#Writing the wrong thing here

[geezmarty]

(bellara/taash) nerd/jocks lovers rise up

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[cozylittleartblog]

Columbo and the Knight (1984)

put me in the universe where Columbo ran through the 1980s and had a crossover episode with Knight Rider. I think they deserved it, and I am not just saying that because they're my two favorite Old Shows. @telebeast wrote a little fanfic blurb about it and I HAD to visualize it into a comic (which is also the longest comic I have finished thus far at five pages...), so writing credit goes to them.

Autism W!

[morganbritton132]

I’m thinking about Steve’s mom in the context of this AU I’m (apparently) creating where Steve is the affair baby that broke up his much older half-siblings’ family.

Put yourself in the shoes that his mother would’ve been in. You’re nineteen. You have no education and you’re working your first real job. You start an affair with your boss - who is the father of the friend that got you the job - because you’re young and you think you’re in love, and you don’t think of the consequences.

Suddenly, you’re pregnant and he’s leaving his wife for you, and you still think you’re in love so you follow his lead. You’re nasty to his first wife because he is and you’re insecure because she nothing but nice to you. Her children hate you but Richard says that they’ll get over it so you believe him. They never do.

Then you’re married and you have access to more money than you’ve ever had in your life, and you’re in love. And you’re a mother. He sleeps through your delivery but everything is okay when you hold your little boy.

You know that things have changed now. That you’ll do everything in your power to make sure this little boy makes it in the big scary world. You promise yourself that you’ll do anything for him.

The baby cries, and you cry, and you thought things would be different and that you’d know what to do, but you really don’t. You don’t feel a connection with your baby beyond wanting to protect him, and you hate this. You hate being a mother. You hate this constant failing.

Richard is never home. He still works long hours but you’re no longer at the office with him. He seems completely disinterested in being a father and less interested in you playing mother, and you’re not stupid.

You know he left his wife for a younger, more attractive woman. You know he fell in love with you because you’re passionate, you’re fun, and you haven’t been that in a while.

You stood smug and happy by his side while he tried to take everything in the divorce, and you know his first wife has more money and influence than you. You know she has lawyers and you don’t. You don’t know what happens to you if he wants a newer model. You don’t know what happens to your son but you think he’ll try to take him from you.

Richard doesn’t want to be married to a mother, so you stop being one. You have to for the marriage to survive and it feels like guilt to be relieved by that. You’re not his secretary anymore, but his assistant. You travel with him and you join the right committees. You join the walking club and you shed the last of the baby weight, and he loves more than he ever has.

And you’re happy but you’re not in love.

It was too easy to pass motherhood onto Richard’s daughter, onto the nanny. It was easy to sidestep into the role of ‘friend,’ so you befriend your son.

Not a close friend. Not in any way that would make Richard feel like he wasn’t your world, but you’re there. You know the drama currently happening on the basketball team but not that your baby is failing English. You go on spa dates and make a whole day out of getting your hair cut together, but you don’t discipline him. Richard does that.

Then one day, you come home from the Poconos and your son has bruises on his face and bandages on his fingers, and a haunted vacant look in his eyes. He job was a pile of burning rubble when you drove into town. You asks what happened and if he’s alright, and he’s gives you the same smile you’ve been wearing for years, “Everything’s great, ma.”

[poorly-drawn-mdzs]

Turtle Takedown Teamwork.

[First] Prev <–-> Next

[luxaofhesperides]

Soulmate AU: First Words + End of the World ; requested by @justwannabecat!

Duke has long since accepted that he doesn’t have great luck. Most things in his life tend to go wrong very quickly, or complicate situations he was already struggling in (see: being a meta and getting his powers in the middle of a fight). Having an incomprehensible soulmark is an unpleasant discovery on the morning of his nineteenth birthday, but not entirely unexpected.

He had been hoping for something simple, a common one like hi it’s nice to meet you or sorry, didn’t mean to bump into you.

What Duke gets instead isn’t even words. 

Scrawled across his left hipbone is a string of symbols glowing a faint green. They’re not in a language he recognizes, and the symbols seem to move, shifting ever so slightly so they look different every time he blinks.

“Well,” he says after a solid five minutes of staring into the mirror, unable to rip his eyes off his soulmate’s words, “I hope theirs looks nicer than mine.”

He spends his birthday in a bit of a daze, enjoying time spent with the Waynes and his friends. It’s hard to be fully present when he’s all too aware of the soreness on his hipbone flaring up each time he moves. It’s hard to keep his mind off of it, wanting nothing more than to search for answers, unravel the mystery of his soulmate’s first words.

“Something on your mind?” Jason asks, as the attention shifts off of him for a brief moment as Harper and Cullen get ready to leave and everyone rushes to give their goodbyes,

Duke shrugs, carefully keeping his hands still so they don’t drift to where his soulmark is hidden beneath his clothes. “Yeah. Nothing you need to worry about, though.”

Jason looks him over critically, then nods. 

Duke resigns himself to being investigated by the rest of the Bats. If he’s off enough that Jason had to comment on it, then that means everyone’s noticed and are trying to figure out what’s happened. They’re not going to ask him, because they think he needs space to work through whatever’s got him so distracted, but they’re also not going to just do nothing. 

This won’t be the first time they’ve done this. Duke expects it. Frankly, it would be stranger and much more concerning if they didn’t try to dig up all his secrets the moment they caught wind of him hiding something.

He’ll tell them about getting his soulmark soon. Soulmarks can appear on any birthday between the ages of thirteen to twenty five; they might suspect he got his, but they won’t be able to confirm.

For now, Duke can keep his soulmate’s first words (whatever that gibberish means) to himself.

He makes the decision then and there, as his birthday party winds down, to tell them in a week.

And because his luck is abysmal, a world ending threat hits five days later and suddenly there is no time for soulmarks and first words.

Duke is the last to arrive at the Fortress of Solitude, hitching a ride from Superboy to get there. The biting cold and the harsh winds keep the place far from the reaches of the rest of humanity, surrounded by nothing but deadly white. 

Desolate as the landscape is, it’s still in better shape than the rest of the world.

Things would be better if it was alien invaders. It would be more bearable if some sort of cosmic colossus tried to eat their solar system. At least then there would be something physical that they could fight.

Instead, the world is breaking apart, the sky and earth both fracturing to reveal glowing green faultlines. Timelines are getting mixed up and muddled; just yesterday, Duke had to evacuate a building that had been demolished forty years ago, then stop a gang leader who wouldn’t be born for another eight years from taking over a neighborhood block and holding the residents hostage. Strange creatures are appearing out of nowhere, crawling out of shadows and tide pools and from beneath the roots of trees, all horrible, monstrous things that go after people with teeth and claws. 

The Flashes and the rest of the speedsters are nowhere to be found. The last time anyone get communication from them, it had been Impulse sending Red Robin a glitchy, barely audible video chat saying something along the lines of “trying to fix—unstable—keep us here—never been alive before.” All things that are very concerning to hear, made worse by the fact that no one had been able to contact them at all. 

The quiet loneliness of the Fortress of Solitude is a welcome change from the constant screaming, death, and destruction that’s taken over Gotham as well as the rest of the world. Last he heard, even Justice League China was at the end of their rope. 

“In here,” Superboy instructs, guiding Duke through the halls. There’s no time to look around at Superman’s secret base. All his focus is stuck on staying conscious for another few hours to see if this gathering of heroes is able to find a solution to the world breaking apart.

Batman stands besides Superman. Both nod at Duke when he enters the room. Wonder Woman is watching over John Constantine as he writes something on the floor, muttering under his breath. The rest of the Justice League lean against each other, visibly exhausted as they wait for Constantine to finish up what he’s doing. A few other heroes are here too, and Duke goes to join them where they lean against a wall, fighting to keep their eyes open.

“Hey,” he greets, voice low. “Hanging in there?”

Wonder Girl sighs. “Somehow. I don’t know how much longer we can do this. There’s just too much…”

“We’ll get through this. I mean, even without us out there, plenty of civilians have formed rescue and relief groups to help with keeping things under control,” Speedy says, gently knocking her arm against Wonder Girl’s. “We just gotta keep going. No giving up.”

“What’s this plan, anyways? I just heard that they needed me here to some attempt to fix things.”

“Well, without the speedsters, you’re kind of the only one who can help with time and power related stuff,” Speedy says.

“That’s definitely a stretch. My powers don’t really have anything to do with time. It’s all just light and shadow.”

Speedy shrugs. “Well, you’re here, aren’t you? Too late to complain about it now.”

Duke doesn’t get a chance to say anything else when a loud clap catches his attention. The entire room goes still and silent as Constantine stands up and surveys the circle and symbols he’s written, taking up an entire corner of the large room. 

“Alright,” he says. “Time to get started. Remember, let me do the talking. If you have to speak, it’s only to back me up or when a question is directed to you.”

Batman nods to the other Justice Leaguers, and suddenly everyone is falling into formation behind Constantine. Duke hurries to join them with Wonder Girl and Speedy, taking a place on the edge of the group where he’s a little closer to the circle than the others. 

Constantine begins chanting. His voice is steady though none of the sounds make any sense, refusing to form themselves into recognizable words, and the air the in the room feels heavier. The chalk circle glows a blinding white and Duke can see magic swirling through the air, his power kicking in the let him watch as reality tears and a glowing star in the shape of a boy comes out of it.

Duke blinks, forcing his power down. The hypnotic swirls of magic fade from sight, but the boy still glows, bright and terrible as he floats above the circle and surveys them all. A crown engulfed in blue flame hovers above his head and the fabric of the cosmos is draped over his shoulders as a cape. 

Just from presence alone, Duke can tell that this figure is now the strongest existence in this universe. He hopes this boy king is kind; no one, not even Superman, would be able to beat him in a fight.

The boy king opens his mouth and speaks, but it’s not words than comes out. A strange static like sound emerges, but light and almost melodic. 

His left hipbone burns.

Duke gasps, hand flying down to it, and the boy king’s gaze snaps to meet his.

The world stands still. No one moves. No one dares to breathe.

And then the boy king drops to the floor and walks out of the circle.

“I thought you said that would hold him!” Batman hisses at Constantine, who is looking more and more distressed.

“It was supposed to! I wrote it specifically to hold the King of the Infinite Realms!”

The boy king glances at Constantine. This time, when he speaks, it’s in smooth English. “Did you name the king in your circle?”

“Yeah, I named Pariah Dark… Bloody hell, you ain’t him, are ya?”

“No,” the boy king smiles, “I’m Phantom.”

The cape and crown fade away, and suddenly it’s not an all powerful, terrifying king standing before them, but a young man with white hair and green eyes who looks Duke’s age. Like he could be any other new generation hero in the room. 

“Phantom,” Duke repeats lightly, just under his breath, but it makes Phantom look at him again.

He walks forward, ignoring the other heroes’ aborted attempts to stop him, coupled with Constantine’s frantic back off motion happening behind him. Phantom leaves the circle and the Justice Leaguers behind to stand before Duke, a soft smile on his face.

“Hi,” he says softly, “I dreamed of you.”

“You—what?”

“I dreamed of you. I have for years now. To think that being summoned was what made us meet—” Phantom breaks off into a breathless laugh.

Duke swallows, then drops his had from where it had been pressed against his hip. “So we’re really—? You have my first words too?”

In the corner of his eye, he sees Batman stiffen up. Maybe he should have just told them the day after his birthday, but in Duke’s defense, this is the definition of extenuation circumstances. 

“First words?” Phantom repeats, “Is that… Do we have different soulmate connections?”

“I think so. Here, everyone gets the first words their soulmates say to them appearing somewhere on their body.”

Phantom’s gaze darts down to Duke’s hip, then back up. “Oh. I get dreams. Where I’m from, we dream of our soulmates, and the closer we get to meeting them, the more we remember the dreams.”

“And you dreamed of me.”

“I did.”

“As touching as this is,” Constantine interrupts, and Duke gets to watch as Phantom rolls his eyes, “We summoned you here for a reason. Our world is falling apart at the seams and we need someone powerful, from the Realms, to help us fix it.”

“Okay.”

“...What do you mean ‘okay’?”

“I’ll help,” Phantom says.

“Just like that? No deal to be made, no price to be paid?”

“Just like that. I’m not one for deals anyways. If I can help, then I will. But I do want to see what the problem is with my soulmate by my side, if you don’t mind.”

Batman steps in, fixing Duke with a steady gaze, a barely noticeable tilt of his head. “Signal?”

“Yeah I’ll go with him. Of course I will. The sooner the better, in fact, because everything’s gone to shit.” Duke turns to Phantom, taking hold of one of his hands. “It is really bad out there,” he warns, “If you need help—”

“I’ll ask for help from others in the Realms,” Phantom says. “No offense or anything, but if it’s really that bad, I doubt living mortals will be able to do much to fix things. It’s why I was summoned, right?”

“Right. Let’s get to it, then.”

There’s a flash of mischief in Phantom’s eyes, and cheeky grin stealing across his face for a moment, before he says, “Aye aye, captain!” and picks Duke up like he weighs nothing and flies up through the ceiling.

Duke is able to hear everyone’s surprised, panicked shouts before they’re outside the Fortress of Solitude and Phantom is flying them away. He only needs a few directions from Duke before he finds the first of the large fractures in the sky.

“Yikes,” is all he says, which is not a great thing to hear. “I think I know how to fix it, though. We’ll need to do a little investigating as to who, exactly, started messing around with reality, but once we find the source, it’ll be an easy fix.”

“That’s the best news I’ve heard all week.”

“Even better than meeting your soulmate?”

“I haven’t slept for more than four hours all week. Knowing there’s an end in sight beats everything else.”

Phantom laughs, throwing his head back and Duke can’t help but drink in the sight of him, so ethereal and bright and full of life. “Fair enough! Got any ideas as to where we should start?”

“I’ve got an entire crew of detective vigilantes,” Duke replies. He’s not taking any more chances. No more waiting to talk about important things; he messed up by keeping his soulmark to himself, so he needs to make sure everyone meets his soulmate before shit goes south again. 

“Let’s go find them, then!”

They take off again, soaring through the skies that are barely holding themselves together. 

The world is still ending, and every hero is being stretched thin, but held carefully in Phantom’s arms, racing head first into a solution, Duke can’t help but feel that everything’s going to be alright now. 

He’s had enough bad luck. Now, his soulmate with him, bearing the title of King with grace, things are finally starting to look up.

[mrparable]

*cracks open google docs and it releases a cloud of dust*

[isthatacalzone]

me: *seeing people yell about how they did Glintshore & Percy's death in the show*

also me: ..................anyway

[beatcroc]

there's no way the bathroom at peppino's pizza is actually that big but ¯\_(ツ)_/¯ . hey ummm anyway.... i care them...... anyway there's a lil ramble on my take on fake pep's like psyche or whatever in tags on the og post if ur into that kinda thing :y

hey! it's a series! fake peppino world tour: [noise] [noisette] [peppino]<- u are here [gustavo] [gerome] [noisette again]

[sergle]

I'm thinking abt that pretty fall leaves embroidery pattern post and about how like... it is categorically a repost, it's a reupload. right? a thing that is generally disliked. but because it's credited, it's genuinely boosting the artist in question. and it could ALWAYS be like this. reposting content could ALWAYS be a symbiotic relationship, but because sourcing back to the original creator of something is so uncommon, it's just easier to ask people not to repost it at all. and people still don't understand the difference. or they'll go to the effort of cropping out usernames/signatures to repost something, which is More Effort than literally crediting the creator of something you liked enough to want to repost. Like. I literally don't actually care if my own shit gets reposted, you have to understand. I just don't want it STOLEN. But "do not repost" is easier to write on my art than "you can repost this, but don't alter the image/remove my signature, don't you dare write 'credit goes to the artist' because that is not credit, please link back to my original post or someplace that you can actually find me. please use an actual link/url instead of writing a non-clickable link of my username, because making it text instead of a clickable link cuts the number of people who will go to the effort of visiting my own page in Half." All those aggregate themed accounts, those fuckin annoying as hell instagrams and facebook groups that are like "body positive art we love wamen 💕 hashtag feminism" and then MASS-STEAL plus sized art created by women, if pages like these that always go and steal my older self-portraits and other works... If they just put a link to my prints of those pieces in the text of those posts, or, fuck, my commission info page? I would literally be living on the moon right now. I would have a house on the moon

[pastelshroomsbasement]

Goofy svsss au where qqq is also a transmigrator!!!

[shannondiazs]

so the 118 obviously has a boyfriend tax jar that's exclusively for buck. when buck starts dating tommy everyone's very happy for them so they're willing to put up with buck constantly bringing him up and talking about everything he gets up with his boyfriend thinking that it'll stop once they leave the honeymoon phase except that it's been nearly six months now and he won't stop talking about tommy and there's only so much one can hear about a coworker's sex life before starting to go a little bit mad, so, the jar is introduced

buck gets three free passes a day and after that every mention of tommy requires money in the jar ($1 every time he mentions his name, $2 if he calls him "my boyfriend" because that's somehow even more sappy, $5 if he mentions what they get up in bed, $10 if the words "dick" and "hole" get brought up (after one conversation where everyone learns way much more than they ever need to know about buck's sex life a new fine is installed: $20 if buck ever calls tommy "daddy" at the station))

so anyway, the jar system is working. it doesn't stop buck from talking about his boyfriend at all, if anything since the jar started he talks about him more, but at least the money collected funds the A-shift's once a month happy hour so we're calling it a success. except that one day out of nowhere eddie also starts bringing up tommy and just won't stop. one day he spends a good twenty minutes talking about tommy's hands and how massive they looked when they were working on some car's engine, another day is all about how big tommy is and how his muscles look while he works out, three days after that is about how nice tommy is with animals and kids and how he can bake the fluffiest cakes, did you know that? and whenever this is happening buck will only look at eddie and smile and doesn't say a word

so the 118 is very fucking confused because the tommy jar is exclusively for buck because they thought no one else would have a reason to not shut up about him but now here eddie is and they don't know if they're supposed to start making him put money on it too because like, it's the boyfriend jar after all. they also don't know what to make of it. is buck exploiting a loophole they didn't consider before through eddie? are those actually eddie's thoughts? does eddie have a crush on buck's boyfriend? does buck know? is he okay with it? do they need to rename the jar to simply "the tommy jar" and make everyone who brings him up put money in it?

(the confusion is cleared out a couple months later one day that buck and eddie get to work together one morning and before doing anything else eddie drops twenty dollars on the jar and loudly announces to everyone "so, turns out buck wasn't overselling how pretty tommy looks when you ride him. truly life altering experience". everyone considers just banning mentioning tommy at all during working hours)

[afewproblems]

Season 2 Halloween AU Part Four

Part One, Part Two, Part Three

A very big thank you to @strangersteddierthings for chatting with me today and being such a great sounding board for the next update!

Synopsis: What if Eddie had been at Tina's Halloween Party in Season Two? Featuring Steve!Whump, Stancy Breakup, and Eddie just trying to keep up with all these new revelations about who King-Steve actually is...

***

"So…I have to ask," Eddie blurts out, cutting through the awkward silence that has fallen between them, "how were you gonna pick up your car before you ran into me?"

"I don't think it counts as running into you, if you were waiting for me Munson," Steve side steps the question expertly, flashing him a strange smirk that seems out of place. It falls after a second and twists into something pained.

"I was hoping Nance would take me," Steve says eventually, his voice soft, "which was pretty stupid in hindsight, 'specially cuz she was counting on me to drive her this morning, which--"

Steve cuts himself, snapping his mouth shut with a harsh click of teeth, he shakes his head and lifts his hand to run roughly through his hair.

"Doesn't matter anymore".

Eddie holds his breath, feeling the conversation begin to shift. It's as though he's stepped onto a tightrope and any wrong move could potentially send him over the edge.

He settles for nodding once, turning the key in the ignition.

Steve sighs and lets himself fall back into his seat, "I know you know already, the whole fucking school does, Billy saw to that," Steve gestures to his face, "say what you really want to ask". 

Eddie's fingers tighten around the wheel as he turns them out of the parking lot, fighting the immediate urge to say, 'why did Miss Priss throw it all away?' 

"You think I believe the rumours that come out of that shithole?" Eddie lies, keeping his eyes on the road this time.

He can feel Steve's unimpressed stare as they continue down mainstreet.

"Right, so you had no clue I was in detention?"

Eddie chews the inside of his cheek to fight the sly grin that begins to creep over his face, "Alright smart ass".

He hazards another glance at Steve as they begin to hit the residential area, he looks so different from the night before.

His limbs are loose, tension free, if it weren't for the heavy bags under Steve's eyes and the nervous tap of his fingers on the passenger door, Eddie would think he was finally relaxed.

"I knew a fight definitely happened, it's Hargrove," Eddie says slowly, carefully weighing his words, "but I typically prefer to hear the whole sordid story from the source before I pass any judgements, ya know?" 

Steve doesn't say anything as they continue driving through residential  the houses getting progressively bigger as they go.

"Did you," Steve pauses and breathes out slowly before shaking his head and lifting his face to meet Eddie's gaze, "is that offer for something stronger still open?" 

Eddie smiles, "I think that can be arranged". 

***

Eddie pulls over beside Tina Cline's house, wincing as the right front tire rolls over the curb and bounces the van as it lands on the street once more, startling a snort out of Steve. 

"Yeah, yeah, laugh it up Harrington," Eddie huffs as Steve shoots him a grin.

"Didn't say a word," Steve hums, unbuckling himself from the seat. Eddie watches as he opens the door and hops out. For a moment Eddie worries Steve will pull the same disappearing act from last night but he simply stops beside his car door and motions for Eddie to roll down his window. 

Eddie cracks his door open instead, "window's broken, what?" 

Steve rolls his eyes, "whatever Munson, you know the way? It's north on 5th and--"

"Then two more rights, yeah man," Eddie says with a laugh in his voice, "I dropped you off remember?" 

"Fuck off," Steve huffs out, he's grinning though.

Steve swings the Beemer’s door open and slides in. He turns on the ignition and flinches at the loud burst of music from the stereo, the volume obviously set from the mood of the previous night. 

'I want to know what love is, I want you to show me--'

Steve slams his hand against the console, cutting off the song with a harsh crack. 

The van is parked just behind the Beemer so Eddie can't see Steve's face, but his head drops down onto the wheel for just the briefest moment before he slowly lifts it, turns on his signal and pulls away from the curb. 

***

Steve beats him to the house.

He's getting out of the car, which is parked on the long driveway as Eddie pulls up to the street. 

Eddie hops out of the van, hiking his backpack higher up on his shoulders, not bothering to lock it. Who would even want his shitty van among the BMWs and Mercedes parked down this street --hell, Eddie could have sworn he saw a Jag three houses down.

Eddie stops short of the lawn. The Harrington house is so different in the light of day, the strange emptiness that seemed to ooze out of the dark windows the night before has disappeared, leaving an ordinary house in its wake. 

"Well?" Steve calls out as he pulls a pair of keys from his back pocket and spins them once on his finger, "you coming or what Munson?" 

Eddie rolls his eyes and jogs to catch up to Steve who turns on his heel to stride up the walk. He stuffs the key into the deadbolt and swings one of the double doors inwards before shucking off his sneakers.

No shoes? Fucking rich people man.

Steve must notice Eddie's expression because he blushes and shrugs, "I know, I know, but my parents will be home for Thanksgiving this year so…may as well…"

He gestures around the sterile foyer with a tight smile, as though it explains everything. 

If anything, Eddie has more questions. 

Steve cuts off the thought by clearing his throat, "we should smoke outside, last thing I need is for you to burn a hole in the couch or something".

Eddie steps over the threshold and has to stop himself from whistling, were the ceilings always this high in this place?

He lifts his foot to unlace his left chuck, snorting at the strange little table in the middle of the foyer. A giant vase sits atop it filled with a mixture of what have to be silk flowers --no way they were real. He pulls the shoe off and tosses it to the side before lifting his right foot. 

Eddie never had the greatest balance so he hops back and forth with his right foot in the air before hopping as close as he can to the wall of the foyer and leaning back against it.

He finally gets the knot in his laces undone and throws the sneaker to the floor, dropping his right foot to the hardwood.

Eddie looks up to find Steve staring with a bemused expression on his face, he ignores the wide hazel eyes and removes the backpack from his shoulders -which can't have been helping the balance issue. 

Eddie unzips the top and yanks out the trusty metal lunchbox, sliding a wicked grin into place.

"You said something about outside?"

***

By the time they've settled, facing one another on a couple of pool loungers, the sun has begun to dip low, painting the patio and empty pool a warm glowing copper. It catches Steve's hair, which shines like gold in the dying sunlight, like some Autumnal Fae King--

Eddie wants to slap himself, suddenly thankful for the November wind that cuts through the backyard, forcing him to chillout.

He picks up the grinder from his lunchbox, unscrewing the cap to open it.

"You good with a joint this evening my good King?" 

He pours a handful of a new strain Rick let him try the other day into the grinder and starts twisting. It's not something he would typically share with anyone other than Jeff, but Steve seemed like he could use something a little more special tonight.

Eddie looks up after a beat of silence, "yo, Major Tom, you with me?" 

Steve's face is pinched, tilted towards the empty pool, "please don't call me that," he says quietly.

"Major Tom?"

Steve raises his eyes to meet Eddie's gaze, his mouth cuts a hard line across his face, the typical easy grin it usually houses is gone. 

"King-Steve," he runs a hand through his hair, letting the fingers linger to grip and pull, "I just, that's not who I am anymore, I don't--"

Steve swallows harshly, "that's all anyone could talk about this morning".

He drops his voice and octave, "oh, King Steve is so pussy whipped he let his girl fuck Jonathan Byers before she dumped him".

"Is that what Hargrove said?" Eddie asks quietly as he pours out a portion of weed onto a paper.

Steve shakes his head, "that was Tommy, but that wasn't why I hit him". 

Eddie nods, and lifts the joint to his mouth to run his tongue along the edge of the paper. Steve watches him from the lounger, his eyes follow the movement before he blinks and continues.

"Tommy and I had been best friends since we were five, he uh, he knows a lot about me," Steve lifts his hand to his mouth and chews the nail of his thumb briefly before dropping it back into his lap.

"Stuff I don't tell anyone, stuff he knows will hurt". 

Eddie nods, twisting the joint closed, he can kind of understand that, although the only person in his life that knew him like that was Wayne.  

And Wayne would never hurt him. 

Did Steve really not have anyone else like that in his life, someone he could tell anything to that wouldn't look at him weird or judge him. Someone safe.

"Anyway, Hargrove started in on me after that, but he's been fucking with me for awhile so," Steve shrugs again, "he saw his big opportunity here".

"Hargrove's been messing with you?" Eddie asks sharply as he pours more weed onto another paper. He lifts it and runs his tongue along the edge of the paper before twisting it into shape. When he looks up, Steve's ears have gone slightly pink and he's sitting strangely, slightly hunched and twisted.

"Yeah," Steve says after a moment, he clears his throat and straightens his back, "yeah, it's just been at practice so far, and I thought it was just because he wanted to one up me for my spot but," he shakes his head, "it's getting worse". 

"You know, I have a bit of a reputation around school," Eddie says slowly, carefully, watching as Steve freezes and looks at Eddie with wide eyes.

"The Hellfire club is more than just the game we're playing, it's also kind of a sanctuary for kids that don't have anyone to lean on, we look after each other," Eddie continues, ignoring the way Steve relaxes slightly, "you wouldn't need to play or anything but if you need somewhere to sit at lunch now…" 

Steve looks at Eddie for a long time, his expression blank, guarded, "really? Just like that?" 

"Yeah man, besides I get to use my 'Mean and Scary Guy' persona on these fuckers so it's a win-win for me".

Steve grins, raising one skeptical eyebrow, "mean and scary?"

Eddie bristles a little bit at the questioning tone in Steve's voice and can't quite swallow the urge to snarl, "yeah I mean you looked plenty scared of the town freak yesterday". 

Steve winces and immediately starts to shake his head, inching forward in his seat so he's even closer to Eddie, their knees are almost touching.

"That's not, I wasn't," he stops and takes a deep breath, "I was upset about Nancy and it was so dark outside, the trees--"

"You afraid of the dark Harrington?" Eddie cuts him off, the lingering irritation still simmers in his voice as he coos. 

Steve just looks at him, there's something strange about the haunted expression on his face that makes the hair on the back of Eddie's arms stand on end. 

"Things happen in the dark, in the woods," Steve says softly, his eyes drift to the empty pool again. 

Eddie opens his mouth to ask Steve what the hell he means by that, when a voice shouts across the yard.

"Steve? STEVE?!" 

The sound of someone running through the grass has them both of their feet, the joints forgotten on the pool loungers. 

"Dustin?" 

A kid, he can't be more than twelve or thirteen, skids into the porchlight that has replaced the last copper rays of evening light, the sun fully set by now. The kid's blue eyes are wide underneath a mop of curly hair and hat, he's breathing hard.

"I need your help".

Tag List: @eriquin @luvinthefreaks @cinnamon-mushroomabomination @goodolefashionedloverboi @ellietheasexylibrarian @bambibiest @sadboislovebeans @howincrediblysapphicofyou @coleys-a-nerd @whycantiuseunderscore @airconditioning123 @xxfiction-is-my-realityxx @corrodedbisexual @starman-jpg @ilovecupcakesandtea @yoriposts @clumsiluni @pelinelin @phantomcat94 @lololol-1234 @anaibis @airconditioning123 @steveshairspray @hellfireone @sunswathe @eddielives1986 @tentativeghost @robin-not-batman @estrellami-1 @manda-panda-monium @tinyplanet95 @perseus-notjackson

Part Five

and for some peeps that I think may be interested! @steddierthings @steddie-there @steves-strapcollection @outpastthebrakers @henderdads @stevesbipanic

[sforzesco]

"Since you've named yourself after Julius fucking Caesar, perhaps I'll follow in your lead and choose one of the conspirators." "Interesting," says Giuliano. "Should I worry about finding you at the center of some kind of conspiracy that ends with my death?" "Not from me," replies Ascanio. He sounds tired. "Not anymore."

informally, some kind of. conversational follow up to the last comic. I'm trying to get the atmospheric conversational whimsy out of my system because I have a vision of the vatican as a body in active decay, a point of infection spreading out and poisoning the well, a jaw unhinged that people walk into over and over, and I am so close to figure out how to convey this visually. maybe.

[claitea]

forgive this for looking a little rough i just wanted the idea out. anyway i was thinking, i've never seen a protag joins volo thing before so now i gotta

volo is simply doing this because it would be convenient to have such a powerful ally on his side. it has nothing to do with empathizing with this outsider. this is just another transaction. nothing more.

[uniiiquehecrt]

Voice actors are NOT the same as actors.

It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.

Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.

The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.

This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.

Actors are not the same as voice actors.

And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.

I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.

People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.

Voice Actors ≠ Actors.