#What I did instead of working

[the-meme-monarch]

was thinking abt how anya sleeps by the polle statue. which is motion activated to start talking.

+ i like drawing polle as a Character

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[buttercupshands]

(Forgot to post again)

A birthday present for a friend :)

[reasonsforhope]

People ask me sometimes how I'm so confident that we can beat climate change.

There are a lot of reasons, but here's a major one: it would take a really, really long time for Earth to genuinely become uninhabitable for humans.

Humans have, throughout history, carved out a living for themselves in some of the most harsh, uninhabitable corners of the world. The Arctic Circle. The Sahara. The peaks of the Himalayas. The densest, most tropical regions of the Amazon Rainforest. The Australian Outback. etc. etc.

Frankly, if there had been a land bridge to Antarctica, I'm pretty sure we would have been living there for thousands of years, too. And in fact, there are humans living in Antarctica now, albeit not permanently.

And now, we're not even facing down apocalypse, anymore. Here's a 2022 quote from the author of The Uninhabitable Earth, David Wallace-Wells, a leader on climate change and the furthest thing from a climate optimist:

"The most terrifying predictions [have been] made improbable by decarbonization and the most hopeful ones practically foreclosed by tragic delay. The window of possible climate futures is narrowing, and as a result, we are getting a clearer sense of what’s to come: a new world, full of disruption but also billions of people, well past climate normal and yet mercifully short of true climate apocalypse. Over the last several months, I’ve had dozens of conversations — with climate scientists and economists and policymakers, advocates and activists and novelists and philosophers — about that new world and the ways we might conceptualize it. Perhaps the most capacious and galvanizing account is one I heard from Kate Marvel of NASA, a lead chapter author on the fifth National Climate Assessment: “The world will be what we make it.”" -David Wallace-Wells for the New York Times, October 26, 2022

If we can adapt to some of the harshest climates on the planet - if we could adapt to them thousands of years ago, without any hint of modern technology - then I have every faith that we can adjust to the world that is coming.

What matters now is how fast we can change, because there is a wide, wide gap between "climate apocalypse" and "no harm done." We've already passed no harm done; the climate disasters are here, and they've been here. People have died from climate disasters already, especially in the Global South, and that will keep happening.

But as long as we stay alive - as long as we keep each other alive - we will have centuries to fix the effects of climate change, as much as we possibly can.

And looking at how far we've come in the past two decades alone - in the past five years alone - I genuinely think it is inevitable that we will overcome climate change.

So, we're going to survive climate change, as a species.

What matters now is making sure that every possible individual human survives climate change as well.

What matters now is cutting emissions and reinventing the world as quickly as we possibly can.

What matters now is saving every life and livelihood and way of life that we possibly can.

[queenharumiura]

2024 Akira Amano 'The Characters' Exhibition bonus 'Selfie-style' cards.

[ID: Official art of multiple characters from the manga and anime Katekyo Hitman Reborn.

They're all drawn as if taking a selfie, most of them smiling and/or doing a peace sign or another playful gesture with their hand.

Reborn, Colonnello, Viper and Fon are in their cursed forms, with Viper pulling their hood down, trying to hide more of their face.

Gokudera waves at us, with "Vongola Famiglia" written on his palm and the Vongola's emblem drawn on it too. Lambo is in his Ten Years Later version, Tsuna's shown both in his normal state and in Hyper Dying Will mode, Basil is in Hyper Dying Will mode too and Chrome's wearing cat ears.

Squalo and Xanxus are scowling. /End ID]

ID courtesy of @hopeswriting.

[lucabyte]

So does anybody else ever think about how Loop felt the need to demonstrate that the party's deaths wouldn't have any effect on the loops. I know I do but that's besides the point. Anyway I don't think Loop actually needs to bathe, they just like to feel included.

[firstprinced]

casual, of course

[egophiliac]

I got a really tough question.

What’s your favorite Twst event of ALL TIME?

I like Harveston

this truly is the hardest question. :( but after much consideration, I think Endless Halloween Night wins out for me, because it's nonstop Characters Being Silly the whole way through. the whole thing is just lots of these little dorks having the most ridiculous interactions, which is always my favorite! and of course the big twist is SO delightfully stupid and doubles down SO hard that it becomes AMAZING and I 100% unironically adore it. AND it's Halloween! everyone is in their cute little costumes and having a spooky adventure! it's great!

however, I am ALSO a big fan of the Harveston event! how can I not be! everyone is wearing comfy winter outfits and getting along really weirdly well with Epel's grandma and he's getting a little worried about that! my terrible loud son sews a plush squirrel and then gives it a silly little nickname and refuses to leave it behind when it breaks! the ending shot with the sled! I LOVE IT.

obviously we need the best of both worlds now

[quirkle2]

scenes that make me wanna eat drywall dust

[tordoise-x3]

I love you so much birkin sorry i made you more horrific

[naffeclipse]

A sort of mad scientist AU where Y/N is, of course, a mad scientist. You suffer from chronic illness and you are desperate to make your experiments work but you struggle without help. You refuse to take on a human assistant out of a desire to not be treated as lesser--as if you can't conduct great, horrific experiments like the other crazed scientists. You stubbornly set yourself to work without any such succor in your tower and the days pass, wearing heavily on your soot marked hands and aching, waning body.

A solution appears right at your feet one evening while rummaging around for some material in the grimy streets (dead animals, toxic waste--the usual to carry out unethical tests) and discover two abandon animatronics in the back alley, left to rot and turn to rust. There's close to zilch hope for the two but you're not a mad scientist for no reason. You drag the endoskeletons home before prompting collapsing for a day or two after overextending yourself and paying the price.

Once you get your strength back (and cursing your weakness) you turn all your effort to cleaning and preparing the endoskeletons. The celestial model of the animatronics would be helpful in your work, no? One after the solar ball of gas which beams heat and light onto the world and the other after the gray rock which brightens the night and tugs on the tides. Sun and Moon. You solder wires and revamp the servos. You hold and handle the limbs and heads of the animatronics as if they were sleeping. Soon, they will wake.

There's just one problem. They need a spark. Not a bit of ember from fire or the first crack of electricity from a splitting fork of lightning. A spark of life. And you contain such material within yourself. It's dangerous to lord over life and play god, but you need them.

The night storms when you prepare the animatronics with their chassis open, lying down on tables. You are steady despite the buzz in your veins in the face of the most dangerous experiment you have conducted yet. With these two are your side, there will be many to come. You spill your blood, split away two pieces of your pulsing core, and set two tiny sparks of life from your beating heart into the animatronics. Your head spins with pain and hope. The hum of servos whirling to life touches your eardrums. A great rumble of thunder shakes the tower. Your vision is slowly swallowed by darkness as you start to collapse but before you fall, two glowing pairs of eyes open.

When you wake, you're in your bed, in the dark, and your chest is bandaged. You hardly have the strength to touch the blood-stains soaking into the gauze but a silver and blue hand stops you. Red eyes pierce you at your bedside, a dark personage holding your wrist. Standing on the other end of your bed is a tall figure with ghostly pale optics falling over you. Dread fills your marrow at what exactly you brought back from death. A raspy voice raises a question. Who are you?

The animatronics. They're alive. They want answers, and you are more than willing to supply them. You give a very detailed, breathy response about how this all came to be, and when you propose that they become your assistants in your endeavors, they silently share a glance and nod in unison.

Though you fear you got off to a rough start with them putting you into bed after making sure your heart was still beating, they prove to be everything you want—and more. They have no desire to return to whoever tossed them to the street and left them as scrap metal, and you finally have extra hands to hold together metal contraptions and nimble fingers to set the exact scalpel blade size you need in your hand when cutting into a carcass.

They do not infantilize you in your sickness, much to your aching relief. Sun, however, is poignant in reminding you that pushing yourself past your energy capability, such as walking into town and dragging back a metallic frame for a killing contraption, will result in you needing a day of recovery. Moon sharply remarks that willingly subjecting yourself to an overnight of experimenting with beating hearts and lightning strikes will most likely cause a pain flare, but they never stop you. They never decide for you. They see you—not the unending illness clawing at your edges and leaving its marks on your flesh.

Though you learn to manage yourself better—for science, of course. You request Sun's assistance for lifting heavy plates into place before you bolt and screw them down. He's all too cheerful to lend a hand. When it grows late, you allow Moon to lead you to bed before the fire in your muscles becomes a roaring inferno. He tells you softly that he's been recording the number of good and bad days you have, and that your flare-ups don't appear as often when you have a full night's rest. Your assistants are pleased—with the improvement in your experiments, of course.

It's rare, but sometimes you'll catch an odd sentence or two from Sun about where they were before, and how much nicer it is here. You give them much. You don't shout or throw things at them. He lays a hand over his chassis and smiles. Moon will look at you sometimes, and when you ask why he's staring, he says that you have never raised a hand to them. It's strange. He thought all mad scientists were the same. He's glad to be wrong.

You're glad they're with you too. Your science has never been madder and you don't lay through bad days alone anymore. You don't like talking about your chronic illness. The discussions you've had in the past with peers and professors revolved around how you're handling it and what it's doing to you today. Can you still do your work? It's not mad or experimental or new—it's just sad. Other people think you're sad and pitiful, and you would rather die trying to conduct a hazardous experiment than ever stop to tend to yourself.

Sun and Moon learn to take your mutters and curses in stride when another flare-up hits. They ask questions occasionally, wondering how long you've lived with this and if it would ever be cured but they seem to already suspect the answer. Sure, you've tried several times to manufacture an antidote to whatever poison sits in your veins, but such endeavors have only ended with you waking up, lying in your own vomit. They don't give you pity, not like the others have. No, Sun holds your hand between his large digits and asks if you've eaten anything yet. Moon touches your shoulder when you stare out of the circular window in your tower and asks if he can walk you to your bed.

They need you, and they know what great work you're doing here, crafting weapons of mass destruction, simmering glowing liquids, and putting together new creations—not like them, no. Nothing compares to your assistants.

[fishbloc]

Long overdue update for the Swaggon mod that I wanted to make but could never found the time or heart to. Please enjoy.

CHANGELOG: - fixed portrait to show scar instead of suki - fixed dialogue so scar actually says his dialogues now - removed additional festival dialogue bar one for each festival - added 20 new general dialogues to make up for removal

(mod link)

[dykedvonte]

You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.

-Shrimp Anon

The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.

Get ready cause this is a yap session:

Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.

I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.

The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.

This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.

Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...

These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.

I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.

Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.

It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.

I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.

It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.

There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.

End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.

[shrews-art]

A shot in the heart doesn't make it unbreak

(Commission info and printables shop link in pinned post!!)

[koipalm]

ok very quick sketch of what they look like 2 me

[somewhatsentientspellbook]

Look. Look look look.

I was saddened by Percy's death, obviously, but it didn't hit me overly hard because I was expecting it the entire time I was watching E7. Damn episode is literally called Cloak and Dagger and had all the telltale signs of an impending character death (looking at you, score-less scenes and death-flag dialogue)

But KASHAW? Fucking KASH? They killed HIM off? That was the scene that brought me to tears. What the FUCK do you MEAN the loveable asshole is DEAD? That he got SQUASHED like a BUG by Thordak and joined the Matron's side?

He and Zahra were supposed to have a lovely cameo each season where we got to see their relationship progressing alongside the others! They were meant to end the show happy and healthy, joking with Vex and Vax about how twins run in Zahra's family!

I kinda desperately want Kash to be given a resurrection. Let Vox Machina repay him for his help in bringing Vex back last season! Let Zahra and him build their family together! Let me know some peace!