#Who do you think would be a good fit for this society?

[frogonamelon]

Hello! Hear me out: What if... Harding-Pencroft Academy au?

After their adventures in Gravity Falls, the Pines Twins found a club at their new school, Harding Pencroft Academy in order to discover, document, and study the strange. Over time, it grows and begins to lean otherworldly as others join the society.

I don't really have a linear story in mind for this, but I do see the twins eventually falling into a mentor role as upperclassmen. They've been around the block many times (returning to Gravity Falls every summer since) and are the oldest and founders of the club.

The original post if you're interested (with some other potential characters)

[bowsbar]

pillowbook thoughts because ive been thinking about them all day!

[the-irrelevant-trumpeter]

not to post about friends, but i’ve seen gay chandler bing headcanons, and bi chandler bing headcanons, but i haven’t seen any aromantic chandler bing headcanons and i am here to change that.

[manicpixiedckgirl]

one thing you have to get ready for as a trans woman who's about to come out is certain cis people are going want nothing to do with you afterwards. we all know this, we all talk about this. transphobes going transphobe

but what i dont think we talk about enough is you need to be prepared for a second wave of this. it will come later. it's not tied to anything body change or surgery or whatever.

trans women are treated so poorly by society that we inevitably shrink. we learn how to exist in the spaces that will have us, even if that means cramming ourselves into boxes that don't really fit, being treated in ways we often don't like, doing things we often don't like doing, often even fucking people we don't want to fuck.

at some point, you're going to learn to stand up for yourself. i don't say this to scare you into thinking you'll become a 'mean trans girl' or whatever. but just like transitioning in the first place, it's change or die. you found the first safe harbor and fashioned your anchor to it but you can't go on living with people who don't respect you, working a job you're too smart for, living a life you don't really love.

and when you do, there will be cis people in your life who only liked that meek, quiet girl who would do as she's told. some of these people were malicious, doing it on purpose because they've known enough trans women to know who's vulnerable. some are doing it unintentionally, believing themselves to be a good ally, you've just gotten angry and bitter (this one hurts the most). and some just plain won't like the person you really are, having only known the people pleaser they got to know.

but it's change or die. if you're not you, you're not living. there are so many better people just waiting to love you, but you won't find them chasing after cis approval. and girl, i promise you, you deserve so much more than what you're getting right now. be strong. you've been strong before. i love you.

[writers-potion]

Writing Female Fighters

The Heroine Must. Fight.

Today's female protagonists cannot sit on the side crying and breaking down or whimpering as the battle ensues.

Readers want to see autonomous female fighters who can at least defense themselves with courage and adequate skill.

Not all women are the same, but the heroine should get her butt moving.

Less Muscle, but More Flexibilty

The average woman is shorter than the average man, which makes it more difficult to wield a long sword or slam something down on the opponent's head.

A woman who works out can plausibly be stronger than a male couch potato, but if her male counterpart works out as much as her, the man is going to be much stronger.

On the other hand, the center of gravity in a woman's body is lower than a man's which makes it harder to knock her off her feet.

She is also more flexible, which gives her advantage in grappling fights, making use of complex landscapes, or deflecting blows.

A woman's small size can also be an advantage if her opponent has only ever trained with male opponents. His big hands might not get a good grip on her slender limbs.

In historical fiction, giving your heroine good muscule build can be tricky as exercise was generally considered harmful for women, with some exceptions for horseriding any maybe archery at best.

In such cases, make your heroine an accomplished dancer or an eager horsewoman, or the only girl whose father considered to be son replacement and thus, gave her a boy's education.

Women of lower classes who couldn't afford to be fashionably weak will be plausibly stronger, perhaps even more than an idle gentleman.

More Room for Negotiation, but Prolonged Ruthlessness

In the Suspense part of your fight scene, females are more likely to negotiate and talk more, strategically trying to descalate the situation rather than attacking on a momentary impulse.

Generally, women are less aggressive than men and remain level-headed longer than her male counterparts, opting for non-violent methods first before using force.

Exceptions apply if she is trying to protect her children (or someone who she cares for as a child). Mothers can be tigresses.

A female pre-fight conversation may be: "If you had not done so-and-so and betrayed me with so-and-so, we could have been good friends as I thought we would be." "What do you mean? It was in fact you who brought bad blood between us. I can still hear you laughing with so-and-so, taunting me, purposefully making me look bad -" "But that was so long ago! If you want me to say sorry about something so insignificant, you should have just said so: I'm sorry. There. Satisfied?" "Ha! I can't believe you say that so easily. You still don't get it, do you?" "Who's being petty and unreasonable now?"

A male pre-fight conversation will be shorter: "Who's the coward now?" "You're wrong." "Prove it." "Bastard."

Compared to men, it will take more time for a woman's fight hormones (adrenaline, neurotransmitters and such) to kick in.

She would be slower to engage initially, throwing reluctant punches and thinking, but she'll grow more and more violent and lose all rational thought and compassion, and once she's in full flow, may not stop even when her opponent begs for mercy.

When writing a male-female duo, you can show him going for the first blow while she observes and strategizes first. When he's past his peak and panting, she is flying about left and right. Later when the tension wears off and she becomes wobbly and teary, she can rely on him to have recovered faster and distract other teammates so that they won't see her cry.

Plausible Skills and Backstory

In many cultures and time periods, the general attitude of society towards girls is that they have no place in fist fights or martial arts, unlike how it is encouraged for boys of the same age. So if your heroine has physical prowess that surpasses typical 'fitness' or is hidden, build a backstory of how she's obtained it.

For modern heroines, it can be as simple as signing her up for martial arts classes or yearly membership at the local gym. For historical fiction or girls with strict 'feminine' upbringing, it can be trickier.

It can be related to profession: maybe she was an erotic wrestler, catfighter, or an assasin who thought killing was more honorable than prostitution. They may have dabbles with it for a short time and is now trying to hide their past from their respectable employer or fiance.

It can be family backstory: Perhaps her mother was an accomplished martial artist or she had to fend for younger siblings on the streets from an early age. Maybe she was the only girl in a family of many boys who refused to be the punching bag.

Inexperienced Female Fighters

A woman with no fighting experience or training is likely to resort to one of these on instinct:

Try to talk herself out of the situation, attempting to persuade or negotiate for her life.

Grab something to use as a weapon. This instinct seems to be stronger for women than it is in men.

Use her hands to try and break free, or kick (often wth little success)

Pull hair

Scratch.

In a serious fight, pulling hair and scratching won't be helpful, except when the police come to find her body, they would find the opponent's DNA under her fingernails.

Plausible Weapons and Clothing

All of the above applies to scenes where both parties have no weapons, or has the bare minimum (like one dagger each).

Weapons are equalizers, and if your heroine is pointing a gun at her opponent she will definitely NOT hesitate to be the one to shoot first.

When giving your female character a weapon, choose one she can plausibly use. It would take an unusually brawny woman to wield a great medieval longsword.

For historical fiction, give your heroine something she'll plausibly own. Swords and firearm were a no-go for women, but archery was borderline acceptable.

For clothing starters, you definitely CAN NOT dress her in a tight miniskirt and chainmail bra with long, flowy hair and multiple silver chockers. Unless she's trying to seduce her way into her opponent's bedroom, and he has a chainmail bra fetish.

A practical heroine will have her thighs covered, preferably with leather but at least with fabric, since a lot of blood flows through the thighs and a slash would be critical.

She'll keep her hair tied, tucked under a helmet, braided back, etc. so that it won't impede her vision.

She'll support her breasts with a strong sport bra. In a historical eprioid, she'll either tie her breasts tight with a fabric bandage or support them with some kind of leather corset.

Invent a female version of male fighter clothing of the time you are writing about if it doesn't exist.

If you like my blog, buy me a coffee☕ and find me on instagram! 📸

[undreaming-fanfiction]

Steve and Eddie work together in an aquarium, and Eddie is losing his mind. He's in love, he's got the most embarrassing crush, but Steve doesn't even notice him.

They barely interact, and Eddie only knows Steve's first name. He doubts Steve knows he exists, he's just one of many tour guides (but he's amazing with kids and especially teenagers, so he's actually a great tour guide, thank you very much!)

Back to Steve. Steve, with his lean muscles, easy smile, thick hair and beautiful, but somehow sad eyes. That Steve.

The Steve who works in the aquarium as a merman.

Eddie could watch him for hours, floating in the tank with grace Eddie didn't know existed, with his sparkly yellow mermaid tail, flowing hair and chest hair, and that man can hold his breath for so long? Think of the options, the possibilities!

The mermaid show is insanely popular among all the kids and teens, even adults. His best friend Chrissy was the one who recommended Eddie to the aquarium, she's the main mermaid, and god, if Eddie wasn't gay, she'd have him at her feet. She always looks so effortless, twirling underwater in her emerald green mermaid tail, spinning around Steve. They make such a beautiful pair, it makes Eddie want to weep.

Fortunately, she's already in a happy relationship, so Steve is reportedly still single. Chrissy makes Eddie massage her feet in the evenings - he offered, they're cramping from a bad fit of the tail - and graciously answers all Eddie's reasonable questions, such as "how do his hands feel?" ("Wet. We're swimming, remember?").

She keeps telling Eddie to ask Steve out, but Eddie isn't stupid. That man is the god Poseidon himself, and Eddie is but a humble crab in his kingdom. So he admires him from afar, longing, pining and making Chrissy's head hurt.

But Steve's just so good with kids, Eddie can't keep his mouth shut. He always mutters something to Steve as he's ushering the kids away. "Great show, sweetheart," or "I love that smile, Stevie," or "need help getting that tail off?" He's only a man, and no one can hear him.

Except for a nosy tour coordinator listening in through his earpiece, Robin Buckley. She also happens to be Steve's best friend, Chrissy's girlfriend, and a menace to society.

And maybe one day she tells Steve to just smooch the tour guide, maybe she spills a few of the longing whispers and wishful stares, but she's only human too. A human who's had to listen to Steve's ramblings about the cute guy who always pulls the kids' attention like a magnet, who even through the blurry glass tank seems to be having an amazing time. Steve sometimes asks Robin for an extra earpiece and listens to the rest of Eddie's tour after the show. He loves his enthusiasm. Once Eddie even drew a heart on Steve's tank, can you imagine that, Rob?!

Maybe Robin and Chrissy have to work together to give the two idiots what they need, because Eddie considers himself too nerdy and plain for Steve, ans Steve thinks he's too dumb and shallow for Eddie.

Maybe Chrissy fakes slipping into the mermaid tank and drags Eddie with her. Maybe Robin is there and quickly gets Steve to jump after him. Maybe she makes the innocent mistake of insuating that Eddie can't swim.

And maybe, when Steve and Eddie are back on firm ground, confused and wet, Chrissy splashes them with water and asks if pretending that it's mouth to mouth resuscitation would help, or if they can finally kiss and stop pining for each other.

And one more maybe...maybe in a few weeks, when Eddie ushers the children away after the show, he kisses his palm and presses it against the tank, and watches Steve do the same, before he can give him a proper kiss after their shift.

[emberwhite]

So as I have been making my rounds posting about my book across all social media, some people take a look at my cover, get confused, and ask me at point blank, "Wait. Does this book support trans people or not?"

Of course I support trans people (that's the whole point of the book!), but I don't want to use any language that could be interpreted as political by your average Joe that is turned off by any politics. You lose reach that way. I think the book could have a larger impact by using language to make the story more universal to all people. With the right message, it could be seen an an allegory that applies to not only trans people but anyone who feels like they don't fit in with the tribe.

Yes, I did decide to go with the animal metaphor for the book in spite of some hot social issues going on right now. There were previously two books that used that metaphor to make a crude political point. I don't care too much for that, but if you read them, you're ultimately left with the feeling that they discourage children from play and imagination. I used to teach kindergarten and elementary students, so I felt there was something deeply upsetting about that. It was shortly after that I felt I HAD to make this book, no matter what. I saw the stigma around the analogy as a challenge.

The good news is that after talking with other trans people about it the overwhelming majority seem to like the end result. And since the book's launch, I've had so many furries, therians, and autistic people thank me for making the book. There's something about the experience of what it is like to utterly deny things that are inevitably part of the self yet completely oppose the tribe and the regrets we ultimately face because of it. A lot of people can relate to that. It is the heart of the struggle of all humanity and society. That is culture, not politics.

So there you have it. "The Boy Who Wanted to Be a Deer" is now available on Amazon, or you can read the whole thing for free on YouTube.

If you would like to support the book, ratings on Amazon and Goodreads are the best way to do so.

[inupibaldspot]

Blue is the color of royalty.

Pairing : Gojo Satoru x Reader

Note ₊˚⊹♡ : Staring Gojo as the crown prince and you crown princess in an arranged marriage! Sexual intonation is there but nothing major. Mentions of death and cheating as in infidelity. 4.3k words (this is usually too long for me to write)

Gojo remembers that day very clearly, his throat felt constricted, breath felt raspy with the strenuous inhale and exhales, the cuff of his shirt now soaked wet as he wipes his tears furiously trying to console himself amidst the crowd.

He was six when it was announced by the emperor, his father announced an arrangement of love between the Royal Family of Gojo and the Duke of the South. The young crown prince with as equally young you, the second child to the Duke of the South.

Through his tears he hears clanks of fork and plate beside him as his two friends were eating away while Gojo was wallowing in despair, he didn’t want to marry you—he has never even seen you!

Shoko the daughter of the Duke of the North simply liked coming to parties because this was the only place she didn’t have restrictions on how much sweets she could eat. While Geto Suguru, son of Count Geto simply came because he was told to by his father.

He sniffs as he tries to console himself, he already had a fixed idea on how he wants to get married and it was not this! He wanted to save a damsel in distress-be of noble or commoner blood and wanted that event to be a ‘love at first sight situation.’

He peeps over to where a outburst was as people surrounded a small figure muttering congratulations. Surely you were there. He thinks that you were probably surrounded by leeching adults, awaiting an opportunity for a slip-up which would cause an exaggerated rumors. Adults from high society were simply like that.

Gojo stands on the ball of his feet, trying to see over the crowd and from the push in between the cracks of the crowd, he does see you.

And you were beautiful.

You were adorned with the finest jewelry, size fitting your petite figure, with a beautiful dress adorned with classic lace and pearls. He swears in between his mesmerization that you were perfect.

So mesmerized he loses balance and falls over, his butt now on the floor as he soothe the ache while trying to stand up. Geto cackled at the sight. “ What’s wrong? Your expression is so dumb right now,Satoru.”

Gojo clears his throat as he tries to maintain dignity, the dignity of the crown prince. “The lady I am betrothed to is a pleasure to the eye. I am pleased…”

Geto sighs at his friend’s already being stupid. “But you know what I heard-“ he starts. “The young child of the Duke is like a machine.”

Gojo sooner or later (over the years you visited him quite a lot, often staying over at the palace as the travel time between the capital and the south was quite long.) he totally gets what Geto’s words that day meant.

You were literally a golden child for the Duke and now, a golden wife for him; the purest of all pure bred nobles. any work done is to be completed in a day, you oversee everything that is going on in the palace and doing a good job—so much so that his mom the empress was even letting you over see some matters.

“y/n,let’s go out on a walk.” Gojo would beam, excitedly walking over to you. “The afternoon sun is pleasant today.”

You had a straight look on your face as you stare into Gojo’s eyes, as if you were judging ever inch of him. “I rather suggest you get some training done, your highness. Your body seems quite feeble.”

Gojo gwaks at you who is now walking away,with a book at hand either to the library or his mother’s side—the empress.

Somewhere along the line Gojo realizes that you were coming over to butter up the emperor and the empress. You were not there to see him. Gojo seethed . Over time any attraction he felt when he first saw you is now crumbled and blown into dust by the winds. He could not care less for a person who was so busy to even spare a glance at him—fiancée or not!

When he was fifteen he was sent to a neighboring smaller country which excelled in military and academic—the country was said to be 10 years infront of any other when it came to their literary and research.

Gojo felt like he could breathe again, his bone pops as he stretches as he is finally free. Away from you for atleast four years. This new found freedom away from your judging eyes was making feel as if he were floating—he studied he swears, his academic score was always great but more than that he also spend his royal gold coins as he drinks away even though he was under age , and maybe even a few gropes to the beautiful ladies passing by.

This was the first time Gojo had been to the red light district and certainly it was not the last. But who would scold him, he was the son of the one of the most powerful empire Gojo Satoru and was the crown prince. Who would are say anything to him? The thinks to himself as he lays currently in bed, chest bare with a lady who is not his fiancée.

But don’t worry too much, Geto was by his side too! If his parents know about this— Gojo is at least relieved that he won’t go down alone.

At the age of nineteen, he finally comes back to the empire,now standing at a taller height and broad shoulders. The air around Gojo itself feels mature…and extremely attractive—to bad he was engaged at the age of six. He loves the gaze the maids near him gives, affirming and stroking his already enflated ego.

He sends a flirtatious wink at one of the better looking maids with a larger bottom as he signals a ‘follow-me’ as his head nods to a empty room.

Just as he was about to turn the corner,a figure popped up. He had crumbled when he was six and he has once again at nineteen. You stepped out of the corner in a beautiful blue dress with inside frills of white lace, the blue puff on your shoulder adorned with gold and you wearing the same metal on your ears and neck made it so much more ethereal.

“Your highness.My apologies, I’ve been so busy with the revolt at the south border it must have slipped my mind.” You speak, why were you not as fazed as he was. “I had not known you had arrived.” Why was your heart not racing like his was?

But he must say, the years have been good to you. You were taller but now shorter than he was, the fats of your cheeks now slimmed down making the rest of your features more enhanced ,more beautiful. You blink confused as Gojo’s eyes trail around, relishing every part of now an adult you. In this instance you are the most beautiful piece of existence there is in man kind.

“What?” He wears a smug expression as he crosses his hands and stands tall. “Did ya miss me?”

You blink, as if you were genuinely confused. “Yes I did. You are my fiancé after all,your highness.”

And there goes Gojo’s resolution to not fall for you—just with these simple words, he is once again head over heels for you.

You did miss him after all! Gojo giggles to himself when he remembers the interaction,while Geto sits on the sofa, as he sips in the evening tea that was brought in. “But it’s been what? Four years since been you’ve been away.” Geto says, trying his best to control his smirk as he sees thunder clouds form on top of Gojo’s head. “Maybe y/n had been seeing someone else.”

Gojo shakes the part of his brain which reprimands him for his hypocrisy, he had been with women, lots of them when he was away but now the simple idea of a man being with you, makes him worry as if he is ill. His stomach burns with jealousy; it would be worse if it were a single man.

Many men would be worse than a few, a few would be worse than two, a two will be worse…than one? No-

—It would be the worst if you have a simply been with one man who you’ve completely undone your heart to. Does your expression form to a loving one—one he is yet to see? Do you whisper sweet words into that man’s undeserving ears? Oh how he wishes there could be a battlefield where he could fight for your love then he would not lose!

Shoko blows out a puff of smoke, which comes out of a tobacco filled-elaborately design hookah—pipe. “Nope. Your fiancée has been single as a nun.” She says in a matter of fact tone.

“Wha-wait…none?” Gojo manages to whisper out, head still wrapping around Shoko’s reply. “She must have! She does well in high society, is beautiful, anything she wears becomes a fashion statement, and she known for being intelligent! She must had a man or two to console her in the absence of her fiancé!”

Nobles have always done that, husbands leaving for the red light district as soon as he is away from his wife, while the girls wife is in bed with younger workers in bed while the husband was away.

Shoko thinks Gojo is simply bratty as she waves him off, taking another pull of air from the pipe. “Nope—your lady doesn’t play,I think I’ve only ever seen her in work mode.” While Gojo giggles to himself on how Shoko referred to you as ‘his’ lady making her and a Geto raise an eyebrow.

And boy— in work mode you certainly where in his absence of his studies because now he sits in the dinner table,completely silent.

The long table filled with lavish food,the royal couples will most likely never finish and Gojo, the crown prince sits with his mother and father, the emperor and empress with his fiancée.

It was then when he realized—no felt it to his bones that he was replaced! Your smart brain and smooth tongue had worked his way into his parents' hearts and now he sits silently, not knowing how to join into the conversation as if he was the one who was to be married into the family.

“My…your highness.” Your doll like eyes blink at him and with a flutter of your lashes and a hand placed on his thighs, Gojo feels heat rush to his cheeks. “You must eat.”

“Gojo!” His father shouts from the other side of the dinner table. “Don’t be picky, you’re an adult now!” His mother giggled, bringing her hands to cover her mouth.

“Oh shut up, old man.” Gojo seethed , he stands on his feet, ready to walk away from the table. But of course his body freezes when you hold onto the fabric on his pants. He grits his teeth.

You were looking at him with a pout, eye brows furrowed as you shake your head in a disapproving manner. “You mustn’t speak to his majesty in that manner, your highness.”

But Gojo wasn’t really listening as his eyes trail down to your cleavage which was entirely exposed from this angle. God—he almost sees red, so much so that it even drips red…drips red?

You shriek, losing your cool as your fiancé stands with a confused look and blood dripping down his nose. You quickly turn to the Royal couple, “My apologies your majesties but the crown prince seems rather unwell so we will take our leave.” You grab a cloth piece from the table and rush to aid Gojo.

You place the piece of cloth on his nose as you lead him by his fingers with a gentle tug, you call out for the maids for help and a doctor while you make him sit on his bed.

The doctor shakes his head. “Your Majesty must’ve been stressed about something…or he may have overworked himself with something.”

You hum as you look at Gojo’s dumb look, a nostril filled with cotton. “What has been stressing your mind,your majesty?”

“Why don’t you think I have been overworking myself?!” He barks back, hand shooing away all of the workers in the room,leaving only him and you.

“Ever since you came back, you have simply been wasting your time away.” You shake your head as Gojo jumps,he is as guilty as charged. “You hardly even frequent the training grounds anymore, your majesty.”

Gojo turned his body and his eyes in your direction while he sits on his lavish bed as he reached out to wrap his hands around your hips,pulling you closer to him.

He rests his chin on your stomach as he looks up at you, you look down at him with a confused look. Why was he acting like this?

“Your majesty this, your majesty that—!” You almost laugh at the amount of sass in this man when he spoke those words. “Quit that and call me Satoru.” He demands.

You let out a smile, gojo thinking that this moment when he is graced with your smile has blessed his years to come. “Okay Satoru.” Gojo is simply undone when it came to you, a clumsy mess. As he feels hot in his head.

“Oh my —“ you shriek again. “Satoru, your other nose is also bleeding.”

Gojo thinks the best way to begin the day if at times when he sees you at the training grounds. After you had reprimanded him for skipping his training, the following day he wake up at 5am and trains till his training was completed by about 8am.

He sometimes see you walk down the near by pathway as he wipes his sweat, clinging to his body from the now heating sun and intense training. Gojo normally trains with Geto Suguru, now a Royal Knight of the Palance, as he is the only one who can keep up with him.

And when ever he does see you, people see the flowers bloom and the air suddenly becomes a tad bit hotter. Gojo waves his hand in the air like a child waiting for you to do the same. You lift your hands gently and offer a small wave, smile hidden shyly behind your other hand, a dignified princess indeed.

But one thing bad about your visits to the training ground? You were alone.

Gojo swings his sword, acting cool making his muscles on his back ripple as he knows your presence is in attendance for todays training. He is sure to impress you!

After his routine was done, he turns to you giving the most handsome stare he could muster with a personal gust of wind to help him today only to find you with another man… You, the crown princess with Haibara, another knight belonging to Geto’s team.

To make matters worse, you looked so adorable and cozy,body heat completely warm as he noticed you were in a jacket, a larger one, one belonging to the military. A jacket that was not his!

Gojo rushes over and quickly takes of your jacket gently before he swings it on the ground, before he gives you his jacket despite your complaint on how ‘Haibara was simply making sure I was not cold.’

He pout as you give him a confused look. “When ever you’re cold, just come to me… Don’t use other men’s jacket…”

There was one day when Gojo realized how easy you could slip away, gone forever.

You and him were in the Royal Garden, Gojo beaming at the thought that you finally decided to hang around him. Your eyes opens as you take a sip from the cup ,confused as to why Gojo was acting like a puppy when thier owner comes back home. Loveless marriage or not, you had to act like you two were in love. The palace walls have ears after all so sometimes you liked to humor Gojo—just a little.

Gojo hums as he has his chin on his hands,pupils turned to heart shapes as he beams at how lovely you are. When you suddenly dropped your cup as you look into his eyes. “y/n…?” Just then blood seeps through the crack of your lips as you tumble from your seat.

Before you fall to the ground,Gojo is quick to reach your arms before you head ground first. He shouts for help as workers and doctors rushed to them,as he wraps his hands around you pleading to the gods above that you are safe. “My love…please come back to me.”

You did gain consciousness the next morning to find Gojo looking at you with gaping mouth, the color under his eyes were darkened. Did he not sleep for the duration of your unconscious state? “Sato..ru..?”

His eyes well up as the skin near his eyes and cheeks flush red, with the first stream of tears you are engulfed and pushed into his arms as he bleeds your ears on how worried he was.

While he was away, he had not been a good human being if he were to be honest. Many of his letters from family,friends and you remain closed, probably burned to ashes by now. If he had gone through his letter maybe he would have been aware that it was found that you had a rather frail health.

While Gojo sniffles into the crook of your neck( he is definitely taking advantage of the situation ) you smile to yourself, a tiny one. Yes. This is the Gojo you remember being engaged to. A clumsy spoiled but good kid.

Shhh—Did you know the walls have ears?

But this time they are talking. There are whispers among the maids, worker, butlers and even the stable cleaner that her highness the crown princess has an affair—a lover. I mean after all your fiancé is a tall attractive man who is literally the crown prince. If such a person was showing such open affection but you were not reciprocating it? Hmmm? Suspicious! I rest my case.

“I was careless…” you mutter to yourself as your look outside the tall palace windows, eyes a few workers who were cleaning up stray leaves by the poarch.

“About what,love?”

A sudden reply to a question where you weren’t expecting an answer made you jump slightly as you peered to see Gojo looking at you with a smile on his face. “Good morning,love.” His hand reached around your waist as he bends down and kisses your forehead. Gojo has been acting far too much like a husband ever since he has been back from his studies and you were still not used to it.

“Kyaa— look it’s the prince and princess.”

“They’re so love dovey first thing in the morning.”

“I guess the rumors on the crown princess is fake…”

You two stilled as hushed whispers were heard. Gojo seemed rather displeased that he was interrupted plus evesdropped on as his hands comically tighten into a fist. “Those insolent fools must not want their tongue…How dare they listen to us speak—“

But you on the other hand had your eyes wide, hands near your mouth as you gape in realization.

Bingo!

You quickly turn to Gojo who seems to still at the unfamiliar attention as he jumps slightly, as you walk closer and place your hand on his chest which sends his heart heat racing. “I need you to act like a lover to me.”

Gojo blinks once.

Twice.

“Was I not a lover to you all these time—?!” He barks, a vein popped on his forehead.

You stare at him with pretty blinks of confusion along with furrowed eyebrows, “what are you saying? You’re my fiancé through arrangement.” You say in a matter of fact tone. “You and I are not lovers, Satoru.”

Gojo bites the inside of his cheeks, his heart is filled with unwanted emotions—anger, sadness,disappointment,shame? Fine! If he wants you to act like a lover— he’ll act like a love. Your lover.

Before you know it, one of his hands slips around your waist as the other grabs your face, his nose now against your cheeks making you shudder at the sudden change in vibe.

He smears his lips around the corner of your lips first, your makeup which took too long for your taste now smeared. He decides to now nip your lower lips, making you gasp as you feel him make tiny licks and nips. “Sa-satoru…” he groans when you say his name.

His lips are finally on yours as the corner of Gojo’s lips tug upwards when he was met in realization that you are eagerly waiting for him with soft presses of your lips as his tongue slips in pretty easily. Something bubbles inside you chest when your thoughts trail to the fact that Gojo was an exemplary kisser—your chest tightens harder when you are reminded of Gojo’s visits to women of the red light district.

You were aware of these but back in the days, you were not bothered at his actions at all—Gojo was simply beautiful after all. You did not mind ever since you first got engaged but at this moment, it tightened your heart as if leaves a nasty aftertaste.

You probably don’t know that Gojo has never stepped inside such business ever since he got back home—to you.

As he sucks, wet presses on your tongue and bites —just as you were feeling lightheaded and wanting more Gojo pulls away.

“Satoru…?” Gojo muttered as swear when he sees your disheveled state, hair a mess, clothing slightly crumpled and lipstick smudged in the sexiest way possible.

“What?” He feigns cool as if there isn’t a significant tightening in his pants as he turns around. “I’m just acting as your lover.” If he wants you to act like a lover. He will do as you say.

Now the walls are giggling, yeah…this phrase isn’t going to cut it anymore. The maids whisper hush talks to the chefs and chefs to the delivery man and then the public. The news is that the crown prince and princess were so in love, they could hardly be apart.

The crown prince sweeping the princess of the ground pulled into a hug, the crown prince sheepishly nuzzling into the princess’s crook of her neck as he comes from behind, quick passionate kisses along the lavish hallways when they think no one is looking( the pair know that they are looking.)

The opportunist in you quickly suggests to his father that it is wise to release the copies of letters you had sent to him when he was away—yea, you made copies of your letters. The emperor was pleased, he laughed and entertained your suggestion. Gojo at this point has given up on making you realize his feelings and simply does what ever you say…

The public raved over the release making the royals more likable to the public, there were even talks on how they already could dream of you and Gojo as the ruling royals.

For the public that wish does come indeed true in the worst possible manner.

The emperor had suddenly fallen ill as he falls into a rough bloody cough, sometimes can hardly eat plus with no energy that he could barely stand. By rule book, in such scenarios the duty as the governor of the empire falls onto the crown prince—Gojo thinks he is ready, he was born to do this after all but all preparations were interrupted when the revolt in the South became a bigger issue more so because that is the region you came from.

Your father, the Duke’s troops kept getting ambushed and were losing morale quickly. Gojo watches you who was praying , to the gods that your father and your people be safe. If that is your wish, he shall be your god.

The same night Gojo groups up his men and marches south. This is the least a husband can do for his lover.

You almost faint when you hear this news,muttering nervously under her breath when you were having a fig-jam toast breakfast in bed. The toast falls from your mouth. “What?”

Now you think you are dreaming, it was one disaster after another! You gently rub circles on your father in law’s hand as Gojo’s father calms you. “It is a duty of a ruler to help his people… Gojo will come back victorious,my dear. You worry too much.”

The empress soothes you, otherwise a straight faced person with never an emotion on your face becomes such a mess for her son. As long as you are by Gojo’s side, his mother can stay assured for the rest of eternity. If you were by his side, Gojo will remain smiling.

It took one season for the idiot to arrived, his hands broken and now hangs on a sling. “I hope you’re not too angered by my actions.” Gojo knew he was wrong to march off that day, he was unprepared too but when he saw the tremble on your fingertips, he simply wants nothing but to make you secure, safe.

He watches you walk towards him before you say. “I think I am dreaming your highness, I had not known you had arrived.” You still has a straight faced look as if your fiancé is all injured with even a broken arm, voice still so steady.

Gojo laughs at this but just as he was about to reply with a snide remark he is cut off, your lips are on his. “You worry me too much, your highness. I fear you are not good for my heart.”

Gojo kisses you. His working hand snaking around your waist. Your lips are softer than he imagined it to be when he was away and when you let out a small moan he deepens it, stronger and desperate as if trying to mark every inch of you.

“How ever m-“ you push him away, gojo whine’s already craving the plush of your lips. “I am very displeased by your action. Even if you are the crown prince it is wiser if your discussed with the strategists and make a plan first. That was very—very unwise of you you highness. I cannot from the depth of my heart believe you would do something so stupid— honestly Gojo I thought you were so much smarter than that . Your behavior is very much unacceptable-“

Gojo almost bleeds from his ears as he listens to you lecture him, the crown prince, future ruler now on his knees. He fights back a smile fearing you would be further angered but his mind was filled with thoughts of , ‘shit, I can’t wait to be with this person for the rest of my life.

‎‧₊˚✧[Ending Thoughts ]✧˚: I almost made this a smut halfway through buahaha (*꒦ິ꒳꒦ີ)

Reblogs, like and comment are appreciated! Love this work? Check out other here (ෆ˙ᵕ˙ෆ) ♡

[iamumbra195]

School Bus Graveyard incorrect quotes because I'm bored

o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o

Taylor: Look how creepy it is looking down this hallway.

Ashlyn: I'm gonna get vertigo.

Aiden: I'm a Virgo!

Tyler, deadpan: No, you're a virgin.

...

Aiden: You lying, cheating, piece of shit!

Tyler: Oh yeah? You’re the idiot who thinks you can get away with everything you do. WELCOME TO THE REAL WORLD

Aiden: I’m leaving you, and I’M TAKING ASHLYN WITH ME

Logan, picking up the monopoly board: I think we’re gonna stop playing now.

...

Taylor: Why is Tyler so upset?

Logan: He took one of those “Which Character Are You?” quizzes

Taylor: And...?

Logan: He got Aiden.

...

Ashlyn: What did you do with the phantom's body?

Aiden: What didn’t I do with the body?

Everyone:

Aiden: Okay, that sounded more sexual than I intended. I disposed of the phantom respectfully.

...

Aiden: Here’s a fun Christmas idea. We hang mistletoe, but instead of kissing, you have to FIGHT whoever else is under it.

Logan: Aiden, no.

Ben, with text to speech: Mistlefoe.

Logan: Please stop encouraging him.

...

Taylor: Who thinks I can fit 15 marshmallows in my mouth?

Tyler: You’re a hazard to society

Aiden: And a coward. DO TWENTY.

...

Emma, trying to be nice to Ashlyn's new friends: Would you like to stay for dinner?

Mike, excited for his daughter: WOULD YOU LIKE TO STAY FOREVER?

...

Logan: What's a word thats a mix between 'sad' and 'mad'?

Ben: Disgruntled, miserable, desolated-

Aiden: Smad.

...

Ashlyn: Why are you on the floor?

Aiden: I'm depressed.

Aiden: Also I was stabbed, can you get Ben, please.

...

Taylor: Aiden and I were crossing the street, and this dude drove by and honked at us

Ashlyn, sighing: What did he do?

Taylor: he chased him to the next red light, then reached into his window and...

Aiden: Who wants a steering wheel?

...

Aiden: If I accidentally sat on a voodoo doll of myself, would I be trapped forever in that position, doomed to starve to death?

Logan: How am I supposed to know?

Tyler: You say that as if we don’t use you as a source of knowledge of the occult.

Logan: ...You wouldn't be trapped.

...

Ashlyn: Tyler, keep an eye on Aiden today. He's going to say something to the wrong person and get punched.

Tyler: Sure, I’d love to see him get punched.

Ashlyn: Try again.

Tyler, sighing: I will stop Aiden from getting punched.

...

Aiden, holding a python: Guys I impulsively bought a snake, what do I name him

Tyler: You did WHAT–

Ben: William Snakespeare

...

Ashlyn: Dandelions symbolize everything I want to be in life

Taylor: Fluffy and dead with a gust of wind?

Ashlyn: Unapologetic. Hard to kill. Feral, filled with sunlight, bright, beautiful in a way that the conventional and controlling hate but cannot ever fully destroy. Stubborn. Happy. Bastardous. Friends with bees. Highly disapproving of lawns. Full of wishes that will be carried far after I die.

Aiden: edible

...

Taylor, whispering to Aiden, who’s on the phone with Ashlyn: Ask her something!

Aiden: How are you feeling?

Ashlyn: Fine.

Taylor: Something personal!

Aiden: At what age did you start hearing voices?

...

Aiden: If I die, my funeral is going to be the biggest party ever and you’re all invited

Logan: If?

Tyler: Great, the only party I’d actually go to and he might not even die.

...

Logan: We need a distraction.

Ashlyn: Is anyone here good at jumping up and down and making weird noises?

Aiden, whispering: My time has come

...

Tyler: Where are you going?

Taylor: To get ice cream or commit a felony, I’ll decide on the way there

Tyler: I'll come with

...

Mike, buying a whole bag of knives, guns and other weapons like he's going to war on a random Tuesday: I can explain

Jacob (shop owner): Can you?

Mike: If you give me thirty seconds to think of a lie.

...

Taylor: Heads up, if you try to make a candle with food colouring, it will just sink to the bottom of the glass, and when the flame eventually reaches the bottom all the food colouring will catch fire and become one giant tall flame that you cannot possibly blow out and the glass will start to crack and then you'll throw your tea on it in a panic and then the extremely hot food colouring will boil and sizzle horribly and then the glass will shatter.

Tyler, sighing: What did you do?

Taylor, wailing: A MISTAKE

...

Mr. Thomas: What are your goals?

Ashlyn: To pet all the dogs.

Mr. Thomas: No, I meant your goals for this trip.

Ashlyn: To pet all the dogs in Savannah.

...

Logan: Is letting someone win at chess sapiosexual bottoming?

Ashlyn: Does anyone in this godforsaken group ever think before they speak?

...

Taylor: Aiden isn’t answering their phone

Ashlyn: I’ll call

Taylor: Ben and I have both tried six times each, what makes you thi-

Aiden: Hello?

...

Aiden: I was arrested for being too cool.

Tyler: The charges were dropped due to a lack of supporting evidence.

...

Aiden: Jail is no fun. I’ll tell you that much

Taylor: You’ve been to jail?

Aiden: Once. In Monopoly.

...

Mike: You love me, right?

Emma: Normally, I’d say yes without hesitation, but I feel like this is going somewhere and I don’t like it.

...

Aiden: Let’s watch Sharkboy and Lavagirl.

Ashlyn: Okay

Aiden: And make out during the scary parts.

Ashlyn: The-

Ashlyn: The scary parts?

Ashlyn: Of Sharkboy and Lavagirl.

...

Ashlyn: How petty can you get?

Tyler: I once edited a Wikipedia article to win an argument I was wrong about.

Taylor: I KNEW IT-

...

Aiden: I've already sent good vibes your way… they’re coming. There’s nothing you can do to stop them.

Logan: This is the most threatening way I’ve ever been cheered up.

...

Mike: So what’s for dinner?

Emma, staring at the food she just burnt: Regret.

o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o

That's all for today!

[yepthatsacowalright]

I'm still thinking about how Jane Schoenbrun has said that a lot of people who read the I Saw The TV Glow script warned them that, with Owen as the main character, they would have to work against centuries of film history that's trained audiences to see a weird loner boy - especially in a psychological horror - as a serial killer, or someone with a creepy, killer-like secret. Like, ok...but also these same characteristics often apply to people who are queer, neurodivergent, or otherwise don't fit into a society that rejects them. How do you add more diverse, authentic representation of these groups in media when you actively discourage people from trying, because you think audiences are too used to reading those kinds of characters as having something deeply fucked up and wrong about them? I'm just wildly impressed and hopeful that they actually got this film made, with Owen's awkwardness in tact. His awkwardness in the trailer is the main reason I even decided to spend money to go see it in the first place. He was relatable as hell, in a way I've almost never seen on screen. (When Hannah Gadsby said, "Where do all the quiet gays go?" I felt that. And I think, among other things, they do stuff like go see this movie.) Makes me wonder how many legitimately good scripts get passed on by studios, out of fear of the weird characters being seen as too off-putting or creepy for an audience to connect to. And how likely it is that that might be changing a little bit.

[puzzled-pegasus]

Do you ever just think about how awful it is to be a demigod before you know about it?

I've been thinking about it a lot lately. How much demigod kids and teenagers don't fit in with mortal society. Their mortal parents don't know what to do with them, even if they do care for them immensely. They are labeled as troublemakers, as bad kids, as mentally ill, as freaks and monsters who see things they shouldn't see and have an aversion to authority that they shouldn't have and a strong sense of justice and an inability to sit still, read, play, act, feel normally. Percy got in trouble for getting into fights, for speaking impulsively, he was mocked and spoken down to and expelled from lots of schools who couldn't handle him and he didn't know why until he was twelve years old. Sally wasn't able to tell him why.

Annabeth was the product of her father's relationship with a goddess, and he loved her for a while, but she wasn't a normal kid. When he fell in love with a mortal and Annabeth didn't get along with her or her kids, he chose the mortal side. How could he understand Annabeth's side? She was just a badly behaved kid, while his new wife and children were the normal good ones.

Jason always knew he was a demigod, he was accepted and praised and tons of expectations were placed on him from a frighteningly young age. Part of the reason the others resent him and see him as a sort of golden child is because he was placed on a pedestal and he will never, ever know what it was like for all of his friends to be looked down on as children, to be scolded for things they didn't understand and told that the things they saw and experienced constantly were not real.

Piper was always loved by her father but I think he loved the idea of her, he loved that she reminded him of the beautiful woman he met years ago. He was always kind to her and usually gave her things she wanted, but he couldn't always spend time with her as his job got busier. Piper sensed that her father's attention was occupied by something else, and as he got busier, she felt less supported and stole things and got in fights and her dad didn't know what to do with her after the BMW so she was sent to a troubled teen program where she was bullied for her disabilities and her race.

Leo feared his power because it killed the person he loved the most, and after that, everything in his life was hell. He didn't feel safe anywhere, he didn't have anyone he could trust, and adults saw him as a troublemaker who would never amount to anything.

The books don't emphasize these things as much with any of the other demigods, or maybe Annabeth, Percy, Piper, and Leo are the best examples we have. I just. They're so tragic. They're all my children all of them. I love them and I feel so sad for them

[thesummerestsolstice]

I have seen multiple Silm fics now where Elrond ends up taking in/becoming lord of the remaining Feanorians after M&M's deaths. I think this is a great idea for a few reasons:

All the remaining Feanorians are diehard followers who aren't fit for civil society and I think Elrond is the only one who can stop them from choosing violence

They're probably pretty fucked up and could use the attention of Middle Earth's best healer (physically and mentally)

If the Feanorians are busy making sure Elrond sleeps enough they'll have less time to scheme and do crime

Elrond has a highly-competent Feanorian bodyguard, Elrond spends most of his time with Gil-Galad, therefore, Gil-Galad effectively also now has a highly-competent Feanorian bodyguard, which is a good thing given what tends to happen to high-kings of the Noldor

Smiling sunshine Peredhel being followed by an escort of the scariest imaginable murder elves will never not be funny

That said, I feel like we don't talk enough about how absolutely insane that would be from an outside perspective. Like the twin sons of a Nolofinwean prince and a Sindarin princess show up in your camp having been stolen from their home and held hostage by Feanorians for deacdes. This is the first time they've been free since they were six years old. Even if the hostages thing wasn't really true after a while it's still absolutely what everyone else would assumed.

And then later the Feanorians show up looking pathetic after their last lords die. And all of a sudden one of their former hostages is volunteering to effectively put himself in their custody again. There was no way that did not set off every imaginable alarm bell for most of the people in Gil-Galad's camp. I'm pretty sure most of them assumed that Elrond had been brainwashed and was willingly becoming a Feanorian prisoner/hostage again (rumors not helped by him constantly being trailed by the scariest murder elves in existence). A few of the others probably thought Elrond was doing it as part of some long-haul revenge plot against them. You cannot tell me everyone was just okay with him doing that. That is a situation made entirely out of red flags.

[bacchicly]

A few imperfect thoughts about writing fat characters respectfully

By me :

A short (5'2"), fat (approx 300 pounds), middle aged (turning 42 thank god), married to not a fat man, mother of a pre-teen, white, CIS, Anglo, Canadian, upper-middle class woman who writes fic (including smut) about a character who is fat by TV and Hollywood standards (Penelope Garcia)

Note: fat hate or debates about whether being fat is healthy or not will not be tolerated on this post. That is not what this post is about. This is about giving some insight into what writers may want to consider when trying to respectfully include more fat characters in their work and generally moving towards writing doing less harm to fat people.

This post started with me wanting to respond to someone honnestly asking "how do I write good descriptions of fat people" because they wanted to write more fat characters and write them authentically (and I assume in a way that would be respectful to fat people) which is an awesome! ...Or maybe it started a few months ago when a writer friend asked about whether a fat character in a fic borrowing a shirt or hoody from her fit boyfriend made sense. ...Or maybe it started way back when I started writing my first fan fic featuring Penelope Garcia partly in response to being irritated about how so many writers wrote her as a young woman and were often silent on her size or spent a lot of time on her insecurities about her body... anyhoo that's where I come from... doesn't make me an expert except maybe on my own unique experience with a fat body...rather more a fellow muddler / fat character writer enthusiast.

THE BASICS

This first part is a quick list of basics you'll read in other posts about writing characters in general - but we'd better get them out of the way because they apply:

Every character is unique and they way they act and think and feel tends to be a product of some mix of what they look like, how their body works or doesn't, how their brain works and doesn't, their "personality", what they were taught, their unique experiences, and the situation/society they are currently in. There are patterns (which is why we get tropes) but the fun thing is that small things can make big differences. So to write an authentic character, it helps to have a fairly clear sense of at least some of those elements and do some imagining about how all of that would funnel into the moment your writing.

The amount to which you describe character bodies and the style which you use to describe them tends to depend on genre, what the heck is going on in your story, the pov you're writing from, the reason you're writing etc. So their are no hard or fast rules. There may be norms for certain styles of fiction, but then it's up to you to decide if it's stronger for you to lean into those norms or to write "against" them at a particular moment.

In order to be more respectful and less harmful to fat people (especially if you see value in actively challenging the anti-fat status quo), you may have to change how you describe all bodies in your work, as well the attitudes both fat people and non fat people have about bodies in general.

Now that that's out of the way... let's get specifically to my thoughts on writing fat characters. I'm going to divide this part into tips for DESCRIBING FAT BODIES, FAT BODIES IN SPACE, and THINKING AND FEELING IN A FAT BODY.

TIPS FOR DESCRIBING FAT (OR OTHER) BODIES

I would say that both consistency and diversity across the work is important, by this I mean :

Consistently describe bodies in about the same amount of detail across your work for the same type of character regardless of body type. So protagonists should get about the same depth and breath of body descriptions as each other regardless of body type. Same goes for vilalns, supporting characters etc. Sometimes people are mute about the look and shape of "strait sized" character bodies (because what's to describe - they are just "normal") but then spend a bunch of time on "other sized" bodies or vice versa (in this case, the fat body is erased usually because of some form of internalised fat hate or phobia paired with "if you can't say anything nice" don't say anything at all.) If you're doing either of these things, I'm not saying it's wrong and has to be fixed- I'm just saying it's a flag that you may want to think about why you are writing differently about different body types and what your work is saying about what bodies have value and which don't.

Diversity Bodies in the real world come in a lot of different shapes and sizes (I know I know obvious woman strikes again) but if you are writing stories with fairly large casts and everyone has the same body type - there better be a good reason for it within the narrative. Truthfully there are cases where this does make sense to some degree... if you're writing about a group where there are physical requirements and standards for the folks in that world (ballet dancers, fire fighters, cops, soldiers, fbi agents) there may or may not be less diversity in body type and more homogeneous attitudes to body norms within the group - and certainly those who are outside of the norm may be commented on or feel like they are "other". But if you are in a more free setting - if you write without a diversity of body types - especially in settings where there is diversity - that is probably a clue that you're not thinking enough about what your various characters look like and may be "normalizing" one type of body over others. Similarly, if you are writing about a real time and place where there is evidence that there were fat bodies and you have none...that's another flag to ask yourself why.

The magical tools in your toolkit for describing fat and other bodies: Body neutrality and POV

Body neutrality is about not loving bodies and not hating bodies just accepting bodies as they are....or in this case describing them as they are. No poetic language. No judgement. Just this is what this character looks like. If you're struggling to do this, I suggest doing a body map for at least two characters with different body types - possibly one that you find easy to think of positively (in this case likely someone thin or at least fit) and one that you find more difficult to describe positively (in this case someone fat).

Describe them head to toe, naked and then clothed, in detail - acurately but not poetically. Start with their feet and then work up bit by bit. Pay attention to things like hair, scars, shape of joints, acne, tightness or looseness of skin, colour of skin, nails, fat, lack of fat, muscle tone, where do they hold their stress, what's in the bowels, how well they do or don't work, do they have their appendix, what they ate last, proportions (is their torso long or short compared to their legs), lungs - how much do they hold, are they healthy? - now describe their throat, shoulders, hands, hair, then end with face.

The only rule is no positive or negative connotations to anything. it's neither good nor bad that they have stretch marks - they just do and they have faded to silver. Now that you "see them' clearly - now look at them through the eyes of someone who loves them in a familial way...what do they see most? what words do they use? now through someone who is attracted to them sexually and love them and aren't ashamed...what do they see most? what words do they use? Now through the eyes of someone who hates them or wants to change them? or a child? or a dog? Now... how does your character feel about these descriptions? Now you have a variety of words you can draw on to describe the body and you also should have a fairly good idea of what is a more skewed view of the body and a more realistic view.

Also...it can be helpful to remember there are no consistently good or bad words to describe bodies - it depends on context and who is using the words. It's a lot like how sick can be used to describe something negatively or positively depending on the agreed upon meaning of the word by a group.

DESCRIBING BODIES IN SPACE/MOTION

Ok here's the thing - for every activity you can think of - there is a fat body that does it well and a fat body that can't do it easily or at all and there are a lot of reasons for both. Often it has to do with the fact that a lot of equipment is built for people who are 250lbs or less; and anything for bigger people tends to cost a premium. Also, if it's not an easy new skill to acquire with the body you've got...it may take longer and more bravery to keep pushing through to achieve mastery. People may try to discourage you from pursuing things. Sometimes out of prejudice, sometimes out of impatience, sometimes out of caring.

So deciding what your character's body can do easily and what it can't and why is more important than me giving you a list of words for how to describe fat movements.

My suggestion is: do your research. What sorts of body types have done the activity in the real world? What are the exceptions? What changes? So for example if a fat person is climbing a mountain - do they need more help? Different equipment? A different route?

Things to consider:

- equipment / things that can have weight limits: bunk beds, roller coasters, scooters, waterslides, camping chairs, elevators, trampolines, some bikes, life jackets (finding one that fit was a nightmare), exercise balls, airline seats (learning to ask for the seatbelt extender without second thought or shame was a lifesaver)

- not all fat people have pain, those who do will move taking into account the specifics of the pain - same as a lean person

- when I was pregnant I just got more cylindrical and did not get a classic belly. I moved well and easily all the way through my pregnancy, I had none of the back pain or ankle pain some people get. I stood for a lot of my labour. I gave birth on my hands and knees. Other fat people will have had different experiences of pregnancy...but that was mine.

- clothing can have a huge impact on what bounces or jiggles and what doesn't

- most (but not all) fat people I know are particularly sensitive to appearing sweaty or smelling bad

- how winded someone gets is not directly correlated to body size, neither is heart rate or breathing style; I have theatre training and grew up swimming - I breath very slowly and very deeply normally - so when I talk a slow deep breath...it is very slow and deep indeed. I have always been fat but can swim forever - I have always gotten winded and kind of dizzy running... Other fat people may be opposite.

- people do not "see fat" consistently. People regularly underestimate how fat I am (by 100+ pounds or many clothing sizes) because I am short, well spoken, proportioned in a way that is seen as fairly typical, and very mobile and very light on my feet. Someone who weighs less than me but is slower moving, dull witted, in a sour mood, is illl, or poorly dressed may be perceived as much heavier than than someone the same weight or heavier who is behaving/clothed differently (which can change how much fat hate someone experiences) and definately heavier than they are. Height also changes how people perceive weight.

- many stores still don't carry plus sized clothing, but eventually i sort of got used to it - although some days it makes me angry and other days sad

- chairs with arms or the occasional booth can be uncomfortable or just plain impossible to sit in, it's probably partly my ADHD but I often forget this until it happens; for taller and fatter people than me this can be a much more regular occurrence.

- once (if) a character figures out how to dress/move their body in a way that feels comfortable and meets general standards (or at least theirs) of respectability - they may not think that much about their body...or at least until something external draws attention to it

- I don't like feeling like I'm squishing people, so I will make myself small and still on buses or at the theatre, I also don't like sitting on laps or being lifted or carried.

- I often feel much taller than I actually am - except when I am standing right beside someone taller or am trying to reach something on a high shelf. The same principle applies - I feel larger next to smaller people and smaller next to larger ones.

- clothing and what I'm carrying also changes how I move (just like my lean counterparts)

- I don't lounge, my car seat is set almost straight but I sit further back than my brother in law who has a similar height and weight - he leans the seat back but pulls closer. I don't nap. My leaner husband both lounges and naps.

- some fat folks eat, walk, and move quickly - some slowly; figuring out which your character does, when they behave "out of character", and why these are their preferences will go a long way to creating an authentic feeling fat character

- acne is a thing and learning to accept ones rolls and tummy aprons (and thus take care of them properly) is a common challenge; although many do it naturally without thinking much of it. You lift your breasts and wash underneath - you lift you belly and wash underneath.

- fat bodies have the same reactions as everyone else: they tingle, burn, get numb, get goose bumps, like to be touched in certain places and in certain ways, feel the breeze, get hot, get cold, shiver, stretch, relax, get aroused, feel release, hold tension, feel capable and strong, feel weak...no matter who you are sitting in a chair that's too small for you will put pressure on your body and feel uncomfortable or safe ..you can explore what that is like. Sometimes it is a reassuring sensation. Sometimes it is uncomfortable. This is the same for fat bodies. It just may happen more frequently and depending on your character's context and experience the emotional reaction / thoughts that are generated may be a bit different.

THINKING AND FEELING IN A FAT BODY.

I think I touched on some of this in some of the earlier sections...but here I want to talk a bit about my experience of being fat and my thoughts about it - your fat characters may or may not feel similarly...but my hope is that you at least think about options as opposed to only writing one or two types of fat character.

I mainly "feel" fat in moments when it is pointed out to me or I am limited in what I can do because of it

I quite like my body, it is my home and I feel very connected to it's features. In my experience this is unusual for many people in North American society regardless of actual body shape or weight. Sometimes I feel guilty for not hating my body the way "I am supposed to" and wonder vaguely if my body would be different if I could hate it more (although as I get older I doubt it).

I do feel some pressure to be a cheerful "good" fat person as a way to stay safe and survive.

Nothing makes people more uncomfortable than me calling myself fat without judgement or asking for accomodation matter of factly. It took me a long time to feel comfortable doing so, but I do it now all the time and it makes my life better.

I felt some pressure to be the fun friend who people feel comfortable eating whatever they wanted with and I often felt like I was depended on to order dessert so they could too. This may have been all in my mind though.

Fat bellies can be very intimate places.

Not all fat people have dieted, but many have. I was lucky enough to never be forced into a diet. I did try keto once but it was a bit intense and nuts so I stopped. I learned a bunch doing it though.

Medical people not treating you appropriately when your fat is 100% a thing.

Internalised fat hate and fat phobia is a thing for many fat people and it pops up at weird moments.

I don 't.give a damn about being in a bathing suit. As long as it fits and my boobs and butt.aren't.falling out - I am happy and feel very attractive. In fact I am probably at my most comfortable in a bathing suit or naked. My body is mine in both those instances.

To reach the "healthy weight" for my height - I would have to lose half of my body mass. That is a lot of me to loose. Embarking on something like that would be totally different than loosing 5 or 10 pounds. Trying to navigate the various medical opinions about whether being fat is bad or not is exhausting.

For me, being fat and older is easier than being fat and younger. This could easily be the opposite for someone else.

Some fat people are into sex, some are not . Some folks are into sex with fat people and some are not. Some are nice about it. Some are not. Some want nice. Some do not.

Fat people are all around you living their best life or their worst life or somewhere in between. We know we are fat. We sometimes care and sometimes don't.

Ok that's it. I don't know if it will help anyone or if it's just a collection of rambles - but at the end of the day...fat people are just people. We are not going to go away. We are all sorts. We are the heroes of our own stories. We are people who are loved, depended on, hated, ignored, and/or spotlighted.

Some fat people think about being fat all the time. Some rarely. Just please don't erase us or other us.

Just by taking the step to interrogate your own biases and any feelings / assumptions you have about fatness/thinness is a huge step and will help limit the harm you could unintentionally do to fat people...actually to all people. Like all forms of hate and intelorance - Fat hate hurts EVERYONE. I would argue it privileges a few...but even that can be excruciating for the individuals who strive to retain that priviledge. We need to dismantle it.

[germiyahu]

There's such an intricate interplay between antisemitism and islamophobia from the slacktivist left. For every reason they can think of to delegitimize the Jewish People's connection to Eretz Yisrael, it's propped up by some Noble Savage presumptions about Palestinians/Arabs/Muslims.

Since Jews in America are seen as a model minority, seen as having accessed whiteness and privilege, and "antisemitism" is at worst having to explain what Hanukah is to clueless Christians, the Left is confused as to exactly why Jews care about Jerusalem and the Land of Israel so much. Shouldn't they be above such petty and barbaric and outdated concerns such as a dusty old book from 2,000 years ago?

They should be more enlightened than that. They're all rich suburban secular Democrats. They're the leftist religion, according to bloggers on this very platform. There is no room for Judaism to be a religion, there's no acknowledgment of ancient customs, rituals, and the deep mysticism that's still alive and well in the Jewish community. There's no attempt to understand Jewish history and culture and why a group of people you think shares your vaguely atheistic vaguely liberal (and not in the Tankie sense) vaguely smug detached Western worldview... is more complex and unique than that.

Jews should be happy living in Diaspora because clearly the problem of antisemitism is fixed now, and never really was a problem in America. There must be something sinister behind a desire to reestablish a country by and for Jews. There must be something colonial, oppressive, European and White about it. Because why else would they do it? They have it good here. And no we won't acknowledge where Israelis primarily descend from because that requires us to do research and have a shred of nuance and integrity when it comes to Jews. No thanks!

A lot of the modern left is nonconsensually dragging Jews kicking and screaming from their own unique demographic toward the banal Norm. To themselves. But not totally. See they think they relate to Jews and vice versa, but not enough that when they think Jews should "know better," or haven't "learned their lesson," from the Holocaust, it engenders a deep seeded disgust and mistrust and rage that's not felt for actually privileged mainstream dominant society.

Conversely, the slacktivist Left sees Arabs as savages. Silly desert people who eat sand and worship a big black cube and cover every inch of their bodies for some reason. How quaint! When the Palestinian/Arab/Muslim cause explains that Jerusalem is important to them, the White Western Leftist nods sagely and says "Your culture is so valid queen," because they don't care. They just accept that Muslim society would be willing to fight over an ancient city proscribed as holy in dusty old tomes. Because that fits the narrative already surrounding Muslims.

They're seen as backwards, but the Left, reacting to their conservative parents and the Bush era, see "Muslims are backwards," and says not "No actually they're modern groups of people with practical geopolitical goals," but instead "Yeah and that makes them better than us!" Especially with this new crop of baby Leftists who think Islamo-Fascist "Feudalism" or whatever the best term would be, is aspirational or at least harmless... because it's not capitalism :)

So Muslims are infantilized and condescended to because the Western Leftist is still just as racist as their parents, but they feel guilty about their parents without considering their contribution to White Supremacy and the Post Bush surveillance state. And all the while Jews are reprimanded and held to an impossible standard because the Western Leftist, again, rejects their conservative parents' philosemitism, and decides that Jews Must be Punished when they step off the pedestal that Suffering the Shoah placed them on.

Jews should be above nationalism, Jews should know that demurely suffering pogroms and ethnic cleansing and genocide and general inequity and humiliation will earn them their divine reward in the end. Muslims should not be above nationalism, because they're not capable of being above it, and can't we throw them a bone, after all Obama was the worst president in history because of the Drone War and let's not mention George W Bush at all :0

Hot take, but I believe this is an essential underpinning of where the average disaffected White millennial/zoomer Leftist's head is at with regard to Israel and Palestine. They won't acknowledge it of course, but I can generally see through things like this.

[hallowpen]

The Secret of Us and the allegory of the puzzle...

I think one of the major overarching themes in this series is that you cannot force something to fit where it doesn't want to belong. And the only way to 'complete' the picture, ideally, is to patiently allow the pieces to be put together in the way they're supposed to.

I really really want to talk about Lada and how much I resonated with her as a character. In order for me to do that, I have to explain some cultural insights that revolve around Lada's familial structure.

Funnily enough, I was recently discussing certain matrilineal cultures that exist in Thailand and how they perpetuate a lot of bigoted ideals... and that is shown beautifully in Lada's relationship with her parents and how they each react to her queerness. To me, it seemed clear that Lada's parents' marriage was born from matrilocal customs. And unfortunately, that's not really something you would be able to pick up on if you weren't Thai (or natively Asian in general). So... in these types of families, women hold a lot of authority, and that authority is passed on through the female line (which is why daughters are valued over sons). The wife would manage and have the final say regarding household matters, including how the children are raised... and the husband's duty would be to respect his wife. A mother and her daughter maintain a continuous relationship with one another as, should the daughter marry, her husband would come to stay with them until they have a family of their own (and sometimes even after). It's a good way to strengthen matrilineal kinship, but it puts enormous cultural pressure on the daughter who is raised with very high expectations... the most pressuring of which is to marry a man and to have natural born children. Should the daughter not 'fit' this mold, they are often ostracized from the family.

It gives new meaning to hearing Khun Russamee say, "Lada is the seed I've nurtured since birth," doesn't it? It's why she is so against accepting and understanding Lada and Earn's relationship. Because in her mind, there doesn't exist a future where two women can uphold these matrilineal customs... and so the only reason Earn must be pursuing Lada is for some form of exploitation (i.e. money). She justifies her cruel and queerphobic behavior to keep them apart as some form of misaligned protection of her daughter and her daughter's future... to keep her from being taken advantage of and to help her see reason. It doesn't excuse the behavior at all... but at least you can understand the motivation (no matter how terrible). These types of mothers exist in the reality of Thai society... it's not just some cliched villain narrative. I'm speaking from experience here (NOT MY MOM! I LOVE MY MOM... my mother's mother).

In Thailand, we hold strong to the notion of บุญคุณ ('bunkhun'). This notion perpetuates the idea that we owe an endless debt of gratitude to our parents. It's seen as our "moral obligation". (Similar ideas exist in other Asian countries, as well)

Lada has done everything right. She's loved and obeyed her mother, she's cultivated a successful career with intentions to take over from her parents' leadership of the hospital, she's set herself up to be able to support her family's needs... She cannot imagine a life where her mother could ever not support her or her choices. Her one "fault" is that she is in love with a woman and refuses to conform to her mother's insistent heteronormative intentions (I loved the juxtaposition of this against P'Nu's defeated acceptance btw). She's rightfully exhausted from all the pressure to 'fit' her mother's mold of the perfect daughter, and Earn recognizes that.

So when her mother falls ill, and Lada is expected to take responsibility, it makes sense from the perspective of her familial structure. When she sacrifices her happiness for her mother and Earn understands the reasons why... it makes sense. Khun Russamee only comes to believe that Earn truly does love Lada once Earn willingly steps away from their relationship to ease Lada's mother's expectations... it's twisted, but it makes sense. And Khun Russamee does apologize, for whatever the frik that's worth (I can only try so much guys 😞😞😞) It's just part of our ingrained culture to value family despite their abusive behaviors. And as much as I wish that weren't the case, these views remain an actual reality. So, it isn't dishonest to portray them.

...The point is, the final pieces of the puzzle could only come together once they were allowed to. And then we finally got our happy ending!!!

Could certain story elements stand to be improved? Yes... but they're no worse than anything we've seen from BL series. And I do believe as time goes on, with more and more GL content being made, the writing will get better and stronger (I hope 🤞🏾🤞🏾🤞🏾).

Despite the more problematic writing, Lingling and Orm were outstanding in their roles. Never have I seen two artists, in all of the Thai QL I've watched, be so in tune to their characters and their emotions. Everything from their dramatic scenes to their more subtle facial expressions were completely on point. It was a pleasure to witness... and the biggest draw for me as a viewer. Well done!!!

[writers-potion]

Hi! How do I write a mafia novel?

How To Write A Mafia Novel

The term “mafia novel” makes me think of a few possibilities here. It could be (1) an action-thriller where our hero is either fighting the mafia or is a part of the mafia or (2) a mafia romance novel, where the love interest(s) come from rich mafia backgrounds.

If you’re writing an action/adventure story where mafia are the bad guys:

They need to have a cause – a twisted one. No matter how bloodthirsty these mafias might be, no one works so hard for fun. 

They’re struggling financially. This is a great motive for the bad guys to attack the hero, or use more cruel methods than usual. 

The ones who are going against the mafia would be independent investigative agencies or the Federal Bureau of Investigation, not your typical cop or police. 

They’re allied with other crime groups, even with some backdoor government organizations. I don’t think the depiction of mafia groups as a self-sufficing group always exchanging insults with other groups in inaccurate. Also, this raises the story stakes when your back guys combine with other bad guys to get back at the hero.  

They can’t be threatened with just an incriminating recording or photo, especially if they’re obtained illegally – which means they’re unlikely to have power as evidence.

Mafia leaders realistically won’t force their children to take over – in fact, they’ll want to keep their family out of it altogether. 

If you’re writing an action/adventure story where mafia are the good guys:

Give them a motto that gives them a cause for the higher good. Like ‘manners maketh men’ in the Kingsmen movies. In a loose sense, the Kingsmen are mafia too – they’re a secret society with lots of money, etc. 

A running theme would be that you can afford to use questionable methods as long as the outcomes are good. The mafia would kill, steal, imprison and murder – but they always have a convincing reason. Plus, the bad guys are doing a lot worse. 

The mafia organization is flawed in a critical way. This can be anything – a newbie who starts to question the mafia’s practices, or a corrupt leader, etc. This flaw will cripple this apparently sturdy organization at the end of Act II, raising the stake sky high. 

Give them secret codes, special weapons, a quirky dress code, a tattoo? 

Show how the mafia are tightly networked among themselves, often in a good way. The senior mafia mentoring the newbies, colleagues struggling through their probation periods together, etc. The mafia are a tight-knit organization. 

For a mafia romance, what the mafia really does or how they’re structured, etc. isn’t that important. As long as you get the black suits, expensive Jaguars, and exclusive clubs/hotels vibe right, you have enough mafia worldbuilding. What’s important are the characters. 

If you’re writing a male mafia love interest:

They’re high-ranking, filthy rich, intelligent, and cold-minded individuals who are powerful beyond your usual realm of rationality. The absolute unrealness of these sexy competent men is what’s appealing. 

The mafia background becomes the “hurtful dark backstory”. One of the main selling points of dark mafia love interests is that on the inside, they’re fractured puppies in need of some sunshine to soften up. Give them a good reason why they’re assholes to your female love interest in the beginning. They’re repressed – high time.

They must be able to draw a line between being adorably overprotective and unreasonably controlling. The same goes for their use of violence. Sure, a male mafia love interest may kill that stalker who’s been bugging our heroine but don’t have him putting bullets in the heads of people who just mildly irritate him – that’s a huge turnoff. 

If you’re writing a female mafia love interest:

Your heroine is a clear-minded, physically fit, confident, and competitive mafia queen/princess with both eyes fixed on power and success – until the male love interest comes along, either as an enemy mafia or a clueless softball. 

Alternatively, they’re oppressed by their father/brother(s) who are hard-core, bloodless men. These heroines are capable in ways that are not approved by their mafia family (like a career in social services or running a bakery, whatever) and need someone to understand and remove them from their toxic family – our male love interest. 

Again, feel free to use the mafia background as a source for some juicy, traumatizing backstory.

Hope this helps :) 

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