#Writing initiation

[marketingprofitmedia]

10 Easy Steps to Get Your Writing Career Started Right Away!

To kickstart your writing career, begin by refining your skills and building an online presence. Next, network with other writers and create a portfolio to showcase your work.

Embarking on a writing career can seem daunting, but with the right steps, you can launch your journey successfully. As you look to turn your passion for words into a profession, it’s imperative to focus on skill development and strategic self-promotion.

Today, a significant online footprint is crucial for aspiring writers. Creating a robust digital portfolio will serve as the cornerstone of your career, displaying your talents to potential clients or employers. Networking isn’t just a buzzword; it’s a gateway to opportunities, mentorship, and collaborative projects that can accelerate your growth. With the internet at your fingertips, there are countless resources available to help you enhance your writing abilities, stay updated on industry trends, and connect with writing communities. Begin with clarity of purpose and a commitment to continual learning, and you’ll find that launching your writing career can be a structured and clear-cut endeavor.

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The Call Of The Word: Is Writing Your True Passion?

The Call of the Word: Is the symphony of sentences and the rhythm of rhetoric music to your ears? Do you find solace in the warm embrace of pages? If so, writing might just be your true passion. Embarking on this journey requires a blend of creativity, dedication, and strategy.

Identifying Your Niche In Writing

Discovering your niche is akin to finding your home in the vast world of words. It’s where your thoughts flow freely and your voice resounds with authenticity. Consider the following to uncover your writing haven:

Interests: What topics spark joy in your heart? List them down.

Expertise: Are you an expert in a field? Highlight it.

Market Demands: Seek out what readers crave and align it with your interests.

Feedback: Share your work. Note what resonates with your audience.

The Role Of Passion In A Writing Career

Passion fuels persistence, the cornerstone of any successful writing career. It powers you through challenges and sparks creative fires. To gauge if passion drives your writing, reflect on these points:

Do stories and ideas constantly dance in your head?

Do you feel a sense of fulfillment when words form on a page?

Are you willing to write regularly, with or without immediate rewards?

Passion is not just the initial spark; it’s the relentless engine that sustains your writing journey.

Crafting Your Writer’s Toolkit

Embarking on a writing career can be as thrilling as it is daunting. The key to smoothing the path lies in preparing a robust writer’s toolkit. Think of it as your trusty sidekick, equipped with everything necessary to tackle any writing challenge that comes your way. Let’s assemble the essential gear to kickstart your writing journey with confidence!

Essential Tools For Every Aspiring Writer

Building a strong foundation starts with the right tools. These items form the core of your writer’s toolkit:

Reliable Writing Software: Choose a word processor like Microsoft Word or Google Docs.

Note-Taking Apps: Apps like Evernote or OneNote keep your ideas organized.

Grammar and Style Guides: Resources like Grammarly or the Hemingway Editor enhance your writing.

Inspirational Reading Material: Fill your shelves with books that ignite your creativity.

A Dedicated Notebook: For jotting down thoughts that strike at any hour.

Enhancing Your Digital Toolkit For Writing

Your digital toolkit is crucial for modern writing success. Ensure these tech-savvy items are at your fingertips:

Cloud Storage: Services like Dropbox or Google Drive safeguard your work.

Writing Community Access: Join platforms like Wattpad or Scribophile for feedback.

Online Courses and Webinars: Sites like Coursera or Udemy to sharpen your skills.

Keyword Research Tools: Utilize Google Trends or Ubersuggest for SEO-centric writing.

Social Media Profiles: Promote your work on Twitter, LinkedIn, or Instagram.

Pack these essentials, and your writer’s toolkit will be ready to tackle any task. Embrace the journey with your well-stocked arsenal!

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Honing Your Craft: Writing Practices

Becoming a prolific writer requires dedication and practice. Start by fostering habits that sharpen your writing abilities. Aim for growth each day. Your skills will blossom with consistent effort. Let’s delve into the steps to refine your writing talent.

Daily Writing Routines To Boost Your Skills

Create a daily writing ritual. This habit forms the backbone of your journey. Commit to writing a minimum word count each day. The content doesn’t need perfection. The goal is to build muscle memory and confidence.

Start a journal. Capture thoughts and daily experiences. It sharpens your ability to observe details.

Play with prompts. They ignite creativity and offer fresh ideas. Use them to spark your imagination.

Write letters. Even if you don’t send them, articulate your voice and connect deeply with topics.

Time of DayWriting ActivityWord Count GoalMorningJournal Entry300 wordsAfternoonShort Story500 wordsEveningReflective Essay400 words

The Importance Of Reading As A Writer

Writers must be avid readers. Reading widens vocabulary and exposes you to different styles. You learn new techniques and storytelling methods. Dedicate time to read each day.

Diverse genres. Explore various genres to understand a range of writing styles.

Analyze writing. Don’t just read for pleasure. Study the author’s choices and use of language.

Take notes. Jot down phrases or structures you admire. Incorporate them into your writing practice.

Remember, reading is as crucial as writing. Both activities complement each other. They fuel your imagination and hone your craft. Invest time in reading broadly and deeply.

Building An Online Presence

Embarking on a writing career signals the start of an exciting adventure. However, before you can captivate an audience with your words, you must first be visible to them. Building an online presence is critical. This digital footprint makes you searchable and accessible to potential readers, clients, and collaborators. Let’s explore some essential steps to establish your online identity.

Creating A Professional Writer’s Website

Your writer’s website is your professional portfolio, storefront, and business card all in one. Here are key elements to include:

Home Page: An inviting welcome with your picture and tagline.

About Page: Your story, experience, and why you write.

Portfolio: Samples of your work, neatly categorized.

Contact: Easy ways to reach you.

Blog: Your thoughts and updates to keep visitors engaged.

Ensure your website is clean, navigable, and mobile-friendly. Use a straightforward domain name, preferably yourname.com

Social Media Strategies For Writers

Social media platforms are tools to amplify your voice and connect with your audience.

PlatformUsageContent TypeTwitterNetworkingQuick thoughts, industry newsFacebookCommunity buildingLong-form posts, event promotionInstagramVisual storytellingImages, short videos, storiesLinkedInProfessional brandingArticles, career milestones

Choose platforms that align with your brand and target audience. Post consistently, engage with followers, and showcase your writing style. Creating valuable content tailored to each platform can grow your followers and elevate your professional status.

Navigating The World Of Publishing

Embarking on a writing journey is thrilling! Entering the publishing world can be intimidating, but it need not be daunting. With some guidance, you can navigate this arena with confidence. Here’s how to understand your options and pitch your work properly, bringing you closer to your dream of becoming a published author.

Understanding Different Publishing Options

Before diving into the publishing lakes, you must know the types of waters. Traditional publishing involves established houses with rigorous selection processes. They often provide thorough support but expect high-quality manuscripts.

Self-publishing grants more control over your content and faster turnaround but requires self-marketing.

Last, hybrid publishing blends both, offering flexibility with some professional services.

Writing Queries And Pitching To Publishers

Once you’re set on a publishing route, create a striking query letter or book proposal. A concise query letter is a gold key to an editor’s attention. Start with a snappy introduction, an overview of your work, your bio, and the reason you think they’re the perfect fit for your manuscript. Remember, a well-crafted pitch sets the stage for your writing journey.

Highlight the uniqueness of your story.

Include a captivating hook to garner interest.

Show off your market awareness and target audience.

Maintain a professional tone throughout.

Ensure the letter is error-free and flawlessly formatted.

Embrace this new chapter with an informed, proactive stance. With consistency and perseverance, you’re sure to make waves in the publishing world!

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Monetizing Your Writing

You love to write and dream of making it your career. The good news is that you can start earning from your writing today. With various options available, you can choose paths that align with your passions and lifestyle. Let’s dive into effective ways to monetize your writing, comparing freelancing with salaried positions and exploring diverse revenue streams.

Freelancing Vs. Salaried Writing Positions

Freelancing and salaried positions offer different benefits. Freelancers enjoy flexibility and variety, taking on projects that excite them. Salaried writers benefit from stability and regular income. Your choice should match your financial needs and work preferences.

Freelancing: Set your schedule, pick your projects, and be your boss.

Salaried Positions: Regular paychecks, company benefits, and team collaboration.

Consider starting with freelancing to build a diverse portfolio. A strong portfolio can lead to a full-time position later. Both paths are viable and can be rewarding for your writing career.

Exploring Revenue Streams For Writers

Expanding your revenue sources is vital for a stable writing income. There are many ways for writers to earn money beyond traditional job roles. Here are a few to consider:

Revenue StreamDescriptionPotential IncomeWriting ArticlesCreate content for blogs or websitesVaries by length and nicheSelf-PublishingWrite and sell your booksRoyalties per book saleCopywritingWrite persuasive content for businessesPer project or hourly ratesContent MarketingStrategy and creation for brand growthRetainer or project-based payAffiliate MarketingEarn by promoting products or servicesCommission on sales

Get creative with your skills and combine different streams for a robust income. For example, you may freelance while building your blog with affiliate links. Think outside the box, and do not hesitate to blend various writing opportunities.

Growing And Sustaining Your Writing Career

Embarking on a writing career sparks excitement and possibility. Yet, the journey from budding writer to established author demands effort beyond just crafting stories or articles. Success in the writing world hinges on building a sustainable career. This requires strategy, dedication, and a proactive mindset.

Networking With Other Writers And Industry Professionals

Connections propel careers forward in the writing industry. Networking is key. With the right community, you gain insights, support, and opportunities. Engage with others through these actionable points:

Join writing forums or online communities

Attend writing workshops or conferences

Follow industry professionals on social media

Participate in local writers’ groups or clubs

Collaborate on projects with peers

Sharing experiences and challenges with fellow writers can lead to partnerships, mentorships, and referrals to new gigs.

Setting Long-term Goals And Staying Motivated

Setting GoalsStaying Motivated

Define clear, achievable objectives

Break down goals into smaller tasks

Set deadlines for each milestone

Celebrate small wins regularly

Keep a journal of progress

Read or listen to success stories

Focus on long-term achievements to maintain a fulfilling career. Create a roadmap and celebrate milestones to stay driven. Balancing ambition with realistic goals keeps motivation high and burnout at bay.

Frequently Asked Questions

Can I Start Writing Freelancing?

Yes, you can start a freelancing writing career by creating a portfolio, joining freelance websites, and networking with potential clients.

What Qualifications Needed For Writing?

No formal qualifications are necessary, but strong writing skills, excellent grammar, and a passion for writing are essential to succeed.

How To Find Writing Job Opportunities?

Explore online job platforms, reach out to content agencies, network in writing communities, and check social media for companies seeking writers.

What Is Essential In Starting Writing?

Understanding your niche, mastering the art of writing, and being persistent are crucial when launching your writing career.

Tips For Maintaining A Writing Routine?

Set clear goals, create a dedicated workspace, schedule regular writing hours, and minimize distractions to maintain a consistent writing routine.

Conclusion

Embarking on your writing journey is thrilling. Remember, consistency and dedication are your best allies. Use the steps outlined to build a solid foundation. Keep exploring, learning, and don’t fear making mistakes. Grab your pen, power up your device, and start crafting your future now – the world awaits your stories.

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Thanks for reading my article on 10 Easy Steps to Get Your Writing Career Started Right Away!, hope it will help!

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Source : 10 Easy Steps to Get Your Writing Career Started Right Away!

[writeouswriter]

Broke: Acknowledging that a character who is an objectively terrible person is also a complex and intentionally well thought out individual with different levels of nuance you can empathize with in some ways while not in others is immediately “woobifying” or “poor little meow meowifying” them.

Woke: “This character is a bad person” and “this character is still a person” are two statements that can, should and do coexist and admitting that they exhibit nuance and depth and are more than just their bad actions doesn’t immediately excuse or condone their bad actions or mean that you’re ignoring or trying to soften the canonical version of the character.

Bespoke: That’s the whole point, that’s always been the point, to be made to empathize with horrible people so you can understand that they can be anyone, that bad people can be likeable, can be interesting, can be human, are human, and it’s scary to think about all the ways they’re just like you and all the ways they’re just like everything you hate, forcing the use of critical skills in media analysis, forcing a confrontation of the duality of man.

Whatever Level is Above Bespoke: But sometimes, yeah, sure, maybe they are a poor little meow meow, what are you gonna do, get a lawyer

[blueskittlesart]

Now that you're gone

[crimeronan]

i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!

(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)

listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.

but the things discussed in the post Can and Should improve your execution!

you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it

BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.

so i have outlined some basic important concepts about polyamory.

MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun

future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.

i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)

sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.

here we go:

compersion!

compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.

compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.

by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.

i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.

it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.

(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)

if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.

metamours!

a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.

the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.

there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.

the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."

(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)

of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)

open versus closed polyamorous relationships!

i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown

google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).

this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.

an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.

some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!

with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.

i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.

feelings for multiple people!

i was gonna tack this on to the previous section but decided it warranted its own lil bit.

a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.

this is perfectly fine!

the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.

for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"

some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!

some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)

or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)

i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.

like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?

that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it

alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?

it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.

i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad

first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:

how does each pair act when alone?

how do they act differently alone compared to when they're with their third partner?

are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?

if so, what are they?

are there any boundaries or hard limits within this dyad that aren't shared with the third partner?

if so, what are they?

partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?

(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)

what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?

what problem do These Two Specifically need to solve in the story before their relationship will work?

how is that problem DIFFERENT from the problems being solved within the other two dyads?

doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.

those questions should be enough to get you started, i hope

then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?

but the main goal is to figure out how to Differentiate each relationship!

a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.

(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")

AND FINALLY.

if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)

you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.

polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.

seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.

in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.

[poorly-drawn-mdzs]

Turtle Takedown Teamwork.

[First] Prev <–-> Next

[iindigoeyed]

saw this dress and purse and i KNEW i had to draw this, it's so her!!

[ghostbsuter]

Inspired by that one episode in Young Justice.

—

"You could leave with me," 'Gray' nods at him, there is the familiar, mischievous smile. Yet the sincerely in which he offers his hand, it reflects in his eyes.

Danny reflects back on his life, staring at his partner, how Freakshow had gotten him into this Circus in the first place.

"Where would we go?" He relents, grasping the offered hand to hold it simply. The weight of the appendage is calming for his racing heart.

'Gray' softens, leaning against him. Their outfifs– tight on their bodies, colourful for the eyes of the people. Ruffles, dark and gooey to fit the theme of the circus, showing more skin than comfortable– it was home.

After so long, it had become home and Danny isn't sure if he could leave it.

(Is that how Freakshow never lost any workers even after his staff broke? Did they become dependent on him just as he has?)

"Everywhere." His performance partner replies, reassures with his presence and Danny soaks it in.

They would move tomorrow, but 'Gray' would not come along.

[kazumist]

POCKET LOVE .ᐟ

✩ — in which for the first time, narumi gen hides what game he's playing from you. (based on an actual game called pocket love)

✩ — includes: narumi gen x gn!reader. fluff. no cws. wc: 559. this was longer than i expected tbh,,, but yeah. definitely another character study piece for gen so my early apologies if he seems ooc but i do think this is very likely of him. reblogs and feedback are very much appreciated !!

no one in the whole defense force could’ve suspected that the narumi gen, captain of the first division, would also have his moments.

“watcha playin’ there?”

you walked up behind him as gen focused on his phone while sitting on the couch, clearly immersed in whatever game he had open this time. it’s not really a rare sight to see him like this, because if ever he’s not playing on his console, he’ll be playing on his phone and vice versa. 

he jumps out of surprise at your sudden question, immediately moving his phone away from your view. you looked at him in confusion and easily got one conclusion: he’s hiding something from you. “gen, you didn’t answer my question. i was just asking what you were playing,” you said with a pout as you lean closer to him to see the phone.

gen moves it farther from your line of vision, trying to come up with an excuse. “you don’t need to know! it’s nothing,” he says, which makes you even more confused. your boyfriend always told you what game he’s playing whenever you asked—even going so far as to explain the said game to you in spite of you not really understanding it so easily at first.

"oh, really?” you made the terrible error of leaning in even more, which caused you to fall onto the couch and onto gen. nevertheless, this offered you a great opportunity to grab his phone.

well, you had to wrestle your boyfriend for it first.

“just let me have a peek!” 

“i said it’s nothing!”

you both fought like two kids over a phone but you eventually won (despite the grave struggle you had to go through to achieve victory). “eh? what’s this?” you asked him. gen sat away from you, as if he were embarrassed. you observed the screen of his phone, trying to figure out what type of game he’s playing. it was certainly different from what gen usually plays, which included boss levels and all sorts of monsters.

yet this one... it had a little room on it? some furniture here and there too. and as you looked more closely, you noticed there were two little people in it, you guessed they were living in this space. but what piqued your curiosity even more was the way they looked.

“oh my god.”

gen could already feel the question coming. and he feels sick to his stomach because of this whole ordeal.

“gen, is this... me? and is the other person you?”

you turned your head to look at him, only to be greeted with gen looking away. he had his arm rested upon the arm rest of the couch, palm covering the lower half of his face. he sheepishly nods in response. “aww, gen! you’re so cute!” you moved closer to him, pinching his cheek. he yelps at the sudden gesture, telling you to stop it or else he’d give it back tenfold (but his red tinted ears say otherwise).

the game on his phone continues to run as the two people (you and gen—and gen did his very best to match both of your appearances) have their own little world. it was really adorable; you technically have a little home in his phone.

who knew that the captain of the first division could actually be a softie?

[slavhew]

boys cry. real men weep.

[cashmoneyyysstuff]

think whatever you want but i will forever believe one of katsuki’s love languages is physical touch. i truly believe he’s SO clingy but he tries to keep it lowkey so he doesn’t look like hes being clingy cuz he’s in denial about how clingy he’s being.💀💀

like at the beginning of the relationship, when he gets a little used to showing affection, it’s little things. like standing really close to you or always saving a spot right next to him for you and when you’re sitting next to each other his leg is pressed against yours or he has his arm draped behind you on the couch.

as soon as he gets more comfortable ts dials up to 100😭😭. he has his arms wrapped around you constantly and he’s always just touching something. he’s holding your hand or pinching your nose to scold you, squishing your cheeks in his hands when he gets a sudden burst of cute aggression and sneaking up behind you to place his head on your shoulder when you’re doing something, squeezing your hips occasionally. always just in your space.

katsuki absolutely loves skinship so he’s big on cuddling. when you’re alone together you will never be able to get him off you LMAO good luck trying to go to the bathroom during cuddle time cuz he will definitely just flat out say no💀. he’s a full on clinger and he doesn’t do shit halfway so when he’s cuddling he has no intention on getting up for a while.

i also believe with my heart n’ SOUL katsuki loves kissing. sorry not sorry. he just can’t get enough once he gets one he needs to have at least three more. he appreciates kisses whenever but i feel he likes taking his time, kissing you nice n’ sweet to try to convey how much he cares about you, how much he loves you.

katsuki loves touching you but he also loves you touching him. so convinced as soon as your hands are in him he turns to goo😭😭. he likes when you play with his hair and when you trace his features he swears he could fall asleep right wherever he’s standing. he loves feeling you against him when you hug him and he melts when you kiss him. he loves it when you massage him whenever he feels sore and he always gets all embarrassed when you massage his hands cuz he thinks they’re way too sweaty and they get even sweatier when he sees you so focused on his hands—on him. though he gets all pouty about you touching him cus he’s embarrassed. his cheeks are all red and he tries his best to glare at you as intimidatingly as possible when you poke n’ squeeze at them for being so cute.

[ghostlyarchaeologist]

Evolution of Eliot/Hardison hugs over the years.

And the one time that Eliot really needed a hug:

Leverage S02E08/S03E10/S04E01/S04E07/S04E10/S05E09/Leverage Redemption S01E16/S02E06.

[linu-sfrblog]

[zuzu-draws]

Yuuji's ''I'm going to die with him'' from the start of the series to ''Sukuna, Come back and live with me '' at the end is, honestly, very beautiful.

"Let's try again one more time Sukuna, but this time, without cursing anyone. Even if no one else accepts you, I'll live with you" do you understand what's going on here? This is Yuuji attempting to connect with Sukuna, to show a certain compassion that is entirely alien to Sukuna. To the way he delicately lifts Sukuna's remains, with such carefulness, as if holding the remains of a precious loved one, Yuuji tries to show Sukuna "love". The same "love" that has been teased to us this entire series, that who is it that will show it to Sukuna, teach him of it.

This is the same Yuuji, who, at the beginning of the series held absolute disdain towards Sukuna, and always looked at him with much accusatory contempt and mistrust. At that point, He truly did think of Sukuna as nothing more than a "curse". The same "curse" Sukuna calls himself one last time as the last embers of his soul fade in Yuuji's hands.

But this time, Yuuji has a troubled look in his eyes.

As if he disagreed with him.

This is the look of someone, who is looking at the Humanity Sukuna does not believe exists within himself.

Humanity that Sukuna denies himself.

That Sukuna is not a curse, but a human that has been cursed.

[sentientcave]

Retirement Party

Chapter Three - Smoke and Whiskey

<< First Chapter - < Prev Chapter - Next Chapter >

Contains: No Y/N, Kidnapping, Forcible relocation, Generally creepy behaviour, Alcohol mention, Smoking mention (Tobacco, cannabis), plus-sized reader, female reader, There is something fucking wrong with these guys for real, More reader details given, but we're still pretty vague about it. Even though it is hard for me.

~3.2k

When you go back inside, you wind up wedged between John and Ghost on the bigger couch. Johnny’s stretched out on the smaller one, and Gaz claimed the chair that you’d been sitting in earlier, leaving you with no other option. Neither of them makes any effort to give you more space, even though they could. Ghost’s leg is pressed against yours from thigh to ankle, and John’s pinky finger keeps finding your thigh when he rests his tumbler against his knee. You want to curl up properly, tuck your feet up underneath yourself, but you can't without pressing even closer to at least one of them. At least Ghost isn’t quite as intimidating without his mask on.

After a while, Gaz and Ghost go out for a cigarette. The chair looks inviting, and you’d like to get a little space, but Price’s arm drops around your shoulders casually, pulling you in a little closer to his side. “Relax,” he says against the top of your head. “You’re alright, doll.”

The door opens again. “Soap, we’ve got a spliff, you want?” Gaz asks.

Johnny picks himself off the other couch, grinning. “Aye. An’ then cake?”

“Fuckin’ forgot about cake,” Ghost says. “Hey doll, d’you want some of this? Cap?”

“Who rolled it?” John asks. “Because I’m not smoking one of Gaz’s joints ever again.”

“Oh fuck off, Price, I can roll just fine.”

John looks at you and shakes his head slightly. “He really can’t.”

“I can roll,” you say. “I always do with my friends.”

You can see the calculation running behind John's eyes as he adds new information to what he knows and assumes about you. You want to laugh. You almost do. Most people take one look at you, with your big doe eyes and round face and and sunny disposition and think that you're some innocent little thing. Sure, you tend to live life with your arms open, and that might come across as naive to some, but you're not inexperienced by any means. You're nearly thirty years old, you're by no means a child.

"Let's see, then," he says. "Box on the coffee table has everything."

"Does tha' mean we can smoke inside again?" Soap asks. "It's startin' ta get pure Baltic out here."

John looks at you expectantly. "Up to you, doll."

"It's not my house."

He hums. "You're stayin' a while. Might as well be. It's important that you're comfortable."

You slide to the floor and reach for the box. "Well. You'd better open a window or two. But I don't mind."

Making a fuss over the semantics isn't worth doing. You probably are staying a while. Even if John really won't force you, you'll still need his cooperation to get all your stuff loaded back into the van, and all four of them are likely headed for hangovers.

John tells them to open the windows, and leans forward to watch you break up slightly sticky buds into the grinder. He brushes your hair behind your shoulders for you, and when you tip your head back to look at him, there's something in his eyes that makes your ears warm.

Johnny drops down to the floor on the other side of the table, a crumpled looking joint hanging out of his mouth. You can see what John means about not wanting to smoke it.

"You want a drink, doll?" Gaz asks. "More tea?"

You twist to look at him, hanging over the back of the couch, that handsome face smiling. "Have you got pop? Wouldn't mind a ginger ale."

"Got irn bru too," Soap suggests. "Ye've got some Scot in ye, aye?"

"Yes."

"Didja want more?"

You level an unimpressed look at him across the table. "I should've seen that one coming."

"I'd like to see ye com--"

"That'll do, Soap," John says firmly. "She's not goin' to have sex with you."

"Might feel a bit better if she did," Soap says, shrugging. "Ah'm just sayin'."

"You're not saying anything." Gaz sets an unopened can of ginger ale on the table next to you. "If you're gagging for it, we'll take care of you in a bit."

"And if you don't behave yourself you're not goin' to get anything," John rumbles from behind you. "She's been good. Surprised none of you have been slapped."

"Just the once." Gaz snags the joint from Johnny and sits back in the chair.

Ghost snorts. "What did you do?"

"Surprised her picking her up. My own fault."

You lean back and hold up the neat joint you've been rolling, hooking your arm over John's knee. He sets his whiskey to the side and takes it, holding it up for an inspection. "Nice work, doll," he says warmly. “Got a bit of a wild streak to you, eh?”

The praise makes you glow, despite yourself, and you laugh aloud at the second part, a real laugh, not nervous or bitter. All four of them shift their attention to you at the sound, snapping a tension you hadn’t noticed until you felt it’s absence. It’s important to them that you feel comfortable, and your genuine laughter is the first sign that you’re on your way. They really did think that they’d done you a favour.

Insane. But almost sweet, in a fucked up, unsettling way.

You pluck the joint out of John’s fingers and meet his dark blue eyes evenly, not missing the hunger that sparks into existence. “Got a light?”

John pulls his lighter out of his pocket, a little awkward with you leaning on his other leg, and holds the dancing flame out for you. You have to lean in a little to get to it, so you do, your eyes still locked on his as you inhale, the slight sizzle of paper and weed igniting clear in the otherwise silent room. You can hear the way his breath catches too, taken by surprise yet again. You offer the joint back to him, holding in a lungful of smoke.

“Shite,” Johnny hisses, breaking the heavy silence. “Yer absolutely sure ye dinnae want your cunt licked?”

You blow smoke at him from across the coffee table. “I’m sure.”

It doesn’t take long before drowsy complacency overtakes you. Curling up against John’s leg, your arm still hooked over his leg, you let conversation wash over your awareness, not paying enough attention to pick out one thing or another. John’s hand settles on your head, fingers threading into your dark hair, combing through soft strands idly. When you glance up at him, he’s watching you, blue eyes half-lidded but still plenty aware, a funny smile twisting the edges of his mouth upwards. He has nice lips under that bristling moustache of his, not as thin as you would have expected. His voice is a pleasant rumble when he speaks to the others,

He takes a sip of whiskey, and you follow the bob of his throat as he swallows, the way the tip of his tongue darting across his lips. It takes a moment for you to realize that he’s watching you study him.

“Hello, beautiful,” he says. “How are you feeling?”

For the first time since you’ve been there, you don’t feel scared. Just dozy and content, like a cat curled up next to a fireplace. “I’m alright,” you admit. “It’s been a strange day.”

His fingers flex, not quite gripping your hair, just holding you in place with the lightest pressure, encouraging you to keep facing him rather than turning away. “I imagine so.” His hand glides along to your ear, his thumb grazing over the shell, sending shivers down your spine. “It won’t be so strange tomorrow.”

“No more surprises planned?”

John glances up, looking at each of his men in turn, and then back to you. “Doesn’t look like it.”

“We do have cake, though,” Soap says. “Ye want some, bonnie?”

“Yes please.” You only turn to look at Soap for a moment before John is gently coaxing you back, curling his fingers around your jaw. Can he feel the way your heart leaps into your throat, thrumming like a hummingbird’s wings? It’s hard to look John in the eye, but harder still to pull yourself away. His touch leaves burning traces behind, and you’re all too aware of your body and the way you respond to him. It’s all too much, too soon and too strange.

He catches your hand when you try to brush his away. “Why don’t you come on back up here, doll?” he asks. “Be more comfortable than the floor, don’t you think?”

“No, I’m happy down here.” You tuck your knees to your chest, looping your arms around your legs, extricating yourself from his sphere of influence just a little. You’re still pressed up against his calf, but you don’t need to go that far, you just need to face forward so you won’t get pinned under that blue stare again.

John has a certain gravity, a magnetism that you can’t help but be drawn in by. It would be all too easy to sink into his arms, but the idea that you’d been given to him still bothers you, like a persistent, sharp little stone in your shoe, ruining what might have been something.

You perk up some when Soap hands you a plate with a slice of chocolate cake on it. It's not the prettiest thing you've ever seen, but it tastes incredible, rich dark chocolate and an icing that had so much whiskey in it that your teeth feel funny after a few bites.

"This is really good, Johnny," you tell him. "If the whole military thing doesn't work out, you could consider becoming a baker."

"Thanks, hen. And dinnae think I havena considered it. Gettin' closer to packin' it in awl the time. Just cannae leave Gaz until he's got a good team watchin' his back."

"We've got some good sergeants," Gaz says. "Nitro's got real promise."

"Shivs too. Little devil," Ghost adds. "You need a door smasher though. Those girls are tough as 'ell, but some occasions call for a big boot."

"Aye, ye'd say that, bein' the biggest fuckin' boot the Queen's army has ever seen."

"King now," John points out.

"Oh, fuck if I care which poncy arsed Windsor is sittin' in the big chair."

"Bloody leeches," Ghost agrees.

"I've got Sanderson in mind." Gaz winks at you, like you're in on some secret.

"Gary Sanderson? Is he no' dead?"

"No! Turns out he locked himself in a cryo chamber when the bomb went off. That facility was full of 'em, all kinds of experimental tech. It was finally safe to take a team in and we found him. Nitro started calling him Roach, and it's stuck."

"He's a damn good soldier. Be good for the taskforce," Price agrees. "Would've picked him ten years ago."

"Well, he's had a nice long nap, and he's hopping mad about missing so much. He'll make a good doorsmasher," Gaz says.

"How about that Lucky kid? Nitro’s brother.” Price asks. “He looked pretty promising. Unless his luck ran out.”

Gaz hums, licking frosting off his fork. “He’s a good kid, but his problem is that as soon as Nitro’s around he lets her do all his thinking for him. Splits her focus.”

You sigh, setting your half-finished slice of cake down on the table in front of you, and climb to your feet, wincing at the ache of not moving for so long. You edge between Ghost’s knees and the coffee table and skirt around the edge of the couch wordlessly. No one stops you, and there’s no falter to their conversation despite the eyes that follow you until you disappear upstairs to use the washroom.

As you wash your hands, you stare at your own face in the mirror. You look pretty, even with your eyeliner a little smudged, and your lipstick faded to nothing. The buzz of THC is your system makes you giggle. Pretty enough to kidnap, even.

You think about it for a long moment, and then take your makeup off and braid your hair back so you can wash your face properly, and brush your teeth too. All the weirdness of the day is catching up, and all you want to do is sleep it off. The low buzz of their voices carries up the stairs when you step out into the hallway again, seemingly unbothered by your absence. There's no reason for you to say goodnight-- you don't owe them any kind of civility. But you still hesitate.

Long enough that John appears at the bottom of the stairs. "You alright, doll?" He asks. "Comin' back down?" The stairs creak slightly under his weight as he starts coming up towards you.

"I was thinking-- I'm just tired, is all. It's been a long day."

He stops two steps down, so he's still looking up at you. "I understand. We can talk more in the morning."

"I'm sure there's a lot to discuss."

"If you say so. Already told you most of what I needed to tell."

"Just most?"

He nods, and beckons you closer, a conspiratorial smile on his face. You take one halting step toward him, and then another, until you stand right at the top of the stairs. His big hands catch yours, holding you in place when he moves one step up, taller than you once more.

You stare up at him, and your breathing is turned shallow, your heartbeat rapid and heady. His eyes glitter in the dim light as he leans close, the tip of his nose skimming yours, as if he means to kiss you. Like a deer pinned under the headlights of a rapidly approaching truck, you stand frozen, unsure if you even want to move, or if you welcome the inevitable collision.

He smells like smoke and whiskey when he speaks, his lips so close to yours you can feel the soft brush of breath on your skin. "Forgot to tell you how good you look in my shirt," he purrs. "Been thinkin' to say so all night."

Heat licks across your cheeks, his words waking something dangerous in your core, something that wants his hands on you more than anything else. It’s unfair, what he does to you already, barely more than a stranger, and you want him to be a good man so you can indulge that desire without fear of consequence. It’s been such a long time since someone looked at you the way he looks at you now, an almost indescribable fondness that you haven’t even begun to earn.

“It’s a nice shirt,” you say lamely. “Thank you for lending it to me.” You don’t mention that it smells very pleasantly like him, and how it’s been a bit difficult to keep yourself from sniffing at the flannel all evening.

“You’re welcome to anything I have,” he says, and you know he means it.

“I hope that includes your bed,” you say jokingly, trying (and failing) to diffuse the intensity in his eyes. “Because I think that’s where I’m headed now.”

“Of course it does.” His thumb rubs across your knuckles, the other hand coming up to cradle your cheek. You shake, all nerves, worried that he’ll close the distance and kiss you, but he just taps his forehead against yours instead, eyes smiling. “Off you go, sweet thing. You give us a shout if we get too loud, eh?”

You swallow nervously and nod, taking a step backwards. “Goodnight, John.”

"Goodnight, doll.”

You quickly shut yourself into the other room, flicking on the light while you strip down to your panties and wrap the flannel shirt around yourself again, and tuck yourself into bed. It’s been a bizarre day, and the room feels strange, too open and too dark, but it still doesn’t take long to fall asleep.

Hours later, you wake at the sound of the door opening and clicking shut again. You sit up before you’re fully alert, dreams shredding apart and solidifying into reality as you blink away sleep.

“Shh, s’just me,” John’s voice comes out of the darkness, slurring slightly. You can’t see anything in the darkness, until he crosses over to the window and opens the curtains, letting in a little light from the waxing moon outside. He turns towards her, his big frame silhouetted against the scant light, humming. “Bloody hell, you’re a pretty little thing.” The soft clink of his belt buckle is far too loud in the quiet room, as is the rustle of his clothes as he strips down to his boxers.

“John, what are you doing?” you ask nervously.

“Coming to bed,” he says, like it’s obvious. “M’too old to sleep on the floor, and Gaz is on the big couch.”

“Oh. I’ll move then. I don’t mind sleeping on the floor.” You throw back the sheets and swing your legs onto the floor.

“No, no, stay right where you are.” He swoops over and grips your legs gently, lifting them up and back onto the bed. He smells strongly of whiskey and mint toothpaste, and the clinging remnants of cigar smoke. “We can share tonight. Get things set up better tomorrow.”

“John…”

He slides into bed beside you and easily pulls you close, strong arms wrapping around you tightly, rolling so you’re half on top of him, one hand cradling your back and the other on your waist. “Yeah, doll?” he asks.

“John, we can’t— I can’t sleep like this.”

“Shh, just give me a minute to hold my pretty girl.” He nuzzles against the top of your head. “I’m gonna be so good to you, sweetheart. I promise.”

"You're drunk," you say, holding the flimsy excuse out for him, hoping that he'll take it. You don't want to think about him meaning it. It makes going home look all the more unlikely.

"A little," he admits. His hand drifts lower, fingers dipping below the soft lace of your panties to dig into soft skin around your hip. He groans. "You're perfect. Sweet and soft, so damn beautiful. I'll make you happy. I'll give you anything you want, if you stay with me."

"John! Stop that, we can talk later, just go to sleep."

"I know this all started wrong, doll. The lads got carried away. But this is right. You feel that too, don't you? We'll have to come up with a better story for our kids, hm? Something proper romantic." He kisses the top of your head, humming happily.

"Our kids?" you squeak. "Jesus, John, you can't be serious."

"Course I am. We can start trying whenever you're ready."

Well, at least now you know he's just as delusional as the rest of them. "You don't even know if I want kids."

"You do," he says confidently. "Tell me I'm wrong."

"You're drunk," you say firmly. "Go to sleep."

He chuckles. "You didn't say I'm wrong."

You push away and roll over so you don't have to look right at him. Even in the darkness, you're certain that your face betrays more than you'd like. It was none of his business if you wanted kids. You certainly weren't going to have them with him. "Go to sleep," you repeat.

"Yes ma'am," he says, looping his arms around you again, tugging you close to his chest. "Goodnight, doll."

Thanks for reading!

Image Credits: Banner

Dividers: 1 - 2 - 3 by @/Cafekitsune

[mint-fixates]

Going more in depth with my many, very long thoughts on the AU concept I discussed in a previous post, which I'm calling "Domesticated Bill AU" based on a suggestion from the replies (TL;DR it's just a "What if Bill wasn't evil" AU)

First major difference: No Euclydian massacre. Bill doesn't destroy his home dimension, he just gets sick of them trying to suppress his gift and leaves. Something something he still ends up getting trapped in the Nightmare Realm while looking for a more exciting and accepting world

He spends a lot of time partying and getting up to mischief while hanging out with the Henchmaniacs (who still look up to him as a leader, but have more of an equals/genuine friends relationship with him rather than a boss/minion relationship), but after a billion years or so that starts to get boring. When they realize the Nightmare Dimension is unraveling, Bill has the idea to get someone to make a portal for him, like in canon, BUT Weirdmageddon is never part of the plan. He just needs a way to safely get himself and his friends out of the Nightmare Realm before it unravels, no apocalypse required

Bill still has a series of failed partnerships because no one has the technology to build the portal or because they can't match his freak and get fed up with him and call the deal off. But there's no evil retribution on anyone who fails to make it. He's chaotic neutral at worst, so most of his impact on history is similar to canon!Bill helping the Salem witches free themselves- but because of Earth's societal standards and expectations, he still gets painted as evil for these sorts of acts.

Bill meets Stanford under the same circumstances- Ford finds out about him and summons him to help when he hits a roadblock in his research (though he finds him through different means since there's no shaman warning/prophecy). The only initial difference is that Bill is fully honest about the intention of the portal, because he has nothing to hide.

Bill is still a bit emotionally immature and jealous of Fiddleford but generally their relationship is much healthier. Ford still worships and puts Bill on a pedestal at first, but as they get closer over time he realizes that they're equals, kindred spirits. Bill delights in having someone and who finds his weirdness intriguing and endearing rather than being put off by it. They both love having someone they can relate to, someone on a similar level of intelligence, someone they never have to filter themselves around, and with all that in mind it's really inevitable that they fall for each other.

The portal is a success, and Ford makes a ton of money and earns his place in scientific history for his brilliant discovery, but credits Bill with half the workload since he can now prove Bill is, y'know, real and not a hallucination. People are still a bit weirded out by Bill and prefer the idea of a human success story, so as far as the press is concerned, it was 99% Stanford. Fiddleford is not credited at his own request, preferring to live a quiet life while knowing he helped make the world a bit better.

Fiddleford is still crushing hard on an oblivious Ford throughout the portal-building process like canon implies, but once the portal finished and Ford can introduce him to/explain his relationship with Bill, Fidds gracefully bows out and goes back to working on making personal computers and on focusing on his family. He and Ford are still good friends and regularly email and call each other which Bill hates but begrudgingly tolerates

Bill and his friends take a tour of the multiverse to decide where they want to settle, but Bill's thoughts keep drifting back to Stanford. Ford is also touring the multiverse for research purposes, which has disrupted their ability to communicate mentally, and Bill realizes how much he misses him. They both eventually go back to Dimension 46'\ and get married. Bill finds Earth a bit boring sometimes and occasionally goes on vacations to other dimensions with Ford and/or the Henchmaniacs, but "home" for him and Ford is always Gravity Falls.

Stanley calls Ford to congratulate him on his success and they reconnect, both apologizing for their fight. Ford finds out that Stanley is homeless and immediately hires him as his publicist since he's constantly being bombarded with interview requests and the like. Stanley ends up getting his own place in Gravity Falls to be closer to work and his brother.

Dipper and Mabel's parents are going through some Things™ and decide to send the twins off to live it up with their rich, successful Grunkle Ford for the summer. Gravity Falls is still weird but the twins now have a great uncle who actively encourages and assists them on all their weird supernatural and conspiratorial adventures. And, of course, their weird extradimensional triangle great-uncle-in-law is more than happy to help them cause some trouble and solve some mysteries too (Bill 10000% helped Mabel kidnap Sev'ral Timez and hide them from Ford, suggested using the Lilliputtians to cheat in her mini-golf game against Pacifica, etc.)

Stanley and his personal assistant Soos still make frequent appearances at Ford's house, and Wendy is also there (haven't quite figured out how she fits into this yet), so Dipper and Mabel are still close with all of them like in canon

Mabel still meets and becomes besties with Candy and Grenda, just under different circumstances.

Pacifica's parents initially contact Stanford to hire him to dispose of their ghost problem, but he passes it off to Dipper because he and Bill are going to visit Bill's parents in Euclydia. So NWMM/Pacifica's character development plays out mostly the same way as canon

Gideon still meets and becomes obsessed with Mabel, but without the journals as a source of power and motivation, he has no ambition to steal the Shack or means to almost kill Dipper. He's still kind of a stalker towards Mabel but a mostly harmless one- especially after Ford, Bill, and Stanley find out he's been bothering her and have a Friendly Chat with him.

The journals still exist, but they're not hidden, they're just chilling on Ford's bookshelf. He originally intended to publish them but forgot about it with all the hype around the portal. Ford gives them to Dipper to help out with the twins' adventures for when he's busy and can't go help them personally.

[poorly-drawn-mdzs]

We could have had it all...

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