love with you?

Yandere Desert Bandit - Aftermath: Son of the sand, his touch isn't gentle. But perhaps he can learn. Will he ever be a father? Would he honour his word?

Yandere Incubus x Nun Reader [noncon] A new priest had joined your convent and you can't help the sinful thoughts you have about him.

Yandere Academic Rival: He'll do whatever it takes to be the best.

The Yandere Boys

Who's your yandere soulmate? [Quiz - coming soon] Their favourite positions Their kinks What are their homes like? What do they look like? When you're sick/hurt yourself Which Yandere boy is the most manipulative? If you cheat on them Their body preferences If you refuse to eat If you try and leave them If you're bisexual Yandere Christmas Special What sort of cars do they drive? Who is the cruelest? Who is the kindest? What kind of clothing do they find provocative? Would they ever share you with someone else?

Misery - a short story [in progress]

Based on Misery by Stephen King

Stuck in the mountains, you foolishly decide to drive through a blizzard. The man that drags you from your wrecked car brings you to his cabin and patches you up. But as the snow piles up outside, you start to suspect that your rescuer's intentions may be far from pure.

Chapter One

Chapter Two

Chapter Three

Upcoming Works

Yandere Roommates [dubcon] With your boss mysteriously firing you and your job applications getting lost in the mail, it's no surprise that you can't afford rent this month. Lucky for you, your roommates have a very generous offer.

Yandere Wild West Sheriff: Ain't you just the sweetest lil thing?

Yandere Dictator: He's a high ranking member of the ruling party, with all the wealth and power denied to the working class. And when he says he wants you, that's exactly what he gets.

Dairy of a Vampire: You've found a strange book in your husband's library, and on closer inspection, realise every entry is all about you. [Sequel to Letters from a Yandere Vampire]

Yandere Aztec Warrior x Āhuiyani Reader: His body is sworn to war and yours to pleasure. How strange, that you find comfort in each other.

Yandere Sugar Baby: It's not uncommon for a wealthy, older woman to take a younger lover. But the way he looks at you isn't normal at all.

Yandere Witch Hunter x Witch Reader: In a last ditch effort to save yourself from execution, you cast a love spell on the town's witch hunter.

Yandere Aliens [noncon] Human women are the most prized slaves in the galaxy, and when your ship crashes on an unknown planet, it's inhabitants are keen to find out why.

Yandere Southern Gothic Cowboy: He doesn't come to church and you never see him out in the sun. Who exactly is this stranger?

Yandere Rockstar: He's a rockstar punk who wants to fight the whole damn world. But all his songs seem to be about one special person.

Yandere Dragon x Princess Reader: This fairytale isn't what you expect.

Yandere Slasher [noncon] With all your friends dead and no way to escape, you offer the killer something else in exchange for your life.

Yandere Ex-boyfriend [noncon] You wake up to a ship over five hundred million kilometres away from your home planet and an ex desperate to prove his love.

Yandere Pirate x Mermaid Reader: You've seen her time and time again, leaning against the stern and staring out at the horizon. She always seems so melancholic. Maybe a song will help?

Yandere Soulmate: So what if you don't always get along? So what if he leaves bruises on bad days? You're meant to be his and he's not letting you go.

Yandere Firefighter: You owe him your life. Aren't you going to repay that debt?

Yandere Stripper: Beautiful, confident, deadly. When she says she wants you, she won't take no for an answer.

Devil Dogs always bite: A green card marriage to a US Marine ends badly. [omegaverse]

#yandere imagines #they just want to feel good #even if it means hurting you #no isn't really no #if he can't hear you through the gag #yandere lemons #yandere x reader #yandere drabbles #yandere #masterlist #yandere noncon #yandere scenarios #reader insert #yandere oc

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