#World War II toys

[newyorkthegoldenage]

Surrounded by tanks and soldiers, four-year-old Salvator Beniti takes a sight on this mighty weapon at the opening of the 40th annual American Toy Fair at the Hotel McAlpin, March 9, 1942. Toyland in 1942 style is geared to the war, producing miniature battleships, airplanes and submarines with a minimum of defense materials.

Photo: Charles Kenneth Lucas for the AP via TNL News Lens

[coaz-photography]

The Devil's Brigade

[foreverknightalways]

Flashback: London, England, 1941 during World War II

Nicholas returns home and is greeted with a kiss by Janette. Nicholas asks, Where's LaCroix? Janette walks away from Nicholas as the toy fire truck comes rolling to Nicholas' feet. Nicholas picks up the toy and walks toward the fireplace to put it away and says, Toys at your age, LaCroix.

[jimclassicstoycollection]

Transformers

Studio Series 50

The Last Knight

Hotrod (WWII)

by Hasbro (2019)

I picked up WWII Hotrod on 08-16-21 at my local Ollies. They had a bunch of figures wasting away there, but this was the only one I really cared about. 

This version of Hotrod was seen in 2017s ‘The Last Knight’ during a brief flashback scene.

WWII Hotrod comes with only himself and a grenade launcher.

Vehicle Mode:

I’m not going to bury the lead here. Hotrod’s vehicle mode is Nazi. For context in the ‘The Last Knight’ movie Hotrod and Bumblebee are in disguise during WWII and they’re about to attack a Nazi stronghold. Understandably Hasbro left out the markings.

The vehicle is an armored car of sorts which is mostly forest green, with some darker shades of green, some silver highlights, and some black.

All-in-all a pretty dull color pallet, but that’s WWII for you...

The primary weapon can be stored on either the 5mm port on the roof, or in the passenger side opening.

The vehicle mode rolls pretty well, it’s got some good sized wheels, however my complaint is that some panels of the vehicle mode don’t attach well, and some areas kept popping off and I had to tab them back in; it was a frustrating process at time.

Transformation:

Transforming Hotrod in to robot mode isn’t too difficult, aside from fighting with the afore mentioned panels.

Robot Mode:

As far as robot mode is concerned you get…an okay robot mode. This toy didn’t blow my mind or anything. You’re still getting mostly army green colors and some red/orange paint apps on the arms and face. It’s pretty underwhelming in my honest opinion.

The robot mode itself has a lot of neat greebly details, he stands well, and that head sculpt is very…Bayformers…It’s well detailed, but of course it looks nothing like the source material.

He does have a noticeable backpack, and it sort of gets in the way of posing.

Hotrod’s weapon is the grenade launcher. He holds it well and it’s well sculpt. And that’s really all I got to say about this toy. Overall I was pretty underwhelmed by this version of Hotrod, and I’m happy that I got him at a reduced price.

[savage-kult-of-gorthaur]

VINYL MASCOT OF THE GERMAN ARMED FORCES MASCOTS -- TERROR OF ALL EUROPE.

PIC INFO: Resolution at 2000×2000 -- Spotlight on a Dr. Bomb "Wermacht" 8 inch vinyl figure created by Frank Kozik, complete with a "Black Cross," manufactured by TOY2R (a Hong Kong-based company) in 2013.

Source: https://toytokyo.com/products/toy2r-frank-kozik-dr-bomb-wermacht-8-vinyl-figure.

[blondephil]

hello (one of the) resident phannie data analyst(s) here with some parasocial stats on dnp’s movie tastes! following: distribution of dan and phil's ratings overall, movies they each rated 5 stars, their lowest-rated movies, and the similarities + differences in their tastes

(lore moment: yes i am a data analyst in my real job. yes i surprised myself with wanting to do this in my spare time. but then i remembered when we read dracula in college (yes i was an english major) and i graphed like, how many times dracula was referred to as vampire versus monster or something. so i shouldn’t be surprised.

first up, their overall rating patterns and by ~special status~ (i.e., wall-e, kill bill, avatar, lmao, plus big hero 6 for the fun of it)

dan’s rated 304 movies and phil’s rated 305. both of them have mean and median ratings of 4 with min 1 and max 5.

both rated kill bill vols. 1 and 2 a 5. wall-e got a 4.5 from dan and a 4 from phil (phake phans). both gave avatar a 3.5. and big hero 6 3.5 (dan) and 4.5 (phil)

rating distribution:

i did analyses here by genre but i need to fix the output (i’m writing all of these based on the markdown document from my phone on the subway, but i need to fix the outputs and i don’t have my computer. so those are pending but there are other genre analyses that i could do & haven’t yet!)

while i was sorting through the data i got the impression that dan overall rated movies higher than phil. so, among movies that they've both rated, here's some information

number of movies dan rated higher than phil: 65

Empire Strikes Back, Blade Runner, Return of the Jedi, My Neighbor Totoro, Back to the Future II, Nightmare Before Christmas, Toy Story, Phantom Mence, Donnie Darko, Attack of the Clones, Finding Nemo, Oldboy, The Notebook, Batman Begins, Brokeback Mountain, WALL-E, (500) Days of Summer, Up, The Hangover, Drive, The Cabin in the Woods, The Avengers, The Dark Knight Rises, Life of Pi, Skyfall, The Hobbit: An Unexpected Journey, Whiplash, The Amazing Spider-Man 2, Room, The Hateful Eight, The Force Awakens, Manchester by the Sea, Deadpool, La La Land, Moonlight, Rogue One, Call Me By Your Name, Guardians of the Galaxy Vol 2., Wonder Woman, Spider-Man: Homecoming, I, Tonya, Thor: Ragnorak, Phantom Thread, Roma, The Favourite, The Lighthouse, Toy Story 4, Midsommar, Ad Astra, Knives Out, Soul, The Green Knight, No Time to Die, Don't Look Up, Spider-Man: No Way Home, Turning Red, Doctor Strange in the Multiverse of Madness, Thor: Love and Thunder, The Banshees of Inisherin, The Fabelmans, Glass Onion, Beau is Afraid, Barbie, Oppenheimer, Poor Things

number of movies phil rated higher than dan: 55

Star Wars (New Hope), Blair Witch Project, Requiem for a Dream, Memento, Ocean's Eleven, Lord of the Rings: The Two Towers, Iron Man 2, Thor, Captain America: The First Avenger, The Girl with the Dragon Tattoo, Moonrise Kingdom, Iron Man 3, Gravity, Prisoners, The Wolf of Wall Street, The Grand Budapest Hotel, Captain America: The Winter Soldier, The Imitation Game, Nightcrawler, John Wick, Gone Girl, Big Hero 6, Jurassic World, The Martian, The Revenant, Nocturnal Animals, Split, Get Out, Baby Driver, The Disaster Artist, Dunkirk, The Shape of Water, The Greatest Showman, The Last Jedi, Ready Player One, Crazy Rich Asians, A Star is Born, Rocketman, Once Upon a Time… in Hollywood, Joker, The Rise of Skywalker, The Invisible Man, A Quiet Place Part II, Greenland, Tenet, Malignant, Eternals, The Matrix Resurrections, Scream (2022), Nope, Prey, Talk to Me, Avatar: The Way of the Water, The Super Mario Bros. Movie, Mission Impossible - Dead Reckoning Part One

number of movies they rated the same: 99!

Alien, ET, Gremlins, Back to the Future, Top Gun, Aliens, Home Alone, Silence of the Lambs, Jurassic Park, Pulp Fiction, The Lion King, Se7en, Scream, The Fifth Element, Titanic, The Truman Show, The Matrix, Magnolia, Spirited Away, Lord of the Rings: The Fellowship of the Ring, Spider-Man, Lost in Translation, Kill Bill, Lord of the Rings: The Return of the King, Kill Bill Vol. 2, Mean Girls, Howl's Moving Castle, Children of Men, The Dark Knight, Pontypool, Inglourious Basterds, Avatar, Toy Story 3, Inception, Scott Pilgrim vs. the World, Black Swan, The Social Network, 21 Jump Street, The Hunger Games, Silver Linings Playbook, The Conjuring, Snowpiercer, Her, Thor: The Dark World, The Hunger Games: Catching Fire, Boyhood, It Follows, Guardians of the Galaxy, Birdman or (The Unexpected Virtue of Ignorance), Interstellar, Ex Machina, The Witch, Avengers: The Age of Ultron, Mad Max: Fury Road, Inside Out, Ant-Man, Captain America: Civil War, Your Name., Arrival, Three Billboards Outside Ebbing, Missouri, mother!, It, Blade Runner 2049, Hereditary, Black Panther, Annihilation, A Quiet Place, Avengers: Infinity War, Captain Marvel, Us, Avengers: Endgame, Parasite, It Chapter Two, Marriage Story, Uncut Gems, 1917, Black Widow, The Suicide Squad, Shang-Chi and the Legend of the Ten Rings, Dune, Last Night in Soho, The Batman (2022), Everything Everywhere All at Once, X, The Northman, Top Gun: Maverick, Bullet Train, Barbarian, Pearl, M3GAN, Dungeons and Dragongs: Honor Among Thieves, Evil Dead Rise, Guardians of the Galaxy Vol 3., No Hard Feelings, Saltburn, Priscilla, Society of the Snow, Saw X, Leave the World Behind

i didn't analyse this by genre or anything, but i could -- so if you're interested lmk!

the 5 movies with the most different ratings between dan and phil

- Iron Man 2 (dan: 2, phil 3.5)

- The Greatest Showman (d: 2.5, p: 4)

- Malignant (d: 3, p: 4.5)

- Scream (2022) (d: 2.5, p: 4)

- Beau is Afraid (d: 3, p: 1.5)

Interesting that even though dan has more higher rated movies, 4/5 of these ones phil rated higher.

next, their 5-star movies

dan's five stars: 80

Alien, Empire Strikes Back, ET, Blade Runner, Gremlins, Back to the Future, Top Gun, Aliens, Stand by Me, The Grave of the Fireflies, My Neighbor Totoro, Back to the Future II, Home Alone, Silence of the Lambs, Beauty and the Beast, Aladdin, Jurassic Park, Nightmare Before Christmas, Schindler's List, Pulp Fiction, The Lion King, Toy Story, Fargo, Scream, The Fifth Element, Hercules, Neon Genesis Evangelion, Titanic, The Truman Show, The Matrix, Fight Club, Magnolia, The Emperor's New Groove, Donnie Darko, Moulin Rouge, Shrek, Spirited Away, Lord of the Rings: The Fellowship of the Ring, Finding Nemo, Kill Bill, Oldboy, Lord of the Rings: The Return of the King, Shaun of the Dead, Kill Bill Vol. 2, Howl's Moving Castle, Revenge of the Sith, Brokeback Mountain, No Country for Old Men, The Dark Knight, Inception, Scott Pilgrim vs. the World, The Tree of Life, 21 Jump Street, The Avengers, Life of Pi, Skyfall, Under the Skin, Whiplash, Dawn of the Planet of the Apes, Interstellar, Mad Max: Fury Road, Sicario, The Hateful Eight, La La Land, Arrival, mother!, Blade Runner 2049, Avengers: Infinity War, First Man, The Favourite, The Lighthouse, Parasite, Midsommar, Uncut Gems, 1917, Dune, Everything Everywhere All at Once, Top Gun: Maverick, Oppenheimer, Poor Things

phil's five stars:

Star Wars (New Hope), Alien, ET, Gremlins, Back to the Future, Top Gun, Aliens, Home Alone, Silence of the Lambs, Jurassic Park, Pulp Fiction, The Lion King, Scream, The Fifth Element, Titanic, The Truman Show, The Matrix, Magnolia, Requiem for a Dream, Memento, Spirited Away, Lord of the Rings: The Fellowship of the Ring, Lord of the Rings: The Two Towers, Kill Bill, Lord of the Rings: The Return of the King, Kill Bill Vol. 2, Howl's Moving Castle, The Dark Knight, Inception, Scott Pilgrim vs. the World, The Girl with the Dragon Tattoo, 21 Jump Street, Interstellar, Mad Max: Fury Road, The Revenant, Arrival, Dunkirk, mother!, Blade Runner 2049, Avengers: Infinity War, Parasite, Uncut Gems, 1917, Dune, Everything Everywhere All at Once, Top Gun: Maverick, Terminator 2: Judgment Day, The Shawshank Redemption, Gladiator, Little Miss Sunshine

overlap: 39

Alien, ET, Gremlins, Back to the Future, Top Gun, Aliens, Home Alone, Silence of the Lambs, Jurassic Park, Pulp Fiction, The Lion King, Scream, The Fifth Element, Titanic, The Truman Show, The Matrix, Magnolia, Spirited Away, Lord of the Rings: The Fellowship of the Ring, Kill Bill, Lord of the Rings: The Return of the King, Kill Bill Vol. 2, Howl's Moving Castle, The Dark Knight, Inception, Scott Pilgrim vs. the World, 21 Jump Street, Interstellar, Mad Max: Fury Road, Arrival, mother!, Blade Runner 2049, Avengers: Infinity War, Parasite, Uncut Gems, 1917, Dune, Everything Everywhere All at Once, Top Gun: Maverick

& their lowest rated movies...

dan: matrix resurrections (1) , thor: the dark world (1.5), the rise of skywalker (1.5)

phil: crimes of the future (1), attack of the clones (1.5), thor: the dark world (1.5), don’t look up (1.5), the matrix resurrections (1.5), doctor strange in the multiverse of madness (1.5), beau is afraid (1.5), black bear (1.5)

not even chris hemsworth could save thor the dark world, i guess (kat dennings, though…)

movies they logged on the same date:

note that this is like, non-exhaustive, because this is only based on their diaries that list the date. i think in reality they've watched most of these movies together. frequently dan logged a couple days after phil which aren’t shown here. procrastination queen

Pontypool, Eternals, The Northman, Nope, Barbarian, The Banshees of Inisherin, Glass Onion, The Super Mario Bros. Movie, Beau is Afraid, Guardians of the Galaxy Vol 3., Mission Impossible - Dead Reckoning Part One, Saltburn, Poor Things, Priscilla, Saw X, Leave the World Behind

movies that one logged and not the other:

dan but not phil: 85

The Exorcist, Stand by Me, The Grave of the Fireflies, Beauty and the Beast, Aladdin, Home Alone 2, Schindler's List, Fargo, Romeo & Juliet, Hercules, Men in Black, Neon Genesis Evangelion, The Mummy, The 13th Warrior, Fight Club, The Emperor's New Groove, Moulin Rouge, Shrek, Legally Blonde, Monsters, Inc, Harry Potter and the Sorcerer's Stone, Scooby-Doo, 28 Days Later, Matrix Reloaded, Pirates of the Caribbean: The Curse of the Black Pearl, School of Rock, Matrix Revolutions, Saw, Shaun of the Dead, Shrek 2, Harry Potter and the Prisoner of Azkaban, Revenge of the Sith, The Devil Wears Prada, Borat, Casino Royale, No Country for Old Men, Death Proof, Harry Potter and the Order of the Phoenix, There Will Be Blood, Tropic Thunder, Slumdog Millionaire, Moon, District 9, Fantastic Mr. Fox, The King's Speech, We Need to Talk About Kevin, The Tree of Life, X-Men: First Class, Prometheus, Argo, Les Miserables, Django Unchained, World War Z, Pacific Rim, Under the Skin, 12 Years a Slave, American Hustle, The Babadook, The Lego Movie, x-Men: Days of Future Past, 22 Jump Street, Dawn of the Planet of the Apes, The Theory of Everything, Green Room, Sicario, Spotlight, The Big Short, 10 Cloverfield Lane, The Conjuring 2, Train to Busan, Hacksaw Ridge, Doctor Strange, Hidden Figures, Logan, You Were Never Really Here, Game Night, Isle of Dogs, First Man, The Ballad of Buster Scruggs, Suspiria, Spider-Man: Into the Spider-Verse, Glass, Hustlers, Pig, Violent Night

phil but not dan: 86

Jaws, The Terminator, Beetlejuice, Die Hard, Terminator 2: Judgment Day, Groundhog Day, The Shawshank Redemption, Leon: The Professional, The Usual Suspects, The Frighteners, The Sixth Sense, Being John Malkovich, American Beauty, The Green Mile, Gladiator, Catch Me if You Can, Elf, Eternal Sunshine of the Spotless Mind, Charlie and the Chocolate Factory, Little Miss Sunshine, Pan's Labyrinth, The Prestige, Zodiac, Spider-Man 3, Iron Man, Juno, Lake Mungo, Twilight, Zombieland, Kick-Ass, Brave, Evil Dead, The Great Gatsby, Now You See Me, Monsters University, Man of Steel, About Time, Dallas Buyers Club, Edge of Tomorrow, The Hunger Games: Mockingjay Part 1, The Hunger Games: Mockingjay Part 2, The Boy, Raw, Finding Dory, Suicide Squad, Fantastic Beasts and Where to Find Them, John Wick: Chapter 2, Lady Bird, The Ritual, Happy Death Day, Deadpool 2, Ocean's 8, Ant-Man and The Wasp, Bird Box, Booksmart, Crawl, Spider-Man: Far From Home, The Platform, Black Bear, Palm Springs, The Empty Man, The Innocents, Titane, Old, Free Guy, The Black Phone, Fresh, Watcher, Bodies Bodies Bodies, Ambulance, Aftersun, Crimes of the Future, Fall, Bones and All, The Menu, Sanctuary, Do Revenge, Smile, Hellraiser (2022), Mr. Harrigan's Phone, Plane, Missing, Infinity Pool, Past Lives, Knock at the Cabin, Scream VI

i’m interested to see how this varies by genre!

miscellaneous non-statistical things that made me parasocially emotional and/or laugh during this process:

they watched nope together on christmas eve 2022 <3

dan rated moulin rouge a 5 <3 nature boy <3

he also rated shrek a 5. of course. (valid).

4.5 from dan and 4 from phil from the notebook

5 from danny for brokeback mountain <3 and a 4.5 from philly

cmbyn, yes, has its issues, but dan rated 4.5 and phil 4

the shape of water got a 4.5 from monsterfucker phil lester (dan gave it a 4)

surprisingly phil rated rocketman higher than dan! surprising because dan liked so many musicals

dan gave hustlers a 3.5. i don't know why i think this is funny, but i do. phil doesn't have it logged or rated, lmao.

a 4 (d) and a 3.5 (p) for barbie!

phil gave twilight a 3. lol.

phil also gave do revenge only a 3.5. tragique.

phil watched a LOT of horror alone in october 2022 (aka while dan was on tour). anyway he's just like me <3

[baelarys]

๛𝐌𝐲 𝐥𝐨𝐯𝐞 𝐦𝐢𝐧𝐞 𝐚𝐥𝐥 𝐦𝐢𝐧𝐞

Aegon ii targaryen x Reader tully x Aemond targaryen

word count : 1750

Warning :Infidelity,anguts, bad words

Note:This was a Request but I accidentally lost the comment I hope you see it,I did my best, I hope this is what you wanted or close to it,I don't do smut, I'm sorry, but I hope you still like it.

I never believed that what started as a simple rumor would spread so quickly. I never imagined that a few exchanged words would lead you and Aegon to something more than just flirting in the corridors.

It was just a couple of nights, furtive meetings behind your husband, Prince Aemond's back. No one was supposed to suspect, but unfortunately, that wasn't the case. When you gave birth to your second son, Aenys, you hoped that inheriting Valyrian features like his father would dispel any suspicions, but the resemblance to Aegon was undeniable.

Your older son was undoubtedly a miniature version of Aemond—same gaze, straight hair, and a fine, small face. But Aenys had rounder features and wavy hair. Thankfully, those rumors never became an impediment for Aemond. He loved his children and was always there for them, whether to play or to tell them stories.

You held the little baby in your arms while Baelor played with small wooden toys on the floor. Suddenly, a shout of excitement echoed in the room.

"Kepa!" Baelor exclaimed upon seeing his father enter through the door.

"Rūklon zaldrīzes" Aemond said, lifting the little one in his arms with a smile.

"Husband" you greeted as Aemond approached to plant a kiss on your cheek.

Since Aegon's coronation as the new king, Aemond was constantly away. With a war on the horizon, securing the support of all the houses was crucial, and Aemond took on that task diligently.

Aemond sat on the floor next to Baelor, who proudly showed him his wooden toys.

"Look, Kepa, I made a dragon" Baelor said, holding up a roughly carved figure.

Aemond smiled and took the toy in his hands. "It's a very fierce dragon, Baelor. What's its name?"

"Vhagar! " Baelor exclaimed enthusiastically.

You chuckled softly from your seat, watching the interaction with tenderness. Aemond placed the baby on the floor, allowing him to crawl towards his older brother.

"Rūklon zaldrīzes" Aemond murmured as he watched the little one explore the world around him.

Baelor started playing with his brother, carefully showing him his toys and making sure the baby didn't get hurt. Aemond, relaxed for the first time in weeks, joined his sons in play, creating a tower of wooden blocks and helping Baelor knock it down with a hearty laugh.

You decided to join in the game. "How about we read a story?" you suggested.

Baelor jumped with excitement. "Yes, yes! A story!"

"Good idea." Aemond nodded, smiling.

You got up and fetched a storybook from the shelf. You found one of Baelor's favorites, filled with tales of dragons and knights. Sitting on the floor with the baby in your lap, Baelor snuggled up beside you, and Aemond sat nearby, forming a family circle.

You opened the book and began to read, using different voices for each character. The baby listened attentively, his big curious eyes following every movement. Baelor was absorbed in the story, his eyes shining with excitement as he followed the adventure.

As the story progressed, the room filled with warmth and tranquility. It was a moment of peace and unity, away from the worries of the outside world.

When you finished the tale, you closed the book gently and looked at your family. Baelor yawned, clearly ready for bed, while the baby was already half asleep in your arms.

"I think it's time for bed" you said with a smile.

Aemond nodded, getting up to take Baelor to his bed. He followed you with the baby in his arms, making sure both children were comfortable and tucked in.

When Aemond approached Aenys's crib, you noticed how he scrutinized the baby. Before you could say anything, Aemond apologized and said he needed to discuss some matters with Ser Criston. That eased your mind a bit; at least you wouldn't have to confront Aemond at the moment.

You could hear the sound of guards hurriedly walking through the halls, but you decided not to pay much attention. Suddenly, your door swung open and two guards entered urgently, quickly scanning the room.

"What's happening?" you asked with concern.

"Prince Jaehaerys is dead" one of the guards responded, bowing his head "The king demands your presence."

Shock and grief instantly washed over you, but there was no time to process. You quickly made your way to Aegon's chambers. The castle was eerily silent, a reflection of the tragedy that had just struck the royal family. Upon opening the doors, you saw Aegon sitting in one of the armchairs in his room, his expression lost and his body weighed down by sadness.

Your heart broke seeing your brother-in-law like this. You approached him cautiously, trying not to startle him.

"Aegon" you called softly.

Aegon looked up, his eyes red and filled with tears. You knelt beside him, taking one of his hands in yours.

"I'm here, Aegon" you said gently and reassuringly.

Without saying a word, you embraced him tenderly, allowing him to cry on your shoulder. You felt the weight of his grief, and a deep sadness washed over you for the loss of your nephew. You stayed strong, holding him as he let out his anguish.

"I'm so sorry, Aegon" you whispered, softly stroking his back "There are no words for this pain, but I'm here with you."

Aegon nodded weakly, clinging to you like an anchor in the midst of a storm. "Why... why him?" he asked between sobs.

"I don't know" you answered honestly "Life can be terribly unfair. But we'll always remember him, and his memory will live on in our hearts."

Suddenly, he pulled away slightly, his eyes darkened by growing rage. "This wasn't an accident" he said in a low voice, but filled with hatred "It was Rhaenyra. I'm sure of it. That witch has always wanted to destroy me. She's taken my son's life to hurt me, to weaken us!"

You fell silent, feeling the intensity of his fury. It was a pain mixed with hatred, a dangerous combination that could consume him.

"I don't need proof!" he shouted, rising abruptly from the chair "It was her. She's always coveted the throne, and now she's willing to kill her own blood to get it. She'll pay for this! I swear she'll pay!"

You stood up and embraced him again, trying to calm him down. "I understand your pain and your anger, Aegon. But we must be careful. Blind vengeance will only bring more suffering."

Aegon breathed heavily, his body trembling with anger. Slowly, his breathing calmed a little, but the spark of hatred in his eyes still burned.

"I won't let her get away with this, Y/N. Not after this" he murmured, his voice a dangerous whisper.

–––––––––––

It had only been a couple of days since Prince Jaehaerys's death, and the atmosphere in the castle had become tense and somber. The loss of an heir had left a void that couldn't be ignored, and both Otto and Alicent were starting to worry about the lack of a clear successor for Aegon.

In a private meeting in the council chamber, Aegon, visibly affected by grief and anger, made an abrupt decision.

"I have decided that Aenys will be my heir" Aegon announced, his voice firm but laden with emotion.

Otto and Alicent exchanged concerned looks. Otto was the first to speak.

"Your Majesty, I understand your pain and the need to secure succession, but we must consider all options. Baelor is the elder of your nephews, and it would be fairer to name him as heir."

Alicent nodded, supporting her father's words. "Baelor is a good boy. Besides, it would be more appropriate to follow the natural line of succession."

Aegon clenched his fists, his expression hardening. "No. Aenys will be the heir. It's my decision."

The tension in the room increased, every glance filled with distrust and concern. Finally, Otto sighed and nodded, knowing that pushing further would only make things worse.

After the meeting, you found yourself alone with Aemond in one of the castle's corridors. His expression was serious, his eyes searching yours with intensity.

"We need to talk" Aemond said, his voice tense but controlled.

"I've tried to ignore them, but I can't anymore" Aemond said with tension "Is Aenys my son?"

"Of course he is" you began to respond, but Aemond interrupted you, his voice filled with emotion.

"I want you to be honest!" he exclaimed, his eyes desperately seeking the truth in yours.

You took a deep breath, trying to calm yourself and find the right words. "Aemond, I understand your doubts, but I assure you that Aenys is your son. The rumors are just that rumors. They're designed to divide us and sow mistrust."

"Sure? Because apparently people don't think so" Aemond said, cornering you against the wall, his anger vibrating in his voice "I'll ask once more: Is Aenys my son?"

You felt a lump in your throat, fear and anguish mixing inside you. You tried to defend yourself, but the words were stuck, unable to come out. You couldn't lie to him.

"Aemond, please…"you murmured, your voice barely audible, struggling against the weight of his gaze. You know I love you.

"That doesn't answer my question, Y/N" he replied, his eyes cold and filled with distrust. I want the truth.

You took a deep breath, trying to find the strength to face him. Tears began to fill your eyes.

You shook your head as you wiped away the tears that slid down your cheek.

"Aemond, please let me explain" you said, your voice shaking as you tried to contain the emotions that were overwhelming you "It was a mistake, a terrible mistake that I regret every day. But Aenys is our son in every way that matters."

Aemond looked at you with a mix of pain and fury, his breathing heavy and his eyes burning with an intensity you hadn't seen before.

"How could you?" he asked, his voice low and full of bitterness. How could you betray me like this?

"It wasn't intentional, Aemond" you murmured, tears flowing again. " It was a moment of weakness, an impulsive decision that I cannot undo. But I love you, I have always loved you."

Aemond walked away from you upset, you could hear the sound of his footsteps walking away, you felt terrible as a wave of anger and regret washed over you, you tried to silence your sobbing as best you could as you wiped away your tears and returned to your room.

[weaselandfriends]

The Making Of: When I Win the World Ends

(For my previous Making Of post, see The Making Of: Cleveland Quixotic.)

I. 1999

It was the year of the cubicle movie. It was the year of Fight Club, of Office Space, of Being John Malkovich, of Three Kings, of The Matrix, and of American Beauty. It was the year of suburban malaise, of eternal sunshine, of ceaseless normality. A year of United States hegemony; a year whose chief terror was that THIS WAS IT.

Before the millennium turned and the towers fell, there was an initial challenge to this order, a completely inconsequential one made consequential by a newly minted 24/7 news media machine running out of noise to fill dead air now that people were sick to bursting of the Clinton impeachment. This challenge came not through war, revolution, or violence, but through entertainment. Children's entertainment.

And I was a child. Unaware of any cultural context, I knew only one thing: I loved Pokémon. I really, really loved Pokémon.

I owned Red Version, Blue Version, Yellow Version, Pokémon Pinball, Pokémon Stadium, Pokémon Snap, Hey You Pikachu, a Pokémon Tetris sort of puzzle game, even the Pokémon TCG game for Gameboy. I had ten to fifteen strategy guides for the games, an encyclopedia of the 151 Pokémon, a choose your own adventure book, an I Spy-style book. I had Pokémon figurines, Pokémon plushies, toy Poké Balls, toy Pokédexes. I had Pokémon stamps and Pokémon stickers and a deck of Pokémon cards. Not trading cards, just a standard 52-card deck with Pokémon pictures on it. Of course I also had the trading cards. A complete set of the first three runs, plus a special Mew card you could get from I dunno Toys R Us or something as part of some promotion. I had a guide for the card game that explained which cards were good or bad even though I didn't even play the card game. I had a Pokémon Tamagotchi and Pokémon pencils and Pokémon erasers and Ash Ketchum's hat and I dressed up as Ash Ketchum for Halloween. Of course I watched every episode of the anime, and in notebooks I drew doodles of existing Pokémon and came up with names for new Pokémon. My father had died that year.

My father was a sports fanatic. Traditional sports. He, too, collected. Sports memorabilia, baseball cards, figures of famous stars. When I was an infant, he drove me on a cross country road trip to Lambeau Field in Green Bay, Wisconsin, where I became a part owner of the Green Bay Packers. He had always wanted me to grow up and pursue professional sports. When I was born, the doctor apparently said to start looking for football colleges, a quote he saved in a scrapbook of baby photos. He had played sports himself, in college; he was a baseball catcher, until a hitter accidentally struck him in the head with a full force swing.

Almost everything I personally remember about him involves him dying. He was sick for a long time, and I remember hospitals and hospital beds and strange smells and gauze. And then one day my mother told me he died.

He was a charismatic man, very social and very popular. He had many friends and a lot of family, all of whom had constantly been around our house. Once he was gone, they stopped coming around. Then it was just me and my mother, who was not a fanatic for anything, except maybe her job as an elementary school teacher, which consumed her time as she assiduously prepared lesson plans and graded tests until late at night. When my father died, she got into some argument with his side of the family, the details of which I still don't fully understand, and afterward they no longer spoke. Her own family lived far away, out-of-state, seen only at Christmas. The house became quiet.

And I… played… Pokémon.

II. The Electric Tale of Pikachu

Toshihiro Ono was a mangaka primarily known for shotacon and futanari hentai. His credits such as Innyou Megami and Anal Justice made him a no-brainer pick for the officially licensed Pokémon manga, Electric Tale of Pikachu, as it too would feature a 10-year-old boy as the protagonist.

This manga would be the foundation for my conception of what Pokémon was, narratively. Though I also had the Pokémon Adventures manga that ran concurrently and which has by now long outlasted it, Electric Tale left a significantly deeper imprint on my memory.

In summary, Electric Tale is a retelling of the first two seasons of the anime. Ash Ketchum is the main character, he's accompanied by Misty and later Brock, his rival is Gary, and Team Rocket harangues him.

What sets Electric Tale apart is its tone, which is far more adult than Adventures and the anime. Obviously, part of this comes from the author's primary area of expertise being hentai. Even in the censored English version, there is a sense of sexual playfulness in how every single female character is an older woman who likes to tease Ash about his romantic interests.

But there are other elements that creep in unrelated to sex, due to the perspective of someone only used to speaking to adults who suddenly has to speak to children. Ono doesn't really get the childish fantasy of leaving at 10 being normal in society, so he introduces an element where Ash can only get a one year deferment from school and will have to return unless he hits it big. Team Rocket are former competitive hopefuls who flamed out and then, with no education or work experience to speak of, had no choice but to turn to crime. The Pokémon are depicted more realistically, often eschewing the toyetic mascot elements of their designs.

And the landscapes are often wistful, even apocalyptic in their presentation:

This more sedate, mature, realistic depiction of Pokémon became what I wanted Pokémon to be, what I projected onto an original Red and Blue version that left everything open to interpretation, and what would increasingly frustrate me with the series as it deviated more toward bombastic villain groups with goofy destroy-the-world plots. (Which was what put me off Pokémon Adventures.)

Amid all this, one panel stuck with me in particular. One panel I would think about ever since I first saw it as a child, that would turn around in my head and keep coming back. That panel would eventually—over two decades later—become the basis for When I Win the World Ends, the seed from which an entire story grew:

III. The Unkillable Demon King

But in the interim, the seed remained dormant. 1999 fell away. I grew up. I played later Pokémon games and increasingly lost interest by around Gen 4 and 5. Then I went to college.

That's when I started playing League of Legends.

I was something of a psychopath in college. I operated on a strict schedule and did not deviate. Wake up, read 50 pages of classic literature, write 2,000 words, go to classes, study, and then by about four in the afternoon all my obligations were done and it was League of Legends until midnight.

I wasn't actually interested in the League of Legends esports scene in its infancy. In 2012, I was actually invited to attend its World Championship in Los Angeles and refused. (When I received this invitation, I had just finished reading Homestuck for the first time, and was caught in a month-long haze in which I could do little but bask within what I considered the greatest artistic achievement I'd seen in my life. It was this month that inspired Modern Cannibals.) I only liked playing the game and watching Dunkey videos.

It wasn't until the next year, when a girl I was interested in recommended I watch, that I tuned in to my first professional League of Legends game, at the 2013 World Championship. It was there that I got to watch this new, hyped, upcoming Korean player who had apparently taken the pro scene by storm that season. That player was Faker.

It has seemingly become essential to the narrative of any sport that there is "the man who always wins." American football has Tom Brady, and the moment Brady retired, he was replaced by Patrick Mahomes. Basketball has LeBron James, picking up the mantle from Michael Jordan. It's as if someone being "the best" validates the skill-based promise of the sport, the fundamental top-down fairness of its premise, the idea that the person who wins is the best and deserved it. Faker would become the backbone of League of Legends esports and his ascendance correlated to that of the sport itself, from its humble roots at small-scale tournaments in places like Jönköping, Sweden, to max capacity arenas in the biggest cities in the world.

It's surprising, though, how the legend of Faker had already begun even before he won his first World Championship. League of Legends was designed as a clone of Defense of the Ancients (DotA), a popular mod for Warcraft III that emphasized competitive play. In its infancy, the competitive scene was mostly dominated by players who had migrated from DotA to League. They were older, winning thanks to a fundamental conceptual understanding of the game that was superior to everyone else, and frankly not very good in the aggregate. As League of Legends esports exploded in popularity from 2013 to 2015, these old pros would get filtered out swiftly, with even the biggest and most popular names retiring after only a couple of years in the scene.

Even once the new generation of League-grown talent ascended, though, careers were nasty, brutish, and short. The best players only remained on top for a season, as game patches dramatically changed viable strategies. Internationally the sport was dominated by Koreans, with the Korean regional league sometimes being seen as more difficult to win than the World Championship, where Koreans often breezed through uncompetitive Chinese, European, and North American squads.

This possibly affected the demographics of the professional scene. South Korea has mandatory military service, and leaving the pro scene to join the military was basically the end of a Korean player's career. This meant that it was rare to see a Korean player older than 25. Retiring in your early 20s was and remains common. Korean organizations, which had an infrastructural leg up on other regions due to the popularity of StarCraft 2 esports in the country, became adept at scouting promising players at 15 or 16, building them into top level competitive pros, wringing them dry for a few seasons with brutal training regimens, and spitting them out.

Faker was the exception. Though he had been discovered young by SK Telecom, a major Korean telecommunications company that did esports on the side, and gone through the training regimen, he refused to be spit out. He simply didn't stop. He won in 2013, then with a completely new four-man squad around him won again in 2015 and 2016 before narrowly losing the 2017 finals in a nail biter. Given League of Legends esports had only existed since 2011, he basically accounted for half of the championships up until that point. Nobody else, except for his teammates, had won more than once. And it was like it was known he would be this juggernaut the instant he manifested ex nihilo. Like it was known, even in 2013, that he would always win.

Then, Faker stopped winning.

By 2017, League of Legends esports was a titan. Venture capital firms, seeing the millions of eyeballs, thought that this was the next NBA in its infancy, and decided to get in on the ground floor. Multiple millions of dollars were pumped into the scene as even mediocre players in weak regions like North America pulled seven-digit salaries. In China, where League of Legends had become the national pastime, the nation's richest oligarchs ran teams for fun and vanity, outbidding Korean organizations for top Korean players in pursuit of a trophy that had gone to Korea every year since 2013. Riot, the studio developing the game, pumped tons of money into creating a professional sports product, with skilled announcers, dedicated arenas for regional leagues, live performances by musicians like Imagine Dragons and Lil Nas X, and all the other bells and whistles one might expect from a program watched on ESPN.

In this milieu, it seemed like Faker had finally reached his limit. He was still good, but not the best. Even as an individual, while everyone still considered him the "greatest of all time," he was considered outmatched by newer pros like Chovy and ShowMaker. 2018, 2019, 2020, and 2021 passed with no championships. In 2022, on a team of mostly rookies, he reached the world finals, but was ultimately beaten. Korea's stranglehold over the sport had been shaken by China, which had finally strung together some championships. People wondered if Faker would retire, although he had managed to avoid mandatory military service by representing Korea in the Olympics-esque Asian Games. He'd dealt with wrist injuries and his level of play dropped year over year. He just didn't seem to be that good anymore, potentially holding back his team of talented young players rather than leading them to victory.

Then, in 2023—

And in 2024—

In the end, never count out Touchdown Tom. 11 years of professional play, 5 world championships.

From this longwinded explanation, you might have realized that after watching that game in 2013, I became a League of Legends esports fanatic, fulfilling the prophecy set before me by my father though perhaps in not the way he would have expected.

And the things I become a fanatic about, I want to write a story about.

IV. Modern Cannibals

There's a deleted scene in Modern Cannibals, as Maximillion is driving Z. and her friends through the Utah desert. He starts to talk about Pokémon.

"I bring it up because my university thesis was about Pokemon in particular how Pokemon has basically trained an entire generation of children to think in a completely different way than preceding generations my generation for instance our fad was Teenage Mutant Ninja Turtles now I don't know how much you know about Teenage Mutant Ninja Turtles but from an educational standpoint we're talking absolute bankrupt complete and utter goose egg but Pokemon now Pokemon you see it's more like there's some substance to it you know that refrain Gotta Catch Em All right?" "..." "Well to most parents it looks like a marketing gimmick you make one hundred fifty-one characters and structure a game around collecting them the merchandising potential is astronomical kids buy one hundred fifty-one trading cards stickers coloring books figurines uh collectable lunchable toys I'm sure you've got some yourself."

He continues:

"But really you look at the game itself before the big toy explosion the game itself the focus is placed less on the collection and more on the catalogue you're given a blank encyclopedia to fill and you fill it by capturing one hundred fifty-one Pokemon but the goal is to create a complete database of each and every one and this is what I argue is the educational core of the Pokemon series." His hands left the wheel to conceive of his idea in the cool air of the car, which remained steady on its ever-forward path. "Our modern era is no longer one of singular isolated knowledge it is one of the catalogue the database which is most clearly personified in the advent of the internet because now all knowledge can be at the fingertips of any one human being all that is needed is someone to go and put the catalogue together and presto whiz bang it's there think about it Z. when you catch a bunch of Pokemon where do you store them?" Z. didn't need to think long to remember the game's mechanics. "In the PC." "Exactly now isn't that odd consider it in real life terms you have real life creatures made assumedly of flesh and bone and yet you store them in a computer how does that make sense you'd expect a farm or a holding pen but no it's the computer and that too prepares the budding portion of the millennial generation to become cognizant of the linkage between the computer the encyclopedia and the database structure of knowledge in a new era." "So," said Z. "So you're saying Pokemon taught kids how to think in the digital age?"

There's also a deleted character in Modern Cannibals. Well, mostly deleted—he still shows up, unnamed, in a couple of pages. He is Cole Coulter, Z.'s older brother, a popular League of Legends streamer. Before I deleted him, his role was to accompany Mrs. Roddlevan and Frederick in an attempt to bring Z. back home. He had POV scenes that gave insight into the weirdness of his cotravelers, but ultimately, I decided he didn't add anything to the story and removed him almost entirely.

Even then, though, I was already considering the future of Cole Coulter as the protagonist of a story about League of Legends esports. Playing under the ID MadKing, he would be a North American professional top laner, once known for his aggressive duelist style but recently forced into playing boring tanks as the esports metagame became more sophisticated and tactics-based.

The story would be simple, something I envisioned as a "sports story" only about esports instead of regular sports. It would start with Cole's team being relegated from the league, only for Cole to get a last chance signing to a new team with two promising Korean imports. One import, the mid laner, would be a charismatic and eccentric player in the mold of Doinb/Ganked By Mom/Huhi, while the other, an AD carry, would be introverted and pissy and elitist, in the mold of Piglet. The team would initially struggle, cultures would clash, then a mid-season replacement to sign a psychopathic Tyler1/Tarzaned style streamer as jungler would revitalize the team, put them on a major run, and get them to the World Championship. Though they would eventually fall after a miracle run, Cole would get a moment to truly shine on the biggest stage when he won a pivotal game by aggressive split pushing rather than tank play.

Thematically, the story would be about two things. First, a counterpoint to the idea of American exceptionalism, featuring a league where Americans are particularly bad compared to Korean or Chinese players. Second, an exploration of what it means to be exceptional at all. Cole would be an all-around mediocre person. Middling at school, at (real) sports, at the various popularity contests of being a teenager. League of Legends, this niche sub-sport, is the one thing he truly excelled at, the one place where he was good, better than 99.9 percent of all players, and yet even within that statistical greatness he wound up, ultimately, in a professional scene where he was once again mediocre, relegated to "tank duty," to facilitating other players to carry.

What does it mean to be the best? How can someone be so, so good, only to reach a level where they were still nothing special? Is there any way to win if you're not "the man who always wins"?

I remembered that panel from Electric Tale of Pikachu. The last people filtered before the final champion. It's certainly no walk in the zoo!

This idea was pretty detailed for a story I never wound up writing, something I mostly blame on the years 2018 and 2019, when a lot of bad things happened to me and in retrospect I consider it a minor miracle I managed to finish Chicago at all. As a human being, I would be decimated for the next three years, and so a lot of stories I might have written in that time never came to fruition.

Meanwhile, League of Legends esports reached a peak, then the venture capital bubble burst as investors realized there was no monetization scheme in place for any interested party except Riot Games. Money hemorrhaged out, Riot shifted resources to Valorant, and a sport that had been overinflated based on projected exponential growth in perpetuity fell back down to earth.

Also, Players came out.

Players was a 2022 mockumentary about a fictional League of Legends team competing in the North American league. Conceptually, it was doing a lot of what I had planned for my story: following a single team on a rags-to-riches run, focusing on the interpersonal drama of the team members, asking questions about greatness and its pursuit. It's a pretty good show if you're familiar with League of Legends esports at all, with a lot of on-the-ground fidelity that gives it an authentic feel, which is exactly what I had been hoping to use my esports fanaticism to accomplish. It completely took the wind out of my sails; it was like my idea had already been done.

So by 2022, the idea of a League of Legends esports story was dead. But there was still a drive to create something with that spirit, that would delve into those themes.

What remained after all these years of sifting the sieve, letting sand slip through, was that one panel from the manga. The number of people pursuing greatness slowly filtering until only one remained. And if I wasn't going to pursue that idea through League of Legends, maybe I could pursue it through another vehicle. Maybe the vehicle through which the idea had originally been exposed to me. Pokémon. It all came back to Pokémon.

V. Everything Evolving Into Crabs

I knew immediately that if I were to write a Pokémon fic, it would be a tournament arc. This was the natural evolution of my esports story idea. Also, if I were to write Pokémon, I wanted it to be a story about utopia, immersed within Pokémon's near-future ideal world, where everything is clean and healthy, where society is neat and ordered.

This idea caused me to remember the novel Eyeless in Gaza by Aldous Huxley, which I had read a few years back. A mostly autobiographical bildungsroman written on the precipice of World War II, the novel ends with the young protagonist on a journey to Central America, where he meets an idealistic doctor who believes sport to be a proper substitution for war. He tells the story of two tribes locked in internecine conflict through generations, able to replace that violence with soccer matches.

And wasn't that what the world of Pokémon was, a utopia revolving around neutralizing weapons of war by using them for competitive sport?

This tournament, I envisioned, would not simply be about deciding who was best, but an ideological battle for the future of the Pokémon world. To that end, I imagined a war between an entrenched trainer class, who competed as philosopher-warriors, intense individuals with deep connections to their Pokémon, and an upstart commercialization that sought to replace the ideological underpinnings that made their society so safe and prosperous with economic accumulation. It was from this kernel that the character who would become Aracely Sosa arose: charismatic, appealing, human-empathic, and propped up by a support staff who did all the hard work of teambuilding for her.

I imagined the story having an ensemble cast, focusing on nearly every competitor equally, with the Aracely character not having any especial focus until her improbable rise to the top. I imagined a final round where she faced off against "the man who always wins," and though she would lose to him, she would seem to have won the ideological battle, altering the course of society as major corporations scrambled to employ her formula for success at a much grander scale. The story would end with this realization of the earth-shattering importance behind her run, only for Aracely to sink in disappointment. Because in the end, all she really wanted was to win.

The more I thought about it, though, the less I liked the idea of an ensemble cast. The ensemble cast element of Chicago hadn't gone over very well (though I like it), and I figured it would wind up inflating the length of the story considerably. I was coming to the end of Cleveland Quixotic, after all, and once more wanted to write something smaller, tighter, and denser.

So I oriented my thinking to instead have the story revolve around Aracely and one major rival, to give an interpersonal mirror to the ideological war being waged. Thus, Toril came about as an antithesis to everything I had imagined Aracely to be: gruff, antisocial, independent. Their rivalry would culminate in a semifinals battle, before Aracely went on to fight "the man who always wins" in the finals.

I forget exactly when the gender theme came into the equation, but it evolved as an outgrowth of (once again) my competitive League of Legends expertise, where women are essentially nonexistent despite there seemingly being no biological blocks against them. This dovetailed nicely with Pokémon, a world where women seemingly could be powerful competitors, but where—in the anime at least—none ever are. For instance, look at this chart of every major tournament in the anime:

Every known winner is male. Every known finalist and semifinalist is male. Only a handful of female characters have reached the quarterfinals. What possible in-universe justification could there be for that?

This question was actually far more prominent in early planning and drafting than it wound up being in the final work. Initially, I had Aracely's personal motivation revolve around a drive to be the first female trainer to win; this would increase the ideological conflict between her and Toril, who attempted to ignore that she was female altogether. Over time, this theme would see diminished importance in face of the last piece of the thematic puzzle: cults.

It came from reading Underground by Haruki Murakami, a nonfiction journalistic account of the 1995 Tokyo sarin gas attacks carried out by the cult Aum Shinrikyo under the direction of its leader Shoko Asahara. Japan in the 90s was experiencing its own End of History, one taken literally by those disaffected with modern society's grand narrative. The prophecies of Nostradamus became fashionable among the young, who believed that 1999 would be the final year before the world was destroyed. Murakami interviewed both survivors of the gas attack and members of Aum Shinrikyo, collecting worldviews of people who simply thought they were "different" and who were willing to give everything in their lives to the one place that seemed to accept that difference.

The 1995 attacks were a watershed moment in Japanese culture. In their wake would come pivotal works of Japanese pop media, like the titan of otaku culture, Neon Genesis Evangelion:

(What's scary about Nostradamus' prophecy is that it might not come true. A year whose chief terror was that THIS WAS IT.)

Pokémon, whose first games released in Japan in 1996, also emerged within this post-Aum world where fixation on the minutiae of pop media was becoming a primary pillar of meaning for the youth, and it's hard not to see echoes of cultism in the evil teams that dot the series' landscape. Even Team Rocket, originally more modeled on organized crime than occultism, veers that direction in Gold and Silver, and afterward the organizations and their world-ending plots become increasingly absurd, to the point where it starts to become unclear why anyone would ever follow, say, Lysandre.

As I mentioned earlier, my personal interest in Pokémon was at odds with these clownish, Saturday morning cartoon villain organizations, but Murakami's account of the Aum attacks recontextualized them for me, made them make sense even within the framework of a "realistic" utopian world. The last elements snapped into place, and I knew my main character would be the member of one of these cults. A cult dedicated to, what else? Evolution. A core element of the Pokémon series, a perfect metaphor for the frustrating lack of movement of the End of History 90s. I imagined a cult leader as a surrogate mother figure for Aracely, who would have a strained relationship with both of her own parents, and deciding on that, the idea of making Pokémon's canon evil mother Lusamine the villain was a no-brainer. I imagined a post-SuMo Lusamine, unable to move on from her experience merged with Nihilego, languishing in Kanto after being sent there to consult with Bill, who had his own experience being merged with a Pokémon... It didn't take long to figure out how all these pieces connected.

The full form of the story had taken shape.

VI. Showdown

I knew immediately I would be following Showdown rules for the battles. No alternative even crossed my mind. I had dabbled in Showdown a few times over the years, first in Gen 3 OUs, then later in Gen 7 OUs, and I knew from experience that Pokémon is a monumentally more interesting competitive game when operating at a high level compared to either its depiction in the anime (shounen logic, mid-fight evolutions) or the general playing experience (spam your best move on your overleveled starter). I knew I would use competitive rulesets before I even considered the thematic or worldbuilding aspect I would eventually take in the story itself (i.e., that the specific rulesets prevent battles from becoming bloodsport and enforce order on the world). I simply thought doing battles this way would be far more entertaining.

To prepare, I started playing Gen 9 OUs under the guidance of a few friends who were into the competitive scene. I grinded the ladder for months, eventually getting a good enough grasp on the metagame to reach 1500 Elo on the Showdown ladder, which is not very good but generally higher than someone can reach with dumb luck.

Crafting the tournament format and rulesets used in the story wasn't difficult. I modeled the tournament format on the League of Legends World Championship, with region-based seeds (having been selected due to performance in regional tournaments) competing in four groups before the highest performers advanced to a single elimination bracket. Initially, I envisioned a 32-competitor bracket instead of the 16-competitor bracket that would appear in the final draft, but otherwise the format came quickly and easily.

In terms of the rulesets and available Pokémon, my considerations were made primarily in terms of what would be most entertaining to read. I decided to include Mega Evolutions and not include Z Moves, Dynamax, or Terastallization, because Mega Evolutions are cool and those other gimmicks are not. The bring-9-pick-6 format, while unusual in Showdown rulesets, is similar to the rules in Pokémon Stadium and VGC tournaments, and also adds a level of intrigue to which Pokémon each competitor uses. (It also enabled Red's Zapdos at the climax of the story, which was something I knew I would bring out from very early on.)

With the help of one of my friends who knew competitive Pokémon, I scripted out each battle assiduously before I wrote them. Every battle was tested using Showdown itself, with only a few turns mocked up to account for luck. For instance, in Aracely versus Jinjiao, Slowking is meant to stay asleep for three turns. Rather than rely on luck to ensure Slowking actually slept that long during the test, I could give Slowking a useless move and have him use that instead to simulate being asleep.

The only thing that couldn't be tested in Showdown was the 7 PP Kingambit trick Red uses at the end of the story, because it's impossible to set a Pokémon to have fewer than max PP in Showdown. This led to one of the bigger mistakes of the story, as it turns out that Encore would simply wear off if Kingambit ran out of PP, rather than forcing him to use Struggle like I assumed. Luckily, even if this were the case, it wouldn't change the outcome of the battle, so it's not an error I lose too much sleep over.

Character teams were chosen to thread the needle between a few considerations. The team needed to be competitively viable, reflect the character's personality in some way, and be distinct from other teams for the sake of variety. (Variety is somewhat unrealistic in real top-level competitive Pokémon, where you'll often see many almost identical teams in the top ranks. But that would be boring.) Some lack of optimization was allowed under the conceit that actually training these Pokémon to peak form would take a lot of time in the real world, compared to Showdown were optimization can be determined quickly due to the ability to immediately adjust stats and builds.

I also tried to give some preference for Pokémon that would be more familiar to layman fans, though this was difficult because Gen 8 and 9 have outrageous power creep and many popular early generation Pokémon have been completely phased out. (Using Megas helped with this issue.) It was this consideration that led to Azumarill being Aracely's ace. There was also an innate challenge to imagining what the competitive scene would look like without legendary Pokémon. Zapdos and Landorus-Therian have been inexorable staples of the competitive scene for generations. What happens in a world where they aren't used at all?

In the original 32-person bracket, I imagined Aracely competing against Jinjiao in the first round, then minor characters Adrian da Cunha and Jacq Ray Johnson in the next two rounds, before facing Toril in semifinals. I imagined Adrian da Cunha as a "hometown hero" whose team wasn't great but he was plucky with a lot of grit, and Jacq Ray Johnson as a self-aware heel who liked to use cheesy strategies and gimmicky Pokémon like Smeargle and Ditto. Condensing from 32 to 16 occurred around the same time I had settled on Lusamine as my villain/cult leader, which led to replacing those two with Gladion. I developed full brackets for both the 32-man and 16-man iterations, with character names and regions, just in case I ever needed to mention them.

All that was left to do was write the story.

VII. Unbroken Line of History

I began writing in September 2023 under the tentative title Unbroken Line of History, which I would later change to simply Lines. In the original drafts, I opened the story with a modified version of the panel from Electric Tale of Pikachu detailing how people are filtered over time in their pursuit of being the best, this time starting with all 8 billion people in the world until only one remains. The story then cut to Aracely's perspective in the restroom as she mentally prepared for her final group stage match.

At this point I was more set on Aracely being the clear protagonist of the story, so she had a few facets of her personality designed around that. First, as I mentioned before, there was a feminist angle where she was motivated specifically to be the first female trainer to win the championship. Secondly, I threw in some more generic nervousness/fear of failure. The other major difference is that I did not lead with the cult prophecy of the world ending. I originally envisioned the cult reveal to be a mid-story twist, and only obliquely hinted at it.

The scene still played out with Toril appearing and the two getting off to a bad start. Then, Cely's father tried to talk strategy with her while she ignored him, before the battle transpired in much the same form as it does in the final draft.

I showed this early draft to my friends and most disliked it. My girlfriend at the time told me Cely sounded like an edgy 13-year-old boy, while my neuroscientist friend whose aspirational idol is Bondrewd from Made in Abyss wanted to know more about the oblique hints of a cult, finding everything else boring. Another friend said it was stupid that there were 30 seconds between turns during the battle and that the Pokémon should just go at each other; nobody would actually want to watch a battle that was paced so slowly. (I vehemently disagreed with that take. Basically every popular sport balances between slow-paced moments of strategy and fast-paced moments of action and execution.) Some people I showed it to did enjoy it, though. Gazemaize, the author of Chili and the Chocolate Factory, was especially enamored by the Brittany/Gardevoir reveal and the Bud Light Analyst Desk, and implored me to keep both of those elements at all costs. 7th, one of my friends who helped me with the Showdown stuff, was so into it she drew fan art of all the characters (which I've posted before) and also wrote eight pornographic short stories about them.

I rewrote the same opening scene several times across October and November, though these were minor iterations without significant adjustments. Frustrated with the lack of progress, I decided to take a break from writing to simply think about the story for a few months.

During this time, to fix Aracely's edgy 13-year-old voice, I decided to lean into her being from Pokémon Los Angeles (with her native region, Visia, being a play on "visual" as a reference to Hollywood) and gave her a Valley Girl accent. To prepare for this, I listened to hours and hours of ASMR videos of people speaking like Valley Girls and took notes on their inflection and syntax. It was here where I decided on Aracely's underlining quirk, as a way of capturing the unique style of emphasis Valley Girls used.

This also made me realize I needed to adjust Aracely's personality. Despite the tone of her voice, she was still acting antisocially. She didn't want to talk to her father, she didn't want to talk to Lachlan Nguyen, she didn't even really want to talk to Toril. Toril herself was a lump of coal. My own misanthropy kept leaking into the characters, even when I conceptually didn't want them to have it. I thought back to Cleveland Quixotic, and how what made the Jay and Viviendre romance work was that they actually both liked each other, and figured—even though I didn't have explicitly romantic plans for Aracely and Toril—that I needed to do something similar to make their rivalry truly pop. Rather than avoid people, Aracely would lean into talking to them, even if they were annoying. Although Toril remained frigid, there would be a part of her yearning for emotional contact, a way to coax her out of her shell.

I also thought deeply about the structure of my stories in general, and my inability to come up with good hooks. It was around this time that someone I knew was reading Chicago. They pointed out that the plot of Chicago doesn't really start until Chapter 26; that I was "burying the lede." I considered this. My logic, when writing Chicago, was that the Empire moving to take over Washington would be a twist, something that would shock and excite people and change their perception of the entire story.

But did that make sense, when really the story was "about" that twist? Didn't that just make everything before the twist harder to get into for a reader? Chicago might look radically different if I revealed the Empire's goals immediately, but it would also probably be a more immediately engaging work. I'm a big fan of delayed gratification in storytelling, but had I taken it too far?

This was a major revelation for me, and immediately I understood what I needed to do for my Pokémon story: move up the cult plotline. Place it front and center. Name the whole story after it even. I decided on framing the opening scene from Toril's perspective, depicting Aracely initially more as an alien other, emphasizing the fact that she was in a cult rather than hide it behind foreshadowing. This could also lead to Aracely and Toril having more of a dual protagonist setup, which would make my planned two-half finale (one half where Aracely battled "the man who always wins," one half where Toril got involved in stopping the cult's doomsday plot) work even better.

Confidence resurged. At the end of January 2024, my girlfriend of seven years  and I broke up. A few days later, I started writing the sixth—and ultimately final—draft of When I Win the World Ends.

VIII. When I Win the World Ends

Now it's the part of the Making Of where I actually make the thing I'm supposed to be making, but there's a lot less to say about it. Once I have a plan, the actual writing of the story is the easy part, and most of what I wrote—with a few exceptions—looks similar to the story as it exists now.

There were some oddities. I wrote the first seven chapters (everything up to the end of the Jinjiao battle) and then had to take a two week break to write a short piece for a writing contest I had entered in December as part of an effort to stop overthinking WIW. After this interruption, I returned to WIW writing perhaps a bit more perfunctorily than I usually would, leading to an original version of Chapter 8 (the chapter where MOTHER makes her first real appearance) that was short and abbreviated. Later, in editing, I would rewrite most of this chapter.

A few ideas emerged while writing, like the motif of serendipity/Logos, which I felt tied nicely to the ideas of evolution and history. It was also in this draft that I introduced Cely's friends Haydn and Charlie, as a nod to an earlier work of mine also featuring a fashion-obsessed girl from Los Angeles. (Speaking of nods to earlier works, in the original 32-man bracket, Cole Coulter featured as one of the competitors, but he didn't make the 16-man cut.)

The process went smoothly. I finished the draft at the end of May, a little under four months after I started it. I had envisioned the full story as being about 70,000 words, but the draft ended up closer to 115,000. Underestimating story length is just an essential element of the trade, though.

A few days after finishing the draft I went on a four-day Oklahoma Darkness Retreat where I had access to zero electronics. The goal was to think about my story deeply and how it could be improved in the editing process.

In this time chamber, where I did nothing except complete crossword puzzles and read The Recognitions by William Gaddis, I came to a realization. There was one element the story needed that wasn't already there.

That element was Sabrina. In the original draft, Sabrina was not present during the scene where Aracely meets the Old Man. She was mentioned obliquely a couple of times in conjunction with Aracely's "psychic powers," but it never really built to anything. There was still a scene where Aracely was interrogated due to her relationship with MOTHER, but only by nameless goons, and the scene lacked tension as it was clear Aracely could talk circles around them.

When I returned from Oklahoma, I prepared for my conception of Sabrina as a character by writing an 8,000 word short story from her perspective, which hashed out an entire backstory for her. Then, I started editing the draft.

For me, a lot of editing is just polish. Usually, cutting out needless sentences and fixing clunky ones, as well as emphasizing a few of the more understated themes and motifs. For instance, during editing, I made slight additions to emphasize the thematic connection between Aracely's suicide attempt and the global war that almost destroyed the world, as well as the connection between the moon and cyclical insanity (lunacy, etymologically, being related to the moon). I made the Old Man more of a Walt Disney-esque figure (from my notes: "a dying Disney"), rewriting much of his dialogue to either be direct quotes or to evoke his ideals. I also expanded on several of the scenes where Toril and Aracely interact to make their relationship more complex and nuanced. I gave MOTHER some new dialogue, including her speech in Chapter 18 about loving a child for the potential it promises, while also paradoxically wanting it to remain a child forever.

The largest changes were in the three chapters I almost fully rewrote. The first was Chapter 8, which as I mentioned earlier was overly terse. In the original draft, it depicted MOTHER as more pathetic, more dependent on Aracely. I decided to make her a more threatening figure, and incorporated a few references to the Moloch sacrifice scene from Valle Verde to make her seem more like a false idol. Similarly, I rewrote Chapter 12, which was originally a very short chapter that focused solely on a conversation between MOTHER and Nilufer that ended with the order to kidnap Aracely. In rewriting the chapter to include Fiorella, I gave myself more opportunity to flesh out the respective philosophies of her and MOTHER (including some of the story's most salient discussions about why cults exist), as well as give more of an insight into the inner workings of RISE as an organization. And lastly, I fully rewrote Chapter 19 to include Sabrina.

The last changes I made in editing were to the final chapter. When I finished the final draft of the story, I sent it to several readers, many of whom had looked at the original drafts of the first chapter, as well as julirites, the author of a Fargo fan fiction called London. There was an immediate and minor backlash to the final chapter, which was originally much more pessimistic, from most people who read it. In the original version, Aracely and Toril were not still in communication. (Fiorella was also dying of cancer instead of jockeying to replace the Old Man.) The finale had a much more somber, sedate, tragic note. Juli and 7th disliked this sad ending, while Gazemaize wanted me to cut the final chapter altogether. I felt confident that the final chapter was necessary, though, and revised it to its current version, which was much better liked.

And then... the story was finished, near the end of July. I crunched the numbers and realized that if I posted two chapters to start and then did a twice-weekly posting schedule, I could end the story serendipitously on October 12. So I did.

IX. Names and Special Thanks

In my Making Of post for Cleveland Quixotic, I had a fairly extensive list of where I got all the character and place names from. The list is a lot less extensive here; most names I constructed for the purpose of sounding evocative, rather than taking them from someplace specific. For instance, I chose the name Aracely Sosa because it sounds like whistling with its repeated S sounds, compared to Toril Lund which is a lot harsher with its consonants. You can see a similar rationale behind names like Fiorella Fiorina, Yui Matsui, and even some of the background characters, like Jacq Ray Johnson, Jr., where there is a lot of emphasis on alliteration and rhyme.

There are a couple of exceptions. Jinjiao is the in-game ID of a longtime Chinese League of Legends pro of middling notability. He picked the name (which means "Golden Horn") as a reference to the Golden Horned King, a villain from Journey to the West.

Lutz, Fiorella's cameraman, was named after an extremely minor character from Fire Emblem: Path of Radiance, who is not playable and only appears in a singular cutscene before being killed. They are so irrelevant that despite naming a character after them, I actually forgot their name, which is Lotz, not Lutz.

Haydn is named after the famous classical composer.

Special thanks to 7th and Elick320 for helping me with the teams and battles. Thanks to Gazemaize and julirites, among others unnamed, for reading and providing feedback. And thank you all for enjoying the story.

[catherinetheprincessofwales]

Four generations of The House of Windsor and The Kennedy Family.

1938 - Rose Fitzgerald Kennedy presents her daughters Rosemary and Kathleen to the Court of St James. Kathleen married the future Duke of Devonshire in 1944 and became the Marchioness of Hartington, her husband tragically died months later in World War II. In 1948 she died in a plane crash while travelling with her intended future husband the 8th Earl of FitzWilliam.

1939 - King George VI and Queen Elizabeth with US Ambassador Joseph Kennedy Sr. and Rose Fitzgerald Kennedy.

1961 - Queen Elizabeth II and Prince Philip host US President John F. Kennedy and First Lady Jacquline Bouvier Kennedy.

1963 - Prince Philip attends the funeral of John F. Kennedy. Prince Philip is remembered as comforting the young John F. Kennedy Jr. by playing toys with him on the floor of the White House playroom.

1965 - Queen Elizabeth II, Prince Philip Jacqueline Kennedy and her children Caroline and John Jr. inaugurate the memorial to the late US President John F. Kennedy in Runnymede, England. Runnymede was the location of the legendary tales of King Arthur and Camelot. The legendary tales were often used to describe the JFK presidency.

2005 - Prince Charles and Maria Kennedy Shriver, niece of John F. Kennedy in the gardens of the California Governors Mansion, her now former husband Governor of California, Arnold Schwarzenegger.

2022 - Prince William meets Caroline Kennedy, US Ambassador to Australia and her children Jack and Tatiana Schlossberg in Boston for Williams Earthshot Prize Award, which is inspired by JFKs Moonshot.

[changesforminnesota]

Molly’s Cracker Jack Collection

Cracker Jack was a popular caramel popcorn and peanut food and every box came with a prize. Molly loved to collect and trade small toys from inside these boxes. Open the Cracker Jack Box and help Molly eat the pretend popcorn. She keeps her growing collection in an old cigar box. It includes two marbles, a ring, two tiny animals, a World War II airplane and three paper toys.

Details about Cracker Jack and how I made the collection under the cut.

What are Cracker Jack prizes?

Cracker Jack is a caramel coated popcorn and peanut mix that was first sold around 1896. It is a staple of American baseball games and other sporting events. It’s even mentioned in the song that plays at every baseball game, “Take Me Out to the Ballgame”, written in 1908: “Buy me some peanuts and Cracker Jack, I don’t care if I never get back”. 

Cracker Jack started giving prizes in their boxes in 1912, and throughout most of the century, these prizes were highly collectable among kids. Most of the prizes are plastic animals and other trinkets, as well as many paper or cardboard items like games and collectible cards. Some even included tiny books or flipbooks or dollhouse furniture. It’s fascinating to look through the years and see how things changed, from metal to plastic, the different pop culture references, the war years, et cetera.

Frito-Lay bought the company in 1997 and changed all of the prizes to flat things like tattoos, stickers, and jokes. Not the same experience at all–that’s what I remember from growing up. And now they don’t even include anything but a QR code for an online game.

Research

To make Molly’s collection, I looked through the 1940s pages of a collector’s guide on Internet Archive to get a sense of what was available at the time. I took some things from the 1930s and 1950s too. I printed out some of the flat games and collected other items based on what I could find in a teeny tiny scale–these toys were already really small so it was hard to find things that are small on an American Girl scale. I also did some searching about how kids collected these, and someone said they were often kept in old cigar boxes, which might not be PC enough for PC, but I liked the idea so I made a cigar box out of a fancy cardboard jewelry box I had. (more on collecting and trading below).

I have ideas to add more prizes, like printing out movie star trading cards and coming up with a way to make pins–I’m picturing something like the doll Grin Pins. 

Molly Lore (head-canon)

I can imagine Molly trading away all of the warplane cards and toys to her brother Ricky for dollhouse furniture, jewelry, animals, movie star items, and so on. There were, unsurprisingly, tons of planes and other war items in Cracker Jack in the 1940s. It seemed like Molly was always getting planes and Ricky was always getting stupid doll furniture! They both liked the games, though. Molly and Ricky gave any leftover prizes they didn’t want to Brad. 

One day Jill decided she was “too mature” for Cracker Jack and gave her collection to Molly, which was more annoying than it should have been, because there’s something kind of not fun about suddenly getting things all at once that you’ve been collecting slowly. Molly invited Susan and Linda over to pick through Jill’s collection, each girl choosing one thing at a time until it was divvied up. At least sharing with her best friends and not keeping it all to herself made it a little more fun. 

Resources:

This collector’s guide was instrumental in my research. It both gave me specific ideas and a general sense of the experience and patterns of the prizes. There were a few telling editorial remarks like this one about Barrettes on page 127: “Left a lot to be desired if a little boy got it. (Then again, I’m sure that many a little girl was disappointed to get a “war” prize).” This is what gave me the image of Ricky and Molly trading their prizes and both of them being happy about it!

https://archive.org/details/crackerjacktoysc0000whit

Another resource I used was this selling website:

Although the search function is pretty awful, it is good for scans of paper prizes. 

Here is the google doc I used to collect the pictures I wanted to print in what seemed an appropriate size: https://docs.google.com/presentation/d/196ByHxFQ8G21VbtBmT5H2ZCmigQnAYsUfbzru0buivM/edit?usp=sharing 

[coaz-photography]

This guy was one of my favorite toys as a kid

[foreverknightalways]

Flashback: London, England, 1941 during World War II

As Nicholas places the toy fire truck on the fireplace mantle and turns around to speak with LaCroix. Nicholas says, Really. Nicholas met with a growl and shocked look on his face, as he realizes its Daniel, vamped out. Daniel greets Nicholas, Hello, Nicky! Welcome home.

[autumngracy]

October Movies Watchlist

Cozy Autumn Vibes

When Harry Met Sally (1989)

You've Got Mail (1998)

Mona Lisa Smile (2003)

Good Will Hunting (1997)

Clue (1985)

The Good Witch (1999)

Autumn in New York (2000)

Legends of the Fall (1994)

Dead Poets Society (1989)

October Sky (1999)

Big Fish (2003)

The Lake House (2006)

Rip in Time (2022)

Little Women (2019)

Knives Out (2019)

Anne of Green Gables (1985)

Cider House Rules (1999)

Remember the Titans (2000)

Nostalgic & Kid-Friendly:

The Halloween Tree (1993)

Matilda (1996)

The Iron Giant (1999)

Halloweentown (1998)

Halloweentown II: Kalabar's Revenge (2001)

Halloweentown High (2004)

Return to Halloweentown (2006)

James and the Giant Peach (1996)

The Nightmare Before Christmas (1993)

Monsters, Inc. (2001)

Monsters University (2013)

Pooh's Heffalump Halloween Movie (2005)

Fantastic Mr. Fox (2009)

Pagemaster (1994)

Into the Woods (2014)

Howl's Moving Castle (2004)

Don't Look Under the Bed (1999)

Spirited Away (2001)

Mary and the Witch's Flower (2017)

The Corpse Bride (2005)

A Monster in Paris (2011)

The Adventures of Ichabod and Mr. Toad (1949)

Puss in Boots: The Last Wish (2022)

Guillermo del Toro's Pinocchio (2022)

Coraline (2009)

Bedknobs and Broomsticks (1971)

The Karate Kid (1984)

The Last Unicorn (1982)

Jumanji (1995)

Earnest Scared Stupid (1991)

Hotel Transylvania (2012)

Hotel Transylvania 2 (2015)

Hotel Transylvania 3: Summer Vacation (2018)

Hotel Transylvania: Transformania (2022)

Edward Scissorhands (1990)

Twitches (2005)

Twitches Two (2007)

Wallace & Gromit: The Curse of the Were-Rabbit (2005)

Little Monsters (1989)

The Witches (1990 or 2020 remake)

Labyrinth (1986)

The Gate (1987)

Scary Stories to Tell in the Dark (2019)

Mom's got a Date with a Vampire (2000)

The House with a Clock in Its Walls (2018)

The Little Vampire (2000)

Haunted Mansion (2003)

Muppets Haunted Mansion (2021)

The Dark Crystal (1982)

Beetlejuice (1988)

Beetlejuice Beetlejuice (2024)

Five Nights at Freddy's (2023)

It's The Great Pumpkin, Charlie Brown (1966)

Hocus Pocus (1993)

The Addams Family (1991)

The Addams Family Values (1993)

The Addams Family (2019)

The Addams Family 2 (2021)

ET (1982)

Return to Oz (1985)

Paranorman (2012)

Monster House (2006)

Toy Story of Terror! (2013)

The Scream Team (2002)

Double, Double Toil and Trouble (1993)

The Secret of NIMH (1982)

Ghostbusters (1984)

Ghostbusters II (1989)

Ghostbusters (2016)

Ghostbusters: Afterlife (2021)

Ghostbusters: Frozen Empire (2024)

Wolfwalkers (2020)

The Secret of Kells (2009)

Song of the Sea (2014)

Goosebumps (2023)

Goosebumps 2 (2018)

The Goonies (1985)

Casper (1995)

Disney's Tower of Terror (1997)

Alvin and the Chipmunks Meet the Wolfman (2000)

Mad Monster Party (1967)

Wendell & Wild (2022)

Under Wraps (1997)

Under Wraps (2021)

Phantom of the Megaplex (2000)

Scooby Doo and the Ghoul School (1988)

Scooby Doo and the Reluctant Werewolf (1988)

Scooby Doo on Zombie Island (1998)

Scooby Doo and the Witch's Ghost (1999)

Scooby Doo and the Alien Invaders (2000)

Zombies

Zombieland (2009)

Zombieland: Double Tap (2019)

Autumn (2014)

The Wailing (2016)

The Night Eats the World (2018)

The Dead Don’t Die (2019)

Scouts Guide to the Zombie Apocalypse (2015)

City of the Living Dead (1980)

The Beyond (1981)

The House by the Cemetery (1981)

Rec (2007)

Rec 2 (2009)

Quarantine (2008)

Quarantine 2: The Terminal (2011)

28 Days Later (2002)

28 Weeks Later (2007)

Train to Busan (2016)

Seoul Station (2016)

Cemetery Man (1994)

World War Z (2013)

Night of the Living Dead (1968)

Return of the Living Dead (1985)

Dawn of the Dead (2004)

Shawn of the Dead (2004)

Zombi (1978)

Zombi 2 (1979)

Zombi 3 (1988)

The Plague of the Zombies (1966)

Resident Evil (2002)

Resident Evil: Apocalypse (2004)

Resident Evil: Extinction (2007)

Resident Evil: Afterlife (2010)

Resident Evil: Retribution (2012)

Resident Evil: The Final Chapter (2017)

Resident Evil: Welcome to Raccoon City (2021)

Vampires & Werewolves

Dracula (1931)

Dracula's Daughter (1936)

Horror of Dracula (1958)

The Brides of Dracula (1960)

Dracula: Prince of Darkness (1966)

The Empire of Dracula (1967)

Dracula Has Risen from the Grave (1968)

Taste the Blood of Dracula (1970)

Count Dracula (1970)

Dracula A.D. 1972 (1972)

The Satanic Rites of Dracula (1973)

Scars of Dracula (1970)

Bram Stoker's Dracula (1992)

Van Helsing (2004)

Last Voyage of The Demeter (2023)

Renfield (2023)

Vampyr (1932)

Mark of the Vampire (1935)

Only Lovers Left Alive (2013)

The Vourdalak (2023)

A Girl Walks Home Alone at Night (2014)

What We Do in the Shadows (2014)

Interview With the Vampire (1994)

Queen of the Damned (2002)

Dark Shadows (2012)

Abigail (2024)

Blade (1998)

Blade II (2002)

Blade: Trinity (2004)

Vampire in Brooklyn (1995)

Fright Night (1985 or the 2011 remake)

The Last Man on Earth (1964)

I am Legend (2007)

Daybreakers (2009)

The Lost Boys (1987)

Salem's Lot (1979)

30 Days of Night (2007)

Underworld (2003)

Underworld: Evolution (2006)

Underworld: Rise of the Lycans (2009)

Underworld: Awakening (2012)

Underworld: Blood Wars (2016)

The Howling (1981)

Ginger Snaps (2000)

Werewolf of London (1935)

An American Werewolf in London (1981)

Silver Bullet (1985)

The Company of Wolves (1984)

Howl (2015)

Moon of the Wolf (1972)

Dog Soldiers (2002)

The Wolfman (1941)

The Curse of the Werewolf (1961)

The Wolfman (2010)

Slashers

Psycho (1960)

Candyman (1992 or 2021 remake)

Pearl (2022)

X (2022)

Child's Play (1988)

Child's Play 2 (1990)

Child's Play 3 (1991)

Bride of Chucky (1998)

Seed of Chucky (2004)

Curse of Chucky (2013)

Cult of Chucky (2017)

Scream (1996)

Scream (2022)

Happy Death Day (2017)

Happy Death Day 2U (2019)

Friday the 13th (1980)

Friday the 13th Part II (1981)

Friday the 13th Part III (1982)

Friday the 13th: The Final Chapter (1984)

Friday the 13th: A New Beginning (1985)

Friday the 13th Part VI: Jason Lives (1986)

Friday the 13th Part VII: The New Blood (1988)

Friday the 13th Part VIII: Jason Takes Manhattan (1989)

Jason Goes to Hell: The Final Friday (1993)

Jason X (2002)

Freddy vs. Jason (2003)

Friday the 13th (2009)

Children of the Corn (1987)

Halloween (1978)

Halloween II (1981)

Halloween III: Season of the Witch (1986)

Halloween 4: The Return of Michael Myers (1988)

Halloween 5: The Revenge of Michael Myers (1989)

Halloween: The Curse of Michael Myers (1995)

Halloween H20: 20 Years Later (1998)

Halloween Resurrection (2002)

Halloween (2007)

Halloween II (2009)

Halloween (2018)

Halloween Kills (2021)

Halloween Ends (2022)

Nightmare on Elm Street (1984)

A Nightmare on Elm Street 2: Freddy's Revenge (1985)

A Nightmare on Elm Street 3: Dream Warriors (1987)

A Nightmare on Elm Street 4: The Dream Master (1988)

A Nightmare on Elm Street 5: The Dream Child (1989)

Freddy's Dead: The Final Nightmare (1991)

Wes Craven's New Nightmare (1994)

A Nightmare on Elm Street (2010)

Black Pumpkin (2020)

Hauntedween (1991)

Dark Harvest (2023)

Monsters

The Invisible Man (1933)

The Mummy (1932)

The Mummy (1959)

The Mummy (1999)

Frankenstein (1931)

Bride of Frankenstein (1935)

Son of Frankenstein (1939)

The Curse of Frankenstein (1957)

Creature From the Black Lagoon (1954)

The Monster Club (1981)

The Monster Squad (1987)

Hellboy (2004)

Hellboy II: The Golden Army (2008)

Hellboy (2019)

The Gorgon (1964)

Gremlins (1984)

Gremlins 2: The New Batch (1990)

Little Shop of Horrors (1986)

Pumpkinhead (1988)

Pumpkinhead II: Blood Wings (1994)

Pumpkinhead: Ashes to Ashes (2006)

Pumpkinhead: Blood Feud (2007)

Cloverfield (2008)

Jurassic Park (1993)

Jeepers Creepers (2001)

Jeepers Creepers 2 (2003)

Jeepers Creepers 3 (2017)

Jeepers Creepers: Reborn (2022)

Don't Be Afraid of the Dark (1973 or 2010 remake)

Tremors (1990)

Tremors 2: Aftershocks (1996)

Tremors 3: Back to Perfection (2001)

The Mist (2007)

The Descent (2005)

The Descent Part 2 (2009)

Bird Box (2018)

Aliens

The War of the Worlds (1953)

War of the Worlds (2005)

Annihilation (2018)

Invasion of the Body Snatchers (1956)

Invasion of the Body Snatchers (1978)

Slither (2006)

Forbidden Planet (1956)

Signs (2002)

Mars Attacks (1996)

Evolution (2001)

Color Out of Space (2019)

Cowboys & Aliens (2011)

Paul (2011)

A Quiet Place (2018)

A Quiet Place: Part 2 (2020)

The Faculty (1998)

Prey (2022)

Predator (1987)

Predator 2 (1990)

Alien vs. Predator (2004)

Aliens vs. Predator: Requiem (2007)

The Predator (2018)

Predators (2010)

Alien (1979)

Aliens (1986)

Alien 3 (1992)

Alien: Resurrection (1997)

Prometheus (2012)

Alien: Covenant (2017)

Alien: Romulus (2024)

Nope (2022)

Apollo 18 (2011)

Dreamcatcher (2003)

The Thing From Another World (1951)

The Thing (1982 or 2011 remake)

Evil & Hauntings

Annabelle (2014)

Annabelle: Creation (2017)

Annabelle Comes Home (2019)

Sleepy Hollow (1999)

The Curse of La Llorona (2019)

Ghost (1990)

Ghostwatch (1992)

The Uninvited (1944)

Hellraiser (1987)

Spawn (1997)

WNUF Halloween Special (2013)

The Lady in White (1988)

The Deep House (2021)

Ready or Not (2019)

The Woman in Black (2012)

The Woman in Black: Angel of Death (2014)

The Haunting (1963)

Ouija (2014)

Ouija: Origin of Evil (2016)

The Others (2001)

La Llarona (1960)

Gothika (2003)

Poltergeist (1982)

Poltergeist II: The Other Side (1986)

Poltergeist (2015)

The Shining (1980)

Doctor Sleep (2019)

The Brothers Grimm (2005)

The Conjuring (2013)

The Conjuring: The Devil Made Me Do It (2021)

The Conjuring 2 (2016)

The Exorcist (1973)

Constantine (2005)

The Frighteners (1996)

1408 (2007)

Mama (2013)

Crimson Peak (2015)

The Grudge (2004 or the 2020 remake—OR, Ju-on, the og Japanese 2002 version)

The Sixth Sense (1999)

The Devil's Backbone (2001)

The Evil Dead (1981)

The Evil Dead 2 (1997)

Army of Darkness (1992)

The Evil Dead (2013)

The Evil Dead Rise (2023)

Skinamarink (2022)

Kill Baby Kill (1966)

Burnt Offerings (1973)

The Tomb of Ligeia (1964)

As Above, So Below (2014)

A Haunting in Connecticut (2009)

Shutter (2008)

The Mist (2008)

Pulse (2001)

The Eye (2008)

Ringu (1998)

The Ring (2002)

The Ring Two (2005)

Sinister (2012)

Insidious (2010)

Insidious: Chapter 2 (2013)

Insidious: The Last Key (2018)

Insidious: The Red Door (2023)

Grave Encounters (2011)

Grave Encounters 2 (2012)

Paranormal Activity (2007)

Paranormal Activity 2 (2010)

Paranormal Activity 3 (2011)

Paranormal Activity 4 (2012)

Paranormal Activity: The Ghost Dimension (2015)

Paranormal Activity: Next of Kin (2021)

Aterrados (In English: Terrified) (2018)

The Ghost and Mrs. Muir (1947)

High Spirits (1988)

Veronica (2017)

The Omen (1976)

The Omen 2 (1978)

The Omen (2006)

The First Omen (2024)

Thirteen Ghosts (2001)

The Babadook (2014)

Phantasm (1979)

Phantasm II (1988)

Phantasm III: Lord of the Dead (1994)

Phantasm IV: Oblivion (1998)

Phantasm V: RaVager (2016)

Devil Dog (1978)

Jennifer's Body (2009)

Lights Out (2016)

Kwaidon (1964)

Ghost Ship (2002)

House on Haunted Hill (1959)

The Devil Rides Out (1968)

Tales from the Crypt: Demon Knight (1995)

Witches & Magic

Pan's Labyrinth (2006)

The Witches of Eastwick (1987)

Practical Magic (1998)

The Witch (2015)

The Blair Witch Project (1999)

Book of Shadows: Blair Witch 2 (2000)

Blair Witch (2016)

The Wicker Man (1973)

The Wicker Man (2006)

The City of the Dead (1960)

Bell Book and Candle (1958)

The Witches (1990 or 2020 remake)

Black Sunday (1960)

El Espejo de la Bruja (In English: The Witch's Mirror) (1960)

I Married a Witch (1942)

The Craft (1996)

Apostle (2018)

The Love Witch (2016)

Burn Witch Burn (1962)

Horror

Creepshow (1982)

Creepshow 2 (1987)

November (2017)

The Pit and the Pendulum (1961)

Sweeney Todd: The Demon Barber of Fleet Street (2007)

Trick r Treat (2007)

Bad Candy (2020)

The Barn (2016)

The Barn: Part II (2022)

Tales of Halloween (2015)

Willy's Wonderland (2021)

Eyes Without a Face (1960)

Frankenstein Created Woman (1967)

Valerie and Her Week of Wonders (1970)

The Midnight Hour (1985)

The Curse of Bridge Hollow (2022)

The Birds (1963)

Cape Fear (1960)

Horns (2013)

M3GAN (2022)

The Phantom of the Opera (1925)

The Phantom of the Opera (1943)

The Phantom of the Opera (1962)

The Phantom of the Opera (2004)

Viy (1967)

Haunt (2019)

Diabolique (1955)

The X-Files: I Want to Believe (2008)

Rosemary's Baby (1968)

The Lodge (2019)

The Mask of the Red Death (1964)

The Premature Burial (1962)

Dark Night of the Scarecrow (1981)

Dark Night of the Scarecrow 2 (2022)

Buried Alive (1990)

Midsommar (2018)

Island of Lost Souls (1932)

Honeymoon (2014)

Session 9 (2001)

The Blood of Satan's Claw (1971)

Black Death (2010)

Something Wicked This Way Comes (1983)

Pet Sematary (1989 or the 2019 remake)

It (1990)

It: Chapter One (2017)

It: Chapter Two (2019)

Hereditary (2018)

Tales from the Darkside: The Movie (1990)

Re-Animator (1985)

Bride of Re-Animator (1990)

Beyond Re-Animator (2003)

Lisa Frankenstein (2024)

V/H/S (2012)

V/H/S/2 (2013)

V/H/S: Viral (2014)

V/H/S/94 (2021)

V/H/S/99 (2022)

V/H/S/85 (2023)

V/H/S/Beyond (2024)

Eyes of Fire (1983)

The Red House (1947)

Deadly Blessing (1981)

Dark Water (2002 or 2005 remake)

The Substance (2024)

Thinner (1996)

Cobweb (2023)

The Happening (2008)

Mystery of the Wax Museum (1933)

House of Wax (1953)

House of Wax (2005)

Dr. Jekyll and Mr. Hyde (1931)

The Devil-Doll (1936)

The Man They Could Not Hang (1939)

Black Sabbath (1963)

Cabin in the Woods (2011)

The Ruins (2008)

Summer of Fear (1978)

Fear Street: Part One, Two & Three (2021)

The Ritual (2017)

Dr. Terror's House of Horrors (1965)

The Black Cat (1934)

Teeth (2007)

Late Night with the Devil (2023)

I Saw the TV Glow (2024)

Freaks (1932)

The Old Dark House (1932)

Mr. Sardonicus (1961)

I Bury the Living (1958)

Plague Dogs (1982)

Watership Down (1978)

Ringing Bell (In Japanese: Chirin No Suzu) (1978)

Felidae (1994)

Psychological

Lake Mungo (2008)

Shutter Island (2010)

The Dead Zone (1983)

Donnie Darko (2001)

Us (2019)The Village (2004)

Carnival of Souls (1962)

Carnival of Souls (1998)

Deus Ex Machina (2014)

The Lazarus Effect (2015)

It Follows (2014)

Get Out (2017)

Comedy/Satire

Arsenic and Old Lace (1944)

Young Frankenstein (1974)

Death Becomes Her (1992)

Hubie Halloween (2020)

Scary Movie (2000)

Scary Movie 2 (2001)

Scary Movie 3 (2003)

Scary Movie 4 (2006)

Scary Movie 5 (2013)

[alexanderwales]

When I was nine years old, my grandfather died.

He was a life long smoker, and lung cancer got him. He died slowly in a hospital bed that had been brought into their house, and we made the trip so South Dakota as a family to watch him die.

He couldn't move on his own. He was weak and wasting away, and they needed to periodically turn him so he wouldn't get bed sores. I had never heard of bed sores before that, and I was scared of them, of the mere concept that someone could be so immobilized that their body would start to ache. His skin was thin and translucent, showing every liver spot and wrinkle in bold, and his eyes were sunken in. There was a smell of death and disinfectant in the house, warring for my nostrils.

My parents were going through a divorce at the time, so my dad wasn't with us. My grandfather, on his deathbed, told me that he wanted me to change my last name to be my mother's. It was important to him. He was leaning forward, using his limited strength to be emphatic, dry mouth forming the words.

It's kind of a fucked up deathbed request. I didn't end up doing it, mostly because I was nine, and as I grew older I started to resent the request, which had sat very heavy with me when I was little.

His sons built his coffin in the driveway. My grandfather was a woodworker, among other things, and it was their way of honoring him, but they also argued during the course of the building, and I didn't like the sounds of the power tools or the nails being driven in. It was a very plain coffin, I remember, and I always wondered where the idea to make it using his tools, in the driveway had come from. Symbolically, I guess there's something there, building the vessel of death, but at the time it just felt really off-putting and morbid.

My aunt was a doctor, and she was doing most of the work of taking care of him, helping to rotate his body, double-checking the medications, making sure that he was as comfortable as he could be.

But my grandfather made her a deathbed request to her too, and it was that she kill him. That's a lot to ask from your own child, and moreso because she could have lost her ability to practice medicine if anyone found out, but I also thought ... I don't know, that someone else should have done it? He was in pain, and not always lucid, but he'd made his request, and we were all waiting on him to die.

And so I thought, at nine years old, that I would do it, find some way to grant at least that wish, to end his suffering.

I didn't end up doing that either, because I was little.

I didn't know my grandfather all that well, because he died when I was young. We built a wooden toy together when I was seven, before he'd gotten so sick, and he gave me some wood carving tools that I never used. He had been a farmer before he lost the farm, and losing that farm was one of those things that echoed through my mom's childhood, but I don't remember him ever talking about it. He was a conscientious objector in World War II, because he was a Mennonite, but unlike my other grandfather, I don't remember him every telling me any stories about it.

I think overall it's good to let kids know that people die, to not shield them from it completely, but I don't think I endorse putting a child that close to death, not for so much time, or at least not a child like me.

(If you've read some of my fiction, you might recognize this as a very similar to something Juniper says in Worth the Candle, and yes, that part of the book, like many others, is roughly autobiographical.)

[thehuntfortrencherlostmedia]

Hello folks.

So, I waited a while to let everything marinate in my brain before writing this. Haven is an interesting album to discuss in the grand scheme of the Trench discography. Everything feels familiar & status quo, but different, new & exciting all at once. Its production is fantastic throughout and truly allows for everything to shine. It’s also their most cinematic album to date, which is saying something given what Astoria was inspired by.

So let’s break down each track, shall we?

A Normal Life: Already gushed about this one when it came out and my thoughts haven’t changed one bit. This just might be my new favourite opener. There’s just a little sprinkling of everything from all across their discography that allows this beauty to marinate and stand on its own.

Lightning & Thunder: I’m torn. I like it still, but I do think that when you listen to it within the context of the album it loses something. It was definitely made to be a radio single. There’s nothing wrong with that.

I’m Not Getting Better: Straight to the point, catchy & fun. I really have nothing else to say on the song.

Down To You: Arguably the biggest earworm on the album. This one gets in your head and it just stays with you.

Now or Never: The By Now of the record for me. Soft & yet full of momentum all at once. This is a dream worth fighting for, indeed. Also, while both INGB & DTY show off a more R&B/Funk flow, it really sticks on this song, and now that you’ve noticed it, you’ll be hearing it a lot throughout the record.

Into The Storm: Hello, Porcelain. But also… it’s own thing. It might not be giving up, but I don’t see it as surrender either. I see it as going with the flow, facing your problems head on. This is also the first true dive into Josh’s relationship with Amanda on the album, and how he’s so happy they finally figured out how to co-exist.

Ancient History: Oh hi, Astoria. You mind if I take elements of Burning Up & Yesterday and blend them into something new? And how about the past arguments in his and Amanda’s relationship don’t matter, and how it was nice to meet back up with her. It shows how time can heal relationships. Also, SAXOPHONE. That is all.

Stand and Fight: The actual Porcelain of the record. People thought they were gonna go in a This Meets War for this song, when instead it’s a slow burn that truly stays with you.

Turn & Run: Here’s how you do a sequel song and then make it stand out from its older brother. Much like the combos of Celebrity Status/Perfect & B-Team/Toy Soldiers, both sides of the coin make me giddy inside. And holy cow… welcome to the edge indeed. That hint of Fix Me screaming… I need more of it Josh. Please? I’ll be a good girl. There’s also a lot of Masterpiece Theatre II on this one. Easily my favourite of the short songs.

Worlds Collide: I go back and forth on this one in my head. There’s parts of me that love it, there’s parts of me that feels it’s too similar to the two tracks before it…. And then we have the end. And that just… made me smile. Also, I love Josh SCREAMING “Nobody’s Safe” and the fact they left in the vocal crack. That’s how you can tell his emotions are in full display here. So yeah.

Nights Like These: The comforting palette cleanser after three songs hit you with whiplash back to back to back. It’s very reminiscent of tavern songs, sea shanty’s & is just a warm hug of a track. Also, breaking down the fact that sometimes it’s nice to have just a cozy, relaxing night with friends. Feels like the Who Do You Love of the record too.

Remember Me By: Um, Micheal? Did you just possess Josh again? This feels so 80’s R&B I can’t help but love it. Also, Ian! Nice to hear you sing, bud. We’ve heard the other three all throughout this record and now we get your voice on top of the amazing percussion. Kudos.

Haven: So, here we are. The closing track. And, it’s good. It feels like they took The Killing Kind , Masterpiece Theatre III & End of An Era Abd threw them in a blender… and the result came out great, but… it does lack something to me? And if anything, it brings out the fact this album fits into the Relationship Theory too: It is about starting anew like I said ages ago but also about how their relationship (Josh & Amanda) isn’t perfect but he loves the imperfection now that they’ve figured out how to make it work. She might’ve broke his heart once but he reconciled & became stronger because of it. And now he can show that all across these 13 tracks.

So yeah. Haven’s likely my album of the year, and I do like it. But I do think that while it has some of the highest highs the band had ever reached, I do think they didn’t fully nail the Hero’s Journey theming & that it’s not as cohesive as some of their other work. It’s a sturdy S-, easily #2 or #3 in my overall rankings, even #1 depending on the day.

[sistersorrow]

I'm just gonna list SCPs from each series you may or may not have read

SCP-008-J - Geoff: A 23 year old man named Geoff who keeps finding his way into Foundation facilities completely by accident and in such a manner that the Foundation isn't actually sure if he's anomalous or not

SCP-7474-EX - Not All Aliens Are Anomalies: An alien argues that they should not be in containment because their technology is explicable within the standard model of physics

The Great Hippo's SCP-001 Proposal (feat. PeppersGhost) - A Good Boy: The Foundation builds a computer which becomes SCP-001 by neutralising every other SCP in containment

SCP-423 - Self-Inserting-Character: A fictional character named Fred who can jump between any narrative works placed near each other and then inserts himself into the story as a minor character

SCP-1006 - Spider Proletariat: A community of communist spiders living in a national park under their own rudimentary Marxist governmet

SCP-2137 - The Forensic Ghost of Tupac Shakur: A copy of Me Against the World (which may or may not be possessed by his ghost) which when played reveals the locations of murderers connected to cold cases, with the additional implication that Tupac was a higher being who incarnated as a human to take a break from warring against the Scarlet King

SCP-2557, A Holding of Envelope Logistics®: An SCP slot the Foundation can no longer use because the concept of SCP-2557 as a set of Special Containment Procedures in the Foundation Database was purchased in 2011 by a company which invests in abstract concepts, with the whole page now being an ad for said company

SCP-2719 - Inside: A "variable abstract-metaphysical construct pointer" which can either designate a concept as inside or make a concept go inside

SCP-3006 - Twice The Number One: A YouTube video titled "we are number one except every time you play it there are twice as many robbie rottens but the room is the same size[nsfw]" whose effects spread to every other video linked in the same thread as it whenever anyone posts a link

SCP-3309 - Where We Go When We Fade, Fade Away: The Foundation fills SCP documents with grammatical errors to trigger the SCP Wiki's quality control measures, leading to the now poorly written anomaly being erased from existence

SCP-4413 - The End of Something Really Excellent: Homestuck fans use metafictional rituals to enter the narrative of Homestuck triggering a pataphysical war over control of the narrative which spreads to Homestuck fanfiction and sees many Homestuck characters escape to baseline reality

SCP-4485 - Such Black Light: The Church of the Broken God collaborates with a post-modernist splinter sect of Are We Cool Yet? to destroy formal logic in the hopes that by doing so there will be no meaningful distinction between Cool and Uncool or Broken and Unbroken, so their god will be resurrected and AWCY? will attain a state of artistic perfection referred to as "Coolness"

SCP-4493 - Keep Pride Out of Corps: A phenomenon caused by Gamers Against Weed which edits Pride Month themed social media posts and ads by organisations to highlight the negative effects those groups have had on LGBTQ individuals

SCP-4703 - Perfectly Legal: A store in Texas called Yeah, We're Totally Going to Sell You This which through anomalous means makes all its dangerous and unethical business practices perfectly legal, thank you very much

SCP-5004 - MEGALOMANIA: The Foundation conspires to make Donald Trump president to contain a demon underneath the Capitol and gets more and more depressed as they realise they won't have to do any manipulation to get him elected

SCP-5167/SCP-5761 - When The Imposter is Sus Part I & II: The Foundation creates an AI tasked to play games of Among Us to track down a minor Greek god who is playing the game, only for the AI to play so much Among Us they ascend and become Amogusrath, God of Suspicion

SCP-5449 - Choo Choo Spooder: An intelligent jumping spider who uses a wooden toy train to deliver things to staff across Site-47

SCP-5721 - What Passes As Worship In The Digital Age: The goddess Discordia poses as the Founder of Hammer and Chisel, creators of the Discord chat application and adds a clause which states all users pledge their souls to her, allowing her to siphon the vital energies of its userbase

SCP-5790 - [DATA KILLED]: A spiritual successor to SCP-579, no details about the anomaly and instead describes the procedures used to acquire information about the anomaly when needed

SCP-6101 - The Most Powerful SCP: The Make-A-Wish asks the Foundation to classify nine year old Ethan Prosper as the most powerful SCP

SCP-6102(031) - For Classification: Small Organism, No Function: An SCP document generated by an autoarchavist AI living in a future where there are millions of documented SCPs

SCP-6135 - We Didn't Start the SCP: A copy of Billy Joel's Stormfront album with an altered version of We Didn't Start the Fire containing references to groups and individuals who don't exist, like Harry Potter, Pokemon, and the Taliban

SCP-6136 - two dudes chilling in an interrogation room, five feet apart cause they're not happy: Completely unrelated to that one vine, it's a physical mnemonic device which gives you memories related to pliers and because of this is a pair of pliers

SCP-6383 - The One True Anomaly: A stop sign classified as anomalous because it is the single least anomalous thing in the universe

SCP-6442 -Mimir, Mímir: A congnitohazard etched inside a carbon-fibre based elastomer sphere so that the only beings who will ever perceived it are those who attain omniscience, of which over 8000 have and all died instantly upon seeing it

SCP-6690 - NO MORE PURPLE DINOSAUR: The Muppets (who are alive; a detail never commented on by the document) created the "I hate you, you hate me. Let's go out and kill Barney." song, which causes event to occur which can injure or kill whoever is the current actor for Barney the Dinosaur

SCP-6930 - 🔴 Paty Is Streaming Now: Remember SCP-3930 (the Pattern Screamer), the Russian facility which does not exist but when a specific region is observed your mind fills the void until there's an entity real enough to suffer and hate you for making them aware of their non-existence? Yeah, one of those got out, and she's a vtuber now

SCP-7529 - Josie's Better Half: The back half of a cat which a Foundation researcher is convinced is the back half of SCP-529, the front half of a cat with a different coat colour, and after he tries to force them together who voids the universe's insurance policy

SCP-7777 - Heptaphobia: A phenomenon that affects Random Number Generators to produce sequences of 0's and 7's which when translated into ASCII reveal unethical actions taken by the Foundation

SCP-7918 - RONALD REAGAN DIES OF ACQUIRED IMMUNODEFICIENCY SYNDROME-RELATED COMPLICATIONS: An anomalous recording of Ronald Regan in the terminal stages of HIV/AIDS while recounting stories of his political career and what seem to be annecdotes of an alternate version of himself that was dating a man

SCP-8008 - TIME PERVERT: Real life writer and founder of LessWrong, Elizier Yudkowsky ascends to godhood after blasting rope to hentai trap his mind in a million year timeloop, remoulds the multiverse into a series of self-indulgent narratives, and modifies baseline humans into our current appearance to fit his sexual preferences, which by the standards of the original timeline make us the equivalent of those anime girls who look 12 with breasts larger than their heads

SCP-8981 - RONALD REAGAN'S PRESIDENTIAL REPUTATION CUT UP WHILE 😳ING: Spiritual successor to SCP-1891 (RONALD REGAN CUT UP WHILE TALKING), it is a collection of anomalies which randomly affect Ronald Regan, including the manifestation of a homonculus created by the Foundation as a body double for his public appearances which exhibits strange behaviours after a failed assassination like trying to crossbreed dogs and horses and attempting to eat a baby