#Willem de Pannemaker

[beautiful-belgium]

Tapestry cartoon by Michiel Coxcie, woven by Willem de Pannemaker - The Drunkenness of Noah (c. 1565 - 1566)

Photographed by Torsin, Jean-Louis, IRPA in 2005

CC BY 4.0 KIK-IRPA, Brussels (Belgium), cliché KN012118]

[heckyeahhermes]

The Metamorphosis of Aglauros and Mercury’s Departure manufactured by Willem de Pannemaker

Gold, silver, silk and wool thread, 450 x 716 cm

Brussels, ca. 1570

Metropolitan Museum of Art

[joseandrestabarnia]

Manufactura flamenca Escena bíblica o histórica Bruselas, h. 1550 trama de seda y lana7/8 hilos de urdimbre por centímetro 360 x 432 cm Nº inv. 1648 Colección BBVA España

Tapiz ejecutado con gran minuciosidad, como se aprecia en el dibujo de los instrumentos musicales, los motivos vegetales y los amorcillos de las cenefas. La vistosidad del colorido nos indica la excelente calidad de los pigmentos utilizados, lo que confirma que salió de un taller importante.

El cartón procede de la escuela de Bernard van Orley (1487-1541), pintor del gremio de Amberes que regentó un importante taller especializado en el diseño de cartones para tapices y vidrieras. En su obra se aprecia la influencia de los primitivos flamencos y del Renacimiento italiano. Como es habitual en sus composiciones, cabe destacar el tratamiento de la musculatura de los personajes y del equino, cuya posición transmite una gran tensión.

Tanto el color carmesí como los pliegues del manto del anciano nos recuerdan la serie de cuatro paños La Pasión de Cristo, encargada en 1520 por Margarita de Austria al pintor Bernard van Orley y al tapicero Pieter de Pannemaker.

El color presente en este tapiz, muy utilizado entre cartonistas del círculo de Bernard van Orley, lo podemos ver también en la serie Los honores, compuesta por nueve paños tejidos por el célebre tapicero de Bruselas Pieter van Aelst (Museo de Tapices del Palacio de la Granja de San Idelfonso, Segovia).

Durante el reinado de Felipe II (1556-98) la Corona española adquirió la serie del Apocalipsis, realizada sobre cartones de Bernard van Orley y tejida por Willem de Pannemaker, la mayoría de los cuales se perdieron en el naufragio de la embarcación que los transportaba a España.

En la Colección BBVA existen varios tapices de manufactura flamenca, algo habitual en las colecciones españolas, ya que hasta la muerte de Carlos II, último Habsburgo español, los encargos de la Casa de Austria se realizaban en talleres flamencos, ejemplo seguido por la aristocracia de la época. Las fluidas relaciones comerciales entre España y los Países Bajos hizo que llegara a nuestro país gran cantidad de tapices flamencos.

La cenefa perimetral, con decoración de grutescos, enmarca una composición fragmentada en dos grupos de personajes unidos entre sí mediante la figura barbada vestida con manto rojo, que sufre la agresión de dos soldados a caballo mientras dos mujeres acuden en su ayuda. La tensión del motivo central contrasta con la escena festiva que se desarrolla a la izquierda de la composición.

Información e imágenes de la web de la Colección BBVA.

[citylifeorg]

The Morgan Library & Museum Presents: Medieval Money, Merchants, and Morality

Triumph of Avarice Willem de Pannemaker, ca. 1534-1536. Wool, silk, and gilt-metal wrapped thread. 12 x 24 feet (4.43 x 15 m). Bequest of J.P. Morgan, Jr., 1943. © The Morgan Library & Museum, Photography by Graham S. Haber, 2016. The Morgan Library & Museum is pleased to present Medieval Money, Merchants, and Morality. Opening November 10, 2023, and on view through March 10, 2024, the…

[mysterious-secret-garden]

Flemish tapestries created by Willem de Pannemaker and commissioned by the King of Spain Philip II, the abduction of Ganymede, wool, silk and gold, 1556.

[hildegardavon]

Workshop directed by Willem de Pannemaker, 1535-1581 (Design attributed to Giovanni Battista Lodi da Cremona, active active 1540-1552)

Aglauros’s vision of the bridal chamber of Herse, from the Story of Mercury and Herse, n/d, wool, silk and precious metal-wrapped threads, 436.9×541 cm

Metropolitan Museum of Art,  Inv. 41.190.135

[steliosagapitos]

    ~ After living in the Netherlands in the early years of his reign, Philip II decided to return to Spain, establishing the capital of his empire in the city of Madrid, in the center of the Castilian plateau. It is assumed that in the Dutch period he bought five tapestries ahead as the subject as many events taken from Ovid's Metamorphoses, gathered under the name of The Poesia. The cartoons of the tapestries were probably drawn in the workshop of Pieter Coecke van Aelst in about 1545-1550, and were then translated into tapestries in the famous workshop of Willem de Pannemaker - already author of valuable artifacts for Charles V. Among the subjects we also find that of the Rape of Ganymede - pictured. National Heritage, Palacio Real de la Granja de San Ildefonso. ~

[belgiantapestry]

Garennes French Couch Pillow Tapestry Cushion Cover - Animals Art 18x18 inch Woven Square Pillow Cover | Etsy

Garennes is a French woven jacquard tapestry cushion cover from the Dame a La Licorne series. The original set of 6 tapestries personify the five senses, the sixth commonly considered to be a declaration of love. Commissioned by Jean Leviste and woven by Willem de Pannemaker; now on exhibit in the Cluny Museum in Paris. This piece features the millefleurs background so prevalent in medieval tapestries.

The decorative cushion case in square shape is handmade by expert craftsmen in France. It shows the use of excellent craftsmanship and technique to bring alive the design. This essential animals lover pillowcase is a great gifting option. It features a lining at the back for structural support.

Composition: 100% Cotton. Origin: Woven in France Finish: Cushion cover backed with lining and zipper. Infill not included.

Buy the best in quality cushion cover and wall tapestry for your home!

[met-european-sculpture]

Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse by Willem de Pannemaker, European Sculpture and Decorative Arts

Medium: Wool, silk and precious metal-wrapped threads (20-22 warps per inch, 8-9 warps per cm.)

Bequest of George Blumenthal, 1941 Metropolitan Museum of Art, New York, NY

http://www.metmuseum.org/art/collection/search/226696

[the-met-art]

Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse by Willem de Pannemaker, European Sculpture and Decorative Arts

Medium: Wool, silk and precious metal-wrapped threads (20-22 warps per inch, 8-9 warps per cm.)

Bequest of George Blumenthal, 1941 Metropolitan Museum of Art, New York, NY

http://www.metmuseum.org/art/collection/search/226696

[renehw]

The tapestries shown here all belong to the same series that was made by Willem de Pannemaker between 1540 and 1555 for Emperor Charles V (1500-1558). 1-2 from @rijksmuseum 3-4 from @kunsthistorischesmuseumvienna 5-6 from the Imperial Treasury in Vienna De Pannemaker was active as weaver in Brussels between 1535 and 1578. Among his patrons were Charles V and his sister Mary of Hungary. Willem’s father had been court weaver to Charles’ aunt Margaret of Austria. These three tapestries were undoubtedly part of a much bigger series. The design shows the coat of arms of Charles, who held many titles, with a crowned double-headed eagle in a field of plants and flowers. The tapestries were probably used to decorate the walls of a hall in a palace or castle during festivities. Perhaps even the ‘Aula Magna’ of the Coudenburg Palace in Brussels, one of Charles’ favourite residences in the Low Countries. #rijksmuseum #rijksmuseumamsterdam #kunsthistorischesmuseum #kaiserlicheschatzkammer #tapestry #willemdepannemaker #depannemaker #brussels #coatofarms #habsburg #history #dutchhistory #art (bij Rijksmuseum) https://www.instagram.com/p/B21sVyfIaJy/?igshid=1flbysinxlqb2

[beautiful-belgium]

Willem de Pannemaker - God the Father Establishing His Covenant with Noah (1567)

[dailyartwork]

Workshop of Willem de Pannemaker, The abduction of Ganymede, before 1556 (Madrid, Spain, Patrimonio Nacional)

[belgiantapestry]

Le Toucher Fonce European Wall Tapestry - Lion and Unicorn Wall Décor Art - Red Mille Fleurs Background Wall Art - Woven Wall Hanging

Le Toucher Fonce, or The Touch, is a Belgian wall tapestry made in Belgium. It comes from the The Lady with the Unicorn series originally woven in 1510 by Willem de Pannemaker, and featuring the arms of Jean le Viste who originally commissioned the 6 tapestries. Each represent one of the senses except for the final A Mon Seul Desir, commonly considered to be a declaration of love. These masterpieces were lost until 1844 when novelist George Sand discovered them in Boussac suffering from damage from rats and damp walls. The Cluny Museum in Paris purchased them in 1883 and restored them. They are now considered among the national treasures of France. A fine accent to your home décor. * Rod/Tassels Attached in the product are not included. Composition: Cotton Wool Blend Origin: Woven in Belgium Finish: Backed with lining and tunnel for easy hanging Check out our other Related Products: https://www.etsy.com/in-en/listing/877809342 https://www.etsy.com/listing/891757819

[belgiantapestry]

Monokeros French Couch Pillow Tapestry Cushion Cover | Square Decorative Cushion Cases

The artwork is an extract from the original tapestry series The Lady And The Unicorn circa 1511. The original set of 6 tapestries personify the five senses, the sixth commonly considered to be a declaration of love. Commissioned by Jean Leviste and woven by Willem de Pannemaker; now on exhibit in the Cluny Museum in Paris. This piece features the millefleurs background so prevalent in medieval tapestries.

Monokeros French Couch Pillow Tapestry Cushion Cover