#West Country magic
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assiraphales · 1 year ago
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fuck it. fantasy old western au where zoro is a bounty hunter chasing down outlaws & pisses off the wrong sheriff at a saloon (axe hand morgan). he’s sent to the stocks, hours from dying from heat exhaustion under the hot desert sun, when young upstart monkey d luffy (in search of a stockpile of hidden gold that infamous outlaw gol d roger hid in the mountains) enters the scene guns literally a blazing
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birdb1tch · 9 months ago
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i hate that man but porter would literally thrive in the baronies. a group of countries that are so often at war that its easier to gps a town name rather than a specific country because from one week to the next it could have literally been conquered and the land settlements are constantly changing
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yuga2000 · 6 months ago
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Applejack + Western Stimboard 🍎🌾🥃
CW Alcohol
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🍎🍏🍎 🍏🍎🍏 🍎🍏🍎
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livinxdead · 1 year ago
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West Virginia, Mountain Mama.
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lochness-tess · 1 year ago
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My favourite Wiltshire inspired watercolours by Sonia Hill, available to buy/view on her Facebook and Etsy. Wonderful! 🦋
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aliosne · 7 months ago
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My mother tells a lot of stories and admittedly my memory is undependable but every now and then she’ll start an anecdote like “as I’m sure you’re tired of me saying” as tho it’s going to be the most boring fact ever conceived and then drop “i met Tommy Douglas multiple times as a child”
#for those who aren’t Canadian or who were asleep during that social studies class#he was the guy who spearheaded our whole free healthcare Thing#after being on the ground for how brutal the 30s were for rural folks in the prairies#and apparently he was just a very kind man#he moved out west towards the end of his life and my grandparents were Politically Active so that’s how they crossed paths#Mum wouldve been just a little kid at the time#but apparently he would talk to her like he took her seriously#like this weird little kid living in poverty could have opinions and ideas that mattered#some people are capital-P Politicians in the sense that they’re slimy all the way to the tips of their toes#and some people are capital-P Politicians in that they’re genuinely interested in the people of their city/province/country#and want to find ways to make those people’s lives better#and you know chaboy is a staunch leftist but I truly believe that transcends ideology#anyway idk. it was like my equivalent of someone dropping that they hung out with an Olympian or whatever#which tbf my mum also does#also i keep telling her: i love hearing stories over and over again#BECAUSE my memory is not great and also bc im adhd and I literally!! don’t mind having the same conversations#also there’s always some new angle to it#it was fascinating years ago to do an assignment where I interviewed her about my (and my siblings’) births#and compare my recollected Tale with one particular telling from her#some of that’s telephone. some of that’s that the way she tells the story when trying to Provide A Factual Account#might be different from when she’s trying to emphasize the magicalness of it#or her frustration with my father#or what a comedy of errors it was#tell me stories fifty times. then tell me them again. i love you.
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ashleighneville · 2 years ago
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Also exeter?????
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read-marx-and-lenin · 3 months ago
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Are you a Tankie?? Do you think the USSR was a good nation? Do you maybe even defend Stalin somewhat, not just Lenin? Do you support Mao or ''commuist" nations in the modern age like China or North Korea? I think Commuism is a good ideology, but anytime it's been attempted alongside a government, it's been used as an excuse to control and oppress people. I think it can only work feasibly under anarchy because a government will never release control of its citizens.
I used to be an anarchist myself. I'm not going to say there's some magic phrase that will convince you to become a "tankie" like me, but I will say that if you haven't read some of the core works by Marx, Engels, or Lenin, you should give them a try sometime. "State and Revolution" especially. There is no magic "abolish the state" button that can be pressed to do away with all authority in one stroke. The material conditions must be changed first before the state can disappear.
I would also recommend checking out Pat Sloan's "Soviet Democracy", and pretty much anything by Anna Louise Strong but especially The Soviets Expected It, The Stalin Era, and In North Korea. On the subject of North Korea, you should also watch the democracy "Loyal Citizens of Pyongyang in Seoul".
There is a lot of propaganda surrounding actually existing socialism in the West, and it is important to separate truth from fiction. People do not fight in revolutions only to turn around and accept new oppressors. Every currently existing socialist state is democratic, and that includes the DPRK. Democratic does not mean ideal, but it does mean that people have a say in who is running the government. Even more than that, in every existing socialist state the people have the right to recall elected officials at any time, something which is not guaranteed in most bourgeois democracies, including the US.
Can you imagine members of the ruling party meeting with the people directly on a regular basis to discuss and debate the issues that matter most to the people in the US or any other bourgeois democracy? Can you imagine government officials whose top priority is the material welfare of the most disadvantaged citizens? You look at government meetings in China, in Cuba, in Vietnam, in Laos, and in North Korea, and that is what you see time and time again. That is the crux of politics in these countries, the material conditions of the people and how to improve them. They are dictatorships of the proletariat and thus the proletariat are the class for which the state exists to benefit.
Finally, you should read the 1986 paper "Capitalism, socialism, and the physical quality of life" by Cereseto & Waitzkin. While it is nearly 40 years old, it used World Bank data (clearly not a source biased in favor of communism) to demonstrate how on average socialist economies outperformed capitalist ones at similar levels of economic development in terms of actual material conditions for the average citizen. Being 40 years old, it also has the advantage of comparing data at a time when the number of socialist nations was at its highest. If you want to see more recent examinations that take a similar approach, you should read any papers by the economist Jason Hickel, but especially his 2016 paper "The true extent of global poverty and hunger", where he demonstrates that capitalism has by and large failed to improve material conditions outside the imperial core, and that the only nations that buck the trend in the developing world are the ones who have rejected neoliberal economic policy, most notably China, whose socialist economy has been responsible for the vast majority of people lifted out of poverty in the last decades.
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annacaffeina · 6 months ago
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Where the hell did this idea of the West, and primarily the U.S. dismantling the country of Israel even come from?? It's so fuckin puzzling to me! How did so many people decide simultaneously that the U.S. can and should do this?? It's completely insane! It entirely ignores reality! It's bonkers to me that so many people look at the very serious, genuine humanitarian crisis and come to the conclusion "what if a big part of this problem simply wasn't real" and then act like that's a real policy plan. It's delusional. It's magical thinking. "Well, we'll just get the U.S. to make it not real." What kind of logic is that? If that were even possible would you want that to be how you encourage the US to behave? Just erasing countries? Like a magical wizard? Have you thought this through At All?? There are some actual facts that are simply just facts, and one of those facts is that there is a country called Israel. It just is! I feel insane! I feel like, for instance, I'm looking at Chicago and asking if we should do something about gun violence and everyone around me keeps saying "all I see is a weird metal bean and a half constructed condor rehab center" and no matter how many times I say "It's Chicago! It's right there! You can see it!" they just look at me like I'm the crazy one and keep talking about one bean, empty fields, and half a construction project. I'm a little envious tbh. It must be nice to have a solution so easily in front of you and not have to worry about reality. It's like someone going on CNN and saying with a straight face "Ukraine could defeat Russia in a week if Ukraine were allowed to put their giant dragons and their best orcs all along the border, but you know how the West feels about other countries having dragons" and then everyone just sadly shook their head about how Ukraine can't use their best dragons. It's whackanut. And yet all at once bunches and bunches of people, theoretically empathetic and logical people started talking about making a full country just disappear like david fuckin copperfield. Like there isn't a full on country Right There that can easily be seen. Like some kind of collective delusion. What the fuck happened?!?! How did we get here? Where is anyone's basic grasp of reality??? How did this bullshit delusion suddenly just sprout the fuck out??
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reasonsforhope · 10 months ago
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"Lawmakers in Thailand’s lower house of Parliament overwhelmingly approved a marriage equality bill on Wednesday that would make the country the first in Southeast Asia to legalize equal rights for marriage partners of any gender.
The bill passed its final reading with the approval of 400 of the 415 members of the House of Representatives in attendance, with 10 voting against it, two abstaining and three not voting.
Thailand has a reputation for acceptance and inclusivity but has struggled for decades to pass a marriage equality law. Thai society largely holds conservative values, and members of the LGBTQ+ community say they face discrimination in everyday life. The government and state agencies are also historically conservative, and advocates for gender equality have had a hard time pushing lawmakers and civil servants to accept change.
[Note: As always, worth noting that all of those things can be said about the US and plenty of Western countries too. The West isn't magically non-homophobic.]
The bill now goes to the Senate, which rarely rejects any legislation that passes the lower house, and then to the king for royal endorsement. This would make Thailand the first country or region in Southeast Asia to pass such a law and the third in Asia, after Taiwan and Nepal.
The bill amends the Civil and Commercial Code to change the words “men and women” and “husband and wife” to “individuals” and “marriage partners.” It would open up access to full legal, financial and medical rights for LGBTQ+ couples...
The new government led by Pheu Thai, which took office last year, has made marriage equality one of its main goals."
-via AP News, March 27, 2024
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almostempty · 1 month ago
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right kind of dream (joel miller x f!reader) part one
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wc: 12.5k | other fics | rating: 18+ | read on ao3 | PART TWO HERE
summary: rebuilding your life, chasing cans, and hitchin’ a ride to the rodeo with team roper joel
to my pedrostories secret santa recipient @katiexpunk: this was a challenge for ya gurl to be srs (and it’s not a tentacle gangbang, i lied in ur asks babe i’m srry) i hope i hit the mark on a handful of the prompts though, i had high hopes that i could really challenge myself and deliver some breeding kink cowboy but i fear it’s more of a creampie kink—i hope that still hits, i have horse knowledge, but only rodeo adjacent experience so if any rodeo queens find glaring mistakes pls forgive me — but happy holidays bb, i really hope you enjoy-- EDIT: I MADE IT TOO GIRTHY (or something?? sorry!!) and had to split it into two parts, the second part will be up and linked as asap as possible, and i'll add the full text to ao3 so it'll be in one spot
tags: modern cowboy joel au/ team roper joel and tommy, no sarah, enemies to lovers, dbf lite, choose your own age gap, small town romance, city girl returns to the country, miscommunication, guilty yearnful joel, horsegirl!joel, smut, ridin’ that cowboy bareback as the good lord intended, no beta–mistakes are my fault for writing at 4am 
thanks: to @syd-djarin, @auteurdelabre, @lovely-vamp-princess for support, eyes, ideas, etc.
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The sun beats down on the gravel driveway as you pull your truck toward the old house. It looks almost the same as it did the summers you spent here as a kid when it was your grandparents–the peeling white paint on the porch railing, and the barn standing sturdy, but weathered further down the driveway. The fields stretched on as you rolled down the driveway, dotted with occasional wildflowers and critters dashing into the denser brush. 
The air blows warm through the window, same as you remember, but the weight of the memories feels different now. The summers used to feel endless here, the fields seemed endless, as did the sky. It all used to feel so liberating. It’s not an endless summer now. Everything looks smaller and more weathered. 
Except for the shiny white PVC fences on the other side of the driveway and the modern-looking house and barn built on the same soil you used to spend hours patrolling with your pony, Clover. She’d search for the best bits of grass as you laid across her back coming up with stories—some days you were an old-timey cowgirl traveling west or Clover was a wild horse you were training or you were on a quest to a magical kingdom together. 
But now it’s a new home for whoever bought up the parceled land your dad sold to cover the updates on the house when he inherited it. Someone with enough money for a fancy barn and shiny truck. You pull to a stop and hop out of the cab, still scanning the neighbor's property, making your first impression. 
Your dad emerges from the barn, wiping his hands on a faded rag. He gives you a smile and a nod. “About time you showed up,” he calls, his voice warm and teasing. “Thought maybe you had changed your mind.” 
You shake your head softly, rolling your eyes. “Nope. Nothing worth staying in that city for.” 
The gravel crunches under your boots as you round the bed to grab one of your boxes. All your belongings fit into a few boxes. At least, everything that mattered to you, everything that was still you. “Where do you want this?” You wonder how you’re going to manage living in the same house with your dad now that you’re an adult. 
“Just set it inside,” he said, gesturing to the house. “We’ll get you sorted after we have something to eat.” 
As you followed him toward the house, the outline of the neighbor's property loomed large. The barn caught your eye. It was close. A pair of horses stood in the near pasture, swishing their tails in the afternoon heat. The contrast was stark. Where your dad’s place still carried the scrapes and scuffs of decades–theirs looked new and polished. Smug even. Can a house be smug? 
“The neighbors are closer than I thought.” You cross the porch, the nostalgic screen door squeaking as your dad ushers you inside. 
“Don’t mind it. We look out for each other.” He points to the room you stayed in as a kid. “He damn near built the place by himself, and helped me with the new roof on this place.” 
You shoot him a sharp look. “You said you were gonna hire roofers instead of climbing around up there at your age.” He shrugs you off. Always stubborn. Convinced he can do it better and cheaper. Despite the toll on his body. 
“Paid him to help,” he argues, “wasn’t up there by myself. You don’t gotta worry about me like that.” 
You set your box down at the end of the twin-size bed, the room falling quiet for a moment. Your dad stays planted in the doorway, but his brows pinch and lips purse briefly before he lets out a breath. You scan the room, gaze landing on the floorboards, waiting. 
Instead of addressing the elephant in the room, he says, “You hungry?” 
You grin at that, letting out a shaky breath. Your father’s daughter, neither of you likes to dig into your feelings. He taught you to show love through actions, like keeping you fed, taking on hard labor jobs without a complaint, or changing your windshield wipers before the rainy season starts and you’re cursing yours out. 
“Yeah,” you say, brushing past the knot in your chest. “Starving.” 
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The rumble of a diesel engine jolts you awake the next morning, the deep growly sound reverberating through the walls like thunder on an otherwise quiet morning. You groaned, stretching and blinking blearily at the pale light filtering in through the old curtains. It was barely dawn yet, which explains the dull headache you’ve got. 
Sleep had been restless. Tangled thoughts, ruminating on what you’d left behind. A failed engagement, the job you hated, the mix of excuses you had rehearsed for why you’d come back. You’d hoped coming here would ease the ache, but just when you were finally falling back asleep—the truck from hell pulled up to the house. 
The engine is already cut off, but now you can hear voices on the porch. Your dad’s, low and steady, just a hum, and another unfamiliar drawl. Whoever it is, they’re carrying on like the rest of the world wasn’t still trying to wake up. 
You drag yourself out of bed, wearing your soft sleep shorts and a thin shirt. The worn fabric clings to your body in places it shouldn’t, but you’re not thinking about being presentable, you aren’t really thinking at all yet. You drag your feet crossing to the kitchen to pour yourself coffee, for a brief moment you miss the coffee shop you used to stop at on the way to your old job, but the familiar roast your dad’s been loyal to has its charm. Like the free coffee at an AA meeting. It’s there and you need something to keep you going. 
You push past the squeaky screen door, stepping out onto the porch. Your dad sits on the worn bench, coffee in hand. Next to him, leaning casually against the railing is a man you don’t recognize. His black Stetson gives him a classic cowboy silhouette, the morning sun catches on the sharp cut of his jaw and the scruff on his cheeks. His plaid shirt stretches across his broad shoulders, his jeans are worn and dusty in a way that speaks to more than just appearances. 
He straightens when he sees you, pulling his hat off with one hand in a fluid, effortless motion. “Mornin’,” he says, voice low and rich. “You must be the daughter. Joel Miller.” 
You take a sip of your coffee. “Morning,” you mutter, voice still thick from sleep. “You always roll up this early, or is today special?” 
Your dad shoots a look at you, but Joel just chuckles softly. 
“Guessin’ you’re not a morning person?”
Your eyes are narrow, defensive. “I’m just fine in the mornings,” you say in a clipped tone that doesn’t support your statement. “Just not when I’m woken up by a jet engine at the asscrack of dawn.” The chill in the brisk morning air causes you to shiver for a moment somehow making you look more irritated. 
Joel glances at your dad with a faint smirk before tipping his hat to you. “Noted.” 
Your dad laughs. “Should’ve heard her when she was ten,” he says leaning back. “Wouldn’t let anyone tell her what to do. Still doesn’t take shit from anyone I guess.” 
“I’m right here,” you mutter, glaring at him.
“Just sayin’,” your dad replies, raising his mug in mock surrender. He turns back to Joel and they resume their conversation about fence posts or something equally riveting. You let your eyes roam as you wake up, drinking the rest of your coffee, tuning in and out of their conversation about their plans for the day. 
The easy camaraderie between the two of them was clear. Like a friendship forged through shared labor and quiet mornings. They flow between their plans for work and that subtle gossiping that men do–convinced it isn’t really gossip–as they share updates about other folks in town and a few of the local businesses. 
“What about you?” Joel asks, turning to you and pulling you out of the fog. “You’re back for a while then?”  
It’s an innocent question, but it grates at you anyway. You stiffen. “Yeah, just taking some time,” you say vaguely. 
Joel raises an eyebrow but doesn’t push for a real answer. You can feel the weight of his curiosity in the air between you. He looks to your dad, who doesn’t elaborate, letting something unspoken pass between them. 
“Well,” Joel drawls, ���good timing. Lot of work to do this time of year. If you’re up for it.” 
The comment makes you pull a face. “I’m familiar with hard work,” you reply, your voice sharper than intended. 
Joel’s lips quirk again, into something like a smirk this time. “I’m sure you are,” he says with the faintest edge of a challenge. 
He takes a long swig from his stainless steel travel mug, trying to fix his eyes on the horizon. But damn, if it isn’t a challenge to see you standing there, looking every bit like you’d just rolled out of bed. In a shirt too damn thin for a morning like this, leaving too little to the imagination. 
He knew he shouldn’t be noticing something like that, shouldn’t look at you like that–especially not while you’re standing next to your dad. Hell, he shouldn’t want to look at all, but his eyes betray him. Darting for just a moment to your soft curves and the evidence of the chill in the air–the impression of your stiff nipples protruding in the soft fabric. 
Christ. He swallows hard, landing his eyes back on the scowl you wear on your face. You’re his friend's daughter. It just ain’t right. Sweet young thing like you. He battles the devil on his shoulder that reminds him you aren’t a kid. You’re a woman. A grown woman with your own life and clearly your share of grit, if the sharpness in your voice was anything to go by. 
He shifts on his feet, forcing his attention back to your dad who was still chuckling softly at something. Joel didn’t catch the joke, head too full of thoughts about you–or how to not think about you. He could feel the warmth creeping up his neck, unsettling him in front of your dad. 
You and him made loose plans for the day while Joel’s mind continued to wander. He shouldn’t have asked about why you were back. Your answer was vague, brushing him off like it was a privilege he hadn’t earned. For some reason that lodged it in his head further. He wanted to know more, even if he shouldn’t. 
Your dad stood up, stretching and declaring that all of you have work to do. You take that as your cue to head back inside, leaving the screen door swinging behind you. Joel lets out a low breath, shaking his head as he turns back to your dad. 
“She’s a spitfire,” Joel comments, keeping his tone neutral.  
“She is,” your dad agrees, adjusting his hat. “Good to have her back.”  
Joel huffs a small laugh, “S’pose we could use a strong woman around here. Keep us in line.” 
“No doubt she will,” your dad says, clapping him on the shoulder. The whole exchange stuck with Joel though. Something under that edge of yours, something unpolished that has him curious in a way he isn’t used to. He shakes his head knowing it isn’t his place to go digging. 
Your dad starts down the front steps. “Let’s get moving, then.” Joel moves mechanically, boots falling in line with your dad’s, but his mind is half on you—in that t-shirt, with that scowl on your face, and that faraway look that he’d like to unravel. 
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You were used to hard work but your muscles weren’t exactly dialed in for the functional conditioning. It was humbling as you found yourself aching and exhausted by the end of the night. However, the fatigue did make it easier to fall asleep once your head hit the pillow instead of spiraling on about your failures until the birds started chirping. 
The next few days gave you a jump start into the rural routine. In bed early, up before the sun. Hot showers before dinner to wash away the layer of sweat and sweet-smelling dust from the pine shavings and hay. You found yourself looking forward to the strong coffee and the cool morning air before you started with your day. 
Your dad, and Joel, learned quickly to let you wake up rather than ask questions as they caught up on their plans before heading out together or splitting up. You didn’t mind listening, but you could feel Joel’s eyes lingering on you now and then. It made your spine straighten, determined to hide the sore muscles in your shoulders from him. If he was waiting to hear a complaint from you it was never gonna come. 
Despite getting more rest and having an endless list of labor to keep you moving–you often found yourself working solo and in silence during the day. A silence that your mind was more than happy to fill. You rehashed memories and dissected those little moments from your relationship with your ex-fiance that you wish you had seen more clearly at the time. 
You’re deep in one of those memories, mindlessly stacking bales of hay onto the trailer for a delivery your dad is making tomorrow when Joel enters the other end of the barn. He leans against the door, arms crossed loosely over his chest, just watching you work. The warm scent of hay fills the air, grounding and everpresent in his life. 
It wasn’t anything remarkable, just a common chore he’d do without thinking twice. But watching you was a whole different story. Your shirt was damp with sweat as you leaned into the work like you’d done it your whole life. You climb up a stack of bales and toss down some from the top of the next row, unaware of his presence. 
He is mesmerized by you. The sharp look on your face like you were mulling over an argument, the fluid movements as you worked, and the determination radiating off of you as you worked at an urgent pace. 
His gaze drifts lower as you climb down and bend to heave another bale onto the flatbed trailer. The muscles in his jaw tense as he lingers on the curve of your back as you bend to grab another. The way your legs shift as you work. The outline of your body in that shirt, the soft grunt you let out as you hoist another bale had him thinking indecent thoughts before he could stop himself. 
Joel drags his hand over his face, fingers brushing his scruffy jaw. Heat burning within him that has nothing to do with the Texas sun transforms into irritation. He was considering copping out and disappearing before you even noticed him when he was outed by the damn barn cats. 
The orange cat comes sprinting towards him, but it’s the black and white one meow-yelling at him down the aisle that catches your attention. A dull thud echoes through the barn as you drop another bale and watch as Joel squats down to give the cats the attention they demand. You watch, catching your breath. He’s gentle with them, murmuring something you can’t hear before he stands and strolls toward you. 
“Afternoon,” he greets you in his deep baritone voice. Joel grabs the two-string bale of hay in front of you and drops it on the trailer with ease, grabbing another before you can interject. 
“I can handle it.” You huff as you resume your task. 
“Never said you couldn’t,” he replies smoothly, setting another down. “Thought it’d go faster with two sets of hands.” 
“I wasn’t in a hurry.” You eye him warily for a moment before slipping into a coordinated dance like it was natural. Tossing the rest that needed to be loaded up into the aisle for him to grab. You work in silence, just the sounds of hay shifting and boots scuffing against the barn floor. 
You break the silence first. “Dad says you and your brother hit the rodeo circuit in the summer. That true?” 
Joel huffs a soft laugh. “True.”
“You compete?”
“Team roping,” he says, his voice warming slightly. “Me and Tommy hit most of the circuits within a day's drive from here. Keeps us outta trouble.”
You roll your eyes. “Hard to picture you in trouble, cowboy.”
Joel’s smirk returned, faint but there. “You’d be surprised, sweetheart.” He matches your playful tone. 
His words linger as you work, stirring something you don’t quite know what to do with. Your mind drifts to the idea of rodeoing, the adrenaline of it, the discipline it demands. You forgot how much you missed it, how much you gave up chasing a life that didn’t pan out the way you hoped. 
Joel shifts beside you, the faint scrape of his boots pulling you back to the present. You glance at him, catching the way his shirt clung slightly to his back, the easy strength in the way he moves.
For a moment, the quiet feels comfortable. Easy. The steady rhythm fills the space. But eventually, Joel speaks again. 
“Your dad said you used to spend summers out here,” he says, in a low and easy tone. 
“Yeah,” you say, a little out of breath from the exertion. “When I was a kid.”
Joel brushes some loose hay off of his shirt. “Guessin’ it’s different now.” 
“Everything’s different now,” you mutter, more to yourself than to him. 
His brow furrows slightly. “What brought you back?” 
You hesitate, not looking him in the eye. You’re searching for an answer in the dust particles caught in a beam of sunlight. “Just needed time to…rebuild.” It’s still vague. 
“You runnin’ from something?” 
You tense at that, before covering it in sarcasm. “I’m not an outlaw,” you jest, earning you a small smile. He doesn’t press further, but you feel his eyes on you, steady, and patient like he’s waiting in case you offer more. 
“It’s not as simple as people make it sound,” you say finally, the words slipping out before can stop them. “Starting over, that is.” You sit on a bale and pull your work gloves off, running the back of your hand over your forehead smearing sweat and dust in a most unsatisfying way. 
“No, it ain’t,” he adds quietly. 
Something in his tone makes your chest tighten, but you ignore the sensation. “What about you? How’d you end up here?” 
“Had to start over myself, I reckon,” he muses, dusting off his hands before sitting down next to you. The words hang in the air, heavier than you expected. He doesn’t look at you, instead, he watches the cats play with a piece of baling twine. “This place made it easier—focusing on getting the house built and getting the business running. Your dad helped too.” 
That catches you off guard. “My dad?” 
Joel nods, finally meeting your eyes. “Just seemed to understand, I guess.” 
You stare at him. You’re disarmed by the softness in his tone. Like there’s more beneath the surface if you ask for it. 
Joel feels the air thicken. He takes in the way your sweat-damp shirt clings to you, and the heavy rise and fall of your chest. For a split second, an image flashes in his mind—your chest heaving for a very different reason, your skin flushed and shining. His throat tightens, and he looks away quickly, cursing himself for letting his thoughts slip. 
The cats weave between your legs, easing the silence. But the air between you still feels charged. Your thighs are nearly touching. The proximity feels overwhelming for some reason and you're suddenly caught up in the details of his profile as he stares down at the floor. The lines at the corner of his eye, his nose, his lips.
He clears his throat and slaps a palm on his thigh. “Well,” he starts, standing up rather abruptly. “Just came by to check-in. See how you’re settling in.” 
“What?” You frown. You miss the grimace that flashes on his face, your eyes drawn to the cats darting away from the two of you. “How I’m settling in?” 
“Yeah, you know…” he gestures vaguely around the barn and your brows furrow and your eyes sharpen at him. Irritation flickers behind your eyes. 
“I told you I’m not afraid of hard work,” you snap, jumping to your feet in front of him. 
“That’s not what I meant,” he grumbles, like you’re misunderstanding him. 
“Did my dad send you to ‘check in’ on me? Or did you want to see if I could keep up?” 
“It ain’t like that.” He says lowly. 
“Right.” You cut, crossing your arms. You’re over this rollercoaster of a conversation. Your eyes catch on the deep crease between his brows and the glint in his dark eyes. Something flares in your chest. You can’t tell if it’s indignation or something else entirely. “Then what is it?”
His jaw tightens, gaze locked with yours. Something unspoken flickers in his expression. But instead of answering, he straightens, stepping back. “Doesn’t matter,” he says curtly. 
Your stomach twists at the coolness of his tone, the connection you just felt snapping like a wire. 
“This was a mistake,” Joel mutters to himself. 
“What was?” you asked, your voice deadly quiet. 
Joel only shakes his head before striding toward the far door. His boots echo on the floor and the cats follow after him like shadows, their tails swishing as they dart out into the sun. Joel pauses in the doorway, glancing back with a look you don’t understand. 
“Don’t work too hard now.” His voice carries easily before he stalks off.
Your thoughts have you spinning. “The fuck is his problem?” you wonder out loud, sharp in the warm air. In the space he left. 
But deep down, you can feel the edge of something else. Something more than frustration, curling low and unwelcome in your chest. The weight of his gaze was still lingering, and try as you might, you can’t ignore the way his presence had pressed into every corner of the barn, or the faint scent of leather and bourbon that still hangs in the air. 
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Your routine locks into place, and the days begin to pass in a blur. Joel stops by for coffee and acts like the conversation you had in the barn never happened. The stoic, gruff cowboy thing works just fine with you.
Except for the moments you catch him staring at you like he’s trying to find an answer to something he never asked.
If you’re honest, though, despite your hostility, you seem to catch yourself studying him with the same frequency and intensity. You’re loath to admit you catch yourself hung up on his obnoxiously broad shoulders, his arms sculpted from the physically demanding work, and that gravelly morning voice he has before he finishes his coffee.
Aside from whatever Joel’s problem with you is, everything else seems to be falling into place. You catch up on your dad’s list of projects. You pick up a part-time job at the feed store in town, keeping yourself too busy to have idle time and too tired to dwell on the past or the future. You get to know folks in the town while you work at the register.
The town seems smaller than it was when you were a kid, but there’s also a charm in the simplicity that you find comfort in. The regulars keep you up to date on the town gossip, and you’re laughing loudly with your boss, Linda, one day over a joke she’d never admit to teaching you when your neighbor struts up to you with a list in hand for a bulk feed order.
You’re cordial to him and the man at his side who gives you a flirty wink that has you raising your eyebrows in disbelief for a moment before you put it together. “You must be Tommy?”
He grins brightly and offers his hand. “And you must be the neighbor?” You give him your name and a polite smile. Your eyes flick to Joel, taking in his neutral expression. His hands rest in his pockets, but his posture is loose, his broad shoulders back in a way that draws your eye before you can stop yourself.
As you enter the details of their order into the prehistoric computer, Linda chats both of the men up, asking them about their horses and when their next rodeo is.
You give Joel his total and take his payment, trying not to roll your eyes when he doesn’t make eye contact with you. You’re ready for the interaction with him to be over when Linda puts you on the spot.
“This one’s been talking about looking for a project horse of her own.” She nods her head toward you. “You boys have any leads for her?”
You can feel your face heating up as they both look at you. It’s not like it was a secret, but you weren’t planning on making Joel privy to your plans. You still haven’t forgotten the way he said this was a mistake after having one conversation with you. Or the way he is always looking at you. Like you don’t belong here or something.
“I’ll do you one better,” Tommy says. “We’ve got a couple of colts just getting started under saddle. They could use the miles, and they’re real sweet-tempered if you wanna come by during the week.”
“Thanks, Tommy.” You give him a genuine smile. “I’m actually going to take a look at one that’s got potential this weekend. Marilyn from the post office said her cousin’s got a six-year-old quarter horse she’d sell for a steal.”
Joel lets out a dismissive laugh under his breath. “You mean that Hancock gelding? The blue roan?”
“Yeah.” You confirm, slowly growing more confused by the reactions on all of their faces. “Why?”
Linda’s mouth is hanging open like you said the devil was gonna sell you his horse. Tommy gives you a modest smile like you’ve told him two plus two equals eight, but he’s too polite to correct you. Joel’s expression remains unreadable, but the crease between his brows deepens.
“Am I missing something?” you ask, hoping for an explanation. You do not like feeling like you’re being played for a fool. 
“She’d sell that horse for a dime and a handshake,” Linda says. “Her cousin broke her jaw getting bucked off that horse. That’s why he’s been out to pasture ever since.”
You’re quiet for a beat before the familiar challenge and determination wrap around your heart. “Can’t hurt to look,” you say with a shrug.
“Hancocks are notoriously stubborn and broncy,” Joel adds, his tone low and edged with warning.
“They’re also incredibly smart, loyal, and full of try if you earn their trust and ask ‘em the right way,” you shoot back, meeting his eyes for just a moment too long. Why does it always feel like he thinks you’re out of your element? Does he think you’re incompetent? It only strengthens your desire to prove him wrong.
Joel’s mouth presses into a thin line, but his gaze doesn’t waver, and it stirs something uncomfortable low in your chest.
“So I’ve heard,” Tommy cuts the tension simmering between you and Joel. “Offer still stands if he doesn’t work out.”
“Thanks.” You pointedly direct your appreciation to Tommy, not looking back at Joel. “We’ll give you a call when the order’s in.”
They take that as their signal to move along. You think that would be the end of the drama for the day, but Linda’s got one more tidbit in store after the door closes behind the two men.
“God, those two are so hot it’s unbearable,” she sighs. It catches you off guard, and you blink at her. “Too bad they’re cowboy Casanovas.”
“What?” You give her a scrupulous look, shifting on your feet as she leans against the counter.
“Oh, yeah,” Linda says with a knowing smirk. “Every buckle bunny in a three-county radius knows those two. I hear they have a sign-up sheet at the trailer.”
You laugh softly, shaking your head, but the image comes unbidden—Joel, shirtless and panting, sweat glistening on his chest, his jeans slung low on his hips, every muscle taut as he leans over some woman. His gravelly drawl slides through your mind like warm honey as he murmurs something low and dirty, but you can’t make out the words. Your thought derails violently, and you scowl at yourself, heat rushing up your neck, but Linda’s still talking. 
“I’d stand in line for either of ‘em if I were single,” she adds with a shrug.
The image morphs into smug Joel tipping his hat, a self-satisfied grin on his face as some random woman climbs out of his bed. Your throat tightens unexpectedly, and you shove the thought away, scowling at the knot of irritation it leaves behind.
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The trailer rocks faintly as you haul it slowly down the driveway toward the barn. Blue shifts inside, and the loud thud of him pawing at the floor, anxious to get out of the small space, echoes loudly in the driveway as you ease to a stop. You cut the engine and hop out of the cab, you can hear your dad’s boots on the porch steps before he’s striding toward you. “You actually brought him home, huh?” 
“You knew I would.” You grin. Your dad unlatches the trailer door and you slip past the divider to untie your new gelding and back him out of the trailer. Blue’s ears flick rapidly and he snorts like a dragon, wary of his unfamiliar surroundings, but you steady him with a calm voice and wait for him to drop his head before coaxing him backward. 
His hooves hit the solid ground and he blows out a sharp breath, shaking his neck to de-stress. “He’s gonna be perfect,” you say, running a hand along his neck. “Just needs someone who knows what they’re doing.” 
Your dad gives you a look that says he knows he couldn’t change your mind if he tried. His gaze flicks over Blue’s body, taking in his confirmation and conditioning, the scar on his back leg, the brand on his flank, and the stocky ranch horse build. “Linda said he’s got a bad reputation.” 
“Linda says a lot of things,” you shoot back, leading Blue toward the barn. “He was misunderstood. Had a rough start, that’s all. That girl who got bucked off never shoulda had him to begin with—not after he’d been out to pasture for so long. She was scared, and he felt it.” 
Your dad hums, the kind of sound that tells you he’s skeptical but not enough to argue. “Well, he’s in good hands now.” 
“And we both know I like a challenge,” you say with a steady voice, edged with something sharper. 
The sound of boots on gravel draws your attention and you glance back to see Joel strolling over from the direction of his property. His hat tipped low as his dark eyes flick between you and Blue. 
“Afternoon,” he calls, steady and smooth. 
Your dad turns and gives him a nod. “Joel.” 
“That the Hancock gelding?” 
“Yeah,” you reply shortly, adjusting Blue’s halter. 
Joel steps closer, his expression unreadable as he studies the gelding. Blue swishes his tail before shifting his weight, resting one back leg like he’s already starting to relax. Joel walks a circle around Blue, before pausing next to your dad. “Well-built,” he comments. “Is he sound?” 
You can barely hold back your eye-roll. “I had Barb meet me at the farm for a pre-purchase exam. Passed with flying colors.” You swallow down your irritation. Once again Joel thinks you’re a fool? That you’d go off and pick up a horse without a vet inspection?
Before you give Joel a piece of your mind you take a steadying breath, grounding yourself and whispering into Blue’s ear. “He might doubt both of us but he’ll be eating his fuckin’ words real quick once you and I get started.” With that, you turn away and lead Blue to the barn. 
Joel watches the two of you walk off, resting his hand on his hip. “She got a death wish or somethin’?” he grumbles.
Your dad crosses his arms, both men still watching the barn door where the two of you disappeared. “She’s tougher than she looks. And she’s got more patience than the two of us combined—for animals that is. Lord knows she’ll let us have it just for looking at her sideways.” 
Joel grunts, ignoring the heat crawling up his neck at the thought of you telling him off. “Hope you’re right.” 
“It’ll be good for her to have her own project. Haven’t seen that light in her eyes since she got here. S’about time she started moving on.” Your dad’s words eat at Joel. He still wants to know what you’re trying to rebuild from, but he doesn’t ask. Letting the silence stretch before your dad continues. 
“Plus, she’s got the right touch for it,” your dad drawls, tone laced with pride. “Always drawn to the ones that seem a little rough around the edges.” 
Joel doesn’t respond right away. His eyes narrow on the horizon, but his gaze flicks back to where you walked off, the sway of your hips lingering longer than it should. The deeply twisted interpretation of your dad’s words messing with his mind. 
In the barn, Blue seems less concerned about getting the lay of the land now that there’s food in front of him. He munches greedily, tearing hay out of the net tied in the stall. You’re buzzing with a mix of emotions, already imagining the next steps for the two of you. 
Your thoughts fall back on Joel and your dad, their low voices carrying faintly in the warm air. You can picture Joel still standing there, one hand on his hip, eyes fixed on you, that infuriatingly unreadable look expression he always has. 
Your chest tightens, heat rising in your cheeks as you lean against the stall door. You hate how Joel looks at you like that. Like he’s waiting for you to fuck up. To prove him right. Like he’s already decided you’re in over your head. 
“He doesn’t know me,” you mutter under your breath, “doesn’t know you,” you tell Blue, “doesn’t know shit.” 
Blue snorts softly, and you take that as his agreement, a smile tugging at your lips. 
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Days blur into a steady rhythm—early mornings with Blue, afternoons at the feed store, and long evenings under the arena lights. Each ride sharpens your connection with him, his turns growing tighter, his strides more confident. Progress comes in small, steady victories, each one lighting a spark of hope in your chest.
One afternoon, when the sun hangs low in the sky, painting the fields with warm hues of orange and gold. From his spot near the fence of his own property, Joel leans one arm against the top rail, his black felt Stetson shading his eyes. Across the way, you’re working with Blue in the makeshift round pen. 
Joel can tell from the way you hold yourself that you’re tired. Your shoulders seem stiff and your jaw tense. But you don’t stop. Your voice carries in the breeze, warm and steady as you encourage Blue to make another pass. 
The horse resists, throwing his head and stomping at the ground, but you don’t flinch. You give him the space to settle before asking again. Joel’s lips twitch, with a hint of a smile. You’ve got grit. 
He can’t shake the feeling that you’re working off more than just the horse’s rough edges. You move with purpose and focus, but with a weight that doesn’t seem entirely about Blue. 
From where Joel stands, he can’t make out every detail, but it doesn’t stop his eyes from lingering. You draw his attention with a pull that he can’t resist.
Against his better judgment. He traces the line of your spine as you step forward, the way your hips shift when you pivot. He knows better than to look, knows it’s wrong, but he can’t stop himself. 
Blue gives in, his steps evening out as he settles into a steady rhythm circling you. Joel watches as you slow him to a halt. The tension in your posture releases and you reach out with ease and satisfaction to stroke Blue’s neck. 
That invisible pull between you draws your eyes to where Joel is standing. Your face hardens when you catch him observing your training session. He gives you a nod before pushing off the rail and heading into the barn. 
He catches glimpses of you working together in the mornings and evenings. He tries to stop himself from watching, but it’s useless. He catches himself inadvertently timing out his schedule to be able to keep an eye on you. Tells himself he wants to be sure someone’s keeping an eye on you in case something goes wrong. Or that he’s curious about your progress. 
He can admit he admires your perseverance and the skill you have. He would never admit the way he finds himself waking up hard and aching thinking about you and what it’d feel like to have your hips rocking on his lap instead of a saddle, your tits bouncing in his face, and your sweet blissed out smile. And when trudges up the steps of your porch in the mornings to see if your dad needs anything from town—he prays neither of you can see the remnants of his sins in his eyes. 
He can’t stop himself from trying to talk to you, though. One morning he asks straight up, “How’s the project horse coming along?” He tries to sound casual, averting his eyes as he sips his coffee. 
Your smile flickers, equal parts excitement and hesitation flashing across your face. “Good,” you say after a beat, sitting on the wooden bench. “He learns quick, got good stamina and drive.” 
Joel hums, tilting his head slightly. “He give you any trouble?” 
Your jaw tenses, though you try to hide it. “Nothing I can’t handle,” you reply, tightly. 
Joel nods. “Good,” he says simply, but he still looks at you, like there’s something else weighing on his mind. 
Your dad clears his throat, breaking the tension. “She’s got him started on the pattern already.” 
“You gonna run barrels?” Joel asks, curiosity sneaking into his eyes. 
“That’s the plan.” 
Joel hums, taking a long pause. “You wanna run him in a real arena? Bring him over to get some practice in with the right kind of footing and see what he’s really got for a motor?” 
Your eyes narrow and your shoulders tighten, straining with disbelief. A real arena? It’s like nothing you do is ever good enough for him. “We’re getting along just fine as is, thanks.” The words are dripping with venom as you slip back into the house letting the screendoor slam shut behind you. 
Joel’s brows furrow. “Didn’t mean no harm, by it,” he says to your dad. “My mistake,” he adds gruffly. 
Your dad looks a bit miffed at the sharpness of your rejection but gives Joel a shrug back. “She’s always gotta do it her own way.” 
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The conversation with Joel sticks in your mind. You’re still chewing it over that evening as you run Blue through some drills, working on his lead changes and corners. When you finally bring him down to walk to cool down you hear the sound of hooves hitting the dirt across the field. Sharp and rhythmic. You walk Blue along the fence line. Pausing when you catch sight of Joel and Tommy in their outdoor arena. 
Their horses move like extensions of their bodies. You loosen the reins, letting Blue’s head sway with every step as you stay transfixed on the two men. Tommy’s bay gelding moves with a quick, snappy stride. His hindquarters tucked under him as he spins on a dime at Tommy’s commend. You can feel the thrill and see Tommy’s grin from where you sit. It’s infectious. You roll your eyes as he tosses his rope catching the dummy steer in a single fluid motion. 
You make another lap before you let yourself study Joel. 
He’s riding his big red mare, her muscles rippling in the sun as she powers forward at a lope. Joel’s hand is steady on the reins, his posture relaxed but exact. Every movement he makes is calculated, and deliberate, yet to an untrained eye seems completely natural and fluid. Like he and his horse were born to do it. He barely shifts to ask the mare to pivot. Her body arcs beautifully, bending around his leg as they make a sharp turn toward the roping dummy. 
You’ve seen good riders before, but there’s something different about the way works. He doesn’t just ride—he leads. Every muscle he moves is a quiet conversation between him and his horse. It’s seamless and controlled. And damn if it isn’t mesmerizing. 
He leans forward slightly, and your mouth goes dry watching his arm flexing as he tosses the rope with precision. His red mare halts instantly, kicking up dirt around her hooves. Joel adjusts his hat with a smooth motion, you can see the focus on his face. Serious and competitive.
You swallow hard as you change directions, still walking on a loose rein very aware that Blue’s sweat is long dried by now. You feel warmth burning in your core that has nothing to do with your tired muscles. He looks good out there. Too good. The kind of good that makes you think about things you shouldn’t be thinking about. Your eyes drift, taking in the way his jeans hug his thighs, the line of his back as he shifts in the saddle. You imagine his hands, thick, precise fingers. Something coils hot and tight within you. You shake your head at yourself. You are not having those thoughts about Joel Miller who thinks you don’t know your ass from your elbow. You swing your leg over the back of the saddle dropping to your feet. Loosening your cinch and still trying to shake your thoughts out of your mind when you hear Tommy hollering at you. 
“Watch and learn, neighbor!” Tommy calls, snapping you out of your thoughts. 
You glance up, cheeks burning as Tommy tips his hat your way with his charismatic grin. Joel follows his gaze, dark eyes locking on you for a moment. Tommy gives you a demonstration of his prowess with the rope–as if you hadn’t been watching–but, Joel says nothing before turning his mare and heading in the opposite direction. 
His cool look sends a shiver down your spine. 
You walk back to the barn, and the sound of their horses fades behind you, but that image of Joel sears into your mind. His commanding and maddeningly attractive exhibition just stoked a fire you’re desperate to ignore. 
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You have the same stubborn streak as your father and you’d be damned if you’re gonna cave and ask Joel to use his facility. You find a summer barrel series in a nearby town with low entry fees.
You start hauling Blue out to get some experience. At first, his runs are clumsy, but as you get your miles in, his turns get tighter, his confidence grows, and your times get quicker. And you quickly feel like the two of you are ready to enter your first rodeo.
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The air smells like dirt and livestock, as you unload your horse and tie him to the side of your trailer. There’s a hum from the generators, buzzing conversations, and the occasional whinny of a horse or thud as one paws at the dirt.
You had made a point not to ask if Joel and Tommy would be attending, but you catch his familiar shoulders tapering to his slim waist, with one boot on the lowest rung of the fence a few yards ahead when you head toward the warmup pen before your division gets called. He isn’t even facing your direction but you instinctively square your shoulders and raise your chin. You wonder if he’s just here to see if you’re going to fail. Or maybe he’s just watching to earn some other woman’s favor. 
Something ugly simmers in your blood and your chest feels tight. You attribute it to irritation, refusing to acknowledge any alternate reasons. You’re going to prove him wrong. 
You’re still staring at him when he turns to say something to the man standing next to him. You grit your teeth. Superstitious–as every cowboy is–his usual salt and pepper scruff is neatly trimmed, he’s got on a pair of deep blue Wranglers–nicer than you figure he owned, and a crisp long-sleeve pearl snap. Dressed to earn Lady Luck’s favor. 
The devil on your shoulder whispers a thought in Linda’s teasing voice. He doesn’t need to do all that to get lucky. You take a deep breath and peel yourself away from the sight. You’re here to focus on Blue, not your asshole neighbor and his conquests.
Despite trying to let go of your issues with Joel, a scowl stays plastered on your face throughout your warmup. Blue picks up on your distraction and he’s a little hot, as you head him toward the alleyway when it’s time for your run. Against your will, your eyes search for Joel. A wash of heat floods your veins when you find him already watching you. He mouths good luck at you and you can only manage a curt smile before you’re pushing Blue to a lope, making one tight circle before you cross the start. The sound of his hooves pounding into the dirt matches the blood pounding in your ears. The burst of adrenaline is instant. The run isn’t perfect. He breaks his stride around the second barrel and you lose time nudging him back into rhythm, but you finish the pattern without knocking anything over. The announcer calls your time as you slow to a trot, and you let out a breath you didn’t realize you’d been holding. It’s such a blur you don’t think to look for Joel. You don’t think about him at all until you’re untacking Blue at your trailer, brushing sweat marks from his coat when movement near another horse trailer catches your eye.
Joel stands close to a woman with long, shiny dark hair. She flashes a wide smile, leaning toward him and resting a hand lightly on his arm. The sight makes you grimace. You shove down the feeling. “None of our business,” you mutter to Blue as you keep brushing. But, your eyes flick back despite yourself. She tilts her head, laughing at something he says, or doesn’t say, you can’t tell. He stands stiffly, hands in his pockets. You can’t see his face from your angle.
The woman reaches to touch him again, and you feel a headache brewing in the back of your skull. Joel glances away from her, landing in your direction for the shortest moment, before his weight shifts and he takes a small step back. You scowl again, tossing your brush back into the tack room shelf with more force than necessary making Blue toss his head. Your heart thuds louder than it should and you run a hand over Blue’s cheek, murmuring softly to calm both him and yourself. When you glance back, the woman is still talking, but Joel’s looking at you again. His dark eyes are sharp under the brim of his hat. He nods, barely noticeable, before turning away from the woman entirely. You clench your jaw, forcing yourself to take another deep breath before loading Blue back into the trailer to head out. You weren’t sticking around to watch any of the other events. Especially not the team roping. 
You smile when you pull onto the highway. You count the day as a success and feel ready to enter a bigger rodeo. The idea makes you glow. Finally feeling like you’re getting back to your true self. You feel like a new woman compared to the version of you that showed packed up her truck desperate to put miles between your ex-fiance and your corporate nightmare.
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“It’s not that bad,” you argue, crossing your arms as your dad leans against the truck with a skeptical look. “The hell it’s not,” he replies, gesturing toward the trailer. “That’s floor is one step away from dropping your horse onto the damn highway.” You sigh, dragging a hand over your face. “I know,” you grumble lowly, disappointment sinking in your stomach. “I was just hoping you’d see something I didn’t.” “Sorry kid,” your dad says. “S’fine. I’ll figure something out. Or just eat the entry fees I paid.” “Or,” he says pointedly, “you could ask Joel.” You glare at him, fire burning in your chest. “I don’t need his charity.” “Ain’t charity,” he interrupts your sour attitude with a gruff tone. “He’s practically family. Don’t let your pride get in the way of your goals.” The words stick, heavy and uncomfortable. You’ve got half a mind to keep arguing. Joel might be your dad’s best friend, but he’s nothing like family to you. But before you can talk yourself out of it, you’re dragging yourself up the steps of Joel’s front porch. 
You realize as your boot hits the last step that you’ve never been to his place. He always offers to have you and your dad over for a whiskey or for a fire out back, but you always brush him off. You see why your dad takes him up on it though.
It’s beautifully made with stunning wooden chairs and a bench for seating on the porch. You’d consider complimenting him on his craftsmanship if you weren’t already dreading what you’re about to say. Joel opens the door, his hat already in hand like he’d been expecting you. “Somethin’ wrong?” “Yeah,” you admit, trying not to hesitate. “Uh, trailer’s shot,” you point your thumb in the direction of your dad’s place. “Was wondering if you’d have room in your trailer to haul Blue with your horses.” 
The corner of Joel’s mouth twitches. The gleam in his eye makes you want to say never mind. You brace for a smart-ass remark. “‘Course,” he replies. You blink, caught off guard by the simplicity of it. “Of course?” 
He leans back into the house to grab something, then he’s handing you his keys. “Load your tack up tonight, and get your bags in the living quarters.” “No need,” you shake your head, leaving him holding the keys between you. “I’ve got the truck. And a tent.” 
Joel leans against the doorframe, crossing his arms. You pointedly avoid how his sleeves strain around his biceps. “You’re ridin’ with us. Not riskin’ that truck dyin’ on the highway.” You glare, lips pressed into a thin line. Of course, you’ve got a trailer with a busted floor and a truck with more miles than you’d like to admit on it—while Joel has a shiny truck from this decade and a horse trailer with a tack room and living quarters. Probably has AC and everything.
You catch the glint in his eye, realizing you’re the one asking for a favor and you steel yourself, reminding yourself to bite your tongue.
“Fine,” you grit out, holding your hand out for the keys.
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The truck hums beneath you, the steady vibration doing nothing to ease the thick tension in the cab. Tommy’s passed out in the back seat, his hat tipped low over his face, leaving you alone with Joel and the steady drone of the country ballad playing through the speakers.
“You always listen to this?” you ask, breaking the silence as you reach toward the radio.
Joel glances at you, one hand resting casually on the wheel. “Somethin’ wrong with it?”
“Didn’t know you were a ‘sad songs for sad cowboys’ kind of guy,” you mutter, flicking through stations before he can answer.
Joel doesn’t stop you, but when you pause on something irritatingly upbeat, his hand moves toward the knob just as yours does.
Your fingers brush his, and the contact jolts through you like a live wire.
You pull back instinctively, your breath catching as your heart slams against your ribs. Joel pauses for half a second before retreating, his knuckles tightening faintly on the wheel.
The silence that follows is suffocating.
Joel stares ahead, his jaw clenching as his thoughts spiral. He knew telling you to ride with him was playing with fire. But he can’t stay away from the heat. You glance out the window, pretending the spark you felt wasn’t real. It’s just Joel, always better than you, always an ass. The charged silence stretches on though, every shift of his hand on the wheel drawing your attention. Every shallow breath reminds you of his proximity. 
“This’ll do,” you say tightly. Joel huffs softly, but says nothing, keeping his eyes pointed straight ahead. Neither of you speaks again for the rest of the drive, but the weight of the accidental touch remains, thick and suffocating. The rodeo grounds are already alive with motion by the time you’re parked and unloading the horses. The evening sun casts an amber glow over the circus of trucks, tents, and trailers. You help get the portable fence set up and the horses settled before the three of you head off to check in at the visitor's tent and get your meal tickets. 
The smell of barbecue wafts through the air and you get in line to fill your plate. Folks chat eagerly. Tommy strikes up an easy conversation with a group of riders near the picnic tables.
You watch as some folks head back to their campsites, hesitating on whether you want to do the same or find a table. Joel passes you and sits at a nearby table and before you can debate any longer a voice interrupts your thoughts. “Long travel day?” the wiry cowboy drawls, tipping his hat and gesturing to the bench next to him. “Take a seat.” 
You give him a quizzical look, but you’re hungry enough to take the opportunity to sit and eat. 
“Name’s Cody.” He introduces himself while you eat. He tells you he’s a bull rider. Asks if you’re runnin’ barrels tomorrow. He’s chatty with a smooth and easy voice and a playful look on his youthful face. You answer his questions, politely, suddenly keenly aware of Joel’s gaze boring into the back of your head. It makes your spine prickle with something you can’t name. The heat of his stare burns into you, fierce and unwavering, making every laugh at Cody’s jokes feel like defiance. Cody continues on and you find it easy to listen to his stories, but you can’t help feeling compelled to glance over your shoulder betraying the distraction you’re trying to ignore. Cody points out some of the other riders he knows and invites you to come hang out at their campsite and have a drink. You’re still searching for the right words when you catch sight of Joel walking swiftly past your table. He mutters something to Tommy–who seems to be proving Linda’s rumors true with a woman wrapped around his arm and batting her lashes at him–and stalks off. Your stomach twists as you watch him go, irritation flaring hot and fast. “The fuck is his problem?” you mutter under your breath, turning back to your plate. Cody shrugs, clearly oblivious. “Who knows? Anyway—” But you’ve already tuned him out, your eyes following the path Joel struts down before he disappears.
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You joined Cody and his friend for one drink, hoping it would ease your nerves. He had a kind group, a little rough around the edges, but tough as nails like you’d expect bull riders to be. They kept your mind distracted with their wild stories, but you decided to head back to the trailer before anyone got drunk and stupid. The walk back to the trailer feels longer than it should, every step weighed down by something stirring within you, something that has you on edge. You check on the horses before pulling the door open and climbing into the living quarters. The cool night air hasn’t soothed the heat that’s been simmering within you since dinner—or since that moment in the truck if you’re honest. You toe off your boots before looking up to see Joel, leaning against the wall, his jaw set tight, and his eyes sharp as they snap to yours.
“Where’s Tommy?” you ask, realizing it’s just the two of you in the small space. ���Reckon he’ll be out til the sun's up,” Joel says in a quiet, low tone. “Alright,” you nod. Another point goes to Linda for that one, you figure. Joel’s jaw remains set in that infuriatingly unreadable way that seems to be his signature look. The dim light in the trailer casts sharp shadows across his face that darken his gaze. “You enjoy yourself? With your new friend?” he asks, his voice raw, edged with something you can’t place. You stop short, narrowing your eyes. “Excuse me?” He steps closer, reaching past you to hang his hat on the hook by the door. “Took your time gettin’ back.” He says, his eyes flick over you, dark and assessing.
You’re acutely aware of the scent of the campfire on your shirt and beer on your lips. It swirls with his leather and bourbon musk like they were designed to enhance each other. His words sink in, cutting and daring. “What’s your point?” “Did you fuck him?” The bluntness of it knocks the breath out of you. Your mouth falls open. Shock and fury battling for control as you glare at him. “What did you just say to me?” “You heard me, sweetheart,” Joel says, his voice calm but razor-sharp. “Just wondering if that cowboy got what he was after.” It takes everything in you not to slap him across the face. “What the fuck,” you hiss, stepping closer, your fists clenched at your sides, “makes you think you’ve got the right to ask me that, Joel?” 
He shrugs his shoulders, but his expression remains cold. “Lookin’ out for you. Your dad’d kill me if I didn’t.” You laugh bitterly. “Bullshit.” His jaw tightens, but he doesn’t respond. Silence fanning the flames within you. “You aren’t my dad,” you snap, voice trembling with rage. “And you sure as hell don’t get to tell me who I can or can’t fuck.” Joel’s eyes narrow, his shoulders stiffening as he steps even closer. “That’s not what I—” “Save it,” you cut him off, word sharp as a whip. “I don’t know why you think I’m so weak or clueless all the time. Like I can’t handle myself. Like I’m some kid you’ve gotta babysit.” 
Joel’s expression hardens, his dark eyes flash with something that looks like hurt beneath his anger. “That’s what you think I see?” his words come out like a dangerous growl. “That’s how you’ve acted toward me since day one,” you fire back, stepping toe-to-toe with him. “If you don’t respect me, Joel, just stay out of my business.” His chest rises and falls sharply, his breath warm against your skin as the air between you thickens. “You don’t know what the hell you’re talkin’ about,” he grits, voice tight with frustration. “Explain it to me then,” you challenge. Shaking with the force of everything you’ve been holding back. “Or stay away from me if I’m such a thorn in your side.” He works his jaw, and for a moment you’re glued to the corded muscle in his neck and the exposed golden brown skin of his chest. He glares at you, making no move to back off. His voice drops sinfully low and quiet. “You really wanna know?” “Yeah,” you breathe, heart pounding like it’s trying to break through your ribcage. “I do.” His hand moves fast, gripping your wrist—not rough, but firm enough to make your breath catch. “You drive me fuckin’ crazy,” he accuses in a rough and uneven voice. You blink. “What?” “You heard me,” he rumbles, dark eyes locked on yours. “From the first day, you showed up here, lookin’ at me like you had somethin’ to prove.” Anger burns in your veins. “How does that make me your problem?” His grip tightens, his body presses closer. “You ain’t my problem,” he mutters. Guilt twists into his words, “Shouldn’t even be lookin’ at you like this. S’wrong.” He swallows thickly, only sharpening the edge in his voice. “But I can’t stop thinkin’ about you, and it’s pissin’ me off.” His confession hits you like a brick over the head. The trailer is silent, but the sound of the blood rushing in your ears, and your ragged exhale seems deafening. 
“Then stop,” you challenge, voice trembling with defiance. “If it’s so wrong, just leave me alone.” Joel’s eyes darken, his other hand settles on your hip, fingers digging into you. “Can’t,” he says,  voice so thick with frustration, it sounds like it hurts. “Don’t think I want to.” 
Silence stretches and time feels thick and warped. Your ragged breaths fill the space. His eyes search for a reason to stop, but he finds none. 
You don’t get a chance to reply before he drops your wrist to wrap a large hand around your jaw, pulling you into a feverish kiss. Nothing gentle about it. It’s raw and desperate, equal parts frustration and hunger. Your fingers curl into his shirt as if you could pull him any closer as your teeth scrape over his bottom lip, in a sharp, biting challenge that makes him groan low in his throat. He angles your face so he can kiss you deeper, harder, until your knees feel like they might give out. Your mind goes blank, flashing white with anger and need. All you can process is the hot slip of his tongue against yours and the sharp bristle of his facial hair against your tender lips. Your back hits the cool metal wall of the trailer before you realize your feet had even moved. Joel’s hips press into yours, pinning you against his body–solid and unrelenting. His lips trail down your jaw to your neck, the edge of his teeth scraping at your skin. The rasp of his stubble sends sparks to your core, and you dig your fingers into the hair on the back of his head. Pulling him toward you, needing him in a way that verges on painful. He lifts his mouth, breathing hotly against your damp neck. “This what you want?” he says, his tone matching the burning desperation coursing through you. “You want me to fuck it outta you? Til you can’t keep runnin’ your mouth at me?” “Shut up,” you snap, but the way your body arches into him betrays the hostility in your voice and the subtle stretch makes you keenly aware of how wet and needy you are already. He makes a low, guttural noise in his throat that makes your cunt throb. His hand slides down to grip your thigh, hitching it around his waist as he grinds into you. The hard ridge of his cock pressing into you makes you gasp. The sound you make sends heat ripping through him like wildfire. We can’t, he thinks, but the words die on his tongue. The thought of how wrong this is flashes in his mind, but it’s drowned out by the way you’re looking at him. The way your nails dig into his shoulders as you pull him closer, your breath hot and shaky against his cheek. He can’t think. He can’t stop. He doesn’t want to. Not when you’re so soft and warm and furious beneath him. He’s helpless. His hand slips under your shirt, rough fingers brushing over soft skin, leaving a searing trail that grounds you as your mind spins. He pushes your shirt up, baring you to the dim light of the trailer. Time slips back into the warped, syrupy dimension as you absorb the unbidden lust and awe in his eyes. You’re the one exposed, but you feel like you’re seeing something just as naked in his face. Time catches up and you pull your shirt the rest of the way over your head, committing to sin wordlessly. You shiver at the sudden contrast between the heat radiating off of his body and the cool air hitting your flesh. “Joel,” you gasp, your head tipping back as his mouth closes over your nipple like a wet furnace. His teeth graze the sensitive skin causing you to spew breathy curses over the top of his head. They only spur him on. He sucks hard enough that you tug him off you by his hair, but he only switches to your breast, delivering the same delicious punishment as his fingers roll and pinch at the wet, puffy, flesh he abandons. 
It’s like he can predict your needs before your mind can, biting down harshly enough to pull you away from the angry, hissing thoughts and keep you desperate to stay lost in the physical sensations. He palms the full weight of your tits, gliding his thumbs over both, slick and shining with his saliva. He presses them together before releasing them. “Goddamn,” he murmurs, taken by the way they bounce more perfectly than he could’ve imagined. It’s wrong to have you topless and panting beneath him, but his name falls so sweetly from your lips that it doesn’t matter. The heavy-lidded look you have makes him feel confirmed. When you moan lowly as the pain melts into pleasure when he kneads your soft, slippery skin, his cock aches and weeps for you. He needs more. He needs everything. Needs to wreck you, to see you so fucked out the only thing you can say is his name. 
It’s an exquisite brand of torture. 
You hate how good this feels, how badly you want him to keep going. To show you every move he knows. To break you down with his hands and mouth. You should push him away, tell him to fuck off. But your body doesn’t want that. You don’t want that. You roll your hips against his, begging wordlessly for more, as you tug at his hair hard enough to pull a throaty groan from deep within him. The sound he makes nearly has you short-circuiting, but he doesn’t give you the respite to fall apart. His hands are everywhere, frenzied like he’s losing control. Hasn’t he already lost it? You wonder distantly. Slowly, you realize he’s littering dirty little threats and filthy promises into your warm flesh. You hate the way his words make you shiver, how much you crave every pledge he makes. “You’re gonna feel me for days, sweetheart,” he husks hotly, just behind your ear. It’s a commitment you unwittingly pray he keeps. Some part buried deep within you blooms at the idea of feeling every memory of his touch as you go about your day tomorrow. “Get to it then,” you snap, hands reaching for his belt with urgency. Joel doesn’t need any more encouragement. His hand slips between your legs, teasing you through the soaked fabric of your underwear, and the sound you make at the pressure—the breathless, needy, whimper—makes him forget how to breathe. All he knows is that he needs to hear it again while he fucks into your soft, warm cunt. 
He wrenches your jeans open and works them down your thighs as you tear at his shirt buttons. He’s barely able to let you go long enough to pull his shirt off; watching you kick your pants off the rest of the way makes him nearly trip over himself. 
The air between your naked chests is sticky and warm. He dips his hand beneath the hem of your underwear, fingertips gliding over the soft hair on your mound making his eyes roll back. 
The edges of your vision blurs when he prods two big fingers between your slick lips, but you’re glued to the way his dark eyes are nearly black now. He looks every bit possessed by a beast, and fuck if you aren’t driven by the sick desire to make him snap. 
“You like having me touch you like this, don’t you?” His voice drips with need underscored by the slick sounds coming from between your legs. 
“No.” You rasp, as you grind your clit against his palm. He pumps two fingers inside of you, curling them just right to make you moan. 
“Yeah, that’s what I thought,” he drawls, thick like honey. You grip the muscle flexing in his arm to steady yourself. His concentration and competence makes your walls flutter around his fingers. 
“You’re gonna come for me, right here.” He declares. 
You shake your head. “I’m not—fuck—I won’t.” 
“You will,” he interrupts. Dark and calm. His pace quickens, fingers focused on the spot inside you that makes you a mindless wreck. His thumb draws circles around your clit. 
“Can feel how close you are.” Your hips rock and your muscles all pull taut. “If you’d quit fuckin’ fighting me.” He somehow crowds even closer to you. You feel like you’re about to snap when he pulls his hand away, leaving you feeling empty and ragged. “But you’re too fuckin’ stubborn, ain’t you?” 
“Joel,” you whine, angry and devastated. “I hate you.” 
You grip the back of his neck with one hand, and both of you watch as he finally takes himself out of his jeans. 
The view makes you salivate. 
Everything about Joel is rugged and masculine. The muscles carved into his arms and chest. The trail of dark hair leading down his stomach that thickens around his base. The deep flushed color of his thick cock. The ragged inhale he makes when he presses the blunt tip against the drenched fabric that clings to your swollen folds. 
“Say it,” he growls, rubbing along your barely clothed seam. 
“I hate you,” you whisper unconvincingly, digging your nails into the back of his neck and arching off of the wall. 
“Tell me you want it.” You can’t tell if it’s a demand or a plea. This strain in his voice and the muscles tensing across his broad frame make you tremble.
“I don’t.” You lie. You snake one hand down your body, peeling your ruined panties to the side so he can slot his tip at your dripping entrance. You tilt forward, impatiently, stretching around him just enough to override your filter. 
“Oh, fuck,” you start. Unable to stop the stream of whispered curses from rolling off your tongue. 
“Yeah,” Joel rasps, inching deeper inside of your tight, warm walls. He feeds himself into you slowly, the overwhelming fullness as you adjust makes your thighs shake. He pulls out and you whine, unable to say a word before he’s moving, dipping you onto the thin trailer mattress and slipping your underwear down your legs. 
“Gonna fuck you full,” he mutters. You spread your legs, making room for him to settle above you. He draws his cock back through your lips, coating himself in your arousal before driving into you with a powerful stroke. 
Your lips part, sucking in air as he sets a pace. He fills you deeper than you’ve ever felt, relentlessly making room for himself as he saws in and out of you. It’s powerful and primal, but refined by his athleticism. Fluid rolling hips and his strong core make you see stars as he fucks into you.
“That’s right,” he rasps above you, and you realize he’s responding to you. 
“So good,” you’re murmuring, “so full.” 
“Taking it like you were made for it,” he says to himself. The intensity of your tight, warm pussy coaxing him deeper makes him spill his thoughts. Unfiltered. 
He sets a pace, slow and deliberate at first, each stroke filling you completely before pulling back, leaving you desperate for more. The friction is maddening, plunging his length into your sensitive walls as he pins you beneath his hard body.   
“You feel that?” His breath is hot against your neck. “Feel how deep I am? How I’m splittin’ you open?”  
You nod frantically, your nails digging into his shoulders as you whimper his name.  
Joel’s control falters at the sound of it, his hips snapping harder, faster, as his desperation takes over. “Thought about this,” he rasps, his voice hoarse. “Fuckin’ hell, I’ve thought about this too damn much. But you’re better than I ever imagined.”  
His confession sends a jolt through you, but you’re too far gone to process it, your body tightening around him as pleasure builds again, sharper and hotter than before.  
“Joel, please.”  
“Fuck,” he chokes the word out, his pace faltering for a split second before he slams into you harder, deeper. “Say that again.”  
“Please,” you whisper, your voice breaking as your release breaks through you, leaving you gasping and cursing.  
Joel’s hips snap erratically, pinning you into the mattress with a tight grip, as he buries his cock as deep as he can inside of you. 
“Gonna fill you up,” he mutters, his voice ragged. “Every drop, sweetheart.” Make you mine, he barely keeps the last thought in his head. 
“Yes, yes, yes.” You chant as your body jolts with each collision with his. 
“Fuck,” Joel mutters, cock driving deeper and swelling at your words. “That’s it. Take it all, sweetheart.”  
Your release hits again, your body trembling violently. Or maybe it never stopped—he only drew it out of you in waves. 
Joel curses low, his hips slamming into yours one last time before you feel him pulsing inside of you, hot and thick. 
When he pulls back, his eyes linger on the mess between your thighs. “Look at that,” he mutters, his voice low and reverent. His wide hands slide up the back of your thighs, bending your knees to your chest so he can watch the mix of your releases glistening and dripping from you. 
He takes one hand and drags it through the mess, pushing it back up inside of you. You squirm, sensitive to the touch, but fixated on whatever is burning behind his eyes. 
You wait for him to say something characteristically Joel.
To dismiss you as naive, to rub it in that he broke you down. That he had you crying his name. That you shouldn’t have done that. 
But it never comes.
You’re convinced he was trying to put you in your place. To give you another reminder that he thinks you’re useless and clueless. You’re too wrapped up in the thoughts to speak or move. 
He doesn’t say anything at all which nearly makes it worse.
Instead, he pins you under a heavy arm, holding you against him until you both doze off. Succumbing to exhaustion.
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-> PART TWO
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dividers by @/saradika-graphics 🤠🤎
tagging the usual babes in case you want some cowboy!joel for christmas too:
@lovely-vamp-princess @gothcsz @auteurdelabre @adoreyouusugar
@swankyorange @itwasntimethatdidit40 @ivoryandflame @magneticecstasy
@indiegirlunited @syd-djarin @harriedandharassed @bbyanarchist
@94namkooksworld
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runawaycarouselhorse · 4 months ago
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I don't want to act like a snob, but, y'all... really don't read old fairy tales or mythology, do you...? You only know the sanitized, bloodless Disney versions? People get cut to pieces (Cinderella/Ashputtel, The Red Shoes), women are abducted to be wives (an upsetting practice that continued until very recently, still practiced in some countries today—horrible, but part of life that found its way into stories, like The Seal's Skin), and magical talking animal husbands / wives (The Crane's Return of a Favour; East of the Sun, West of the Moon, etc.) abound in old mythology. Kids have been raised hearing these stories and not thinking about sex for centuries...
Humans marrying Pokemon in the ancient past was frankly stated in the Japanese version of DPPt. The English version rightly assumed English-speaking fans won't take it and reworded it from used to marry to used to eat at the same table (some euphemism!)
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The Typhlosion story is no different from western stories like East of the Sun, West of the Moon (the way she was advised not to look at him reminded me of that) or The Seal's Skin (selkies cannot transform and return to the sea without their pelts—the abducted wife leaves her half-human child on land, escaping with her pelt when she finds it... the half-human, half-Pokemon children are bullied by their pelts being thrown on them to transform them against their will for cruel human amusement..)
The bloody myth about the boy with the sword is Veilstone's myth, but told in detail, right down to the Pokemon exacting a toll from him for how he maimed and slew them for amusement.
A man unknowingly marries a transformed-into-human form Froslass he met once before in Pokemon Legends: Arceus and she flees when he finds out what she was... it's based on a tale about the yuki-onna, the folkloric snow woman Froslass is based on.
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allwaswell16 · 4 months ago
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A fic rec of One Direction fics that take place in a small town, rural area as requested in this ask. If you enjoy the fics, please leave kudos and comments for the writers! You can find my other recs here. Happy reading!
- Louis / Harry -
🏡 I'll Fly Away by @juliusschmidt
(E, 122k, childhood friends) Harry and Louis grew up together in Lake County, Harry with his mom and stepdad in a tiny cottage on Edward’s Lake and Louis in his family’s farmhouse a few minutes down the road. But after high school, Louis stuck around and Harry did not
🏡 Tired Tired Sea by MediaWhore / @mediawhorefics
(M, 113k, lighthouse) As a B&B owner on the most remote of all the British Isles, Louis Tomlinson is used to spending the coldest half of the year in complete isolation, with his dog and the sea as sole companions. Until, one day, a mysterious stranger on a quest to rebuild himself rents a room for the winter.
🏡 Black with Autumn Rain by whimsicule / @baroness-elsa
(T, 93k, magical realism) Harry is a journalist, Louis has lots of secrets and the moors aren't exactly the ideal place to rekindle a lost romance.
🏡 Here In The Afterglow by fondleeds
(NR, 88k, historical) 1970’s AU. In a tiny town in Idaho, Louis’ life is changed forever by the arrival of a curious stranger.
🏡 ocean tides you home (series) by @justanothershadeofblue
(M, 88k, Eroda) Harry is a lonely and depressed popstar who sailed out of his hometown on Eroda years ago to chase his dreams. He comes back to the island only to find his shining childhood best friend Louis just as cold and dreary as the island they grew up on.
🏡 Into the Weeds by kair0sclerosis
(M, 87k, secrets) Following the whispered words of a stranger, Harry Styles finds himself in the small town of Peri Ridge. It’s a town nestled within overgrown forests, raging rivers, and ominous mountains- full of unkept secrets, the aura of freedom, and lost people seeking to be found.
🏡 (Take Me Home) Country Roads by Awriterwrites / @a-writerwrites
(E, 86k, Northern Exposure au) Louis as the big city doctor, Harry as a natural healer, Niall as a secretive barkeep, Liam and Zayn head over heels for each other but they don't know it and a lot of hurt, comfort and moonshine in between.
🏡 Full Moon Dreaming by jacaranda_bloom / @jacaranda-bloom
(E, 43k, soulmates) Louis has given up hope of dreaming of a person, resigned to living a life devoid of that kind of all-consuming love for another and receiving the same in return. But when a new neighbour descends on Louis’ beloved Hanson Bay and moves into the other beach house, could all that be about to change?
🏡 The Things We Know To Be Wild by harryanthus_annuus / @harryanthus-annuus
(M, 39k, HTTYD au) Louis is a London zoologist sent by the University of Highlands and Islands to assess the safety of the island of Eroda as part of the Wonder Seekers Project for sustainable tourism.
🏡 Something About Liminal Spaces by @kingsofeverything
(E, 34k, age difference) Searching for inspiration for his latest book, and hoping distance will help heal his broken heart, Louis Tomlinson heads to the village of Piha on the west coast of New Zealand’s north island.
🏡 It's the Climb by @lululawrence
(NR, 25k, Hannah Montana au) Louis is a world famous punk rock singer with a stage name of William and Jay drags him back to Tennessee for the summer.
🏡 It's Coming on Christmas by QuickedWeen / @becomeawendybird
(G, 23k, girl direction) When Harry Styles gets a call from the caretaker of a bakery in a small town in Vermont, she jumps at the chance to get out of Boston and run her own shop.
🏡 Naked & Proud by kiwikero / @icanhazzalou
(E, 18k, songwriter Louis) In which Harry runs an organic store, not a nudist colony, and Louis doesn't know whether to be relieved or disappointed.
🏡 Between the forest and the field by bluegreenish / @greenblueish
(E, 16k, meet cute) the one where Harry recently moved to a village and his shy dog picks Louis' dogs to play with at the dog park. A fluffy cottage core AU.
🏡 Won’t Let You Down by noellehenry / @noellehenry-original
(M, 15k, inheritance) In a matter of weeks, Harry’s world turns upside down. Suddenly he’s the owner of a farm and B&B, gets involved in illegal trading of unlabeled bottles and has to deal with his everlasting crush on his sister Gemma’s best friend, who has returned to Woodville…
🏡 You Tilted My Hand by @taggiecb
(G, 12k, photographer Harry) Harry Styles arrives in Avonlea, Prince Edward Island for his first day of a coveted and prestigious summer internship at the Avonlea Chronicle. He's quick to realise that he's out of place in the little band of journalists as he's an art major and they didn't choose Harry to be part of the team!
🏡 Babe, There's Something Lonesome About You by patdkitten / @babyarcanacasey
(M, 8k, witch Louis) Louis is a hedge witch, who lives a lonely, solitary life. He's quite happy with his shop in Door County, selling New Age magics to the tourists. 
🏡 Warm Chilling by Larry_you_know / @larryyouknow
(G, 7k, neighbors) Louis moves into a cosy cottage in the English countryside with his dog Clifford to look after his great-aunt's animals.
- Rare Pairs -
🏡 Grundy County Incidents (series) by @haztobegood
(T, 10k, Harry/Louis/Nick Grimshaw & Zayn/Liam & Niall/Greg James) 25 years, 7 friends, 3 relationships, 1 rural county
🏡 Something Good (And I Don't Just Mean Your Chips) by sunsetmog / @magicalrocketships
(T, 9k, Harry/Nick Grimshaw) Nick's uncle's will left his seaside cottage, his fishing boat, and all the contents of both to Nick. Coming off the back of months of very poor life choices, a brand new start in a Yorkshire seaside village seems the last remaining option for Nick
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goldfinchwrites · 6 months ago
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goldfinchwrites - a writeblr intro
Hello - I'm Lottie, and I'm making a tentative return to writeblr. I've been here on and off for years but I've missed it and thus am returning. A little about me:
I'm 26 years old, based in the UK and use she/her pronouns.
I'm been writing since I was 15, got my degree in English Literature and then last year completed a Master's in Creative Writing and am about to start my second degree in environmental science (!)
I like to write literary fiction most, but am partial to the gothic and including touches of horror and magical realism. I've also written a little poetry and am looking to return to it as well.
I have two finished manuscripts: one that I'm currently querying and another that's just sitting there and I'm considering getting beta readers for, and then at present I'm not really sure what I want to write now. Both of them are quite different in terms of tones and theme so it's become difficult to categorise what sort of fiction I like to write.
That said, things that tend to come up: the misery of small town England, particularly in the West Country/Cotswolds, country houses, the late 20th Century, queer themes, nature and the environment, and casts of very unlikable people.
I’m also very interested in hauntology and countercultural history.
The authors I'm presently most inspired by are Shirley Jackson, Donna Tartt, Elfriede Jelinek, Bret Easton Ellis, Carmen Maria Machado, Sayaka Murata, William Boyd and Evelyn Waugh, but, in essence, my reading taste is 20th Century Classics.
I’m currently working on what I call for a shorthand “seventies gothic.”
I'm looking to follow some writeblrs - especially litfic writeblrs, and dip my toe back into the community!
I also really don’t like people spam liking/otherwise interacting so please don’t. storygraph / bluesky / letterboxd / litfic writers discord
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distant--shadow · 5 months ago
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The Witch and the Widow – Chapter One – The Lake
Laudna Bradbury had murdered her husband.
Maybe murdered. Apparently. That is what brought Imogen here - indirectly, at least.
Not that she's with the law enforcement or anything. Not that, definitely, though ironically being an officer - an interrogator - would suit her well, at least on paper. Passion and enthusiasm would be a different question - and that's why she's here. Sorta. Indirectly, again, for a different question. Words travel, by means of mouth or ink or thoughts (apparently, she had found out), even though thoughts should not travel past the head that they were made in. But they did, and continue to do so, and Imogen had heard enough accounts about the man himself (the Lady’s husband, when he was alive and after the fact), had seen enough women squashed under the boots of the men they were tied to to intimately know and understand a flash decision made in a moment for self-preservation-
all too often women tempered their instincts to allow themselves to become the soil underfoot rather than the sole of the shoe
so much as to say that Imogen does not care much if Laudna Bradbury had murdered her husband.
She cares more about what the words whispered and weaved and waded in the time after wrote:
Laudna Bradbury had used witchcraft to murder her husband.
The only utterances of magic Imogen had heard of, had seen, had unexplainably received taken telegraphed by inner voice and grey matter before that rumour, were her own.
Imogen needs answers, desperately, as though a necessity purely imperative like breathing and eating, and so she brought herself to the source of the lake before it divided and weakened and meandered from river to muddy stream to drink directly from her-
(it.)
Laudna Bradbury is a widow, a widow who continues to live on the estate her husband’s heraldry and wealth had afforded them, company kept by a small team of housemaids and gardeners and the like.
and it is a large estate, a lot to look after, for sure, certainly, with its couple hundred maybe more years in age and just as many acres. There's hairline cracks in the stucco, a missing roof tile here and there
but there is no denying that it is a fine example of architecture, certainly was the highest of fashion at the time. A grand country house with an East Wing and a West, bay windows and towers and pleasing ratios between alcove and doorways and arches and walled topiaried gardens that extend from north to south, illustrations in stained glass ornately framed with flowering climbing ivy
statues that step out from domesticated bordering jungles, now appearing more as gargoyles thanks to the decay of time, noses eroded like they have rotted off, birds’ nests of briars thorned crowns or horns
rosemary bushes skirt the main building’s façade, perfuming the sometimes hot-and-humid, more often brisk-and-grey air carried through the opened lead-lined boiled sweet coloured window panes into the dark mahogany-panelled and silk-embroidered tapestried interiors.
Off of the West Wing there is an extension nearing the height of the gargoyled walls that surround the estate. This is the wall that fortifies the Lady Bradbury’s private garden; with doors adjoining directly to her study - both of which are off limits. Imogen doesn't know much of pretty and imported flowers, but she knows local common sense, knows what berries to pick and which weed’s sap causes a blister that will never heal again should it brush her skin.
Through small cracks in the masonry delicate tendrils curl out; leaves crawling, surfacing, small purple flowers with yellow tear-drop centres blooming.
Deadly nightshade.
She wonders what else grows behind the wall, patiently biding its time until the decay of such allows it through. 
It is in the stables that Imogen spends most of her own time; her years of experience working under Master Faramore awarded her an earnest recommendation, and it sure helped that a couple of the Lady’s mares and a stallion were from his own livery, that they had been raised and trained by Imogen's own hands before they left them.
She needs answers, so she has taken herself to them, to the lake to drink from. She observes from a distance, listens to any whisperings and wonderings that bed with her in the servants’ quarters.
The days are long, mostly spent between mucking and feeding and exercising and grooming the horses and watching the Lady Bradbury taking a walk around the herb garden with knees as muddied as the kitchen staff’s, or cutting bark segments from off of the trees that dot the grounds as if she were operating in front of an amphitheatre of flora and fauna students whilst Imogen brushes down one of the horses or shovels hay
and despite the distance and Imogen's best efforts to remain subtle, the Lady Bradbury’s eyes would sometimes catch hers observing (staring, admittedly), and she would smile, and perform a barely perceivable curtsey (one of many behaviours outside of expectations), and Imogen would tip her brimmed suede hat in return, and would think of how despite the fact that the Lady’s practices of class and boundaries and what is proper were different, a bit odd, nothing of the woman's behaviour suggested that of a killer - only the situation that she stood in - the peculiarly beautiful widow with a walled off poison garden. And so maybe the same is to be said of her magic, should she even be harbouring or practicing any (although admittedly her appearance certainly is bewitching…)
and it's like the instances before but unlike them - Imogen stealing glances of the Lady Bradbury as she potters about her estate (she probably really does potter, she fills so much of her time with crafting and making. Imogen wouldn't be surprised to see her pale skin elbow-deep in caked-on terracotta pigment digging out clay rich soil into old whisky barrels to have carried by willing hands to a throwing room with a secret kiln.) but on this day, when their eyes in new routine now inevitably meet across the wildflower-speckled field (that in itself is unusual, highly out of vogue, it isn't the acres of well-kept uniform lawn and paths laid with talking-point pebbles imported from the coast that the other estates boasted and Imogen had glanced when ferrying Master Faramore’s horses elsewhere) the Lady Bradbury takes pause, before she starts to make her advance towards Imogen.
shit.
She's been brushing the same patch of short thick hair on Foie Gras’ shoulder for so long that she's surprised there isn't a bald patch. Maybe the Lady Bradbury is worried as such. Maybe Imogen has been too obvious in her observing (admitted staring). Maybe she has been found out.
She feels her brow start to perspire, the muscles in her limbs wishing to move erratically and awkwardly and restlessly and to carry her to stand out of sight hidden behind the thick neck of the horse like an obvious child playing hide and seek behind a tree trunk, or to flatten the creases in her breaches and her linen tunic and pick out the strands of hair and hay that have lodged themselves into their weave, untwist the grasp of her suspenders over her shoulders - but she practices restraint - is trained and cautious and intentional and thorough she was only being thorough with the mare, casts her gaze in iron like the blacksmith hammering the horseshoes and steels herself for the Lady Bradbury’s approach.
Her skirts are full and structured and plumed by many layers of petticoats that hide the movement of her feet across the wildflower lawn, causing her to appear to be drifting like the bees do from petal to petal, pollen dusting her pleats though ghostly her skin in contrast to the fine fabrics that she dresses for the part, black in mourning, still, bodice tight and sleeve leg of mutton, an ornate decorative layer of black lace laying over each yard of textured textile like spider webs on porcelain patterns, her husband's tableware collecting dust in the kitchen cupboard.
real impractical for how tending towards practical the Lady dares to be, hands on, too busy for errant hairs in piano key ivory and ebony windswept and loose from the high bun she pins in place with a cameo broach, a memento mori engraved in silver and inlayed with ruby eyes and tied with red ribbons. Her skin also proudly displays the age and perhaps trauma that her hair does, lines from laughter and furrowed brows and the feet of the crows that cry from the top of the chimney pots
Imogen has heard her call them her children (the birds that is, not the wrinkles) - has heard her talk to them as if they are responding, oftentimes giving her own tampered voice to do so (and to Imogen’s amusement)
The Lady never had children of her own; those are their own rivers of rumours within themselves. Imogen did not care for that stream of gossip at all.
The Lady steps closer, and the yet-to-be familiar fog of her mind cocoons Imogen, water transmuted into mist against jutting rock at the plummet of rapids, relief from the laborious work and humidity, her previous restraint to keep her body in check breaking as she visibly swallows and licks her lips, suddenly aware of how dry they had been.
The Lady Bradbury rests her hand on the back of Foie Gras’ neck, fingers long and pale and decorated in black lace like mother of pearl inlay and marquetry on a lacquered curious curio cabinet that perhaps Imogen had eyed through a stained glass window standing in the corner of the out-of-bounds office.
“Good day. It's Imogen, correct?” her delicately veiled fingers comb through the mare’s mane, her dark mahogany eyes seeming to look over the gloss of Foie Gras’ coat to inspect the way the late morning sunlight rests upon its sandy hues before turning her attention back to Imogen with a smile.
She hadn't spoken much to the Lady since she was hired a few weeks back - not much being that this is the third time, after her interview and a brief acknowledgment when being shown around by one of the housemaids the day she started.
The Lady Bradbury’s lips are painted a deep purple, an unusual colour for sure; Imogen had only seen illustrations and paintings of the dignitary from era’s passed in shades of peach and pinks and reds, stencilled in exaggerated shapes, and as with the landscaping of grounds, to wear such obvious make up itself is frowned upon, old fashioned, conveniently equated with providing false fronts.
The Lady’s teeth are bright, especially in comparison to the purpled dark lips.
and sharp
especially in comparison to how soft-
“You must pardon me, have I got it wrong?”
shit, fuck-
“Oh! n-no-” Imogen was staring, definitely “I apologise m’lady. You are right, it is Imogen.”
God dammit - she’s gonna get herself fired, fired for daydreamin’ and giving the horses receding hairlines and ignoring the Lady of the Manor when she addresses her-
The Lady chuckles to herself delicately, an act displaying a markable absence of frustration and bewilderment.
“From Master Faramore’s, yes? How are you finding the new environment? I am sure the stables here pale in comparison to his, but I do not believe that they afforded such space and the opportunity for frequent walks around such a beautiful lake…”
“Certainly, m’lady. There are less of them so they get more attention, they can be well looked after-”
“Indeed, plenty of grooming at the very least-”
Imogen can feel the hot blood rush to the surface of her cheeks, unable this time to wrangle her body’s motor reflexes.
“I have yet to visit the lake m’self, I am sure they enjoy bein’ taken by you though, they always seem happier when they come back.”
“Is that so? Well, I must insist you see the lake for yourself, if not only to relish the fact that you took great part in an amount of their contentedness.”
The Lady Bradbury looks to her expectantly, Imogen expected to have a reply for the unexpected.
“Would you accompany me this afternoon?”
Imogen can read thoughts. She can read thoughts but what if the Lady Bradbury can too? Or what if she can tell that she is imposing? Would she find herself in the bottom of that lake on her very first visit? A drink more filling than what she had wanted, her lungs full and void of buoyancy. Imogen can read thoughts but she dares not to read the Lady’s.
She can feel them, though, that first and second and now third time in her vicinity, feel how they are different, an audible silence amongst the swarm of bees wings and small talk and anxieties
At some point the Lady had stepped around Foie Gras’ head to stand beside Imogen
She smells like sage and gunpowder
On the day of her interview she had smelled of eucalyptus and raw animal fat-
“You’re quite the thinker, aren’t you?”
Of that she is guilty, though usually she can argue that the majority of the thoughts that weigh her down are not her own.
“Apologies m’lady, I wasn’t sure I had heard you right. Did you want a horse saddled for you for this afternoon?”
Imogen had never thought that her accent sounded particularly thick or clunky, but it felt as heavy as her mind tends to be around other company when speaking with the Lady, her tongue all thick tangled muscle swelling against the roof of her mouth and her teeth.
Perhaps this is some sort of witchery. She waits for the molasses to take a hold on her muscles and limbs, for the her skull to be crushed concave from the inside
But it doesn’t happen.
The Lady smiles (again)
“Almost. One for you and one for me, if you would accompany me around the lake - there isn’t a cloud in the sky today and it would be a shame to keep the clear reflections of the mountains to myself and Foie Gras here.”
Imogen is thrown. Yes, y’all could argue that this is exactly what she came here for; time alone with the Lady Bradbury, the opportunity to form a rapport or to subtly pluck at her brain but there is something in the way that she carries herself, how she talks to Imogen with ease and lack of formality that is alarmingly disarming, and leaves Imogen cloudy on why she came here in the first place-
“C-certainly, if it’s what the Lady wants-” she chuckles (again, again) waving her hand dismissively before catching herself and laying it over the patch of hair on the mare’s shoulder that surprisingly hasn’t thinned from all of Imogen’s enthusiastic (distracted) brushing.
“I will take Ceviche; you seem to have formed quite the bond with Foie Gras.”
Imogen can only nod with lips parted in silenced protest as she feels her cheeks flush again.
~
The walls of the stable are thick and stone, absent of windows save for the upper halves of the handful of wooden doors that allow for the horses to pop their heads out in eager greeting to Imogen as she walks towards them with their buckets of feed.
It is a clear day, as the Lady Bradbury has said, hot and humid and Imogen is grateful for both the surroundings and the company of the stable.
As she rakes the trodden-in and dirtied hay across the flagstone floor she allows the earthy scents of the dried grass to remind her of the smell of the sage, the crumbling mortar imitating gunpowder.
She wipes the back of her shirt sleeve across her brow, skin also sweating at the wrist where the gloves wrap work-beaten leather over shielded skin
Soft skin, mostly - save for where her fingertips appear to be frost-bitten.
A fairly visible reminder of why Imogen is here, should she forget again in the Lady’s presence-
Not that she would dare to take off the gloves.
That would only lead to questions.
‘Jammed in between horse-drawn carriage and stable door’ - she used to say, before the purple bruised tips started to migrate further, splitting out like surfaced capillaries that encompassed her fingers one knuckle at a time
They mark half-way over her palms now – like someone had dipped fine dense vegetable roots in an inkwell and struck them in lashings across her hand, punishment obfuscating her palmistry.
She hears one of the horses whinny – Ceviche most likely, a little restless, the black stallion not having been let out onto the fields yet today, as Imogen was now preparing him for his ride to be taken shortly.
The Lady’s saddle is very ornate, the leather finely tooled and decorated with organic flowing arrangements that resemble leaves and petals and insects with patterned wings or many many limbs
Its material and stitching is kin to the other saddles, the ones for notable guests and stablehands alike, brands the same maker’s mark
After a short amount of time observing (staring), Imogen suspects that the Lady tooled it herself.
~
The Lady does not ride sidesaddle – she straddles the stallion proper.
Imogen can only assume that she changes from her garden-strolling undergarments to allow for this, having never worn a crinoline herself - that would both be out-of-class, and, more importantly (to Imogen at least) - real impractical.
She had noted as such about the Lady on the first day she had seen her taking one of the horses (it was Carpaccio, a black and white paint) out of field.
It was the first instance of out-of-expected behaviour that she had witnessed.
Imogen can admit to herself that such a small thing had ignited her warming to the widow.
~
Imogen allows the Lady Bradbury and her steed to take the lead, pace set by the older woman’s enthusiasms making themselves known in short enough time from pointing out ‘notable’ forms in the sloping rock faces lining the well-worn path, covered in blankets of moss and ferns and tall stems of bell-shaped pink and white foxgloves and pomanders of wild thistles.
“I just can’t help but imagine what tiny creatures would love to make home between the cracks in the rock and the tree-stumps.”
“’lotta mice and rats I imagine, probably squirrels-”
“Well, yes, certainly…”
Ceviche’s slow walk carries on ahead of Foie Gras’, and the Lady sways with his gate in the saddle, though despite this Imogen could just about read the slight deflation in her shoulders when she had replied to the Lady’s statement.
Her head turns over her shoulder, gaze searching and challenging Imogen’s, caught staring (again), dark eyes hollows of homes burrowed in rocks, the high sun exaggerating high cheekbone architecture, pleasing ratios of brow to bridge of nose.
“…I refuse to believe that there are no imps or fairies when the land is so perfectly carved for them.”
“I can only say I’ve heard stories…” Rumours, rivers.
“Certainly, else you would not be here, would you?”
The Lady holds her gaze a moment longer, as if expecting Imogen to have an answer worth vocalising for that. Imogen feels her pulse begin to thud at her temples, the sweat returning to her hairline and underneath the cuff of her gloves.
The Lady giggles melodically and dismissively, returning her attention to whatever catches its fancy on the path ahead.
“How ugly it is that we must quarry and build. I have thought more than once about leaving the manor to the animals and the girls and making my home in the cave by the lake- oh, I am so very thrilled to show it to you.”
Her excitement cuts the atmosphere, spring back in her step transposed through the steed’s, one hand off of his reins and gesturing in the air.
“You can see it from the upper floors of the house – though that is rather rude of me to say, isn’t it? If you will allow that injustice to fall upon the architect and how societal structure seems to love its walls and assigning basement dwelling.”
Imogen finds herself inadvertently allowing Foie Gras to fall at a pace beside the Lady and Ceviche.
“That’s alright, most nights I tend t’lodge in the stables; eases my mind that I’ll be near the horses should anythin’ happen.”
“Plenty of wild animals around, yes? They do get spooked so easily.”
“I like how you’ve named ‘em – it’s fun.”
“Oh!, You do? I am so glad! You are the one who has to be calling their names most often after all.” Imogen may be in early days (hours) of learning the Lady’s tells, but the smile that creases the skin around her nose and mouth and deepens the wrinkles at the corners of her eyes feels genuine.
“It does often make me chuckle, I assume you’re fond of raw meats?”
“I suppose you would think so, wouldn’t you?”
“Are y’not?”
The Lady takes pause, her look introspective.
“Have you ever eaten horse?”
“w-what? Of course not – do people actually do that?”
“Mmhmm, across the waters – in all directions. It is certainly a common custom. What makes horse any different from beef?”
“I could never – we share a bond, they let us- they give us-” Imogen's tongue is too thick and heavy again, blubbering with words that do not come easily to it as they do her head. She allows herself a deep breath, collects what little face she has, remembers the presence she is in (a Lady regardless of murder or witchcraft) “-in all honesty I rarely eat any meat, the more time ya spend with animals the more guilty ya feel about doing so.”
“How peculiar…maybe you need to spend more time around carnivores.” The Lady laughs at her own joke this time, hand patting at the side of Ceviche’s neck, the horse unaware of what words have been said. Imogen is thankful, in this instance, though she will admit she has tried more than once to see if her mind reading extended to her four-legged friends.
“But they’ve got no choice, that’s how they were made.”
She mimics the Lady’s movements, lovingly patting Foie Gras at the same spot on her neck.
“Made…yes…You have incisors don’t you? Canines?”
“I do, but I don’t have a mouth full of ‘em. Most of our teeth are as flat as these fellas over here…” she ruffles the mare’s mane “-though I won’t deny that gettin’ bitten still hurts something fierce.”
“Makes you wonder what sort of damage you could do if you so chose to, after all, your eyes are not on the sides of your head.”
~
The lake is beautiful.
Of course it is. It displays itself naturally basined, wrapped in the embrace of the mountains surrounding draped in forest cloak, walls both man-made and much older obfuscating its view from the ground floor of the estate.
The lilac and blue hues of the pebbles are familiar, lining the vegetable patch borders in the garden, larger stones used for holding stable doors open.
It is quiet over the lake. The terrain raised around it shutting out the winds, only the quiet breeze that drifts through the canopies on the mountain crests giving a gentle whistle to the waters below, an enjoyable confusement between what is wind and what is the crashing of the tender tides.
The waters are clear blue with a hint of turquoise, green given by either the surrounding plant life’s reflection or by the ones that live underwater.
It reminds Imogen of the lakes in the mountains from her childhood. It is something else new.
Their horses slow to a stop, on the Lady’s cue.
“Magnificent, isn’t it?”
“It really is - no wonder why the horses come back so happy.”
“And will you be as such on your return?”
“Certainly m’lady, thank you for allowing me such a privilege”
“It is not mine to give, though I will make it explicit that you may come down here whenever you wish – providing the horses are happy, of course. That is what I ask of you.”
Imogen thinks she is blushing again, but the feeling is further inside her than her veins, a warmth radiating.
“You take good care of the servants at the estate, don’t you?”
For the first time, the Lady seems thrown by what Imogen offers, a step behind instead of two larger-horsed paces ahead.
“They take better care of me.”
“I don’t think I’ve ever heard someone wish to leave their home to the help.”
“It would be the very least I could do.”
“You give ‘em food and a roof over their heads-”
“They sow the seeds, they tend to the animals, they butcher their meat and harvest the wheat to bake the bread. I have been so lucky that they have yet to poison me.”
“I can only say from ma short experience that I’d find that hard t’understand.”
Her face softens again. It feels both comforting like a blanket but then uneasing like having the lights blown out.
“Funny thing, perspective…”
Lady Bradbury slides off of her horse, heels of her fine boots falling into the gaps between the pebbles, though her footing remains certain, experienced.
On the surface of the lake the trees grow downwards, the birds fly with their bellies exposed to what lies in the waters.
The Lady halts, dropping to one knee as she makes short work of the laces on her shoes.
Imogen isn’t sure if she should be offering to remove them for her, jumps down from Foie Gras and jogs clumsily on uneven surface towards the Lady regardless. 
“There are old stories of this lake, you know-”
Lady Bradbury confesses a little breathlessly, lung capacity limited by the press of her thigh into her stomach. She swaps her knee for the other on the ground, starting on the other lace.
“I won’t tell of them just yet, I would hate for them to be off-putting.”
She stands straight again, the sieved remnants of harsher winds that have made it over the mountains’ embrace wishing to make field mouse nests of her hair, spiderwebs of the lace collar around her neck, footprints of birds’ feet fossilised in the marble cornering her eyes.
She looks at home at the lake, certainly a natural thing - flesh and blood and bones cocoons to silk cotton to yarn to lace – Imogen wonders what a marvel the Lady could paint and chisel into the mouth of an open cave.
Balancing, she pulls each shoe free, grin knowing, slightly manic, intensely catching Imogen before she gathers the length of layers of skirts into one hand and steps into the clear waters.
Imogen swears she sees something conjure beneath its surface to greet her.
Laudna Bradbury had (maybe) murdered her husband – (maybe) with witchcraft, most importantly - but Imogen has bigger questions that require her answers, and so she follows the Lady into the lake.
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grimmtells · 11 days ago
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✦ Wizarding Lore Compendium |​| The Three Elders and Winnie (TBA) |​| Grimmverse Heroes of Yore (TBA) ✦
✦ Son of 𝐌𝐚𝐠𝐢𝐚 𝐌𝐞𝐫𝐥𝐢𝐧𝐞, the galaxy's most renowned mage, 𝐎𝐳𝐰𝐚𝐥𝐝 has risen to serve wizardkind as their second Grand Magister following the "passing" of his mother. Wielding her staff as both a symbol and a legacy to carry on, he now has the duty of safeguarding Magic itself. When 𝐍𝐢𝐠𝐡𝐭𝐦𝐚𝐫𝐞 threatened to engulf the galaxy in darkness, the wizards stood alongside the GSA and the Nichibotsu assassins. Together, they fought for years, united against this cosmic threat. Unfortunately, the assassins betrayed their comrades, aligning themselves with Nightmare. This treachery devastated the GSA, thinning their numbers and shaking morale. And though morale wavered, the GSA pressed on. Yet, the war reached a tragic turning point when 𝐘𝐚𝐦𝐢𝐤𝐚𝐠𝐞, the orchestrator behind the ninjas’ treachery, abducted Ozwald from the battlefield astride a fearsome dragon demon beast. In a final, desperate cry before disappearing into the enemy’s grasp, the Grand Magister called out to his kin, commanding them to flee and never return. At that moment, none of them looked back, they obeyed their magister's last command and deserted the battlefield, leaving the GSA behind. A mere few weeks later, Ozwald reappeared, but the man who returned was no longer the same. Nightmare’s corrupting influence had taken hold, and wizard had been lost to darkness. Many years after the Great War, on a faraway planet called Popstar, King Dedede noticed that 𝐊𝐢𝐫𝐛𝐲 was quite confused by magic tricks Tuff was performing. Without skipping a beat, Dedede activated his downloading system, a contraption from Holy Nightmare Enterprise, and demanded their most skilled magician. Thus, Ozwald was sent through their channels and set upon Kirby’s trail. A fierce battle ensued, with the young Star Warrior pushed to his limits. Yet, through resilience and determination, Kirby succeeded in breaking the spell that clouded Ozwald’s mind, freeing him from Nightmare’s grip and allowing the Grand Magister to finally regain his senses. Ever since, the Magister has been residing in Castle Dedede, occupying the vacant top of a tower.
✦ 𝐐𝐮𝐢𝐜𝐤 𝐎𝐯𝐞𝐫𝐯𝐢𝐞𝐰 ────────
✦ Voice Claim | Patrick Page, Oz speaks with a West Country english accent. ✦ Likes | Reading, Opera & Theater, Moonlit strolls & Stargazing, Lemons, Tea ✦ Dislikes | Hypocrisy, Disrespect/ Disdain against magic, Egotism
✦ 𝐏𝐞𝐫𝐬𝐨𝐧𝐚𝐥𝐢𝐭𝐲 ───────────
• Despite looking as imposing as he does upfront, few are sweeter than him. Kind and endlessly patient, he'll engage in conversation with pretty much anyone, even Dedede. • While Ozwald believes that a certain degree of sterness is required to properly teach the youth, he also believes that being too harsh and demanding will not give positive results. He prefers to teach with rewards, and attempts to make any topic interesting to get the attention of easily distracted children like Tuff, who usually dislike learning "boring stuff". • Ozwald is extremely forgiving, perhaps to a fault, even. He, himself, says that as a man who has committed sins against his comrades, he does not get the luxury to be critical of what is done to him. • He is, however, never forgiving when it comes to humane decency and decorum. Rudeness is one thing he quite dislikes, and will grow annoyed by it very fast, still remaining as polite as can be on his end. He does not want to stoop down to this level. • Ozwald is very doting with children, and has a natural fatherly disposition that usually warms him up pretty quickly with kids of all ages, even the most cold and distant. • Old man rambles a lot. He's got a fondness for discussions around magic and any topics he enjoys, but quickly finds himself talking at length until he gets nervous that he might be bothering his interlocutor. • Ozwald has an easygoing sense of humour, while he does not hold grudges, he is not above using previous events as ammo to tease someone. • Ozwald gets quite competitive with games of any kind and events putting him against other people/teams. He's a bit of a sore loser, but he tries to hide it !
✦ 𝐓𝐡𝐞 𝐌𝐚𝐫𝐤 𝐨𝐟 𝐌𝐞𝐫𝐥𝐢𝐧 & 𝐒𝐜𝐚𝐫 ────
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In depth description of the Mark here ! • About the Scar ~ Pierced through the eye by a kunai imbued with Nightmarish power, the wound defied all attempts of healing, leaving behind a hollow scar from which magic occasionally seeps through. • It resembles an unstable counterpart to the Mark of Merlin. While the MoM serves as a gateway to the core and source of all Magic and remains flawlessly stable, the scar can become volatile, leaking magic uncontrollably when Ozwald grows overly agitated.
✦ 𝐓𝐮𝐫𝐧𝐚𝐫𝐨𝐮𝐧𝐝 ────────────
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✦ 𝐇𝐞𝐢𝐠𝐡𝐭 𝐂𝐨𝐦𝐩𝐚𝐫𝐢𝐬𝐨𝐧 ───────
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✦ 𝐅𝐚𝐜𝐭𝐬 ─────────────────
• Ozwald's closest loved ones are his mother, Merline, his little sister Winnie, the Three Elders of the Observatory Bumbledorr, Grindell and Maggie, and his magical owl, Duke Owlbert Hootsalot. • His birthdate is December 25th (12/25) • He has backpains, because Old. He gets very cranky when they start acting up. • He's a tea-drinker over coffee all the way. • He loves playing boardgames ! Always a good time between friends. • He's got quite the encyclopedia knowledge in astrology & astronomy. • Particularly likes the occasional baking of treats. • Ozwald is very adept at Offensive magic and Defensive magic, but also Supportive magic. During the Great War against Nightmare, him and most wizards were very important assets of the GSA, able to ward of most demon beasts, aside from those with magic resistance. • Ozwald and wizards as a whole do not really have mana. However, using magic, especially strong spells, for long periods of time can tire and wear them out. Ozwald can perform staffless magic. • He only has one eye ; he lost the other one during the war after a certain treacherous ninja threw a kunai at him. He tends to hide it with a glamour spell. He almost never lets it show.
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