#What is Event Management Software?
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dhirajmarketresearch · 2 months ago
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insurance-brokers-india · 2 months ago
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What are the next steps after obtaining an insurance broker license, and how can you generate potential leads using Mzapp CRM software?
Congratulations on securing your insurance broker license! The journey doesn’t end here; it’s just the beginning of building a successful insurance brokerage. Here’s how you can proceed and leverage Mzapp CRM software to find potential leads:
Steps After Getting Your Insurance Broker License
Understand Your Market: Research your target audience (individuals, businesses, or specific sectors).
Develop a Business Plan: Set goals for client acquisition, revenue, and operational processes.
Build a Network: Partner with insurance providers and attend industry events to establish your presence.
Create an Online Presence: Build a professional website and maintain active profiles on social platforms.
Offer Value-Added Services: Educate customers on policies, claims management, and risk assessments.
Using Mzapp CRM Software to Generate Leads
Lead Capture: Utilize Mzapp’s integrated forms and web tracking tools to capture inquiries from your website or social media.
Automated Follow-Ups: Set up personalized email and SMS follow-ups to nurture leads effectively.
Lead Scoring: Prioritize leads based on their interaction history, ensuring you focus on high-potential prospects.
Data-Driven Campaigns: Use analytics to identify what works and launch targeted campaigns.
Seamless Policy Management: Impress leads by showcasing how smoothly you manage policies and claims through Mzapp.
Why Choose Mzapp CRM?
Mzapp CRM simplifies lead management, streamlines operations, and provides insights into customer behavior, making it easier to convert prospects into loyal clients.
Learn more about how Mzapp can transform your insurance business here.
#Question:#What are the next steps after obtaining an insurance broker license#and how can you generate potential leads using Mzapp CRM software?#Answer:#Congratulations on securing your insurance broker license! The journey doesn’t end here; it’s just the beginning of building a successful i#Steps After Getting Your Insurance Broker License#Understand Your Market: Research your target audience (individuals#businesses#or specific sectors).#Develop a Business Plan: Set goals for client acquisition#revenue#and operational processes.#Build a Network: Partner with insurance providers and attend industry events to establish your presence.#Create an Online Presence: Build a professional website and maintain active profiles on social platforms.#Offer Value-Added Services: Educate customers on policies#claims management#and risk assessments.#Using Mzapp CRM Software to Generate Leads#Lead Capture: Utilize Mzapp’s integrated forms and web tracking tools to capture inquiries from your website or social media.#Automated Follow-Ups: Set up personalized email and SMS follow-ups to nurture leads effectively.#Lead Scoring: Prioritize leads based on their interaction history#ensuring you focus on high-potential prospects.#Data-Driven Campaigns: Use analytics to identify what works and launch targeted campaigns.#Seamless Policy Management: Impress leads by showcasing how smoothly you manage policies and claims through Mzapp.#Why Choose Mzapp CRM?#Mzapp CRM simplifies lead management#streamlines operations#and provides insights into customer behavior#making it easier to convert prospects into loyal clients.#Learn more about how Mzapp can transform your insurance business here.
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ms-demeanor · 6 months ago
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For those who are not aware: Bitlocker is encryption software, it encrypts your computer and makes it impossible to access the information on the computer unless you have the key.
It should be standard practice for IT companies to document the bitlocker keys as they are configuring bitlocker on a computer; generally you would do this by creating a record in your client management software for that specific device and putting the key in the record. Sometimes software can be used to extract that information in the event that it's necessary, but even if there's theoretically a way to extract the key, it should be documented somewhere *other* than on the encrypted computer.
This is something that a lot of IT people fuck up on kind of a lot (we've definitely had problems with missing bitlocker keys and I'm quite happy that the people who didn't document those keys aren't my coworkers anymore).
So what do you do if you want to use encryption software and you're NOT an IT company using a remote management tool that might be able to snag the keys?
When you are setting up encryption, put the encryption key in your password manager. Put it in your password manager. Document the important information that you cannot lose in your password manager. Your password manager is a good place to keep important things like your device encryption key, which you do not want lost or stolen. (If you run your password manager locally on an encrypted computer, export the data every once in a while, save it as an encrypted file, and put the file on your backup drive; you are going to have a bad time if your computer that hosts the only copies of your passwords shits the bed so *make a backup*)
This is my tip for home users for any kind of important recovery codes or software product keys: Print out the key and put it in your underwear drawer. Keep it there with your backup drive. That way you've got your important (small) computer shit in one place that is NOT your computer and is not likely to get shifted around and lost (the way that papers in desks often get shifted around and lost).
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veltana · 1 month ago
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The winter rebound
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✦ Pairing: Bucky Barnes/Fem!Reader
✦ Word count: ~3,6k
✦ Rating: Explicit
✦ Warnings/tags: Avengers!Bucky, alcohol consumption, fluff, pwp, smut, oral (fem receiving), piv sex, safe sex, dirty talk.
✦ Summary: You go with your friend to Stark's holiday party
✦ Note: This was the first thing I wrote and published when I got back into the marvel fandom, so it's a super self-indulgent piece! But I hope you like it anyway! As always, please comment and/or reblog! Asks are always welcome!
Masterlist | AO3
It was Friday. You watched yourself in the mirror and told yourself that you would have fun tonight. Forget about your ex of five years who broke off your engagement a month before the holidays, whom you had spent the last three weeks crying over.
Tonight you were accompanying your best friend to the annual Stark holiday party, and you would not think about him once during the night, while you danced and drank yourself into a stupor.
Standing outside the huge compound made you anxious. Maybe it was too soon to meet the real world without him. No! Don’t think about that asshole! You cut yourself off before your thoughts started to spiral.
“Come on!” your friend Lily laughed. Her genuine smile was contagious and you returned it, squaring your shoulders and forcing every dumb thought down before you took her arm as the two of you made your way down the gold and red carpet. At the end, two large glass doors were opened by life-sized mechanical nutcrackers.
“I sure hope those don’t spring to life and ruin this party too,” you mumbled. Lily giggled, “Don’t worry, I helped with the software, unless Mr. Stark went a completely different direction there should be no worries.” “So there is a possibility,” you joked as the doors closed behind you.
If she answered you didn’t hear because you were too busy taking in the amazing winter-themed party. The waiters were also dressed as nutcrackers and there were dancers in amazing outfits performing all over the floor. Music played in the background and some were moving to the beat while others stood around and talked.
Honestly, you had expected more people, like at least two hundred but there were only about fifty in the huge hall. Not only the regular people, like your friend, who helped with software, hardware, management, and the day-to-day running's of the compound, but it was impossible not to notice the heroes also in attendance.
Not all of them were there, no sign of Thor or Loki, or the Guardians, but this was your first time so close to any hero ever, you would take what you could get.
“Come, I’ll introduce you to everyone,” Lily said and started to pull you along while you gazed at the shifting decorations adorning the walls, obvious to the blue eyes that followed you with interest from the bar.
Too many names spun through your brain, accompanied by the alcohol your friend had been plying you with.
Everyone you had met so far had been incredibly nice and friendly and hadn’t minded when you asked all the dumb questions about working at such a place.
Finally, it came down to the big event, meeting Mr. Stark and maybe the rest of the Avengers currently there.
Lily stepped up to her boss and greeted him and Pepper Potts like they were friends rather than her superiors and then introduced you. Not a lot of people got to shake hands with Iron Man and Pepper Potts but now you had, and it was totally normal.
“Interesting hair color,” Tony Stark pointed out. “Is it meant to look like that?” It was such an old man thing to say you could only laugh as Pepper elbowed him in the ribs. “I am sorry,” Pepper apologized but you waved it off.
“He is paying for everything I drink, so if he wants to make fun of my hair, it’s fine.” Pepper gave you a relieved look and was about to say something else when a voice interrupted.
“It looks like the Aurora Borealis.”
Bucky Barnes had appeared out of nowhere, like the skilled assassin he had been trained to be. It was like he had materialized out of thin air at your side and you jumped when he spoke.
Before you knew what you were doing, you reached out, slapping your palm against his hard chest, and said “For fuck’s sake,” while your other hand rested over the heart trying to work its way out of your chest.
Then you realized what you’d done and pulled back your hand quickly, covering your mouth. Bucky stared back at you, mouth slightly open, while Lily and Tony both cackled in amusement. “That’s what you get Barnes,” your friend pointed out.
With a crooked smile, Bucky just said, “How about I buy you a drink to make up for it?” and held out his arm. “As long as it’s crazy expensive since the old man made fun of my hair,” you shot over your shoulder at Tony as you took the offered arm.
Your friend winked at you before she returned to her conversation with Natasha Romanoff, whom you would just have to say hello to some other time.
Bucky led you the short way to the bar and you eased your way on to the chair, making sure not to get tangled in your long dress, as Bucky leaned over the bar and asked for the most expensive champagne they had.
“I’m Bucky,” he said. “I know,” you smiled at him before introducing yourself too.
In no time there were two flutes in front of you, he offered you one, saying cheers before you took the first sip. The unabashed moan that left you wasn’t meant to be sexual but Bucky stopped his glass halfway to his lips to just stare at you. It cracked you up, “Sorry,” you said, “I’ve never tasted champagne this good before.” He also took a sip, his eyes widening a little, and when he’d swallowed all he said was, “Wow.” “I could get used to this,” you took another mouth and closed your eyes.
When you opened them again you found him looking at you and it made a shiver go down your spine. For the first time in a long time, you felt desire pool in your lower belly. “Will this make up for Stark’s comment?” he asked. “It will absolutely!” you promised. “I think your hair looks great and I’m like twice his age so…” he trailed off.
“My friend, Lily, has told me about these crazy old super soldiers, but you look spry for your age,” you winked at him. “You can only imagine,” he flirted back, and your cheeks heated. You had forgotten about this, about the utter intoxication of flirting with a man and having it returned to you.
After several weeks of drought, your body suddenly knew what arousal was again and flooded you with it, making your heart beat twice as fast and your skin flush. “Oh, you want me to think of everything you can do?” you asked with a raised eyebrow. “Anything you want, doll,” he leaned forward, “But I’m sure your imagination won’t hold a candle to the real thing.” “Are you going to show me?” “If you want to,” he smirked and you felt yourself grow wetter by the second.
You leaned in too, unable to resist him and not wanting to either. You wanted to get lost in him for as long as he would have you. He finished off the rest of his champagne like it was a shot of liquor.
“Come on, I have just the place,” he smiled, holding out his hand. Not even second-guessing yourself for a moment you finished your glass and let him lead you away.
Bucky took you through a side door, into a corridor that led to the heart of the compound which was now deserted, and finally into a large room with a domed ceiling.
It looked like a cinema almost, except the screen was the whole ceiling, and in the middle of the floor was an enormous sofa-like thing that easily fit several people.
After Bucky pressed something on a side panel the room lit up with the Aurora Borealis.
You let go of his hand, staring with huge eyes at the display. Maybe you had misinterpreted his intentions and they were actually pure, not at all the filthy things you had thought this would end up being.
Never had you been happier to be wrong.
This time when he appeared out of nowhere he didn’t scare you, he gripped your waist with the vibranium arm and spun you into his chest, before using his other hand to pinch your chin between his fingers.
“I’m going to kiss you, tell me if I should stop,” he breathed. Instead of answering with words you surged up and crushed your lips against his, wrapping your arms around his neck, and pulling him impossibly closer.
It was almost like he expected you to be timid or something because, for a few seconds, he didn’t move, but then he rushed into action, moving his lips and kissing you like a man starved.
Desire flooded you, making every one of his touches feel like fire even through the fabric of your dress. He moved you backward until your knees hit the oversized sofa, and you laid down.
Bucky’s face was burning with desire as he looked down on you, before he could move or say anything you grabbed your skirt and pulled it up until it bunched around your waist so that you were able to spread your legs without restraint.
The growl erupting from his chest made you smile and you crooked your finger toward him. He knelt between your legs, grabbing your thighs to spread them even more before he leaned down over you to capture your lips again.
The action made the hard cock in his jeans brush against your heated core, making you moan into his mouth.
He pulled back, eyes wild, “Your sounds make me fucking crazy.” he groaned, moving his hands down your naked legs, caressing them and gripping them, like he couldn’t decide if he wanted to be rough or gentle.
“Hope so,” you smiled and started to tug at his suit jacket, needing to see his body. He obliged by sitting back and ridding his upper body of clothing. As soon as you could your hands splayed out across the expanse of his naked torso, feeling the hard muscles under the soft skin.
Your eyes grazed over the scars on his left shoulder but didn’t pay it any mind. The man had trauma, that was no secret, but tonight you didn’t need to delve into that. Instead, you sat up, kissing the skin you could reach and licking at his nipple, making him moan most deliciously.
He reached around you to unzip your dress and you whined when you had to move away from him to let him pull it off you. Now you were almost completely naked with the super soldier, except for the thong you wore that did little to hide anything from him, and your heels.
Without another word, he stood up and unbuttoned his pants, peeling them off and kicking off his shoes in the process, before he was back over you. Now it was his turn to taste your skin and when he closed his mouth around a nipple, using his vibranium hand to pinch the other, you released a high-pitched mewl you never heard from yourself before.
That only spurred him on, alternating between sucking and licking at you, squeezing or pinching your sensitive buds. The pleasure was too much, like you would implode or maybe even come from just him playing with your tits. You fisted the fabric under you, pushing your chest even more into him as moans and words tumbled from your lips.
“Bucky, please!” you tried forming a coherent sentence but failed. “What do you need, doll?” he asked, lips shiny with his spit as he looked up at you. “Touch me, make me come, please Bucky,” you didn’t want to wait another second for the pleasure you had missed for a lot longer than the weeks since your break up. This temporary connection with a stranger was already better than what you had experienced over several years.
“Can I taste you?” his voice was husky, filled with restrained want. “Yes!” you smiled and raised yourself on your elbows.
You watched as he kissed his way down your form, pulling off your thong and throwing it away. He grabbed your thighs and spread them wide before letting the thumb of his vibranium hand slowly drag up, separating your folds, groaning, almost whispering “Fuck, your pussy is perfect,” and leaning in to carefully lick up your spread lips. You fell back, staring up at the beautiful display as Bucky Barnes, the Winter Soldier, one of the Avengers, ate you out with perfection.
Every move he made sent sparks through your entire body and pulled cries from you. Your hands tangled in his hair, not pulling or pushing, just needing to anchor yourself on something. Nothing would hold a candle to this for the rest of your life you suspected, because even though you had just met, Bucky Barnes took his sweet time, caressing his hands up and down your sides, down your legs, and back up again, using his tongue and lips to make your body blaze.
Your crescendo built steadily, as did your voice, the closer you got the more you pleaded and begged, even though he was doing exactly what you wanted him to. When two fingers on his right hand breached you with no problem your back bowed, the pleasure rushing through you, and when he crooked them and moved them inside you, it was everything the dam needed to break and the coil inside you snapped.
You screamed his name as the orgasm hit you like a freight train. What was even better was that he worked you through it, coaxing every last drop of pleasure out of you before you had to instead beg him to stop.
"Too much," you whimpered when the uttermost tip of his tongue gently floated across your clit. "No, darling, not enough. A man could get addicted to hearing you scream his name."
You whimpered again, your body rocking with overstimulation at every pass of his tongue. It was wonderful to hear him say those things but you needed more.
"Please tell me you have a condom so you can fuck me," you groaned and that made him stop, staring at you from between your legs before kissing up the side of your thigh to sit back on his heels before he got up. He freed himself from his underwear before he bent down to grab his pants and pulled a condom from a pocket and that gave you a chance to admire him. His cock was hard, glistening, and a lot bigger than what you were previously used to, but that only sparked more excitement in your lower stomach.
"Hands and knees, baby," he smiled and made a twirling motion with his fingers. You wasted no time rolling over, and getting into position. His flesh hand slapped your ass playfully when he knelt behind you and when you moaned he chuckled. "You like that huh?" he asked as the tip of his cock started to press into you.
He was big, you whined and whimpered with every inch he pressed into you. Maybe why he took his time eating you, because he needed you to be as aroused as possible for it to fit. You clawed at the fabric, feeling like you were having an out-of-body experience with how he filled you.
"So good, taking it all," he praised when his hips were finally flush with your ass. Trying to answer him with words was out of the question, instead, you rocked your body, feeling his cock press against everything inside you, giving you the most delicious sensation you probably ever felt.
His hand landed on your ass again and that spurred you on, starting to move a bit faster. "Look at you, fucking yourself on my cock," he sounded a little breathless and you wished you could see him. "Do you like it, darling? Do you like my cock filling you to the brim?"
Fuck, Bucky Barnes had a mouth on him you had not expected. He grabbed your hips and helped you along, starting to fuck you deep and hard, pulling almost all the way out before shoving back in again.
With every move, you cried out in sheer ecstasy. Bucky kept on telling you how good you sounded, he didn't mind at all that you were loud.
The pace was hard but not hurried, he seemed to like taking his time, not rushing through the action just to get to the finish line. But it was driving you mad, it felt like you were at the precipice constantly, ready to tip over but needing something more to do it.
Then he grabbed you around the waist and pulled you up until you were flush against his chest, his pace never stopping. "Hi, sweet thing, enjoying yourself?" he wasn't even winded and you were a panting, whimpering mess, feeling like you were about to lose it.
"Yes, Bucky, please touch me, make me come again." He kissed your shoulder, "My pleasure," was his answer and his left hand descended on your aching clit.
A shudder and a scream passed through you when he started to rub small circles over it. Suddenly you were so close to the edge you could almost taste it, and Bucky knew it too.
"That's right, come on my cock, doll. Can you do that for me? Be good and come for me?" he said between kissing up your neck, moving the arm around your waist up to grab your jaw, and turning your head to the side. The kiss was sloppy but delicious, and with the aid of his fingers and so full of his cock the orgasm took you by full force, making you shake in his grip.
He released your mouth and let the sounds you made fill up the room, pressing his mouth to the side of your head and telling you over and over again how fucking good you felt coming around him.
If he hadn’t held you up, you would have collapsed no doubt, but Bucky had no problem keeping you up as he found his own release, pressing his forehead against your neck and mumbling obscenities, his hips stuttering against your ass.
Now he was breathing heavier, holding you tight against him with both arms, letting his fingers draw random patterns on your skin.
You were in a post-orgasmic haze, only existing in that moment with no past or future, only his warm body, and a sated need. "Gonna need to let you go now, darling," he said in a low voice "Lay down." His arms loosened around you and you braced yourself with your arms and eased yourself down on your side.
Bucky got up, probably to dispose of the condom, before laying down behind you. You hadn't expected him to want to cuddle, but he draped his arm across your side, pulling you flush against him.
"You okay?" he asked in a whisper. "Fan-fucking-tastic," you answered with a small laugh and felt a million times lighter all of a sudden.
After a few minutes of laying there, you felt like you'd been gone from the party long enough, but judging by Bucky’s heavy breathing, he had fallen asleep behind you.
He didn't wake as you gathered your things. When you found the thong, you looked at it, looked over at his gorgeous form laying there, and giggled as you found his pants and stuffed the thong down his pocket.
With the help of some items in your clutch, you patched up your make-up and fixed your hair before slipping out and closing the door behind you.
It was a small miracle that you could find your way back to the party but you did and immediately went to the bar for a drink.
Lily found you minutes later and she just raised an eyebrow, you shrugged and tilted your glass towards hers, clinking them together, and then you both burst out laughing.
*
Monday rolled around and it was hard to work because you kept getting lost in the memories of Friday night.
His eyes, his scent, his voice as he said those things to you. You squeezed your legs together and stifled a low moan.
Suddenly your phone chimed and pulled you back into the real world. A text from Lily.
[So, Bucky Barnes just came by and asked for your number. I gave it, of course, just so you know!] [Okay? Did he say why he needed it?] [Apparently, you left something(????) here on Friday and he wanted to return it.] [Hmm, okay, thanks!] [What did you leave?!?!?!?] [Don't be so nosey, go back to work!]
Your stomach did a flip when the next message was from an unknown number. It had a picture attached, your thong tangled in his fingers, and the text [You left these.] For a second you imagined him using them as he got himself off. You bit your lips as you responded. [Keep them or throw them away, I have more, don't worry.] even added a little wink-emoji.
[I want to return them, personally. Are you free this afternoon?] His response was quick and very to the point.
A wonderful shudder traveled through you at the thought of seeing him again. You had meant for this to be a one-time thing, something to get you back into the world and learn to exist without your ex but there wasn't any harm in seeing where this could go, and hopefully, you would have a lot more amazing sex on top of it.
[Sure, I get off at five.]
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ayeforscotland · 6 months ago
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What is Dataflow?
This post is inspired by another post about the Crowd Strike IT disaster and a bunch of people being interested in what I mean by Dataflow. Dataflow is my absolute jam and I'm happy to answer as many questions as you like on it. I even put referential pictures in like I'm writing an article, what fun!
I'll probably split this into multiple parts because it'll be a huge post otherwise but here we go!
A Brief History
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Our world is dependent on the flow of data. It exists in almost every aspect of our lives and has done so arguably for hundreds if not thousands of years.
At the end of the day, the flow of data is the flow of knowledge and information. Normally most of us refer to data in the context of computing technology (our phones, PCs, tablets etc) but, if we want to get historical about it, the invention of writing and the invention of the Printing Press were great leaps forward in how we increased the flow of information.
Modern Day IT exists for one reason - To support the flow of data.
Whether it's buying something at a shop, sitting staring at an excel sheet at work, or watching Netflix - All of the technology you interact with is to support the flow of data.
Understanding and managing the flow of data is as important to getting us to where we are right now as when we first learned to control and manage water to provide irrigation for early farming and settlement.
Engineering Rigor
When the majority of us turn on the tap to have a drink or take a shower, we expect water to come out. We trust that the water is clean, and we trust that our homes can receive a steady supply of water.
Most of us trust our central heating (insert boiler joke here) and the plugs/sockets in our homes to provide gas and electricity. The reason we trust all of these flows is because there's been rigorous engineering standards built up over decades and centuries.
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For example, Scottish Water will understand every component part that makes up their water pipelines. Those pipes, valves, fitting etc will comply with a national, or in some cases international, standard. These companies have diagrams that clearly map all of this out, mostly because they have to legally but also because it also vital for disaster recovery and other compliance issues.
Modern IT
And this is where modern day IT has problems. I'm not saying that modern day tech is a pile of shit. We all have great phones, our PCs can play good games, but it's one thing to craft well-designed products and another thing entirely to think about they all work together.
Because that is what's happened over the past few decades of IT. Organisations have piled on the latest plug-and-play technology (Software or Hardware) and they've built up complex legacy systems that no one really knows how they all work together. They've lost track of how data flows across their organisation which makes the work of cybersecurity, disaster recovery, compliance and general business transformation teams a nightmare.
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Some of these systems are entirely dependent on other systems to operate. But that dependency isn't documented. The vast majority of digital transformation projects fail because they get halfway through and realise they hadn't factored in a system that they thought was nothing but was vital to the organisation running.
And this isn't just for-profit organisations, this is the health services, this is national infrastructure, it's everyone.
There's not yet a single standard that says "This is how organisations should control, manage and govern their flows of data."
Why is that relevant to the companies that were affected by Crowd Strike? Would it have stopped it?
Maybe, maybe not. But considering the global impact, it doesn't look like many organisations were prepared for the possibility of a huge chunk of their IT infrastructure going down.
Understanding dataflows help with the preparation for events like this, so organisations can move to mitigate them, and also the recovery side when they do happen. Organisations need to understand which systems are a priority to get back operational and which can be left.
The problem I'm seeing from a lot of organisations at the moment is that they don't know which systems to recover first, and are losing money and reputation while they fight to get things back online. A lot of them are just winging it.
Conclusion of Part 1
Next time I can totally go into diagramming if any of you are interested in that.
How can any organisation actually map their dataflow and what things need to be considered to do so. It'll come across like common sense, but that's why an actual standard is so desperately needed!
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mecachrome · 1 year ago
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pre-mclaren oscar piastri primer (ft. maxf, landoscar)
0. introduction
for a few months now i've been wanting to make both an oscar primer and a timeline of pre-mclaren landoscar moments, but i couldn't figure out which one to prioritize… then after some deliberation i finally realized i could just combine the two things together! so. here is an oscar-centric timeline that is mainly about his racing background, moving to the uk, and how he became acquainted with other members of the rfm pack—aka lando, maxf, and logan. i don't know whether any of this information is useful or even vaguely interesting, but i mostly just wrote it for myself and thought i'd share what i had in case anyone else wanted to check it out. please feel free to comment or shoot me an ask if anything here is egregiously incorrect; i've checked and linked as many sources as i could but it's of course possible that some errors remain :)
1. background, rc racing, early karting days (2007-2015)
oscar piastri was born on april 6, 2001 in brighton east, a suburb of melbourne not far from albert park circuit, as the son of chris and nicole and to-be oldest brother to 3 younger sisters. a love for all things automotive ran deep in the piastri family: both of his grandfathers were mechanics and his father had also co-founded his own vehicle diagnostics software company, hp tuners, aka oscar's sponsor throughout his racing career. thanks to his father's business, oscar's family was objectively well-off and managed to contribute a fairly substantial amount of support toward his junior career, but they also weren't swimming in cash by multi-millionaire motorsport standards either.
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(L-R) edie, mae, hattie, and oscar, from nicole's twitter — each sibling is ~2 years apart (source)
while most drivers on the current grid were introduced to motorsport through go-karting, usually at or before the age of 7, oscar's path to single-seaters differed slightly. he first developed an interest in racing via remote-controlled cars at the age of 6, when his father brought him a monster truck as a souvenir back from a business trip in america. oscar began racing them that same year, eventually moving to safer electric track vehicles and even winning the second class of the national titles in 2010, at the age of 9. he was so small then that he often needed to stand on a milk crate to see the cars on track, and the next-youngest competitor at the time was twice his age. (source)
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oscar on the podium at age 8 (nov 16, 2009)
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oscar with his father chris, who often competed alongside him in a separate class (dec 21, 2010)
by 2011, oscar and his father were seriously considering his potential of pursuing rc racing as a viable career path, but things changed when he was introduced to karting via a friend's daughter in the rc community and his aspirations slowly shifted toward racing from inside a car. oscar was an unsurprisingly sporty and competitive child growing up; he'd played some cricket and aussie rules football and knew that all he wanted to do was race professionally, full-stop, at the time thinking along the lines of australian racing categories like v8 supercars. he was still competing in remote car racing as late as 2013, but he began karting seriously within australia in 2014, placing respectably in the junior categories of several regional karting series against relatively senior and more-experienced racers, and even going to france for a one-off event where he finished on the podium of the iame international junior x30 final. this outing affirmed his potential to his father and motivated the two of them to split time between australia and europe in 2015 as they juggled his karting future; plans for two more european events that year fell through, including the cik-fia world championship at the kfj level (which logan sargeant would go on to win), but at this point they were officially looking to take his career to the next level and commit fully to european karting in 2016.
this is when ricky flynn (and the hypothetical idea of lando norris!!!) comes in. before we get into rfm and karting professionally in europe, it's important to note that the defining aspect of landoscar's junior careers is that their pathways never once intersected. in fact, they don't even seem to have met properly before oscar entered the f1 grid as alpine reserve, although they'd spoken over social media and oscar was familiar with several people around lando's life—for example, maxf, logan, guanyu, and even lando's older brother oliver, who had also raced for rfm.
in short, you could say that landoscar's biggest hindrance was their parallel excellence. oscar was good enough to catch up and even surpass everyone else at lando's level, but lando remained untouchable throughout the years. oscar is only 1.5 years younger than him, but their f1 careers are offset by 4 years (2019 vs. 2023 debut) because of exactly two things: oscar's 2022 gap year in alpine and his two attempts at formula renault eurocup. on the other hand, lando sped through all of his junior categories in blistering fashion, falling short of the championship only once: the year he placed 2nd in f2 behind george russell. this is significant because many talk about the clinical nature of oscar's rapid single-seater ascension and three b2b2b victories (still very impressive, especially given his limited karting career!), but all of that speaks equally to the illustrious nature of lando's junior success and the sheer magnitude of faith placed in him as mclaren's "golden boy" coming up the ranks. to put things into further perspective, lando was teammates with maxf and jehan daruvala at rfm until 2014, jehan competing in the same class and max one below, yet by the time oscar was racing max and jehan—in f3 in 2020 and f2 in 2021, respectively—lando was already into his 2nd and 3rd years of f1. here's a chart that hopefully makes a bit more sense:
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majorly simplified timeline showing lando, guanyu, maxf, logan, and oscar's junior careers + the karting classes they primarily competed in each calendar year. maxf did not complete his 2nd f3 season and many of them contested multiple/different formula renault series, but this is just a rough overview of their feeder series experience. 
2. moving to europe, rfm, regional formulae (2016-2019)
back in australia, oscar was a member of the oakleigh go-kart racing club and being actively mentored by james sera, a multi-time australian karting champion and fa kart dealer who worked with young karting talents alongside his cousin david. in late-2015, he presumably helped oscar and his father reach out to ricky flynn, who ran ricky flynn motorsport (rfm) and whose team was at the time enjoying exorbitant success in the karting scene; lando had won the world championship at the kf level the year prior, and logan would soon clinch the kfj title in 2015, results which further drew oscar's interest toward the team. ricky flynn agreed to take oscar on and have him and his dad move out to europe, and by november 2015 oscar announced on social media that he would be joining rfm the next year. in january of 2016, he and his father moved to hertford, uk, so that oscar could begin a 100-day karting program and travel extensively around europe to attend races. this is where he met logan sargeant, who was in his final year on the team but competing a class above, now at the ok (previously kf) level. oscar himself was only competing in the okj class.
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not oscar-related, but as you can see guanyu, logan, and maxf were already acquainted before oscar and logan met, since the three of them and lando had been in rfm together as of 2014 — (may 11, 2014) & (feb 6, 2015)
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oscar and logan in 2016
in an interview published on june 7, 2023, oscar reflected on leaving australia and committing to his racing dream, saying:
"i think if there was a turning point, it was probably when i started finishing towards the front in australia, and i started winning a couple of races here and there and finishing in the top three of championships and stuff, and then went to europe and fully committed to going down that route. [...] there's obviously a very big commitment at that point when you move halfway across the world without family and stuff. so i knew at that point that i really wanted to become a professional because, firstly, that's what i want to do anyway, but, secondly, now i'm sacrificing seeing my family, and stuff like that to be able to do this — which was a sacrifice i was more than willing to make."
like the majority of oscar's karting career, his time with ricky flynn can primarily be summarized as decent. none of his performances were particularly stellar, and in november 2016 he placed 6th in the fia world championship final behind the likes of victor martins and théo pourchaire (he mainly competed against guys like them, dennis hauger, caio collet, etc… once again logan was a class above and lando/maxf had already graduated to single-seaters), but he showed promising racing foundations and a great capacity for improvement, especially given that he'd moved to europe the same year and was still adjusting to life and racing on the opposite hemisphere. about 6 months into his new karting venture, oscar had settled in reasonably well and his father decided he would return to australia to continue on with his life, so they made the joint decision that oscar was to begin boarding at haileybury's uk campus and continue racing in europe entirely on his own. uk and australian school years are misaligned, so my personal understanding is he moved to europe after finishing year 9 in australia, attempted online school/took a few months off (he says he did online coursework here, but mentioned here that he was out of school, so it sounds like it must have been a very half-hearted effort…), came back to australia over the uk summer to do some more karting, then began boarding in september 2016 as a year 10 student. he spent ~4 years there and eventually received his a-levels in 2020, except his final year was disrupted by covid and he never sat his exams. (blog post mentioning his a-levels + btg transcript excerpt about his exams; his website says he attended haileybury from 2016-19, but i think this mainly encapsulates his boarding period, as he was still doing remote work in april 2020.)
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oscar in f4 with his gcse revision guide, 📸 sebastiaan rozendaal (may 20, 2018)
2016 is also when oscar began his well-documented super-liking of several of lando's social media profiles. i think understanding oscar's time in rfm and his extremely british single-seater origins helps better paint his history with lando and maxf; my personal understanding of pre-mclaren landoscar is that while oscar never formally met lando or maxf during his karting days, he knew of them quite well through rfm and thus followed them on instagram/twitter after moving to the uk. of course, oscar has a fairly active social media presence in general, so young oscar quietly liked instagram posts and tweets from many different people, but i do feel compelled to note that in the early days he liked lando, maxf, and logan's posts with seriously impressive frequency compared to anyone else on the grid (or anyone in general, really); after creating his twitter account in may 2016, some of the very first tweets oscar liked were from maxf, and he also liked a multitude of mundane lando tweets from 2016 until… today, while on the other hand he didn't start liking george's tweets—another similarly-aged young british talent—until late 2017. (he does have some fun george-admiring moments though, but that can wait for another time!) outside of rfm, other people oscar was familiar with during his early racing years were british f4 teammate ayrton simmons, to-be series champion jamie caroline, and old australian karting friend christian pancione, who appears to still be one of his best mates (if not his best) as of today. fun fact is that christian raced for the carrera cup as a support event to the australian gp in 2023; here's oscar allegedly checking the quali live timing at lunch during his own media day. 
so, to conclude, oscar's early lando focus basically traces back to the motorsport path he took at the behest and guidance of his early rfm connections in the uk. the thing is that despite growing up in australia and vaguely admiring several aussie drivers in f1 as a child (read: mark webber and eventually daniel ricciardo), oscar has never had a specific driver he consistently mentions when pressed for his racing "idol," likely since his personality inherently resists idolatry and he instead views successful people more as actionable benchmarks or reference points for self-improvement rather than as unattainable paragons of accomplishment. as a kid forced to grow up almost entirely on his own, the majority of his racing aspirations were molded independently in the uk—he completed his karting career in the uk, boarded at haileybury for 4 years (fun fact: other drivers to attend include jehan, callum ilott, and clément novalak; callum was a few years above oscar and finished school in 2017, but the two would later become quite talkative over social media anyway), raced in british f4, became a brdc member, contested eurocup under a british license and therefore had the british flag raised and british national anthem played during his wins, stayed in the uk even at alpine since the factory is based in enstone, etc. oscar basically moved to the uk from australia without having really met anyone significant in the racing scene (other than jack doohan, or more importantly jack's father mick, but jack is younger and did an extra year of karting) and pretty much didn't have anyone specific to "look up to" at the time. oscar's first acknowledgement of lando's online existence was in december 2015, when he liked one of lando's instagram posts prior to moving to england, so it can be assumed that lando basically functioned as his most accessible reference point in the junior ladder as a 14 year old dipping his toes into the european racing scene for the first time. that is my highly subjective analysis of the situation!
select quotes re: oscar's inconsistent responses to his motorsport "hero" (or his favorite driver / a driver he looks up to in general):
(f1fs; mar 9, 2022) "i started watching f1 in… 2009 was the first season i properly watched. so when brawn came in, obviously mark was the only aussie on the grid at that point, so i was kind of naturally going for him. then joined by daniel, so obviously going to support the aussies, but i think watching lewis has been nothing short of spectacular, and a very good role model. [...] i think when i was first watching, i supported mark, but, you know, and i hope he takes no offense to this—vettel was winning everything at that point. so i was supporting mark, but vettel was doing most of the winning. i think now that i understand more about racing though, i would say [the driver i look up to the most is] lewis, mainly. the way he goes about things on and off the track is quite exceptional."
(mcl youtube; mar 29, 2023) sporting idols mentioned: ayrton senna, alain prost, michael jordan (see also ultimate athletes list)
(p1; aug 10, 2023) "i would say i never had like one specific idol. when i was growing up watching mark webber was at red bull, and obviously being australian, red bull being very quick at the time, i kind of naturally followed him. i mean—even like some of the guys in the junior ranks above me. like lando was always kind of two, three years above me, winning… most things on his way up. so i guess kind of him in some ways?"
(eff won; dec 4, 2023) "i don’t really have like one specific [idol]. i think what lewis has been able to do in terms of getting to seven world championships was incredibly impressive. i think what max is doing now is also very impressive…" 
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the first lando post oscar liked on instagram (dec 21, 2015)
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the first maxf posts oscar liked; instagram (feb 26, 2016) & twitter (may 9, 2016)
anyway, back to british f4! despite his initially unconventional foray into motorsport, oscar's journey progressed in a much more orderly fashion once he stepped up to single-seaters. his actual debut was in f4 uae, which he ran 3 rounds of between 2016 and 2017 (another fun fact: this is where he briefly acquainted himself with mclaren indycar driver david malukas, who would later recall him being very intelligent and whom zak brown allegedly spoke to oscar about before appointing to their indy team). after cutting his teeth on actual car-racing for the first time, oscar decided against moving up to the ok class as he felt confident in his ability to be competitive in single-seaters. his first full season was therefore the 2017 british f4 championship, during which oscar signed with arden while logan went to reigning champions carlin (lando had won with them in 2015, then maxf in 2016). oscar made his way to the top step 6 times in the season and placed just barely above logan for 2nd in the championship, finishing behind the considerably more experienced jamie caroline. arden was also founded and is currently owned by red bull team principal christian horner, so it was during oscar's time there that christian took note of and interest in his talent; oscar reportedly did a few runs in the red bull simulator but was passed over for joining the academy, which christian later voiced regret on. (source)
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maxf, logan (center), and oscar (to max's right) on a day maxf was visiting the 2017 british f4 grid (april 11, 2017)
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linus lundqvist, oscar, and logan on the podium at snetterton (jul 30, 2017)
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jamie and oscar, who were… er, mathematically in the main championship fight. for some reason they made them take these photos (sep 30, 2017)
after a successful f4 outing with arden, oscar returned to the team for his first season of formula renault eurocup in 2018, a renault series that ran in its specific configuration until 2020 before merging with the parallel regional series frec to become what is today known as freca. this season proved to be less competitive for oscar, as arden was relatively inexperienced in this series and oscar's three teammates were afflicted with what can colloquially be referred to as a "skill issue," making it difficult to collectively develop the car throughout the season. (blog interview) the series was thus returning driver maxf's to lose, who at the time was racing for reigning champs r-ace with teammates that included oscar's fellow rookies logan and victor martins.
despite the unideal environment, oscar managed to prove his worth by placing a respectable 8th in the series, scoring 110 points as a rookie driver and capping the season off with 3 podiums and a top-finish of 2nd place—a jarring contrast to his teammates' joint total of 12 points. this result attracted the attention of r-ace and granted him a seat with them for the 2019 season, at which point maxf and logan both graduated to f3. thankfully that wasn't too much of a concern for oscar since he'd always intended to do two seasons of eurocup, and now he finally had a chance to win the first serious championship of his racing career with an established racing outfit.
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oscar, max, and yifei ye on the hockenheim r2 podium (sep 23, 2018) [full gifset]
oscar's second season of eurocup is when he truly started proving himself as a driver, or at least to the people whose names, money, and opinions mattered around the paddock. his main competition in 2019 was again victor, who was now racing for mp and had been made a member of the renault sport academy back in 2018 after a strong performance in french f4. despite a close title fight, oscar managed to hold him off for the championship in the final race of the season, kicking off what would soon become an impressive string of consecutive single-seater series titles. even sweeter was the fact that all eurocup champions were awarded a renault sport academy spot that could be left or taken as they pleased, and of course—while the finances weren't nearly as impressive as alpine would later proclaim in their baseless smear campaign—oscar's connections in the racing world were limited as an australian driver almost exclusively managed by his father, so he gladly accepted the offer for the many venues of support renault presented to him.
see also: bby oscar briefly mentioning lando after winning eurocup in 2019 (@ 1:10)
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oscar being lifted by his team (r-ace) after placing 4th in the abu dhabi finale and winning the title by 7.5 points
3. renault sport academy, lockdown, f3 (2020)
many things happened in 2020. one: oscar became an official member of the renault sport academy, joining the likes of max (who'd been picked up on merit after winning british f4 in 2017), guanyu, christian lundgaard, caio collett, and fellow new recruit hadrien david (victor had been strategically demoted after oscar's win because renault is a notoriously unserious organization, but again this is not the post). two: by the time oscar was ready for f3, moving up the ladder proved to be exorbitantly expensive, and he realized he needed better funds and managerial support to sort his career out. he'd been offered a spot in prema's f3 team by team-owner rené rosin at the end of his eurocup season, who'd named him for the post-season test before the championship was over and stressed that the spot was his no matter where he finished. (source) prema is unquestionably one of the top—if not frequently the top—teams one can drive for in most junior series (though there is also somewhat of a self-selection bias; if you ask oscar he is not a significant beneficiary of prematax!), having absolutely demolished the f3 competition that same year and achieved a clean sweep of the drivers' standings with rob shwartzman, marcus armstrong, and jehan at 1-2-3 consecutively. oscar completed post-season testing with them in spain alongside to-be teammates logan and fred vesti in october (source), before confirming on jan 26, 2020 that he would be joining them for the f3 season as a renault junior.
so, where does mark webber come in here? apparently mark's trainer from red bull and wec had also been oscar's trainer since 2016 (i'm pretty sure this is australian physiologist simon sostaric), and it was through their joint connection that oscar was introduced to mark. according to mclaren's 2023 season preview, "the pair hit it off, and webber took his countryman under his wing," signing oscar to jam sports management, aka the management agency he runs with his wife ann. mark's support would become a major factor in helping oscar progress through the feeder ranks and establish himself in f1, mainly because he had actual connections and could help oscar network with sponsors and negotiate his way during future signings. of course, more on this later.
as an aside, here are a few things mark has said about oscar:
"he’s got that white line fever when he puts his helmet on and turns into a different character, which is sensational." (mar 1, 2020)
"one of oscar’s biggest strengths by a mile, compared to everyone he is competing against — and this will be a huge string to his bow when he makes it to f1 — is his composure. he has immense levels of composure. [...] if you are weak mentally you won’t make it. he was on his own from an early age. he did brilliantly with his studies. but the racing disease would not go away, he wants it very much." (sydney morning herald; dec 11, 2021)
"he’s a prost, mate. he’s such a thinker and so calm. at first i thought i needed to inject a bit of urgency in him, but actually no, he’s got his own frequency. that’s just where he is." (the race; oct 7, 2023)
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estimates provided by chris piastri on the cost of oscar's junior career, stressing the million-dollar commitments of running a single season of f3 or f2 (source)
anyway, back to the chaotic events of 2020. i think something that's good to keep in mind when discussing oscar's time in the renault sport academy is that he was actually a relatively new recruit, as in he only participated in a single training camp with the other juniors in 2020 and most of them (max, christian, guanyu, the temporary ghost of victor) already knew each other before. oscar essentially met with renault's factory team in early 2020, filmed promotional material with other juniors in january before attending the season opener together in february and then heading to winter training camp later that month, after which he and max left early for f3 pre-season testing in bahrain on march 1—a blessing in disguise, seeing as caio, hadrien, and christian remained behind and would soon be stuck quaranting in a hotel in tenerife—then briefly spent a week at school before returning home for what was meant to be a quick pit stop at the australian gp, which at the time had yet to be canceled.
then, of course, lockdown happened.
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simplified breakdown of renault junior stints, notably showcasing the academy's struggles to meaningfully promote any of its juniors
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oscar at the 2020 renault season opener alongside then-academy director mia sharizman, then-tp cyril abiteboul, alain prost, f1 drivers esteban ocon and daniel ricciardo, and the other academy juniors: fewtrell, lundgaard, zhou, david (feb 12, 2020)
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oscar and maxf behind the scenes of the same event (feb 12, 2020)
stuck in australia for three months, oscar would end up participating in two fia virtual races, one for f2 and another for f1 (jun 7, 2020). a fun landoscar tidbit is that he finished 5th in the virtual gp right behind lando, so they technically had raced each other before 2023, depending on... well, whether you count a 2020 sim race wherein george russell and alex albon lead the pack as a real race. nevertheless, this was a time when drivers were becoming much more active online, seeing as streaming was the best way to keep their images relevant and connect with fans, and despite oscar expressing little interest in streaming on twitch he would still experience a considerable uptick in his online activity and twitter reach that year.
racing resumed on july 4 at the red bull ring in austria; oscar had been granted an exemption to travel to the uk and complete a 2-week quarantine back on may 27, a reassuring indicator to the motorsport world that the f3 season would run after all. now that he no longer had to attend school, having received 2 b's and 1 c for his maths, physics, and computer science a-levels, oscar relocated from hertford to oxford in june to be near the renault facilities, which he visited nearly every day to train at, and began living independently (as in in a flat) for the first time since 2016, rooming with fellow renault junior caio collet.
as i said before, this season is when oscar's online presence and "memeability" began to really conceptualize, enabled primarily by the fact that he was a) finally living outside of a school dormitory, and b) now, of course, signed at prema, a team notorious for its social media visibility, literal family atmosphere, and frequent youtube pandering. according to this f3 article, his twitter followers jumped from 795 at the start of the season to 11.6k by the time he won the championship, an audience built significantly off the self-deprecating string of jokes he used to tweet regarding drs and general reliability issues faced throughout the season.
what i guess i want to touch on here is how oscar's online presence has always been concentrated around the bare fundamentals of his personality: dry humor, candid words, sparing emojis, a few humorous photos detailing the mundane reality of his everyday routines, and at most the occasional inopportune meme or reaction gif (#thepiastri 🤷‍♂️, f2 in baku, jetpack guy, so on). he's bantered frequently with callum on twitter and near-obsessively liked memes, videos, and other updates lando shares with his audience, but he also has seemingly little interest in building up his own "brand" the way lando so smartly has with ln4 and quadrant, and quite frankly seems viscerally incapable of wanting to engage one-to-one with fans or otherwise leveraging the popularity of his material image. basically what i like to say is that oscar enjoys being adjacent to "lad humor" and will happily enable it, but he really has no interest in being the one to initiate it himself!
"there's some things you want to share, some things you don’t. in today's age and sort of having the profile that us drivers do, we kind of just have everything shared,” piastri said. “but (social media) can be used for good, certainly within the profiles that we have. but in some ways, it can be negative, and there's always going to be people out there that don't like you for being you.” piastri tries to write as many of his posts as possible, and he checks those written by his team to be sure they sound authentically him. (the athletic; jun 29, 2023)
along these lines, oscar does enjoy the spotlight, only he seems to prefer it concentrated in a specific lens toward a specific productive end. he's endlessly capable of seeing the objective upside of a situation, joking after he was made a meme in baku following his f2 sr1 collision that he was all for it if it got him popularity. after his eurocup championship he also said: "i think everyone loves a bit of spotlight on them. i think that's just human nature, so a bit of attention's always nice." which is interesting to me!
but back to racing. this season would unexpectedly become two things: maxf's last competitive season in motorsport—especially disappointing considering that he'd gone into the championship expecting to put on a second-season title charge, instead failing to gel with the hitech team to the point that each increasingly poor weekend made him spiral mentally—as well as oscar and logan's last season racing against each other before f1, since logan would later encounter financial difficulties that left him stranded in f3 as oscar catapulted himself to f2 victory. 2020 was obviously a weird season in general because of covid and the gap from pre-season testing, so it also meant that oscar had gone into the season fairly rusty; he managed to win the first race of the season, but on top of his drs rollercoaster he did struggle with middling results in qualifying and was met step-by-step throughout the championship by logan.
maxf's last race in f3 was the barcelona sprint race on august 16, with three rounds left to the end of the season. he dnfed in an unfortunate first-lap incident mere moments after oscar charged his way up from 5th on the grid to the front of the pack, where he would eventually breeze his way to victory and pull himself near-level with logan for the championship lead. i recognize that this is an oscar post and not a maxf post, but i think their time in f3 during an extremely isolated and covid-affected period speaks to both an interesting dynamic between them (the little kid who always lagged a series behind you suddenly beating you on merit) and their respective temperaments toward racing. while at renault, max reportedly lived with jack aitken during the week but would return to his family home on weekends, so it makes sense that he struggled to adapt when covid hit and drivers were collectively forced into very regimented sporting bubbles. mark webber, who worked for channel 4 as a commentator and had access to the f1 paddock, basically couldn't see oscar in person and instead spoke to him over the phone every day on race weekends. maxf said of his decision to quit:
"normally [...] i’m able to stay calm under pressure and i don’t let many things get to me but when you have a bad qualifying result and you see guys up there that you know you’re capable of beating, it definitely takes a dig at you inside and it’s been a lot to process throughout the year." (source)
while then-academy director mia sharizman, who worked closely with the renault juniors, spoke of oscar's inherent propensity for independence and how he adapted well to the pressures of living on his own:
"if you look at oscar piastri, he has been living on his own, [away] from his family who are in melbourne for the past five to six years. because he has been living on his own in boarding school, he learns how to live on his own, and he thrives in that. we have to force him... 'have you spoken to your father?!' it's just things like that, but he thrives in that. that's why he thrived in those weekends racing. he loves being on his own without anybody. on the other hand, we had max fewtrell, for example, who can't – he couldn't survive the 11 weekends racing, because he always needed his family to be around him. so those are the things that suddenly you see and, i think that that we see now, after a few years a driver who is quick, a driver who has the talent, and then the driver who is stable." (source)
2020 is also when lando and oscar spoke to each other on twitter for the first time. yay! after lando went semi-viral for having a meltdown over a hornet on three separate social media platforms, oscar first joked with him about it on august 24 (this was incidentally also the day maxf announced his functional retirement, which oscar liked as well 😭), before referencing the incident again a few weeks later in september.
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(aug 24, 2020) / (sep 10, 2020)
outside of drs tweets and trying desperately to banter with lando norris, oscar's popular tweets at the time included several food-related mishaps and home appliance tragedies. while this isn't actually a lando moment, he was also slandered by the LN4 twitter account a month later on october 17 for reasons that remain a mystery, resulting in this set of interactions:
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(oct 17, 2020) / (oct 19, 2020)
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bonus: maxf's tweets @ oscar (when you aren't close enough to just text him.......)
but back to f3. similarly to his second season of eurocup, oscar would go on to clinch the title in only the final race of the year, this time even more stressfully—he never got pole that season and won arguably off of consistency, benefiting from errors and unfortunate collisions involving his primary competitors. after a hectic qualifying and string of contentious grid penalties set for the before-last round in monza, he began the feature race 15th on the grid but put on an impressive performance to finish on the podium, buffing his points lead after logan was tapped by clément and put out of the points. he, logan, and fred all dnfed in race 2 (read: the novalak pendulum swung away from oscar's favor to maintain stringent cosmic equilibrium, while logan and fred threw away a points opportunity with a teammate4teammate love tap), and oscar went into mugello with only an 8-point lead over logan and a 24-point lead over pourchaire. this weekend proved equally hectic, as is frequently the case with f3 racing standards, but in short oscar and logan entered the final sprint race level on points, with théo approaching terrifyingly near in their rearview mirrors. logan was unceremoniously taken out of contention on the first lap after contact with zendeli, and oscar managed to squeak his way to 164 points in the championship by placing 7th in the race; théo finished 3rd, with 161 points, two positions away from claiming both the race and the championship title.
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a succinct summary of an eventful season! (posted jun 30, 2021)
despite winning the f3 championship in far-from-dominant fashion, oscar's career was now steadily on an upward trend. on october 30 he was rewarded with a private test in the r.s.18 at bahrain alongside christian and guanyu, and a month later confirmed that he would be racing for prema again in f2 (december 1, 2020). as a rookie f3 champion there was a moderate amount of interest in him, but no one really expected him to carry home the f2 title on his first try and so one of the main favorites going into the next season was his second-year teammate and 2019 f3 champion rob shwartzman.
4. f2, alpine reserve duties, #piastrigate (2021-2022)
at the start of 2021, fernando officially took daniel's place at renault and the team rebranded itself as alpine, parting ways with team principal cyril abiteboul and functionally replacing him with new ceo laurent rossi—part of a no-tp management structure, frankly a self-evident infrastructural faux-pas from a million miles away. the renault sport academy was then also renamed to alpine academy; again i know that this is an oscar post so i won't get too into the details of Alpine Being Alpine, but understanding how the academy functioned does help better contextualize the inevitable unfurling of piastrigate.
the main issue, really, would always be laurent rossi, or at least the values laurent rossi had been hired to represent and which he willingly peddled during his controversial tenure at alpine. after rossi's appointment it was reported that "the renamed alpine academy was now being tugged in two directions between director mia sharizman's ideal as a creator of future f1 drivers and alpine's chief executive officer laurent rossi's commercially-led preferences." (source) mia directed the academy from january 2016 until may 2022, and had been the one to restructure its recruitment process by demanding better funding and robust testing programs to cyril:
"when we first restarted the team in 2016, it was, we didn't even have a two-year-old car program at that time. we had to use a 2012 program using the [lotus] e20. [...] then in 2018, i went through it, and i said to cyril abiteboul, "look, let's try and do this." we needed financial resources. i needed a head start with financial resources to kick start the program whereby you entice drivers, and you offer [a place] to the academy drivers. it was more to see how they are... it was more of an evaluation process... that was what the first idea was. then we developed the program to develop the drivers to suit their formual 2 program." (source)
(note: mia also believed that 2020 was a disappointing year for all of his juniors save for oscar's performance in f3, which is a whole other thing. but rossi's greatest shortcoming was that he had singular, insulated vision, and he resisted any external input to the detriment of reactionary business decisions, a fact that alienated alain prost and soon led to his exit from the outfit in 2022. not a good look!!! prost would later call rossi "the best example of the dunning-kruger effect, that of an incapable leader who thinks himself able to overcome his incompetence with his arrogance and lack of humanity toward his troops." 🤌)
so basically, the cracks of mind-boggling incompetence within the team's leadership structure were long evident. on a brighter note, oscar's 2021 f2 season would quickly become his strongest single-seater contest ever (f1 youtube has a good summarizing video of his season, if interested); because of covid, f2 was experimenting with a three-race format this year in which quali set the reverse grid for sr1 and sr1 results then set the reverse grid for sr2, which essentially meant high qualifiers were rewarded for simply maintaining composure in the first sprint and running cleanly in the top 10 in order to secure a favorable grid spot in sr2. oscar adapted well to this format, building off his reputation of smooth, consistent driving on top of slowly improving his qualifying results over the course of the season, finally breaking through with his first feature-race win in monza. 
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oscar with mia sharizman
this is also around the time when lando mentioned oscar in official f1 media for the first time, reading off a question about him to daniel in an interview posted in october:
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"this one's not even about formula one. it's about oscar piastri. oscar pias-tree! [...] he's been on it this year." — (full video) (oct 1, 2021)
of his own f2 campaign, oscar said:
"i thought that i could challenge for race wins, but i probably wasn't expecting to be so consistently at the front. consistency is something that i’ve had as a trait throughout my career, and i was expecting to be consistent in my results this year — but maybe a bit lower down!" (source)
not only did he end up being consistently at the front, he became virtually unstoppable in the second half of the season. on december 11, oscar clinched the title in abu dhabi with two races to spare, ending the season with 5 consecutive poles and 4 consecutive feature wins, 60.5 points above his previously-favored teammate in the standings. #notbadforashitqualifier!
by now oscar was a hot commodity in the paddock; the only problem was that alpine didn't really care, mainly because rossi had enthusiastically re-signed ocon to a three-year deal in 2021 and held zero intention of actually promoting any of its juniors to one of the race seats, plus the one open spot at alfa romeo had instead gone to guanyu and his considerable financial package (though oscar has always been vocally defensive of guanyu's appointment to his detractors). instead of moving to another series, such as indycar or super formula, oscar recognized that he'd proven everything he needed to prove within the feeder system and opted to remain on the grid as alpine's reserve driver, mainly so that he could embed himself in an f1 team environment and—most crucially—avoid being left "out of sight, out of mind," because once you go to america you usually don't come back.
i'll keep the rest of this post brief since i feel like everyone already knows What Went Down, but a quick highlight for fellow landoscar enjoyers was the 2022 australian gp on april 10, during which oscar accompanied rosanna tennant for the post-race show and awkwardly participated in a chaotic lando & alex interview. as far as i know, this was landoscar's first time interacting on-camera!
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o: "i haven't raced either of them, no." l: "not yet!" o: "not yet. hopefully soon." — (full video) (apr 10, 2022)
then silly season started, and everything was thrown into disarray when sebastian vettel announced his imminent retirement and fernando subsequently took his place at aston martin; alpine scrambled to recover from this blindsided move and prematurely promoted oscar to an f1 seat, to which oscar eventually posted The Tweet—claiming he'd never signed a contract with alpine and would not be racing for them in 2023, thus kicking off #piastrigate. or the piasco, or whatever you prefer to call it.
here's a good article that properly summarizes the crb ruling, but tl;dr: mclaren and alpine had come to an agreement back in march to loan oscar to mclaren's stable of reserve drivers after daniel contracted covid; mark webber, who was close to andreas seidl from their time at porsche in wec, quietly negotiated a contract with mclaren for 2023 that oscar would then sign on july 4, which was reportedly initially a reserve deal with an upgrade clause to a full-time drive given a dr buyout; alpine's legal team turned out to be essentially one overworked legal director who mishandled the situation thanks to a lack of organizational support, while a concrete williams deal never actually existed no matter what people continuously allege, and any proprietary right to oscar's services that alpine purported to have for the 2023 season would soon be voided by crb rule on september 2. in other words, they dun goofed.
because tumblr dies when i try to include it in this post, here's a link to a condensed chronological timeline version of this post.
that's it for now. i'm sure you know how the rest goes!!!
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writeblrcafe · 2 years ago
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A Comprehensive Guide for Writing Advice
Sometimes, despite enjoying writing so much, something is not working for you. Maybe your well of ideas has run dry. Or your WIP has hit a corner and you can't find your way out to the end of the story. Or you need to go back to your finished draft and see if there are any kinks to clear up.
Fortunately, everyone at Writeblrcafé has experienced such, and to help you out, we have a bunch of links to helpful posts by fellow writers to help you along on your writing journey as well as some helpful links to other websites, resources and software.
General:
WHY IS WRITING IS SO FUCKING HARD? (@writers-hq)
Writer Block First Aid Kit (@isabellestone)
Websites for writers (masterpost @2soulscollide)
Writing advice (masterpost @theliteraryarchitect)
Writing resources (masterpost @stinastar)
One look thesaurus (a reverse dictionary where you can enter words or concepts)
Coming Up with Ideas:
97 Character Motivations (@theplottery)
Character Flaws (@fantasyfillsmysoul)
Character Profile (@mistblossomdesigns)
Characters Unflawed (@emptymanuscript)
Why Theme is More Important than Plot (@theplottery)
Weekly writing prompts on Reedsy
Drafting:
3 of the worst story beginnings (and how to fix them) (@theplottery)
Cheat Sheet for Writing Emotion (@myhoniahaka)
Creative Writing for Writers (@writerscreed)
Describing Physical Things (@wordsnstuff)
How to Craft a Natural Plot (@theplottery)
How to Write a Story? (masterpost @creativepromptsforwriting)
How to write: ethnicity & skin colour (@youneedsomeprompts)
What the F is Show Not Tell (@theplottery)
Writing advice from my uni teachers (@thewritingumbrellas)
First Draft: story outlining template meant to help with planning your next big writing project (@fauxriot)
The wonder/ discovery arc (@evelynmlewis)
How to structure a chapter (@theplottery)
How to pace your storytelling (@charlesoberonn)
How to write and research mental illness (@hayatheauthor)
Seven Blogs You Need To Read As An Author (@hayatheauthor)
Editing/Revising:
Eight steps in making the editing process of your book easier (@joaneunknown)
Kill Your Darlings (@tibodine)
Self editing tips (first pass) (@projecttreehouse)
Publishing:
Chill Subs: biggest database for literary magazines and small presses; track your submissions and get your writing published!
5 steps to get your novel ready to self-publish (by @nanowrimo)
Resources for finishing and publishing your novel (masterpost by @nanowrimo)
For self-publishing: this page gives you the exact pixel count of a book spine based on its page count, and/or a template you can use for the correct width/height ratio.
Software:
Scrivener: one time payment of $60 or 70€ (macOS/windows), $24 (iOS; no Euro listed for iOS); used by professionals, many tools to write and organize your novel
Bibisco: free and "pay what you want" version; multilingual, world building, character profiles, writing goals, story timeline, mind maps, notes and more templates to write a novel.
Manuskript: free open source-tool; outliner, novel assistant, distraction-free mode
Ghostwriter: a free and open alternative which has a decent interface with some interesting features, like Hemingway Mode, which disables one's backspace and delete keys, emulating a typewriter.
NaNoWriMo: an international contest to encourage writers to finish writing their novel with many events, groups for exchange with fellow writers, helpful writing advice and help for self-publishing and publishing traditionally.
Campfire Writing: website, desktop app, and mobile app, with tools built in to help manage characters, magic systems, research, etc. It has a great free option, plus monthly, annual, and lifetime purchase options. It also has built-in NaNoWriMo compatibility and a catalogue of tutorials and writing advice videos (suggestion by @harfblarf)
Websites And Writing Apps Every Author Needs In 2023 (@hayatheauthor)
Let us know in the comments if there are any links we could add to it! Reblog this post to help a fellow writer.
Support our work by buying a cup of coffee on KoFi.
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literaryvein-reblogs · 2 months ago
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Writing an oc that's a streamer?
Writing Notes: Streamer Characters
Live Streamer
Also livestreamer or online streamer
Someone who makes videos that show them playing computer games, talking about products, or doing other activities, and streams them (i.e., puts them on the internet) at the same time as they are being made.
An individual who broadcasts real-time video content over the internet, engaging with an audience through online platforms.
Transmits live or on-demand audio or video content while users listen or watch.
Livestreams are deployed over various platforms, including social media platforms like YouTube Live, Facebook Live, Twitter, Instagram Live, and TikTok, as well as through professional business services, such as Kaltura and Dacast.
Unlike pre-recorded videos, live streams occur in the moment, allowing viewers to interact with the streamer through chat functions and other interactive features.
This immediacy creates a dynamic and engaging experience for both the streamer and the audience.
Live streamers cover a wide range of content:
playing video games,
hosting talk shows,
conducting interviews,
cooking,
crafting, and
live vlogging daily activities.
The versatility of live streaming content means that streamers can find their niche and build a community around shared interests.
Successful live streamers often cultivate a loyal following by maintaining a consistent streaming schedule, engaging directly with their viewers, and creating a sense of community.
What your Character does as a Live Streamer
Content Creation: Live streamers plan, prepare, and execute engaging live broadcasts. They choose topics or activities that resonate with their audience, maintain a consistent streaming schedule, and ensure that their content is entertaining and relevant to their viewers.
Audience Interaction: Interacting with viewers in real-time is a key responsibility. Streamers engage through live chat, responding to comments, questions, and feedback during the stream. They foster a sense of community by acknowledging and involving their audience, using interactive features like polls, Q&A sessions, and shout-outs to enhance viewer engagement.
Technical Management: Managing technical aspects is crucial to a successful stream. This includes setting up and maintaining streaming equipment such as cameras, microphones, lighting, and streaming software. Streamers must ensure a stable internet connection, troubleshoot technical issues promptly, and optimize stream quality to deliver a seamless viewing experience.
Monetization: Monetizing their channels is an important aspect for many streamers. This can involve receiving viewer donations, earning subscriptions (e.g., Twitch subscriptions), securing sponsorships and partnerships with brands, and generating revenue through advertising. Streamers may also leverage merchandise sales, affiliate marketing, or exclusive content to diversify their income streams.
Community Building: Building and nurturing a community around their content is essential. Streamers cultivate a loyal following by creating a welcoming environment, engaging with viewers regularly, and participating in community events or collaborations. They may also moderate chat and ensure a positive and inclusive atmosphere during streams.
Continuous Improvement: Successful streamers constantly strive to improve their content and grow their audience. They analyze viewer analytics to understand audience preferences and trends, experiment with new content formats or streaming techniques, and stay updated with industry trends and platform changes to maintain relevance and competitiveness in the streaming space.
What Type of Live Streamer is your Character?
Live streamers can be categorized into various types based on the content they stream and the communities they engage with. Here are some common types:
Gaming Streamers: Gaming streamers focus on playing and broadcasting video games live to their audience. They may specialize in specific genres such as first-person shooters, role-playing games, or multiplayer online battle arenas (MOBAs). Gaming streamers entertain viewers with their gameplay skills, commentary, and interactions with their audience through live chat.
IRL (In Real Life) Streamers: IRL streamers share their real-life experiences and activities in real-time. They broadcast everyday activities such as traveling, exploring new places, attending events, or participating in challenges. IRL streamers often engage their audience by interacting with them while showcasing their daily routines or special events happening in their lives.
Talk Show and Podcast Streamers: Talk show and podcast streamers host live discussions, interviews, or debates on various topics of interest. They invite guests or panelists to join their streams, engaging with them and their audience through insightful conversations and debates. Talk show streamers may cover topics ranging from politics and current events to pop culture and entertainment.
Creative Streamers: Creative streamers focus on showcasing their artistic talents and skills live. They create art, music, crafts, or digital designs while interacting with their audience. Creative streamers often provide tutorials, share their creative process, and take viewer suggestions or requests for their next project.
Music Streamers: Music streamers perform live music sessions, DJ sets, or music production sessions for their audience. They may cover popular songs, perform original compositions, or engage in interactive music creation with their viewers. Music streamers often use platforms that allow them to receive song requests and interact with their audience in real-time.
Fitness and Sports Streamers: Fitness and sports streamers broadcast live workouts, training sessions, or sports events. They provide exercise routines, fitness tips, and motivation to their audience while demonstrating exercises or participating in sports activities. Fitness streamers may also engage in challenges or competitions with their viewers.
Educational Streamers: Educational streamers conduct live tutorials, lectures, or workshops on topics such as science, technology, languages, or academic subjects. They share knowledge, answer viewer questions in real-time, and provide interactive learning experiences through demonstrations or experiments.
Cooking Streamers: Cooking streamers broadcast live cooking sessions where they prepare recipes, share cooking tips, and engage with their audience while demonstrating culinary techniques. They may also take viewer suggestions for recipes or cooking challenges, creating a community around food and culinary arts.
What Would your Character's Workplace Look Like?
The workplace of a live streamer is typically centered around creating a conducive environment for broadcasting engaging and interactive content.
Unlike traditional office settings, live streamers often work from home or a dedicated studio space that they have set up for streaming purposes.
This space is vital for maintaining control over the streaming setup and creating a comfortable atmosphere conducive to content creation.
At home, live streamers often have a designated area or room where they set up their streaming equipment.
This might include a high-quality camera, microphone, lighting rigs, and a powerful computer or gaming console capable of handling streaming software and gameplay simultaneously.
The setup is tailored to their specific streaming needs, ensuring optimal audiovisual quality and reliability during broadcasts.
Beyond the physical setup, the digital workspace of a live streamer involves managing streaming software, interacting with viewers through chat functions, and monitoring analytics in real-time.
This requires multitasking skills to engage with the audience while focusing on gameplay, discussion topics, or other content being streamed.
Streamers also use this digital space to collaborate with moderators, manage community interactions, and coordinate special events or collaborations with other content creators.
Some Streaming Strategies your Character Could Use
Makes their livestream unique
Focuses on their livestream audience’s needs
Surprises their livestream audience
Promotes their livestream
Interacts with their viewers
Tells viewers what to do at the end of a livestream (e.g., see more content, attend an event)
Sources: 1 2 3 4 5 ⚜ More: Writing Notes & References
Hope this helps with your writing!
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rainbowsky · 4 months ago
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Hey RBS.. Wishing you a wonderful week ahead. Do you think Globalfever fansite is being managed directly by someone from GG/DD’s team. Many a times I wonder how that site able to get tickets to all of our boys events and capture such close up candid shots of GGDD unless she is part of their inner circle?
Example today - https://weibo.com/7320958826/OydEkDN0w
not sure if it’s original or edited.. from that video it looks like XZ acknowledged her words of Jiayou and bye bye
Hi Natashayishan, thanks! I hope you're well, and that you have a wonderful week too! 😊
Here's the video for those who don't have access to Weibo.
To answer this question I'm going to start by explaining a bit of background about fansites and how they function (I'm by no means an expert, but here's my understanding of how it all works).
Part 1 - Fansites in General
There has been a lot of talk about fansites over the years, and some have faced accusations, criticisms, confusion, suspicions, theories both positive and negative for a very long time. I think they're largely misunderstood by a lot of fans.
For example, it's not uncommon for people to believe fansites are stalkers, or that they shamelessly profit from the unauthorized use of a star's image or footage, or that they're organizations that exist for the purpose of exploiting stars.
This isn't really how it works at all. In general, a fansite is just one fan who follows a star's career and enjoys sharing photos and videos they take of that star. Plain and simple. Some fansites involve more than one person, but most are just made up of individuals.
Yes, they sometimes make money selling photo books and other merch, but that money tends to go back into supporting the star -buying endorsement products, arranging events and giveaways, buying or upgrading equipment needed to create fansite content (cameras, computer equipment, software), paying for tickets (many of which are overpriced reseller tickets) and travel/accommodations to attend events, etc.
It might seem glamorous - and there's undeniably a glamorous aspect to it - but to me it looks very stressful, like a huge headache. These fans generally have their own lives and careers outside of fandom, so coordinating everything, waiting in lines, standing in the rain outside appearances and events, not to mention the pressure to attend events and post regular updates, and all the haters and antis they are constantly dealing with, the amount of stress and frustration they deal with must be immense.
It's a lot of work, and for this reason, fansites don't always stay fansites. Some retire as their real life interests and obligations shift. One of my favorite GGDD fansites - Midnight Dream - retired a few years ago. 😢
Fansites are an important part of any celebrity's support system. While no - they aren't part of a celebrity's team or on their payroll, they do play a huge part in helping to bring attention to a star and build buzz around them, their projects, their appearances, events and other activities.
If you want an analogy that might help it make more sense to you, just look at some of the sports fans across the globe who will follow all the matches, follow team developments, team picks, managers and training, and share all that info on blogs, podcasts or dedicated sports fan sites.
This is very similar. They're just really dedicated fans who build a following by being where we can't be, and sharing their experiences so that we can feel like we were there, too.
And they provide the fans and the stars an immense, immeasurable service IMHO, despite what we might agree or disagree with about the way fandom culture works. The content they capture and share is almost always far more intimate (generally without being invasive), and of a far higher quality than that of the professionals hired to cover these events on behalf of media agencies and management.
Fansites do get some official support from time to time. For example, there are events where fansites can get approval - almost like a press pass or a security pass - to attend and be in certain locations within or near facilities to take photographs, video, etc., but they are not hired or compensated by the star or their team.
A lot of it is also largely unknown/unknowable, so it's hard to be sure of the details. There are always going to be rumors and claims. For example, there have been claims that during SDOC Yibo was allowed to invite 4 fansites to come to the finale, and of the 4, he chose 3 BXG fansites and only one solo site. I haven't seen proof of that, but the claim was making the rounds a lot at the time.
One thing we do know - he chose a fansite photo to give to Yangkai when he was courting him to join his team in season 4. (Of course, solos made a huge stink and Youku ended up editing the footage to remove the photo, but we saw what we saw).
There are other examples of GG and DD interacting with or showing acceptance of their BXG fansites. I started looking for some references and then realized it was not something I have time for or interest in. I'm not here to give a comprehensive analysis anyway, I'm just here to give a simple-ish answer to your question. If others want to discuss that in the notes, that's fine.
So, hopefully some of that background info will have answered parts of your question, and gives you more tools to evaluate things on your own moving forward.
Part 2 - Global Fever
As for Global Fever specifically, well... Global Fever is one of the most treasured BXG in the entire fandom. This dedicated fan has been following GG and DD BOTH, since they debuted. She is more than just a CP fan, she's been a supporter of their individual careers since day 1.
Yes, since back when Yibo was still the White Peony.
She became a CP fan in the natural way - by seeing her faves work together on The Untamed, by watching them interact and by following them and their careers. No, she doesn't work for their teams (they both have dedicated teams of their own, and they don't need to pay fansites who - after all - will do this stuff for free). It's just that she's recognizable to GG and DD because she's been a fixture in their lives for so many years.
And this is something solos need to get their heads around: BXG are fans too. I think there's this conceit among solos that THEY'RE GG and DD's fans and BXG are something else, but in reality (and, no doubt, in the eyes of GG and DD) BXG are their fans too.
Never could that be more apparent than when a dedicated fan like Global Fever jiejie is calling 'Zhanzhan, jiayou!' and 'byebye!' as he's boarding an elevator on the way to the stage. Of course GG recognized her and smiled at her. Of course.
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fuck-customers · 10 hours ago
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Last year I worked at a small student led handicraft store run by my university and it was originally supposed to be a temporary pop-up run by the lecturers who led the events management course. It was the best job I’d ever had - which isn’t saying much because every other job I’ve had has been horrendous and traumatising in ways I can’t even describe - so of course I was overjoyed when they told us they were extending our temporary contracts by a year and keeping the shop open indefinitely.
At that point things started going downhill. The uni stopped promoting the shop at all so our customer numbers dropped dramatically, and the uni’s PR department refused to let us utilise the shop’s social media page despite asking one of the employees to manage the social media and making her take on extra hours. They refused to make the necessary changes in order to make it the permanent storefront they envisioned - All our bookkeeping for every single purchase had to be written in a paper ledger and then copied and reformatted into a dozen different stock and accounting spreadsheets on a laptop, for every single individual item in each sale, before we could take payment, because they refused to pay for software that would automate it, so a single transaction could take anywhere between 5-20 minutes depending on what the person was buying. Many customers ended up getting frustrated and just walked off.
We started haemorrhaging stockists as the uni didn’t pay them fairly or on time, despite pestering from both stockists and floor staff. Even now, nearly 6 months after the whole thing shut down, some stockists still haven’t been paid. The uni took such a huge amount of commission from each sale (nearly 3 times the industry standard!) that the stockists making products couldn’t afford to pay themselves fairly without doubling or tripling the prices of their work, which fucked up their sales. Most people didn’t even earn enough to cover production costs for their work.
I was maybe the only person on the entire staff who actually had any significant retail and customer facing experience, having worked in the fast food and retail industries for ~4 years before I started at the shop, and it was abysmal. The events management faculty who were supposed to be running it had no customer facing experience and did nothing to help when problems came up - they treated it like a temporary event rather than a permanent shopfront and we had so little support and oversight it was awful. We had to take on full management responsibility despite it being well above our pay grade because they refused to hire an experienced manager or supervisor - while trying to man the store we would also have to do admin, liaise with clients and stockists, accounting, stock input, paying for essential supplies with our own money because the Uni refused to approve them, organising our own shifts and pay, making social media content, and arranging cover for if someone was ill or had an emergency. Instead of any reasonable support they sent us a horribly overworked postgrad intern who was working between 5-6 different departments and could only actually be in the store maybe one hour a month, had no idea what she was doing, and was so overworked that she eventually had a breakdown and quit.
This issue was compounded because they’d only ever let us put two employees on each shift - they refused to pay enough for staff numbers above that despite being so busy in the first few months that we couldn’t keep up, and told us that for safety reasons both employees had to be there to open the shop- so if somebody was late or didn’t show up the other person wouldn’t be able to work either. If one person was on a double shift and the second person’s replacement for second shift wasn’t on time, the person on the double wouldn’t be able to leave for a lunch break, and the person on the single would have to stay extra time. There were several employees that would spend the entire shift doing fuck all - one guy was at least two hours late every single shift, and bought his XBOX with him every time, and spent the entire time he was working with his feet propped up on the counter playing GTA. The university genuinely didn’t care about the shop or its success enough to even give him a disciplinary.
It was awful, especially because there were a small group of us who were both stockists and floor staff, and were genuinely invested in the shop’s success. But our contracts ran till the end of the academic year, and the pay was really decent compared to a lot of jobs in the area, and it was stable and above minimum wage, so we (the staff) really did try to make it work, but we were set up to fail. Eventually we were barely making a sale a day, and then it dropped to a sale a week.
When they closed the shop, right before the end of the semester when people’s rent would be due, they gave us 10 days’ notice - which went against our contract - and no redundancy pay. Most people had had shifts for the next 8-9 weeks already scheduled, which we never got to work. We never got our holiday pay or the Christmas bonus they’d promised us 9 months prior. It was such short notice that several people couldn’t find new jobs in time, couldn’t scrape enough together to pay their bills and rent on time, and they didn’t even have the decency to tell us we were losing our jobs in person - they sent out a single email to one of the girls who helped organise shifts, and she had to post it in the staff group chat.
And the sad thing? It was still the best, least stressful job I’ve ever had. It was the only job I’ve had that didnt actually make me want to die. I miss it like hell. It was the only job I’ve had that paid me above the legal minimum wage. I’m physically disabled, and it was the only job I’ve ever had that actually followed through on the reasonable adjustments and disability accommodations they’d promised me.
But the way it was run it wasn’t fair or sustainable , and it shouldn’t have ended the way it did.
Posted by admin Rodney
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dhirajmarketresearch · 2 months ago
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mariacallous · 5 months ago
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At the 2023 Defcon hacker conference in Las Vegas, prominent AI tech companies partnered with algorithmic integrity and transparency groups to sic thousands of attendees on generative AI platforms and find weaknesses in these critical systems. This “red-teaming” exercise, which also had support from the US government, took a step in opening these increasingly influential yet opaque systems to scrutiny. Now, the ethical AI and algorithmic assessment nonprofit Humane Intelligence is taking this model one step further. On Wednesday, the group announced a call for participation with the US National Institute of Standards and Technology, inviting any US resident to participate in the qualifying round of a nationwide red-teaming effort to evaluate AI office productivity software.
The qualifier will take place online and is open to both developers and anyone in the general public as part of NIST's AI challenges, known as Assessing Risks and Impacts of AI, or ARIA. Participants who pass through the qualifying round will take part in an in-person red-teaming event at the end of October at the Conference on Applied Machine Learning in Information Security (CAMLIS) in Virginia. The goal is to expand capabilities for conducting rigorous testing of the security, resilience, and ethics of generative AI technologies.
“The average person utilizing one of these models doesn’t really have the ability to determine whether or not the model is fit for purpose,” says Theo Skeadas, chief of staff at Humane Intelligence. “So we want to democratize the ability to conduct evaluations and make sure everyone using these models can assess for themselves whether or not the model is meeting their needs.”
The final event at CAMLIS will split the participants into a red team trying to attack the AI systems and a blue team working on defense. Participants will use the AI 600-1 profile, part of NIST's AI risk management framework, as a rubric for measuring whether the red team is able to produce outcomes that violate the systems' expected behavior.
“NIST's ARIA is drawing on structured user feedback to understand real-world applications of AI models,” says Humane Intelligence founder Rumman Chowdhury, who is also a contractor in NIST's Office of Emerging Technologies and a member of the US Department of Homeland Security AI safety and security board. “The ARIA team is mostly experts on sociotechnical test and evaluation, and [is] using that background as a way of evolving the field toward rigorous scientific evaluation of generative AI.”
Chowdhury and Skeadas say the NIST partnership is just one of a series of AI red team collaborations that Humane Intelligence will announce in the coming weeks with US government agencies, international governments, and NGOs. The effort aims to make it much more common for the companies and organizations that develop what are now black-box algorithms to offer transparency and accountability through mechanisms like “bias bounty challenges,” where individuals can be rewarded for finding problems and inequities in AI models.
“The community should be broader than programmers,” Skeadas says. “Policymakers, journalists, civil society, and nontechnical people should all be involved in the process of testing and evaluating of these systems. And we need to make sure that less represented groups like individuals who speak minority languages or are from nonmajority cultures and perspectives are able to participate in this process.”
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ms-demeanor · 7 days ago
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for college i frequently have to use "lockout" anti-cheat software like respondus lockdown that totally seizes control of my computer (which is bullshit, but i digress) and i've adopted the three word password method to deal with it with the relevant accounts i have to use with that type of software. i struggle with adhd so this has been the most efficient method for me because i can remember "blast fish motorcycle" with some numbers or characters tossed in versus a long 20+ jumbled string of characters i would NEED a post-it note or a password manager for.
one of my professors suggested the three word method WRT linux command line work with expediently logging in and managing a server while having a modicum of security that isn't just "name1234", with the idea that if we're setting up a machine or can't access the internet while we're working, it's not an inaccessible disaster.
in the event of situations like this what's your recommendation? if this is an annoying ask i'm sorry btw, i'm trying not to throw a curveball at you.
There are good reasons sometimes to use a passphrase rather than a complex password and you've given a couple good examples, though I would say for the server example especially you shouldn't be doing "correct horse battery staple" or "blast fish motorcycle", you should be doing "fulminate igneous dodecahedron" (words that are not in any lists of those most commonly used in the English language) AND you should be having a randomizer select the words - aaaand even then I'm more likely to do something like the " Atss"twotpawotsw64 " lyric initialism example. I've got one of those for my password manager for work and it's really automatic to type now while still being long and complex.
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bittysfoodbaby · 4 months ago
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ok so on top of me being a diet film major at school i'm also on the executive staff of my school's college radio station and that combined with omgcp means it's headcanon time!
you're listening to 91.7 WSMU-FM. don't turn that dial!
lardo started doing radio to keep up the promise to do something technical to her parents after becoming an art major. she chose radio tech ops and programming because it was a chill and easy gig that didn't take too much time out of her day. she ended up being pretty decent at her job and later became known for her cable management skills.
jack first met lardo when he was dating camilla and eventually got involved with the station as a graveyard shift dj to hang out with camilla more as friends (#studentathletethings). lardo often took on the late-night shifts for tech ops, which is just making sure the station doesn't go down in the middle of the night, and noticed that Jack wouldn't use the automated software and do everything manually from spinning tracks to doing his talk breaks live. eventually they became friends over "the old days of radio" and jack referred lardo to becoming the smh team manager.
holster acted as a consultant to the promotions and PR team for one of his finals and observed a morning shift as part of the project. the "bro, we should start a podcast" part of his brain was promptly activated and convinced ransom to do a morning show with him. they mostly talk about college sports and get very heated over college hockey and how much cornell has fallen as a hockey team.
shitty grew up listening to wsmu and used radio as another way to be rebellious against his family. he appreciates the community service and outreach the station does and is ranked the best voice on the station. he hosts a show about local music in samwell and the greater boston area.
bitty joined the promo team after smh found out about his blog and convinced him to join radio after they all realized they did radio together. eventually he became the webmaster of the station's website because he was the only one other than shitty that knew how to use wordpress. his ego grew after he forced hosts to write blog posts during their shifts for the station website and be active on twitter.
chowder used to dj local events in high school and was a pretty decent dj and producer back in the day. when he found out the rest of the team was pretty much doing radio he convinced a radio show about live dj sets boiler room-style.
(side note: farmer finds out about chowder's secret life as a dj through a girl on the volleyball team who's friends with a wsmu sportscaster who knows holster.)
dex found himself working in tech ops after a freak accident involving the station's backup recording software went down. he ended up staying because it's the only non-hockey or non-school thing he had.
nursey was approached to be on the station's student spotlight show for his poetry and found out that the whole team was working on the station. he then romanticized the image of analog radio in his mind and what being a late-night DJ was like. he immediately switched to a mid-day jazz shift the next semester.
i swear i have more but i still have fics i need to write before posting more LMAO
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totheseok · 7 months ago
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uh oh?
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synopsis: what happens when the daughter of the CEO of a major film company and the son of the president of a successful food company move in next door?
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episode 2: cats holding banners
last episode ▪︎ next episode
word count: 924
(italic writing is yn's thoughts)
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Taboba had been y/n's absolute favourite boba shop in Seoul, she first discovered it while she was studying abroad. Upon returning home she found out there was ONE outlet in Seoul, which was conveniently just a 10 minute drive from her parents house. But, they were closing down and she was moving to a different part of Seoul, half an hour away from the shop.
Growing up as the daughter of a big-shot movie producer, she was privileged enough to live in one of the expensive neighbourhoods of Seoul, in a big house over-looking the Han river. And though it was true that she was to eventually take over the company her parents wanted her to pave her own way and make her own name in the industry. Granted her heritage would certainly give her a boost in popularity.
She decided one of the first steps to make her own way would be to move into her own space and live by herself. So with the help of friends and family she chose a penthouse apartment for herself in Gangam and bought it (cus wth is rent when ur rich). But thats all irrelevant right now because she's not moving there for another week. Right now what's important is that she just parked her car outside the new boba shop that opened near her new apartment.
Bobobble.
It's a cute name even she cant deny that. She hopes with every atom of her body that the boba is good too. It was also owned by SeoulFoods, a company that sponsored most of SilverWoods' shows and movies, and also catered for their events.
The issue isn't bad boba, the issue is being as good as or topping taboba boba.
Stepping inside, the cafe looked like any other, it was simple, with mood lighting, wooden floors and comfy looking leather seats. But there was one recurring theme. Cats. It wasn't a cat cafe, yet, cute pictures of cats doing stupid things were hung up on the walls, the bookshelf was shaped like a cat, the little plant pots on the table were cats that looked like they had leaves growing out of their heads. Overall, a-lot of cats.
Y/N made her way to the counter and luckily didn't have to wait too long considering it was 11 AM and everyone was either at work or at school, no long lines. She greeted the barista and placed her order, payed for her drink and then chose a table by the window. Good for working and people watching.
Y/n's first mistake today was forgetting her laptop charger at home, but she was already on the highway when she realised and couldn't turn back even if she wanted. Now the question was if her laptop was already charged or if she would open it and it would die in the middle of her editing a scene.
79%. Not bad, good enough to edit at least one scene. She started opening the softwares she needed to work and got started.
Soon enough her drink arrived, paired with a slice of cheesecake. Wait... Cheesecake? YN hadn't ordered any. Her original plan had been to have her drink and order a sandwich if she got hungry a while into working.
Maybe I should ask the server. Luckily for her he was walking by after serving another order.
"Um, excuse me?" She called out.
"Yes, ma'am"
"Uh, I only ordered a drink, i was served cheesecake as well are you sure it isn't someone else's?"
"Ah, yes, it's on the house, our manager said there's a newcomer gift for today, and since it's your first time visiting Bobobble, you qualify for it!"
"Ohh, I see, well um thank you so much!"
"No, problem ma'am, enjoy your meal!"
Newcomer gifts huh? Lets hope this boba is also good because so far I'm liking this place.
YN reached for her cup of bubble tea and immediately noticed logo. A cat holding a banner that said bobobble. Omg cute pls be good i want to come back here.
Bringing the straw to her lips, she took and sip and...
"Holy shit" She whispered to herself.
Looks like bobobble just gained a new and very loyal customer.
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In the break room, a barista sat with their phone in front of them, voice recording app open.
"Dear diary, today the owners son Taesan came to overlook the store. He's a chill guy around my age but he's generally pretty quiet. Anyways, around 11 AM a girl walked in with her laptop bag and stuff, she ordered her drink and sat down then started working on whatever it was that she was working on, she was pretty nice but thats not the point
"the issue here is that when i was going to serve her drink, Taesan told me to take some cheesecake for her and tell her it was on the house as a welcome gift for her first time here. I didnt know we were doing one of those so it was news to me but i didn't question it.
"HOWEVER, later another girl came in and i had never seen her before so as i was taking a slice of free cheesecake out for her Taesan stopped me and said he changed his mind? so no more free cheesecake for new people? idk man. my guess is that he thought the other girl was cute. ig we'll just have to wait and see, anyways my break is ending so ill finish this at night when im home"
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a/n: pls tell me yall got the chenle reference w the "whats rent when ur rich"
and special thank you to @taesancore for reading it for me before i posted to help me figure stuff out.
taglist (open): @seungzzzz @thvvcut @ywnzn @livelaughlovetaesan @lovelyannoyingcher @blurryriki @xyxlyn @lovandr @lcvehee @sobun1est @roxasrana @loyalsunwoo @luv-y0urself @rosesfortaro @nujeskz @ryunjin0 @milkmilkmalk
bold couldn't be tagged 😔
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triviallytrue · 7 months ago
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i am not really interested in game development but i am interested in modding (or more specifically cheat creation) as a specialized case of reverse-engineering and modifying software running on your machine
like okay for a lot of games the devs provide some sort of easy toolkit which lets even relatively nontechnical players write mods, and these are well-documented, and then games which don't have those often have a single-digit number of highly technical modders who figure out how to do injection and create some kind of api for the less technical modders to use, and that api is often pretty well documented, but the process of creating it absolutely isn't
it's even more interesting for cheat development because it's something hostile to the creators of the software, you are actively trying to break their shit and they are trying to stop you, and of course it's basically completely undocumented because cheat developers both don't want competitors and also don't want the game devs to patch their methods....
maybe some of why this is hard is because it's pretty different for different types of games. i think i'm starting to get a handle on how to do it for this one game - so i know there's a way to do packet sniffing on the game, where the game has a dedicated port and it sends tcp packets, and you can use the game's tick system and also a brute-force attack on its very rudimentary encryption to access the raw packets pretty easily.
through trial and error (i assume) people have figured out how to decode the packets and match them up to various ingame events, which is already used in a publicly available open source tool to do stuff like DPS calculation.
i think, without too much trouble, you could probably step this up and intercept/modify existing packets? like it looks like while damage is calculated on the server side, whether or not you hit an enemy is calculated on the client side and you could maybe modify it to always hit... idk.
apparently the free cheats out there (which i would not touch with a 100 foot pole, odds those have something in them that steals your login credentials is close to 100%) operate off a proxy server model, which i assume intercepts your packets, modifies them based on what cheats you tell it you have active, and then forwards them to the server.
but they also manage to give you an ingame GUI to create those cheats, which is clearly something i don't understand. the foss sniffer opens itself up in a new window instead of modifying the ingame GUI.
man i really want to like. shadow these guys and see their dev process for a day because i'm really curious. and also read their codebase. but alas
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