#Worldbeat

[guerrilla-operator]

PETER GABRIEL

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New Single by Ghost Moves

[take5music]

🎙️Today marks one more anniversary of the birth of the Queen of Cuban Point @barbarititorresdelgado , special guest to the maestro #celinagonzales who was by her side for many years sharing her music, it was a privilege 🙏.

I made an introduction to my own mode with fragments of a piece by maestro Frank Fernandez

who is celebrating his birthday today!!!

Beautiful coincidence, births of these maestro and jewels of our Cuban music 🇨🇺

[epitome-the-burnkid-viii]

#VJ #music #TRAP #TribalFusion #WorldBeat #C0P3RN1CANR3C0RD5 #473x4ndr14 #OKCopernicus

[randomvarious]

Today’s compilation:

Africa Fête '98 1998 World Music / African Folk / Worldbeat

Here's a compilation that was put out by Island Records in 1998 in order to promote the upcoming Africa Fête festival, an event that started in late 70s France to showcase African musicians, and then also embarked upon US tours throughout the 90s.

But up front, I gotta say, that I did not enjoy this particular album. I really do love all kinds of music that comes from all corners of this planet, but the world music circuit is something that's a bit different, and you really shouldn't conflate it with all the music that occurs in places outside of the US, Canada, and most of Europe, Australia, and New Zealand. Because as much as that circuit wants you to believe that it encapsulates everything that's not derived from those white-majority places, I don't think it really does. All the sounds that it presents can be eclectic, sure, but all of it seems to be the result of having been run through a salad strainer in order to be served up to your lovely puffer vest-wearing aunt, who really means well, but can't help but exoticize the shit out of it.

All this folky worldbeat stuff feels particularly catered to a specific subset of people—the NPR-loving crowd—and ultimately, while I do enjoy some of it, most of it's not really my bag, tote or otherwise. The stuff that the highbrow culture enjoyers don't get exposed to because it doesn't fit the adult contemporary banality of the world music scene is what I'm far more interested in. And none of that's really on this CD.

No highlights.

[my-chaos-radio]

Release: November 7, 1995

Lyrics:

Ariadiamus late ariadiamus da

Ari a natus late adua

Aravare tue vate

Aravare tue vate

Aravare tue vate late ah

Ariadiamus late ariadiamus da

Ari a natus late adua

Aravare tue vate

Aravare tue vate

Aravare tue vate late ah

Anamana coo-le ra-we

Anamana coo-le ra

Anamana coo-le ra-we a-ka-la

Anamana coo-le ra-we a-ka-la

Aya doo aye

Anamana coo-le ra-we a-ka-la

Aya doo ayeh

Aya doo ayeh

Aya doo ayeh

Anamana coo-le ra-we

Anamana coo-le ra

Anamana coo-le ra-we a-ka-la

Anamana coo-le ra-we a-ka-la

Ahyadoo aheh

Anamana cool-e ra-we a-ka-la

Aya doo ayeh

Aya doo ayeh

Aya doo ayeh

Ariadiamus late ariadiamus da

Ari a natus late adua

Aravare tue vate

Aravare tue vate

Aravare tue vate late ah

Anamana coo-le ra-we

Anamana coo-le ra

Anamana coo-le ra-we akala

Anamana coo-le ra-we akala

Aya doo aye

Anamana coo-le ra-we akala

Aya doo ayeh

Aya doo ayeh

Aya doo ayeh

Songwriter:

Ya-ka-ma ya-ma-ya ka-ya mema

Aya coo ayeh mena

Ya-ka-ma ya-ma-ya-ka-ya me-ma

Aya coo ayeh mena

Ya--ka--ma me--ha

Aya coo ayeh mena

Ya--ka--ma me--ha

Mike Ratledge / Karl William Jenkins

SongFacts:

👉📖

[memorableconcerts]

Uh-Oh is the second studio album by Scottish rock musician David Byrne, released in 1992

Track listing

1."Now I'm Your Mom" (Byrne, Angel Fernandez)4:43

2."Girls on My Mind"3:52

3."Something Ain't Right" (Byrne, Terry Allen)3:37

4."She's Mad"5:20

5."Hanging Upside Down" (Byrne, Fernandez)4:31

6."A Walk in the Dark"4:21

7."Twistin' in the Wind"4:14

8."The Cowboy Mambo (Hey Lookit Me Now)"3:37

9."Monkey Man"4:07

10."A Million Miles Away"4:24

11."Tiny Town" (Byrne, Fernandez)5:03

12."Somebody"4:59

David Byrne – Vocals and guitar

Nona Hendryx – Background vocals

Dolette McDonald – Background vocals

Joyce Bowden - Background vocals

George Porter Jr. – Bass guitar

Angel Fernandez – Trumpet

Tom Zé – Percussion instruments

[spilladabalia]

Peter Gabriel - Red Rain

[guerrilla-operator]

PETER GABRIEL

[rainingmusic]

Dead Can Dance - 'Opium'

[hicemusic]

Vampire Weekend – Only God Was Above Us

VÖ: 05.04.2024 Label: Columbia Genre: Indie/-Art-/Baroque-Pop / Indie-Rock / Worldbeat   Ich mache ja bei den Jahresabschluss-Listen normalerweise keine Rankings. Wenn ja, dann sind es eher 5 Nennungen ohne eine jeweilige Platzierung. Eines weiß ich aber genau, nämlich dass das Studioalbum Father Of The Bride von der New Yorker Formation Vampire Weekend mein liebstes des Jahres 2019 ist. Als…

[fangomusic]

Vampire Weekend, Only God Was Above Us

New music Wednesday

The Indie-rock high-achievers showcased a blend of Indian raga, hip-hop, and rock in their fifth album. Each track retains its distinctiveness, contributing to a cohesive compilation that demonstrates their talent in creating music that is both profound and captivating.

[my-chaos-radio]

Release: January 1, 1999

Lyrics:

Ya leel

Ya leel

Hadaee mada tawila

Wa ana nahos ana wahala ghzalti

Wa ana nahos ana wahala

Wa ana nahos ana wahala

I dream of rain

I dream of gardens in the desert sand

I wake in vain

I dream of love as time runs through my hand

I dream of fire

These dreams that tie two hearts that will never die

Near the flames

The shadows play in the shape of the man's desire

This desert rose

Whose shadow bears the secret promise

This desert flower

No sweet perfume ever tortured me more than this

And now she turns

This way she moves in the logic of all my dreams

This fire burns

I realize that nothing's as it seems

I dream of rain

I dream of gardens in the desert sand

I wake in vain

I dream of love as time runs through my hand

Ya leel

I dream of rain

I lift my gaze to empty skies above

I close my eyes

The rare perfume is the sweet intoxication of love

Ya leel

I dream of rain

I dream of gardens in the desert sand

I wake in vain

I dream of love as time runs through my hand

Sweet desert rose

Whose shadow bears the secret promise

This desert flower

No sweet perfume ever tortured me more than this

Sweet desert rose

This memory of hidden hearts and souls

This desert flower

This rare perfume is the sweet intoxication of love

Songwriter:

Ya leel

Ya leel

Gordon Sumner / Mohammed Khelifati

SongFacts:

"Desert Rose" is a song by British musician Sting featuring Cheb Mami from his album 'Brand New Day' (1999). According to Sting, the lyrics have to do with "lost love and longing". Riding a wave of pre-9/11 interest in Latin and Arabic cultures, the song peaked at No. 2 in Canada, No. 3 in Switzerland, No. 4 in Italy, No. 15 in the UK, and No. 17 in the US. The song is noted for Sting's duet performance with Algerian raï singer Mami.

The song's album 'Brand New Day' received moderate to positive reviews, with some reviewers stating that it had a "world-beat", or sounded "exotic". However, in the reviews "Desert Rose" was cited as being different than the rest of the album, being one of the highlights of the album. The critics take on Sting's "world music" did not sit well with the singer, stating that he did not do world music, though acknowledging the North African feel to the song.

[dankalbumart]

From the Ladle to the Grave by Boiled in Lead Atomic Theory/Cooking Vinyl 1989 Folk-Rock / Celtic Rock / Celtic Punk / Folk-Punk / Gypsy Punk / Alternative Rock / Post-Punk / Worldbeat / Celtic

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