#Women during WWII

[carolearlycooney]

The Underground Library by Jennifer Ryan

Dear Fellow Reader, Welcome to March!  A month of madness? That seems to be what it is famous for but this year it has so much more – Spring Forward, St. Patrick’s Day, Easter – a whole cornucopia of spring!  Get out the patent leather shoes!  Meanwhile, I am sitting here warming my hands on a cup of tea!  It is sometimes hard to overcome the damp, cold here in the Midwest. I am happy to tell…

[sungwanns]

Obsessed with the fact that Spencer has the hand dexterity to knit this scarf, but can’t eat with chopsticks

[brehaaorgana]

I just met an older black woman named cookie who told me she was traveling (which she "never does!") from (or after?) the family matriarch's funeral and before I could even finish my condolences she lit up and said "she lived to be 104!" And I was like "WOW she really lived life. Good for her!" Also like wow, imagine what she saw.

Cookie was so proud of family matriarch. Me too, honestly. (Another table opened up for her and her husband so they moved one over.)

When she got up, she said to me she's off to the wild unknown (traveling! A thing she doesn't much do!) and to wish her luck so I did.

Idk whose grandma and grandpa I just met but I love them. if you happen to have a grandma cookie please let her know she is a delight.

[pynkhues]

I happily accept your kiss on the mouth, though I feel like I don't deserve it, I got that info here (I've read about that particular fashion before -- I remember that woman also cut their hair short like victims of the guillotine! -- but I didn't make the connection, which is such a brilliant allusion). :)

https://x.com/slaystat/status/1817462732074926264

(x)

You absolutely do for bringing it to my attention, anon, haha, so thank you again! It's a really interesting look at that particular chapter of history. I'm always so fascinated to hear in general about how politics and society informs trends, and there's so much to mine when it comes to immortal characters in a show like this. Just!! Yes! Very Good Food!

[thefabelmans2022]

i think there should be more movies about living through the great depression i think they would be really interesting and resonant.

[truthdarespinbottles]

Nothing like reading a full novel in a day and crying your eyes out throughout the entire second half of it

[hedgehog-moss]

Last time I went to the village to buy bread I saw a woman in the street who was dressed like a 19th-century peasant, complete with a thick old-timey accent with dialect words no one uses anymore—she was telling a little group of people to follow her so of course I had to drop everything and follow her too.

And it turned out she was a theatre actress who has read a lot of local archives in libraries and town halls, and offered her services to organise guided tours of various villages to tell people about local history in a fun way, by playing characters who lived here in the Middle Ages, the 19th century, or WWII. It's such a cool idea! I talked to her for a bit after the visit and she said she wasn't sure it'd work / attract enough people, but she had groups of tourists + local families show up for the visit every week, in every village where she did this, so she think she'll be hired again next summer.

When I joined their group she was talking about WWII, and how my & other nearby villages were known by the Nazis and Vichy as a hotbed of terrorists, with some Gestapo officers killed in bomb attacks. (In retaliation the Nazis eventually rounded up 100+ locals and deported them to camps, as well as shooting a few.) I was mostly familiar with WWII anecdotes from the North-East, where my grandparents lived during the war, and I found it funny how different they sounded—my grandfather made Resistance activities sound well-planned and careful (espionage, sabotage, underground presses, infiltrating railway services etc) while oral histories around here make them sound a lot more spontaneous and—handcrafted? like "Emile brought what we needed for the bomb in his wheelbarrow hidden under a layer of straw and we exploded 2 Nazis."

We then went to visit the former girls' school, and I learnt a lot about my country's history of education for girls! Also it was really sweet because there was an old lady in our group who had attended this school as a child and had lots of school memories to share. Most of them were very wholesome, until eventually our tour guide went "Surely you also have some School Mischief to tell us about" and the old woman at first was like no no no no, I was a good girl. And then she conceded that when she had to sort lentils for the nuns' dinner and she resented one of them for berating her in class, she'd do a shit job on purpose and leave some little stones in the lentils.

Then our last step was the fairground where the town fair was (and is still) held, and our tour guide told us little 19th-century anecdotes (in-character, more like acting them out) that she'd found in old postcards and letters in the archives—how the town fair was where you'd go for your dentist appointment (i.e. to have your bad teeth pulled with pliers with no pain medicine) and to get any object repaired, like damaged pans or clogs; how there were dancing bears and performing monkeys; how one year the merchant who sold linen for women's trousseaus had her linen display trampled "by 300 cows" (might have been an exaggeration) and she hit the cow herder and it started a massive brawl.

My favourite anecdote was how back in the 1800s the local innkeeper was frustrated by the fact that the nearest village is just 10km away, and people who came to the fair often decided to go spend the night there so their journey back the next day would be less long, and so he started to tell them about the beast that lives under the bridge between the two villages. Travellers say horses go mad when they see it and just jump into the water. Some say the beast has dug up corpses from the cemetery because it likes human flesh, though of course it prefers it fresh. I'm now convinced half of local legends were single-handedly created by business savvy innkeepers determined to get more customers than the rival inn 10km away.

I'm sad I only learnt about these visits at the end of summer when they're coming to an end, but I'll definitely follow this woman around again if she returns with more stories next year!

[polish-art-tournament]

sculptures* round 1 poll 1

*and installations and some other stuff i didn't know where to put

Smok Wawelski (The Wawel Dragon) by Bolesław Chromy, 1969:

propaganda: This is a famous and beloved statue outside of Wawel Castle (pronounced Vavel) in Kraków. The story of Smok Wawelski goes that he'd been eating all the animals (and people?) in Kraków so the king ordered his sons to kill him, but obviously the dragon is very dangerous. The princes tricked him by filling animals with tar and leaving them out. He ate them and when he tried to breathe fire, his insides burned up. There is a second version that says a cobbler tricked him into eating a tar-filled sheep and the tar made him so thirsty he drank the Wisła (the Vistula, the river that runs through Kraków) until he burst.

Fun fact, those are not extra arms but rather extra heads. Also, you can text the dragon to ask him to breathe fire, and then he does. He gets thousands of texts a day.

about the artist: When I was a kid, I was sure this statue was the actual Smok Wawelski that had somehow carbonized over a thousand years, but alas no, a guy made it in 1969 out of bronze. Bronisław Chromy was an artist, a professor, and Dragon Mother. He passed away in 2017.

Pomnik Syreny (Monument of the Warsaw Mermaid) by Ludwika Nitschowa, 1939:

propaganda: The Warsaw Mermaid is the symbol of Warsaw, and her image is all over the city in various forms. She's a warrior and is depicted with a sword and shield. She lives in the Wisła River (the Vistula), which runs thru Warsaw. There are different variants of her legend, but they all have something to do with her involvement in the foundation of Warsaw and her eternal role in protecting the city.

There are several statues of Syrenka around Warsaw, but the one I picked was created by Ludwika Nitschowa in 1936. It is made of gunmetal, and it stands on the bank of the Wisła. The model for this statue was a Polish poetess named Krystyna Krahelska. Krahelska joined the Home Army during WWII and participated in the Warsaw Uprising. She was shot and killed while rescuing a wounded colleague. I think it's really special the way the myth of Syrenka played out like this -- she really did protect the city, like in the legend. Incidentally, this statue was one of the few pieces of art in Warsaw not destroyed by the war.

tldr: badass warrior mermaid, made by a badass woman, modeled on a badass woman. women!

about the artist: Ludwika Nitschowa is the creator several famous statues in Poland, including of Maria Skłodowska-Curie, Copernicus, and several of Fryderyk Chopin.

both statues were submitted by @slaviclore 🐉🧜‍♀️

[horse-girl-anthy]

Revolutionary Girl Utena: Gender in Context

beneath the cut, I discuss the RGU's portrayal of gender in the context of 1990s Japan.

in Ikuhara's interview with Mari Kotani, he stated that in traditional Japanese society, "prince" meant "patriarch." the same is true in Western societies--there was a time when a prince would be an heir to a royal line. by 1997, this meaning had died out of large parts of the world. even the association between princes and traditional masculinity was fading. Saionji, the weakest, most pathetic man in the show, is a parody of historical Japanese masculinity, with his kendo and his blatantly regressive beliefs about women.

in RGU, prince may still mean patriarch, but in a far more subtle fashion. Ikuhara and Kotani discussed the changing expectations for men in the latter half of the 20th century--it became gauche to fight over a woman with one's brawn, so instead, power struggles were played out in the arena of looks and sex appeal. one can see this reflected in the character Akio, whose power as a prince arises from his ability to turn "easy sensual pleasure based on dependency" "into a selling point with which to control people."

Akio has his moments of showboating masculinity, but when preying on Utena, he operates by making himself seem non-threatening and soft.

not only that, but he purports to want to allow students to express their individuality and thus approves of Utena's masculine form of dress. this is a front--by the end of the show, he's telling Utena that girls shouldn't wield swords. thus, through Akio's character, the show argues that traditionalist patriarchy in Japan isn't gone, but instead has only been papered over with false progressivism.

with all that said, there seems to be more to the character. he's taken the family name of his fiance, Kanae, and whatever material power he has in the school is dependent upon her family. in Japanese society, this is considered a humiliating position to be in, something that only a shameless man would do. the show never gives the audience any insight into how Akio feels about this--is he unbothered entirely, or are his actions against the Ohtori family an expression of his repressed anger? does he harm the children under his care to compensate for his humiliation?

this aspect of Akio's character may seem irrelevant in light of the larger, immaterial social forces at work in the show. however, I would argue that it was included for a reason. Akio, despite his status as ultimate patriarch of Ohtori, is in fact a highly emasculated character, to the point where lead writer Enokido even said that he is driven by an infantile mother complex.

to explain why Akio was portrayed this way, we have to discuss Japanese history. the nation suffered a major defeat in WWII and was forced to accept whatever terms the United States laid out for it. for an examination of how the Japanese have never truly processed those events and have plunged into modernity with reckless abandon, I recommend Satoshi Kon's Paranoia Agent. to sum it up briefly, in a very short period, the nation regained its economic footing, and by the 1980s had the largest gross national product in the world. this economic boom may have allowed Japan to maintain a sense of sovereignty, dignity, and power, but it was inherently fragile.

the infamous "bubble economy" lasted from 1986 to 1991. during this time, anything seemed possible; financial struggles appeared to be a thing of the past, and capitalist excess reached new heights. the ghosts of this period can be felt across Japanese media; for instance, think of the final shot of Grave of the Fireflies (1998), where the two dead children look down on Kobe, glowing an eerie green to imply its impermanence. the abandoned theme park from Spirited Away (2001) is explicitly referred to as a leftover from the previous century, when many attractions were built and then tossed aside in a few short years.

the bubble popped in 1992, leaving an entire generation feeling cheated. the bright futures they'd been promised, which had actually materialized for their parents and older siblings, had been lost to them overnight. economic crises are often accompanied by gender panics. to quote from Masculinities in Japan, "The recession brought with itself worsening employment conditions, undermining the system of lifelong employment and men’s status of breadwinners in general. The unemployment rate was rising, and although it never reached crisis levels, men could no longer feel safe in their salaryman status. Their situation was further complicated by the rising number of (married) women entering the workforce."

with this in mind, Akio's character can be taken as a representation of masculinity in crisis in 90s Japan. he's forced to rely on women for his position in life and has failed to save his only relative, Anthy. he tries to escape his misery through hedonism, perhaps an allegorical representation of how men tried to maintain their old standard of living after the economic bubble burst.

but of course, Akio is not the main character of RGU--the story is about girls. mangaka Yamada Reiji discussed the series in the context of the 90s, stating the following:

while I opened this essay by discussing the prince, the same points could be made about the princess. despite the increasing irrelevance of royalty, princess is still an important concept. how does it relate to the socioeconomic landscape of the 90s?

in Yamada's view, RGU is full of relics of the 80s; for instance, the figure of the ojou-sama, an entitled young woman who never lifts a finger for herself. during the economic bubble, it was increasingly common for women to be entirely taken care of by the men in their lives. Yamada names Nanami as a clear ojou-sama type character: she weaponizes her femininity, demanding to be rescued, doted on, and served.

however, by 1997, the ojou-sama could no longer expect to get what she wanted. from the 80s to the 90s, the percentage of women in the workforce increased around 15%; it was no longer viable for most women to be "kept" by their families. as the men experienced the humiliation of not being able to provide for their wives and children, women were undergoing a disillusionment of their own.

Yamada blames Disney for creating the ideological structure which led women astray. obviously, the company is known for its films about princes rescuing princesses. in Yamada's recounting, during the 80s, the company was infiltrating Japan through its theme parks as well; across the country, Disneylands were opening up, and people were buying into the escapism the corporation offered. Japan, as America, became a country of eternal children. its people were waiting for a prince to appear and save them.

but fairy tales can't stave off reality forever. Yamada claims that RGU embodies the rage of young women who woke up one day and realized that they had been raised on a lie. this anger pervades the work from beginning to end.

though RGU was created in a particular social context, its lessons can be extrapolated to any time and place. as the first ending tells us:

I hope this essay helped provide more context for the series. thanks for reading!

[hotvintagepoll]

Propaganda

Eartha Kitt (Anna Lucasta, St. Louis Blues)—My friend and I have a saying: NOBODY is Eartha Kitt. A thousand have tried, and they've all come up empty and will continue to do so. Everyone knows her for something: from "Santa Baby" to Yzma in Emperor's New Groove to Catwoman to making Lady Bird Johnson cry for the Vietnam War. She was a master of comedy and sex, an extremely vocal activist, and she aged like fine wine... I honestly don't know what I can say about her that hasn't already been said, so I'll stick to linking all my propaganda. Like what else do you want from me. She was iconic at everything she ever did. Literally name another. How can anyone even think of her and not want to absolutely drown?

Audrey Hepburn (My Fair Lady, Sabrina, Roman Holiday)—I know people nowadays are probably sick of seeing her with all the beauty and fashion merch around that depicts her and/or Marilyn Monroe but she is considered a classic Hollywood beauty for a reason. Ironically in her day she was more of the alternative beauty when compared to many of her contemporaries. She always came off with such elegance and grace, and she was so charming. Apparently she was a delight to work with considering how many of her co-stars had wonderful things to say about her. Outside of her beauty and acting ability she was immensely kind. She helped raise funds for the Dutch resistance during WWII by putting on underground dance performances as well as volunteering at hospitals and other small things to help the resistance. During her Hollywood career and later years she worked with UNICEF a lot. Just an all around beautiful person both inside and out.

We are in the quarterfinals of the Hot & Vintage Movie Women Tournament. All other polls in this bracket can be found here. Propaganda is not my own and is on a submission basis. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Eartha Kitt:

"A hot vintage woman who was not just known for her voice, beauty, poise, and presence, but also her unapologetic ways of speaking about how she was mistreated in the show business as a girl who grew up on cotton fields in South Carolina in the 1930s through the 1940s coming to Broadway first and then Hollywood."

"Have you watched her sing?? Have you seen her face?? Have you heard her talk?? How could you not fall instantly in love. She makes me incoherent with how hot she is."

"She can ACT she can SING she can speak FOUR LANGUAGES she is a GODDESS!!! Although she is (rightfully) remembered for her singing, TV appearances (Catwoman my beloved), and later film roles, her early appearances in film are no less impressive or noteworthy!! She’s an amazing actress with so much charisma in every role. She was also blacklisted from Hollywood for 10 years for criticizing the Johnson administration/Vietnam War, so. Iconic. Also Orson Welles apparently called her “the most exciting woman in the world.”

"She had such a stunning, remarkable appearance, like she could tear you to shreds with just a glance- but the most undeniable part of her hotness was her voice, and it makes sense that it's what most people nowadays know her for. Nothing encapsulates the sheer magnetism of her singing better than this clip of her and Nat King Cole in St. Louis Blues, she pops in at 2:49. Also I know it's post-1970 but her song that was cut from Emperor's New Groove is likely to make you feel Feelings."

"Even with as racist as Hollywood was in the 1950s and 60s, Eartha Kitt STILL managed to have a thriving career. She also once had a threesome with Paul Newman and James Dean, and called out LBJ over the Vietnam War so hard that it made First Lady Johnson cry. Eartha Kitt was talented, sexy, and a total badass activist."

Audrey Hepburn:

"She may be a wispy, thin little thing, but when you see that girl, you know you're really in the presence of something. In that league there's only ever been Garbo, and the other Hepburn, and maybe Bergman. It's a rare quality, but boy, do you know when you've found it." - Billy Wilder

Raised money for the resistance in nazi occupied Hungary. Became a humanitarian after retiring. Two very sexy things to do! [editor's note: not Hungary; Audrey was involved with the Dutch resistance. Source.]

"It’s as if she dropped out of the sky into the ’50s, half wood-nymph, half princess, and then disappeared in her golden coach, wearing her glass slippers and leaving no footprints." - Molly Haskell

"All I want for Christmas is to make another movie with Audrey Hepburn." - Cary Grant

where to begin......... i wont her so bad. i literally dont know what to say.

My dude. The big doe eyes, the cheekbones, the voice. The flawless way she carried herself. She was never in a movie where she wasn't drop dead gorgeous. Oh, also the fact she raised funds against the Nazis doing BALLET and she won the Presidential Medal of Freedom for her humanitarian work.

Growing up, Audrey Hepburn desperately wanting to be a professional ballerina, but she was starved during WWII and couldn't pursue her dream due to the effects of malnourishment. After she was cast in Roman Holiday, she skyrocketed to fame, and appeared in classics like My Fair Lady and Breakfast at Tiffany's. She's gorgeous, and mixes humor and class in all of her performances. After the majority of her acting career came to close, she became a UNICEF ambassador.

No one could wear clothes in this era like she could. She was every major designer's favorite star and as such her films are time capsules of high fashion at the time. But beyond that, she had such an elegance in her screen presence that belied a broad range of ability. From a naive princess, to a confused widow, to a loving and mischievous daughter, she could play it all.

Look at that woman's neck. Don't you want to bite it?

[musingsofahistorymajor]

https://people.com/tyler-perry-the-six-triple-eight-first-look-exclusive-8701722

We finally have a trailer and a release date for the Six Triple Eight movie!! December 20, 2024 on Netflix!!

I'm so so excited for this movie! And everything I see looks so good. The hair styles, the civilian outfits, the uniforms are worn correctly and with the right insignia and hats. The clips in the trailer look so good and accurate and I'm so excited!!!

It's about time we had a WWII film focused on women. Where the women are not background characters. Where the focus is not a love story. Where the women are not props for the men's stories. Finally we have a movie about what women did during World War II that isn't about the home front or nursing! Cause they did SO MUCH during the war and it's never told.

The story of the 6888th Battalion is incredible and I'm beyond thrilled to see it told this way. Me and my fellow female WWII reenactors are going to have a watch party.

[theglitterdome]

Betty White was a 20 year-old budding model and actress whose career was just taking off when she put it all on hold to join the American Women's Voluntary Services as a truck driver, where she transported supplies to various Army barracks across California. Often working 16 hour days, she drove trucks for the duration of the war before resuming her acting career. "It's the least I could do to support those precious boys overseas" she said of her time as an Army truck driver during WWII.

[boombox-fuckboy]

any podcast recommendations for guys Going Through It. im a sucker for whump and i’ve already listened to TMA and Malevolent sooo

Fiction Podcasts: Characters Going Through It / Experiencing the Horrors

Gore warning for most, here's 15 to get you started:

I am in Eskew: (Horror) David Ward is arguably the Guy Going Through It. Stories from a man living in something that very much wants to be a city, and a private investigator who was, in her words, "hired to kill a ghost". Calmly recounted stories set to Eskew's own gentle, persistent rain. The audio quality's a bit naff but the writing is spectacular. If you like the writing, also check out The Silt Verses, which is a brilliant show by the same creators.

VAST Horizon: (Sci-Fi, Horror, Thriller/Suspense Elements) And Dr. Nolira Ek is arguably the Gal Going Through it. An agronomist wakes from cryo to discover the ship she's on is dead in the water, far from their destination, and seemingly empty, barring the ship's malfunctioning AI, and an unclear reading on the monitors. I think you'll like this one. Great sound design, amazing acting, neat worldbuilding, and plenty of awful situations.

Dining in the Void: (Horror, Sci-Fi) So, the initial pacing on this one is a little weird, but stick with it. A collection of notable people are invited to a dinner aboard a space station, and find not only are they trapped there, but they're on a timer until total station destruction: unless they can figure out who's responsible. And there's someone else aboard to run a few games, just to make things more interesting. The games are frequently torturous. If that wasn't clear.

The White Vault: (Horror) By the same creators as VAST Horizon, this one follows a group sent to a remote arctic research base to diagnose and repair a problem. Trapped inside by persistant snow and wind, they discover something very interesting below their feet. Really well made show. The going through it is more spread out but there's a lot of it happening.

Archive 81: (Horror, Weird Fiction, Mystery and Urban Fantasy Elements) A young archivist is commissioned to digitize a series of tapes containing strange housing records from the 1990s. He has an increasingly bad time. Each season is connected but a bit different, so if S1 (relatively short) doesn't catch your ear, hang in for S2. You've got isolation, degredation of relationships, dehumanisation, and a fair amount of gore. And body horror on a sympathetic character is so underdone.

The Harrowing of Minerva Damson: (Fantasy, Horror) In an alternate version of our own world with supernatural monsters and basic magic, an order of women knights dedicated to managing such problems has survived all the way to the world wars, and one of them is doing her best with what she's got in the middle of it all.

SAYER: (Horror, Sci-Fi) How would you like to be the guy going through it? A series of sophisticated AI guide you soothingly through an array of mundane and horrible tasks.

WOE.BEGONE: (Sci-Fi) I don't keep up with this one any more, but I think Mike Walters goes through enough to qualify it. Even if it's frequently his own fault. A guy gets immediately in over his head when he begins to play an augmented reality game of entirely different sort. Or, the time-travel murder game.

Janus Descending: (Sci-Fi, Horror, Tragedy) A xenobiologist and a xenoanthropologist visit a dead city on a distant world, and find something awful. You hear her logs first-to-last, and his last-to-first, which is interesting framing but also makes the whole thing more painful. The audio equivalent of having your heart pulled out and ditched at the nearest wall. Listen to the supercut.

The Blood Crow Stories: (Horror) A different story every season. S1 is aboard a doomed cruise ship set during WWII, S2 is a horror western, S3 is cyberpunk with demons, and S4 is golden age cinema with a ghostly influence.

Mabel: (Supernatural, Horror, Fantasy Elements) The caretaker of a dying woman attempts to contact her granddaughter, leaving a series of increasingly unhinged voicemails. Supernatural history transitioning to poetic fae lesbian body horror.

Jar of Rebuke: (Supernatural) An amnesiac researcher with difficulties staying dead investigates strange creatures, eats tasty food, and even makes a few friends while exploring the town they live in. A character who doesn't stay dead creates a lot of scenarios for dying in interesting ways

The Waystation: (Sci-Fi, Horror) A space station picks up an odd piece of space junk which begins to have a bizzare effect on some of the crew. The rest of it? Doesn't react so well to this spreading strangeness. Some great nailgun-related noises.

Station Blue: (Psychological Horror) A drifting man takes a job as a repair technician and maintenance guy for an antarctic research base, ahead of the staff's arrival. He recounts how he got there, as his time in the base and some bizzare details about it begin to get to him. People tend to either quite like this one or don't really get the point of it, but I found it a fascinating listen.

The Hotel: (Horror) Stories from a "Hotel" which kills people, and the strange entities that make it happen. It's better than I'm making it sound, well-made with creative deaths, great sound work, and a strange staff which suffer as much as the guests. Worth checking out.

[doubledaybooks]

Vintage Lord & Taylor ads that introduced shoppers to American designers. Most stores were taking inspiration from Paris, but Dorothy Shaver put American designers at the center of the store during WWII.

Learn more about the glamorous history of deparmant stores in WHEN WOMEN RAN FIFTH AVENUE by Julie Satow.