#Well this ep was super hard to understand but this ep was very important too.
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sakuraswordly · 6 months ago
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yellowhollyhock · 5 months ago
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what are some of the strengths and weaknesses of 1987 Michelangelo’s character? I have the hardest time writing for him outside of the super obvious “surfer bro” persona honestly
tbh,, I rarely write for 87... they're too witty,,, I have some wips but as far as writing the 87 boys are definitely not my strength
That said! 1987 Michelangelo! Love that guy. hmmm strengths and weaknesses
Weaknesses
-he can be clueless at times. needs things explained multiple times or doesn't pick up on things other characters were counting on him picking up on. this can be a very useful for plot reasons, he can simply forget what he was told or not understand it and therefore fail to act on it
-very obsessed with pizza. more so than the other turtles
-along that vein, generally not difficult to distract
-hard to motivate. he mostly wants to make himself and those around him comfortable, and he's very good at finding simple easy ways to do that. So whatever task needs to be done for whatever other reason, better find a way to make it comfortable and fun, he has a high threshold. For example during training sometimes he would simply rather enjoy the nice weather and there is nothing Master Splinter or anyone else can say
-this goes with hard to motivate, but in the ep where Leonardo leaves and the others have to try to lead, when it's his turn he's just very passive. he is pretty good about knowing what needs done, but he is definitely not one to take charge, and more than likely he'll wait to be told what to do unless the situation is very urgent
-he does not enjoy watching pro-wrestling, to his brothers' dismay
Strengths!!
-sweetest heart of all time. brings home injured animals, takes them to the zoo so he can learn about how to take care of them or give them to someone who can
-btw he can talk to animals
-often is the one tending to his brothers if they're sore after a battle. not first aid, but like fluffing a pillow or just patting their back. He probably holds their hand while antiseptic is applied. Definitely hugs them when they cry
-very loyal. throws a birthday party for Irma. never believes something bad he hears about someone he knows (he'll say "no way, amigo" if someone who isn't present to defend themselves is accused of literally anything)
-strong moral compass, AND
-the ability to communicate persuasively about what he thinks is right. More often than not he uses the same sentence (what you're doing is majorly wrongiouso) (or something like that siahdhsj), but it's the way he says it amd the timing that's important. He understands people, and as much as he always sees the best in them, he also knows how to bring out the best in them. Idk I don't think I'm explaining it too well, but... he's not just blindly trusting. Trust is a choice he makes out of kindness, but then he will hold people to a standard. Does that make sense?
-great with kids
-he's a good mediator, hears out both sides
-faces his fears (he has the most stage fright of them all but by the end of the ep where they appeared on camera he was also handling it the best)
-he can put his foot down when he needs to. very cool trait for the Nice Guy character to have, y'know?
-not afraid to emote! sobs openly because the stove is broken! hugs! speaks up when he is upset! expresses joy for the little things! 🧡
-psychic (i think? probably? might not know it? i remember feeling like it was implied but I'd have to go find the episode(s) alskjdjvf) (pretty sure it wasn't explicit but like. he's psychic okay)
-so much patience
-everyone loves the way he talks. they're always mimicking him. i remember one time when Leonardo asked a question, Michelangelo was standing right there, and Donatello literally said, "Well as Michelangelo would say" and then said what Michelangelo would say and was in fact about to say, then Michelangelo went to say it and got all confused alfjshsjj. Also Shredder will do this too! And you know you're good when Shredder copies you. He had aspirations of being a writer before he turned to villainy, you know (or maybe you didn't but now you do)
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seonghwaday · 5 years ago
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#ignore di#i've been binging sky castle for the last two days and i assumed that there were 16 episodes but there are 20!!! i just started ep 16 too#so i'm both happy and terrified lmao#this drama is so so.. i'm not sure if i should use the word 'good' but it's definitely. Something#there's a lot i could relate to despite not having gone through the skorean education system so it definitely was a ride (a lot of asian+#schooling systems are as gruelling and /scary/ as the south korean one trust me)#it really overwhelmed me at a lot of points? not in a dramatic way or anything just that i needed to remind myself that this is essentially#a drama not yknow. my life? it's just way too realistic ngl and i kept having to stop and think#ik a lot of people don't like the drama bc of how exaggerated or triggering it is (and that's completely understandable) but i really think#to me it was a remarkable experience bc it's not often that such an intricate storyline is executed by such talented actors. the acting +#itself was very well done!! as a person who is hella critical about actors and their performances i really think that the cast was amazing#it's hard to pick one part of it and make it fit into these 30 tags because i have so much to say but in short!! even tho i'm not done yet+#sky castle really is a brand new type of drama for me because it really does make me think a lot (which is really important!!). thedynamics#between each character/the way different characters handle the same situation so differently/the character developments!!/the raw nd bitter#exposure of human nature that the scriptwriters have presented is so so interesting to me!! even tho there are so many different subplots+#branching out from this story it doesn't feel messy in any way to me? usually when there's such a detailed story the creators need to put +#lengthy recaps at the start of each ep but here there really was no need bc of how engrossed i was in the story!! and that's rare for me ng#i'm not sure of how i feel about a lot of it but i really do think there are a number of super important messages the show was trying to +#convey to the viewers (tho not all of them are what i'd agree with). this is the kind of drama that really makes one think of how there +#aren't really any /bad/ ppl but there also aren't any /good/ people? and that perhaps the world isn't divided in that way? people are never#black or white but grey and a mix of all sorts of colours. it makes one think about the complexities of humans and their relationships w 1+#another really.i'm not sure if i delved too deep into it all but that's just what i felt hh. there's a lot i wanna say but!!! i rlly just+#began watching it bc a lot of ppl talked abt it earlier this year (hyunjin and ateez mostly) and it made me curious!! i thought it might +#have been a lighthearted drama at the time (bc they found so much of it so amusing) and i really was shocked when a lot of the darker +#themes came into play? like i remember san laughing abt the 'top of the pyramid' line in a live but when i watched it i was so scared? mayb#it's because of how i related to the scenario but i rlly didn't like it at all. anyway the drama was intriguing and i'm gonna crawl back to#my viki hole and not come out until i'm finished watching it!!! it's 4am and i really am sorry for going off abt it lmao#of you've watched the drama then pls lmk what you thought abt it i really wanna know of other ppl's ops on it!! anyway goodnight ignore me!#sky 캐슬#q: drama watching
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gakkubi · 2 years ago
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Hi! Sorry to bother you, this feels like a bit of a loaded ask;;
So I'm currently working on a big ol fic and the ame trio (and original akatsuki) are a part of it. It has 3 original characters (2 being parents and one being a young child) that join Akatsuki. I was wondering if you had any tips for writing the ame trio as sort of older siblings to this kid? Also any general tips on writing the trio would be nice too if you have the time... I really love your work regarding the three. 💖
Hello!! Wow, this is such a lovely and fun ask! It's not a loaded question at all. I'm glad that you feel like asking my opinion on this, our own works are such personal things! I'm also super excited to know more people who are working on creative content (art & writing) with the Ame Oprhans. <3
I'll try to give an answer as detailed and helpful as possible! Leaving it below the cut because it will also be long, as I can't manage to be cohesive lmao.
I hope it's not a problem, but I'll rearrange a bit the order of your questions: first, general pointers about the Ame Orphans (+ Hanzo and Amegakure), and then how it'd relate to them being older siblings to your OCs.
The original Akatsuki timeline: I think the context of what was happening in the Land of Rain during the time of the original Akatsuki is a bit messy/vague, which makes it hard to understand, that's why I'm including it in the answer.
Bear with me for a little while, I know it feels like I'll be going on a tangent but I believe to better understand the characters, it's important we understand their environment just as much.
--- First off, I think it's good to clear up that the Akatsuki was not opposed to Hanzo (or his government). This is a misconception I see rather frequently, and it contradicts directly a lot of Yahiko's own actions - why would he want to ally with Hanzo if the Akatsuki was opposed to him? It's important to keep in mind that the trap that got Yahiko killed only happened because Hanzo "wanted to use the Akatsuki's influence to assist with peace negotiations between the three countries (waging the Third War)". (Ch.446). That is why Hanzo betrayed them... you can't betray your enemies.
I believe the misconception comes from, well, the fact that Hanzo killed Yahiko, and the fact that Kyusuke saw the Ame Orphans wearing hitai-ates with the Rain symbol, assumed they worked with Hanzo and stated that in a very... snarky manner. (Ep. 346).
Was Hanzo popular? Was he hated? Both? I don't think we have canon information enough to state either. What we know is that Yahiko (and, in extent, the Akatsuki) had a goal of working with him, or at least not against him - after all, the Akatsuki was all about estabilishing peace, not more conflict.
"Just like Hanzo, we hope that one day we'll be able to bring peace to the shinobi world..." Yahiko on Ep.346, English dub.
--- What was the Akatsuki's goal besides, well, world peace?
As far as we know, Rain didn't have a central government (like Fire and the other Great Nations had the Kage and Daimyo) -- Rain is not ever even called a "Country", probably because of that. When you a weak/non-existant/unstable government in a nation, it opens space for the rise of criminal factions. You don't have to search too much to get reference for that; crime-dominated cities are good examples, even if in smaller scales, for what happens when governments lose control to factions (mafia, gangs). When these factions wage war against each other, citizens suffer. In Rain, you also have the factor of Rain being occupied and used as battlefield for the Third War. We can assume the Akatsuki was trying to peacefully work against both of these situations.
Achieving "world peace" is a very broad goal -- you can try to do that through many different ways, as Nagato (post Yahiko's death) and Madara show us. We can tell through the story that Yahiko's Akatsuki, on a daily basis, tried to pave the way to world peace through local action: being the "guardians" of small villages (ep.346) and protecting it from local criminal gangs, as well as more 'international' actions such as helping (interfering?) with the conflics between the Great Nations (ep.347).
In this regard, we can also safely assume the Akatsuki grew to be known/powerful enough to have influence, or at least enough to pose as a threat to Hanzo; they were not just a small little group ninja among other similar groups of ninja. I think it's quite safe to assume that a lot of people heard about the Akatsuki (and the three main leaders), given that they caught the attenttion of Danzo, who is not even a Rain citizen...
2. The Ame Orphans.
I have a series of analysis of the Ame Trio as inviduals if you want to read, so I'll try to keep a simpler answer here, and more directed at your question.
I think writing them as older siblings to your character would depend a lot, of course, in what is the relationship of your character with them. Are they a member of the Akatsuki?¹ If so, what is their role in the Akatsuki? Are they trying to figure out where they fit, or do they start more or less knowing what is it that they will do?²
¹ Side note: You did mention one of the characters being a kid - if your child character ends up joining the Akatsuki... I wonder how the process of bringing a child into an organization that deals with war will work in the first place? We know the Shinobi World doesn't oppose children dealing with violence -- but how do the Ame Orphans, who are rebels against the system, feel about it? I'm very curious. I can totally see the Akatsuki having a "younger members" section, but I also feel like there would be some resistance to that idea. I wonder if this will cause some conflict until they decide what to do about your OC? Will they all be on the same page? Will of some of them be too idealistic ("we can't do what everyone else does and involve children with violence") and others be too realistic ("this is the world we live now, and we need to play the game to change the rules")? ² Side note: Especially for the adult characters, I think their "roles" will influence a lot with which of the ame orphans they'll interact most. Yahiko is the leader, of course, which means that he will probably interact with everyone more or less equally, and for that same reason will probably be in too much constant hurry to be present all the time. I think Nagato and Konan are the ones you can have a lot more freedom in this regard!
--- I don't think making the Trio behave as "older siblings" would be, in any way, OOC - in fact, it's entirely in their character to do that very naturally and instantly.
Yahiko is the most obvious one in this regard, having cared for Konan and Nagato with a (quite extreme) overprotection, and then serving as the leader of the Akatsuki and caring for everyone else. We saw how Nagato behaved as the Akatsuki's leader as well; he was distant in many ways (for obvious reasons), but he disliked name-calling between the members and chose members with similar interests to work "better" together (I mean, Kishimoto did, but you can extend that to him). We saw how he behaved with Naruto during the Edo Tensei, warm and proud and also worried about hurting him with his own powers. And Konan was the one Jiraiya called "happy and caring", and despite the coldness we usually associate with her (after Yahiko's death) she really was; she gifted Jiraiya with flowers, made origami to play with Chibi, and then gifted Naruto with flowers right after all the Pain Arc ordeal. She has a will of doing good to others that is very natural to her.
--- I find that, in order to highlight a character's virtues, we have to first identify and understand a character's flaws -- and in the Ame Orphan's case, how these flaws strain the relationship between them and how this can affect the relationship between your characters and them.
We know that Yahiko was so convinced that Nagato was the one to "save" their country and so adamant on the idea of having him as the Akatsuki's leader, he didn't really care for Nagato's (and Konan's) own opinions about it. (Ch 509/510). Of course his fiery will is a reason why Yahiko is admired, but couldn't his tunnel vision on his ideals also make him excessively busy and even hard to work with? We have a pretty clear implication that YahiKona didn't 100% happen because he was so stubborn on pushing Konan to be with Nagato despite neither of them wanting it. I'm not sure if YahiKona is a thing in your story, but if canon Yahiko was too focused on his goals to allow himself to be in a relationship with the person he loved, and even disregard their beloved's own desires, one can only wonder what it means for his other relationships...
Konan, like him, is someone who is also loyal and duty-oriented. Pretty much everything she does in Naruto is because she's extremely focused on her goals. She stays with Nagato after Yahiko's death, despite not fully agreeing with him or his methods (as implied in canon and stated in Akatsuki Hiden), because she's loyal to him (her family). Her whole reason to fight Obito is because he's a direct threat to her ideals and goals and family (as Nagato believed in Naruto). If Yahiko is insufferably loyal to his ideals, then Konan isn't all that much better, maybe just less obviously so. In Akatsuki Hiden, she misses a pretty obvious implication Nagato makes about them (YahiKona) because she can't think of anything besides the Akatsuki. Again, even if YahiKona isn't a thing in your story, one can only wonder how such extreme focus (and little thought for anything else) affects her relationships.
Nagato is, of course, also loyal and duty-focused, but he has a factor neither of the previous have, which is the Rinnegan. Jiraiya states that he mastered all jutsu natures (fire, water, etc) by age 10 - in the flashbacks, we only see him using "normal" ninjutsu. Nagato does not use the Rinnegan willingly until after Yahiko's death. He can't, and he doesn't want to; we know he is scared of the powers he can't control. Think about it; Nagato is a person who is scared of himself. He's scared of what he can do, because he can't control his powers once they unleash. How confortable can he be, interacting with others, if he has such a relationship with himself? We know he is nervous, insecure, hesitant despite being so powerful - maybe that's why he relies so much on Konan, and especially Yahiko. How confortable would he be with protecting others, if he can't safely use his own powers to their full extent?
3) Now, back to your character - how the "older sibling" relationship could estabilish.
Please note that this will be heavily influenced by how I would write such a thing, based on their personalities. It will be wonderful if you agree, but feel free to disregard if any of these don't sit right with you at all~!
I think Yahiko is the easiest one to know; we has a pretty strong tendency to protect the "weaklings". Konan and Nagato are way more powerful than him, we know, but only physically. From the start, they relied on him for everything, and kept on relying on a lot as the years went by. I think it would be extremely natural for Yahiko to take someone under his wing if they seem too lost or too much in need of guidance.
I believe Konan, on the other hand, would have her attention caught by someone who doesn't obviously need so much support. We know Yahiko is loud and expensive, and we know how quiet and composed Konan is compared to him - so I think someone who puts on a strong façade, but shows cracks of maybe needing help, needing to talk, needing care, would be the one to catch her eye more than others. It would be a more delicate relationship, one that Yahiko (being so blunt and on hurry all the time) could easily miss. And maybe you're thinking: "that also sounds like Nagato" - yes, I think Nagato and Konan gravitate towards similar things in general.
But Nagato has the Rinnegan, which adds a complexity factor that Konan, despite all of their similarities, doesn't have. We associate Nagato's behavior with insecurity and shyness, but we don't associate Konan with either of those, despite her also being a quiet and reserved character - Konan has full control of her powers, whereas Nagato doesn't. I think Nagato would face an internal conflict when meeting new people and estabilshing relationships: a tendency to be kind and helpful vs. a tendency to isolate because of the general sense of fear he constantly lives in. Your OC being a child would only amplify that: the desire of protecting someone who is fragile, especially considering how much the trauma of being orphaned impacted him (he knows "pain"), vs. the expanded fear of hurting that person who is so much more fragile than most (a child, not an adult). Maybe that extra nervousness could call the attention of the other rain orphans...?
-- So, I know I talked a lot, and I hope this will be helpful (or at least interesting) for you. It was surely a lot of fun thinking about all of this to answer your question, and I'm curious how your imagination will build this story~!
I hope you're having fun writing it, and I'll be super eager to read it once you publish it. :) Good luck! I'm sending a lot of creative vibes for you. 🌸
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i-donot-forget · 3 years ago
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Eldarya Ep 7 (opinion)
Episode 7!!!! They gave us a nice ball, a nice dress and a nice moment with our LI (Discounting some details in the illustrations that I already mentioned before) the episode was very good, it is a clear transition, that little respite before everything goes wrong again.
Eldarya has always been a different otome, because the story does not revolve around the protagonist and her love story, it is about the protagonist saving the fucking world, the moments with our route have always been scarce and interrupted, remember that in TO until episode 17 we have the first date, from then on things go too fast and finally it cannot be said that we really got to know any of our romantic interests, an exception for Valkyon but I think it's obvious why. New Era has a great advantage, we already know these guys (except Mathieu but we have that connection of "hey we are both from earth"), we already know who they are, we already know this world, now falling in love will be "faster" than in a way it's good because we already saw that when Erika realizes that she feels something for someone, she goes after him (I love her for that, I couldn't ahahaha) and so we come to this episode, after the beautiful moment on the boat where we realize that we feel something for that special boy.
But this is Eldarya so...
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the damn world is going to end again and Nevra is ready for war, I know it sounds ugly but I find it absolutely correct, if the earth is going to absorb Eldarya... They are lost, I cannot imagine any scenario in which the humans of the earth welcome all of Eldarya with open arms, that is, let's face it, how many countries are there where immigrants are a plague for a certain portion of the population? I'm not saying it's right or wrong, I'm just saying it's like that and with the Eldaryans it will be worse. People like Huang Hua, Huang Chu, might go unnoticed, but Koori??? Lance???? What will humans think when Chrome is in trouble and can't control himself with Earth's Moon, how are Nevra and Karenn going to live with Earth's Sun that is lethal to them??? I can only think it's going to be a disaster, besides, how does this "absorption" work? Will the portals get bigger and bigger until eldarya disappears? Will everything fall from the sky? because clearly earth will not be the most affected... Humans are dangerous, our history of clash between cultures is always to exterminate the unknown and in this case it will be fatal for both factions but if you ask me, humans are not going to become extinct...
With all of that in mind, I'm not surprised that Lance had his head elsewhere and forgot about his clothes... but hey, it was a funny moment that made me think that we still don't know the real Lance and that attitude is just the same one that Valkyon adopted after Lance's "death"...
The moment of meditation with Leiftan was painful… now I understand many things, and I believe that all his sufferings and the loss of his powers is something mental. All the confidence that Leiftan had in himself resided in his powers, in TO he was at the top, he was the most powerful being in Eldarya and he handled everyone like simple puppets, he was confident, capable of everything, the first time we saw him desperate was after losing half his life (for us), now in NE ufff he tells us, he feels vulnerable, helpless, incomplete, without identity, If everything you were was based on your strength and power, who are you without it? Despite everything, I think it started very well, Leiftan tells us the truth, for the first time he trusts something of the utmost importance in us, the fact that he is now defenseless implies many things, Lance remains on the guard because of his power and abilities which is very useful, the same could apply to Leiftan but without his powers he could believe that the HQ would not want him (although in TO nobody knew he was a daemon). He confides in us a secret that is vital to him, reveals his vulnerability and I must say that I love him too much, when he tells us that he feels exactly the same as we do when we talk to him about our powers, he finally opens up to us and then the hug melted my heart. Now that he no longer has (and cannot) protect us, our relationship will be different.
The ball, I am not surprised that Princess Koori organized a ball, Huang Hua's speech was extremely touching, my heart clenched when she mentioned those who had left, I couldn't help but think of Valkyon... Now is the time to dance and I am fascinated by how Erika takes the reins and invites her LI, here we part.
Mathieu: adorable nothing to say, I love them, his route is pure laughter and games and fun, I really like Mathieu, I did not trust him but their moments together are sooo sweet, we see him as the center of attention, something very about him but naturally, it does not attract attention forcibly, they really are standing out for what they are, everything is very nice, a great dance, I think that at the point where they left the scene, I would believe in a kiss, not passionate or anything but a first kiss all cute, nervous and natural.
Nevra: I love that he's waiting for us, I think they already act like boyfriend and girlfriend without wanting to say it hahahaha and I love him, Nevra want us and loves us, he doesn't say it but he shows it only with his actions, I still feel like he's going to scare at the key moment, I feel that he keeps many things that explode in that uncompromising anger, I wait for a very intimate moment between them that makes me cry I want to see him cry, I know he needs it, I know he needs Erika to hug him and tell him that everything it will be fine, he needs someone to be the strong one.
Lance: the moment is very nice I cannot deny it, it is beautiful, Lance's reaction to Erika's invitation is great and again I love her determination, it struck me that Lance does know how to dance, but an old-fashioned dance, that just means that In his previous time in the guard of eel he did dance, I always imagined him as the popular cool boy that everyone follows, I'm still waiting to see that, I already want to break that shell and get the real Lance out.
Leiftan: Ahhhh my beautiful baby I leave him at the end because it is my route and I love him and I can't help but fangirl very hard for him. Erika dragging him to the dance floor imitating Karenn, I loved it, Erika helping Leiftan with his confidence and security, I super loved it, the inevitable attraction between them that is so strong that the moment screams that they will kiss, I cannot express my emotion, I love him I can't stop loving him and I just want they to be alone to see the damn connection in all its glory 7u7
So I wait for the catastrophe in the next episode, I still don't know if it will be a portal opening in the middle of the crystal room or if it will be the crystal itself that does something idk, surprise me beemoov
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aeonmagnus · 3 years ago
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Happy 20th Anniversary Robots In Disguise!
This year, and today in particular, marks the 20-year anniversary of Transformers Robots in Disguise airing in the United States.  This was the official English language dub of the Japanese show Transformers Car Robots, which aired in Japan the year before.   This show and it’s accompanying toy line were a big shift in the Transformers brand and affected how things moved forward in the new millennium.  It was also a big influence on me and this website in it’s early years, so both the brand and TFW2005 may not be what it is today without it.
We hope you will read on after the break to check out our celebration of Robots in Disguise on it’s 20th!
Intro
The following is not a comprehensive article on the show proper, but rather a trip down memory lane from my personal perspective.  It was a period of change in my life, in the fandom, in the brand, and in the world – all happening at once.  Robots in Disguise was smack dab in the middle of it all and I think that’s why it still resonates with me all these years later.  For a deeper dive into the world of Robots In Disguise you can check RIDForever.info, a site I maintain just about RID and Car Robots. The 2021 updates are here, and the 2017 round of updates are here.  I’d also suggest checking the TFWe issue all about RID over on the 2005 Boards.  Now, onto today’s festivities…
The Show
RID, and yes I say RID as if it is the only RID.  If you must reference that other RID show and it’s off-shoots, refer to it as RID 201x, thanks. 😊 RID aired during the Fox Kids programming block on a Saturday morning, with additional episodes set to air each weekday during the afternoon hours.  Instead of stretching the show out over the course of 30+ weeks with only a new ep each weekend, they were going to blaze through it non-stop.  By the end of the first week, we would have been 7 eps in.  That however hit a big roadblock due to 9/11 just three days later.  While some local markets did air the episodes, many larger city networks, and especially east coast markets, stuck with news coverage.   Many of us did not catch the early episodes on TV the first go around.  In addition, several of the episodes got pulled from TV due to depictions of buildings being destroyed and other similar visuals which understandably could upset children that just experienced 9/11.  So right off the bat, the new millennium and new era of Transformers were dealing with a new reality.
The show, for those that don’t know – was a weird one-off in Transformers history.  We had G1 and then the G2 remixes for a bit.  Beast Wars came on the scene and ran all the way through 2000 with it’s successor – Beast Machines.   During the Beast Wars era – Japan did a couple of their own Beast Wars shows, non-CGI extensions of what we saw in the US.   Their market wasn’t quite ready for full CGI so they stuck with traditional anime.  When Hasbro decided to continue Beast Wars into Beast Machines, Takara went a completely different way – a traditional animated show which brought back Autobots and “Decepticons”, mixing them in with the beasts.  They focused the toys on a couple new and complex molds, then filled the rest of the line with repaints of previous toys.  Old 2nd tier Beast Wars toys, G2 Laser Prime, and even some Generation 1 molds in the form of the Combaticons got new life as new characters in this show, capped with the biggest TF of them all at the time – a repainted G1 Fortress Maximus, now Brave Maximus.  It was the prototype for what the Transformers brand did for years to come – repainting old toys into new characters.  Universe, Classics, Botcon, and even some Generations runs used this method to give us some great toys in the 00s.
While there is a very complicated and long explanation for how every single Japanese show is one continuity, to someone casually starting with Car Robots it was a refresh, a new story, a new arrival on Earth.  The Autobots vs the Predacons, and eventually the Combatrons/Decepticons. It was a hard cut from the last 5 years or so of CGI Beasts.  Hand drawn traditional animation featuring vehicle Transformers.  It wasn’t G1, but many of the folks who grew up with G1 were just getting out of college around this time.  They were rediscovering their childhood love of Transformers through Beast Wars, flea market finds, raids on their parents’ attics and basements, and for the internet savvy – imports of Japanese reissues from Takara.  It was a perfect storm of nostalgia; a return to Autobots and Decepticons was welcomed by kids and adults alike.
RID and TFW2005
In the years leading up to Car Robots, I was just getting into the internet, coding, design, some digital music, and all the possibility that came with it.  Beast Wars, especially when it hit Season 2/3 and the inclusion of G1 lore, really got me focusing on Transformers again as a hobby.  I eventually combined the two newfound hobbies into one and Transformer World 2005 was born.  At no point did I ever think it would last 20+ years and take over my life in the way it did.  I started the full version of TFW2005 around April 2000, with some starts and stops before that.  That was right around when Car Robots started airing in Japan.  Through the magic of 56k internet, I was able to connect with folks in Japan and get them to send me VHS tapes of Car Robots.  Really nice, high-quality tapes too, I still have them hehe.  To the younglings reading – try to picture this: no youtube, no video sharing. The concept of streaming anything did not exist yet. Napster and the eventual peer to peer stuff hadn’t fully kicked off.  Plus, we were all viewing the internet on giant computers in our rooms at the speed of 1x on your phone.  Less than 1 bar 3G mobile speeds today.
Yes, someone recorded episodes from TV to video tape over there, did that a couple weeks at a time, then physically mailed them across the world to me, who then got them on the internet.  Can you imagine waiting weeks to watch an episode of TV the size of a twitter profile avatar?  Crazy.  Uploading a full episode to the internet was a big pain in the ass, not easily done.  I decided to get a converter that allowed me to plug my VCR into the computer and encode the tape into digital format.  From there, it was reduced using Microsoft’s WMV technology so that the episodes were about 5 MB each.  30 minute episodes at 5MB each. Dimensions – 176 x 144 pixels.  4k video today – 3840 x 2160 pixels.  You can imagine that video looked like crap.  But we didn’t care – we were blown away.  Old school animation, vehicles, some cool Japanese anime vibes, it was what we as G1 fans kinda had in the back of our heads on what Transformers should be in a new era, and we were seeing it.  Most of us had no clue what they were saying or what was going on.  Also didn’t care.  I still to this day think CR/RID is better like that.
So one of the first things TFW2005 did on the internet was provide these super small windows into Car Robots and what was going on in Japan. It helped get US fans hyped up for what Transformers could be. It got us wanting the toys, and importers bringing the Takara toy line over were moving serious product.  It helped swing Hasbro, who was planning to return to Autobots and Decepticons again down the road, to move that schedule up.  Instead of running Beast Machines until 2002 and then starting what we now know as the Unicron Trilogy, it was cut short.  Robots in Disguise as a toy line and show came over in 2001, ran fast and hard for a year with non stop releases, got extended because it did so well, and then faded into the Universe line of repaints.  The new millennium of Transformers was here and Robot In Disguise kicked it off with a bang.
Wrap Up
As we all continue with collecting Transformers now, regardless if you tagged into the fandom during G1, Beasties, the Unicron Trilogy, the Movies, or just yesterday – let’s take the time to give Car Robots and RID some props!  It set the tone for what the new millennium of the brand would be.  It gave us some toys ahead of their time.  It solidified the repaint as an accepted thing in the hobby. And it gave us one crazy 39 episode run of TV that’s still a fun ride 20 years later.
For those that would like to learn more about RID and Car Robots – I still maintain a Robots in Disguise website that archives everything I have or came across.  There is a lot there if you want to go on a tour of all the awesome Car Robots and Robots In Disguise era stuff.  Check it out at RIDFOREVER.INFO! FIYAH!
Let us know what you think and remember from the good old days of RID on the 2005 Boards here!
Epilogue
If someone over there at Hasbro is reading – can someone please figure out who owns the rights to the show in the US market and then get it out on DVD in full, finally?  Work all that funky licensing stuff out (if there is any) and get it done.  The US has never had access to it via an official release.  Maybe get it up on YouTube like G1?  Something.  Announcing plans for that before the end of 2021 would be a nice 20th anniversary tribute.
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steve0discusses · 3 years ago
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Yugioh S5 Ep 18: A Series of Ecological Disasters
Booting up ye old Yugioh, booting up a new aesthetic playlist to type to. (today’s playlist is webcore, which would feel like such a damn fake aesthetic, if it weren’t that every single one of these -core aesthetics are pretty damn fake and everyone knows it.)
Anyway, it’s been so long that, I’ll be honest, I thought I booted up the wrong episode:
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I usually skip the anime intro, but I try to watch it once each arc, cuz the intros change, and this arc was like “screw it, here’s all the other villains, just pretend this arc isn’t happening.” They had Pegasus, they had Marik, they have Bakura (who is kind of in this shot as well, you can see him phasing in there.) And like...I guess they’re hiding the villain of this arc or something because that was it. Alexander the Great got just nixed from this villain list and that’s a shame.
Just a real weird choice, but since apparently this arc didn’t air in Japan they probably had to outsource this anime intro and whatever studio in charge of it just cobbled together stuff from every other season and then a couple of shots of capsule stuff.
Speaking of capsule stuff: get a load of how many freakin lines the animators have to deal with every time they draw Grandpa.
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Bro saw this and was like “oh yeah, this is a Shonen Jump” and yeah. The hair does give those vibes. We got a good look at what Vegeta would look like if he really let himself go.
(read more under the cut)
Sorry, my playlist started playing a song where every single line of the song is “Adrien Brody” and it took me like a few minutes to realize I was listening to “Brodyquest” completely seriously.
Damn it, webcore, don’t betray me like this.
Anyway, this arc does something super surprising: Yugi actually hugs somebody and doesn’t look like he’s going to pass out standing up.
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It is pretty fitting that the good Yugi hug would go to Grandpa.
And, as night falls, Joey Wheeler has gotten hungry, and there is nothing to eat but his new best friend and spirit animal, baby dragon. Unfortunately he shares life points with the dragon, and I think if you eat it that just instakills you.
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And directly underneath him--since this world is like 100 feet wide and things just conveniently happen--Tea has told everyone that they needed to stop worrying about Joey. Which is a lot coming from Tea, because her worrying about Yugi/Yami getting hurt is most of what occupies her headspace in this series.
But even Tea was like, screw Joey, I guess.
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Who kinda just falls directly into them upside down, and shows us what Joey’s hair looks like when it’s sticking straight up.
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For reals, admire how long Joey Wheeler’s hair is. If Tea were upside down, she would have the same length of hair.
Also speaking of Vegeta, I am low key concerned that Joey has what appears to be a significant amount of male pattern balding going on for a teenager.
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Apparently getting set on fire many, many times did have an effect on Joey, and this massive pompadour he wears is a combover. Poor baby.
Holy crap, if this is what card stress and getting killed multiple times did to Joey Wheeler, can you imagine what’s going on under Seto’s bangs? That’s probably why his bangs ride so low, Seto likely wears a freakin toupee.
Guys, Joey’s gonna lose his hair at 25 at this rate. Those locks just aren’t long for this world. Poor baby.
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After Joey rejoins the party, he immediately eats all of their food. Not sure why they can’t just have Baby Dragon eat like...whatever Baby Dragon naturally eats...and then transform that into shared Joey Wheeler life points, but it’s not clear exactly how much of a life-connection they have with their Yugioh monsters. Not like it matters because Joey Wheeler is default starving all the time anyway.
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Tristan has decided we should start laying blame, I guess because Duke Devlin isn’t here anymore to be the local kill joy. This doesn’t seem to be important at any point, and most of the characters are just ignoring Tristan because like...once you’re in the haunted game in a haunted tomb in a random part of India--it’s kind of moot to argue about who’s fault that is, youknow?
Joey reminds us that he found this quest item in a treasure chest under a secret waterfall. No one says “that was convenient that you landed there after getting chased through a ravine by man-eating birds after you got your dragon from when you got your crotch injury from getting spliced by that tree.”
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Which is when Tea says “Wait! We haven’t had a plot thing happen in like 4 seconds! Wait!”
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Hey what degree of “I don’t trust nature” do you have to be to assume that all the flowers are trying to eat you?
Like what level of anxiety is Tea where she not only is like “pretty sure the flowers are going to destroy us?” but also...she’s correct? Like she’s not wrong.
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They set the dog flowers on fire, but unlike the Jungle Book this doesn’t solve any problems (which apparently got taken off the Disney+ kid’s menu so...yet again, I make a Disney reference in these recaps that future generations will not understand because so much of the Disney library has been banned from the vault. It’s almost like Disney should let go of that copyright they held on for like a hundred years, because what they’re holding on to is only going to get more racist with time. But nah. Gotta hold on with their greedy mickey mouse gloves.)
So instead of using fire, Tristan used his monster to electrocute the air (?) and blind the dogs. Wisely, the animators quickly jumped to this other scene so we wouldn’t have to analyze why it’s suddenly daytime or why that plan would even work.
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Joey and Tristan do a lot of buddy buddy stuff this arc. Usually we see a lot of Joey and Yugi’s bottomless friendship, but we don’t get this much Tristan/Joey love. So shippers rejoice, these two seem to have several coordinated dances and songs...and I’d say that teens don’t typically do that, but I went to summer camp, there are situational places where teens will sing the entire vacation and make coordinated dances.
Weirdly, since Joey and Tristan share so much time together, this also means Tea and Yugi actually sit next to eachother for a lot of this arc, almost as if they were a couple. Mind you, they’re chaperoned closely by Grandpa, but youknow...that’s a different energy than I’m used to seeing.
That and like, they can’t have Tea dance with them because last time she did a dance, it was like a DDR fight and she elbowed some guy like it was a fisticuffs situation. Like there was some sort of dance war going on behind the scenes of Yugioh’s card war, and it came up once and I guess Tea resolved it and the dance fights haven’t come back since.
Overall, if they did a dance with Tea, they would get kneed in the face, so that’s probably why they insist on doing cancans as a duet and not a trio.
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After Joey and Tristan freak out over having no food, Tea decides to just start eating in front of them.
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and like...didn’t Joey eat that food yesterday? Like last night? The short term memory loss on all these fools.
Immediately after this we realize something weird in the water. That’s right, it’s a massive head.
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Yugi seems to have forgotten they lit this turtle on fire and electrocuted the entire sky the night before. Not that it mattered.
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There were like...nesting birds on those trees on that island. What the hell? They just killed so MANY of those man-eating dogs that are flowers.
Seriously are land turtles allowed to just...dive underwater for long periods of time? How does that ecosystem even work? It’s like...That’s wild to think about.
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Inside the temple, they have to fight a genie or something.
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In case you were wondering, the only reason Tea and Grandpa got iced is because they were the closest to the door. The two who were actually standing out of harms way were the closest to harm the whole time.
Bro tells me this is also what will happen to you if you are in the front or the back of the party while playing Cthulu D&D
Anyway, Pharaoh decides to disclose that his big problem of feeling guilty all the time and taking all the blame, which he did all of last season...is still a huge problem he will probably never tackle.
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Straight up, don’t be fooled by my caps, everyone else has completely forgotten about Alex, who is still running around that temple up there. They haven’t even asked Grandpa “hey is this your protege? Is this your mentee you never told us about?” Nah. They already forgot. 
How wild is it that Pharaoh thinks this is all his fault when he was the only one who was like “YUGI IT’S A TRAP DON’T GO IN THE- well...OK I guess we’re doing this, fine.” Is he upset he didn’t take control from Yugi and walk back to the plane? Because that’s the only way he could even be partially responsible, He was the only guy who was like “I see the end from the beginning on this y’all, and it’s the massive pyramid in India.”
Speaking of forgetting, they came across this language Pharaoh has decided to have nothing to do with.
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This was actually a riddle and it was like...it was a riddle, sure, I guess.
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And so Joey Wheeler does not hallucinate his dead wife from a previous incarnation and get on the back of his Baby Dragon to sail away into the sunset. Instead they’re just gonna walk.
Too bad Tea’s orb covered in wings only seems to hover a bit. Every single wing on that weird orb is absolutely useless.
And then Pharaoh’s pokemon is just a fire--which is hard to sit on--and Celtic Guardian...who would allow it, sure, but probably doesn’t fly (I think. He might fly)
And then Tristan’s Pokemon kinda seems like if you sit on it, you will get electrocuted. It can probably fly though. It’s very round. Seems like an anime thing that the more round your mascot character is, the more likely it can at least bounce a good distance.
So, next time, I’m just going to assume that we are going to do even more camping. And youknow, if you told me exactly HOW MUCH CAMPING was in this card game show with super future tech, I would not have believed you. But like...a lot of this series is set in the woods right? Like a lot a lot? I have grown to appreciate the woods.
Anyway, as always, if you just got here, this is a link to read these in chrono order:
https://steve0discusses.tumblr.com/tagged/yugioh/chrono
See you next time!
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9worldstales · 3 years ago
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MCU What if Ep 1-2-3: My two cents
So, I’ve been watching the “What if” series. I won’t beat it around the bush, I’m enjoying it but at the same time I get the feeling this series is aimed at younger audience, younger audience which isn’t deeply familiar with the movies and needs to be feed a simpler storyline.
In fact from the way they present it in each episode 1 single change should be the one which gives life to a parallel universe in a sort of domino effect… only, from what I could see in those 3 episodes, there are actually multiple unconnected changes, 1 presented more markedly as if it were the one starting everything and the others… just there for unknown reasons but they aren’t remarked and might easily be missed by who doesn’t remember well the movies.
Characterizations are also simplified, with heroes more black and white than grey, and a general toning down of the drama. This isn’t necessarily tied to the short time, 30 minutes in the hand of a good storyteller are plenty of time to construct a complicate, adult, emotionally engaging story… but a complicate story requires an audience willing to put its mind to understand it, or capable to handle a more morally nuanced plot or that wouldn’t be too distressed by a more emotionally engaging one.
This kind of audience is clearly not what those stories are aiming at.
This isn’t meant to say they’re bad, they’re perfect for young audience, passing on a good message, being overall funny and giving them the chance to enjoy the heroes they love in a different setting.
Dialogues are nice, their voice actors so far delivered good performance, the art isn’t bad and the stories can feel still intriguing enough.
However, if you think too hard at them, especially in comparison to the original movie, the story tends to crumble or feel morally poor or mess up the characterization or some other thing.
Overall I think the “What if” so far are more enjoyable if you don’t really remember well the movies and, anyway, judge them as stand-alone more than “What if” based on how a single divergence from the plot could create a new timeline.
Some examples?
Pick “What If... Captain Carter Were the First Avenger?”
The divergence supposedly happens when Peggy decides to stay in the room.
Erskine: Agent Carter, wouldn't you be more comfortable in the booth? Peggy: No, I'd prefer to stay. Watcher: There. That's the moment that created a new universe. When asked to leave the room, Margaret "Peggy" Carter chose to stay. But soon it would be her venturing into the unknown and creating a new world.
Only, in truth, it’s not just Peggy who was meant to go to the booth and didn’t.
EVERYONE was meant to go to the booth… only they all stay and Kruger, the spy from Hydra, who was seated in the booth BEHIND Peggy in “Captain America”, in the “What if” episode attacks the lab during Erskine’s explanation and not, as he did in “Captain America”, after the experiment took place, using as a distraction a bomb he left in the booth, and not on the floor of near to where the experiment was taking place so that it can kill Erskine.
And, to be really accurate, Erskine, in “Captain America”, asked Peggy to move to the booth when Steve was already lying down for the experiment, while here we see him asking her so while the two are standing next to each other and he hadn’t started undressing yet.
And there’s a reason why in the movie things were done like that.
Of course in the movie everyone was in the booth, it was safer should something go wrong with the experiment.
Of course Kruger waited for the experiment to be carried on, if it didn’t work there was no point in stealing a vial of a serum that didn’t work.
Of course Kruger left the bomb in the booth and made it explode when he was outside of it, so that he was sure it would create distraction but not harm him.
Overall, it’s not just Peggy that acts differently, it’s Erskine, who asked her to move in advance, it’s all the people there, who didn’t move to the booth, it’s ESPECIALLY, Kruger, who originally aimed to see if the serum worked and, in this case, steal it and kill Erskine so he couldn’t produce more and instead he now doesn’t check if the serum works and kills, for unknown reasons Chester Phillips, who didn’t even have a weapon in his hand and so didn’t pose a threat.
Even the placing of the bomb is poor because, since there was plenty of mechanisms in the lab, it could have triggered a series of explosions that were to destroy the whole place, himself and all the serum included.
But how many young viewers noticed all this or worry for the risk of everything exploding or realize that causing an explosion outside of the room in which the serum was worked as a diversion so as to take people away from that place, while if the bomb were to explode there, everyone would converge in that place, with hydrants possibly as no one worries about fire spreading but they should… even if there’s magically not as much as there should be.
And tragic scenes get tamed down, we don’t see Erskine die, we might not even realize he died in the explosion, young viewers might not remember or not like Chester Phillips so when he’s shoot he doesn’t leave an impression and Kruger’s shape gets shoot down by Peggy so we don’t have him committing suicide.
It’s not a complain, it’s a logic choice to make the series more palatable to a younger target by toning down the violence and the drama in it.
And so we reach the big event of the episode.
John Flynn would want Stark to get the serum injected in himself (forgetting there were men of the MP around him who shouldn’t be all dead) but starts to complain when Peggy volunteers to take the serum herself. Peggy does anyway and again things are tamed down, as Steve ended up screaming so loud in “Captain America” Peggy feared they were killing him and they considered stopping the experiment but Peggy doesn’t scream at all.
Sure, in had been scientifically proved women are built to handle pain better, but very likely Peggy’s lack of scream isn’t because she’s tougher, it’s again to not upset young audience.
So, while Steve lies on the ground and no one comes to help him, Peggy comes out of the experiment enhanced. But here we’ve the real core of the episode, John Flynn decides the experiment is an absolute failure. Why?
Flynn: Sixty million dollars and all the hope in the world down the drain. I was promised an army. I was promised peace and salvation. Instead, I get a girl.
Basically the real core of the episode, the real theme is that Captain Carter will have to fight discrimination based on sexism.
Peggy: You have a Super Soldier. Flynn: Women aren't soldiers, and they sure as hell don't fight on the front lines. They might break a nail.
Undoubtedly this is an important matter, it’s a good topic to make an episode about, to give young girls an heroine, to show to them and to the boys what an absolute moron Flynn was in discriminating Peggy, also presenting boys being supportive of Peggy and trusting her. Howard Stark, Steve Rogers, and then Bucky and everyone else, all the men who see Peggy fighting are ultimately supportive and admiring of her. This is important. But Flynn’s sexism is better remarked if we don’t remember what happened in “Captain America”.
Steve Rogers: Sir, if you’re going after Schmidt, I want in. Col. Chester Phillips: You’re an experiment. You’re going to Alamogordo. Steve Rogers: The serum worked. Col. Chester Phillips: I asked for an army and all I got was you. You are not enough. Senator Brandt: [to Steve] With all due respect to the Colonel, I think we may be missing the point. I’ve seen you in action, Steve. More importantly, the country’s seen it. [to his aide] Paper.[the aide shows them the news paper (‘The New York Examiner’ Vol. XCVII No. 33.634, Wednesday, June 23, 1943), headlines: "Nazis in New York - mystery man saves child"] The enlistment lines have been around the block since your picture hit the newsstands. You don’t take a soldier, a symbol like that, and hide him in a lab. Son, do you want to serve your country on the most important battlefield of the war? Steve Rogers: Sir, that’s all I want. Senator Brandt: Then, congratulations. You just got promoted.
I mean, Rogers was a male and he too was judged ‘not enough’. Brandt has him tour the nation in a colorful costume as “Captain America” to promote war bonds, while scientists study him and attempt to reverse-engineer the formula.
Chester Phillips was likely killed because otherwise they would have no reason to deal with Peggy the same way he dealt with Steve ‘one is not enough’, only it wouldn’t have been a sexist problem, just math (though it could be argued Phillips never trusted Steve to begin with). This causes the message ‘sexism is dumb’ ends up feeling forced because it’s basically pasted over a previous narrative of ‘not being enough’. If you want, you can read it as always discrimination and discrimination it’s always bad, but it still cheapens the message.
All this not to say that the episode isn’t awesome if seen as a stand-alone… it’s just that when you compare it with “Captain America” it feels weaker.
And then there are the other discrepancies, like the Hydra bringing the Tesseract to Berlin and not to Azzano (a sign somehow Schmidt and Hitler didn’t have a fall out) with Stark using it to power up an “Hydra Stomper” suit that proves if he had had the right power sources and technologies he could have built “Iron Man” too.
They’re not bad points (actually I loved the “Hydra Stomper” suit and how Peggy rode it the way Tekkaman from “Uchu no Kishi Tekkaman” used to ride Pegas in my childhood memories) but again they’re divergences without a clear reason. Schmidt and Hitler shouldn’t get along better solely because Peggy got the serum.
And that’s the first episode.
“What If... T'Challa Became a Star-Lord?” is also clearly aimed to a younger audience but with a goal different from “What If... Captain Carter Were the First Avenger?”
Watcher: What you call destiny is just an equation, a product of variables. Right place, right time, or in some instances, the wrong place at the wrong time. As fate would have it, at that very moment, a Ravager spacecraft was arriving on Earth to abduct the spawn of the Celestial, Ego. But in this universe, Yondu outsourced the assignment to his subordinates. Yondu: You morons grabbed the wrong kid!
For start this episode doesn’t try to rewrite a single movie, but by taking pieces of assorted movies “Thor: The Dark World” (for Tivan) “Guardians of the Galaxy” (for the idea of the setting), “Black Panther” (for T’Challa), “Avengers: Infinity War” (for the Black Order), “Captain America” (Tivan has his shielf), “Thor: Ragnarok” (TIvan has and uses Hela’s headpiece, talking of her as if he knew her and we can see he also has Thor’s hammer), “Thor: The Dark World” (Tivan has Malekith’s dagger) creates a completely different timeline by changing something that happened in 1988 and then jumping straight in… 2014, I presume, where a lot is different but we aren’t meant to see the process due to which things were changed, just to accept how T’Challa, kidnapped as a kid by the Ravagers, managed to make the difference.
In fact the whole theme of this episode is that T’Challa is a hero and a role model that gets success and admiration by TALKING TO PEOPLE AND PERSUADING THEM TO DO THE RIGHT THING. He’s meant not to have a character arc but to create a world that’s the best possible for people.
In fact we’re told just by talking with Thanos he persuaded him to stop his whole plan without using violence.
Korath: How exactly did you stop Thanos, the Mad Titan, from decimating half of the universe? Oh, no. Thanos: I'm a big enough man to admit when I'm wrong. T'Challa here showed me there was more than one way to reallocate the universe's resources. T’Challa: Sometimes the best weapon in your arsenal is just a good argument.
I mean, he doesn’t just turn the Ravagers into Robin Hood’s “merry men”, he talks with Thanos and Thanos decides to change his ways.
This is great, a wonderful message, a message against violence, a message about the power of the words and it makes T’Challa a real hero who, just by talking, saves the universe from Thanos but… but T’Challa from the movies was maybe not so good at persuading people from not doing wrong but he still had something amazing that made him very human and, at the same time a role model.
T’Challa wasn’t perfect, he made mistakes… but then he would admit them and correct them.
In “Captain America: Civil War” he wants to kill Bucky in retaliation for what happened to his father…
Natasha Romanoff: T'Challa. Task force will decide who brings in Barnes. T'Challa: [He clenches his fist.] Don't bother, Miss Romanoff. I'll kill him myself.
…but then he understands killing his father’s murder would be wrong and even stops Zemo from committing suicide.
T'Challa: Vengeance has consumed you. It's consuming them. [He blinks ruefully and retracts the claws in his gloves.] I am done letting it consume me. Justice will come soon enough. Helmut Zemo: [Holding a gun Zemo smiles thinly.] Tell that to the dead. [He tries to shoot himself but T'Challa grabs him just as he fires.] T'Challa: The living are not done with you yet.
And the same goes in “Black Panther”. At first he doesn’t want to ask Killmonger his name because he knows he is his uncle’s son and this would give him the right to compete for the throne as well as expose what his father did…
Killmonger: Oh, I ain't requesting nothing! Ask who I am? Shuri: You are Eric Steves. An American black operative. A mercenary nicknamed Killmonger. That's who you are. Killmonger: (LAUGHING) That's not my name, Princess. Ask me, King? T'Challa: No. Killmonger: Ask me. T'Challa: Take him away.
…but then he’ll acknowledges they had wronged him, will show him Wakanda’s beauty and will change things in Wakanda. T’Challa in the movies isn’t as perfect as T’Challa in the “What if” episode. He can’t solve everything and make the world perfect. He isn’t always right. He gets angry, vengeful, afraid of the truth. But then he rises above this and does the right thing.
“What if” T’Challa is a model of perfection that’s admirable… but that sits simply too high above the original T’Challa who also had to deal with Thanos but didn’t even think he could change his mind just by giving him a talk… and with good reason.
Younger kids might not realize because they might have not fully grasped how Thanos was a genocidal maniac, who massacred millions even prior to the snap, tortured his daughters and even removed body parts from Nebula. They might swallow it was just that easy to talk him into not doing the snap, and Thanos only needed someone to tell him it was wrong… and that in truth he loved Nebula… but for older viewers while beautiful, this is simply unbelievable.
And what about Yondu and the Ravagers? Just because they had T’Challa they became good and righteous. This is how Peter Quill described Yondu in “Guardians of the Galaxy Vol. 2” which still gives a sympathetic portrayal of Yondu:
Quill: He wasn't my father. Yondu was the guy who abducted me. He'd beat the crap out of me so I'd learn how to fight and he kept me in terror threatening to eat me.
But T’Challa doesn’t seem to have such complains against Yondu.
Now… In Quill’s case Yondu kept Quill so as to protect him from Ego…
Yondu: Once I figured out what happened to the other kids, I wasn't gonna just hand you over.
…yet he kidnap him and tells him his home was destroyed so as to manipulate him into staying… but this is so easily forgotten by T’Challa to the point children might not even realize it was there. Yondu was a good dad for him, he kidnapped him because T’Challa was basically wasted at home.
Yondu: Sometimes you need to hear a lie to see the truth. You're just like me, T'Challa. T’Challa: I am nothing like you. Yondu: You're an explorer, Star-Lord. And for people like you, like us, the past ain't nothing but a prison. You don't belong down there with them. You belong up here with us, with your family.
Although T’Challa doesn’t seem to agree at first… in the end all is forgotten.
Yondu: Look, T'Challa, I just wanted to say... T’Challa: There's no need. I was the one who told you I wanted to see the world. All you did was show me the universe.
and
T’Chaka: (Voice shaking) My son, my son. I knew you would find your way home to us. T’Challa: I'm sorry it took me so long. Let me introduce you to the family I made along the way.
All this is to basically excuse the premise, something horrible like kidnapping a child is passed as not really something terrible so that kids wouldn’t deal with its emotional implications and can even think that it was a pity that, in the normal universe, it was Peter Quill that was kidnapped… without realizing that kidnapping is bad and that in T’Challa’s case Yondu wasn’t even doing it because he wanted to protect him. Actually it’s unexplained why, all of sudden, Yondu felt the need to keep T’Challa and completely forgot about Quill, didn’t even care about making sure Ego wouldn’t find Quill despite, thanks to T’Challa, becoming a better person. It’s another change, one that people knowing the movies is bound to notice but not kids.
So again, for who knows the movie well, the story ends up being weak and this is also because, while T’Challa could persuade Thanos off screen not to commit genocide… all of sudden his persuasive power isn’t even really tested out with Tivan. Tivan is the big evil… yet he’s somehow less fearsome than Thanos because we clearly don’t want to scare the kids.
So again, wonderful for young audience who doesn’t remember well the movies… not so solid for who’s older.
And so we move to “What If... the World Lost Its Mightiest Heroes?” which is absolutely my favourite so far. This one at a first glance seems to be a “What if” of a comic named “The Avengers Prelude: Fury's Big Week”.
The awesome thing of this story is we don’t know what changed the universe, we only discover that someone is killing off the Avengers before they could become the Avengers, starting with Tony Stark.
The mystery is, at a first glance, cool, the idea original, Natasha gets a big role as she investigates and even fights things along with Fury and, again, children will likely not really realize how the “What if” is actually changing the settings even when they’re supposedly not related to the change that caused this parallel reality, the death of Hope van Dyne. I mean, we can start our list of changes with the random funny things that has no reason to happen because Hope’s death shouldn’t have made Coulson and Barton to be so appreciative of Thor’s hair, something they never bring up in the movie…
Coulson: Whoa. I got visual on the intruder. He's a Caucasian male, mid-twenties with... really great hair. Fury: Excuse me? Coulson: It's an accurate description. Sir, he's gorgeous. Fury: I need eyes in the sky. Barton. Barton: Already on it. He's making a move on the hammer. One shot, one kill, sir. Just say the word. Fury: Hold your fire. I wanna see this. Barton: Whoa. Coulson wasn't lying about the hair. That's nice.
…to continue with more plot related matters like how Betty should have known Banner had intruded in her lab dressed up as a delivery boy and was now hiding in a wardrobe… but if we want we can forgive them. Maybe Hope’s death really changed some things in weird ways we couldn’t predict… but the place with the biggest revolution seems to be Asgard… which actually shouldn’t have been affected by by Hope’s death AT ALL and instead the situation is completely different from how it were in “Thor” to the point I could write a 20 pages meta on the changes. But, if we assume this episode is aimed at children, it works because the “Thor” situation was complicate and here instead they show solely some random and confuse elements that children might have picked up from talks about the movies… but that weren’t like that in “Thor”.
And again we have messages that can be good for children, how a father will love his little girl, how Nick Fury will save the day even without the Avengers, how:
Fury: S.H.I.E.L.D. is people, people willing to give their lives for something greater than themselves to save the world from men like you.
…and how in the darkest time new heroes will always come to save Earth as when Loki take over because it seems there are no more Avengers, Fury can still count on Carol Danvers and Steve Rogers.
Coulson: The Avengers fell before they had a chance to rise. May they rest in peace. Fury: They can, but we won't. The Avengers were always meant to be more than a team. They were an idea, the affirmation of humanity's need to believe that in our darkest hour, we will find our heroes. Watcher: I believe that in this universe, as in every other, hope never dies. As long as someone keeps their good eye on the bigger picture.
It’s a good message about hope… but again, it’s something for children. We’re meant to believe Earth could be conquered in one day time without struggle whatsoever… and that only the heroes could save it. Children might not remember it but in “The Avengers” humans tried to nuke New York to stop Loki… the idea they would just sit and say ‘whatever’ to Loki’s domination makes it look as if they actually agree with him to an adult… but, of course, the battle of New York is something we might not want to show to a little child.
And now… something else that’s relevant.
I said the “What ifs” are good stories for children… but we’re talking of young children here because if the child is a little older they can end up passing a completely wrong message.
Remember "What If... Captain Carter Were the First Avenger?" and how it tackled sexism as an absurd behavior to keep? How Captain Carter overcomes it? By using her supersoldier powers to beat the Nazi. She shows as a supersoldier she works.
Does she turns over the concept that ‘Women aren't soldiers, and they sure as hell don't fight on the front lines. They might break a nail’?
At most she proves she can be a soldier. She doesn’t fight using the fact she’s a woman as her strongest point, she fights using her super strength as her strongest point… where Steve Roger’s strongest point wasn’t his enhanced strength but his moral values. Peggy proves as a super soldier she’s equal to Steve… but Steve as a super soldier proved he was better than Red Skull. Peggy’s actions in the story doesn’t cause people to revalue women in general, just her. People either aren’t sexist and accept her regardless of her genre (Howard, Steve) or they’re sexist but accept her because she is strong.
It’s meaningful that when she thinks Steve is dead Flynn goes back to his old mindset…
Flynn: She should never have been in the field in the first place.
… because the truth is he never changed it. Peggy had only yelled at them to stop calling Steve “Hydra Stomper” as his name was “Steve Roger” and Flynn decides she, not Steve who actually died, should have never been in the field.
They don’t show how Peggy got information from Zola, which seems to imply all she did to get them was to beat him up. Chester Phillips in “Captain America” manipulated him into talking with his intelligence only.
Do you know which were Peggy’s abilities in the universe in which she isn’t a super soldier? She’s a Master Martial Artist, an Expert Marksman, a Master Spy, an Expert Tactician, a Thief and can speak and read English, Russian and German fluently as well as use a convincing American accent.
This is hardly noticeable though in her own story.
Howard: Should we not have a plan? Peggy: Who needs a plan? I have a shield. Howard: A shield is not a plan. Oh, Carter...
She was a tactician!
Now… she has a shield. But whatever girl wants to be like her won’t have a shield, nor a super serum. To be a real role model for girls who aren’t anymore children Peggy needed to have qualities they too could have that would empower her. The only good moment is when she understands what Howard plans to do:
Howard: If I can get to the controls, I can transpose the ingress and do science stuff. Peggy: You mean transpose the polarity and reverse the suction? Howard: Being the genius is my thing.
But again, the irony here is that this is no genius plan, middle school students had probably seen him being done in movies and cartoons already. It might seem genius idea to kids, but when you’re older it hardly sounds like one… and when Howard complains all in the machine is written in German they don’t have Peggy show her knowledge of it, and translate the words as she fight, she just fight and he’s supposed to figure things out.
“Captain America” is a role model for what he has inside. I’m sure Peggy Carter has plenty of things inside her as well… but “What if” makes it more about the super strength she has gained.
Where Steve gains Phillips’ respect, Flynn’s respect is more a façade due to her successes thanks to her super strength, and that respect gets pulled back as soon as she gets upset by his behavior. Sure, Flynn is a worse person than Phillips in this black and white world but this too is part of the narrative. If Peggy can’t permanently win over sexism in one person, it’s not real victory at all. If what’s remarkable about her is how she fights (due to the serum) then who didn’t have it, will never have a hope. Peggy Carter was more of a female model when she wasn’t supersoldier, she felt more of a role model in “Captain America”, when she got to do this with her own strength:
Peggy Carter: Put your right foot forward. Gilmore Hodge: Mmm… We gonna wrassle? Cause I got a few moves I know you’ll like. [suddenly Peggy punches him hard in the face. Col.Phillips drives up] Col. Chester Phillips: Agent Carter. Peggy Carter: Colonel Phillips. Col. Chester Phillips: I see you’re breaking in the candidates. That’s good!
…than when she punched Nazis thanks to being a super soldier. Peggy has never been a fragile Fräulein, but this episode seems to remark she’s not one merely because she has taken the serum.
As a result… she sets an impossible role model for girls. If the key to be (partially) respected and accepted by males is to get the super soldier serum and/or the shiled… well, that serum doesn’t exist, not does the shield.
And a similar problem exists in “What If... T'Challa Became a Star-Lord?”
Teaching a small child he can solve problems by talking and not by hitting is important… but passing the message that you can stop bullies or worse just by talking to them is again setting an impossible role model. People like Thanos can’t be stopped with just words. People like Yondu and the Ravagers wouldn’t become Robin Hood and his merry men merely because they have with themselves a young boy who tells them the right things… and what Yondu does to T’Challa is worse than what he did to Quill and having been kidnapped as a child shouldn’t be waved off so easily. We’re not talking of Yondu finding an orphaned T’Challa and raising him, if he had picked up N’Jadaka after he lost his father it would have been different, but here, he just ripped a child from a loving family, a family he loved back. And it’s almost presented as a good thing because this causes the universe to be saved by Thanos, Yondu’s lie giving T’Challa the motivation to try to to make the universe a better place.
Nebula: You lost your home, and now you save everyone else's.
And problems continue with “What If... the World Lost Its Mightiest Heroes?” because there, the solution, the hope, is presented solely by the superheroes. No one opposes to Loki, the whole Earth is expected to be saved by Captain America and Carol Danvers. The one who refuses to kneel to Loki is Fury, who’s considered special. We don’t have in this story a lone old man who’s standing stubbornly despite the threat.
LOKI: Kneel before me. [The crowd ignores him. Three more Loki's appear, surrounding and blocking the crowd from escaping.] I said KNEEL! [While the crowd quietly kneels, Loki embraces out his arms with a wide smile] Is not this simpler? Is this not your natural state? It's the unspoken truth of humanity, that you crave subjugation. The bright lure of freedom diminishes your life's joy in a mad scramble for power, for identity. You were made to be ruled. In the end, you will always kneel. ELDER GERMAN MAN: [As the words resonate to the kneeling crowd, an elder German man refuses to kneel and stands, heroic.] Not to men like you. LOKI: There are no men like me. ELDER GERMAN MAN: There are always men like you. LOKI: Look to your elder, people. Let him be an example. [As Loki is about to execute the man with his scepter as the light glows blue. Right as the energy beam shoots out, Captain America arrives, diving in just in time to block the blast with his shield, and knocking down Loki]
So basically in this series heroes set impossible standards… and are the only ones who can save the day. It can be fun for an adult, as he doesn’t need role models… but for a boy who’s no more a small child but not yet old enough to do without viewing heroes are role models, the heroes presents a standard that is something unattainable. And this is bad because he too might enjoy watching the show, but the show gives him no hope… where ironically, Marvel movies were about giving positive role models in which you could identify.
Overall I stay my case, the “What if” series is definitely enjoyable… but the bar for the target audience is set to a very young age, they don’t really follow the idea that one small change can realistically change everything because they actually intrude plenty of small changes for their setting to work, and might end up not giving the right message if you’re in between a age between a small child and an adult. Of course future “What if” episodes might change, and I will probably still love them because I adore what if… but I would love them even more if they had aimed to a target audience a little older… making their heroes, more realistic role models which can be emulated and if they had respected their own premise, that ONE SINGLE CHANGE can create a completely different new reality.
What changed in the Peggy episode wasn’t just Peggy not sitting on the booth. What changed in the T’Challa episode wasn’t just Yondu sending his subordinates to pick up a kid. What changed in the mightiest heroes episode wasn’t just Hope dying.
The fact you need more changes in order to make the difference makes the initial point that one change can make the difference void. You destroy your own premise… and this is not really a great idea.
But whatever, I guess if the idea is that the audience is really young, they didn’t expect the audience to pick this up but just to swallow their idea that ‘a moment created a new universe’.
MEDIA MENTIONED:
Movies: “Iron Man 2” (2010), “The Incredible Hulk" (2008), “Thor” (2011), “Captain America: The First Avenger” (2011), “The Avengers” (2012), “Thor: The Dark World” (2013), “Captain America: The Civil War” (2016), “Guardians of the Galaxy Vol. 2” (2017), “Thor – Ragnark” (2017), “Black Panther” (2018), "Avengers: Infinity War” (2018), “Captain Marvel” (2019)
Comics: “The Avengers Prelude Fury's Big Week” (2012)
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iamnightduchess · 4 years ago
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Reiner & Mikasa: A Retrospective Pt. 1
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Why their combined synergy is poetic in potentially saving Eren by the end of SnK?
(Disclaimer: This is purely an appreciation post for my two favorite characters, [BR]OTP-influenced but in no way disregarding any other characters’ importance in the series) **contains spoilers for recent manga chapters & Ep. 63 of AoT’s Final Season. Image heavy.
Ever since they were trainees, Eren has always looked up towards both Reiner and Mikasa, although he wasn’t willing to admit to the latter in front of her face directly. But, in a feeling of helplessness, he confided in Reiner. He aspired to be just like the two strongest people in his life at that point: Reiner and Mikasa.
They are the top two cadets of the 104th batch and are almost always evenly matched in the multiple times they’ve tried to take each other down if it wasn’t for Reiner’s stroke of luck and Mikasa’s hesitance. (Mikasa managed to force him out of his Titan form using her last Thunder Spear but wasn’t enough to kill him even when she said she wanted to)
(Oh yes, she & Levi gave him enough trauma for his PTSD and he has recurring nightmares of her. But he still respects them. Enemy to enemy. Enemy to ally.)
Yet together, there’s still a fighting chance for them to stop Eren because of their deep bond with him. (Armin is important too that ARM still has a huge role to play in the second wave of the final fight. Especially now that he’s realized OG Ymir’s role in all of this. I hope)
At this current timeline of the manga, we have reached the point where Reiner and Mikasa, the very two people that Eren looked up to, have to be the ones (amongst the few) who collectively work together to defeat him, who’s under the Founder Ymir’s influence & in a way, saving him from whatever hopeless vortex he is in.
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I very much like to draw light to this short, quick exchange between Reiner & Mikasa on the plane heading towards Fort Salta’s direction. The above panel, which highlighted Reiner’s perspective and his empathy, says “The weight of that unimaginable power & burden would not be easy to endure and that IF he was the one who has the Founder, he’d want it to be handled by someone else and if he couldn’t handle that immense power, he’d want the power to be stopped.” Some fans claimed that Reiner was ‘projecting’ his own innate desire to die on Eren but Reiner has always been the opposite to Eren’s character. The other side of the same coin as Eren’s.
The below panel follows and it’s very interesting to note that if we look at Reiner’s gaze as he was speaking, indirectly Reiner is admitting that he’d want to be stopped by someone he knows could do exactly that and that person or his kryptonite is Mikasa. Ok, woman, this man’s weakness is you. It couldn’t get any direct than that rofl
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Reiner was being very mindful (and respectful) of his implication as he is very aware on how delicate is Mikasa’s feelings when it comes to Eren. (Tbh, I also observe the unspoken understanding & mutual respect between these two) Eren’s her family & to directly call out to Mikasa to be more proactive in her actions would be inconsiderate of him despite the situation they’re in. Just like at the harbor, before the showdown with the Jeagerists, Reiner gave them the option to stay aside & not interfere, knowing full well he & the rest of the Marleyan survivors would be no different than headless chickens without the SC’s support. He didn’t force them, just like he didn’t impose his thoughts on Mikasa.
Then BOOM -- PATHS INTERMISSION. Brought to you by OG!Ymir through Young!Eren. Coincidentally, as if ‘someone’ out there wants to place weight on Reiner’s suggestion.
However, after the Paths intermission, that might just be the first wake up call to Mikasa. It’s also interesting that once again we are reminded that no matter how fast or how hard Mikasa tried to chase after Eren, she’ll never be able to get close to him. She gave him her world yet he kept moving forward & leave her behind, chasing after his shadows as he keeps going down a path that no one else can follow. I think it’s interesting that The Paths looped her back to Reiner
The horrified expression on Reiner’s face in the panel below somewhat tells me that he knew his earlier implications are not just him grasping desperately at straws but it feels like there’s the ‘human’ side of Eren, still untainted by Ymir’s will, like he believes, who secretly wants to be stopped. He understood how horrible it is for Mikasa, especially with the look of absolute shock on her face to finally have the awful truth confirmed. (At this point, Armin is already past the point of holding back & will do whatever necessary to rip Eren out of the Founding’s form)
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I would like to take the time to share my appreciation of these rich panels of Mikasa working closely with Reiner’s Armored (together with the rest of course). Mikasa doesn’t tell her feelings verbally but she always shows it on her face.
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Oh yes, right after the above panel, she had to get out of the way but her face below explains the anger and the rage she felt when she saw the Colossal took a bite out of the Armored’s nape & toss its body away like it’s just point blank garbage.
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She was desperately worried that Armin was taken, but at Levi’s behest, she trusted Armin with his orders and they forced themselves to move forward. But one can see she was about to go apeshit when she saw what happened to Reiner & his Armored.
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While Reiner & Jean were having a Titanic bro moment here, which is also pivotal in my opinion as Reiner, once again felt he finally belonged amongst people who genuinely care about him Survey Corps Suicide Squad yo even after what had happened between them. (It was a symbolical scene as well where Reiner has to let go of his old bro, Bertolt to move forward with his new bro, Jean.) Mikasa swooped in & kill the random Titan form that was about to make Reiner its lunch. Can’t blame them, that man is a delicious footlong sub. This woman ain’t gonna share haha crack humor, people! 
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“If we fight, we win. If we lose, we die.”
Yes, the breaking point of one Mikasa Ackerman. This is a wholesome callback to Trost arc, the day before their graduation. When she found out that Eren died, she went apeshit & went on a “fuck this shit. i have nothing to lose anymore” mode. Jean, as usual, being the tough guy Jean, is angry that she’s putting her life on the line. Again.
But what’s interesting to me was the helpless look on Reiner’s face. He knows she’s super strong, he respects her so much for that & she’s buying them time and was more than willing to die first before everyone does BUT he can’t do much at that point because he’s at his last limit and Jean’s not letting his hand go either. Seriously, THIS is the woman you should marry, bro. She’s willing to die for you & everyone else. This woman is a damn keeper!
Although I am very sure, everyone’s ready to die for each other at this point.
Back to the original pondering: The Reiner & Mikasa saving Eren with/through Armin going directly against Ymir.
The Final Exhibition played a lot on this Eren vs Reiner with Mikasa being in the middle. Touched on this briefly before.
The Final Stand highlights the confrontation between The Founding/Attack against The Armored, with Mikasa being in the middle of the confrontation, tipping the scales of the outcome. Before, she assisted Eren against Reiner.
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We are seeing her working together with Reiner to take Eren down right now. The definitive final question that would be answered soon was printed on the wall featuring Eren & Reiner’s exhibition panel:  “Who’s the one that will disappear from this world?”
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I just hope that the right one(s) persevere. Reiner & Mikasa are going to Bonnie & Clyde/ Cloak & Dagger / Cyclops & Phoenix that shit out
Read on their characters compatibility in Part 2
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alwaysahiccupandastrid · 4 years ago
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His Dark Materials S2 Ep 6 - Rambling/Thoughts
I really cannot believe that we’re at the penultimate episode already, oh my gosh. It’s gone by so fast??
Again, because I’ve reread TSK in the last couple of weeks, the book is fresh in my mind but I’ve probably still missed stuff
Also last week was so intense and seeing the “previously on” section made me remember just how intense that was, so it’s a hard job to top that!
ANGELS AHH RIGHT AWAY IM GEEKING OUT
“The last time they were seen was to make war” - IT’S HAPPENING ASDFGHJKL
Ruta going off to see Asriel and me just remembering what exactly went down between them while she was there with him... heh
So Will’s hand looks AWFUL oh my god poor Will 😭
Pan is REALLY into his Red PAN-da form oh my goodness
So the other kids out for revenge terrified the living SHIT out of me, dear god I don’t think it could be any creepier than dozens of them appearing out of the shadows like that, like it’s genuinely terrifying
Serafina just dropped right in to rescue them and I was both relieved and a little disappointed? Because in the book the whole chase sequence is so much longer and more important, like it takes up most of an entire chapter I think, and here it’s like two minutes?
Serafina: What does this edge cut? // Lyra: Everything (Will at the same time: Nothing.) - 😂
I missed Lee and Jopari tbh so yay to seeing them once more! And they’ve crossed into the next world!
Oh hi again Mary!
^ I wasn’t expecting to see Mary again this series because in TSK book, her last appearance is going through the window (which was last episode), so I’m a little curious as to whether we’re going to get a TINY little peek into The Amber Spyglass here (it’s been years since I reread it, I apologize). Because last series they did a bit of TSK (namely introducing Will + him crossing into Cittagazze), so it would be interesting!
“Good, something I can understand for a change” - LOL Same
Serafina wants to take Lyra back to her world?? Really??
Not gonna lie, the two girls spying on Mary was kind of low-key creepy
Lyra mentioning that she crossed worlds to find out about Dust and mentioning Roger 😭
Also I’m so emotional over just how much she wants Will to be safe, like she would really do anything to keep him safe and I love it
Lyra asking the Alethiometer where Will’s dad is and “he’s in this world” - ahhh it’s going to happen!
Also I really hope that the BBC/whoever decides to sell replica Alethiometers because the design is so beautiful?! I would fork out serious dough for one, and it would go nicely with the one I have from the film
No but seriously, words don’t describe just how badly I want a replica
“I wanted to fly so I summoned you here, now I’m flying” - LOL OKAY THEN JOHN
Ooh damn, that outfit Marisa is wearing is FINE. I’m slightly gayer than I was before, ngl
I was like “nooo Mary don’t be nice to these kids, they’re awful”
But it’s very sweet that she offers them food?? Like she pulls a chocolate bar out and is like “it’s no good for you, it’s full of sugar”... I love her
The way that Mary was so happy and excited when they mentioned Lyra, only to tell the girls off for trying to kill her - more of a mum than Mrs Coulter tbh
“Miss, can I have a hug?” - AWWW OMG WHY AM I SAD
They asked Mary to stay and look after them omg 😭😭😭
“Come with me, I’ll bring you to your adults” - ooh okay this could go any number of ways... Either she actually reunites them with their families and all’s well, or she takes them up there and their parents/adults are all dead (for lack of a better word)? Or the Spectres attack after Mary leaves them with the adults??
Jopari talking about meeting his dæmon and also a little bit about trying to get back to his family :(
“Can you magic us up a fire?” “One moment” *presents a box of matches” - LMFAO
Wait did Serafina seriously just imply that she thought Will might hurt Lyra?!?
Serafina saying that if protecting Lyra means protecting Will as well... Yes, protect Will please! Protect BOTH of these children, I literally BEG you, they’ve gone through far too much
Ooh okay so the witch ritual/spell was kind of cool to see!
Lyra saying “please tell me he’ll be alright” 😭♥️
The fact that Lyra curled up close to Will and then Pan (in ermine form) curled up CLOSER to Will is so cute, they both love Will so much
Pan: “We feel safe her... don’t we?” / OOF OKAY THIS IS F I N E
I already know what Lyra’s “other name” is because I read the book but the hints are anything BUT subtle tbh. “Mother of us all, cause of all sin, tempted by the serpent”... I’m not even that religious but I think it’s pretty obvious.
Also, if Mary is playing the part of the “serpent” within Lyra’s destiny, does that mean that Mary has tempted Lyra? Or that she will?
Boreal being nervous about being in the city and Marisa is just so unimpressed by him... Mood
That smirk she had when going up to that Spectre victim was so chilling, we have to stan Ruth Wilson and her incredible acting
Also, fun fact, Ruth Wilson went to my sixth form college and is from Surrey (like me), and she grew up in Shepperton, which is where my Nan used to live when she was alive (my uncle and aunt live there still), so that’s super exciting!
“We could learn from this” - PLEASE DO NOT MA’AM
God I hate the Magisterium so fucking much, the patriarchy is so strong with them
Oh great, now they’re gunning to kill Lyra :/
Also, off topic, I’ve only just connected that Will Keen, who plays Father MacPhail, is Dafne Keen’s dad?!?
“She’s lost a lot for one so young” - AND SHE’S STILL GOING TO LOSE PEOPLE, WHY IS THIS FAIR PHILIP PULLMAN 😭
“She must be protected” - AGAIN, they BOTH need protecting PLEASE
The Spectre noises reminded me of the noises of the Smoke Monster from LOST, so that’s definitely trippy for me
Thanks, I hate it
I nearly shouted “WHAT THE FUCK IS SHE DOING” out loud in front of both my parents, I seriously thought she had a damn death wish
I have never been so damn tense in my entire life as I am watching this show - and I KNOW what happens
HOW DID SHE DO THAT WITH THE SPECTRES SOMEONE PLEASE EXPLAIN
Lee’s so worried about Lyra - 11/10, Father of the Year
The Magisterium airships... NO. FUCK. WE’RE AT THAT POINT ALREADY AND IM NOT OKAY BECAUSE I KNOW HOW AND WHERE THIS ENDS AND I HATE IT
I deadass thought Marisa and Carlo were about to kiss when he ran up to her and I actually said out loud “NO please don’t”
Look I must just be so dirty minded but when she said “let’s celebrate”, my immediate reaction was “NO NO NO NO EW EW EW NO” and “I hope she just means having a drink and not doing the frickety-frack”
I was so close to tearing up as Will was talking about his mum, her illness, and the boys who were mean to her because of it. His love for his mum is so beautifully written and the way Amir Wilson is playing Will is so wonderful
I was also close to tears when he was talking about his dad and how he used to imagine about his dad, so maybe I’m just emotional anyway
“Could go to school... have friends” - okay yeah no I’m definitely crying 😭
“I couldn’t trust anyone.” “Until you met me.” “Yeah.” - EXCUSE ME ♥️😭 my HEART
I love one (1) soft boy, and one (1) feral girl and her dæmon
The relief I felt when I saw Marisa and Carlo were literally just having drinks 😅
“They consume what makes us human, so I just suppressed that and hid it” + *cut to the monkey looking kinda sad/uncomfortable* - Umm fUCK OKAY THEN
Why am I feeling sorry for the monkey?!?
“You think we’re equal?” - LMFAO RIGHT
EWW THEY KISSED. No, just... nO
When I saw his snake dæmon moving towards her monkey, I thought one of two things was about to happen: 1) the monkey was going to pet and paw and the snake as Marisa seduced Boreal, or 3) the monkey was going to strange the snake and kill Boreal
OKAY THIS TOOK A SHARP BUT NOT UNWELCOMED TURN
“You’ve NEVER been my equal.” “You’d only hold me back.” - OH MY GOD YES THE SHADE
She’s not wrong though let’s be honest here
So she poisoned him I’m assuming? She poisoned his drink because the monkey didn’t actually touch the snake... damn.
Her just sitting there and continuing to drink with his dead body there is... damn.
“Into that valley” NO NO, please no
Jopari really just summoned a whole damn storm huh
Also the fact he fully trusts in Lee’s abilities to land them safely :3
Lee: “Can we trust him?” // Hester: “Do we have another choice?!!” - LMFAO I love them so much
THE WAY I NEARLY SCREAMED WHEN THAT WITCH GOT ATTACKED BY A SPECTRE OMFG AT LEAST WILL WAS THERE TO SAVE HER
Okay but did Marisa REALLY sit there for HOURS with Boreal’s corpse sitting opposite her?!?
Her burning her hand on the flame in front of the monkey, and the monkey clearly whimpering and in pain was so agonizing to watch, I can’t take this show
Also, you have to wonder just how many times she’s harmed herself (and him) for her to keep doing it with next to no problems (like separating from each other all the time)
I was so excited to see the birds attacking the zeppelins, like it was one of my favourite details in the book, and I worried that they wouldn’t have the budget for it but yay!
I do kind of wish that we’d had Sayan Kötor as the “eagle Queen” leading them though - she probably was but I wish we’d actually seen it or heard Jopari say it or whatever
THEY SHOT THE GAS CANNISTER OH SHIT THEY’RE GOING DOWN HARD AND FAST IN THAT BALLOON
HOLD ON BBC YOU CANNOT END THIS THERE?!? EXCUSE ME?!
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The last episode is next week and on an hour earlier, so that’s exciting! I have no idea what I’ll do once this series ends, or when we’ll even get the third and final series because of COVID and filming delays, but I’m excited for it nonetheless and hoping it’s next November/December or something!
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chalkrevelations · 3 years ago
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Street Dance of China S3, Ep 3. It sounds like maybe I should step up my pace on these, as they’ve announced the captains for S4 now? (Yibo back, Lay Zhang back, plus a couple of new guys I don’t actually recognize yet.) When is this going to air because it is just LAUGHABLE that I can keep up with 3+ hours of this a week. Particularly if I’m going to keep obsessively re-watching Word of Honor AND try to finally finish Killer & Healer in the miniscule free time I actually have for teevee. There’s certainly no way I can watch and dither on about 3+ hours/week worth of dance show in realtime before January, at least.
ANYWAY, this ep, we get a recap of everyone falling out after the captains’ cypher, and we learn who got the final extra towels and passed through to the next round: Lu Jiao Ni, who we barely see, on Team Jackson Wang; Yuan Ye (as promised) and A Li (who we barely see) on Team Lay Zhang (ETA: Wait, we find out later that A Li isn’t even on Lay’s team, she’s on Yibo’s - he wouldn’t move her on, and she gets one of Lay’s towels instead); Bullet (as promised) on Team Wang Yibo; and Xiao Ming (as promised? maybe? as we’ve barely seen this guy?) on Team Wallace Chung.
This week: Out of 400 people, we’re down to 105. Not all of these faces are familiar, and I suspect I don’t really need to learn 90 percent of the unfamiliar faces. I … am going to go out on a limb and make a guess that one of the dancers whose name has been bolded in one of the past two episode recaps is going to be the ultimate winner, because I have umpty SYTYCD episode reactions on my LJ, and I suspect I know how this works. I wouldn’t even put money on any of those five bolded names in the previous paragraph, quite honestly. Anyway, now it’s time to start culling down to 60. We bring out the team captains, and my first reaction is “MY EYES” because wth are some of you wearing? Wow. Yibo’s shoelaces are all over his jacket. Wallace looks like he rolled a flasher on the street for his trenchcoat. Lay Zhang is wearing a baggy pink jumpsuit, and I guess, OK, it’s easier to maneuver bathroom breaks in one of those when you have a dick, but that’s definitely a fashion trend that should have stayed back in the ‘80s. I guess questionable fashion is an international phenomenon.
There’s also an empty chair for the promised Mystery Guest, and there’s a game with clues, and a lot of guesses from our captains about who the Mystery Guest will be, and Jackson does A Bit through the whole thing. I don’t know whether to be entertained or annoyed by him. He’s the only one without some egregiously questionable fashion choices (so far) this episode, so maybe he gets a pass. Anyway, I don’t have the pop cultural context to understand the guesses, and I also don’t have either the pop cultural context or the knowledge of this area of dance to grok the Mystery Guest’s identity, but he’s Huang Bo, and apparently he had more than 1000 dance performances in the 1990s, so he must be at least as old as me and Wallace, if not older. Yibo takes the opportunity to make the – very NON-politic – remark that maybe HE wasn’t even born yet at the time? That … is not the way to win friends and influence people, Infant. Also, the Mystery Guest is NOT the person Jackson kept doing A Bit about. The reveal is all very dramatic, and he does a lil’ bit of choreography from of each of the four Extant Captains’ videos before he takes off his mask, and they act appropriately impressed, and there are some girls with short shorts among his backup dancers, so that all happened. The show obviously wants me to be very impressed by him. Show also tells us he’ll have a special skill that will be very important and at least leads us to believe that he’s going to be the “life-saver,” so the audience immediately curries favor, or at least plays at it.
Next up: Rules. Eliminations this week involve contestants self-selecting into groups of anywhere from one to five people and performing for a panel of all the captains. Teams pull a number out of a hat for performance order. Thumbs up from all four captains, you go to the next round. Abstentions from all captains, you go home. Thumbs up from some and abstentions from others, you face the possibility of a call-out from other contestants, whereupon you have to dance for your life battle to find out which of you stays and which of you goes. Oh, and we’re only going to keep going until the 60 available seats are filled, and then we’re done. If you’re number 35, you’d better be prepared to battle someone earlier and kick their ass, or you’re fucked, you don’t even get to dance. I’ve said it before: Audentes Fortuna adiuvat. Only wait, ETA: There will be some last minute BS rules fuckery, in a way that is clearly intended to save someone in particular, which I feel some kind of way about - and it is not really the way that almost everyone on the show seems to feel - but I guess we’ll get to that later.
And cue ridiculously long nattering, so we’re going to cut here.
First group is Lin Meng (Team Wallace), Teng Zai (Team Lay), Bing - of the infamous motorbike flirtation - and Dian Men (both Team Yibo), along with a dude we haven’t actually seen yet, Tang Qian (also Team Yibo). Your lack of even B-roll so far is concerning re: your chances in this competition, Tang Qian. I’m just sayin’. Anyway, this is a powerhouse group, and at least Lin Meng and Teng Zai are familiar with each other because they’re from the same crew, and Xiao Bao remarks from the audience of contestants that these guys are going to go through, no matter what. They’re going to do a totally popping routine. My sound drops out at the beginning which … yeah, makes them look even more like a boyband at the beginning, in their matching baseball uniform shirts. So, here’s the thing, they’re a little muddled, they don’t move smoothly around each other on stage - their dance moves are coordinated, but they’re not moving in space like a group that understands each other. (Somewhere in here, my sound comes back, and Yibo already can’t hold still to the music.) The other thing is, though - all of these guys are very good at what they do, they finally hit their stride a minute or so in, and when they do, they hit it hard. I’m frankly surprised they don’t get passed right through to the next round, but Jackson abstains on the vote, and when called upon to explain himself, it turns out he just wants to see them battle. I can understand the impulse, Jackson, but this is already super stressful on all the dancers, and it doesn’t escape my notice that you’re the only one of the four captains without a dog in this particular fight, so a little bit you look like you’re doing this just because you can. Remember this, because it will set a bad example for an 11th -hour vote. Anyway, there’s the chance for a callout, which no one takes because the entire audience is convinced this group is too good to beat. Five of 60 seats taken.
Group two is Shen Kai Xiang – the Jack Ma lookin’ dude. He’s flying solo. He gets to stand around uncomfortably for a while onstage while Special Guest Huang Bo does A Bit making fun of all of the captains’ speech patterns and accents and pronunciation, except Yibo’s, because Yibo apparently never talks. Ha ha. (I’m also wondering if there’s some socio-cultural stuff underlying some of this that I’m not cued in enough to fully understand.) Huang Bo then tells the contestant that Jackson has probably fucked him over by praising him too effusively (he came from Jackson’s team, and Jackson already is displaying a tendency to rhapsodize about how everything is “ART”), so all the captains now will have inflated expectations that Shen Kai Xiang is surely only going to fail to meet. I’m beginning to suspect that Huang Bo’s Special Guest Superpower is not “lifesaver” but “kind of annoying asshole.” Maybe it’s to take that particular spotlight off of Chick. ANYWAY, Shen Kai Xiang FINALLY gets to perform, and he gets a little bit of a slow start, but he packs in a lot of elements and gets a LOT of good air in his moves once he gets wound up. He’s lyrical and super emo about it. I’m kind of “eh” on him – technically, he’s good, but I’m not particularly connecting with him, which I’m willing to admit could be a me thing, as everyone else seems super-impressed. Three captains pass him through. Yibo does not and explains this decision as personal preference – he likes more “underground” styles, more battle styles. Huang Bo brings back the issue of too-high expectations to help explain why Shen Kai Xiang isn’t being passed directly to the next round, even though Yibo just explained his decision and that is literally not the reason he explicitly gave. Anyway, Shen Kai Xiang gets no call outs, which seems to surprise Yibo, and we’re at six of 60 seats taken.
In quick succession, we move through Liang Hua Jie – we don’t see much of him, but we learn that while Wallace likes his musicality, Yibo doesn’t like his face (OK, doesn’t like his facial expressions, which, what can I say? I get this. If I’d had the power to unilaterally send home Lacey Schwimmer on her season of SYTYCD, I’d have done it, that’s how fucking annoying I found the way she’d mug for the camera the entire time she danced. Like I couldn’t even watch her dancing, because I was too distracted by what she was doing with her FACE the whole time.); Jian De Chao (wait, is this Chao from the first episode?) & Chen Zui – who, from what we get to see of them have some good flow and move pretty well together, but can get a little bit mushy in their moves, and Yibo likes their skills, but Lay thinks they don’t feel like a group, which what? Incorrect; and a group that’s dubbed themselves Purple Storm Show, which includes Alex from Jackson’s team and four other people who I can’t even catch – we barely see their performance, and Lay likes them, but Jackson thinks they’re flat. I can’t tell if any or all of these guys were sent through to the next round or sent home, but if they didn’t make it, then  :(  because I liked Alex, and he got hit in the eye for this, he deserves better than to get sent home because his team can’t get it together. We still have no group that’s been passed through by all four captains.
And then, next up is another powerhouse team: Gongsu Wu Ming and Hei Zai (Team Lay), George and Xiao Ming (Team Wallace), and (Xiao) Bai (Team Jackson). Yibo is skeptical about an all B-boy group, and don’t make me fight you, Yibo, because an all B-boy group is like my dream come true (sorry, poppers; sorry, lockers; my heart truly belongs to the B-boys, they are my favorite). We learn they added a flip at the last minute – an assisted flip, with a couple of them flinging George into the air over the other two of them. Wu Ming thinks that George is the only one of all the competitors who could do it, but George – who has a little more skin in the game than anyone else, as the guy who could potentially land on his head wrong - is a bit concerned about whether they’re going to pull it off. They start, and they’re all good, a little bit muddled before they hit their stride, but the slo-mo cartwheel is great, and from there, they’re off and running. This is why I like the B-boys – I know it takes a lot out of you to do this, but there is nothing – nothing­ – like the magnetic energy they can generate when they’re in their performance headspace and everything is flowing. This is a performance, and Wu Ming has talked a little bit about wanting to step up breaking, and if this is the sort of thing he wants to do, I’m all for it – give him the platform now. I’m going to take just a minute to single out Bai and say that he’s better when he’s not doing A Bit like he did in his initial performance for Lay Zhang – he’s much more electric here, and someone else’s choreography may make the difference. Jackson, Yibo, Lay – they’re all out of their seats, none of them can hold still in the face of this. We get to the end, and unfortunately, everyone else is kind of cluttered and mushy moving into position for the flip – that is not a way to go out guys, DO NOT DO THAT at the last minute – but then George f’kn NAILS the flip, so that’s thankfully the last impression they leave. The captain’s faces are a picture. (Except Wallace, who’s suddenly too cool to give us anything, apparently.) FIRST ALL-PASS. George’s assessment: “Not bad.” :facepalm: OK, Mr. Cool Guy. They also cut in a post-interview bit with Bai about the performance, and he notes that they all know each other, they’ve been battling each other for like, a decade, now. Dance together more, guys.
Moving on, we fortunately have another very strong group to follow them: Gai Gai, Wang Tao and Huang Xiao, all from Jackson’s team, and you can tell he badly, badly wants to start in on the ART! bit but he (loudly) keeps his mouth shut about this group until after the performance. The only one of these three we’ve seen so far this season has been Gai Gai, but they all dance in the same group together, and they seem to be well-known by a lot of the other competitors, particularly Huang Xiao, both as a dancer and a choreographer. They say they’re doing jazz, although I’d be more likely to call this contemporary, if I was going to put them in a box. They are gorgeous – lyrical, fantastic dance vocabulary, amazing choreography, beautiful musicality, and the way they move together as a unit is … :chef’s kiss:  I think Huang Xiao may be the best of the three, technically, but there’s something ineffably charismatic about Gai Gai that’s pulling focus a bit – just a bit – more than the other two in this performance. If there’s a weak link, it’s Wang Tao, and really, that’s only by comparison with the other two, which is a really high bar. We get some shots of the audience of competitors worrying about Yibo’s reaction, given his preference for the old-school battle dancers and an apparent “strictness” with urban dancers and related genres, but these three also get an All-Pass to the next round, and Yibo talks to them a little bit about the choreography and his (complimentary) reactions to the performance before they leave the stage.
And then. Oh, dear. Then we get a group of three – Da Mao, A Li and Tall(? Maybe? It looked like he was going to get out of this anonymously – probably lucky for him – but then the subtitles threw up this name on him at the last minute) – who are the only krumpers who’ve made it this far. Lay Zhang is really promoting them, because he really wants to see a bigger krump presence, and he’s really nervous about their performance, and he really, really should not have pinned his hopes on these three, because I hate to say it but they are a hot fk’n mess. They are … not good. I can’t believe any of the three made it this far, and in fact, we learn after their performance, while everyone is sitting in a kind of stunned horror (and y’all, I am not exaggerating for effect there), that Yibo did not pass A Li on from his team, that she got one of Lay Zhang’s final extra battle towels. I mean, there’s an obvious gap in the quality of this performance compared to everyone else we’ve seen. There’s also a lot of pacing around and standing around instead of dancing. They’re trying for the attitude, but they’re not managing it. They do manage to get an embarrassed reaction from Chick, which says something all on its own, as I wasn’t aware that he had any shame. Other competitors also are doing the embarrassment-squick cringe in the audience. Lay Zhang is literally hiding behind his clipboard. This is the first All-Out we get, where they’re directly eliminated – not even Lay can bring himself to vote “yes” on them. Now, all the krumpers are gone, and Lay is visibly sad and frustrated, but as we appear to move to a little bit of a break, Yibo displays the most emotional intelligence of anyone there and asks Lay to teach him how to krump, to distract him and get him actually doing the dancing he enjoys for a little bit. It’s also a chance for Yibo to learn a new thing, and he talks about his chance to improve in a little interview bit from later on that’s cut in here. I mean, yes, that actually was kind of a sad attempt at krump during the cypher, my dude, so this can only help you, but you also are being an extremely good guy, giving your fellow captain some emotional support right now. Thumbs up.
Next up, we have AK Dong (Team Wallace), also flying solo, and they give us a little heart-tugging B-roll about how he doesn’t have a team with him there, so he’s going it alone. He’s fantastic right out of the gate - good musicality, clean and precise, and he’s got a nice texture to his performance, it feels … full even though it doesn’t feel as big and expansive as some of the other dancers. Unfortunately, Lay doesn’t agree with me (incorrect), says he wants a performance that’s more elegant and “balanced,” and is the single holdout vote, which opens my dude up to a call-out challenge. This is the guy who looks like comedian Hank Chen, which has overshadowed his dancing twice now, because he had to listen to it from Haung Bo when he came out to dance, and he CANNOT catch a break, because now he gets challenged by three teams, including Bouboo’s team, which also includes Klash, Bullet and Colin (all Team Yibo), plus Boris (Team Lay), who we’ve only seen B-roll of so far although he speaks good Chinese, despite being from … I’m not sure where, but not China? AK Dong complains about how Boris looks at him with innocent eyes and tells him that they have no option other than to challenge, which is true (ETA: insofar as we know at this point), because they’re #36, and the 60 slots would almost certainly fill up before they even get a chance to dance. This team wins the bottle spin against the other two challengers, and I mean. :hands: This is a slaughter. They’re five-on-one, and they’re all really good at what they do, they make it look effortless, and AK Dong’s face is going to kill me. Wallace actually does vote for him, but the other three vote for the team, and that’s five more seats filled, and AK Dong eliminated, and I’m annoyed (although not as much as I’m gonna be) because I liked him, and I would have liked for him to get a chance to dance without having to listen to the Hank Chen nonsense at least once.
Next, we have Li Yue & Sha Sha, who appear to dance together on the regular. They have a kind of sultry number put together as the Green Snake and the White Snake that is … hm. I don’t know if we’re classifying this as urban or jazz for the purposes of the show, but it’s another piece that fits more into my contemporary box, if we were classifying them for most of the Western dance spaces I’ve seen. They’re good, as befits this stage of the competition, but a little inconsistent, technically. Also, I don’t find them particularly exciting to watch – I feel like something’s missing, although I can’t quite put my finger on what. I’m not sure their flow is consistent, and they’re probably not helped by following Gai Gai, Huang Xiao and Wang Tao. They get three yes votes from Lay, Yibo and Jackson, although they are … enough to maybe make Yibo a slight bit uncomfortable, being the shy and fragile homosocial forest creature that he may be, or that he may be getting edited as, who knows. Huang Bo pokes at Lay Zhang about his reaction to and vote for them. He also basically says that Wallace didn’t vote for them because Wallace wasn’t turned on by them, because Wallace is still doing his imperturbable cool-as-a-cucumber routine. Wallace’s hold-out vote opens them up to a call-out, and several groups come down to challenge, including – bad luck for Li Yue and Sha Sha – TI, who win the bottle spin. This group includes choreographer Zheng Jian Peng, as well as Su Lianya, who I didn’t realize was a TI member, both Team Wallace, along with … oh my god, Wei Ming, who’s the “Sir, what are you doing?” guy from Episode 2 when Wallace was giving out towels to poppers like candy, and I’m kind of pleased he’s made it this far, just based on that moment, alone, never mind any dancing skills. Rounding out the group are Long Long and Wei Lin, both from Team Yibo, and I think we got B-roll of Wei Lin at some point during Yibo’s eliminations in the first couple of eps. I know nothing about Long Long at this point. At any rate, everybody in this group is so good, I can finally see how they got their rep – fantastic musicality, and a great job of working as a unit. They feel like a team, even when they don’t manage to be quiiiiite synchronized. I’m not really feeling their costumes. Su Lianya continues to be a standout, even in a group that sets the bar this high. Wallace’s composure finally breaks when the other team captains evince interest in poaching her, and oh my god, he still has the hair elastic that he held for her at her initial performance, that they said would be a token of their vow to go all the way in the competition together. OK, I give Wallace a lot of shit, but this is actually kind of adorable. He literally pulls it out of his pocket to tell the other captains they can’t have her and to plead with her to remember their promise to each other. TI gets three votes and moves on. (Lay, still apparently captivated by the snake ladies although not enough to bald-facedly vote for them in the wake of TI’s performance, abstains.)
Next up are Tao and CiCi, and OK. I’m going to be honest here. I think they’re leveraging the “couple” schtick for all it’s worth, and good for them, it looks like they can pull it off, because I think some of the amazed reaction we get from the captains and from the audience is influenced a lot by their coupleness, but at the same time, I think some of the amazed reaction we get from the captains and from the audience is actually influenced by their coupleness rather than their dancing. I mean, Su Lianya and Wei Lin are in the audience of competitors clutching each other’s hands and crying, and it seems to be just as much about Tao telling CiCi out loud that he loves her just before the music starts and the fact that they kiss as part of the piece, if not more than it’s about their actual dancing. The show is also really pushing me on this, because whereas, with everyone else, it tosses up closed captions that tell me what moves are happening (in addition to dialogue subs), now I’m getting things like “heaven-made match.” They’re good, but I think they actually also suffer a bit from following the Gai Gai/Huang Xiao/Wang Tao powerhouse, because I think we’re unlikely to get anything on the lyrical side of things that’s going to match up to that for the rest of the day. Tao and CiCi are better than Li Yue and Sha Sha were, and it is pretty badass the way she manages to make herself so small and compact she literally disappears behind him for that last little bit, and if they’d won the bottle spin on the last callout, they would have won the challenge, I have no doubt. But. :hands: I think the show has actually done that thing Huang Bo accused Jackson of earlier and set my expectations too high. I’m’a sound like Yibo – or like Yibo normally would, because he also seems to get suckered into the overwhelmed reaction for this – and say that I think Tao was better in the less lyrical style when he danced with Yibo and Bing in the Ep 2 towel battle. They get an All-Pass from the captains and talk about their inspiration for the piece, which apparently is a couple who confessed their love to each other the day before the girl had to go into COVID quarantine, and well, now I guess I feel like just a little bit of an asshole for not appreciating the COVID love story properly? Anyway, the captains then keep asking them intrusive questions about their relationship, and Huang Bo mocks Lay for apparently never being in love so he won’t understand what it’s like, and I’m cringing in my seat a little before Jackson gets us back on track and Tao and CiCi finally go sit down.
Then Huang Bo takes the chance to go over to the contestants who haven’t performed yet and stress them out about how few of the 60 available seats are left. I mean, I guess it’s part of competition, but come on, dude.
ANYWAY, next up, we have a group calling themselves Team Wake Up – it’s the waackers, and this group includes Xiao Bao and San Jin from Team Lay, along with a guy we haven’t seen yet, Tu Zi; Meng Di from Team Yibo; and Gao Shi Yu, who we also haven’t seen, from Team Wallace. They start working it, and I’m like, oh wait … and then they hit the Cat Walk, and I’m like, oh shit, and a light bulb finally goes off, because I’ve been super-fk’n slow, but now they’ve shown me what this genre is about, and I’m interested to see what they do here, because a lot of this performance could be straight off the floors of the ball scene. The entire group is pretty good, although I do think Gao Shi Yu is the weak link, she’s not quiiiiite up to the standard of the rest of them. They move well as a group, though, good coordination, sharp and clean, fantastic musicality, high energy all the way through, with EXCELLENT attitude, which is half the battle, because if you’re not confident for this kind of thing – or if you can’t at least fake it flawlessly – you might as well not even be out there. They all do lose a little bit of focus when they’re in the background as they break out for their individual moves, and they fall apart a tiny bit near the end. Also, Meng Di’s belt is off-center, and I know that sounds super picky, but it kept distracting me, so I wish that hadn’t been the case. Xiao Bao is definitely still the standout here – he takes the lead from the minute they come out, with the mic, and never really relinquishes it. We finally get to see San Jin perform, and his extension could be better. Tu Zi must be lacking in the charisma department to not have shown up before this, because he’s better than I expected. Before they started, the group that Xiao Jie and Yang Kai are in together – who still haven’t performed – were debating if they should challenge this group, but Xiao Jie advised waiting to see how good they were, and then after the performance is all, “nooo, we should not challenge,” and props to you for not just writing off the waackers, my man, because they get an All-Pass, and there’s not even a chance for a callout. Before we move on, Wallace clams he’s learned some waacking during the show, and the other captains (led by Jackson, who calls him gege) make him demonstrate, and the contestants, who know what side their bread is buttered on, applaud.
Available seat check. Yibo participates in further stressing out the contestants by saying “Like, a dozen?” All y’all need to be challenging whatever chance you get. Now I bet you’re sorry you didn’t challenge Shen Kai Xiang back at the beginning, aren’t you?
Next up is our group of X-Crew representatives, hop-hop, and Yibo is excited. I almost expect him to do a little dance in his seat. Yang Kai helpfully lets me know that this group is from the top hip-hop crew in China. Oh, hey, that’s Qin Yu, from Team Wallace, the guy who Gongsu Wu Ming immediately recognized as the weak link in one of the towel battles and got up on; the guy who subsequently got taken out by Teng Zai, My Beloved. Qin Yu, the guy we hadn’t even had B-roll on, and still don’t. I wonder if I’m reading too much into that. He’s joined by Flea (which I’m assuming is a direct translation, as it doesn’t sound like “flea” when he says his name?) and Ding, also from Team Wallace - neither of whom we’ve seen before, I think - along with Ting and Lei Xiao Yang from Team Jackson. This is also the first time we’ve seen Lei Xiao Yang. I … feel weirdly unconfident about the famed X-Crew, given we haven’t seen more of them before this. Then again, we’d only seen Gai Gai from her group, so maybe this is a BigSurprise!edit … Ting comes out hard and heavy, and I actually think this is the best performance we’ve seen from her so far. She spends a lot of time out in front on this one, and I don’t think I got from her initial appearance or from her towel battle performances just how good she actually is. Overall though … I am … not that impressed with this group. They start out strong, but then they get sloppy. They have trouble working as a unit, which is surprising from people who supposedly have experience dancing together. They’re all very good, but they’re not synchronized. A lot of their solo showcase bits lack complexity, and that is an understatement. Qin Yu still has some of that nice fluidity along with his pretty face, but he’s not balanced, and he absolutely does not have the finesse he needs to pull this off. They all do move into the end strong, together again, hard, power behind their moves - almost everything from the slo-mo move is good - but … it’s a little late, y’all. That took way too long to get back together. And then, they inexplicably descend into … it’s not even sloppiness, it’s an utter hot mess during, like, the last 15 seconds of the performance, which is absolutely not the final impression you want to leave. And … wow. Shit. There are captains who actually agree with me on this. Sometimes you see the expected top dancers allowed to slide some in these early rounds of competition shows, but not this time – Wallace and Yibo both vote yes, but Jackson and Lay both abstain, and Jackson … wow. Wow. Is disappointed in them and expected more. Despite the fact that he’s like, 12, and that he’s done this to past groups just because he wanted to see them battle, a little bit this actually has a vague feeling of your dad telling you how much you’ve let him down. The audience is shocked, but I’m glad to hear someone say it. It was a good - if spotty - performance but certainly not the best we’ve seen.
So, we have a callout, and the group with Xiao Jie and Yang Kai, which also includes some guys named Shen Zi Hao, Xiao Zhi Bin and Oscar, pounces. And that is a very deliberate word choice, because these guys are on X-Crew like a lion on the trailing gazelle. They’re in their Men In Black suits (ETA: Wait, no, I think maybe they’re Agent Smith suits), and the audience of other competitors is losing it. Xiao Bao is very excited about Xiao Jie. Both Yibo and Jackson look like they’re in actual physical pain, to be forced to make the choice that’s coming up. Ting looks like she’s getting ready to throw up – she’s accepting this with less equanimity than she did the possible results of her initial performance, at least on the surface. I … am dreading losing her, actually, because I suspect that’s what’s getting ready to happen, and I am so so sorry, baby, that you worked so hard to carry your crew like that and they couldn’t keep their shit together. On the one hand, I’m impressed they’re pitting this level of competition against each other so early. On the other, I feel Jackson’s and Yibo’s pain. God. God. The Xiao Jie-Yang Kai group is here to f’kn battle. This is shaping up to be a slaughter. They are fast, clean, precise, great musicality, complex moves, super performance. They’re synchronized, high energy, fantastic animation – which could be a little cheesy, but they’re confident and fearless enough to pull it off - fun and interesting. They are maybe a little bit too gimmicky to be perfect for my taste, but I’m not the one voting them through, and what they’ve come up with is perfect for the audience that matters – the captains, the majority of which are 20-something-year-old boys – and knowing your audience, and performing for them, is a skill, too. BIGGEST (and frankly, only) ISSUE: Somebody fucked up a move, right at the beginning … I think maybe Yang Kai? (ETA: Yah, it was Yang Kai, ugh, what a time for that to happen.) If you’re going to fuck up, best to do it at the very beginning, I guess, and then give this performance afterward, to mitigate it as much as possible, but that one misstep gives the captains enough excuse put off a decision they really don’t want to make, like it’s not just going to make it worse to kick the can down the road a few minutes. Split vote, 2-2 (I thiiink, Yibo and Jackson for X-Crew, Lay and Wallace for the challengers?), which throws it to a further battle. Ting and Xiao Jie, one-on-one, and both of them are feeling the pressure of competing for their entire team instead of just themselves. Two rounds, hiphop and locking. So, each of them is better in their specialty. Ting’s got some fantastic, precise moves for the hiphop round. Xiao Jie is not as good in this round; I do notice he’s got a more directly confrontational style when he’s battling. I feel like she’s doing more waacking than locking in the locking round. Overall, she’s cleaner, more precise, he’s got a little bit more energy. I wouldn’t want to make this decision, frankly. I think Ting was better technically, but Xiao Jie might be the better performer – better at all that other stuff that adds up to stage presence. I do wonder how much of the captains’ decision is influenced by the groups, and who the captains are or aren’t willing to lose, even though it’s supposed to be based on this 1x1 battle. Just looking at who the show has put emphasis on already, we’ve got Ting vs. Xiao Jie AND Yang Kai, and I don’t know that they’re going to want to let that one-two punch go. Wallace votes Ting and X-Crew. Yibo and Lay vote Xiao Jie and the challengers. Jackson, the coward, abstains. Looks like Ting and X-Crew are going home, and this is the first cut that I’m genuinely upset about seeing. Ting feels bad for letting her crew down, but they let you down first, baby, or you wouldn’t even have been in that position.
Available seat check: 12. Dancers left: 27. Well.
We’re coming up on two hours now, and there’s clearly some kind of drama we want to get to, because we whip through the next few performances – few names, limited time spent on them. The ones who do make it through are likely cannon fodder in the next couple of rounds. There’s a group of four in khakis that gets sent through to the next round; Yibo liked their moves. Guy named Zhan Ke in a suit goes through to the next round. We’ve turned into a clip show now, and the screen literally says “ … ” at one point as each group of competitors gets 3 seconds of airtime. Cut to three seats left out of the 60. There’s about seven people left, and … that includes Chick. I have a sinking feeling this guy is going to be the real focus, at this point. He’s paired up with some dude named Long, and they have lost the bottle spin on callout after callout after callout, so they’ve never had a chance to challenge, and now, look at these morose motherfuckers, still sitting in the bleachers. I almost feel bad for them.
So, three seats left, and the next group is three people: Yang Qi aka “Apple” from Team Jackson, Lin from Team Lay and Bobo from Team Wallace. Urban dancers. I lose sound on them right at the beginning, but they’ve got some nice sharp moves, good choreography, they work well as a unit. Solid performance, if not the best we’ve seen. Apple’s got the best technique, I think. Audience likes them a lot. We get a cut to Chick and the other competitors who haven’t danced yet as we count down for the vote, and they are all dying. Three votes yes. Yibo abstains. Huang Bo is so prepared for this group to be sent right through that he starts clapping and congratulating them, and Yibo has to be all, “Wait, no. Not yet.” The captains give their reasoning: Jackson says that he felt their power, emotion, speed all deserved full marks. Yibo agrees.
Yibo agrees.
...
Their faces in response, y’all. Their little WTF faces as he explains that he really just wants to see the other dancers, too. Oh my god, Yibo. You can’t just say that out loud. Are you serious with this, you can’t even make up a thing to fake critique them on? Cut to a later interview with Bobo, who’s been the least able to school his face journey in response to this: “Wang Yibo, I won’t forget.” Also, Bobo says, you’re not even hot. (lol) Joking aside, the group goes on to make all the correct noises about sure, it’s a competition, you face competitors, it’s what happens, because what are you gonna say? Meanwhile, to be completely honest, I’m probably the person who’s been least able to school their face journey in response to this, because come on, Yibo. It’d be one thing if you were making some kind of statement about the way they set this up from the beginning, with all competitors unable to participate, but I’m pretty sure you’re actually doing this to give Chick another chance, because you have been inexplicably all up on his jock since he showed up, what is it about this guy? I don’t get it. At all.
So, we get a callout, and everyone left challenges, of course, because this is probably the last chance. The audience is rooting for Chick. I still don’t get it. Bottle spin ends up on … Zhao Hai Jie, from Team Wallace, who we’ve never yet seen perform. Here’s the thing: If he can win this battle, then he only takes one seat, leaving another two seats available. However, he is NOT going to win this battle, not without ripping off any figleaf of fair competition that the show may have, because he’s just not that great. If he wins, there’s no way around the fact, right in your face, that it’s a strategic vote. He does not win. Four votes for Apple, Lin and Bobo. Sixty seats filled.
HOWEVER, just in case you were worried there may be any integrity here, director Lu Wei comes ambling out to say, hey, you know those rules we have in place? Well, fuck ‘em. Who cares. Let everybody left battle, and whoever wins that battle can have a seat along with the 60 other people. I’m going to translate this one, because despite the limitations of my Level 1 Duolingo Mandarin, I have umpty SYTYCD episode reactions on my LJ and I feel like I’m pretty fluent in Dance Show BS: “We really want to keep somebody who’s left, so there’s going to be some chicanery on our part.” They really do not want Chick to go home, y’all. I know it’s him. It’s super extra obvious they’re desperately trying to save him, at this point. And I am here to tell you that if Chick ends up on this show and Ting goes home, there will be nothing on this earth that could possibly resurrect Chick from the Pit of My Dislike.
Anyway, we get Dai Dai from Team Lay, who describes herself as a fusion dancer and is pretty good for the first 40 seconds or so of her music and then completely loses the thread and kind of falls apart. The captains do not seem impressed. Possibly they also know we’re just killing time until we get to Chick. Up next is Su, who is Very Dramatic. He doesn’t say what team he’s from, but given Wallace’s reactions, I suspect he’s from Team Wallace. I suspect Yibo’s not going to like his face. His performance goes increasingly off the rails as he goes on. He’s got a lot of goodwill from the audience of competitors, but no. This is not a winning performance. And then we get Chick & Long, literally the last to perform. Chick spends the entire time doing A Bit. Long, who anyone barely remembers is even there, does 2/3+ of the dancing. Everyone – everyone – is apparently vastly entertained by Chick, and I just … :hands: Fine. He’s a character, but I have yet to see anything in three episodes, across, like, 7 hours, that lets me see whether he can really dance or not. Yibo literally tells Jackson, “He doesn’t have many tricks, but he’s got a ton of ideas” and later says he’s a B-boy without a power move. Anyway, one vote for Su (Wallace), three votes for Chick and Long. We’re at 62 dancers, and I cannot believe I’m going to be subjected to Chick’s continued clownery when Ting has to go home.
Thank GOD we’re activating the Special Guest Host Powers, the first of which is “REVIVE,” i.e., bring someone back who was eliminated. Yibo is immediately like, omg, the hip-hop group. Then we do Yet Another Bit where the captains cater to Huang Bo so that he’ll take their advice on who to revive, and it goes on too long when we are, my god, two hours and fourteen minutes into this. Meanwhile, Yibo reiterates, the hip-hop group. Yeah, Yibo, this I approve of - if I gotta watch you fall all over yourself over Chick, you need to get Ting back for me. So, we’re finally getting the captains’ actual recommendations: Jackson says the hip-hop group, possibly feeling bad about the fact that he’s the one who spiked their chance the first time around? Yibo is all, me too! Yes! That one! It’s kind of adorable. Also, yes, Yibo, you need to get Ting back for me. Lay says Li Yue and Sha Sha, the white and green snakes. Wallace recommends a popping group that I don’t even know if we saw perform? At any point in the past 7+ hours of three episodes? Wallace, are you high? Anyway, THANK GOD, Huang Bo brings back the X-Crew group. We’re at 67 dancers.
Second Special Guest Host Power is … “battle?” So, we’re setting up Qiang Qi Da Zhan, aka Seven to Smoke, which they’ve apparently done in past seasons? Each captain picks two people – eight total – to participate. Twenty minutes total. Increments of 30 seconds each to battle. And I guess you have to accumulate seven points in various battles. We don’t get to hear the captains’ picks, but I can see that AK Dong is called back for this one. Also, I spot one of the krumpers. (:eyeroll: Really, Lay? Because I know that was you.) We see some clips of this. We see AK Dong get to six points. He … maybe gets his seventh point? Anyway, he says in the last interview clip that he’s here. I guess we officially find out the Seven to Smoke results next ep?
Also next episode: Divided into two groups and battling by genre for the next elimination. Five rounds. Also looks like captains might get a chance to poach from other teams. Also some wacky fuckery with the dancers’ heads that looks like it’s going to be stomping all over my embarrassment squick, argh.
Finally, we get a peek at hotpot, and it sounds like they ended up with 70 dancers, so three people managed to get seven points in Seven to Smoke? And somebody’s mom is apparently coming to hotpot, but I’d have to watch the actual hotpot show to find out whose mom, and we’re out.
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sakuraswordly · 10 months ago
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twdmusicboxmystery · 4 years ago
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Beth’s Template in S11
Okay Bethyl Enthusiasts! Here goes!
I’ve been promising to talk to you about exactly what I think will happen in S11 with Beth’s arc, and that’s what I’m going to do today. I’ve had a basic idea of things for a while, now, but these bonus episodes and their epic symbolism have really kicked things into high gear. They’ve helped me see things more clearly and even helped give me a more definitely (disclaimer: though still somewhat fluid) timeline for how/when it will all happen.
So, of course we all hoped to see her in ep 22. But if he we had, it would have had to have been in a coda. Like a preview of some kind. Because they didn’t quite get to the part of the story where I’m expecting to see her. But I’ll get into that in more detail.
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So, we’ve been saying for a while that we think she’ll come through Eugene’s storyline, so that’s what I’ll be focusing on here. Because that’s specifically what I think we’ll see in S11. @wdway has found a TON of Beth symbolism around Eugene. She did most of her investigating and reporting over the long, CoVid hiatus, but I haven’t gotten around to posting much of it. Maybe I still will. We’ll see. There’s been so much to talk about lately.
Let me also state that, while I firmly believe we’ll see Beth in S11, I don’t think we’ll get to the point where Daryl will see her. And yes, that kinda sucks. But they probably won’t have their reunion until the spinoff. I know the Bethyl reunion is what we’re all waiting for, but hey, at least once we see her, we’ll know it’s coming, right?
So let’s start by going through the relevant template.
I’ve mentioned parts of this before, so I apologize if any part of it is repetitive. But it will help you if  you understand not just what I believe we’ll see, but why.
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So, let’s return to 6x08/09. At the end of 6x07,  the church fell and all the walkers got into Alexandria. Eugene ends up in a garage with Tara and Rosita. They can’t get into the house connected to the garage because the dividing door is locked. After a discussion between the two ladies about whether they’re going to give up hope or else “do something,” Eugene offers to pick the lock and they get inside.
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Inside, Morgan was keeping Creepy Wolf Dude (who I’ll abbreviate CWD) in the basement. He brought Denise (Beth proxy) in to patch up his injury, which she does. Carol wants to kill CWD and tries, but Morgan stops her. He’s on his “all life is precious” kick and ends up body slamming Carol, so she passes out. But when his back is turned, CWD also hits him over the head, so Carol and Morgan are both down for the count.
Just then, Eugene, Rosita and Tara enter, but CWD takes Denise hostage and leaves.
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Everyone with me?
Okay, let’s start with Denise. Because of the way she died, Daryl’s reaction to her death, and AALLLLLL the Beth symbolism around her, she’s clearly a proxy for Beth. So what I’m going to argue is that this little sequence is a foreshadow and template for how she’ll be reintroduced into the show. Notice how Daryl isn’t present in any of these scenes. So again, this is how we, the audience will see her. Not how Daryl will first see her. Kapish? Okay.
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So, I think Eugene unlocking the door to a new place represents him finding or “unlocking” a new community. Kinda like the one he, Yumiko, Zeke, and Princess are now in the process of discovering.
How did we come up with that? I honestly don’t remember in detail. Like I said, it’s something we’ve discussed for a long time. I think we started with Denise=Beth and worked backward from there. It kind of feels like out of all the members of TF, Eugene will see her first, but then she’ll be taken away from him right away.
Now, he’s in the midst of discovering new people/a new community. A few other pieces of evidence for this:
1)      Before they run into the garage, right after the church falls, Eugene gets on the radio and calls for help. Remember, Daryl hears him? So that parallels to Eugene talking with Stephanie via the radio.
2)      If you go through the dialogue of Rosita and Tara in this scene and compare it to dialogue in the scene in 10x16 between Yumiko and Ezekiel (the scene where his horse dies) the parallels are ridiculous. They aren’t the exact same lines of dialogue, but the meanings and chronology of it is almost exact.
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3)      In terms of Denise = Beth, before she patches up Creepy Wolf Dude, she says to him, “show me the wound.” In Rick’s dream in 9x05, we heard Beth’s voice say, “What’s your wound?” It’s almost like they were trying to show us that Denise = Beth and that this template would play out with her return.
Okay, I hope that’s all clear. Shit’s about to get really interesting.
Before we continue, I want to remind you of THIS POST I did about 5x09. If you haven’t read it, I suggest doing so. I talk about the radio voice in 5x09 and how it talks about “attacks against the republic.” We couldn’t have known what that meant before, but now it’s clear that it’s a foreshadow of the CRM and the CRM war, which won’t happen until the spinoff.
It’s super interesting because Andrew Lincoln was the radio voice (he’s currently with the CRM) but he has his English accent. (I’ll tell you why that’s important in a minute. It wasn’t a casual or irrelevant choice on the writers’ parts.) So if that suggests Rick being with the CRM, which he is, it’s kind of interesting that Beth’s voice, singing “Struggling Man” also comes out of the radio at first, before we see her sitting there singing it. That suggests that she, too, will be with the CRM and part of the CRM war. None of Ty’s other death hallucinations spoke from the radio. I’m just saying.
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The voice there even mentioned brutal attacks against the republic, including setting people on fire and hacking them with machetes. And that’s important because that’s just what the wolves did at Alexandria, and in the above template, we have CWD taking Denise (Beth). So it’s all interconnected.
But even so, I’ve had a hard time nailing down what it means and what the story line will actually be when Beth return.
Enter episode 10x21 and @bluesandbeth​’s inspired research.
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In ep 21, Carol snoops around in Daryl’s room and finds the book “The Golden Age of Piracy.” Now, I’ll admit I didn’t look into this reference very extensively because I THOUGHT I knew what it meant. We had a “pirates” reference between Daryl and Carol in 10x01, when they first discussed leaving together on his bike. Since we already know they’ll be leaving together for the spinoff, that conversation was a foreshadow of what will happen in the spinoff. And if you’ve been following my posts,  you know that I see their whole arc in the bonus episodes (6x18 and 6x21) as a foreshadow of that same story line. So to me it was just another confirmation of the spinoff arc.
Then @bluesandbeth contacted me because she’d been looking into the Golden Age of Piracy book. She looked up the author and found out some interesting things. This author is real and basically wrote two kinds of historical books. (X) Books about piracy, and books about the American Revolutionary War. The author wrote a book called Greene and Cornwallis. (X)
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Yikes! Yes, Greene is a real person and a patriot who stood against Cornwallis in the Revolutionary War. But what are the chances the writers use an author who just happens to have written a book with Beth’s last name in the title?
Historically, Nathaneal Greene was George Washington’s top general and right hand man during the war. I’ll come back to him. For now, it’s enough that he shares Beth’s last name.
I immediately hopped online to see what @bluesandbeth​ was seeing and look for more. And boy did I stumble upon a treasure trove!
I noticed a second book by this author called Swamp Fox. (Full title is Francis Marion: Swamp Fox.)
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Now, you may wonder why that caught my attention. It’s not anything I ever posted about. It has to do with Leah. While me and my fellow theorists were discussing her and episode 10x18 endlessly, we noticed that Leah often wore a fox-fur scarf:
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We conjectured back and forth about what it meant. Foxes, just like most animals, can have many different symbolic meanings depending on what culture you’re looking at. They’re often seen as sneaky and wily and deceptive, so we wondered if it was a reference to the writers “deceiving” us because Leah is a hallucination. But that was about the best we could come up with.
Well, when I saw the title of Swamp Fox, I immediately thought of Leah. And of course symbolically, Leah = Beth. So I decided to investigate.
And guess what? When I started reading about the Swamp Fox book, all the stuff from the S6 template above and the 5x09 stuff about Beth being part of the CRM war started clicking into place so fast, it made my head spin.
The Swamp Fox is about Francis Marion, a real man and patriot who also fought against the British during the American Revolutionary war. He’s the guy Mel Gibson’s character in The Patriot is based on. He faced down Cornwallis (one of the main British generals during the American Revolution) and was awesome at guerilla tactics and staying hidden. You know, in the swamp. Hence, they called him Swamp Fox.
Does that sound familiar to you? Think about what Andy Lincoln/Radio Voice said in 5x09 about Guerilla warfare and attacks against the Republic. You could describe Francis Marion’s military career any better if you tried.
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And then I went to Wikipedia to look up general information on Marion and pictures of the British flag are all over the place.
Okay, this is another thing that won’t be very familiar to you because I haven’t focused on it much. In one of the episodes of TWB, Julia Ormond’s character is at home and we see a huge British flag hanging on her wall. Not surprising, given that she’s British. But it was such a huge, blatant symbol, and the camera focused on it for so long, that we figured it had to mean something. We just didn’t know what. The best we could figure is the colors (blue and red) and the fact that there’s both a huge X and a T/cross on the British flag.
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Well, I now know what that symbol represents in TWD world. Reading about Marion and seeing the British flag on his Wikipedia page made it all make sense to me.
In short, Francis Marion, a.k.a. The Swamp Fox = Beth. She’s going to be the second-in-command general/guerilla warfare expert against the CRM. That’s why they had all that stuff in 5x09 when we saw her and heard her sing. The reason for the British flag is that Julia Ormond’s character = Cornwallis.
Read up on Francis Marion HERE.
(This is also why I said it’s important that in 5x09, they had Andrew Lincoln use is British accent for the radio broadcast. It’s meant to be from the point of view of the CRM, which symbolically represent the British in the template.)
So they’re using the American Revolution as a loose template for how the CRM war will go.
Back to Nathaneal Greene of Greene and Cornwallis? Yeah, same thing. Greene was George Washington’s direct under-general and right-hand man. Kind of like a…second or new sheriff? In the CRM war, George Washington = Rick and Nathaneal Greene = um, Greene (Beth).
More on Nathaneal Greene HERE.
But here’s the thing. None of that is going to happen until the spinoff. So why am I talking about it for S11? Well, it has to do with Charleston.
You can look this up on Wikipedia for more details, but Charleston was an event that was huge for Francis Marion. It was Charleston, South Carolina in that case. And it was a stronghold that the colonists were holding against the British. Then one day, the British attacked and took everyone there as prisoners of war. Marion WAS stationed there at the time, but he wasn’t there when the attack happened because he’d BROKEN HIS ANKLE in an accident and left the city to recuperate.
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Okay. Anyone recognize Charleston in terms of Eugene or TWD world?
When talking to Stephanie over the radio, he got her to finally tell him where her settlement was. Any guesses? Charleston.
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Now, in this case, it’s Charleston, West Virginia, but I don’t think it’s any coincidence that the writers went with the same name, even if it’s a different state.
So, here’s how I think it will play out.
I don’t think Stephanie’s group is actually the Commonwealth, or at least not the major, Commonwealth city everyone knows from the comic books. They DO have the white storm trooper guys, so I think they’re linked to the CW somehow. Like maybe they’re a branch of the CW in the same way Grady might have been an outlying branch—or at least in communication with—the CRM.
So again, maybe they’re PART of the CW, but they’re not living with the main group.
So, I think Eugene’s group will be taken to Charleston in S11 (that should happen next) and they will see Beth there. I have no idea if Eugene will recognize her or not. Given that we still don’t know what went down during the missing 17 days after Coda, and Eugene was hurt, we don’t know if he actually saw Beth at all or if he was out during that time. I’ve agonized over this a lot, but understanding this new template, I’ve come to realize that it doesn’t really matter. Maybe he’ll recognize her. Maybe he won’t. But either way, he’s not going to be in the same place with her for long.
I think soon after Charleston will be attacked. Now, historically, it was by the British, right? And because Julia Ormond’s character = Cornwallis, it’s got to be the CRM who attack Charleston. And we’ve seen them do this with other communities in TWB, so it makes sense.
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But here’s where I had the S6 template wrong for a long time. Because CWD takes Denise, I thought a group would attack Stephanie’s community and take prisoners, and Beth would be taken with them, while Eugene and the others were left behind. 
But because of the Marion/Swamp Fox/Charleston thing, I think the opposite is true. Sounds like Eugene and co will be taken as prisoners by the CRM. Why did they do it the opposite way in S6? Because they couldn’t have had all the Alexandrians taken and Denise left behind. It just wouldn’t have worked for that S6 storyline. The point is mostly the separation. Eugene gets into a new place, briefly sees her, and then they’re separated.
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So Charleston will be attacked and all the people (probably including Eugene, Yumiko, and Zeke) get captured by the CRM. If Beth is Marion, then she won’t be there when it happens.
I’m wondering if she’ll be out in the woods, hunting or getting supplies or something, and this is where she’ll step in the bear trap, injuring her ankle. That would fulfill all the bear trap symbolism around her, including Alone when she stepped in the small game trap. Just a guess on my part, but I think it’s highly likely.
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Even if I’m wrong about that detail, I think she’ll be away from the Charleston community, just as Marion was, when the CRM captures the people there.
This is why it doesn’t really matter whether Eugene recognizes her or not. If he doesn’t, and they don’t realize they know the same people, she won’t know that Maggie and Daryl are (relatively) nearby. I think at this point she’ll go to try and rescue the people from the community who were captured (if she’s been with them for awhile, there are probably people there she cares about) and that’s how she’ll run into Rick and first cross paths with the CRM.
She and Daryl will meet down the road at a later date.
Even if Eugene DOES recognize her and she knows about TF, I still think she’s going to go try and rescue her friends before attempting to go to D.C. because they’re in more immediate danger and she’ll have some loyalty to them.
So, this is what I think we’ll see in S11. And I have no idea where it will cut off. Maybe the last thing we’ll see with Eugene in S11 is the fall of Charleston. Or maybe that will happen in episode 2. I really have no idea.
But I’m going to mention one other thing before I stop for today. I know this is getting wrong.
Who is Creepy Wolf Dude in this template? I mean, the wolves attacked Alexandria, so we could assume it’s just the CRM, and maybe a particular person in the CRM. Might be.
But rewatching 6x08, something caught my ear.
Morgan and Carol were arguing about whether or not to kill Creepy Wolf Dude, right? She keeps saying he needs to die. Morgan keeps saying no. And then we have a really interesting conversation.
Carol (talking about wolves): They made us kill. We had to stop it. I had to stop it.
Morgan: Where there’s life, there’s possibility. Even if we never let him out—
CWD: I’d get out.
Morgan (talking over him): Even if we never let him out, he could know what he’s done.
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Who else killed and made TF kill? And rather than killing this person, they put him into a cell, vowing never to let him out. But he got out?
Negan! They’re basically talking about Negan’s fate after AOW here.
And guys, that’s CRAZY. I think CWD = Negan.
And I have more evidence for this.
In the TTD after 5x09, I remember that Nicotero was on it. And they were talking about how intrigued CWD was by Denise. I think it was Chris who said something like (and I paraphrase), “I guess it wouldn’t be right to say he fell in love with her or anything…”
And Nicotero corrected him and said CWD kinda did fall in love with Denise. Maybe not in a lifelong, deep, abiding love like we see with Bethyl/Glaggie/Richonne/Etc., but he’d never met anyone like her and he was intrigued by her. He fell in love with her as much as a killer like him could fall in love with someone.
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Then, in 7x16, we had Sasha’s death. We went on and on about all the Beth symbolism around Sasha in that episode. It was ridiculous! Kind of like these bonus episodes had been. And Negan…kinda liked Sasha. I mean, I don’t think anyone would have described it as falling in love, but he liked and respected her. Said she had beach-ball-sized lady nuts and he truly respected her and was sad to see her die.
So I think these are both templates that point to what will happen next.
(BTW, Eugene was present for a LOT of Sasha’s final episodes.)
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The main reason we always thought Beth would show up with the Saviors is because of the Negan (bat, actually) symbolism around her. But if she and Negan have a major arc together or interaction later on, all of that will suddenly make sense.
So again, I’m not sure if we’ll see this in S11 or if it will come later, but I think after Charleston falls, Negan and Beth will somehow meet (maybe he leaves the communities at some point) and have a lot of scenes and episodes together.
All right. I’ll stop there. Do I know any of this for certain? Of course not. As always, it’s subject to change. Especially the details. And the instant I see anything that changes my thinking or makes me realize I interpreted something wrong, I’ll let you know.
But my biggest point is that this really SHOULD be the next thing we see with Eugene’s group. Of course, this is TWD and it might still take us 8 or 10 or more episodes to get there as they have a lot of things to focus on S11. But it’s coming. And soon.
Remember that S11 is scheduled to start in June. So we don’t have long to wait. (Yay!)
Thoughts?
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dexi-green · 4 years ago
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Okay so wrap up thoughts for ep. 4:
Where is Zemo? Do not let this man loose. Also bless marvel for releasing the longer cut of Zemo dancing earlier 🙏🏽
We love the Dora. However I wonder if the arm thing was a gag or if it’s going to come back. I could definitely see Buck having some questions and beginning to wonder whether they actually freed them or just put him under Wakanda’s control with a longer leash. He obviously has reason to be skeptical about people’s intention with him (see; how Zemo used him) I can definitely imagine them explaining that it was impossible to wipe out the WS controls but rather they just changed them and just never intended to use them, making him a sort of unintentional sleeper agent White Wolf for Wakanda. He is clearly very thankful and grateful to them, and is very close to the Dora, especially Ayo, so I could see that distrust being a good future character arc. But I stand by that with T’Challa in charge they would never seek to take advantage of Buck in that way. Also I was never a HUGE fan of Stan’s acting, I felt he got too hyped up for just brooding, like he was good but not Oscar worthy as some on here tried to say (you can just say you think he’s hot, you don’t have to lie about his acting to justify your adoration of him and watching his whole filmography, it’s okay I promise), but that scene at the beginning was actually amazing. I love the change between fear to relief and realization. Chef’s kiss.
As I mentioned several times, I love that this show is carefully exploring warring ideals, and actually saying them pretty plainly. It’s giving me what Civil War could’ve been. In Civil War there was just too many blatant misunderstandings and things that could’ve been cleared up if the Avenger’s didn’t share one (1) brain cell and it somehow ended up with Peter Parker who had homework to do. In this show, the ideals come from very understandable different perspectives, different lives lived. I know I want a conversation, but that alone won’t truly solve this like it would’ve in Civil War. It comes from very real criticism of our very real govt and society which I thinks helps cement this so much more in reality in a way that isn’t boring to watch like some other comic things that try to be gritty and realistic. The only part that has taken me out so far was the so very subtle cop scene in the second episode, which leads me into my next point
ISAIAH BRADLEY! Loop his story back in, let’s get some backstory and information and all that good stuff. Obviously Isaiah has made it pretty dang clear he wants nothing to do with any of this but obviously that’s not gonna happen, and it’ll be a tremendous waste of an absolute amazing and groundbreaking story to just bring Eli in at the end in some shoehorned way or something. Isaiah needs to be a part of whatever solution this story/season comes to. I’ve seen a theory floating around about either Isaiah being Wakandan (either like killmonger with one or both of his parents being from Wakanda, or more distantly) or perhaps Erskine’s secret ingredient for his serum was derived from the heart shaped herb (which would’ve made Cap White Panther 😬) which I think would be an interesting way to completely tie in Wakanda but perhaps a little unnecessary, specifically the first theory, we don’t need every future black person in the MCU to be secretly Wakandan. I just need his story to be more prominent then it has so far. It’s very important and not something that should just be a basically D grade side plot at this point.
I feel like we have shifted away from much focus on Sam. But I feel like the focus has pulled more on Zemo, Karli, Walker and Buck. Like Sam is doing what he needs but we aren’t getting as much insight into him as we did in the first episode. Which is why I think I liked his talk so much with Karli. We went back to his history of counseling and got to see how it uses it, how he calms down a situation, and his own insight into Karli’s ideals, he agrees but wants to go about it in a different way. We have constantly seen him offering help to others, but hasn’t really received much in return. I feel like now every time the shield comes up it’s just Bucky being all pissy that Sam gave it away which really turns me off his character. Sam already explained that maybe he made a mistake, but also Buck is so set in his way and his ideation of Steve that he can’t for a second consider Sam’s side. Like at this point it’s getting kind of annoying how Buck is being with Sam about it. I want more insight into Sam’s feelings about Steve, and Cap, and all that. Hopefully these last couple episodes with shift the focus back. At this point I feel I know more about Karli and John as people than I do Sam and that’s not great considering the title of the show. This was one of my earliest concerns for the series when it was announced, that it was going to focus too much on Bucky who has had his story almost front and center for almost all of the Cap films, they almost all in some part revolve around Bucky. Perhaps I need to rewatch and there has been some bits of Sam’s I haven’t appreciated enough, but it feels unbalanced, not in favor of him.
Sharon is being sketchy I fear. I do kind of like the idea that she is the power broker, but it’s hard to wrap my head around her threatening Karli like she has been. I mean she obviously has changed a lot, but if she is the power broker her motives have to be something different than what she is trying to lead people to believe. I think what’s more possible is her working for the power broker or perhaps working for/as the power broker as a cover for Fury or some other person/organization. She’s worked undercover for Fury before, she is obviously loyal to him, which might’ve changed since she talks to much about being abandoned by everyone, but I don’t know. It’s obvious something else is going on with her character, and while I love if she had just pivoted to this crime lord role, I just think of her speech at Peggy’s funeral and her loyalty to Cap and Fury in TWS. It’s possible she flipped on a dime like that because everything done to her and what she’s been through, and it may be too predictable for her to have the exact same storyline as TWS but who knows... that or she’s a skrull, always a possibility, can’t be too careful.
John Walker is clearly becoming the actual Anti-Cap. They are getting storybeats to line up. A ‘good’ soldier, turned propaganda tool, turned govt lap dog, serumed up, best friend dies, then what? Switched on by society? I love the moment with him and the flag smasher. It brought me back to when I was in the theater watching Civil War and I swore Steve was going to chop Tony’s head off with the shield. Steve just smashes the arc reactor of course, but John straight up murders this guy. And people are watching, the world is, people were recording. Definitely some purposeful similarities to our very real recording of police brutality irl. Which makes me think what will the govt response be? Will they spin it and try to get him out of this (which will feel really...weird? With the trial going on rn) or maybe will they abandon him completely and leave him high and dry? Hopefully we will see whoever the current MCU president is (prolly maybe Thaddeus Ross??) speak on it as well as the flag smashers and GRC. Walker is obviously not a good person at heart. I theorized before that he had already been given the serum, which clearly isn’t true so he has just taken it but there is something about his background that needs to be revealed. It has to be more than just “‘we did bad stuff while we were deployed” like... yeah it has a profound and damaging effect on people, but I feel like when he was talking to Hoskins it felt like they were remembering what went down slightly differently. I don’t know why, I’ll have to rewatch the scene. Either way, I think there is some stuff we still don’t know about Walker, something so terrible about him that made the serum change him like that. He was already clearly on edge, feeling insecure about people not giving him the respect he thought he deserved just from putting on the suit and carrying the shield, feeling that same imposter syndrome Sam did/does, and his pride was clearly DECIMATED by the Dora. He has this seeming obsession with super soldiers... he’s just giving weirdo vibes.
One thing I noted is that I think this series is taking apart Steve/Cap and spreading him out over several different people, and having them all pick at and dissect what makes/made Captain America the symbol he was, and what happens when you dig a little deeper. Karli seems to be the embodiment of the kindness/concern for others. She is fighting for the people, to protect them, as Cap was. But she is not holding back and is willing to put everything on the line, but where Cap was putting himself in the line of fire to protect people, Karli is putting others. Buck may be the classic idealism and Steve himself, I’m not 100 sure, but he seems to embody the kind of idea that people need something to put hope in, something to lean on, the idea of true good. He always brings up what the shield means and represents, doesn’t ever actually get specific though which is interesting. This may be because Bucky has a hard time separating Steve from Cap, since he saw the two grow up, when he talks about the shield and Cap he IS talking about Steve, there is no symbol or hidden meaning, just the Steve he knew. He conflates it all together. So I guess he represents whether or not the classic ideals can survive, the idea of hope, and Young Steve. Sam I think could be change. Where change is unwavering, like Cap’s fight for freedom never changed, but also where it is inevitable, in Steve and Cap’s place in a time that isn’t their own. How the idea of Captain America needs to be updated for modern times, or whether it should be thrown out altogether. I don’t know this is all ramblings. I though I had something but it’s almost 5am 😩
I believe we have 2 more episodes left so it’ll being interesting to see what they do with it. Fingers crossed 🤞
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p1harmonyofficial · 3 years ago
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[📰] 20 Questions With P1Harmony: K-Pop Rookies on the High Energy of 'Disharmony: Break Out' Mini-Album
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By Heran Mamo
Plus: See a full, translated video interview with the sextet exclusively on Billboard.
P1Harmony explore a wide range of topics and genres on their high-intensity mini-album Disharmony: Break Out, which was released April 20 as the follow-up to their first EP, Disharmony: Stand Out.
Named one of the rookie K-pop groups to watch in 2021 by Time, members Keeho, Theo, Jiung, Intak, Soul and Jongseob had a unique experience stepping into the spotlight for the first time: The sextet debuted in the Korean film P1H: The Beginning of a New World on Oct. 8, 2020, before releasing their debut EP, Disharmony: Stand Out, on Oct. 28. Starring in a film prior to releasing their own music allowed P1Harmony to be more comfortable and confident enhancing their choreography (their Billie Eilish medley choreography has amassed more than 1 million YouTube views) and even coming up with their own music video concepts.
To commemorate the release of Disharmony: Break Out, the members of P1Harmony answered Billboard’s 20 questions about how Korea shaped who they are, how their evolving sound shines through on their latest mini-album, and the meanings they've taken away from this project as well as what they hope their fans will too.
1. What’s the first piece of music that you bought for yourself, and what was the medium?
Keeho: 5 Seconds of Summer, CD
Theo: BIGBANG’s MADE, CD
Jiung: Lee Moon Sae, cassette tape
Intak: Teen Top's "Miss Right," mp3
Soul: G-Dragon, CD
Jongseob: B.A.P’s "1004," CD
2. What was the first concert you saw?
Keeho: Ariana Grande’s The Listening Session
Theo: BIGBANG’s MADE Concert
Jiung: Lee Sun Hee’s Concert
Intak: Open Concert by KBS when I was 7!
Soul: Teen Top’s Japan Concert
Jongseob: B.A.P Concert
3. What did your parents do for a living when you were a kid?
Keeho: [My mom] used to do work related to music, she was a musician. My dad used to work at a university as a counselor.
Theo: My mom is a hairstylist.
Jiung: My mom used to be a banker and my dad used to work at National Tax Service.
Intak: My mom is a [yoga] trainer or coach and my dad is a businessman.
Soul: I’m not sure.
Jongseob: My mom used to be a jazz dancer as well as an instructor and my dad used to work at National Dance Company of Korea.
4. Who made you realize you could be an artist full-time?
Keeho: Myself and acquaintances
Theo: Myself
Jiung: My rap and my vocal coach
Intak: My parents. They gave me full support, as well as the confidence to be able to pursue my dream.
Soul: Teen Top
Jongseob: B.A.P and my parents
5. What’s at the top of your professional bucket list?
Keeho: The Grammys!
Theo: Our own world tour!
Jiung: To perform in front of a million people
Intak: To become a respected musician
Soul: To perform at a big music festival or a stadium, like Coachella
Jongseob: To perform until I can’t
6. How did your hometown/city shape who you are?
Keeho: It’s a place where I was able to gain my own confidence and learn the importance of being friendly [manners]. It’s also where I was able to experience a wide range of vocalists and their styles, which ultimately helped me shape and find my own vocal style.
Theo: It’s a place where I was able to live without any pressure or concerns.
Jiung: For me, my hometown is currently a place where I can find mental stability and state of relaxation. I reminiscence about my hometown quite frequently when I need to recoup and find mental stability.
Intak: I was raised in the rural part of Korea, so I was always close to nature and grew up playing in the valleys or riding gunny sacks in the mountains. I think that’s what helped me be at leisure.
Soul: It’s a place where I grew up without any hardships.
Jongseob: It was one of the most comfortable places in Korea with positive vibes and clean, refreshing air, which helped me find peace and ease.
7. What’s the last song you listened to?
Keeho: Ariana Grande’s "POV"
Theo: P1Harmony’s "End It"
Jiung: DPR IAN’s MITO
Soul: P1Harmony’s "Reset"
Jongseob: Penomeco’s Dry Flower
8. What’s your karaoke go-to?
Keeho: Alicia Keys, "If I Ain't Got You"
Theo: BIGBANG’s "BANG BANG BANG"
Intak: Bobby’s "YGGR"
Soul: I don’t go to karaoke haha
Jongseob: Beenzino’s "Dali, Van, Picasso"
9. If you could see any artist in concert, dead or alive, who would it be?
Keeho: Beyoncé
Theo: G-Dragon and Huh Gak
Jiung: Lee Sun Hee
Intak: Michael Jackson
Soul: Beyoncé
Jongseob: Post Malone
10. How has the pandemic affected your creative process?
Keeho: My source of inspiration has become very limited, as I don’t get to go to new places or meet new people.
Theo: I think because I couldn’t really go out, I was able to focus more on my craft.
Jiung: I was able to really dig deep into my work, writing lyrics and composing.
Intak: I didn't have a lot of ideas, but I also thought writing about COVID-19 could be a source of new ideas.
Soul: It was hard because I couldn’t really go to places that would usually help me get inspiration.
Jongseob: It was a bit difficult because I lacked having new experiences and meeting new people. My source of inspiration was also very limited, because I would just go to the same places.
11. How did starring in the film P1H: The Beginning of a New World prepare you for your debut as a K-pop boy band?
Keeho: I think it was a good opportunity for me to learn how to be more comfortable in front of the cameras.
Theo: I was able to gain confidence and felt a sense of pride knowing that we were the first ones to debut in a unique way with a full-length movie.
Jiung: I think it was a unique way of introducing us to the world and gave us the opportunity to learn how to be more focused and theatrical onstage.
Soul: It was a great experience, because it allowed me to learn the basic manners of the industry and the importance of staff members.
Jongseob: I think it helped us build a strong storyline and composition for our music. It will be easier to understand our music and its message if you watch the movie.
12. What do you want fans to take away from your mini-album Disharmony: Break Out?
Keeho: I believe it would depend and vary on how you interpret it, but we hope our listeners really enjoy our music.
Theo: I hope our fans and listeners gain confidence through our music, which is one of our strongest messages.
Jiung: I would like for our fans P1ece to really understand, take and gain everything from what we are trying to deliver in our message.
Intak: I would like for our fans to find the courage to speak up and have their own voice.
Soul: I just want our fans to be happy when they're listening to our music!
Jongseob: I think it depends on who is listening, but I hope our fans can take away anything and everything they can in a positive way and earn confidence as well.
13. Which song from Disharmony: Break Out is the most meaningful to you and why?
Keeho: I think it’s "If You Call Me" because it's a song that all six of us worked on together
Theo: I would like to pick "Reset," because I did so well in the studio while recording this song, so it means a lot to me.
Jiung: I’d say "Pyramid" because the lyrics "I’m on the top of the pyramid" helps me feel like I’m really the best and makes me want to live by that mindset. It definitely has become one of my favorite tracks.
Intak: I would pick "If You Call Me" for the same reason Keeho picked it. It’s a meaningful song to me because we all worked on it together as a team.
Soul: I think every single track on the album has a special meaning for me and because it’s all our songs, it’s a super difficult question to answer.
Jongseob: I think for me, our title track "Scared" is the most meaningful. The message of the song, which is not to be afraid to voice your own opinions and to live the life you want to live, is what I strongly believe in and that’s the kind of attitude I want to have.
14. Your debut EP Disharmony: Stand Out is much more hip-hop leaning, while your second features more R&B harmonies and EDM production while still refining the rap verses. What made you want to switch up your sound in only a manner of six months?
Keeho: I think we wanted to really make sure our message is being delivered clearly and strongly, so I think that’s why we picked tracks that were as strong with aggressive sounds.
Jiung: I don’t think we had a special moment or particular reason as to why we decided to do what. We just wanted to portray our feelings and thoughts that we felt at that moment while making music, and the time that we spent in between our albums, is what probably contributed to the change of sound as well.
Intak: As Keeho mentioned, I think we wanted to stand out a bit more with more clarity and distinct characteristics, which is what drove the aggressiveness and the slight change of sounds for this album.
15. Since you help choreograph and conceptualize your videos, what do you hope to convey in the accompanying visuals for Disharmony: Break Out?
Keeho: As you can see in our choreography for "Scared," we incorporated football into our routine. Football is a sport that is very aggressive and requires a lot of energy so we thought it was a good fit with our song. With these specific key points, we tried to really emphasize our message as well as our energy.
Jiung: I think our choreography, stage outfits, and concept all adds up and helps level up the intensity of the song as well as the message that we want to deliver. Our music video and choreography really turned out well, so I hope our fans appreciate and enjoy it!
16. Which artist is on your bucket list to collaborate with?
Keeho: Ariana Grande
Theo: BIGBANG, Taeyang, G.Soul, Dean
Jiung: Ty Dolla $ign
Intak: Justin Timberlake, A$AP Rocky
Soul: Les Twins
Jongseob: Penomeco, Smino
17. What’s one thing that even your most devoted fans don’t know about you?
Keeho: I really don’t like long nails. I just can’t stand it, so I tend to always keep my nails short.
Theo: I don’t really sweat. I don’t think I sweat at all.
Jiung: I have a habit of chewing the inside of my mouth, unintentionally.
Intak: My lips are naturally moisturized so I don’t need to use a lip balm to make them glossy!
Soul: I have dermographism, so even the slightest irritation like a scratch will leave a mark/scar for a while.
Jongseob: I have a slim waist and biggest feet of all members.
18. What movie, or song, always makes you cry?
Keeho: I don’t really cry, so I don’t think there’s a movie that ever made me cry.
Theo: The Korean movie Miracle in Cell No. 7 makes me cry every single time I watch it.
Jiung: Korean traditional children’s song "Daddy Cheer Up" makes me tear up.
Intak: I have a couple, but if I had to just pick one, it’d be the movie Forrest Gump.
Soul: I don’t cry like Keeho so I have never cried watching something and I just don’t like to watch sad movies.
Jongseob: "Falling Slowly"
19. What’s one piece of advice you would give to your pre-debut self?
Keeho: Don’t worry too much and work harder.
Theo: Think 100 times before acting on it.
Jiung: Are you truly sincere?
Intak: Enjoy life a bit more.
Soul: Be more emotionally stable.
Jongseob: It's never too late.
20. What does a successful 2021 look like for you?
Keeho: I hope to release as much music as we can!
Theo: I wish we can make at least 3 comebacks.
Jiung: I hope to gain more emotional peace and stability.
Intak: "Rookie of the Year" award!
Soul: There’s a necklace I really want to buy and I hope to buy it by the end of this year!
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jaynovz · 4 years ago
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The Black Sails Rewatch w/ Bob Commentary (s1 e4-6)
We’re really blazing through season one here. Lots of commentary from Mr. Loves Boat Stuff. Enjoy!
Ep 4:
about Miranda/Flint sex scene: “everyone likes to look at a super sternnn face while they fuckin”
Miranda: this life... it doesn’t feel like living anymore
“that’s the pandemic sweetheart”
about Vane hallucinating: “shit! it’s the beef of Christmas past!”
“A fucktent is actually very important for morale”
about Rackham: “all you should be trusted with is swabbing out pissbuckets, dude, you are not very smart”
Silver: I have no reason to lie to you; I’m only in this for myself
“Nonsense, that second statement doesn’t match the first at all”
about Richard Guthrie: “wow is he really wearing that terrible hat on top of that already terrible wig”
“You really don’t need to worry about the cat sir, but I understand your concern”
“Ship’s cats are notoriously immortal, ever heard of Unsinkable Sam?”
“Mr. Scott is dropping off Mr. Guthrie with mom after their evening date”
about careening incident: “It’s good that they saved the mast b/c the mast has to be made from a single very tall tree and there’s no way to get that without going a long way. There are no 60ft redwoods or oaks in the Bahamas. It’s also why all the ships are basically the same size--the keel also needs to be made from a single long tree”
about Richard Guthrie: “Is there a reason you’re telling your plans to the gossipy preacher?”
“John Silver’s hair is one of the more unbelievable parts of this show. It’s too clean, he looks like he’s in a You’re Worth It commercial”
Ep 5:
“The little sail at the front always looks like a loin cloth”
Ranger crew gets the brothel: “are they going to make Vane a prostitute? Please do that”
Vane: I’ll be upstairs
“Hopefully bathing”
Okay, Bob had So Many Opinions about the plan to chase down the Andromache  (which he didn’t like lol)  According to him, these are the possible terrible outcomes of this plan:
“1. they sink it, and the guns are at the bottom of the ocean; in which case--no guns.
2. the Andromache sinks the Walrus; in which case--no guns
3. They take the Andromache without sinking it, in which case, they took the last legit trading vessel out of rotation for their precious island and it will die from having no supplies
Bonus: Also, how long is it going to take you to unload all those guns???”
Billy: No one dies the first time over. Name one
“He is really hoping that guy won’t be able to name one. he’s lying out his ass, just like Daddy Flint taught him”
“Those little cannon doors are to keep water out and disguise how many guns you have. They often put tarps in front too”
“I wish we had all those ladders, nets and hooks to board with in Sea of Thieves”
“Eat a grenade you cock fuck”
“Well I guess they’re not keeping this ship then since they’re chopping it up”
Vane: she has power that just is
“Vane you’ve been in an opium induced hallucination stupor for like 2 weeks, I don’t think you’re the best person to comment on the political climate bucko”
About Ranger crew and brothel: “Why are they so eager for the future where they go back to hunting? It’s like, y’all can just stay there and be small business owners and not get shot at or stabbed and not have to eat hard tack. Stay in the brothel, keep getting high and eating chicken”
Billy picks up Miranda’s letter: “everybody just holding onto sheets of paper in this show. They put it in their dirty shirt like, ‘hope this is useful later’ How many ppl can actually read anyway”
Ep 6:
Pastor: B/c I cannot walk away from here believing you are in such peril
“And what are you going to do about it milquetoast man? Senor White Bread?”
and then:
“I guess Miranda just wanted some dick but that guy is a four pump chump”
Billy goes overboard: “Dude Billy just grab a mermaid back”
“Honestly, I feel like sneaking Max off the beach is way easier than killing 8 dudes”
about Andromache guns: “okay that worked out better than I thought. 8 guns is def worth. You only really need enough to arm one broadside anyway b/c it’s not like you’re going to be shooting from both sides at the same time. And they’ll be lighter than with all 12. I just hope they remembered to get the cannon balls”
“Anne Bonny is very tsundere”
Anne: Vane ain’t comin back
“He went to Atlantis”
and then:
“Hey it’s that beefy ghost dwarf again!”
Bonus: 
“Well the only thing that I know about treasure island I learned from the movie treasure planet and so I'm really excited to see how and when Mr. Gates turns into a giant millipede” 
---
See you next time :P
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