#William Dozier

[nerds-yearbook]

Julie Newmar was the first actress to protray Catwoman on the Adam West Batman TV show. She made her debute on March 16, 1966. It is said that she designed and made her own costume. ("The Purr-fect Crime", Batman, TV, Event).

[raynbowclown]

Catwoman Goes to College

In Catwoman Goes To College, Catwoman (Julie Newmar) is released from prison, and enrolls at Gotham City University … Continue reading Catwoman Goes to College

[rapidkirby3000]

Interesting discovery! 🤩

The Powerpuff Girls (1998, created by Craig McCracken) / Batman (1966, adapted by William Dozier).

[abs0luteb4stard]

W A T C H I N G

[duranduratulsa]

Up next on my 80's Fest Movie 🎬 🎞 🎥 🎦 📽 marathon...Better Off Dead (1985) on glorious vintage VHS 📼! #Movie #movies #comedy #teenmovies #betteroffdead #AmandaWyss #aarondozier #DianeFranklin #curtisarmstrong #kimdarby #demianslade #DavidOgdenStiers #scooterstevens #laurawaterbury #egdaily #vincentschiavelli #ripvincentschiavelli #TaylorNegron #StevenWilliams #vintage #VHS #80s #80sfest #durandurantulsas6thannual80sfest

[zartharn]

damn bitches were really obsessed with knockout gas huh

[vintagegeekculture]

Before the original 1967 Planet of the Apes went into production, a test reel was made to prove to the studio the makeup intensive story could be told in a visually believable way. The original makeup test reel featured the original actor cast to be Dr. Zaius: Hollywood legend Edward G. Robinson, who ended up not appearing in the finished film.

The chimpanzee makeup was tested by James Brolin (who's son with Barbara Streisand, Josh, is best known for his role in the Goonies) with Zira, Linda Harrison. Brolin, already an up and coming star, did not appear in the film, and Linda Harrison did not play Zira, but instead received the non-speaking role of the cave girl Nova. Angelique Pettyjohn, the green-haired warrior woman from the Star Trek episode, the "Gamesters of Triskelion," was runner up for the non-speaking role of Nova, as Linda Harrison was originally slated to play Zira.

Fun fact: Linda Harrison is the first ever actress to ever play Wonder Woman in live action, as she appeared in the 1960s "Who's Afraid of Diana Prince" proof of concept short by producer WIlliam Dozier (creator of the original Batman series). Harrison was well known to Dozier as she appeared in a couple episodes of the 60s Batman series. The short did not end up going to series.

[cantsayidont]

October 1966. You can't keep a dead butler down. About two years after killing off Alfred the butler in 1964, editor Julius Schwartz was faced with a problem: William Dozier, the producer of the forthcoming Batman TV show, wanted to include Alfred in the show, and wanted him reintroduced into the comics as well! Schwartz and writer Gardner Fox struggled with this challenge and finally came up with the utterly preposterous story presented in the issue above.

Even for a Silver Age Gardner Fox comic book, this story is exceptionally convoluted, so it's best considered chronologically. We begin with a flashback sequence involving iconoclastic "all-around scientific genius" Brandon "Plot Device" Crawford:

This is already straining credulity a little because the story in DETECTIVE COMICS #328 in which Alfred died (helpfully recapped elsewhere in this issue) showed that he had been crushed to death by a giant boulder. That did not seem survivable at all, and even if it were, this would imply that neither Batman and Robin nor whatever doctor who filled out Alfred's death certificate nor the mortician noticed that he wasn't actually dead! Anyway …

So, Alfred wasn't actually dead, he wasn't embalmed, and he was buried in a refrigerated coffin (that's what the purple cylinders in the last panel previous page were for). A stretch, but we'll allow it. However, upon discovering this, Crawford, instead of calling an ambulance like a normal person, seizes on the opportunity to do some Frankenstein shit with Alfred's maimed, broken, mostly dead body, as one does (if one is a reclusive "radical individualist" who dropped out of college to pursue unorthodox, dubiously ethical scientific experiments, I guess).

One of the initial objects of Schwartz's tenure had been to rid the Batman books of the fantastical aliens, monsters, and bizarre transformations of the 1957–1963 period in favor of something a little more grounded. All that goes out the window here, despite the rather defensive editorial footnote, which says:

EDITOR'S NOTE: Physics professor Robert Ettinger, author of "The Prospect of Immortality," has said that death can only be defined in relative terms. He points to the hundreds of persons revived after drowning, asphyxiation, electrocution, and heart attack. "Biological death depends not only on the state of the body," Ettinger says, "but also on the state of medical art!"

Okay, then. On to the Frankenstein shit:

So, Crawford's experimental cell regeneration machine has restored Alfred's broken body, but in the process transformed him into an unrecognizable, rather hideous-looking being who is also evil. Check! The regeneration effect we see Crawford panicking about then transforms him so that he looks like Alfred, while leaving him in "a catatonic trance." The Outsider, rather ungratefully, puts Crawford's unconscious body back in Alfred's coffin to cover his tracks, and uses Crawford's various machines and his own "increased mental power" in his new quest to destroy Batman and Robin.

This was not the first appearance of the Outsider, who had actually been hounding the Dynamic Duo on and off since DETECTIVE COMICS #334 two years earlier, although he had never appeared on-panel, and his identity had been a mystery. Where Schwartz originally intended to take that plotline is not clear (Schwartz's own account doesn't say, and Gardner Fox said later that he didn't think Schwartz had a solution in mind at the outset), but it doesn't seem likely that revealing the Outsider as Alfred was the plan, particularly since subsequent Outsider stories had shown that the villain had superhuman powers, including the ability to bring inanimate objects to life! In this story, the Outsider really does transform Robin into a wooden coffin, as the cover indicates — it's not a hypnotic illusion or some other such dodge. Fortunately, the effect is reversed after the villain is defeated:

Batman's determination to keep these events secret from Alfred is bizarre, since Alfred's death is a matter of public record: As seen in DETECTIVE COMICS #328, Bruce Wayne started a charitable foundation in Alfred's name, with its own building in Gotham City! Batman suggests that they can rename the charity the Wayne Foundation (as of course they subsequently did), but how he expects to resolve the various problems created by Alfred having been legally dead for months without his finding out is unclear. They do take the time to retrieve Crawford (who has miraculously not suffocated or starved to death in Alfred's coffin) and use his machine to return him to normal, after which Batman suggests that Bruce Wayne will give Crawford a job at the renamed foundation.

If you're wondering, "Wait, does this mean Alfred now had super-powers?" the answer is yes! Since he didn't retain any conscious memory of his death and resurrection, he was normally unaware of this, but Alfred's evil Outsider personality resurfaced several times, and he sometimes spontaneously reverted to the Outsider's form, in which he once again had supernatural abilities:

Notice the background, with the buildings burning like candles? The Outsider did that with his mental powers, along with a bunch of less grandiose but equally impossible feats. Fortunately, they reverted to normal after he split into separate good (Alfred) and evil (Outsider) selves and defeated himself. The Outsider resurfaced once more in 1985, battling the Outsiders and nearly killing Superman by transforming the Batcave's giant penny into Green Kryptonite.

I guess this whole saga did resolve the problem of resurrecting Alfred for the TV show, but in what I think can fairly be called the most ludicrous way possible. (And you thought the PENNYWORTH show spun out of GOTHAM was silly …)

[miklh]

Another example of a music video that left his mark on my mind: Eminem -Without me

Hello everyone, It was Eminem's birthday yesterday and his latest music video: Temporary where his daughter Hailie told him she was pregnant became viral so the "Slim Shady" came to my mind as I should talk about him at least once in my blogs since you can not forget him when you try to remind an american celebrity among musicians and especially a white rapper among other black rappers who succeeded as much as him (Dr.Dre,50 Cent...)(this goes against Essentialism as explained in TD class).He did a lot of things but I will focus on one notable music: thanks for his artistic direction ,we could consider it ahead of its time. I am not going to provide a biography of Eminem because: you can find it easily on the web thanks to his well renown (struggling to become a rapper, drugs addiction, several relationships problems...) and also because my focus is on the video itself and not the whole character. So about the song itself, it deals with Eminem coming back ("Guess who's back, back again") from his previous album "Marshall Mathers LP" and criticizing many celebrities during the video: Dick Cheney, his wife, Prince ... The whole song is about music industry recognizing him as a rapper, needing him and that this would not be the same without him (cf. the title). "I've created a monster 'Cause nobody wants to see Marshall no more, they want Shady, I'm chopped liver They tried to shut me down on MTV But it feels so empty without me Now, this looks like a job for me So everybody, just follow me 'Cause we need a little controversy 'Cause it feels so empty without me I said this looks like a job for me So everybody, just follow me 'Cause we need a little controversy 'Cause it feels so empty without me" The artistic direction is based on comics, hugely influenced by Eminem being a huge fan of that, he did several cameos in comics such as Spiderman in a special cover edition or even with The Punisher in a complete mission. The video and the lyrics are cut on comic strips, with the 4th wall being broken literally everytime resulting on adding humor and childishness. Eminem himself sings in different areas: starting in the bedroom, proceeding in an hospital ... He is wearing different costumes as the music goes on to amplify parodism: In a superhero suit in the beginning as Rap Boy (a parody of William Dozier's Batman TV series so Eminem is dressed as Robin), In TV broadcasting as a TV presenter, In TV shows as an angry mom talking about his son going bad ... All this disguise and versatility to show that he can be anywhere, and even when he is being criticized, people would still listen to him. In a nutshell, Eminem's music video criticizes music industry and several famous people just because he can: Eminem's popularity allows him to make fun of them and people enjoys that because this is what Eminem does the best. One of his lastest songs "Houdini" is a good flashback of his greatest songs including a remastered "Without Me".

[kdo-three]

Martha and The Vandellas - Heat Wave (1963) Stereo | Mono Holland–Dozier–Holland (Brian Holland | Lamont Dozier | Edward Holland) from: "Heat Wave" / "A Love Like Yours (Don't Come Knocking Everyday)" (Single) "Heat Wave" (LP)

Soul | Motown | R&B | Pop

Stereo: JukeHostUK (left click = play) (320kbps)

Mono: Tumblr (left click = play) (320kbps)

Personnel: Martha Reeves: Lead Vocals Rosalind Ashford: Backing Vocals Annette Beard: Backing Vocals

Studio Musicans: The Funk Brothers: Joe Hunter: Piano Robert White: Guitar Eddie Willis: Guitar Andrew “Mike” Terry: Saxophone Solo James Jamerson: Double Bass Richard “Pistol” Allen: Drums

Produced by Brian Holland / Lamont Dozier / William "Mickey" Stevenson

Recorded: @ Hitsville U.S.A. (Studio A) in Detroit, Michigan USA on June 20, 1963

Single Released: on July 9, 1963

Album Released: on September 30, 1963 Gordy Records

[nerds-yearbook]

King Tut made his first appearance in the Batman episode that aired on April 13, 1966. King Tut was the first villian completely created for the show. While Zelda the Great was technically a new character, her story completely mirrored a comic starring a different villian. ("The Curse of Tut", Batman, TV event)

[howardduck1490]

Teen Titans Go! Egghead

Egghead is a criminal mastermind obsessed with eggs and an enemy to Batman and Robin. He is considered one of the smartest people in the world and known for using egg-shaped weapons such as acid eggs.

Egghead was created by William Dozier, Stanley Ralph Ross and Edwin Self, originally portrayed by Vincent Price in the Batman episode An Egg Grows in Gotham. (1966) He was adapted by Frank Tieri and Mirka Andolfo into the regular DC Universe in Harley Quinn (Volume 3) #38. (2018)

[singeratlarge]

HAPPY BIRTHDAY to Paul Badura-Skoda, singer-songwriter Bruce Barr, composer-guitarist Glenn Branca, William Butler (Arcade Fire), Roseanne Cash’s 2009 album THE LIST, Le Corbusier, Kevin Cronin, Britt Ekland, my cousin Daniel Ertel, The Fisk Jubilee Singers (1871), Ioan Gruffudd, Fannie Lou Hamer, Thor Heyerdahl, David Hidalgo (Los Lobos), the 1929 film THE JAZZ SINGER (the first major “talkie”), Mylon LeFevre, “Swedish Nightingale” Jenny Lind (she filled concert halls before microphones were invented), Carole Lombard, Thomas McClary (Commodores), The Monkees 1969 appearance on the LAUGH-IN TV show, Meg Myers, producer Jim Pierson, Shostakovich’s 6th Iron Quartet (1956), Fay Spain, Millie Small, Matthew Sweet, Karol Szymanowski, George Westinghouse, and the 1965 single by The Supremes, “I Hear a Symphony.” The song is a romantic idyll for the wonders of a lover, and it was the 6th #1 hit single for The Supremes. It was composed by the incomparable Motown Records songwriting team of Brian Holland, his brother Eddie, and Lamont Dozier. They’d been writing since they were teenagers and wrote hits for The 4 Tops, Marvin Gaye, Martha Reeves, and others. Dozier said, “We were keeping up not only with what was going on at Motown, but in the world, meaning The Beatles, The Beach Boys…There was definitely a standard…Everything that came out had a signature as well as it had to sound like a hit.” Dozier said they’d regularly go to chamber, opera, and symphony concerts “for song concepts.” Baroque, electronic, ethnic, and orchestral influences became part of “the Motown sound.”

“I Hear a Symphony” was a turning point. Early Motown hits like “Money” and “Please Mr. Postman” were rooted in r’n’b, rock’n’roll, and gospel, and they sold mostly to teens, but Motown President Berry Gordy envisioned a broader audience. Ray Charles had already merged “strings with soul,” but his audience was older. The Beach Boys, Phil Spector, The Beatles, and other British Invasion pop acts cherry-picked ideas from musicals, classical, and the avant-garde (perhaps prophesying the “progressive rock era” when Keith Emerson would do Bartok, Bernstein, and boogie-woogie in one flash). By comparison, Motown was even more pro-active about marrying classical, jazz, and pop/rock to “soul music.” Motown arrangers (Paul Riser, etc.), were inspired by Broadway and the jazz orchestrations of Duke Ellington and George Gershwin. They hired musicians from the Detroit Symphony to connect elegance with The Funk Brothers, the Motown house band. “I Hear a Symphony” features the muscular drumming of Benny Benjamin and the distinctive baritone sax solo of Mike Terry.��

Singing it demanded an exuberance that stretched the vocal abilities of then-22 year old Diana Ross. She still claims it’s one of her favorite Supremes songs to do, and it’s on my list of 12 pieces of music that changed my life. https://www.youtube.com/watch?v=bpL1TTxffO0

#birthday #dianaross #supremes #symphony #motion

[chernobog13]

Elle Wood Walker as Wonder Woman (1967) in the (thankfully) failed series pilot from William Dozier, the producer of the Batman TV series.

Awful is not a strong enough word to describe the five minutes of the pilot that I've seen.

[the-imaginative-hobbyist]

"Batman Meets Godzilla" is an audio drama adapted from a treatment written by William Dozier in the 1960's for a proposed big screen crossover where the Batman of his television production starring Adam West as The Caped Crusader would go against the King of the Monsters himself, Godzilla.

Written by Max Z S

Narrated by Ian Andrysiak

Music/FX - Freeplaymusic.com, Pixabay.com

Inspired by @NEUVERSECREATIVE

Enjoy!

Don't forget to comment, rate, and subscribe to The Imaginative Hobbyist. You can also find The Imaginative Hobbyist on Facebook, Instagram, and Twitter.

[odk-2]

Martha and the Vandellas - Heat Wave (1963)

Martha and the Vandellas - Heat Wave (1963) Holland–Dozier–Holland (Brian Holland | Lamont Dozier | Edward Holland) from: "Heat Wave" / "A Love Like Yours (Don't Come Knocking Everyday)" (Single) "Heat Wave" (LP)

Soul | Motown | R&B | Pop

Stereo: JukeHostUK (left click = play) (320kbps)

Mono: Tumblr (left click = play) (320kbps)

Personnel: Martha Reeves: Lead Vocals Rosalind Ashford: Backing Vocals Annette Beard: Backing Vocals

Studio Musicians: The Funk Brothers: Joe Hunter: Piano Robert White: Guitar Eddie Willis: Guitar Andrew “Mike” Terry: Saxophone Solo James Jamerson: Double Bass Richard “Pistol” Allen: Drums

Produced by Brian Holland / Lamont Dozier / William "Mickey" Stevenson

Recorded: @ Hitsville U.S.A. (Studio A) in Detroit, Michigan USA on June 20, 1963

Single Released: on July 9, 1963

Album Released: on  September 30, 1963

Gordy Records