#Writer's Tears

[petermorwood]

I encountered this when looking through back posts for something else, and I'm re-posting it because of a still-recent apparent coincidence.

Over the Christmas and New Year holidays I watched a bunch of movies, and two of them were "The Mummy" and "The Man Who Would Be King".

In that close-together watching I noticed something rather funny. Well, I thought so anyway, since for various sound and proper festive reasons I was in a mild state of being, um, easily amused...

The character played by Rachel Weisz is "Evie Carnahan".

The character played by Michael Caine is "Peachy Carnahan".

And I started to wonder if there be some story seed, link or other familial connection which could provide interesting crossover material.

As it turned out, no.

After discovering this humorous synchronicity I referred back to the original Kipling story, and there discovered that the Masonic reprobate's name is actually PeachEy CarnEhan.

So...

And any half-baked theories I might have been formulating were shot down in flames - or down in the drink, even more appropriate since the entire situation was fuelled by more than one burra peg of "Writer's Tears" Irish whiskey.

But not by @dduane's Official Presidential Shoelaces.

At least, not yet.

:->

has this been done yet?

[asteraceae-blue]

Chapters: 8/? Fandom: The X-Files Rating: Explicit Warnings: Creator Chose Not To Use Archive Warnings Relationships: Fox Mulder/Dana Scully Characters: Fox Mulder, Dana Scully, Walter Skinner, Original Characters Additional Tags: Case Fic, Mutual Pining, Idiots in Love, Some depictions of violence, Post-Episode: s07e02 The Sixth Extinction II: Amor Fati Summary:

When strange occurrences plague a small Ohio town, Mulder and Scully are sent to investigate a community suffering from illegal drug networks - and possibly something more. The events test the limits of what they are willing to believe, as well as the rules of their partnership.

[neve-gallus-girl-detective]

The Irish are so fucking funny

[lolmanthecat]

When you need help in your writing endeavours so you ask for the help of those before you, the help of those who suffered before you.

[marblesarelost]

Oh. Oh, I need this in my life. I have time right now -- my life has changed -- but motivation, inspiration, and the work actually being GOOD would be nice...

Reblog the writers’ fortune cookie for luck!

[aethersea]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[mellblogss]

If you want me to stay then make me feel wanted.

[anneapocalypse]

So, just curious how many writers and creators will have to be forcibly outed by relentless harassment before we acknowledge that "This queer characters was written by a cishet person and that's why they're bad" is not good criticism.

[wheniseeyoucry]

Randomly just busting into tears because no one really knows what's going on In my heart

[outislovescomics]

oh ,,,,

[ramblingmindofrayyan]

Sometimes it’s really lonely being me.

[a-most-beloved-fool]

spirk using telepathy to keep each other alive. kirk, desperate, psy-null and untrained, reaching clumsily into spock's dying mind and pulling, dragging spock's essence into himself, wrenching him forceably from the very jaws of death and holding him there through sheer strength of will, saying you can't die, i won't let you, you can't leave me, i need you, and binding him to life and to himself until it's impossible to fully separate them. spock, more skilled, carefully managing each one of kirk's vital signs - keeping his heart beating steady, his lungs drawing breath, his temperature within a safe range, all while suppressing kirk's pain, and at the same trying, vainly, to keep their minds from tying themselves inexorably together, but they're pressed too close and he can't, and he hopes that kirk will forgive him, for bonding them like this (he will, of course he will), but the alternative, letting kirk die, was - unthinkable.

[asteraceae-blue]

The stress of getting ready to post a chapter with Plot Detail

[gojuo]

they are hanging ....... posters ......... in king's landing .......... asking the illiterate smallfolk .......... to come to dragonstone to claim dragons

[vomitingwords]

and then I learned

how to cry

without tears

falling from my eyes

behind clouds // ma.c.a

[10underoot2]

I thought I would have so much to say about the car accident scene. And while I could go on for a while on why it's everything I've ever wanted from a scene of this nature and why it's a beautifully acted cinematic piece, I do think the beauty of the scene lies so much in silence. Their expressions are do a fantastic job to express their emotional state so I'm just gonna call attention to a few things I won't get over anytime soon.

Imagine being Haein and seeing your husband wrecking a car window in hysteria. Imagine seeing disbelief on his face when he sees you and walks towards you. Imagine watching him unable to breathe properly (sound on and high for this scene). Imagine seeing life flood into him as soon as you touch him.

Jiwon plays such an important part here. Because Haein has NEVER seen Hyunwoo like this. He's a pretty calm nice, non-violent guy. She knows him to like mostly everyone and he rarely gets angry - he's pretty composed. But then what is this look of complete shattered pain on his face? With a mix of disbelief, bearing the heaviest heart on the planet? He's unrecognisable to her. She can't make sense of any of his actions. She's in utter shock hearing how hardly any air is making it's way into his lungs.

In his eyes is a look of crazed wilderness just tamed. He's out of his sense. Completely lost in the events that have just passed. Not believing that he can breathe. That it's okay. All is well in the world for now. She's unscathed.

'What's going on? Calm down.'

The way she asks him to calm down - touching his face - cause she just doesn't know what in the world could send him in such a frenzy to forget himself. Her asking him to calm down here is everything to me. She's really just saying I'm here okay. Calm down. Calm down, you can breathe. Tell me what happened and I can fix it.

'Even still, Are you crazy? How could you break the window with your bare hands? Look at this!'

I know it probably didn't register to him at that point. But he's hearing her being worried for him again when he thought her lost forever. Wouldn't that sound like music to his ears.

And her...god she's so worried for him. She's never seen him like this. She doesn't know what happened to make him like this. One she sees his absolutely broken bloody hand. Two she's seeing her husband absolutely crushed. She's so confused.

That is until his words hit her like a truck. I think she had an idea that he did it to save her but she didn't know he did it because he thought her dead. And that makes all the difference for her.

Also I thought it was very interesting to keep showing his injured hand clenching. I think it was a way to show how the physical pain still didn't hold a candle to his emotional turmoil. He CLENCHES that broken hand multiple times. I can't even begin to think when he actively registered the pain.

The need for constant touch to reaffirm that she indeed is there. The sitting down. The head on her hand. The heavy breathing. *Chef's kiss*

I love women comforting the man they love when he's broken. Gah! That hand on his face and hug. Her embracing him. Letting him cry all he wants. Giving him the reaffirmation he needs by placing her self as close to him as possible. Trying to tame and override his sense. The hand on the nape of his neck. The hand caressing his hair lovingly. And good god, the RINGS.

Also notice his breathing on her shoulder. He's trying to calm himself. Telling himself she's here. Hearing her say it's alright. Everything will be alright.

I'm sure they stay like this until the ambulance comes and asks them if they're hurt. Only then Haein must've gently tore him apart from her (hand on his face again ofcourse) and convinced/guided him to finally get treatment. I can just Imagine Hyunwoo completely dishevelled going, 'Huh *sniffs*......oh.......Right, my hand' and that's when the pain hits him.

Special mention to the hospital conversation when Haein asks him 'Will you sob like this if I die?' and he says truthfully, bashfully, embarrassed but without missing a beat 'Ofcourse.' He's hiding behind nothing. He truly meant to give up on himself after her.

For me this is also the night Haein starts to write her diary. Hyunwoo must've been sound asleep, amped up on painkillers and she must've had so much time to sit and admire him and write.

Gif credits: @wolha and @seawherethesunsets