#West Clare Ireland

[cogumellow]

the cliffs of moher at dusk // pollboy, ireland // 2009 // ©

[burlystinkfag]

"The Hague isn't good enough for you"

[thekeypa]

The fight for civil rights is local, national and international. We stand with the victims in Palestine, Yemen and Afghanistan.

[theholmwoodfoundation]

THE HOLMWOOD FOUNDATION PILOT EPISODE CAST/CREW - PART ONE

REBECCA ROOT - MADDIE TOWNSEND/MINA HARKER

Rebecca trained at Mountview Academy of Theatre Arts. Theatre credits include A Midsummer Night’s Dream at Shakespeare’s Globe, The Curious Incident of the Dog in the Night-Time for the National Theatre (UK and Ireland tour); Rathmines Road for Fishamble at the Abbey Theatre, Dublin; Trans Scripts at the Edinburgh Festival Fringe and American Repertory Theater in Cambridge, Massachusetts; The Bear / The Proposal at the Young Vic; and Hamlet at the Gielgud Theatre and Athens International Festival. TV, Film and Video Game credits include Monsieur Spade, This Is Christmas, Irvine Welsh’s Crime, Hogwarts Legacy, Horizon Forbidden West, Heartstopper, Annika, The Rising, Sex Education, The Gallery, The Queen’s Gambit, Finding Alice, Creation Stories, Last Christmas, The Sisters Brothers, Colette, The Danish Girl, Flack, The Romanoffs, Moominvalley, Hank Zipzer, Boy Meets Girl, Doctors, Casualty, The Detectives, and Keeping Up Appearances.  Radio credits include Clare In The Community, Life Lines, The Hotel, and 1977 for BBC Radio 4. Guest appearances include Woman’s Hour, Front Row, Loose Ends, Saturday Live, and A Good Read.  She plays Tania Bell in the award-winning Doctor Who: Stranded audio dramas. Rebecca has also recorded numerous documentary narrations, audiobooks, and voice-overs. Rebecca is also a voice and speech coach, holding the MA in Voice Studies from Royal Central School of Speech and Drama.

SEAN CARLSEN - JEREMY LARKIN/ JONATHAN HARKER

Born in South Wales, Seán trained at the Royal Welsh College of Music & Drama. He has worked extensively in audio drama, television, theatre and film.  Seán is perhaps best known to Doctor Who fans as Narvin in the Doctor Who audio series Gallifrey and has appeared on TV in Doctor Who - The Christmas Invasion and Torchwood. Recent TV credits include Mudtown (BBCiplayer/S4C), Dal y Mellt (Netflix), His Dark Materials (BBC1), All Creatures Great and Small (Channel 5), A Mother's Love (Channel 4) and Series 5 of Stella (Sky1).  Films include supporting leads in Boudica - Rise of the Warrior Queen, cult horror The Cleansing,  the lead in Forgotten Journeys and John Sheedy’s forthcoming film ‘Never Never Never’

SAM CLEMENS - ARTHUR JONES

Samuel Clemens trained at the Drama Centre London and is an award-winning director with over twenty years’ experience. Samuel has recently written and directed his debut feature film ‘The Waterhouse’ with Take The Shot Films & Featuristic Films and represented by Raven Banner Entertainment, which is due for release this coming year.  In addition, he has directed fourteen short films, winning awards all over the world including shorts ‘Surgery (multi-award winning), A Bad Day To Propose (Straight 8 winner 2021), Say No & Dress Rehearsal’. Samuel also directs critically acclaimed number one UK stage tours and fringe shows (Rose Theatre Kingston, Swansea Grand, Eastbourne, Yvonne Arnaud, Waterloo East Theatre) and commercials include clients JD Sports, Shell and Space NK. Samuel is also a regular producer and director for Big Finish Productions & Anderson Entertainment. He has cast, directed, produced and post supervised numerous productions of ‘Doctor Who – (BBC), The Avengers (Studio Canal), Thunderbirds, Stingray (Anderson Entertainment), Callan, Missy, Gallifrey’& Shilling & Sixpence Investigate’ and many more. Samuel has directed world class talent such as, Sir Roger Moore, Ben Miles, Tom Baker, Sylvester McCoy, Alex Kingston, Frank Skinner, Rita Ora, Rosie Huntingdon-Whiteley, Rufus Hound, David Warner, Celia Imrie, Samuel West, Youssef Kerkour, Sophie Aldred, Ian McNiece, Colin Baker, Olivia Poulet, Stephen Wight, Jade Anouka, Mimi Ndwendi, Michelle Gomez, Peter Davidson, Paul O’Grady and many more. Samuel is one of the founding members and directors at Take The Shot Films Ltd and is Head of Artistic Creation and Direction. Lastly, Samuel is a regular tutor at The London Film Academy, The Giles Foreman Centre for Acting & The Rose Youth Theatre and is a member of The Directors Guild UK. As for upcoming projects, Sam is currently in pre-production on his next feature film “On The Edge of Darkness”, which is based on his dad’s stage play “Strictly Murder”.

ATTILA PUSKAS - DRACULA

Attila Puskás is a native Hungarian Voice Actor born in Transylvania – Romania, so Romanian is in his bag of tricks too, but most of his work is done in English, in a Transatlantic Eastern European Accent, but is quite capable of Hungarian, Romanian and International Eastern European accents, plus Standard American. His voice range is Adult to Middle Aged (30-40+) due to his deep voice. Vocal styles can range from authoritive, brooding to calming and reassuring and much more. He’s most experienced in character work, like Animations and Games, but his skills encompass Commercials to Narration as well. He’s received training through classes and workshops, pushing him to the next level to achieve higher standards. Now on a journey to perfect these skills and put them to good use!

PART TWO: HERE

PART THREE: HERE

[elliot-bridgerton]

Nicola Mary Tina Coughlan,

born on 9 January 1987 in Galway, Ireland, and raised up in Oranmore.

At the age of 4, she realized her dream to be an actor after watching an videotape film of "The Wizard of Oz". Likewise, she grew up watching her older sister perform in a school play. She attended Scoil Mhuire for primary school and Calasanctius College for secondary school. She graduated with a degree in English and Classical Civilization from the National University of Ireland, Galway. She then went on to train in England at the Oxford School of Drama and Birmingham School of Acting.

At the age of 9, in 1997, Nicola Coughlan had an uncredited role in action thriller film My Brother’s War. Coughlan was able to take the day off school and was paid £30 to feed swans, though she was scared of them. In 2004, she started her career with a role in Tom Collins’ short film, The Phantom Cnut, a revenge comedy. In the following years, she did various voice works in animated series. She was suffering from depression during this period and her family helped her through the entire process.

"There wasn’t one thing that turned it around for me — I got myself out of that stage very slowly."

Due to financial difficulties, Nicola moved home to Galway, Ireland, to work part time at an optician and get back on her feet. During that time, she responded to an open casting call on Twitter for Jess and Joe Forever at The Old Vic in London, and she just so happened to land the role of Jess. The show has a special place in her heart, as it was her first real break into the acting industry.

In 2018, Coughlan began playing Clare Devlin, one of the main characters, in Derry Girls. This sitcom is set in Derry, Northern Ireland, in the 1990s. The series was broadcast in January and February 2018 on Channel 4. But it was after its rerelease onto streaming platform Netflix in December of the same year that the show gained an international audience and an instant popularity.

In the same year, she also played Hannah Dalton in Hulu’s Harlots. The period drama television series is set in 18th-century London. This year also marked her West End debut in The Donmar Warehouse’s production of The Prime of Miss Jean Brodie. Evening Standard named her as “one of the Rising Stars of 2018”. Unfortunately, not everyone was a fan and Nicola was forced to call out a critic for the British Theatre Guide, Philip Fisher, due to his rude comments about her weight. In a poignant op-ed for The Guardian, where she demanded for critics to

“Judge me for my work in Derry Girls and on the stage, not on my body.”

In the following year, she made headlines again for rebutting the Daily Mirror’s comment on her 2019 British Academy Television Awards look as not the most flattering. She tweeted “I mean incorrect @DailyMirror I look smokin’, sorry bout it”. In July 2020, she auctioned off this Alex Perry dress and €5,000 raised funds went towards LauraLynn Hospice, an Irish children’s hospice which provides specialist palliative and supportive care services.

In 2019, it was announced that Coughlan had been cast in the Netflix series Bridgerton, which premiered in late December 2020. Nicola only had to audition once, and was soon given the role. In this period-drama series based on the best-selling Julia Quinn book series of the same name, Coughlan played Penelope Featherington. The girl is a reluctant debutante and youngest daughter of a nouveau-riche family in Regency-era London. Soon after its released, it was announced that over 63 million people had watched the series.

Nicola has remained an avid advocate for LGBTQ+ and Women’s Rights. Back in 2015, she went from door to door campaigning to legalize same-sex marriage in Ireland. “This was pre anyone knowing who I was, so I didn’t have a big platform to do stuff, but I did what I could,” she told The Guardian in December 2020. She also campaigns for the rights of women and LGBTQ+ communities, including with This Is Me in Ireland (which is run by her friend Noah Halpin) and The Rainbow Project in Northern Ireland. As she explained to Bustle during a December 2020 interview,

"Playing a gay character in Derry Girls and same-sex marriage being illegal until this year, I wanted to lend my voice. It’s not a cozy issue that’s easy to talk about, but I’ve got friends who have suffered because of legislation like this."

In February 2019, Nicola and, her Derry Girl’s co-star, Siobhan McSweeney women led 26 with their suitcases across London’s Westminster Bridge to demand the decriminalization of abortion in Northern Ireland. They represented the estimated number of women a week who had to travel to England to access abortion. Despite many celebrities calling for a boycott to filming in Northern Ireland, Nicola refuses. Of the matter, she said: “Just to state I would never boycott working in NI, I absolutely love working there and feel like my time is better spent supporting the women there by speaking out in interviews, protesting, etc.”

[madamepestilence]

A PSA on American Politics

My blog has largely become an America-centric political blog, especially regarding the US 2024 election. I've made a few posts about it, as well as a video essay. (Note: Claudia de la Cruz is no longer a viable candidate; I'll explain in this thread.)

I'm going to speak to y'all directly now.

The Democrats. The Anarchists. The Communists. The Socialists.

Listen to me.

The whole Vote Blue No Matter Who method is only supporting fascism. I'm not sugarcoating it: Biden is a fascist, people who vote for him are voting for fascism, and if you're voting for Biden just because you're scared of Trump winning the election, you are a fucking coward.

I know I'm going to get flak for that, but it needs to be said - I'm not babying Democrats and fellow leftists. We're grown-ass adults and we need to strategize like adults. Both Trump and Biden are fascists; this isn't about, "minimizing the damage," this is about preventing fascism.

So what is my plan? Do I have solutions? Yes, I do, and here they are:

Part I: The 2024 US Presidential Election

Don't vote for Biden. Don't refuse to vote either - anyone who tells you voting is useless is trying to deceive you.

Vote for third party Independent presidential candidate Dr. Cornel West, Ph.D.. Dr. West is a triple-college-educated self-described non-Marxist Socialist candidate for the 2024 US presidential election.

You may initially have your doubts for a few reasons, so let me assuage them for you.

Whataboutism A: What about Trump and Biden?

Biden is not any better than Trump. Trump openly admits his racism, sexism, xenophobia, etc. because the Republican party no longer needs to hide these factors.

We live in a state in which the Democratic party will constantly try to compromise with the Republican party, and the Republican party has had such a significant portion of their party indoctrinated into the alt-right that it's their political base now.

See: (YouTube:) Innuendo Studios: The Alt-Right Playbook: The Death of a Euphemism

Biden just continues using euphemisms to hide his fascist rhetoric. Biden is also directly monetarily and militarily supporting a fascist apartheid colony -- Israel-occupied-Palestine -- who are committing a holocaust in Palestine.

He has also supported known fascist political figures, such as the known fascist Italian Prime Minister Giorgia Meloni. Trump and Biden are both fascists - the only difference is how openly they admit their fascism.

We cannot let this system continue. In the modern United States, the American Democratic and Republican parties effectively have the same goals. The Democratic party may claim that it wants progressivism, but it has shown quite the contrary.

Democrats get elected by comparing themselves to the Republican party by being, "not as bad," while Republicans have to come up with increasingly jarring reasons for election - as, the Republican party already achieved their past goals, and have to move the goalposts - and make implications that the Democratic party is not advocating for drastic enough nationalism.

Capitalism and fascism are compatible with each other, as are the primary American politics parties - they are malleable and are merging into fascism. This is the main danger of neoliberalism.

See: (YouTube:) Innuendo Studios: (The Alt-Right Playbook:) Endnote 2: White Fascism

For that matter - I would not be surprised if Biden uses the lukewarm world war occurring right now--

(and yes, I'm calling it that - there are global efforts to support Palestine, embargoes against Israel-occupied-Palestine, polarization about Palestine and Israel-occupied-Palestine, a war in West Asia spearheaded by Israel-occupied-Palestine, Iran is bombing Israel-occupied-Palestine for their genocidal fascism, Iran directly threatened the US if the US retaliates for Iran's anti-fascist action, and even Irish Member of Parliament Clare Daly directly called out Biden for fascism and claimed that Ireland disowned him)

--to declare emergency powers to gain an, "emergency," term (fascist dictatorship). If Trump gets elected, he would also have the possibility of doing the same.

We are entering fascism. It needs to be stopped.

Whataboutism B: What about the Spoiler Effect?

The Spoiler Effect is largely a concern I've been presented with by cowards who want to vote for fascist US president Biden in the 2024 election.

Historically, the Spoiler Effect hasn't really been a problem in the US. Our election system may be the worst election system currently in use, but people have been so focused on the parties they care for that it hasn't really been an issue.

Furthermore, most people have a drastic misunderstanding of how the Spoiler Effect works. People assume that because the Republican and Democratic parties are currently in power that there are no other options.

This is not how elections work or have historically worked in the United States.

When parties have fallen out of favour in the US, they have historically been replaced by different parties. This has happened multiple times.

See: (Wikipedia:) United States presidential election § Electoral college results

and compare to

See: (Wikipedia:) List of United States presidential elections by popular vote margin § Timeline

to see the drastic and broad revisionist application of, "Republican," and, "Democrat," to refer to multiple different parties.

If you're completely unfamiliar with the concept of the Spoiler Effect (or are just interested in viewing alternative voting systems),

See: (YouTube:) Primer: Simulating alternate voting systems

With this in mind, and with our collective agreement that the Democratic party does not have the interests of the people in mind, we can fucking replace the Democratic party with an actually leftist party.

Independent leftists, the Communist Party USA, the Revolutionary Communist Party USA, the Party for Socialism and Liberation, even a new leftist party (that might even merge the leftist front into a Commu-Socialist Party) -- any leftist party vs. the Republican party?

It will lay bare to the world once anew what a Leftist vs. Fascist party system looks like.

Remember the drastic contrast between the German Democratic Republic (a real socialist country) vs. Nazi Germany (who, by the way, were masquerading themselves as socialists because it was popular, despite initially building camps for communists)?

Let's not let the fascists in power again. A truly leftist America is the only way to the future. Fuck your moderate politics.

We have a problem right now and we need drastic change right now, not gentle fidgeting while we compromise with fascists and let people suffer in the meantime.

Also See: (YouTube:) Innuendo Studios: The Alt-Right Playbook: Always a Bigger Fish

Whataboutism C: What about Gerrymandering?

I'm gonna keep this one short and blunt: Not voting is only going to reinforce gerrymandering. Vote your fucking representatives out and get better representatives. End of.

Whataboutism D: What about Claudia de la Cruz and the Party for Socialism and Liberation?

To be blunt, De la Cruz has not shaken up enough support to cause the national news concern. Dr. West has.

It's even gotten to a point where national news have been trying to avoid discussing Dr. West -- as it keeps increasing support for him -- to instead discuss known fascist candidate Robert F. Kennedy, Jr..

On a secondary note, the PSL has an internal Conservative 5th Column, and has frequent issues with discrimination.

This runs the risk that De la Cruz may be a Republican plant, and even if she's not, the PSL is not currently the kind of party we want to put in power.

Whataboutism E: What about known fascist Harlan Crow?

For those unfamiliar, I've received complaints about Dr. West's campaign receiving funding from known fascist Harlan Crow. The primary person who shook up a stir wanted an explanation from Dr. West, and apparently didn't look for one.

This amounted to... $3,300. That's not much.

Crow donated $500 directly to now-dropout Republican presidential candidate Chris Christie, as well as a whopping $100,000 to Chris Christie's political action committee, Tell It Like It Is.

Dr. West only received about 30% of the equivalent donation Crow granted to Christie. Dr. West has a history of interacting with another Conservative, Robert P. George.

During his life, Dr. West's beliefs have not changed and he's wisely using the system he's been placed in -- and taking advantage of smaller Conservative news media as a pinging board to get airtime on national news media -- without being bought out.

Dr. Cornel West actually directly responded to these concerns, having directly argued that any donations he have will not have any strings attached, and that he cannot be bought out.

Whataboutism F: What about poseur politics?

To be fair, I haven't seen a single person bring this up, but I have no doubt this worry is sitting in the back of people's minds. I'd like to assuage this concern pre-emptively.

Dr. West is fortunately not a poseur. Dr. West has a long history of participating in leftist politics, including, but not limited to:

Civil rights protests inspired by the Black Panthers and Malcolm X in his teenage youth

Supporting social spaces in neglected areas such as prisons and churches

Becoming the first black person to graduate from Princeton University with a Doctorate of Philosophy (Ph.D.) with a dissertation called Ethics, Historicism, and the Marxist Tradition (later renamed to The Ethical Dimensions of Marxist Thought)

Protests and divestment to help free apartheid South Africa

Participating in the Million Man March

Being arrested for protesting the shooting of Michael Brown

Being the senior advisor for 2000 Democratic candidate Bill Bradley, then Green Party candidate Ralph Nader

Obstructing the front of the US State Department in protest of Israel-occupied-Palestine's oppression of Palestine in 2000, including similar free Palestine protests in 2007 and 2011

Being an advisor for 2004 Democratic candidate Al Sharpton

Being arrested for participating in the 2011 Occupy D.C. and Harlem Wall Street protests

Affiliating with the Revolutionary Communist Party USA in 2014 and directly contributing to the formation of the Stop Mass Incarceration Network

Rescinding support for Barack Obama in 2014 after realizing his imperialist tendencies

Participating in 2017 counter-protests against the Unite The Right Rally, in which he directly commented that Antifa saved their lives

You don't have to worry about Dr. West being a poseur. He's been doing this for a long time.

Whataboutism G: What about Project 2025?

If you believe that winning a single election is going to make the fascists spontaneously give up on Project 2025 -- which you're likely basing on the specific year in the project's name -- you are a fool.

They're going to continually attempt it until they succeed. We can't let fascists into power, and this includes Biden.

Vote for Dr. Cornel West.

Whataboutism H: What about Ballot Access?

Dr. West has actually been very intelligent with how he's working for ballot access across the US. However, it's not a magic black box - you as a voter need to actively help him get ballot access.

If you don't know how to do that, Dr. West has a website with an interactive US state map, which include instructions for how many votes are required to gain ballot access in each state.

Dr. West also provided the actual necessary legal documents to gain signatures, instructions for how to get votes from people, and even created political propaganda -- both free and merchandising -- to help raise awareness for Dr. West's political action.

He was also wise with how he's gathering ballot access. In states where Independent candidates have an actual chance of ballot access, he's remained Independent.

In states where it's not really possible, he's either joined a local leftist party, or created a new party called the Justice for All Party, which allows him party backing for ballot access.

With this process, Dr. West has successfully already gained ballot access in 5 states: Oregon, Utah, Alaska, Colorado, and South Carolina.

If Dr. West is creating events, he has a page where he show's he's going, of which he's already done many nationally. Alternatively, if you'd like to create your own, he also has a page where you can host campaign-approved volunteer events.

If you're wondering about how well Dr. West listens to people, he largely interacts with any news media - even if it's small - to discuss his campaign and beliefs. I also reported some broken links on their website, and within a few days all of the reported links were prepared.

Dr. Cornel West will make an ideal socialist president.

Part II: Legislative, Judicial, and Local Elections

We cannot let this start and end at presidential elections. We need to seize power in all parts of politics.

Affiliate yourself with leftist parties - or create your own - and run for local elections. It's become clear that socialism is extremely popular in the US right now, and the US has a rich history of socialism.

See: (YouTube:) Second Thought: America's Forgotten Socialist History

We also need to go past that. We need to seize power in the legislative and judicial branches of the US, in that order. Using those same leftist parties, get leftists elected into positions within Congress and the House of Representatives, and push the US into majority leftist legislative power.

Once this has been achieved, we need to combine a leftist president with the majority leftist Congress and House to pass legislation to create term limits for the Supreme Court.

We can then have further legislation passed for SC Justices to be elected by the common people, rather than fucking appointed by whoever happens to be the current president.

This can let us fill the Supreme Court with more leftists, and having seized all three branches of government, we can begin major modifications to the US Constitution - or even retiring it for a new US Constitution - to initiate the socialist age of the US.

Whataboutism I: What about the history of attempts of Socialism/Communism?

Hakim, a West Asian leftist YouTuber, has excellent videos on what actually caused the fall of the Soviet Union, the mistakes of former socialist attempts, a response to a worldbuilder's assumptions about why (socialist) revolutions fail, and instructions for how new leftists can contribute to modern socialism.

(Also, if you're just looking for more blatantly leftist YouTubers, I also recommend Slavic leftist Yugopnik.)

Also See: (YouTube:) Sisyphus 55: The Revolution Will Not Be Uploaded (Also has a donation fund for the Palestine Children's Relief Fund)

Part III: Micronations

Wait, what?

I don't know how much they're going to really help, but it doesn't hurt to have alternatives in the event the US fully sinks into a fascist dictatorship.

If you lead or participate in a leftist micronation, establish mutual recognition and trade routes with other micronations and work on true independence that doesn't rely on the US's assistance (water, plumbing, electricity, internet, etc.).

Utilize your lack of recognition as a country to have dual citizenship, where you can provide for your citizens, but also, more importantly:

PARTICIPATE IN AMERICAN ELECTIONS.

Being a part of a micronation does not absolve you from your duty as an American citizen to fucking vote. Vote in local elections and vote in national elections. Get. Leftists. In. Power.

Micronations are the backup plan in the event of an emergency as a point of resistance against state oppression.

Prioritize voting in American elections. Vote for leftists.

Vote for Cornel West for the 2024 US presidential election.

[fatehbaz]

Travel back [...] a few hundred years to before the industrial revolution, and the wildlife of Britain and Ireland looks very different [...]. [B]etween 1529 and 1772 [...] [i]n the early modern period, wolves, beavers and probably some lynxes still survived in regions of Scotland and Ireland. [...] [T]he now globally extinct great auk could still be found on islands in the Outer Hebrides. [...] [A]nd pine martens and “Scottish” wildcats were also found in England and Wales. [...] [B]urbot and sturgeon in both rivers and at sea [...] [and] threatened molluscs like the freshwater pearl mussel and oyster were also far more widespread. [...] [S]everal species of wolf have gone extinct [...]. The capercaillie is [...] [t]oday [...] found only rarely in the north of Scotland, but 250-500 years ago it was recorded in the west of Ireland [...]. [B]y the end of the 18th century, sea eagles were essentially extinct across England and Wales. [...]

The Powte’s Complaint is a protest ballad probably written in 1619 to bewail the drainage of the Fens around Ely and Wisbech in Cambridgeshire. 

Attributed in one manuscript to a “Peny” of Wisbech, it is written from the perspective of a burbot, a freshwater species of cod commonly found in the Fens at this time. (This fish is now nationally extinct, but may be soon be reintroduced.)

The ballad summons the “brethren of the water” – probably meaning local people as well as fish and other animals – to fight against the drainage scheme, which sought to create new pasture land: 

Come, Brethren of the water, and let us all assemble,

To treat upon this matter, which makes us quake and tremble;

For we shall rue it if ’t be true that Fenns be undertaken,

And where we feed in Fen and Reed, they’ll feed both Beef and Bacon.

According to research by Todd Borlik and Clare Egan, the subject of complaint here was a plan to cut a canal through an area of common land south of Haddenham. This scheme would remove the ability of local people to catch fish, and also to transport their produce and fuel on the water. Protests against the scheme apparently culminated in a demonstration of some 2,000 people who lit bonfires, banged on drums and fired guns all night during a meeting of the Commission of Sewers in 1619.

Within the poem, the alliance of the “brethren of the water” seems to recognise the interdependence of humans and wildlife on each other, and on the environment of the Fens. 

A comparable example [...] is the Welsh poem Coed Marchan (Marchan Wood), written around 1580 by Robin Clidro, a wandering poet from the Vale of Clwyd in Denbighshire, known for his humorous rhymes.

Clidro’s poem tells the story of a group of red squirrels who go to London to present a petition against the felling of Marchan Wood for charcoal. As with The Powte’s Complaint, the use of the squirrel as narrator is a conceit, and the poem is really a protest against deforestation on behalf of human interests. But again, the author re-imagines the world from the perspective of animals:

Odious and hard is the law, and painful to little squirrels. They go the whole way to London, with their cry and their matron before them. Then on her oath she said, “All Rhuthyn’s woods are ravaged; my house and barn were taken one dark night, and my store of nuts.” The squirrels all are calling for the trees; they fear the dog.

---

Image, caption, and text by: Lee Raye. “Wildlife wonders of Britain and Ireland before the industrial revolution – my research reveals all the biodiversity we’ve lost.” The Conversation. 17 July 2023. [Bold emphasis and some paragraph breaks/contractions added by me.]

[stairnaheireann]

#OTD in 1816 – Birth of painter, Sir Frederick Burton, in Corofin, Co Clare.

Born in Co Clare, Frederic William Burton moved to London as a young man to make his living as a watercolour painter. His painting, ‘The Meeting on the Turret Stairs’ was voted Ireland’s favourite painting in 2012. Painting is on view at the National Gallery of Ireland | Merrion Square West, Dublin 2, Ireland  SaveSave

[mariacallous]

LONDON — Ireland's prime minister on Friday condemned anti-immigrant protesters who rampaged through central Dublin after three young children were stabbed, saying the rioters simply wanted to cause chaos, not protect the country's way of life.

Police made a number of further arrests on Friday evening as they mounted a significant security operation in Dublin to ensure that there was no repeat of Thursday's disorder. A number of people were taken away in police vans following sporadic altercations.

Police arrested 34 people after Thursday night's rioting when up to 500 people looted shops, set fire to vehicles and threw rocks at crowd control officers equipped with helmets and shields.

The violence began after rumors circulated that a foreign national was responsible for the attack outside a Dublin school on Thursday afternoon. Authorities haven't disclosed the suspect's nationality.

Prime Minister Leo Varadkar said Ireland's capital had endured two attacks, one on innocent children and the other on "our society and the rule of law."

"These criminals did not do what they did because they love Ireland, they did not do what they did because they wanted to protect Irish people, they did not do it out of any sense of patriotism, however warped," Varadkar told reporters on Friday morning. "They did so because they're filled with hate, they love violence, they love chaos and they love causing pain to others."

A 5-year-old girl was in critical condition at a Dublin hospital and a teacher's aide was in serious condition, police said. A 6-year-old girl continues to receive treatment for less serious injuries and another child was discharged overnight. The alleged assailant, who was tackled by witnesses, remains hospitalized in serious condition.

Thursday's unrest came amid rising tensions over immigration in Ireland that mirror trends in other parts of Europe. Earlier this year, people carrying signs reading "Ireland is full" demonstrated in Dublin, and protesters blockaded a hotel housing asylum-seekers in County Clare on the west coast.

An analysis of more than 13 million social media posts over the past three years found that right-wing groups were increasingly using platforms such as X, formerly known as Twitter, to stir up opposition to immigration. Recent activity has characterized the refugees and asylum-seekers as an "existential threat to Ireland," according to a report from the Institute for Strategic Dialogue, a London-based group that seeks to combat extremism.

Ireland received more than 141,000 immigrants in the 12 months through April, the highest total since 2007, the latest government statistics show. The influx of migrants drove an 11.7% increase in Ireland's population over the past 11 years, contributing to a steady increase in housing prices.

When he was questioned about anti-immigration tensions earlier this year, Varadkar told Ireland's parliament that there was always a place for peaceful protest, but violence, intimidation and racism were never legitimate.

"I think when it comes to this matter, we should never lose sight of the bigger picture — we're facing a major refugee crisis not just here in Ireland but all across Europe," he said in May.

Commissioner Drew Harris, head of Ireland's national police force, described those who took part in Thursday's unrest as a "complete lunatic hooligan faction driven by far-right ideology."

More than 400 officers, including many in riot gear, were deployed throughout the city center to contain the violence. A cordon was set up around the Irish Parliament building, Leinster House, and mounted officers were dispatched to nearby Grafton Street.

One officer was seriously injured in clashes with the rioters, some of whom were armed with metal bars and covered their faces.

"These (riots) are scenes that we have not seen in decades, but what is clear is that people have been radicalized through social media and the internet,'' Harris told reporters.

"But I don't want to lose focus on the terrible event in terms of the dreadful assault on schoolchildren and their teacher. There's a full investigation ongoing. There's also a full investigation in respect on the disorder."

Varadkar praised people of multiple nationalities who intervened to stop the attack as it unfolded, describing them as "real Irish heroes.''

One of them was Caio Benicio, a Brazilian delivery driver who stopped when he saw the teacher's aide trying to save the children. Spotting a knife, he ripped off his helmet and slammed it into the attacker with all his strength.

"I pray for her to survive,'' Benicio said of the child in critical condition. "I'm a parent myself, I have two kids and I know how hard it is."

Benicio told Britain's Press Association that the disturbances seemed to be caused by a "small group of people" who "wanted an excuse to do what they did.''

"I'm here for about 20 years now, I don't know politics here deeply to have an opinion about it," he said. "What I can say is I know the protest is against immigrants and for me it doesn't make sense, because I'm an immigrant myself and I was the one who helped out. For me it doesn't make sense."

[mybeingthere]

Anne Madden is particularly well known in both Ireland and France where she has divided her time for the past forty years. Of Irish and Anglo-Chilean origin, Anne Madden spent her first years in Chile. Her parents returned to Europe to live in Ireland and in London, where she subsequently attended the Chelsea School of Arts and Crafts. During this period she was impressed by an important exhibition of American painting at the Royal Academy. It was Abstract Expressionism that opened up new possibilities of experimentation for her at that time. She later met some of these artists in Paris and New York among them Jean-Paul Riopelle, Joan Mitchell, Mark Rothko, Lee Krasner and others with some of whom she exchanged works. The techniques employed included palette knife and paint flows and soon involved the use of multiple canvases as a means of creating pictorial interactions.

She began to exhibit in group shows in London and Dublin from the age of 18. The Burren and her love of wilderness informed these early paintings. Her work was then interrupted for three years by a series of operations on her spine. During that time she met the painter Louis le Brocquy who was then working in London. They married in 1958 and set up house and studio in the south of France, where two sons were born to them, Alexis and Pierre.

From the mid sixties on their comparatively reclusive life in Carros village was changed by the opening of the Fondation Maeght in Saint-Paul, where over the years they were constantly meeting painters, sculptors, writers, poets, and musicians forming friendships resumed in Paris and elsewhere. In 1965 Anne Madden represented Ireland at the Paris Biennale, before regularly exhibiting in that city. From the 1960s she began to pour paint onto the canvas making a series of abstract landscapes influenced by her time as a young girl in the west of Ireland, near the Burren in Co Clare. Between 1970 and 1979 she embarked on a large series of vertical works, their size determined by her height and reach. Reflecting on life and death, the works derived from megaliths and other prehistoric monuments seen in the Burren were elegiac in nature. In the 1980s Madden stopped painting for a time and devoted herself to drawing. This resulted in a series of large works in graphite and oil paint on paper entitled Openings, which formed the exhibition of her work at the Fondation Maeght, in 1983 and represented her in ROSC '84.

[haveyoureadthisqueerbook]

Sorry about this list.

1. In the Dreamhouse by Carmen Maria Machado

2. How to Find a Princess by Alyssa Cole

3. Homie by Danez Smith

4. Black Movie by Danez Smith

5. Don't Call Us Dead by Danez Smith

6. Cantoras by Carolina De Robertis

7. When the Angels Left the Old Country by Sacha Lamb

8. Feed by Tommy Pico

9. IRL by Tommy Pico

10. The Color Purple by Alice Walker

11. Several People Are Typing by Calvin Kasulke

12. My Government Means to Kill Me by Rasheed Newson

13. The Sunbearer Trials by Aiden Thomas

14. Cemetery Boys by Aiden Thomas

15. Bad Girls by Camila Sosa Villada (translated to English by Kit Maude)

16. The Lesbianas Guide to Catholic School by Sonora Reyes

17. Femme in Public by Alok Vaid-Menon

18. The Future is Disabled: Prophecies, Love Notes and Mourning Songs by Leah Lakshmi Piepzna-Samarasinha

19. Care Work: Dreaming Disability Justice by Leah Lakshmi Piepzna-Samarasinha

20. A Snake Falls to Earth by Darcie Little Badger

21. Elatsoe by Darcie Little Badger

22. Take a Hint, Dani Brown by Talia Hibbert

23. The Fae King by HE Edgmon

24. Iron Widow by Xiran Jay Zhao

25. Phoenix Extravagant by Yoon Ha Lee

26. She of the Mountains by Vivek Shraya

27. A Psalm for the Wild Built by Becky Chambers

28. Into the Drowning Deep by Mira Grant

29. Everyone on the Moon is Essential Personnel by Julian K Jarobe

30. Detransition, Baby by Torrey Peters

31. Ace of Spades by Faridah Àbíké-Íyímídé

32. The Chosen and the Beautiful by Nghi Vo

33. The Seep by Chana Porter

34. Where We Go From Here by Lucas Rocha (translated to English by Larissa Helena)

35. Eight Kinky Nights by Xan West Mooncakes by Wendy Xu and Suzanne Walker

36. Exile and Pride: Disability, Queerness, and Liberation by Eli Clare

37. Brilliant Imperfection: Grappling with Cure by Eli Clare

38. The Tea Dragon Society by K O'Neill

39. Ana on the Edge by AJ Sass

40. Ellen Outside the Lines by AJ Sass

41. Dread Nation by Justina Ireland

42. From the Stars in the Sky to the Fish in the Sea by Kai Cheng Thom and Kai Yun Ching

43. A Place Called No Homeland by Kai Cheng Thom

44. Fierce Femmes and Notorious Liars by Kai Cheng Thom

45. I Hope We Choose Love: A Trans Girl's Notes from the End of the World by Kai Cheng Thom

46. The Unbroken by CL Clark

47. The Mermaid, the Witch, and the Sea by Maggie Tokuda-Hall

48. Full Disclosure by Camryn Garrett

49. Our Bloody Pearl by DN Bryn

50. Not Your Sidekick by CB Lee

51. Docile by KM Szpara

52. Every Heart a Doorway by Seanan McGuire

53. The Space Between Worlds by Micaiah Johnson

54. Pet by Akwaeke Emezi

55. Finna by Nino Cipri

56. Dreadnought by April Daniels

57. The Deep by Rivers Solomon

58. The Root by Na'amen Gobert Tilahun

59. The Library of the Unwritten by AJ Hackwith

60. Borderline by Mishell Baker

Thank you for this list! These are all queued now.

[ronnie-wood]

posting a 2008 ronnie interview here bc why not viva la information

full article under the cut! this was around 2008 when he was 61 and had an art exhibition, based on artworks he made in his studio in ireland

it's a REALLY interesting interview, and i'm glad i saved it a long time ago :D

a warning for discussions of alcoholism though! u__u i sort of understand bc some of his drinking was motivated by grief when he was young, his girlfriend got killed when he was traveling to a gig

Originally from the Financial Times: Lunch with FT: Ronnie Wood July 19, 2008 1:45 am by Rob Blackhurst Keith Richards once said, “If you are going to get wasted, then get wasted elegantly.” At 61, his fellow Stones guitarist, Ronnie Wood, embodies this louche creed. As he arrives in the reception of Dublin’s elegant Shelbourne Hotel for lunch, cutting a path through huddles of overly nourished politicians and businessmen, he’s dressed in the same size of super-skinny jeans, 28 waist, that he’s been wearing for the past 30 years, a pair of space boots that may once have belonged on an alligator’s back and a tight black shirt undone to the chest: the fruits of a trip to Prada before his daughter Leah’s wedding last month. But, even from 50 paces, it’s the luxuriant crow-black head of hair, flecked with only the tiniest hint of grey, that really marks him out as a Rolling Stone. As he greets me with a warm handshake and naughty, liquorice eyes, he says: “I don’t dye it either.” Alluding to his equally thin bandmates, he adds: “We’re all the same build, as well. It’s a good thing I didn’t join Fleetwood Mac.” We take our place in a booth in the newly refurbished Saddle Room, which is all mirrors and velvet and upholstered in a garish shade that might be described as boudoir gold. Wood squints uncomfortably. “Christ, it looks like Rod Stewart’s trousers,” he says.

The Shelbourne is Wood’s favourite Dublin haunt. “I’ve a good old affiliation with this hotel,” he says. “When we played the Point Depot five years ago we were based here. It was like the Stones coming home to my town.” Wood has lived in Dublin on and off since the early 1990s, when he bought a second home in the southern suburb of Sandymount, searching for a sanctuary for his art and music, and shelter from the British exchequer. He transformed the cow byre into recording studios and the stables into a personal pub called “Yer Father’s Yacht”. It seems a dangerous place for a fitfully recovering alcoholic like Wood; there are 20 more pubs within a square mile of his front door. He looks at the menu reluctantly: “I’m not really hungry at all,” he says. Eventually we opt for 12 oysters from County Clare followed by the seafood platter to share. Nothing stronger than caffeine is ordered, though Wood is going through another well-publicised bout of heavy drinking. “A friend came over last night – I hadn’t seen him for years. We had a few drinks. It ended up being seven in the morning.”

Though he has been woken up for the interview only an hour earlier, Wood is lucid and charming, especially when an espresso arrives to kick-start the conversation. I mention his latest art exhibition, Ireland Studio, a six-week show at his Scream gallery in Mayfair. The exhibition features paintings and pen-and-inks produced – mostly through the night – at his Irish pile over the past 10 years. Free of tour commitments – this year the Stones are on sabbatical after two and a half years on the road – he has been able to spend more time in Ireland with his two Great Danes.

Wood’s interest in art dates back to the early 1960s, when he was a student at Ealing Art College, but he took it up commercially for “grocery money” in the mid-1980s when he had blown a considerable portion of his Stones money on a cocktail of drugs and comically disastrous managers. He flicks through a pile of prints of the front garden of the Priory Clinic, where he has been a regular in-patient; moonscapes from the west of Ireland at night; and horses racing on the Irish turf. Sir Peter Blake and Lucian Freud are among fans of his art: “He [Freud] told Mick [Jagger] that he loves my landscapes. That’s a compliment, from the greatest living artist.” Tracey Emin is a friend: “She’s like my aunt. She rings me up every day to ask how I’m doing.” He pauses and confides mischievously: “Tracey thinks she can draw.”

Most of his collectors are Stones fans in the US: “The leading cancer-curing doctor in Florida – much to his wife’s chagrin – spends most of his money on my paintings. She says: ‘Oh, please don’t sell the house and buy another Ronnie painting!’ Though his portrait of the Stones in a Jacobean interior, “Beggars’ Banquet”, sold in 2005 to a private collector for $1m, he is pricing his Irish landscapes at between £10,000 and £50,000. Deals, he makes clear, can be struck.

Wood has become a kind of official portraitist to the court of celebrity over the past decade – ever since Andrew Lloyd Webber commissioned him to paint the famous patrons of the restaurant The Ivy in the early noughties. Now a Ronnie Wood sitting has become as much a signifier of the upper reaches of stardom as a Hello! wedding deal. His waiting list includes the Stones-mad French president, Nicolas Sarkozy: “I met him and Gordon Brown and he was desperately trying to put me on the phone with Carla Bruni. There are all these people like Scorsese, Clinton, Beckham...” but he trails off, as if bored of the fame whirligig: “I’m trying to get away from the commissions so that I can do what I want,” he says. “This new exhibition is more the stuff that I want to do – landscapes, dogs, horses.” The plate of oysters arrives. Wood is a fan of their nutritional properties. “They’ve got everything you need – all the vitamins and minerals. They keep the zinc up,” he says with a mock leer. Discussion moves to his other day job. I ask whether age has calmed Richards who, Wood recalled in his autobiography, used to hold an arsenal of guns and knives that would be drawn during band frictions. “It’s still on the verge, you know,” he deadpans. “Murder is still quite an easy option. You have to be on your toes all the time.” Nevertheless, Wood is more appreciated now by his fellow Stones than he was when he left the Faces to join them in 1975. For years, as a latecomer who joined when the band had already made their fortune, he had to negotiate his fee on a rising scale for every tour and album. “There was a 17-year apprenticeship,” he says. “Charlie and Bill stood up for me. Nice of them to do that, because they could have carried on looking the other way. I’m part of the empire, finally.” In spite of the Strolling Bones jibes, he thinks the Stones have never sounded better in their 45-year history than they did on the final dates of their tour at the O2 arena last August. He says there’s “talk in the air” of another tour next year.

It must feel odd, I say, to go from playing in front of a crowd of a million in Rio to sitting at home. He becomes melancholic. “I’m more lost when I’m not on tour. I’m in a bit of a muddle at nine o’clock – ‘Where’s the stage?’ On tour there are people directing and supervising you. And then when you finish it’s like, ‘Sit down and watch TV.’ Sometimes I get so bored I think I’ll have a drink. I don’t mean any harm but I just go off the rails.” He points out, however, that he did manage to catch himself last month when he checked in for treatment ahead of his daughter Leah’s wedding so that he didn’t miss the big day. A torrent of alcohol runs through Wood’s life. His account of his upbringing in a council house in Middlesex, the third son of “water gypsies” who had left their barges for dry land, sounds like a preparatory school for a career in rock ‘n’ roll. His father, Archie, played in a 24-piece harmonica band that toured the racetracks of England. At home, there were weekend singalongs around the piano that got so boisterous that a crack appeared in the middle of the house. When the family lawn was dug up 1,700 Guinness bottles were discovered. This may sound impossibly romantic, but his relationship with drink turned darker when, while he was still a teenager, his girlfriend was killed travelling to one of his first gigs: “When Stephanie got killed I sort of drowned my sorrows,” he tells me, “and I suppose I’ve never looked back since.” Does he worry about his own health? He’s dismissive: “Here I am at 61 and I’ve never felt better. I’ve never had a cleaner bill of health. I was just in the Mayr Clinic in Austria. They said, ‘We want to use you as an example of how we want people to end up.’ They said I had the body of a 40-year-old.”

As our seafood platter arrives, Wood dips straight into the crab claws. “These are really cool. I don’t know which sauce you put on them.” As he plumps for the shallots and vinegar, the conversation turns to Jimi Hendrix, with whom he shared a flat for six months in the late 1960s. “He didn’t think he was any good as a singer. I used to say, ‘Don’t worry about that voice.’ He used to obliterate real life by being stoned all the time – and he couldn’t handle it. He didn’t realise how good he was.” His last memory of seeing Hendrix alive, the night before he died in 1970, is haunting. ��He was leaving Ronnie Scott’s [jazz club]. He had his arm around a girl and he looked really sad. I went out after him and said, ‘Jimi, you didn’t say goodnight.’”

I try to lighten the mood by asking about the Wood clan – who all seem to have found jobs in the family business. He married Jo, a former model, 23 years ago after splitting with his first wife Krissie, another model. Jo is on the Stones payroll as his dresser and assistant on tour, in between running her organic beauty products business. His stepson Jamie is his manager, and his youngest son Tyrone is curating Wood’s latest exhibition at Scream.

The “Little Red Rooster” ringtone on Wood’s phone sounds. He seems agitated. The call brings news, he says, of The Sun door-stepping his home in Kingston, south-west London. A few days after our lunch I realise that he had been given news that the paper was about to write a story about how during the week of our meeting, he was holed up with a young Russian waitress. Whatever domestic earthquakes are going on in the background, he returns quickly to conviviality, suggesting we finish lunch with a drink elsewhere. Though he is great company, it’s something of a relief when his PR appears to steer him to his next engagement and saves me from making the decision. As we leave the hotel, the kitchen staff lift their ladles and knives in salute, out on the street car horns honk, and Wood poses for an endless round of photos with passers-by, loving every second of it. “That’s always been a big problem with me,” he says with a grin that fades to exasperation: “I find it hard to get old and hard to say no.”

‘Ireland Studio’ is at Scream, 34 Bruton Street, London W1 until August 17; www.screamlondon.com The Saddle Room The Shelbourne Hotel, St Stephen’s Green, Dublin 2 12 x Clare Atlantic oysters €33.00 1 x Seafood platter €44.00 3 x Espresso 13.50 Total €90.50

[pwlanier]

A pair of fossilised Irish elk (Megaloceros giganteus) antlers, Prehistoric.

'Irish Elk' or Giant Deer (Megaloceras Giganteus) originated during the Pleistocene Period of the Great Ice Age and is thought to have initially colonised Siberia before migrating towards the west in response to the deteriorating climate, becoming extinct approximately 11,000 years ago. Although the Elk inhabited a vast expanse of central Europe and Asia, the largest concentration of its remains have been found mainly in the marl underlying bogland of Ireland giving rise to the popular nomenclature of this species. The high calcium carbonate content of the marl is conducive to the preservation of bones and examples of these ancient antler specimens have been discovered in Counties Wayerford, Clare and Cork, many of them in caves. Many have featured in Irish banqueting halls following a centuries old tradition, particularly during the 19th century when it was fashionable for such antiquarian relics to be displayed in baronial halls. An instance of this is recorded in an 1850`s interior drawing of the new manor at Adare, Co. Limerick .

Sotheby’s

[thatgordongirl]

Ghosts Stars Names Clarence - Clear/ One who lives near the River Clare

Clarence had both Scottish roots in the ancient kingdom of Dalriada and Irish heritage as it may be in relation to the Clare River in the West of Ireland. It could also be in relation to the title Duke of Clarence from the 14th century, implying royal heritage. It is a name that was very popular during the late 19th century and early 20th century, so he may have been born around the time Fanny was living on Button House. He also may have died before Captain was stationed at Button House and thus would’ve been around during the 1920s-1938. It’s also possible he’s from the late 14th century around the time of Edward IV and Richard III’s reigns. 

Since all the names at least briefly allude to the character’s personality or status within their lives, Clarence may have been some kind of moral guidance or advisor, due to his name being associated with clear and water. He could’ve been a calm person who went with the flow and thus would’ve been a compatible friend for Robin. His name also being a title given to a 14th century royal prince who married someone of the Claire family may also imply royal heritage. 

Godric - God ruler 

Godric originated in Anglo-Saxon England, with many saints and sheriffs of the 11th century having that name. The name could form from anywhere between the 5th and 11th centuries. Like most names during that time, it holds religious significance. The name died out after the Norman conquest, so it is likely Godric was from before William the Conqueror, so at least before 1066. He would have come from Early Medieval Europe. 

Since his name is in relation to God, there isn’t much we can gain from its meaning. Similar to the plague ghosts his name is a product of his time and would mostly be religious in some way. However, he may have been around during the time of the Romans invading, or a bit later when the seven kingdoms were established. We’ll never really know until we’re shown him. He could be of German descent. 

Elizabeth - God is my oath 

Elizabeth has roots in both Hebrew and Greek, coming from the Hebrew words shava meaning oath and el meaning god. It was a name more common in Eastern Europe from the 12th century. In Medieval England it was sometimes used to honour a saint. Due to  Elizabeth I’s reign it became very popular during the 16th century, though it stayed a top ten name until 1945. 

The name Elizabeth is was also a Dutch family name Elisabeth, which may imply Dutch heritage. She could have either been from around the Middle Ages, during Elizabeth I’s reign, or just after death. The name implies importance and someone who is very regal, so she may have been part of the aristocracy during James I/VI’s reign. She may have been around a similar time to Humphrey, or may have been born in the second half of Elizabeth’s reign. 

William - Resolute protector/strong-willed warrior 

The name is of Germanic origin but was also popularised in England by the reign of William the Conqueror, it is also derived from the name Wilhelm. It is comprised of the elements Wil, meaning will of desire, and helm, helmet or protection. Similar to Elizabeth, William is a name that has been popular for centuries and has stayed in the top ten most common. It is typically knows as of old Norman origin. 

His name implies he may have been a soldier or warrior of some sort, perhaps having fought in a war. It may also imply the polar opposite, that he was supposed to be a soldier but deserted the army he was a part of. Either way, he may have been named after the arrival of William the Conqueror or departure as a tribute when the king died. The ghost could also possibly be from that time but be compartment unrelated to conflict, being named later on during the reign of William and Mary or William IV. 

[frecht]

TIMELINE OF EVENTS:

last spring and fall when i was planning to study abroad my best friend mentioned that her college had a program at the burren college of art in county clare and it would be so cool if we could be in ireland at the same time. it didn’t work out though

today my schools international education office posts that theyre announcing a new program for art students. i post it to my close friends story JOKINGLY saying what if its the burden college art thinking there’s no way it would be

IT IS

WHY DIDNT THEY ANNOUNCE THIS LITERALLY JUST 5 MONTHS AGO

IM SO ANGRY

i actually cried a little bit

dont get me wrong im enjoying myself here but it would be nice to be at 1. a small school 2. AN ART SCHOOL 3. on the west coast. my best friend is planning to go to paris for study abroad anyway bc she changed her major but in an alternate world we’re at the burren college of art together next spring

[steliosagapitos]

        “Hellelil And Hildebrand, The Meeting On The Turret Stairs”, 1864, by Sir Frederic William Burton RHA (Irish painter who was born in Co. Wicklow on 8 April 1816 and was taken by his parents to live in County Clare on the west coast of Ireland at the age of six. He was the third son of Samuel Frederick Burton and his wife Hanna Mallett; Born: April 8, 1816, Wicklow, Ireland - Died: March 16, 1900, Kensington, London, United Kingdom).