#Which is why she does that as much she doesn't want to (they're actually playing her like a fiddle)

[evilminji]

Back on my: Holotuber Jedi Youngling - OC Thoughts >.>

Prev <-

You think folks debate at first? Shtick or Real Thing? Like? No... no WAY could that be one of those Mysterious Mystic Space Cult Kids. No WAY. They would NEVER let their kid be unsupervised on the Net.

But like... (and since I'm a She, gonna use She, but realistically could be any pronouns here) she LOOKS like she's recording from a...? Is that a closet? This one looks like a vent. THIS video is definitely some sort of maintenance area. So she's definitely sneaking...

Ooooh! Thaaaat's a Jedi! REAL FUCKING JEDI. Just dropped down silently behind her. Arms crossed. Mouse droids be snitching. BUSTED.

:T

"Uuuuuuh, h-heeey, Master Uvalii. Fancy seeing YOU here!"

"Yes. Quite interesting isn't it? Since you should not be able to access this area at all, much less to achieve holonet access. Of which we are both aware you are expressly Forbidden To DO unsupervised."

".........I can explain?"

"Please. Do."

*feed ends, chat goes fucking NUTS*

Like? Oh SHIT. Baby Jedi in troooouble. But also? Oh no! What's gonna happen?! Are they gonna be okay?! S-should they TELL somebody? What do Jedi do to kids who disobey them? Does anyone actually KNOW? What DO any of us know about them!? Someone find their Com Code! MA! MA, I need you to yell at space monks! An adorable CHILD MIGHT BE AT STAKE!!! D:>

Even coming BACK on? For a supervised feed? Going "no, I'm just in trouble. Have to right paragraphs and meditate on 'why I felt the need to do this' (even though I KNOW why, not that they'll LISTEN. They just hope I'll meditate until I come to an answer they LIKE)" under the offscreen supervision of a teacher or Creche master?

Whole ass Net gonna be like "youngling! Blink Twice if they're holding you hostage! We can afford bounty hunters! We got a group pot thing going already!!! Aaaaaaaa-!"

Like? *waves at the camera and chat* she TOLD you. They don't believe you. This is part of WHY she wants to do what she's doing. Palpatine's and his Master's machinations have been building for a while. Eroding trust. The Jedi have become strange, dangerous, semi-mythical cryptids with magic powers we must HOPE are benevolent.

Not people.

Why would they expect some unfeeling, magical, sword-wielding space legend to be patient or kind to children? To even have the capacity? We are said to kidnap children and be unfeeling. Can not reach enough people to show otherwise. To reveal the mundanity of our lives. The traditions. The norms.

Food, children, laughter.

The Common Good.

And like? She obviously isn't gonna name Sith-ly NAMES. Not on CAMERA. But her lil "why I wanna play the tooka game and chat about lunch" speech? Convincing. Calms chat down. Still in trouble, mind you. But... provided it's SUPERVISED? And they work out some sort of effective moderation? Alright.

It's a matter of SAFETY, youngling. And no matter HOW much good you wish to do? They will NOT be sacrificing children to achieve it. That is NOT the Jedi way. There are plenty of old masters who would live nothing more then to ramble all day into cameras, if only to here themselves talk. (Oh? Good to know. Guest speakers pog?)

Like? Imagine making a game. Have a "mystical sage" character you TOTALLY BASED of Jedi in it. And your feed gets? Flooded with XD reactions in response to some smol bby streamer playing it? You go to check it out. Cause you're kinda a big deal on your planet. And?

Oh No™

That tiny streamer? Is a tiny JEDI streamer. Who is sitting there, in the stills, going O.o like "Wut." And the next still? Her lil friends are pulled in. The next? A teenager. The NEXT. An adult. The one after THAT. A few adults looking over her shoulder. Then a CROWD. All deeply, deeply confused looking.

The comments are DYING. Howling with laughter. The Jedi were so earnest. Trying to identify which Era you must be referencing. Which sect. But the head dress... cultural, maybe? It doesn't fit with the features though. Could be adopted. A hint at, I believe the term was, "lore"? No, no, those are DEFINITELY padawan beads! But so MANY? In THAT order?

They aren't even connected to a braid! And he's supposed to be a Master, right? But, wait. Perhaps it's meant to suggest he is a Padawan of the Force itself? A student of life? No, that wouldn't make sense! Stolen? It could suggest he has TAKEN the beads? Is regurgitating stolen texts without true understanding? Much like wearing bead he did not EARN?

They keep going and going. Ripping your character design to SHREDS. Picking it apart. Not even meanly! They are genuinely confused. AND IT ONLY MAKES THE CHAT LAUGH HARDER. Because it devolves into a MARATHON, after the game has been paused, of chat spamming different character names? For the Jedi to go "???" Over.

T...that's not? What? How does he even EAT in those robes? And those ones don't seem very non-humanoid friendly. Is he FLOATING HIS SWORD WITH THE FORCE? WHY!? Just keep it on your belt!!!

And? Now every game developer in the galaxy is PARANOID AF. Either make their mystics Very Obviously NOT Jedi rip offs... or shoot a "if I pay you $20 will you consult on something real quick" email. It's just... just easier man. Last guy got laughed into oblivion. Oof.

They can bill it as "Realism" or something. See guys? WE do or reasearch! Give us your credits!

Oh YEAH? Says the growing fan base of this Funky Lil Monk Child. Then put you game where your communication organs are. Send her the game, you cowards.

Do It.

Cut to "oh no, guys! The sorta-jedi died! What? Next objective? No. No we gotta give him a funeral! Oh good, we ca-BURY HIM?! What!? No!!! I could understand if he was from a race that held beliefs that bodies must be returned to the soil from whence they came, but this guy is a SORTA-JEDI! Absolutely NOT!"

"Let's cut down some trees. WE are building him a PYRE. Never ran one of these, but I can look it up. Gimme a moment. Okay. Draaaaag, him on to it. Where's his weapon. There! Thanks chat! On it goes too. Okay. Looking it up..... got it. Ahem...!"

*hold funeral for the sage character by burning his body*

*mods are IMMEDIATELY created to change the "burial" scene to a "Funeral pyre" with somber music*

Just? I can not let go? Of how the subtle shift would spread? Not in shining senatorial halls, but in class rooms and living rooms, dingy pubs and long hyperdrive flights? Anywhere boredom might be found and "hey check this out" might spread? Where someone else, might overhear and get curious?

Lik?? Imagine being the bounty hunter, who fuckin HATES Jedi, thinks they're sanctimonious BASTARDS, hearing someone snort laugh. Just... just fucking CHOKE on their cheep beer. Oh? Now everyone's interested. What's funny?

It's a teeny, tiny, lil jedi youngling. Playing that new Bounty 5 game. Unrealistic as hell. But they are going "I am a MASTER of stealth. A LEGEND of the hunt. You will not see me. I am sneaky. So, so, sneeeeakyyyyy!" As they concentrate on sneaking through back alleys.

Only for their character to fall RIGHT of a ledge, bounce against three buildings, smash into a parked Speeder, and roll right into a cut scene. Where they are call the "greatest bounty hunter of all time".

They look so incredulous.

"Are you SURE? Cause I'm fairly certain that phrase alone is banned for the trouble it causes, near most Bounty outposts. Could be the concussion talking though!"

They are? A sarcastic lil SHIT. Roast EVERYTHING. Know a surprising number of them. Given that they gave the Duros support character a modded in hat. Named him Definitely-Not-Cad. The fake look mustache REALLY sells it. Yeah, Bane. Clearly not you. YOU don't have a mustaches. *watches as she unleashes the Not Cad Bane like a highly tactical meat thresher on legs* brutal lil shit. They like her.

Granted, it's only BECAUSE it's not real she does so.

But I just? Have so many ideas? Spam the Galaxy with "this is who we are. We are people. Develop bonds with us. Care about us. KNOW us." Because the Sith can not possibly kill us all. Can not stop truth, so widely spread. Light dies, when you smother it in closed hands, hidden away in dark and long forgotten places. When you let fear dictate your actions.

It thrives in the open. With people. With the chance to SPREAD. Grow. Bloom.

It's about talking and caring. Being heard. What better place? Then on the screen in their pocket?

@babbling-babull @hypewinter @hdgnj @legitimatesatanspawn @spidori @spidori

[dragoncarrion]

Who is abyssus?

another main character I've barely developed 😈 what I do have on her is that she's a sort of marine biologist from this underwater Cybertron city (the city which turns out to be some leviathan titan lolz) who has studied hundreds of oceans both on cybertron and on other planets, since I want marine fauna here. The city is like ocean themed obviously so most of it's inhabitants have either sea creature or ocean vessel alt modes (I'm still toying around with this concept but Im thinking the reason for that is that there's like idk spark hotspots FROM the titan itself which gives them these specific alt modes. Because I like little themed stuff 😔 So everyone just pops out like that idk. Some ppl emerge with their alt modes others don't but they pick later it's just random in most places. Again I still need to think about this 😭). Abyssus herself is a triple changer, having a small submarine and a viperfish alt modes. She's fairly volatile and I'll tempered, but still very passionate about sea life, which is why she's this sort of reluctant "decepticon" spy in exchange for like research funds or somethang

[queenie-ofthe-void]

I've seen a few secret admirer Steddies going around where Steve's the one giving the notes (which I LOVE! I feel like those aren't as common)

But I headcanon Steve as having the worst handwriting. Therefore, I present platonic partners in crime CheerKing (is that right? Idk)

~~~

Under no conditions would Steve ask Carol to write the notes. But he's always liked Chrissy, and she seems trustworthy.

They strike up a deal. Chrissy will dictate Steve's notes and drop them in Eddie's locker herself. In return, Steve has to act as her fake-boyfriend to keep Jason at bay.

Then SHENANIGANS! Eddie gets feelings for Admirer, he sees Chrissy slip a note in his locker after Hellfire one evening. He's never had someone crush on him before, and he's straight (cue internalized homophobia, childhood trauma, big feelings for Steve he can't process) so he tries to convince himself he likes her.

The only problem is she's dating King Steve. Eddie hates the guy, with his stupid shiny hair and his big brown eyes and his moles and his smile... why does he get all the girls? Chrissy's the first girl to ever like him and of course Mr. Dreamy is dating her. They're not even clingy like he was with Wheeler so he probably doesn't even like her that much, just sees her as a rebound.

Eddie actually replies to the notes, leaving them in the library books Admirer tells him to. Steve knows Eddie likes Admirer, the pieces of Steve he shares in the notes, and it's the only way Steve gets to talk to him and he lives for it. But instead of Eddie asking who Admirer is, Steve watches as Eddie starts flirting with Chrissy. Steve gets all hurt and jealous because he thought Eddie was gay but now he's unsure. Still, he can't give up getting Eddie's replies, so he keeps writing.

Does Chrissy play along to keep Steve's secret even though this guy is crushing on her? Chrissy really likes Eddie, but she likes him as a friend. She decides to not tell him he's mistaken, because she wants to keep getting invites to band practice at Gareth's so she can spend more time with their cute friend Jeff.

Let's make it even more complicated! Instead of Tammy Thompson, Robin has a crush on Chrissy and sees her slip a note into Munson's locker on her way out of band practice and decides she's going to tell Steve to take him down a peg and hopefully breaks up with Chrissy. They then have a bathroom scene: she's been watching Steve and Chrissy for months and tells him how it's fucked up that he follows Eddie around, stares at him across the cafeteria, etc (she's saying it's bc Steve's jealous / Steve thinks she's calling him out). So he confesses, and cries. She feels like an asshat so she comes out too. They're just two gay idiots in love with straight people (only one of them is wrong. Sorry Robin!! Idk how to fix that part).

Steve starts coming with Chrissy to Hellfire night. Steve's doing it for protection from Jason, who's getting increasingly angry about Chrissy and Eddie. Eddie thinks Steve's being nice because he's sizing him up, trying to insert himself in between him and Chrissy in some macho way.

It all comes to a head when Jason catches Chrissy hanging with Jeff in the library (she's told Jeff EVERYTHING and is picking up Eddie's last reply). Jason hears them talking about Eddie planning to ask Chrissy out and decides to follow Eddie out to the quarry after school. Robin saw Jason pull out behind him and runs to tell Steve before he starts practice.

Steve rushes out and saves Eddie, then brings him home to patch him up. Eddie's pissy about it, Steve thinks it's adorable but frustrating. Jeff and Chrissy stop by the trailer when Eddie misses practice.

Eddie confesses his feelings to Chrissy, but she's holding hands with Jeff. Steve's forced to admit he's Admirer, sending Eddie head first into a sexuality crisis. But it's happy ever after so it's all good.

We get platonic hellcheer, platonic kingcheer (??), platonic stobin, Jeff x Chrissy (corrodedcheer??), and Steddie.

Idk there's something here but I don't want to write it lol Too many POVs and through lines for a person who already has a million WIPs.

[flor4de4amor]

hockey abby 🌀🌀🌀

oh i need her so bad. want her so bad. also ik nothingggg abt hockey so don't beat me up guys.

click for palestine | dont buy tlou | read b4 engaging w me

hockey!abby who's actually a sweetie. beast on the ice. monster of a coach and captain, but such a sweet girlfriend. she's always more than happy to see you out in the stands, wearing her large jersey, cheering her on.

hockey!abby who coaches little league hockey. she loves kids, but they're awful. and by awful, they're actually hilarious. she has to stifle laughter during practice and reprimand them, but once she's home with you she's telling you everything.

hockey!abby who's definitely got a light 'hockey accent.' she denies it with her life. she hasn't got an accent, its you who's got an accent! but you've got videos of her saying "sorry" like a filthy canadian. she swears on her life it's a deepfake video of her. how could you do that to your pretty baby? she trusted you. what's next, fake news of her losing a game? gosh, papparazzi these days.

hockey!abby who brings you out on the ice when she's the only one practicing. slipping skates on your feet carefully, and holding your hand softly. she'd race you but you'd totally lose, and she doesn't wanna hurt your feelings.

hockey!abby who's fights with the ref every chance she gets. she gets heated quick and easy. whenever she loses because of a stupid ref call, you never hear the end of it.

"that ref is a fucking asshole. why's she even a ref? i can do a better job than her." she rolled her eyes.

whenever she's pissed, its easier to butter her up and stroke her ego. "you would, but you're a much better player baby," you take her hand and kiss her pulse point. "besides, i'd miss watching you play on the ice."

she smiles to herself, "when you're right you're right babe." she agrees, humming.

hockey!abby who is always in the penalty box. always swearing off on the ice. she's one of the few female players who does start fights on the ice, and they are brutal. blood flying, helmets clashing, sticks thrashing. she always makes you kiss her bruises better, and you always oblige. smiling against each scab and scolding her when finished.

hockey!abby who is always ending up in tik tok edits and has the most obscene comments. it drives you mad, but it just confuses her. cause her entire page is a shrine of you and your realtionship. she does post herself here and again. gym selfies, post practice drill check ins, once or twice with her hair out. which everyone knows, is a real panty dropper. but they're totally innocent pictures! she's got her eyes on you and you only! she replies to vulgar comments with corny stuff like:

'im happily married!'

'my gf shook her head in disgust when she read this'

'plz stop trying to build a wedge btw me n my girl! our cats won't like this!'

hockey!abby who always goes to speaker events and is incredibly passionate about women in sports. she encourages young girls to get engaged as young as possible. she always wants to uplift morale and increase the amount of girl in sports, especially her sport.

hockey!abby oh hockey!abby.

[felassan]

Snippets. 🐺💜 DA:TV spoilers under cut.

When the Community Council played the game, in the working version they played, it sounds like when the 'no dying' mode was turned on, when the player's health gets low the screen turns red (but you don't then die, of course) [source]

Caitie of Ghildirthalen shared that everyone that she talked to from the Community Council really liked the gameplay. "They were all into it, none of us had any complaints about how they were doing the gameplay, we all thought it was solid" [source]

The Lighthouse isn't literally an actual lighthouse by the sea. It's in the Crossroads. It's "like a bubble in the Crossroads, kind of like what Morrigan brings you to" in DA:I. "It's its own little bubble, it's not actually the Crossroads, it's like its own little bubble of reality." "It's not really in the Fade, but it kinda is, but it's kinda not". "It's so cool, I loved it so much [...] it's very comfy". It used to belong to Solas and "as you walk around there, you will see, like, stuff, that kinda shows what Solas has been up to for the past couple years" [source]

"They say in the [Game Informer cover] article that [The Lighthouse] like looks gaudy, and stuff, and like it does, in like an ancient elven way, but it's not like going to grandma's house which has that 2005 Tuscan kitchen feel." It sounds like there are a lot of frescos made by Solas in there. "It's kind of like, sad, too, 'cause it's a little bit like, ancient elven bachelor pad that he's been too busy to really keep up with it". "I think it's the coolest hub [in a DA game] by far" [source]

After the gameplay reveal video, Solas essentially gets trapped in the new prison he was trying to build for Ghil and Elgar'nan. "I don't think they explain it well in the [GI cover] article what happens, like, lore-wise, like how this connection between Solas and Rook one, works, and then two, like, how it's done. [...] From that [Community Council participation and talking to devs], I have a better understanding of this link, and I do think the explanation given [in-game] is good, and is satisfying to me. They're just not explaining it well in the article, I do think they give a better reason in the game"[source]

Caitie shared that she doesn't know why marketing for the game keeps saying/trying to say that Rook isn't a Chosen One as a talking point. "Maybe [Rook] wasn't chosen, [they] just happened to be there, but now there is a connection there, like [they] can't just leave, [they] have that strange Solas connection that nobody else has". "In this game Rook was just at the wrong place at the wrong time, or right place right time, depending on how you look at it, and it could have been anyone in that scene, that's kind've what they're trying to say" [source]

Photomode is something the devs expressed to Community Council that they want to include in the game [source]

User: "many of us would love to see cosplay kits again of the new companions. Just thought to throw that out into the ether" Trick: "Agreed! Definitely bring that up to official BioWare accounts. I think it's a great idea." [source]

John: "at this point my brain is about 70% DATV and 30% everything else" [source]

User: "I keep looking at that horn [Taash's blue one], thinking: 1. What -is- it made of?" Karin Weekes-West: "If only we knew!" [source] User: "If this turns out to be some high-value gemstone or crafting mat, I can't promise I'll be able to suppress certain... larcenous urges." Karin: "How very Lords of Fortune of you! :D <3 It really is SO PRETTY, isn’t it? Our art team is so good. :)" [source]

User: "I need to know if Rook gets their own room CAN WE DECORATE" Carly: ":^)" [source]

User: "anyway they [Neve and Harding] are both in this concept art. next to each other even. this has to mean they are both alive after the prologue. right? right???" Carly: ":^)" [source]

Kala: "the overall UI is very nice" [source]

Kala: "I remember the sliders [in CC] having pretty good range tbh, so probably pretty tall and pretty short" [source]

Kala: "I can't wait to learn who the VAs for Rook are! I know one and I know people will be really excited for this person to join the Dragon Age family 🤫" [source]

[luckycloverforducks]

Fuck it, HH swap AU

Their core personalities and backgrounds stay the same, it's mostly a role switch

Niffty <--> Husker

Angel Dust <--> Vaggie

Alastor <--> Charlie

(the typical for swap AUs, I know,,)

Everyone else stays the same

These r edits bc I was just figuring out their designs for the AU, I'll draw them normally another time (Husker isn't here cuz I can't find a good png of the mf)

In this AU Alastor started the hotel mostly because he randomly thought up the idea once and thought, "that's fucking hilarious, I'm doing that" + a secondary sentimental reason he'd kill me for saying (he got genuinely fully invested in the cause eventually)

He advertised it on his radio show suddenly out of the blue after 7 and a half years of radio (lol) silence. Alastor still owns Husker's and Niffty's souls but they're also obviously friends (or atleast close to it)

Also he can read tarot bc why not :3

Charlie is closer to her dad in this AU and more sheltered, adopting a more aloof, smug, and dangerous persona so sinners take her seriously, she also has a very slight condescending outlook towards sinners but she's at her core still compassionate and still views them as her people and want to protect them to a certain extent, and she still thinks the Exterminations are unnecessary and cruel, but she doesn't feel like she can do much about it since according to Lucifer's stories and discouragement, she knows heaven likely wouldn't listen much if at all, but when she heard of Alastor's little project it resparked hope in her and she decided to invest in it, becoming co-owner and funder for the hotel.

Angel Dust/Anthony never made a deal with Valentino and actually stayed in his family's crime/mafia business for the 1st half of him being in Hell, but his dad is a POS and kicked him out for being gay so he started doing s3x work, and then he met Alastor after he brutalized his harassers one day, and Angel wanted to repay the favor somehow. Alastor seems interested in him so they struck a deal (not a soul deal, just a simple deal) which has Angel/Anthony is under Alastors protection in exchange for Angel/Anthony's loyalty and assistance when needed (which is a rare case so Angel still feels like he owes Alastor). They grow friendly with time, and Alastor offers to have him be patient zero for his redemption project, and he accepted.

Vaggie/Vi is still a fallen exterminstor and still met Charlie the same way she did in the show, but after that they went their separate ways and Vi finds herself making a deal with Velvette. Instead of being a pornstar like Angel in the show, she is an influencer and a rockstar/singer, she does enjoy making music and playing the guitar but Velvette tends to overwork her and make her do things she doesn't really like for views/popularity. Velvette is the nicest to Vi/Vaggie compared to with her other employees (which isn't a very highly set bar tbh) but she also frequently break her boundaries.

Vi met Charlie again during one of her concerts and they got close and started dating. (Also one sided Velvette x Vaggie is sort of slightly maybe canon in this AU bc toxic Yuri is fun (and it's only fully one sided after Charlie and Vaggie/Vi started dating))

She helps manage the hotel when needed, but is honestly only there cause Charlie is.

Not much about Niffty changes tbh (she's perfect the way she is, utterly unhinged 😍) she's just a bit more mellowed out and less hyper (she's still hyper just not all the time like in the show) and she's also a bartender and has surprisingly good taste for alcohol, and also frequently makes borderline poisonous drinks while experimenting, but when she gets it right it's really good. Doesn't stop the others of being terrified of her drinks though

Husker is a more smiley and charming in this AU, using a laid back attitude to put people at ease and more willing to open up to him if they need to (he used to use the information people share as blackmail when he needs to back when he was an Overlord, although he never actually needs to spread anything, just threats), and he's still very observant but he's also slightly more unhinged- He's a sort of butler/cleaner for the hotel

He still gets grumpy time to time, but mostly when he's drunk, which isn't as often anymore ever since Niffty was put in charge of the bar (understandably so)

He has a bit of an anger issue and also gets annoyed easily, and sometimes makes unhinged threats as a sort of joke (they stop being much of a joke once you genuinely piss him off)

He likes things clean and tidy because it helps him pretend to be put together

He and Alastor are a bit friendlier compared to in the show, hes still one of the few people that knows more about Alastor, though hes still bummed about the whole being owned by Alastor thing (Husker can also read tarot to a lesser extent bc Al taught him for funzies and Husker thought it's interesting)

His gambling addiction is also ever so slightly worse

[mordredisacoolname]

CRIMINAL MINDS CHARACTERS - JEALOUSY

Male reader (can be read as gn)

The characters and jealousy before you're dating

Characters: Aaron, Emily, Derek, Spencer, JJ, Penelope, Tara, Luke, Elias

CW: mention of almost getting shot

°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°

•Aaron hotchner

-he doesn't get jealous easily

-when you talk with other men/women he doesn't mind at all

-especially if he personality knows the person you're speaking with

-even when someone flirts with you he knows they're not competition

-if you do start liking someone he does get a little jealous

-but he doesn't show it, he doesn't have any plans on starting a relationship with you

-if you're not a profiler he doesn't want you to be in danger because of him

-if you are one, he doesn't want to date a coworker

-so even if he gets jealous he won't show it or say anything

-but of course the others notice

-its very subtle but they are trained to study and notice behavior

-they don't dare tease him about it

-depends on who you're closer with on the team they will talk to you about it

-when you say you have feelings for him they will try to encourage you to say something to him

-david or Emily will probably hint him something in between the lines to not ignore his feelings

-so trying to get him jealous or be hard to get isn't gonna work, just talk to him

•Emily Prentiss

-if you're both interested in each other, which you are, she will be flirting with you

-when knows you're interested

-emily won't try anything tho, she believes in not dating a coworker

-if you're not a profiler she still will be reluctant to start a relationship with you, afraid of commitment

-she cares for you deeply

-so she does get jealous

-she won't say it but she will show it

-they flirting will stop, and she'll be more formal with you

-you don't know what's wrong

-only when Derek ir jj, ir even pen tell you why's she acting like this you'll understand

-so you try joking with with her and pointing out her jealousy

-she gets the hint and plays along

-eventually you two meet up together and talk about it, like adults, and decide what to do

•derek Morgan

-oh he flirts with you so much people already think you're dating

-so there's not much to be jealous about

-but if someone does show interest in you he'll observe from the side with an amused face

-laughing to himself first and then actually starts to worry you'll show interest in someone else

-so he kinda tones down the flirting with you because he thinks you no longer have feelings for him

-one day you ask him why's that and if you did something wrong

-he'll brush it off telling you everything's fine

-but you don't buy it

-you decide to go on a date

-but end up thinking about Derek the whole time

-so you confess to him

-he then explains he thought you had feeling for someone else and stopped with the flirting to not make you uncomfortable

•spencer Reid

-you try flirting with him, but he doesn't get it

-so you think it's hopeless and stop

-you try ignoring your feelings for Spencer but it doesn't work

-so you decide to start dating, maybe you'll meet someone you like and forget about Spencer

-but it doesn't work, and you're so exhausted

-of course everyone on the team notices

-even Penelope sees how you look at Spencer, and how he looks at you

-derek gets fed up with this pining and decides to talk with Spencer

-but Spencer himself doesn't know he has feelings for you

-he describes to Derek what he feels everytime you talk to someone attractive and everytime you tell the team you went on a date

-he says he feels weird, a mix of sadness and anger

-so Derek tells him that feeling is jealousy

-spencer then starts paying more attention to this feeling, and your behavior

-of course once someone told him to pay attention to how you behave yourself around him he understands you too, have feelings for him

-so he gathers up the courage to ask you out, not on a date, but just to hang out

-he's weirdly shy and awkward

-usually he's very comfortable with you

-you ask him what's wrong, and he tells you

-they rest of the evening is up to you

•Jennifer Jareau

-she denies her feeling for you, completely ignoring them

-once a deputy you're working with on a case starts flirting with you

-and that she can't ignore

-it distracts her from the case

-she's constantly thinking about you

-because of that she made a mistake and almost got herself hurt

-so she goes up to you at the end of the day, when the case is solved

-"um, you know, I was thinking maybe we could go out and get coffee before work tomorrow?"

-she avoids eye contact

-you of course agree

-the weather is exceptional, you two sit outside of the coffee shop, talking and looking at the view

-she tells you how she couldn't focus on the case

-you ask her why, after all it was a regular one, nothing special

-so Jeniffer tells you how she couldn't stop thinking about that deputy who wouldn't stop flirting with you, and how it made her angry

-you didn't think she liked you back

-so you're over the moon

•penelope Garcia

-your relationship with pen always involved teasing

-little playful comments here and there

-it was fun, you liked it

-so when she noticed you getting closer to a fellow FBI agent from another department she got upset

-the snarky comments were no longer playful

-she was actually hurt, you didn't know what you did wrong

-you try asking her but she ignores you telling you you're just paranoid

-but you know she's lying

-you show up to her house one night, inviting yourself in

-she's surprised, did she forget you two had plans?

-so you tell her you know something's up and you won't leave until she explains herself

-she gets a little mad, you're so oblivious

-you're actually in shock

-penelope likes you back??

-but you thought she flirts with everyone of her friends

-you apologize, and she tells you there's no need, she should've been more forward

-so you decide to have a date, right here and now

•tara lewis

-she doesn't get jealous

-if she doesn't think you have feelings for her she leaves you alone and understands you have the right to flirt with everyone you'd like

-but you give her signs

-maybe you do like her?

-she decides to just ask you, straight forward

-you confess to each other and decide on a date

-she's a very straightforward person, a d is not afraid to show her emotions

•luke Alves

-you flirt, a lot

-but he won't make a move

-and given that he also kinda flirts with Penelope, tho not like he does with you, you don't think anything of that

-so you start dating someone

-he's at a loss of words when you tell him

-he pretends to be happy for you

-but you see there's something he's not telling you

-you decide to have a chat with Penelope

-"oh god you're like two teenagers" she acts annoyed (she secretly thinks it's cute)

-she tells the both of you separately to just talk to each other, confess your feelings

-you're both skeptical but she says to trust her and just do it

-so you do

-you go up to him and at the same time you tell each other you have something to say

-you confess first

-he's in shock, and you both start laughing

-it's safe to say your current boyfriend is no longer your boyfriend by the end of the day

•elias Voit (ok don't @ me he's too cute ik I'm not the only one)

-you first hate him

-everything he's done

-when the team decides to work with him you're so mad

-you ignore him altogether

-but when he sees you for the first time he's locked on on you

-he will let everyone around you know he wants you

-you think he's just playing

-and it annoys you, because you can't help and fall for his charm

-one time your team needs help from him, some information

-so they send you to talk to him

-they moment he sees you he puts his game on

-he can't finish one sentence without a flirty comment

-you get fed up and tell him pretending to like you won't get him anywhere

-he says there's no reason for him to pretend, but you still don't believe him

-he finds it funny but is also kinda pissed

-one time when you use him as bait, you almost get shot, dodging the bullet only thanks to Elias

-you both look at each other, and at that moment you feel it

-you know he's not playing

-of you're so fucked

[theaceace]

When Burgess summoned Dream, instead of Dream being completely cut off from the Dreaming, instead the magic pulled all of Fawney Rig into the soft places at the edge of the Dreaming, so like Dream still can't get out of the circle and his subjects can't get in but the Dreaming suffers much less and crucially, he still has access to some tiny fraction of his power

So now the whole house and everyone in it is sort of tied to the Dreaming and there's just oodles of magic coming off it, and the house in the Waking and the house in the Dreaming exist sort of superimposed over each other. Like you can be in one and sort of be aware of the other but you can't really flip between the two

And I want the whole thing to operate on a sort of combo between Aladdin in the cave of wonders/Orpheus leaving with Eurydice rules where it's said that if you enter the house in the Dreaming side and manage to find the Dream king, he'll grant you the thing you've been dreaming of, but the catch is you have to believe you have it. You have to leave the house without checking. So Burgess asks for Randall, but he turns to look almost before they're out of the basement because if he were Dream then he would pull a trick (TBF it wasn't actually Randall, just a dream of him, but Burgess couldn't tell the difference anyway because he was a terrible father and you can't change my mind). After that, he never managed to find the basement again. Never even manages to find the dream house again, only the waking one, although he goes mad looking for it

But like. Someone else asks for riches and the Dream king says they can be found the guy's pocket or whatever, but he can't feel anything? There's no weight there, no shape, his pocket seems empty (it isn't when he checks, but as soon as he gets out of the house, yelling about his triumph, it's gone and the house is mundane again)

Alex, who doesn't ask for anything until after the death of his father (and after he murdered Jessamy) asks for peace. For safety. The Dream king says nothing, and Alex lives the rest of his life in the Dreaming version of the house, too scared to step outside in case whatever peace he's found in his personal prison vanishes

Ethel never makes it to the house in the Dreaming . She takes what she wants from the waking, and when she leaves she doesn't look back once

Time passes, and more and more people find their way to Fawney Rig, but as Dream himself said, the great stories always return to their original forms, so no one succeeds because that's how it goes

And then. And then Hob. Hob who finds his way to the house just looking for an answer. Looking for something he can do to make sure his Stranger is there in 2089, because otherwise he might lose his mind with the what-ifs. So he finds the house, and he meets Alex, who hasn't set foot outside the front door in over 80 years except it's a little hard to feel sorry for him when Hob realises why. He meets Paul, who lives solidly in the waking, and hasn't been able to convince Alex that it would be worth it to leave with him. He finds his way down to the basement, finally, and there he finds his Stranger

And at first he thinks? It's a trick? Because isn't that sort of what this place does, it tricks you? But he speaks to Dream, and he gets the rest of the story from him, and the only thing Hob wants to take from this place is Dream. And he's like I want to get you out of here, but I can't because you're trapped in that circle (which for reasons unknown to the author right now but probably has something to do with the nature of dreams and stories can't just be broken like a regular spell circle) and I can't do anything about it and Dream is all you know the story, Hob Gadling. It is a more powerful magic than the binding. Leave, and don't look back, and trust that I am following

(Dream knows the story. He's sure he knows how it ends. But he also knows that it has to be played out, that he has to give Hob this chance - he finds himself, as he follows, weeping silently for his son and Eurydice)

So then there would be the agonising climb and return through the maze of the house where Hob almost looks back a bunch of times, and eventually he makes it to the door and steps out into the bright sun of the waking, and -

End title

[a-town-called-hometown]

yippee! apologies if my takes are horrendously bad

my personal take on the matter is that i definitely think the dark worlds can work as a metaphor for escapism without undermining the darkners' personhood. it can be more than one thing, yknow? the darkners are important, their lives matter. and the lightners do go to the dark world as an escape from the problems they face in their own life. but that's not the darkners' whole PURPOSE, yknow? i mean. according to the laws of the universe of deltarune yes darkners' "purpose" is to serve the lightners but like it's not their whole purpose in the STORY.

it's sort of like how, in UNDERTALE, LOVE represents how distant you've become, how easy it is for you to hurt people. but it also literally gives you the power to destroy the world.

i think the biggest reason i believe escapism is at least a part of deltarune's narrative is queen.

queen's whole speech in both of her fights is about how she intends to provide escapism for the lightners (so that they will worship her but also so that they will he happy). she wants to turn the whole world into a dark world, so that everyone can live in bliss and not have to worry about the woes of the light world. she mentions "Staring, Tapping, To Receive Joy. Staring, Tapping, To Avoid Pain." which is like pretty much the definition of escapism

she wants to help Noelle with the problems she faces in the light world ("Noelle. Who Will Be There To Help Her? Her Strange And Sad Searches" and "My One Idea To Help Noelle, Failed") by just... shoving it away for a blissful fantasy world ("Wake? No, She Has Already Awakened Too Much. Let Her Close Her Eyes And Sleep Away, Into A Darker, Darker Dream.")

...i forgot the rest of what i wanted to say!

well first off, thank you for your ask! I'm going to get extremely in depth in my answer, so bear with me here. sorry it took several weeks to write this. the escapism reading of deltarune is pretty deeply entrenched in fandom, and to refute it, I felt it required a full-length essay to completely explain my viewpoint.

yes, "the lightners desire escapism" does not automatically translate to that being the darkners' actual narrative purpose. escapism can be a theme without dehumanizing those who are used in order to escape - in fact, I've read a number of stories that use someone's desire to escape to HIGHLIGHT how they're hurting others in pursuit of that. I believe that toby fox is definitely capable of telling a story about kids having a valid desire to escape, and about them grappling with having inadvertently created a world of real, living people as a result.

(I'll reiterate again that this is not the story arc that generally shows up in fanon. the common consensus is that the game will end in an omori-esque "growing out of" the dark worlds. it's why I have a huge dislike of the fanon escapism reading, given that the darkners are shown as people whose lack of agency parallels kris' own. it would feel cheap if the resolution to that plot was that the darkners were actually never meant to be agents in their own fates. but this is a digression.)

the reason why i DON'T believe that this is a story that toby fox is telling is because of the way the world, themes, and characters are written. put simply, it just doesn't come across as congruent with the story being told.

deltarune's main themes are agency, fate, identity, and control. this is a conflict that shows up in nearly every major character, is baked into the worldbuilding, and is the central struggle involving us, the player. the protagonist of deltarune is literally possessed by us against their will. the darkners are objects that have no choice but to serve and be discarded. over and over again, there is emphasis on roles that characters play - and crucially, roles that are imposed on them.

what would escapism mean, in this thematic context? in real life, escapism can represent any number of things, but in a story, a major narrative theme generally has to dovetail with other major narrative themes in the work. I would argue that escapism in deltarune would likely mean going to a place where characters are able to choose for themselves what roles they embody, or even to discard the notion of roles altogether. a fantasy of control is the only way to escape a reality where you have no agency. and honestly, it's hard to imagine that something could count as an escapist fantasy if you don't even get to choose whether or not you participate in it.

let's talk about kris.

I see a lot of discussions around kris that say that kris goes into the dark worlds to escape. the dark worlds are posited as kris' fantasy of heroism. it's a world where they can seem heroic and cool, a world where they can have friends. this theory makes a decent amount of sense on the surface level, but only until you consider that kris is being controlled in order to go into the dark worlds. and it is not a control that they appear to welcome.

if those worlds represent kris' fantasy, then why don't they get to choose what happens in those fantasies? why are they being controlled by an external force, one that they actively push back against? if it's really an escape, then why does everything about this world reflect their lack of agency? if they really think this world is just a pure fantasy, then why do they care if spamton falls when his strings are cut?

because they're being deliberately obscured to the player, it is hard to say how kris actually feels about many subjects... but I do seriously doubt that they view the dark worlds as an escape. they don't act in a way that is consistent with that. they resist their lack of agency, and what little we do see of their reactions to darkner characters doesn't suggest that they view those characters as part of a disposable fantasy, either. they seem to have complicated feelings on ralsei. and of course, one of their biggest emotional reactions in the game is to the spamton fight. I would argue that that suggests they have empathy for spamton, which is a hard emotional reaction to have if you believe he's just part of a fantasy. not impossible, mind you, but it seems unlikely that kris believes that all this is simply fantasy.

also, considering that snowgrave both actively discredits the idea that the dark worlds are mere fantasy and is actively traumatic for kris... I seriously doubt they'd open another dark world in chapter 3 on a snowgrave run if their motive was purely to escape. on that route, they've seen the damage we can cause in a dark world. they know that berdly has sustained lasting damage due to our actions, assuming he's not outright dead. why would they want to try and "escape" to a place like that again now that they know what can happen?

the only answer is that they have a motive that isn't escapist.

now, as for ralsei... what part does he have to play in all this?

ralsei does play a lot to the fun, fantastical elements of the dark worlds. he delivers the prophecy that kickstarts the adventure. he flatters both kris and susie endlessly when they act appropriately heroic. he welcomes them into the castle and even makes nice rooms for them. he initially seems tailor-made to enable a fantastical experience where no real issues can ever complicate anything, and where the pain of reality can successfully be hidden from. but there's a lot of complications to the idea that he might represent an escapist fantasy.

the first, and what honestly seems the most important to me, is that he doesn't encourage kris and susie to remain in the dark worlds. he is welcoming and kind, but once the adventure is over, he prompts them to return to the light world. he wants them to deal with their more "real" problems like homework. that doesn't feel like he is trying to facilitate escapism in them. a real fantasy would encourage you to stay in it, wouldn't it?

and while ralsei is definitely invested in making sure the lightners are happy, there are always cracks that show. he isn't able to make kris ignore what happened in the spamton fight. he isn't able to convince susie to be peaceful and kind. and in his very essence, he represents a number of uncomfortable ideas. very importantly, he represents a number of uncomfortable ideas to kris.

this probably ain't your first fandom rodeo, so I'm not going to explain all the different ways that ralsei interacts with kris' personal issues. there's plenty of posts on it out there. what i will point out is, once again, it feels odd that a character who seems tailor made to bring up kris' most uncomfortable associations with their lack of agency and their outsider status in their own family would be part of a fantasy of escapism to them. you'd think that they'd prefer something that didn't have an inbuilt hierarchy, a prophecy that denied them autonomy, or especially a person that reminded them how little they fit into hometown.

that doesn't mean kris doesn't care about him at all - it seems very likely that they do. what I mean to say here is that he just seems ill-suited to an escapism reading, both behaviorally and on a conceptual level. it doesn't seem like that's at all part of his servitude towards the lightners.

of course, there is another non-lightner entity that ralsei seems diegetically engineered to serve. but I'll discuss that later.

now as for susie...

yes, susie definitely views the dark worlds as more fun than the light world. and why wouldn't she? the light world sucks for her, and she doesn't seem very aware of the fact that the dark world can also suck. you could definitely make the argument that she views the dark worlds as a fantastical escape from reality... were it not for the fact that she treats her darkner friends with just as much importance as she does kris and noelle.

can someone treat components of an escapist fantasy as real and important? of course. but given deltarune's themes of agency and control, as well as the fact that darkners exist in servitude to the lightners, I feel like you'd have to make escapism tie into forcing others into a lack of agency if you wanted the theme to feel coherent with the rest of the work. this would require susie to be limiting the agency of the darkners around her. and obviously, she doesn't do that. her presence around them might be inherently limiting, just by simple virtue of being a lightner, but she isn't aware of it, and clearly is uncomfortable with the idea of limiting anyone's agency. she encourages ralsei to make choices. and she supports lancer in basically anything he wants to do. her treatment of lancer is integral to chapter 1's narrative, and it seems like that treatment of ralsei is integral to the ongoing narrative as well!

her preference for the dark world feels very rooted in her engagement with it as its own reality. rather than trying to avoid her real-life problems by engaging in a pretense, she seems to simply want to spend time with her friends in a place that isn't cruel to her. she isn't ignoring any of the dark world's problems in service of that, either. she notices when things don't line up. if she thought of it as a fantasy, wouldn't she be inclined to ignore issues that impede the fantasy?

and critically - like kris, she does not intentionally choose her imposed role in the prophecy at first. she steps into the role of bad guy to resist it, but that role is limiting too, and she eventually acquiesces to being a hero. it's never something she's completely on board with, though. she actively pushes back the limitations that the role places on her. I find this important to reiterate when we are discussing the notion of the characters viewing the dark worlds as fantasy.

noelle has a complicated relationship to the dark worlds. susie tells her that it's a dream to make her accept the strange reality she finds herself in, which works well on her. she continues to think of it as a strange dream throughout the chapter. (though, like the others, it is not a 'dream' she entered of her own volition!)

it is also a markedly unpleasant 'dream' at times. she has her agency restricted, is kidnapped, has to evade a controlling monarch, and is even tied up in a weird evangelion cross thing on the hand of a giant robot. it's not purely fun. noelle does like scary things, and while it might be healthy for her to have an experience where she stands up to a controlling adult figure... again, the circumstances make it difficult for me to assume that this is a fantasy she would choose for herself. not impossible, mind you, but it's not the first reading of the situation that comes to mind.

and while she does say she wishes she could dream like this every day in the normal route, that does happen specifically because she was talking to the girl she likes. it makes sense she'd find that pleasant. I don't think that necessarily equates to her finding the dark worlds escapist.

and importantly, this isn't the sentiment that she expresses in every route.

again, there's a lot of analysis on snowgrave, so I won't bother regurgitating it much here. but it's nightmarish for both kris and noelle, and very likely fatal for berdly. noelle needs to believe that the event is a dream, for her own psychological safety, but one of the most important parts of snowgrave...

...is that its events, and the world it took place in, are very, very real.

noelle wants to have the strength to face her problems, both in the regular route and in the snowgrave route. rather than escaping from them, she views the "dream" as a chance to practice dealing with her day-to-day issues. it's just that in the regular route she finds that strength authentically, and in the snowgrave route, that desire is manipulated and pushed until she is forced to kill berdly. she doesn't interpret snowgrave as an escape gone wrong. she views it as a dream that became a nightmare. and those are two extremely different things.

but i haven't even gotten to the biggest thing that undermines the concept that the dark worlds are a metaphor for escapism! which is: this fucking guy is dead wrong about everything.

so full disclaimer - I really love berdly. I think he's slept on a lot in the fandom because he's annoying and weird. which is fair, I suppose, but I think ignoring him hinders a lot of people's understanding of deltarune's overall narrative. because berdly often illustrates a lot of concepts in the game, but his narrative framing as a joke (usually...) prevents the player from taking it completely seriously. he has things to say and ideas to show off, it's just that he's often very loud and kind of dumb in his expression of them. which is kind of the point!

ralsei brings up the idea that the darkners are meant to serve the lightners very seriously in chapter one. by extension, and by way of the literal mechanics involved in a dark world's creation, we can infer that this logic is probably something that also applies to the dark worlds themselves. they are allegedly worlds and characters that only are supposed to fulfill a dream of the lightners. but due to narrative framing and deltarune's themes, we know that that's not the full truth. however dark worlds and darkners are created, they deserve to have their own agency. they can't just exist to fulfill a higher being's wishes.

you know who else undermines that view of the dark worlds? berdly! berdly does!!!!

because berdly is the only lightner in the game so far who does take the dark worlds to be an escapist adventure! he wants to turn cyber world into smartopia. he views this as a chance to be a cool hero. he believes he's going to get the girl, he's going to shape this world to his own liking, and maybe also he's going to get queen to acknowledge him or something so he stops being a forgettable little bluebird. and not only does none of this happen, his steadfast belief that it will happen is continually a joke within the narrative!!

berdly's wishes for uncomplicated escapist fantasy are flat-out denied by the dark worlds themselves. as a lightner, those worlds should be serving him. he should have the power to do whatever he wants within the bounds of an escapist fantasy. these npcs should be singing his praises!

but he doesn't have the power. and this world doesn't sing his praise. because it just isn't an escapist fantasy. he isn't right to view it that way. his wishes for heroism are always going to be thwarted.

so now that I've gotten all that out of the way, let's swing back over to the subject of your original ask. queen.

because, like berdly, queen's entire character arc is about how she's completely wrong about what the lightners actually want.

queen would in fact like nothing more to place the lightners into an escapist fantasy. she believes that that's the best way to serve them and make them happy forever. as a darkner, queen has very much internalized the idea that a lack of control is what actually makes people happy. since darkners have no choice in their destinies and are supposed to be happy in it, and since she personally finds her role as a darkner fulfilling, she believes that that's true of all people everywhere. if you want to make people happy, you just have to remove that pesky personal agency!

so she spends the story trying to force the lightners and particularly noelle into situations where she controls them in order to make them ostensibly happier. she does genuinely believe that this is the right thing to do, but as she finds out eventually, she's just wrong. noelle doesn't want that. queen believes that escapism is why the lightners use the internet... but that's totally wrong too.

while there are other searches mixed in, noelle is trying to use the internet to find her sister. instead of trying to hide from whatever happened, noelle wants to figure it out. queen's thesis about noelle and the lightners is proven wrong even before she personally encounters noelle in the dark world. it's just that queen doesn't realize it due to her limited perspective.

the concept of escapism being brought up with both queen and berdly is not there to say that the dark world is escapist. rather, it's there to say that it isn't. despite the dark worlds being a fantastical place, they are extremely real. to view them as a means of escape is foolhardy at best. you cannot act as though you are above consequences within them.

themes and ideas exist within the story for a sake of an audience. so let's get into the final character I need to discuss here. hopefully this will tie my thesis of deltarune together neatly.

that character is of course us. the player.

when creating a piece of fiction, an astute author will often identify and anticipate an audience's reactions to certain things in their work, and write things in such a way that they elicit the desired reactions. in essence, a writer is directing the "character" of the audience. how we feel and how we are anticipated to react to things is an integral part of nearly every fiction.

that effect is far more overt when dealing with metanarrative fiction that diegetically involves the audience. since the fiction is saying a lot of things about the general 'you,' the audience in aggregate, your reactions to certain things in the story have to be finely cued and anticipated by the author, so that the author can thus commentate on the reactions that you have to the story. the "character" you are assumed to inhabit is posited by the author to have certain traits.

to explain what I mean in plainer terms, I'll use the player of undertale's no mercy route as an example. because undertale is commenting on the way rpgs generally work. the player's behaviors in no mercy are attributed by characters in the story to be the result of us acting like a typical gamer. we kill the characters in the game because we want exp. and more than that, it's because we want to see everything the game has to offer. the role we inhabit in this role-playing game is that of a completionist. you could say that that's assumed to be our "character" in no mercy.

deltarune also posits that certain things are true of its audience. by being written to evoke certain cultural ideas, rpg tropes, and references to undertale, it guarantees that its audience will probably have certain traits, and spends a large amount of its conceptual focus commenting on those traits. one of those traits is nostalgia, which is probably an idea that I'll expound upon in a further essay because it's quite integral to my reading of deltarune. but the main one I mean to discuss here, and why I went off on this tangent about how audiences are dealt with in metafiction, is that we are posited as someone who believes in the logic of certain narratives.

deltarune's writing evokes a lot of portal fantasy narratives. alice in wonderland, narnia, pretty much every story where it's revealed at the end to be all a dream... the story of deltarune superficially resembles a lot of those. this, I think, is responsible for the popularity of the escapism theory. because those stories are often at their end about a child learning to put away fantasy and grow up, people tend to believe that deltarune must be about the same thing. but I truly don't think that deltarune is trying to do anything with that aspect of portal fantasy narratives, at least not directly. its main characters aren't involved in that exact type of coming-of-age arc.

instead, deltarune is very concerned with what happens to characters in fantasy, and specifically fantasy rpgs. if your world is deemed to not matter because it's a dream, what does that mean for you, who has no choice but to live in it? if you are an npc whose role has been predetermined for you via script, then can you ever decide for yourself what you want? what if you want to matter? what if you want to be your own person?

as the major controlling force of deltarune, we are initially cued to believe that deltarune is like a dream. it superficially fulfills so much of what we want from undertale fanon. hometown seems like it's a perfect idyllic town, at least until you start noticing the obvious cracks. and remember what I said about ralsei earlier? he is so reminiscent of asriel, and extremely eager to help us. it's not a stretch to say that making us specifically view deltarune as dreamlike and idyllic is probably part of his purpose in the game.

I would not say that we are posited as escapist. but the idea of escapism as brought up with queen and berdly is meant to strike at the heart of a much deeper idea that deltarune is trying to deconstruct. because if we view deltarune as a dream, escapist or otherwise, then we are inclined to write the internal realities of the characters inside off. the dark world can disappear without it mattering. we can control kris without it mattering. if it's all a dream, what does it matter? why should we care to let its characters go free? aren't we supposed to be in control?

if deltarune is an rpg... what is the significance of us interacting with it?

[mattzerella-sticks]

Y'know what would be a good storyline coming out of Bruce taking on the mantle of Nightwing (briefly)?

If he enjoys it a little too much.

Nightwing is freedom. Nightwing is light. Nightwing is fighting bad guys while smiling laughing throwing out a funny quip.

Things he never gets to do as Batman.

So what if, after things have settled in Bludhaven and Absolute Power has come and gone, Bruce decides to make a short visit and help out again.

As Nightwing.

"People are used to seeing Nightwing in Bludhaven. It makes more sense for there to be 2 Nightwings than for Batman to be here," Bruce argues. "Besides, this will only help you. Make it seem like Nightwing can be there at any moment."

And Dick relents. For now.

Barbara finds it strange (as does Dick) but he waves off her concerns with, "it's just an appearance here and there. Besides, I've never seen him so happy."

Except the odd appearance "here and there" starts to become a consistent thing. And it reaches an apex when Bruce diverts an emergency call from the Titans and makes an appearance in Nightwing's stead and hangs out with them afterwards (they are a little put off by the total 180 in Batman's personality but don't tell him to leave).

I think Dick stages intervention one telling Bruce he has to go back to Gotham and stop being Nightwing because Dick is Nightwing and Bruce is Batman.

"Maybe I don't want to be Batman?"

And the issue ends with Batman renouncing Batman. Saying that if Dick thinks there needs to be a Batman, he should take up the mantle. It wouldn't be the first time. Which leaves Dick speechless.

The next issue picks up in Gotham with Damian fighting crime, getting ganged up on, when Batman descends and helps him out. Except this Batman is Dick.

They debrief and we also get an update on what's been going on with Gotham in the weeks, perhaps months, of Bruce being in Bludhaven and how the rest of the Batfamily are picking up the slack in his absence. We also see Dick picking the Batfamily's brains about what to do about Bruce, if anything should be done about Bruce.

It takes a conversation with licensed medical professional Harley Quinn to give Dick insight into what's going on with Bruce ("trying to feel young again") and how to shock him out of it ("Bats is a stubborn guy. Even if all of you kids gathered around and said how this was affecting you, he'd say that you weren't seeing the bigger picture or whatever other excuse he can think of. What you need to do is goad him into giving up Nightwing and going back to being Batman.")

So Dick corners Bruce one day in Bludhaven and presents a challenge. Rooftop race across the city. First one to finish is Nightwing. The loser is Batman. Bruce, drunk off playing Nightwing, cocky, agrees.

Cue the night of the race Dick and Bruce, both dressed as Nightwing, stand on the rooftop with Barbara between them. She drops the flag and they're off.

It starts with Bruce in the lead, it's been a while since Dick has run these rooftops, but as the race progresses Dick slowly takes the lead as Bruce's stamina wanes.

It also doesn't help that Dick has been chatting the entire time. First nonsensically which Bruce tries to keep up with as well, but as it goes on it's deliberate strikes at the reasons why Bruce is clinging to Nightwing and, in his exhaustion, in his still existing in the 'Nightwing' persona, Bruce actually engages in the dialogue Dick creates between them and the rapport is strong.

Dick gets Bruce to admit how Dick is the kind of person he wants to be and that he thought it was Batman holding him back, and if he dropped Batman he could be the kind of person worthy of having the family he does now.

Dick tells him that it's because of who Bruce was that Dick is the man he is now, and that Bruce has the potential to be like Dick in those regards even while being Batman.

Then Dick brings up Alfred, at the exact moment they reach the statue of Alfred in Bludhaven. A statue Bruce has been avoiding since he arrived. A statue which Dick had been leading Bruce to in the guise of their 'race'. Dick has Bruce confront Alfred and what Alfred wanted for Bruce and how it's a) things he already has and b) he's never too late to change who Batman is and can be.

Bruce takes off the mask and thanks Dick for helping him out, and they hug as the race is over. Dick has won. He is Nightwing. Bruce will go back to being Batman.

However, the night before Bruce is set to return to Gotham, he and Dick are getting ready to patrol Bludhaven together one last time, as Batman and Nightwing, when suddenly another Nightwing appears. And another. And another.

The entire Batfamily drops in wearing their own Nightwing costumes. "What?" Damian says, "we heard that all we need to do to become Nightwing is win a race. Who wouldn't jump at the chance for something that easy." And the story ends with Nightwing looking to Bruce, saying "Fine. One more time." Cut to a full page panel of Dick Grayson leading a throng of Nightwings across the Bludhaven skies.

The Midlife Crisis event is over.

[spoopdeedoop]

hi i have some disorganized thoughts/hcs abt the found family human doctor au

(one of the thoughts being i should really give it a better name. another being YES this is only the nuwho doctors atm bc that's the only series i've watched so far apologies. if i ever get around to watching classic who i will add them trust)

BEHOLD my random, not at all in-depth headcanons

nine is the only one with a car out of all of them. they all keep bugging him to drive/pick them up from places -- he has mixed feelings about being the assigned taxi driver

both twelve and eleven are teachers -- college professor and preschool teacher respectively. twelve's students love them because he will say the most stupid, hilarious shit with a straight face without even knowing and eleven's students love him because he is the only teacher at the school that will dance with them during musical chairs (he doesn't even play the game. he just dances)

i want to make one of them an actual doctor but i don't think any of them could handle it unfortunately

they all share an an apartment flat on the same level -- nine, twelve and fifteen live in one room, ten, eleven and thirteen live in the one across from them. of course there are other people in the building too but they're all used to the strange loud hyperactivity of that particular flat. i think i'm using the right terminology here. yall know what im talking about

(i'm so tempted to make some companions be their neighbors)

nine and ten are the most insomniac of all of them, so they're used to bumping each other in the dead of night on their way to raid each other's respective fridges or something. very rarely thirteen will join them and they're like "WELL FANCY SEEING YOU HERE"

twelve does sleep, but like. he's nocturnal

eleven and ten hate each other in a sibling kind of way (see: day of the doctor). they are constantly sending each other death threats or tripping each other over. everyone is sick of it

sometimes when they're out shopping you'll hear ten yell "GET OUT OF THE FROZEN FOOD YOU NUMPTY WE ARE NOT BUYING FISH FINGERS" over the aisles and you'll hear eleven whine "WHY DO YOU HATE ME SO MUCH" back

(if you're lucky you'll be able to catch fifteen mumble "why did we put them in the same apartment. are we asking for an eviction notice")

eventually eleven will pick a random stray cat off the side of the road, take her home, and name her bowtie, which is a stupid name, so everyone just defaults to calling her kitty

kitty's favourite person is twelve, to eleven's absolute despair

(my original idea for this was to initially have ten hate the idea of living with a cat, since he's stated full on in the show that he doesn't like cats, but apparently there is some very obscure doctor who comic run in which he falls into a depressive spiral and adopts a cat whom he names rose-the-cat, so he might actually like cats idk?)

anyway ten hates her until he doesn't lmao. he vents to her when there's no one else home and she will Stare at him back and it is a very nice friendship

kitty and nine watch shitty romcom together

they have a joint groupchat together -- half of it is just thirteen and fifteen assigning everyone outfits they find on pinterest and the other half is eleven asking where everyone went (he keeps getting lost when they go out)

nine doesn't know how to download pictures off the internet and so resorts to manually editing memes together to send to the groupchat and everyone's like "girl that's so much more effort........."

(yes he doesn't know how to press save image to camera roll but he knows how to use a photo editor flawlessly. such is the logic of the idiocy of the doctors)

eleven and thirteen get along very well i think. they're the only two of the group to play video games and so they bond over that. they also have ridiculously similar clothing taste

sometimes they'll succeed in getting fifteen to play pokemon with them and then they'll proceed to not see him until the next day when he comes out of his room and goes "you didn't tell me plusle couldn't evolve i've been levelling it up all fucking night"

friday is assigned movie night (it's always big hero 6)

eleven is the only one to actively seek out physical affection, usually really abruptly like clinging to thirteen's back as she passes him in the hall or bapping ten with the palm of his hand until he sighs and gives him a hug. he does expect a platonic kiss on the forehead from anyone before he goes to bed and will complain if he doesn't get one

anyway thats it i'm sick in the head and really sad. if this keeps up i may be forced to actually write a fic

[moonystoes]

The way people are reacting to what happened to LJ and Millie Turner is exactly what I was expecting. People claim football is inclusive, and everyone gets the chance to feel respected and be able to play safely. But you only defend and protect the people that fit into your standards. They will only defend the people they like or share traits with. White supremacists aren't even trying to cover up their disgusting ideologies.

Turner posted a picture of James 'headlocking' her in the game. It didn't happen, LJ wanted the ball so she came from behind, Millie bent down which made it look like LJ was headlocking her. Not only did she post that knowing the amount of racial abuse and criticism LJ gets for simply breathing, she also commented and liked comments about it being a 'proper headlock'... no it wasn't. And she knows that.

Yet I hadn't seen many speaking about this here, do you guys suddenly not care about players being mistreated and racially abused because they're not white? What happened to all those fans harassing Korbin for excluding and disrespecting the queer community? Is football truly inclusive and for everyone like how you guys claimed it to be? Or is it suddenly not harmful or serious because it doesn't fit into YOUR beliefs?

Claiming LJ is aggressive with actual proof of fouls she committed is understandable, but posting pictures with no context and making it seem like she was trying to harm you is DISGUSTING. Those random Arsenal fans that love McCabe so much always bring the fact 'ohh but Katie never injured a player'... okay? And did LJ do that? Because last time I checked, when she does commit a foul, the player is hurt for a few minutes but continues playing like normal with no minor or serious injuries. You guys can't even find the right excuses to defend your racist thoughts lol. And if you're a McCabe fan, don't bother coming here and explaining why you hate LJ. I'm not listening to your ass. I truly respect McCabe, but I don't like her fans that HATE LJ (if you're a McCabe fan and you don't actively harass LJ... then this isn't for you).

Players from her OWN English squad liking and commenting is absolutely disgusting too. They can see the racial abuse their own teammate is experiencing but they're white ass don't care because again... what was I expecting from them? Of course they wouldn't. And Now that Turner is getting a lot of blacklash, she didn't delete the post. She kept that photo but turned off the comments.

I will always defend LJ, and I will always stand with football being for everyone. But some of you guys are hypocrites.

[theminecraftbee]

Gem lies back, between Scott and Impulse. Their blood still tastes sharp and iron at the back of her throat, which is a little silly, given that it's not like she licked them or something. There's no reason she should taste anything. She just... stabbed them, when they asked her to.

Stabbed them, because they knew they had to go red eventually, and for the sake of the team they wanted her to win.

Stabbed. Scott and Impulse.

Here's the thing: she'd told herself she wouldn't feel guilty, and she'd told herself this ages ago, when she started leading people to the End to see if the dragon would kill them. She told herself she wouldn't feel guilty, because clearly, she wouldn't let these games wear her down the way they do some people. She told herself she wouldn't feel guilty because people like to mistake her for a prey animal when she's a predator, and guilt would give the game away. She told herself she wouldn't feel guilty, because why feel guilty over having fun? It's just a game. A bloody, bloody game. She told herself she wouldn't feel guilty.

She told herself. She told herself.

There's no reason to feel guilty. She enjoyed herself, the rush of blood when running with Pearl, and then the heady feeling of having life, life, life running through her. She's pretty sure, despite being a red name, she has the most life anyone ever has in these games. It makes sense! Life and death are all wrapped up together, and Scott had choked on his own blood before he went down, even though she'd tried to make it quick, and as he gurgled over the injury she'd inflicted she'd felt life running in her and her heart pounding and everything getting dizzy and--

It doesn't matter. They told her to do it. She shouldn't feel guilty. Impulse had smiled at her. It had been a lovely smile. She hadn't known what to make of it.

And she closes her eyes and sees the life leave his.

But she shouldn't feel guilty. She tried to make it quick. Impulse had turned around, told her to do it like killing a chicken, destroying the brain stem so that he doesn't have to feel it, those last few minutes. It's fast. Humane. Like killing a chicken. Almost impersonal, except that he'd been so gentle, and they both had Scott's blood on them, and there was so much blood, and she likes blood. This whole game, that's been the point. She likes blood.

Impulse had died surprisingly bloodless but he'd screamed, for just a moment, because she doesn't actually know how to make it fast and humane, even if it's supposed to be like killing a chicken, and she'd felt--

Felt--

She'd felt good, is the thing. It had felt good, even though he'd taken several blows to bring down, in the end. Even though she hadn't managed to make it quick. Even though, for a moment, he'd been terrified, and then after that, he'd convulsed, twitching on the ground, and she hadn't known if he was able to feel that at all. These are games. They're supposed to be fun. She won't feel guilty, she tells herself. There's no reason to feel guilty.

They told her they loved her, afterwards. Quietly, through actions and words. They told her not to feel guilty. It's in her nature.

One does not blame a lion for biting when it's given meat. It's in their nature.

This is her nature. This is what she is. She knows that now. That's what this has all taught her, this game she's playing. She knows well what she is; everyone will know well what she is, when next they take her in.

And maybe that's why, as she starts laughing, she can't stop from feeling guilty for what will happen next.

[ginevrapng]

content warnings: non explicit drunken sex between james and lily, dubcon/noncon? (idk it's fucked up the drunk sex went wrong), emotional cheating(?), (i really don't know how to tag this one guys- if i've missed something lmk)

// (1.5k words) // best friend!james potter lives in my head rent free, reader not specified which house they're from but has access to the gryffindor common room, chubby reader

best friend!james is completely in denial of his feelings towards you so he spends his days chasing after lily evans. days become months and then become years, flirting with her daily and chasing her. he is a chaser it's what he does.

you constantly scowled him as it seemed like lily had no interest in him. you didn't want him harassing her. when he started showing interest in her it hurt, you knew why of course, it's hard not to fancy the great james potter but you quickly got over your feelings when you realised you had no chance with him, he was your best friend and nothing was going to spoil that.

what surprised everyone was when lily started to treat james nicer, when she started to smile at him in class. no one could have guessed this complete 360 of her feelings. the next time james came up to her in the great hall bugging her he asked her to be his girlfriend and she actually said yes, causing james to pause in shock for a moment and then start grinning. "knew you'd say yes eventually evans."

lily just rolled her eyes and told him to shut up.

you heard about what happened later on in the day and were shocked yourself. you never thought they would actually start dating, she never seemed like she was interested in james before and previously you spent so long trying to tell him to let it go and find someone else but you're happy that he's happy. he's finally got the girl.

so why does he feel so empty?

their relationship was good, they went on dates and lily always laughed at his jokes, he started to pay attention more in classes they were both in together to impress her and it seemed like lily became less stressed and uptight. they're both happy yet james feels something is wrong. even through he still grins from ear to ear, still has that mischievous attitude you love and his pranking nature, even though he's acting the same, he knows being with lily is wrong, he doesn't even know why but being with lily doesn't feel right.

lily and james have been dating for months now and james has been able to ignore that nagging feeling. one gryffindor party changed everything though.

gryffindor beat hufflepuff in a quidditch match and the house was celebrating, even people from other houses came to support gryffindor's win, however they may have came for the drinks because the gryffindor house always throw the best parties. either way everyone was wasted by the end of the night, some more than others. james being one of those, lily being someone who is nearly equally as drunk, even though she swore she wouldn't drink much as to try and keep an eye on everyone however that plan was shattered when sirius and marlene kept passing her drinks every ten minutes.

lily and james later made their way upstairs to be in private as the night started coming to and end and as soon as the door was shut they started making out and clumsily taking off each others clothes before falling onto the bed together. james placed a kiss on her neck, making her moan and breathily say, "jamie, come on, no playing around."

the only person who ever calls him jamie is you, every single person teases you about it but you never relent. in james' drunken brain his conclusion is that he's kissing you.

james could never ignore your requests and gives 'you' what you want, he tried his best to be slow but he couldn't, he thrusted into 'you', who he thought was you and started babbling. "god, i love you so much." lily wraps her legs around him causing him to groan. he says your name. your name. he says he loves you. lily realises what is happening and thinks maybe she misheard there is no way that james doesn't love her, not after how long he's been trying to woo and pursue her. that is until she heard him say your name again.

lily pushes him off her and she stares at him, james cocks his head in confusion. she's drunk and angry and so very confused so she storms out the room and slams the door loudly before going into her room, flinging herself on the bed and crying until she falls asleep. the morning after is confusing for james, he's hungover and doesn't remember anything from last night but he knows that lily is ignoring him.

he finally is able to get her alone after some help from sirius, by saying that he needed her for something before leaving them alone, and james asks her why she's so upset and mad. she scoffs. "leave me alone potter." james winces at her tone, now they're dating she always calls him james and only calls him potter when she's teasing him. she turns around to leave and james chases after her. "we're done james! don't talk to me! don't even look at me!" she spits out venomously. his blood runs cold as he just nods, he's never heard her speak like that before, he thought that maybe if he gives her some time she might tell him whats wrong and he can fix it.

she swivels round and marches back over to him, james thinking that she may have already calmed down before he saw her face. she points her finger to his chest, "another thing potter, were you ever going to tell me?" she hissed.

"tell you what?" james asks softly, trying not to anger her anymore but that doesn't work, if anything it just made her more pissed off.

"that you love her!" she throws her hands up exasperated and full of negative emotions towards him and towards you too, despite this is not your fault. james furrows his eyebrows, unaware of what she was talking about or who's she referring too.

"you're in love your best friend! when was you going to tell me james, huh? a year from now, ten years from now? on our wedding day?" she screams at him, not caring if anyone heard.

"oh," james replies quietly, his body posture relaxing.

"oh? is that all you've got to say to me?" she shouts at him.

"yeah. basically. i'll- i'll see you around evans. i really am sorry." james tells her, not really knowing what to say to her before he walks off.

lily's blood boils as he reacts so calmly and doesn't try to defend himself in the slightest. he doesn't try to fight for her. he has the gall to walk away from her.

he spends the majority of his day holed up in his room. he wasn't sure what happened last night but he knows it must have been serious. he's now single. even though she never said the words "we're breaking up" or "i'm dumping you" it was worse. lily hates him and he's now confronted with his feelings. can he really stay in denial and pretend he's not in love with you if lily knows, what if she's told the others. what if she's told you?

he rushes down into the common room, nearly tripping and falling on his way down. he has no idea where you'll be and sirius has the marauders map, maybe you'll be in the gryffindor common room hanging with everyone but you also like the library but you also like- "been look for you everywhere, where've you been all day?" he's interrupted by his train of thoughts by you. he lets out a sigh of relief, you're right here and even if lily has told you you're still cheerfully smiling at him. "jamie, you alright?" you looked concerned after noticing he's just staying silent and not moving.

suddenly he pulls you to him and hugs you tightly, making you giggle. "jamie, this is great and all but you're crushing me." he reluctantly lets go of you and takes you in. your comfy warm clothes you're wearing due to the weather that james finds highly annoying because your clothes are so baggy that he can hardly see your body, he wishes he could see your round frame and your cute soft tummy and plush thighs but you always complain about it being too cold. he looks softly at you, your hair is all messy and windswept, chipped nails from when you've been biting them and picking them because of exams coming up and chubby cheeks prominent as you smile, you look beautiful, perfect.

you put your hands on your hips and look cross at him, playfully, not like lily, but like you're not actually cross, it's not in your nature to stay seriously mad at him. "i've got a bone to pick with you." james freezes up, worried that lily's told you. "why the hell is lily ignoring me? sometimes it's like she's shooting daggers at the back of my head."

james chuckles, "ignore her. we broke up earlier on today." you thought he'd be more torn up about it but he's beaming at you.

"i'm so sorry jamie," you tell him earnestly, grabbing his hands in yours and holding them to your chest.

his heart jumps at how much you care for him. "i promise it's fine. i've realised she was never the one for me." you were about to question what he means by that and to ask him to elaborate and if that means he broke up with her but before you can do that you hear the laughs and chatter of the other marauders come in, they heard that lily and james broke up and came to console him, thinking that he'll be away from everyone in his room only to find him in the common room grinning and laughing, when they saw he was with you it made sense.

[thestrangesthell]

he doesn't love Lydia he flirts with the secretary he went to that place created by Juno

Ok, let's talk about it.

"Secretary" - You mean Janet? He just looks at her, never flirts. A key component of BJ's character in Beetlejuice Beetlejuice is that he hasn't been sprayed down with overly sanitised 'political correctness' to appeal to wider-audiences. He's just as gross as he always has been.

He states that himself and Lydia "have a definite psychic connection" but they're not actually together. He knows this and probably knows Lydia doesn't feel for him in the same way he does. That's why he pulls out all the stops at the end.

Checking out Janet is harmless and just a reminder to the audience that he's still the same gross guy. Besides, Lydia's had a whole child off-screen with Richard and later wound up in Rory's snare. She's done plenty more than check someone out - and you don't see BJ complaining.

(Well, except for Rory. And it's canon that BJ hates him for how he uses Lydia.)

The Whore House (Dante's Inferno) is used as a distraction. He gets off on scaring people, so Juno uses this to her advantage after the snake incident.

Besides, he'd not properly met Lydia when he went into it; just used her as an empty threat to rile up Barbara (which worked).

"I think she understands me."

He's never spoken to her. By this point, she's only ever seen him in snake form. We have very little evidence as to why he seems so interested in her. That's why we *theorise*.

The second movie is where the presence (and evidence) of love comes into play.

Everything he does for her is pretty much selfless. As I said in my rant, he barely puts up a fight when she tries to send him back. We know from Beetlejuice (1988) that he could stop her if he wanted to. But he lets her send him back. Not even that, he makes a whole joke out of it:

"Shoulda got married in Vegas."

You expect me to believe that this guy, who apparently "doesn't love Lydia" wouldn't be raging about being defeated again? He immediately makes a joke about the whole thing. We know by the end of the movie that he hasn't let her go. It wouldn't be a surprise if this was his plan all along.

He knew, no matter how grandiose the ceremony was, that she wasn't ever going to follow through. It's all fine for Lydia to ask him, "But how do I know that you're gonna keep your word?" when she doesn't even keep hers.

But he gave her that beautiful ceremony regardless.

By the end of Beetlejuice Beetlejuice, he has saved Lydia's daughter, helped Lydia see Rory for who he really is, given her the most beautiful farewell ceremony he could, Lip-synched the entirety of MacArthur's Park to her, physically given her his heart and topped it off by reuniting her deceased family, Charles and Delia.

If that isn't love, I don't know what is.

And if all of that didn't do it for ya, just look at how he looks at her.

[genericpuff]

Was the Hera×Echo thing for real?! Was it like planned??? It doesn't feel like it was planned! It feels like Rachel just wanted to queerbait to gather more new readers wtf

yeah it's exactly that tbh

FASTPASS SPOILERS AHEAD !!!

like what more realistically happened is she saw people headcanon'ing Echo and Hera and went "yeah sure I'll do that!" without actually writing the fucking relationship.

This was even a problem back in S2 with Echo's character as a whole, she's introduced as this mysterious 'double agent' character who's almost definitely working for Zeus-

-but then aside from two scenes involving Echo accompanying Hera to the motel to retrieve Persephone's things and Echo warning Daphne that Apollo clearly isn't 'over Persephone' (because he had, y'know, barged into Hera's office demanding Hera's blessing) the whole "Echo is a double agent for Zeus" thing was only confirmed after Daphne was turned into a tree and Echo said "FUCK YOU ZEUS, I'M NOT GONNA DO YOUR DIRTY WORK ANYMORE!" which ... huh? Where's the plot? It feels like there was an entire story there that just got dumped entirely so that Hades and Persephone could play golf with diamonds.

Like this was presumably where Echo ditched her obligation to Zeus, but it had nothing to do with Hera, it was because she heard (I'm assuming from Thanatos) what happened to Daphne.

After that we only ever see Echo again when it's implied that her and Hera had some kind of falling out. No idea what over, maybe it was Hera finding out that Echo was a double agent, maybe Hera called her a slur, we have no clue what. But it's sorta just tacked on during an ongoing monologue about how Kronos has affected her.

The only other 'hint' we got towards it was Ares calling Echo Hera's 'girlfriend' but that doesn't mean a whole lot when we've literally never seen these two have more than two scenes together.

So now Rachel making them kiss feels more like her taking credit for writing a plotline that doesn't exist and was fabricated entirely in the audience's headcanon. And this is something Rachel does a lot, she basically relies entirely on her audience filling in the blanks for her nothingburger plot and then of course gets to take all the credit for being a "smart and inclusive writer". Where? Literally where the fuck is the actual writing?

Imagine if we had gotten a proper B-plot showcasing the relationship between Echo and Hera. Echo is working for Hera as a double agent and doesn't want to blow her cover, while Hera is suspicious because she worries her husband is up to something. Over time they work together, grow closer, Hera realizes that Echo makes her feel a kind of happiness that Zeus hasn't made her feel in a long time, Echo realizes that she can't keep lying to Hera about why she was hired and decides she values Hera's loyalty and respect over Zeus' because she has feelings for Hera now. Maybe Hera finds out about Echo being a double agent, either by overhearing a conversation between Echo and Zeus or because Echo outright tells her, and eventually it resolves with them finally admitting their feelings towards one another and Hera realizing that she's felt trapped in a loveless marriage that's essentially serving the same purpose as her union with Kronos, sacrificing her well-being for the good of a King. They kiss and Hera confronts the original perpetrator of her trauma, Kronos, ready to end the cycle of her abuse once and for all.

Like, the plot is right fucking there but Rachel keeps dumping it in favor of focusing on the boring ass heterocis nightmares that are Hades and Persephone, who get SO MUCH FUCKING SCREENTIME of just telling each other how amazing they are and how much they're in love (meanwhile we didn't even actually get to see or hear what Hera wrote in the letter to Echo, we have to just assume) but still tries to take credit for writing queer stories by just vaguely hinting at a queer relationship that has had zero development or actual screentime. It's Hestia and Athena all fucking over again.

It also doesn't bode well for LO passing the whole "bury your gays" test because Hera is literally marching to what she's expecting to be her death. So she's established as a bisexual character, just for her to be sent to her death, while Echo will undoubtedly get shoved out of the plot again.

And, I shouldn't even have to remind y'all of this, but Hera has been racist to nymphs in the past and Echo was her direct subordinate, her personal assistant.

It just makes zero sense to me why Rachel would suddenly force in a queer relationship between two characters who weren't traditionally gay in the original myths (once again removing the queer aspects of CANONICALLY LGBTQ+ GODS AND GIVING THEM TO THE STRAIGHTS INSTEAD) when Hera's story had more than enough to work with through her trauma from both Kronos and Zeus and her loyalty as the goddess of marriage that's kept her trapped in a loveless and abusive relationship. So now instead of having a subplot that could have been about the goddess of marriage realizing that no one should have to stay in a marriage that's robbing them of joy and the "sanctity of marriage" isn't worth being miserable for life, we have a subplot where the goddess of marriage who is racist to nymphs routinely cheats on her husband and now confesses her love to a nymph who we never even saw her interact with outside of two instances where it was simply a working relationship.