#We Are Young 2020 Recording

[chengxiao-wjsn]

200506 Cheng Xiao at We Are Young 2020 Recording © lousii- do not edit, crop, or remove the watermark

[cowboyscrypt]

cant believe some of you are younger than me. wdym you were born in 07. that feels illegal

[truth4ourfreedom]

THINGS NOT IN THE NEWS ANYMORE. VERSION 6.0

Things not in the news anymore….

(Version 6)

-Maui wildfires. -East Palestine, Ohio -Joe Biden classified documents as a Senator. -Fauci working with China to create a bioweapon. -Pete Buttigieg’s best friend in prison for child porn. -Cocaine in the White House. (TWICE NOW) -The BLM and Antifa riots during 2020 causing BILLIONS of dollars of damage. -The data collected from the Chinese spy balloons. -Ukraine intelligence documents released that showed they were suffering massive losses and the American taxpayer was being lied to. -Nancy Pelosi’s “documentary” film crew on J6. -Veterans being kicked out of shelters to make room for illegals. -Pizzagate “debunker” jailed for possession of child pornography. -Gay porn film in Senate hearing room. -Veterans Affairs prioritizing healthcare of illegals over Veterans. -THE SOUTHERN BORDER CRISIS. -Afghanistan drawdown and 13 service members killed in an attack on Kabul International Airport, that they hid the severity of it. -Obama droning an American citizen in the Middle East. -George Bush’s false WMDs. -3 service members killed in Jordan. -Hunter Biden making over $1M for “paintings”. -J6 political prisoners that are still in jail. -85,000 missing children at the southern border. -Epstein’s clients. -Obama coordinating with John Brennan and 4 other countries (5 eyes) to spy on the 2016 Trump campaign. -Mail-in ballots were the cause of the stolen 2020 election. -Jeffrey Epstein mentioning that Bill Clinton liked his girls “really young”. -The (NOW TWO) airline whistleblowers that mysteriously died. -Benghazi (I won’t mention anything more about this because I care about my life.) -Nancy Pelosi’s daughter stating that January 6th wasn’t an insurrection. -The January 6th committee destroying encrypted evidence before the GOP took over the House. -Nancy Pelosi admitting that J6 was “her responsibility”. -House Speaker Mike Johnson claiming there wouldn’t be foreign aid without border security in the bill, which was a lie. -The recent riots from illegal criminal aliens at the southern border and the border in general. -Hunter Biden not complying with a Congressional subpoena and deemed untouchable. Democrat privilege. -Vaccine side effects. -“Lab leak” out of China -The Secret Service having to basically guide Joe Biden everywhere he goes. -Who leaked (Sotomayor) the SCOTUS Alito decision. -Federal instigators inside the Capitol including pipe bomb evidence against them. -Obama’s chef “passing away”. -HRC’s chef “passing away”. -The Sheriff that happened to be in Las Vegas (during the mass shooting) AND the wildfires in Hawaii. -P Diddy sex-trafficking allegations. Where’s Diddy? -Gonzalo Lira (an American journalist) that was killed in Ukraine -Congress approving warrantless spying violating American’s 4th amendment rights while they are exempt. -Americans that were left in foreign countries (Haiti, Palestine, Afghanistan). -The billions of dollars of weaponry left in Afghanistan and the Taliban receiving $40M a week in “humanitarian assistance”. -Biolabs found in California. -Joe Biden’s impeachment. -The scum in the UNITED STATES HOUSE OF REPRESENTATIVES waving the Ukrainian flag. -The over 300k ballot images that could not be found in Fulton County, Georgia; the same county Donald Trump on trial for “election interference”. -Democrats defunding the police causing massive rises in crime. -Kamala Harris’s record as DA in California. -The Transifesto from the school shooting. -Many U.S. Representatives and Congress receiving FTX funds. -They’re already working hard to bury Donald Trump’s àssassination attempt but we won’t let them bury that story. July 13th is never going away.

The distractions are out of control.

Share to show that legacy media is dead and that WE are the media now.

Please like,share and reblog to keep people aware!

[neil-gaiman]

one time at an American Gods signing in MN, we asked you if Tori would be the voice of the Tree

you said, and I quote, "If she isn't, I shall grumble."

did you grumble, Neil?

well, did you?

Why would I have grumbled?

Well, why?

There's more information at the BBC website.

But these days you need to get it from an audiobook site or buy it on CD or Vinyl.

[reality-detective]

Things that are not in the news anymore… 👇

-Maui wildfires.

-East Palestine, Ohio

-Joe Biden classified documents as a Senator.

-Fauci working with China to create a bioweapon.

-Pete Buttigieg’s best friend in prison for child porn.

-Cocaine in the White House. (TWICE NOW)

-The BLM and Antifa riots during 2020 causing BILLIONS of dollars of damage. And yes I brought this up on Juneteenth.

-The data collected from the Chinese spy balloons.

-Ukraine intelligence documents released that showed they were suffering massive losses and the American taxpayer was being lied to.

-Nancy Pelosi’s “documentary” film crew on J6.

-Veterans being kicked out of shelters to make room for illegals.

-Pizzagate “debunker” jailed for possession of child pornography.

-Gay porn film in Senate hearing room.

-Veterans Affairs prioritizing healthcare of illegals over Veterans.

-THE SOUTHERN BORDER CRISIS.

-Afghanistan drawdown and 13 service members killed in an attack on Kabul International Airport, that they hid the severity of it.

-Obama droning an American citizen in the Middle East.

-George Bush’s false WMDs.

-3 service members killed in Jordan.

-Hunter Biden making over $1M for “paintings”.

-J6 political prisoners that are still in jail.

-85,000 missing children at the southern border.

-Epstein’s clients.

-Obama coordinating with John Brennan and 4 other countries (5 eyes) to spy on the 2016 Trump campaign.

-Mail-in ballots were the cause of the stolen 2020 election.

-Jeffrey Epstein mentioning that Bill Clinton liked his girls “really young”.

-The (NOW TWO) airline whistleblowers that mysteriously died.

-Benghazi (I won’t mention anything more about this because I care about my life.)

-Nancy Pelosi’s daughter stating that January 6th wasn’t an insurrection.

-The January 6th committee destroying encrypted evidence before the GOP took over the House.

-Nancy Pelosi admitting that J6 was “her responsibility”.

-House Speaker Mike Johnson claiming there wouldn’t be foreign aid without border security in the bill, which was a lie.

-The recent riots from illegal criminal aliens at the southern border and the border in general.

-Hunter Biden not complying with a Congressional subpoena and deemed untouchable. Democrat privilege.

-Vaccine side effects.

-“Lab leak” out of China.

-The Secret Service having to basically guide Joe Biden everywhere he goes.

-Who leaked (Sotomayor) the SCOTUS Alito decision.

-Federal instigators inside the Capitol including pipe bomb evidence against them.

-Obama’s chef “passing away”.

-HRC’s chef “passing away”.

-The Sheriff that happened to be in Las Vegas (during the mass shooting) AND the wildfires in Hawaii.

-P Diddy sex-trafficking allegations. Where’s Diddy?

-Gonzalo Lira (an American journalist) that was killed in Ukraine

-Congress approving warrantless spying violating American’s 4th amendment rights while they are exempt.

-Americans that were left in foreign countries (Haiti, Palestine, Afghanistan).

-The billions of dollars of weaponry left in Afghanistan and the Taliban receiving $40M a week in “humanitarian assistance”.

-Biolabs found in California.

-Joe Biden’s impeachment.

-The scum in the UNITED STATES HOUSE OF REPRESENTATIVES waving the Ukrainian flag.

-The over 300k ballot images that could not be found in Fulton County, Georgia; the same county Donald Trump on trial for “election interference”.

-Democrats defunding the police causing massive rises in crime.

-Kamala Harris’s record as DA in California.

-The Transifesto from the school shooting.

-Many U.S. Representatives and Congress receiving FTX funds.

-They’re already working hard to bury Donald Trump’s àssassination attempt but we won’t let them bury that story. July 13th is never going away.

The distractions are out of control.

Share to show that legacy media is dead and that WE are the media now. 🤔

[odinsblog]

IN THE FALL OF 2020, GIG WORKERS IN VENEZUELA POSTED A SERIES OF images to online forums where they gathered to talk shop. The photos were mundane, if sometimes intimate, household scenes captured from low angles—including some you really wouldn’t want shared on the Internet.

In one particularly revealing shot, a young woman in a lavender T-shirt sits on the toilet, her shorts pulled down to mid-thigh.

The images were not taken by a person, but by development versions of iRobot’s Roomba J7 series robot vacuum. They were then sent to Scale AI, a startup that contracts workers around the world to label audio, photo, and video data used to train artificial intelligence.

They were the sorts of scenes that internet-connected devices regularly capture and send back to the cloud—though usually with stricter storage and access controls. Yet earlier this year, MIT Technology Review obtained 15 screenshots of these private photos, which had been posted to closed social media groups.

The photos vary in type and in sensitivity. The most intimate image we saw was the series of video stills featuring the young woman on the toilet, her face blocked in the lead image but unobscured in the grainy scroll of shots below. In another image, a boy who appears to be eight or nine years old, and whose face is clearly visible, is sprawled on his stomach across a hallway floor. A triangular flop of hair spills across his forehead as he stares, with apparent amusement, at the object recording him from just below eye level.

iRobot—the world’s largest vendor of robotic vacuums, which Amazon recently acquired for $1.7 billion in a pending deal—confirmed that these images were captured by its Roombas in 2020.

Ultimately, though, this set of images represents something bigger than any one individual company’s actions. They speak to the widespread, and growing, practice of sharing potentially sensitive data to train algorithms, as well as the surprising, globe-spanning journey that a single image can take—in this case, from homes in North America, Europe, and Asia to the servers of Massachusetts-based iRobot, from there to San Francisco–based Scale AI, and finally to Scale’s contracted data workers around the world (including, in this instance, Venezuelan gig workers who posted the images to private groups on Facebook, Discord, and elsewhere).

Together, the images reveal a whole data supply chain—and new points where personal information could leak out—that few consumers are even aware of.

(continue reading)

[jokeroutsubs]

Joker Out Masterpost for new fans

New fan of Joker Out? Say no more! 

Getting to know a new artist you’ve found can be intimidating if it’s all in another language, so we’ve compiled some of our favourite interviews, articles and lore here! You’ve arrived in a wonderful fanbase, welcome from all of us here at JokerOutSubs! 

If you’d just like a short overview of the band and their history, you can watch this excellent Finnish summary of them that we’ve translated (14m 53s).

But if you want to dive into the details, then check out our timeline, full of videos and articles translated by JokerOutSubs! 

Timeline graphic:

Timeline in details below the cut 👇

Timeline in details: 

How did the band form? 

Joker Out was formed from two bands, Apokalipsa and Buržuazija. 

Apokalipsa included Bojan Cvjetićanin (vocals), Martin Jurkovič (bass) and Matic Kovačič (drums) 

They gained some traction with young people around Slovenia, particularly with their song 'Mogoče' ('Maybe'), which you can watch on YouTube here.

They came to the attention of Kris Guštin, who was inspired to start learning guitar! He discusses the details in this video (at 9:40). 

Kris then met Jan Peteh, another student of his guitar teacher, and at their teachers advice, they formed the band Buržuazija. 

Bojan attended their second ever gig in 2016, and decided these two excellent guitarists were exactly what had been missing from Apokalipsa, as he wasn’t happy with their current guitarists. He asked them to join, and they accepted

The new lineup (Bojan, Jan, Kris, Martin and Matic) decided to rename themselves Joker Out. The name means nothing, but they thought it sounded good and was the ‘least horrible’ of all the ideas they could think of. 

So, in 2016, Joker Out was officially formed! 

November 2016, Kot srce ki kri poganja: 

Joker Out’s first music video was for their song ‘Kot srce ki kri poganja’ ('Like a heart that pumps blood'), filmed in Jan’s hometown of Vrhnika! We eventually got this song on Spotify on their 2023 album Live from Arena Stožice!

Music video: Kot srce ki kri poganja

English Interview (from 3:37 to 6:05): Joker Out discusses filming the music video

June 2017, Špil Liga:

One of the earliest performances for Joker Out was at Špil Liga, a competition for young bands in Slovenia. They won, and recorded their winning song, Omamljeno telo (intoxicated body) in November as part of the prize. 

Live (33m): Joker Out at Špil liga

Interview (5m): Reflections on Špil Liga in 2023 

c.2017/18, Bojan’s attempt at going solo:

The band took a hiatus c.2017/18, and Bojan considered going solo at that time, even working with a few producers. He eventually realised that he belonged with the band! Hear him tell the story:

Reel (1m 23s): A1 Vajb - Bojan’s fail

2019, A change up for the band:

The band began working with their current producer, Žare Pak, and their videographer Mark Pirc, in 2019 - both of whom have been referred to as the sixth member of the band. This led to a change in their sound and production quality, which culminated in ‘Gola’ ('Naked'), the first of their songs to be a big hit!

Music video: Gola

Zlata piščal ('Golden Flute') - Best New Artist 2019:

Joker Out won their first Zlata piščal award in 2019, for best new artist (one of many they’d go on to win!) This is a kind of Slovenian Grammy! Covid interrupted the proceedings, but you can see their interview for it here (3m 59s)- 

Interview: Joker Out wins a Zlata piščal ('Golden Flute') for Best New Artist 2019

Umazane misli, and a new member: 

During the Covid times, the band began recording their first studio album, 'Umazane misli' ('Dirty thoughts'), which was originally going to be released in March 2020 but was repeatedly delayed until October 2021. The first half was recorded with drummer Matic Kovačič, but the band felt they needed something extra and brought in Jure Maček to help write the arrangements. They loved him so much, he never left! 

Interview (from 10:40 to 11:36): Bojan talks briefly about Jure joining the band

COVID times, and Cvetličarna: 

The band had arranged to do two concerts at Cvetličarna, a very important venue in Slovenia and a big break for them. This was delayed several times due to Covid, but eventually managed to go ahead in October 2021 for the release of their first album. 

Video (1m 14s): Cvetličarna promotional video

Live (1h 28m): Joker Out at Cvetličarna

Interview (34m 55s): Bojan discusses Cvetličarna, its importance, and Covid

Umazane misli album launch: 

'Umazane misli' was extremely well received! The band would go on to win two more Zlata piščal awards, Newcomers of the Year in 2020 and Artist of the Year in 2021.

Interview (37m 08s): Umazane misli album presentation

An acting career for Bojan? 

Around the same time as 'Umazane misli' was released, Bojan began considering an acting career. He acted in two episodes of the series ‘Gospod Professor’ and in another series, which was eventually reworked as a film called ‘Kaj pa Ester’ and released in December 2023. He decided music was his passion though, and he wanted to fully focus on that. 

Interview (from 10:04 to 11:30): Bojan discusses his acting career

Interview (2m 11s): Kaj pa Ester interview

Interview (2m 30s): Kaj pa Ester première

Article: Bojan on Kaj pa Ester

September 2022, Križanke:

The band got straight to work writing their second album, 'Demoni' ('Demons'), and decided to present it in September 2022 at Križanke, another hugely important venue in Slovenia. This whole concert wasn’t recorded, but we have an interesting advertisement they did for it, an interview and a clip of one song live from Križanke! 

Video (5m 4s): Full Joker Out Hotline trailers

Interview (2m 16s): Joker Out with parachutes to Križanke?

Live (4m 7s): 'Novi val' ('New wave') live at Križanke

Interview (44m 35s): Demoni album presentation

Another new member! 

After Križanke at the end of 2022, Martin Jurkovič, one of the founding members of the band, made the decision to leave to focus on his studies.

Video (2m 20s): Martin's departure

Thankfully, he was replaced by the wonderful Nace Jordan, who remains the bassist in the current lineup.

Article: Nace Jordan discusses joining the band

2023, Eurovision:

Joker Out were then internally selected to go to Eurovision 2023, and began recording their Eurovision song, 'Carpe Diem', in Hamburg in December 2022. To learn more, you can watch the Carpe Diem series, a documentary series which followed their entire journey. 

The first episode, recording Carpe Diem, can be found with subtitles in multiple languages by JokerOutSubs!

Video (16m 41s): Carpe Diem Ep. 1 - Hamburg

The band performed their song for the first time live on Misija Liverpool, a televised debut, on the 4th February 2023.

Video (27m): Joker Out performing at Misija Liverpool

There are quite literally hundreds of interviews with Joker Out during the Eurovision era. Here's one from just before the final, that we have translated.

Interview: Joker Out before the final on the 13th May

And a few English interviews that became famous in the fanbase! 

Interview (24m 29s): Eurovanja

Interview (8m 10s): Seize the Day situations

Interview (17m 18s): Tiktok Live

Interview (6m 30s): ‘Never have I ever’

Interview (14m 12s): Madrid Eurovision

Result

Joker Out came 21st at Eurovision, which they were satisfied with.

Interview (1m 36s): Bojan talks about their results

European tour and Sunny Side of London (22nd September)

Luckily, the best was still to come for Joker Out! The rest of 2023 was spent on an extremely successful European tour, and they also released their first English single, 'Sunny Side of London', in September. 

We at JokerOutSubs were also thrilled to interview the band twice on their tour!

Original Interview (15m 25s): JokerOutSubs interview in Tampere

Original Interview (14m 37s): JokerOutSubs interview in Poznań

6th of October 2023, Stožice:

All of this, however, was building up to Stožice. This is the biggest closed venue in Slovenia and Joker Out managed to sell out their October show there - an extremely important milestone for Slovenian artists. 

Interview (15m 4s): Stožice and their whirlwind post Eurovision career

Live: Full concert live-streamed part 1 and part 2

A lovely moment at Stožice was when former members Martin Jurkovič and Matic Kovačič joined the band onstage to perform 'Kot srce ki kri poganja'!

Interview (2m 4s): Martin and Matic discuss the experience

Interview (5m 9s): Joker Out post Stožice impressions

London era and Everybody’s Waiting: 

Joker Out spent the beginning of 2024 in London, where they wrote new music, did live cooking shows on Instagram and met the incredibly talented photographer, Damon Baker, who did a beautiful series of photoshoots with them. They also released their next English single, 'Everybody’s Waiting', in February. 

They sat down with us at JokerOutSubs to discuss all this on the 20th February!

Original Interview (59m 13s): JokerOutSubs interview in London

March and April 2024, ‘See you soon’ tour:

The boys then embarked on the ‘See you Soon’ tour, another very successful European tour. They played three new songs live during the tour, two of which we translated from the concert videos of our members!

Live:  First performance of 'Bluza' ('Blouse')

Live: First performance of the hugely popular 'Šta bih ja' ('What would I')

We at JokerOutSubs also interviewed the band a fourth time in Padova!

Original Interview (22m 7s): JokerOutSubs interview in Padova

Now you know a little bit about Joker Out’s history, let’s look a little bit at the members of the band as individuals! 

Who are the members?

Bojan Cvjetićanin - singer

Charming, charismatic and an all round green flag, deep down we’re all Bojan girlies! See him here on Cosmopolitan's Blind date, Portrait with Coffee and a lovely interview he did for Delo! 

Interview (8m 49s): Cosmopolitan's Blind date

Interview (18m 3s): Portrait with Coffee

Article: “If we believed that we were “kings”, that wouldn’t be us”

Jan Peteh - guitarist

The mysterious mathematician of the band, Jan and his cat Igor have stolen the hearts of the fanbase. Here he is on Undercover Mathematician and on Metropolitan podcast with ex bassist Martin! 

Interview (3m 26s): Undercover mathematician

Interview (43m 57s): Jan and Martin on Metropolitan podcast

Kris Guštin - guitarist

Known for his organisational expertise, 'slay pose' and 'cake baking skills,' Kris stays fabulous on and off stage!

Video (1m 5s): NGVOT backstory (Kris’ breakup) at Cvetličarna

Article: Interview with the entire Guštin family

Jure Maček - drummer

Described consistently by his band mates as ‘čaga’ (party), Jure brings a chaotic energy to Joker Out that we love to see!

Video (41s): Jure’s cheating (in school!) story

Interview (18m 3s): Sunday Chat on Radio 94

Nace Jordan - bassist

The oldest member of Joker Out, Nace is a genuine sweetheart who fit like a glove into Joker Out despite joining much later! 

Article: "Enriched by a special [Eurovision] experience"

Interview (18m 24s): Interview with JokerOutSubs in Umag

Get to know the whole band! 

They mostly do interviews together, so here are some of our favourites!

Interview (16m 52s): Vičstock Unplugged

Video (7m 3s): Joker Out pre-Križanke Instagram Q&A compilation

Interview (54m 42s): Multisciplinary panel at Bežigrad High School

Article: Joker Out for DELO

Article: Joker Out for Mladina magazine

Interview (6m 42s): Joker Out for RTV SLO

Interview (1h 1m): Joker Out for N1 podkast

We hope you’ve enjoyed learning a bit more about our favourite band! 

If you’d like even MORE translated interviews, articles and Instagram stories, you can find us on Tumblr, X, Facebook, Instagram, TikTok, YouTube and Spotify under the name JokerOutSubs!

P.S: If you wish to share this post with new fans, we also provided QR codes!

[batboyblog]

How concerned do you think we should be about election officials who are election deniers refusing to certify results? I’m trying not to be anxious about it but it is a challenge.

well this was a worrying moment

my understanding is that Mr. Richer will oversee this election before his term is done, it's super duper VERY VERY important that any Arizona voters who see this make sure to vote all the way down to the Democrat Tim Stringham to make sure ALL Americans get free and fair elections.

ANY WAYS, how worried should you be? well, I think its always important to not let fear and worry paralyze you, its important to remember that in 2020 election deniers did try, but Joe Biden had won too many states, they had to try to overturn Georgia, Pennsylvania, Michigan, Wisconsin, Arizona, and Nevada, too many state courts, too many election officials, too many moving parts. So our best hope of frustrating them again is to win big. Many of them will lose their nerve and not want to be on the "losing side" which again happened in 2020 with most Republicans going along with the election. In 2024 Trump will be an old-old man, to try to run again for President he'd be 82 years old, everyone says his public appearances have slipped from the past, his legal battles drag on, he could be sentenced to jail in 2025, all to say if I'm a scummy Republican Congressman in January 2025 and Trump has lost every swing state commandingly I'm not sticking my neck out for him.

SO! you want to feel better? you want to not feel worried, get involved, its the only cure, I swear to god it is, I know no one believes me when I say that but its true, want to not have election anxiety? Volunteer, the anxiety comes from a sense of a huge out of control event looming over you, if you take action your brain won't feel out of control, you will feel better.

look for an event to volunteer with here, if you live somewhere super red or blue without an important Senate/House race, I recommend checking Run for Something they support young progressive candidates running for lower profile offices. If you're super stressed about the federal thing Democrats do Phone Banking a group called Field Team 6 is doing Text Banking to help register likely Democrats in key states, Swing Left is writing letters and Progressive Turnout is doing Postcards starting on the 5th

EVERYONE! can do SOMETHING! even from their own home, but trust me, door knocking is the easiest, most satisfying, and most cathartic thing you can do. And it's all any of us can do about Republicans plotting, win, and win big.

[gatheringbones]

[“As computer programs determine how many patients can be profitably squeezed into a day, doctors become tools. Then the actual machines march triumphantly into the wards.

Nurses are now separated from patients by computers on wheels that roll everywhere with them: their bossy robot taskmasters. When you first see a nurse, she or he will likely have eyes on the screen rather than on you. This has dreadful consequences for your treatment, since you become a checklist rather than a person. If you are having a problem unrelated to what is on the screen, some nurses will have a hard time gathering themselves and paying attention. For example, after my first liver procedure my liver drain was improperly attached. This was a serious problem that was easily reparable. Yet although I tried for four days to draw attention to it, I could not get through. It was not on the lists. And so I had a second liver procedure.

When I read my own medical record, I was struck by how often doctors wrote what was convenient rather than what was true. It’s hard to blame them: they are locked in a terrible record-keeping system that sucks away their time and our money. When doctors enter their records, their hands are guided by the possible entries in the digital system, which are arranged to maximize revenue. The electronic medical record offers none of the research benefits that we might expect from its name; it is electronic in the same sense that a credit card reader or an ATM is electronic. It is of little help in assembling data that might be useful for doctors and patients.

During the coronavirus pandemic, doctors could not use it to communicate about symptoms and treatments. As one doctor explained, “Notes are used to bill, determine level of service, and document it rather than their intended purpose, which was to convey our observations, assessment, and plan. Our important work has been co-opted by billing.” Doctors hate all of this.

Doctors of an older generation say that things were better in their time—and, what is more worthy of note, younger doctors agree with them. Doctors feel crushed by their many masters and miss the authority that they used to enjoy, or that they anticipated that they would enjoy when they decided to go to medical school. Young people go to medical school for good reasons, then find their sense of mission exploited by their bosses. Pressured to see as many patients as possible, they come to feel like cogs in a machine. Hassled constantly by companies that seek to pry open every aspect of medical practice for profit, they find it hard to remember the nobility of their calling. Tormented by electronic records that take as much time as patient care, and tortured by mandatory cell phones that draw them away from thinking, they lose their ability to concentrate and communicate. When doctors are disempowered, we do not learn what we need to be healthy and free.”]

timothy snyder, from our malady: lessons in liberty from a hospital diary, 2020

[mariacallous]

Climate denial may be on the decline, but a phenomenon at least as injurious to the cause of climate protection has blossomed beside it: doomism, or the belief that there’s no way to halt the Earth’s ascendant temperatures. Burgeoning ranks of doomers throw up their hands, crying that it’s too late, too hard, too costly to save humanity from near-future extinction.

There are numerous strands of doomism. The followers of ecologist Guy McPherson, for example, gravitate to wild conspiracy theories that claim humanity won’t last another decade. Many young people, understandably overwhelmed by negative climate headlines and TikTok videos, are convinced that all engagement is for naught. Even the Guardian, which boasts superlative climate coverage, sometimes publishes alarmist articles and headlines that exaggerate grim climate projections.

This gloom-and-doomism robs people of the agency and incentive to participate in a solution to the climate crisis. As a writer on climate and energy, I am convinced that we have everything we require to go carbon neutral by 2050: the science, the technology, the policy proposals, and the money, as well as an international agreement in which nearly 200 countries have pledged to contain the crisis. We don’t need a miracle or exorbitantly expensive nuclear energy to stave off the worst. The Gordian knot before us is figuring out how to use the resources we already have in order to make that happen.

One particularly insidious form of doomism is exhibited in Kohei Saito’s Slow Down: The Degrowth Manifesto, originally published in 2020 and translated from Japanese into English this year. In his unlikely international bestseller, Saito, a Marxist philosopher, puts forth the familiar thesis that economic growth and decarbonization are inherently at odds. He goes further, though, and speculates that the climate crisis can only be curbed in a classless, commons-based society. Capitalism, he writes, seeks to “use all the world’s resources and labor power, opening new markets and never passing up even the slightest chance to make more money.”

Capitalism’s record is indeed damning. The United States and Europe are responsible for the lion’s share of the world’s emissions since the onset of the Industrial Revolution, yet the global south suffers most egregiously from climate breakdown. Today, the richest tenth of the world’s population—living overwhelmingly in the global north and China—is responsible for half of global emissions. If the super-rich alone cut their footprints down to the size of the average European, global emissions would fall by a third, Saito writes.

Saito’s self-stated goals aren’t that distinct from mine: a more egalitarian, sustainable, and just society. One doesn’t have to be an orthodox Marxist to find the gaping disparities in global income grotesque or to see the restructuring of the economy as a way to address both climate breakdown and social injustice. But his central argument—that climate justice can’t happen within a market economy of any kind—is flawed. In fact, it serves next to no purpose because more-radical-than-thou theories remove it from the nuts-and-bolts debate about the way forward.

We already possess a host of mechanisms and policies that can redistribute the burdens of climate breakdown and forge a path to climate neutrality. They include carbon pricing, wealth and global transaction taxes, debt cancellation, climate reparations, and disaster risk reduction, among others. Economies regulated by these policies are a distant cry from neoliberal capitalism—and some, particularly in Europe, have already chalked up marked accomplishments in reducing emissions.

Saito himself acknowledges that between 2000 and 2013, Britain’s GDP increased by 27 percent while emissions fell by 9 percent and that Germany and Denmark also logged decoupling. He writes off this trend as exclusively the upshot of economic stagnation following the Lehman Brothers bankruptcy in 2008. However, U.K. emissions have continued to fall, plummeting from 959 million to 582 million metric tons of carbon dioxide equivalent between 2007 and 2020. The secret to Britain’s success, which Saito doesn’t mention, was the creation of a booming wind power sector and trailblazing carbon pricing system that forced coal-fired plants out of the market practically overnight. Nor does Saito consider that from 1990 to 2022, the European Union reduced its emissions by 31 percent while its economy grew by 66 percent.

Climate protection has to make strides where it can, when it can, and experts acknowledge that it’s hard to change consumption patterns—let alone entire economic systems—rapidly. Progress means scaling back the most harmful types of consumption and energy production. It is possible to do this in stages, but it needs to be implemented much faster than the current plodding pace.

This is why Not the End of the World: How We Can Be the First Generation to Build a Sustainable Planet by Hannah Ritchie, a data scientist at the University of Oxford, is infinitely more pertinent to the public discourse on climate than Saito’s esoteric work. Ritchie’s book is a noble attempt to illustrate that environmental protection to date boasts impressive feats that can be built on, even as the world faces what she concedes is an epic battle to contain greenhouse gases.

Ritchie underscores two environmental afflictions that humankind solved through a mixture of science, smart policy, and international cooperation: acid rain and ozone depletion. I’m old enough to remember the mid-1980s, when factories and power plants spewed out sulfurous and nitric emissions and acid rain blighted forests from the northeastern United States to Eastern Europe. Acidic precipitation in the Adirondacks, my stomping grounds at the time, decimated pine forests and mountain lakes, leaving ghostly swaths of dead timber. Then, scientists pinpointed the industries responsible, and policymakers designed a cap-and-trade system that put a price on their emissions, which forced industry into action; for example, power plants had to fit scrubbers on their flue stacks. The harmful pollutants dropped by 80 percent by the end of the decade, and forests grew back.

The campaign to reverse the thinning of the ozone layer also bore fruit. An international team of scientists deduced that man-made chlorofluorocarbons (CFC) in fridges, freezers, air conditioners, and aerosol cans were to blame. Despite fierce industry pushback, more than 40 countries came together in Montreal in 1987 to introduce a staggered ban on CFCs. Since then, more countries joined the Montreal Protocol, and CFCs are now largely a relic of the past. As Ritchie points out, this was the first international pact of any kind to win the participation of every nation in the world.

While these cases instill inspiration, Ritchie’s assessment of our current crisis is a little too pat and can veer into the Panglossian. The climate crisis is many sizes larger in scope than the scourges of the 1980s, and its antidote—to Saito’s credit—entails revamping society and economy on a global scale, though not with the absolutist end goal of degrowth communism.

Ritchie doesn’t quite acknowledge that a thoroughgoing restructuring is necessary. Although she does not invoke the term, she is an acolyte of “green growth.” She maintains that tweaks to the world’s current economic system can improve the living standards of the world’s poorest, maintain the global north’s level of comfort, and achieve global net zero by 2050. “Economic growth is not incompatible with reducing our environmental impact,” she writes. For her, the big question is whether the world can decouple growth and emissions in time to stave off the darkest scenarios.

Ritchie approaches today’s environmental disasters—air pollution, deforestation, carbon-intensive food production, biodiversity loss, ocean plastics, and overfishing—as problems solvable in ways similar to the crises of the 1980s. Like CFCs and acid rain, so too can major pollutants such as black carbon and carbon monoxide be reined in. Ritchie writes that the “solution to air pollution … follows just one basic principle: stop burning stuff.” As she points out, smart policy has already enhanced air quality in cities such as Beijing (Warsaw, too, as a recent visit convinced me), and renewable energy is now the cheapest form of power globally. What we have to do, she argues, is roll renewables out en masse.

The devil is in making it happen. Ritchie admits that environmental reforms must be accelerated many times over, but she doesn’t address how to achieve this or how to counter growing pushback against green policies. Just consider the mass demonstrations across Europe in recent months as farmers have revolted against the very measures for which Ritchie (correctly) advocates, such as cutting subsidies to diesel gas, requiring crop rotation, eliminating toxic pesticides, and phasing down meat production. Already, the farmers’ vehemence has led the EU to dilute important legislation on agriculture, deforestation, and biodiversity.

Ritchie’s admonishes us to walk more, take public transit, and eat less beef. Undertaken individually, this won’t change anything. But she acknowledges that sound policy is key—chiefly, economic incentives to steer markets and consumer behavior. Getting the right parties into office, she writes, should be voters’ priority.

Yet the parties fully behind Ritchie’s agenda tend to be the Green parties, which are largely in Northern Europe and usually garner little more than 10 percent of the vote. Throughout Europe, environmentalism is badmouthed by center-right and far-right politicos, many of whom lead or participate in governments, as in Finland, Hungary, Italy, the Netherlands, Serbia, Slovakia, and Sweden. And while she argues that all major economies must adopt carbon pricing like the EU’s cap-and-trade system, she doesn’t address how to get the United States, the world’s second-largest emitter, to introduce this nationwide or even expand its two carbon markets currently operating regionally—one encompassing 12 states on the East Coast, the other in California.

History shows that the best way to make progress in the battle to rescue our planet is to work with what we have and build on it. The EU has a record of exceeding and revising its emissions reduction targets. In the 1990s, the bloc had the modest goal of sinking greenhouse gases to 8 percent below 1990 levels by 2008-12; by 2012, it had slashed them by an estimated 18 percent. More recently, the 2021 European Climate Law adjusted the bloc’s target for reducing net greenhouse gas emissions from 40 percent to at least 55 percent by 2030, and the European Commission is considering setting the 2040 target to 90 percent below 1990 levels.

This process can’t be exclusively top down. By far the best way for everyday citizens to counter climate doomism is to become active beyond individual lifestyle choices—whether that’s by bettering neighborhood recycling programs, investing in clean tech equities, or becoming involved in innovative clean energy projects.

Take, for example, “community energy,” which Saito considers briefly and Ritchie misses entirely. In the 1980s, Northern Europeans started to cobble together do-it-yourself cooperatives, in which citizens pooled money to set up renewable energy generation facilities. Many of the now more than 9,000 collectives across the EU are relatively small—the idea is to stay local and decentralized—but larger co-ops illustrate that this kind of enterprise can function at scale. For example, Belgium’s Ecopower, which forgoes profit and reinvests in new energy efficiency and renewables projects, provides 65,000 members with zero-carbon energy at a reduced price.

Grassroots groups and municipalities are now investing in nonprofit clean energy generation in the United States, particularly in California and Minnesota. This takes many forms, including solar fields; small wind parks; electricity grids; and rooftop photovoltaic arrays bolted to schools, parking lots, and other public buildings. Just as important as co-ownership—in contrast to mega-companies’ domination of the fossil fuel market—is democratic decision-making. These start-ups, usually undertaken by ordinary citizens, pry the means of generation out of the hands of the big utilities, which only grudgingly alter their business models.

Around the world, the transition is in progress—and ideally, could involve all of us. The armchair prophets of doom should either join in or, at the least, sit on the sidelines quietly. The last thing we need is more people sowing desperation and angst. They play straight into the court of the fossil fuel industry.

[accio-victuuri]

xiao zhan elle september issue cover story

Xiao Zhan believes in simplicity. But in acting, he increasingly likes multi-faceted and complex characters.In other words, this is an authentic state of human existence. At a time when everything is being simplified, Be willing to admit that people are different,Seek communication possibilities, Be sensitive and defend complexity, This must require love and courage.

01.

After entering the entertainment industry, these things quickly became part of his daily life - cameras, spotlights, display screens, shields. Due to his profession and popularity, countless "Xiao Zhan" have emerged, including huge portraits on the facades of high-end shopping malls, the projections of an astonishing number of fans, or the appearance of characters in the film and television dramas that have been released one after another.

Right now, in the dressing room after the shooting, Xiao Zhan is holding his box of whole grain salad, vividly imitating the scene of meeting director Zheng Xiaolong.

"I was a little confused, so I asked the director whether he wanted me to be thinner or stronger. He said, 'Thinner, of course thinner, it will look so good and sharp.'" After a while, when we were taking the final photos, Zheng Xiaolong saw him again, "He said, 'Wow, you look good like this.'" From then until now, he has lost more than ten pounds.

Xiao Zhan, the source of all fission, is decent and relaxed. The glamour seen by the outside world is an added value for him. Sometimes he even forgets about it, "Really no one will care about you." Then he continues to talk about his work.

The most recent one is "Legend of the Hidden Sea", which was filmed in Hengdian for 5 months. The previous one, which also took 5 months to shoot, was "The Legend of the Condor Heroes: The Greatest Hero" directed by Tsui Hark. This is often the case with large-scale movies and long TV series. Once you join the crew, it takes four or five months. In 2022, his main filming work was "Where Dreams Begin" and "Sunshine by my Side", in 2021 it was "Yu Gu Yao", in 2020 it was "Ace Troops", and in 2019 it was "Douluo Dalu" and "Oath of Love".

There are constant offers for plays, so sometimes I can’t decide whether to lengthen or shorten the time between plays.

In the second half of 2019, when filming "Oath of Love", Xiao Zhan filmed during the day and recorded the variety show "Our Song" at night. Both were very challenging. The former was his first time to play the leading role in an urban drama, with little experience and great pressure; the latter was difficult because of the harmony, "You have to memorize all the harmonies that are different from the tune of the song and not be carried away."

"At that time, I felt it didn't matter. I would sleep for an hour or two and wake up feeling healthy again. But now my mind says it doesn't matter, but my body is protesting."

This year, he was filming in Hengdian. Later, one day, he found that his tonsils were inflamed and swallowing was very painful, but he went to work as usual. It was not until the director came over and asked him, "What's wrong with your eyes?" that he saw his eyes swollen in the mirror. By the afternoon, "I looked like a frog."

He had to go to the hospital. The symptoms themselves were common and could be stopped by taking medicine. But what he couldn't do was exactly what the doctor advised most: you need to rest.

More importantly, "My perception will become dull. I am really afraid of this, afraid of becoming mechanical and formulaic." He put the emphasis on the word "really". He chatted with his seniors, "They also said that you have to live and experience life."

In fact, a life in the spotlight is somewhat contrary to the life of ordinary people, but the profession of an actor requires him to touch as many wrinkles of life as possible.

A while ago, he watched a monologue in a variety show that depicted the current workplace situation of young people. Before entering the entertainment industry, Xiao Zhan had a studio and worked. He could understand the depression brought by work, but the new vocabulary and new tools that appeared in the workplace weakened his sense of resonance. He found that he was gradually disconnected to a certain extent.

02.

In early June, Xiao Zhan had a short vacation and went back to his hometown Chongqing. He likes to take walks very much, and one night he walked for several hours, visiting the old street, Jiefangbei, and the place where he used to work.

In 2014, 23-year-old Xiao Zhan graduated from university and worked as a designer in a design studio. Every weekday morning, he would transfer from Line 2 to Line 3 at Niujiaotuo Station, push through the crowds, and squeeze onto the light rail. Several times, he was pressed so hard that his face was pressed against the glass window.

He simply leaned against the glass to look at the Jialing River below, the strange reefs exposed in the dry season and the various people, some swimming in winter, some jogging, some fishing, with a very optimistic spirit.

He still likes to observe the people around him——

"Why are you still here so late?"

"People walking hurriedly must have just got off work and are in a hurry to go home. Their expressions and behaviors are just like when I used to catch the subway. It's the last one and you have to run. They are very panicked. Some takeaway guys are rushing forward regardless of their own safety. There are also some very leisurely people who sit there drinking beer, and then go home and start a new day."

"Everyone has their own wonderful story. It is everyone's life that makes up our society. So it's wonderful. Everyone is the protagonist. We are all filming our own biographies. What will the story of tomorrow be like?"

At that moment, he was like all those who have been busy working in a foreign country for a long time, and finally found that "I haven't been here for a long time, and there have been quite a lot of changes." "In fact, I am not particularly happy, and I don't have any other feelings. I am living, that's all."

Two and a half days later, Xiao Zhan left Chongqing for work and returned to Beijing, then to Shanghai, and then to France. This time he also called his parents. This was a long-awaited family trip, from France to Switzerland and back to France in a week. Every detail of the trip was magnified, their happiness, quarrels, or just ordinary walks, "all very vivid."

On the day they parted, they finished their meal at a restaurant in the south of France. The car that came to pick him up arrived and he had to leave first. Before leaving, his mother hugged him and told him to take care of himself. Rarely, his father also hugged him awkwardly.

"I used to think that work was everything and life wasn't that important. It was nothing more than having a place to sleep, getting up, going to work, finishing work, and resting. But now that my parents are older and I haven't lived with them for a long time, you feel as if each other's lives, even family members, are getting further and further apart." He especially doesn't want this to happen.

The way to avoid suspension and regain a sense of reality in life is not difficult to say. "When you have time, go out and take a look. The important thing is to feel life and the world. Even if it is something terrible or cruel, it is life, and it will burst out with energy when you need it."

03.

Halfway through the interview, Xiao Zhan suddenly said that he had a conflicting attitude towards long interviews. On the one hand, he was worried that he was not growing enough and would appear timid during the conversation. On the other hand, he wanted to unearth some subtle feelings through the conversation because he felt he was not good at recording them in words.

Observation, feeling, understanding and expression are the key to an actor's creativity.

"Dialogue is also muscle memory." Xiao Zhan said, "Although I am very i, I am not autistic. Because I think actors need to learn to express, express your inner thoughts, and digest the content handed to you by the other party."

Before the filming of "Sunshine by my Side" began, he met with the main creators and held several script meetings to deepen their understanding of each other and the characters. In the early stage of "Legend of the Hidden Sea", the producer also mentioned that he would discuss the script in detail and talk about a scene with many of his own understandings.

Xiao Zhan is not a professional actor. When he first entered the industry and filmed "Fights Break Sphere" and "The Wolf", he had strong doubts and asked himself, am I suitable for this? Constantly denying and overthrowing himself made him lose confidence.

Sometimes he is asked what he would be doing now if he had not participated in the talent show, debuted, or entered the entertainment industry at the age of 23. He has thought about it, but he has not looked back.

If you can't act well, then spend extra time taking acting classes, watching the monitor more often, and asking seniors for advice. With your full strength and hard work, you will slowly find the way.

Later, when the filming of "Sunshine by my Side" started, Xiao Zhan played Xiao Chunsheng, a child of a Beijing compound, who was completely different from him, even his accent was very different. He felt insecure. Before filming many scenes, director Fu Ning ran over and whispered to him, Zhan Zhan, don't be afraid, just speak bravely, if you feel it, just say it, in fact, the audience can feel your emotions and what you want to express.

He also gradually gained more self-awareness: "Technique may not be my forte, it depends more on feelings. Only when I have my own feelings can I have the confidence to interpret it. If I rely purely on some techniques, I think it is not moving enough."

It has been 8 years since Xiao Zhan made his acting debut. Looking at his resume, he has played leading roles in various TV series and movies. But he still feels that he is a newcomer and hopes to work with more experienced production teams in the future.

He doesn't think too much, and he doesn't actually know the work plan divided by year very well. He only cares about what the work arrangements for the next stage are, rather than "asking about things too far ahead."

"I still feel like a child, but actually I'm not anymore. It seems like I'm still in high school, but actually I've grown up." A child's mind means having curiosity, desire to explore, and imagination.

He puts these curiosities and explorations into the characters. "I mean, for me, when I dig into the character's background and past, I discover the complexity and contradictions of the character as a person and present them. In this way, some of his choices and motivations may be understood by the audience, and the work may be good, and you will have the current audience, right?"

source

[chengxiao-wjsn]

200507 Cheng Xiao at We Are Young 2020 Recording © orangecatcher do not edit, crop, or remove the watermark

[unhonestlymirror]

I am horrified by how often I see people writing, "Well, we shouldn't take Holocaust into account when talking about Israel-Palestine war." Of course we SHOULD, and that's why:

"October 7 is getting rewritten and certain social media users are an active of the campaign to erase the atrocities.

I was barely awake on October 7th when news of the atrocities that were committed by Hamas began to trinkle in, horror by horror. With sleep still in my eyes, I had hoped it was a nightmare I could erase by burying my face in pillows and returning to slumber, but alas, reality was insistent. Hamas had butchered over 1,200 people, amongst them infants, pregnant women, the handicapped, and the elderly. Even dogs were not spared.

But Hamas didn’t just murder them in cold blood, they had tortured, raped, desecrated their bodies, and took hostages. Their depravity was limitless. And they were so proud of their crimes that they used GoPro cameras to record them, later releasing the sickening spectacles to the public as a form of psychological terror. Add to that the live streams, cell phone recordings, and CCTV camera footage, and you’ll probably have the most documented massacre in history—with a reported 60,000 video clips collected.

I’ve seen some of these videos, including those not circulating quite so widely in public. They will haunt me for the rest of my life—and that falls far short than the 47 minute “film” shown to select journalists and diplomats worldwide, a number of whom broke down and/or fell ill during the screening.

But as shocking as all of this deranged butchery was — which was entirely the intention — what stunned me in the aftermath is the world’s reaction.

Putting aside disputes of land and politics, it was jarring to hear such a blatant reframing of narrative. It started with calling Hamas the “resistance” and justifying the unjustifiable. A number of BLM chapters had put out “heroic” images of Hamas terrorists descending on parachutes. I half-expected them to release action figures of Hamas fighters too. Maybe they did?

And then came the "BUTs." Sure, some folks condemned Hamas, but it was always followed by a "BUT," justifying the unjustifiable. I've been asked, ad nauseam, "What would you do in their situation?" Well, my response remains steadfast: not commit random acts of murder, torture, and kidnapping. Call me old-fashioned. (For the record I’ve called many colorful words for my stance, but oddly that was never one of them).

It was a wake-up call for many, especially those of us in the global Jewish community. Overnight, the illusion of safety shattered, much like the dreams of anyone who's binge-watched a horror series alone at night. But now we were all collectively trapped in that nightmare, and couldn’t wake up no matter how hard with pitched.

The history of the Holocaust is taught in many schools around the world. “Never forget” and “never again” are sentiments that are echoed within that curriculum. Yet, while some might scoff at the persistent advocacy for Holocaust education, insisting that it’s hitting them over the head, a nationwide survey in 2020 reveals that the under-40 crowd seems to have missed the memo. Shockingly, one in ten respondents haven’t even heard of the word “Holocaust,” let alone being aware that as many as 6 million Jews perished in it.

Further, nearly a quarter of those questioned said they believed the Holocaust was a myth, had been exaggerated or that they weren’t sure. Meanwhile in Canada, one in five young people (under 34) either hasn't heard of the Holocaust or isn't sure what it is. And in Britain, one in twenty adults flat-out deny that it ever took place. Ah, the privilege of blissful ignorance.

Most who underestimate the number of Jews killed in Holocaust have neutral or warm feelings toward Jews.

But it's not just ignorance; there's an entire industry that has been propped up and dedicated to Holocaust denial, complete with books, “movies,” and groups. To make matters worse, alarmingly, fewer Holocaust survivors are around to share their firsthand accounts and counteract the flames of denialism.

Nearly half of the 1000 people surveyed had stated that they’ve seen Holocaust denial or distortion posts on social media or elsewhere online.

I’ve always thought that denials of genocide—such as the Holocaust —were something that happened over time, with history slipping away and being re-written.

However, I never expected to be observing this in real time.

While initially the so-called “resistance” was celebrated by a subset of society, this soon turned into full-fledged denials of Hamas’ actions on Oct 7. Despite overwhelming evidence in the form of videos captured and shared by Hamas themselves and shared on Telegram channels and elsewhere, I would read and hear people claiming that they had only targeted Israeli military. Absurd claims emerged using supposedly ‘leaked’ footage where an Israeli helicopter shoots at Nova music festival goers. That video was viewed over 30 million times on X alone. The video, which was actually originally shared by the IDF on Oct 9, was showing their attacks on specific Gazan targets—certainly NOT indiscriminate bombings of music festival attendees in Israel. (Here’s a great thread that details how this piece of disinformation spread and geolocation information that further confirms that the claim is fake).

I’ve heard countless denials of the rapes of women (and men), despite overwhelming evidence in the form of physical evidence, forensics, and a number of witness testimonies. Women’s rights groups, meanwhile, remained silent—thus offering a vacuum for denialists to fill. Proponents of “me too” also stayed silent. Worse, the University of Alberta Sexual Assault Centre’s director signed an open letter calling Hamas perpetrating “sexual violence” an “unverified accusation.” It took UN Women nearly two months to issue a lukewarm condemnation of the brutal attacks. “We are alarmed by the numerous accounts of gender-based atrocities and sexual violence during those attacks,” they wrote, following a letter writing campaign urging them to speak up. Better late than never though, right?

The roughly 40 dead babies claim was debunked as a lie. At least that’s what people on social media now declare as fact, citing a Haaretz investigation.

“Haaretz investigation EXPOSES all the ISRAELI LIES from October 7th just like I predicated (sic),” reads the post of one particularly large disinformation account.

These claims persisted despite Haaretz directly addressing that post and calling it “blatant lies” and insisting that it “absolutely no basis in Haaretz’s reporting.”

The denials continued regardless of the fact that a group of 200 forensic pathologists from all over the world had confirmed that babies were indeed murdered and that some babies were found decapitated, though it was unclear whether this was done before or after death. First responders also corroborated that they witnessed beheaded infants. Regardless of decapitation, these were babies, murdered.

The forensic pathologists also confirmed that humans were executed, bound and burned alive. Israeli police have over 1,000 statements related to the attack.

When some of the hostages were released, Hamas supporters claimed that the hostages enjoyed being held by them, that they hardly wanted to leave. That this was like a pleasant vacation for them, that’s all. Like sipping piña coladas by the beach. In fact, they would state that they were more concerned about their safety in Israeli hands. They even concocted stories of love affairs between a hostage who was shot in the leg and a Hamas captor. A sick and twisted take on reality where up is down, cats are dogs, and denial is truth. They dismissed the reality that many of these hostages watched their loved ones get murdered in front of them, and still had relatives being held in captivity. The hostages were also administered Clonazepam by Hamas, a mood-enhancing tranquilizing drug, before handing them over to the Red Cross, so that they would appear “happy.”

Meanwhile, the Yale Daily News published a correction of an opinion column stating that the “allegations had not been substantiated.”

The denials go on and on, and I can’t help but feel like I’m watching a version of Holocaust denial, except this time it’s happening in real time—not years after the fact. And this time, it has a Wi-Fi connection and a social media account.

The conditions for this were ripe. Moral relativism is why just several weeks ago, Gen Z embraced Bin Laden's 'Letter to America.' It has been building up for years across college campuses, a breeding ground for ideologies that support violent means to achieve political gains.

The perceived power dynamics play a role here too. In the eyes of many, the Israelis are seen as a superpower whereas the Palestinians, and by extension Hamas, are seen as underdogs. In their view, the underdog is always right because it is the victim, and the “power” is the oppressor. So how can the oppressor be a victim?

Israelis, despite the majority of the population being Mizrahi Jews, as well as 20% Arabs (who were also victims on Oct 7), have been framed as “white colonizers,” vs the Palestinians who are seen as “POC” in the context of this conflict. Never mind that Jews, including Ashkenazi Jews, can be traced back to the land through DNA, archaeological evidence, and historical documents.

An overall distrust for media is another factor, which has resulted in individuals taking the word of random influencer accounts as gospel over traditional media outlets. According to Gallup polls, Americans’ trust in media is near a record low. Only 34% of US adults have a “great deal” or “fair amount” of confidence as of 2022. This is a major hindrance to our sensemaking abilities.

And then, of course, there’s cognitive dissonance. When a group identifies so closely with the perpetrator and they commit heinous acts, confronting that fact happens to be uncomfortable. So, in an attempt to reduce that discomfort, they rationalize or deny the evidence. This means that they accept only evidence that supports their existing beliefs, while placing unreasonable demands on the other side.

But none of these factors would have gained as much traction if it weren’t for something that didn’t exist during the Holocaust: social media. This is the engine that helps drives this real-time historical revisionism and denialism. According to 2021 data from Pew Research, over 70% of Americans get their news via social platforms. A Reuters Institute report from 2023 found that 30% of respondents use social media as the main way to get their news.

We have a society that consumes sound-bites of information, both truth and lies (as well as lies based on grains of truth).

Social media algorithms—combined with human nature—tend to amplify outrageous untruths, which spread widely. Corrections, never make it as far as the original lie. They are just a faint hum.

Throughout the Israeli-Gaza war, we’ve seen AI generated images and bots used to paint a specific narrative—for evocative, emotional effect. But technologically sophisticatication isn’t a prerequisite for painting false narratives. Many “influencers” have taken to using existing images or videos and attaching misleading headlines to them—including sharing content that captures events in Syria while presenting it as taking place in Gaza. These networks of influencers have large reach, and can turn even the most blatant lie into a revisionist truth.

Researchers for Freedom House, a non-profit human right advocacy group, found that generally at least 47 governments have used commentators to manipulate online discussions in their favor, either via humans or bots. They’ve also recruited influencers to help spread false and misleading content, and have created fake websites that mimic actual media publications. Then there’s always Russia’s propaganda arm RT, and various other publications like Al Jazeera and Quds who have direct ties to Hamas and/or other Islamic regimes.

All of this has contributed to narrative confusion, and the erasure of unspeakable acts of brutality, and the denial of the facts of October 7, right before our very eyes.

If we cannot even share a common reality, how can have any hope of resolving anything?

“Never again” is happening now."

[hollycrowned]

cipherhunt log: some sunny day

It’s been a long time, hasn’t it?

On July 27th, I went to the Hillsboro Barnes & Noble signing event for The Book of Bill. I’ve decided to come back to this account at least for a moment to write a little bit about what it was like. At the end of this post, there’s some Cipher Hunt related news, so be sure to read all the way through.

The Q&A was a lot of fun. There was excitement in the air even before the event began, with eager fans wearing Dipper hats and flannel shirts hurrying to their seats. A few fans were in cosplay, too, which was heartwarming to see. While there were several kids with their parents in the audience, most of the fans there were younger adults—which really made it hit me that the series first aired over ten years ago.

By total accident I ended up next to the door Alex stepped through and caught his entrance:

Alex has the type of charm that can get anyone laughing, and his own laughter is contagious. I didn’t record much of the talk, wanting to simply experience it, but here’s a short video I took of him talking about how The Book of Bill came about:

Over the half hour, Alex talked about the the book itself, about the show, his characters, and about creating a television series. Fans, when the mic was turned over to the audience, said what they love most about the series and asked about intentionality and the possibility of crossovers (Alex’s immediate “yes” was a hit). Alex expressed after one question that while he never could have guessed that people would like Gravity Falls so much, he’s grateful for the enduring love fans have for the show.

The event coordinator, who schooled a few questions to Alex before mic was given over to the audience, asked what I think we all want to know: “What are you working on right now?” Alex gave the answer he’s given in the past: that as is typical in Hollywood, he can’t talk about the projects he’s currently involved in.

If you were around when I was active here, you might remember that by the time I left, my focus had become to follow Alex through his career. To recap: after Gravity Falls ended, Deadline reported in 2018 that Alex had signed a multi-year exclusive contract with Netflix. Not long after, Netflix announced the opening of its own animation studio, alongside a reel showcasing some of the artists they’d recruited. The reel highlighted that this group of artists included industry legends, young talent, and diverse voices; each artist in the reel talked how excited they were for what the studio itself meant the future of animation, and for the opportunity to work there. Alex was in this reel, too.

Although I’ve moved on to other fandoms and my own creative work, I’ve kept up with movements in the animation industry. If you have, too, you may know about the massive cuts and cancellations Netflix has made in the last several years, especially to its animation department. Alex has produced and consulted on a few projects at Netflix since his contract began—chief among them Inside Job, which was initially renewed by for a second season before Netflix reversed their decision six months later and cancelled the series altogether. Shion Takeuchi, the creator of Inside Job and previous writer on Gravity Falls, confirmed the cancellation, saying “I’m heartbroken.” Alex, in a reply, expressed the same, adding, “Grateful to have had the chance to help on one of my best friends shows, for however briefly”.

In the six years since Alex signed his contract with Netflix, there have been hints that he’s been working on a series with his name on the masthead. In late 2020, he tweeted about staffing his new show:

But if his project was among the cuts Netflix made a few years after that, he gave no sign of it in his answer.

It’s jarring, and saddening, to watch that reel from 2018 with the knowledge of what has happened since. Outside of Netflix, things seem just as dire, with the dragging of AI into animation giants like Disney and Dreamworks by their corporate executives—notably, as The Animation Guilds’ contract approached its expiration date. In 2023, Vulture published an article which included testimonies from four artists who worked on Spider-Man: Across the Spider-Verse about the unsustainable working conditions at Sony while the film was in production. Over the last few years, Warner Bros has shelved two animated films and one hybrid for multimillion-dollar tax write-offs. In addition, their subsidiary HBO Max purged multiple animated series from its catalogue, denying the artists who worked on them access to their own works—and for some of them, residuals as well.

The final question at the Q&A was from a fan who said that they’re currently in school for animation. They asked Alex if he had any advice for new animators trying to break into the industry. Immediately, my mind went to all of that news I linked in the paragraphs above. I listened intently…

Alex’s response did not have hopelessness in it. He did talk, foremost and with humor, about how risky it is to pursue art as a career, especially at this moment—laughed, as he ended a sentence with, “Don’t go into the arts.” But he moved on from that, and gave an even more honest reply: hone your skills, put your work out there, and don’t give up. Be persistent, share what you make, make what you love. Make sure it’s easy for people to contact you, explore feelings through your work even when it’s uncomfortable, and show your work to others, even though it’s scary. Alex also remarked on creating itself being hard work, from the raw process to putting your art out there to taking criticism to learning from what didn’t work and applying it to your drafts and future projects. Hard work, challenging in more ways than one, on top of an unforgiving cultural moment, yes—but keep going. Keep creating.

Keep making art.

Then the Q&A ended, and the signing began. I found myself at the end of the line, but I didn’t mind; neither did anyone else waiting with me. In the moments when I wasn’t chatting with other fans, I thought about that last question and Alex’s response.

There is little that is easy about being an artist these days. I have come to know this by having friends who are artists, by following the careers and accounts of other artists, by reading the news, and—since becoming an artist myself—finding out firsthand. But I have come to know, just as well, that the best remedy for these ills is community. Whether you create art as a hobby or you have a career in the arts, whether your medium is collaborative or solitary in nature: in the face of intolerable working conditions, cutthroat corporations and corner-cutting clients, the advantages they take, the instability and uncertainty, and what all artists can relate to: the challenges of the creative process itself—it’s the support of your fellow artists that helps you survive. It helps art survive. A community that creates alongside you can give trusted critique, celebrate with you, stand up for you, introduce you to other artists you can learn from, and give what is necessary for so many of us to create at all: encouragement. A voice that says, keep creating. This gives to the world what is necessary for us all: more art.

If tech companies develop their AI by stealing from artists, if the c-suites who own the studios see artists as disposable, with the way freelancing can throw water on creative fire, if popular opinion increasingly trends toward art only having as much value as money it makes, then we must support each other. Helpful, practical advice given by a successful artist on how to succeed in the arts in this particular moment is a gem to anyone who is reaching for that goal. But invaluable and eternal is example; not just of success, but of how to be good to your fellow artists—and in turn, to yourself.

And I just think that’s how an artist ought to be.

As the line moved, and I got close enough to see the signing table across the room, I watched Alex greet the fans ahead of me. I found that he was as sweet to people as I always have heard he is, as I remember from watching the Periscopes he appeared in during Cipher Hunt: generous with his time, genuine, and good-natured. One fan skipped away from the table with their book, and a big smile on their face.

And then it was my turn.

When you meet him, he looks you in the eye. I always forget, until I shake someone else’s hand, how small my own hands are. I told him my name is Holly. He asked, “Spelled how it sounds?” I spelled it for him, reflexively, before I could fully process the question and simply say yes. I said lightheartedly that he must be extra happy to see us, being that we were at the end of the line—it was over three hours after the event had begun—and he said, “I’m sorry you all had to wait for this long.” While he was signing my copy, I asked if he was enjoying Portland—though what I really meant to ask was if he was happy to be back in the PNW, in the summertime. He said yes, he loves it here.

It all happened so fast, with me completely forgetting that I’d passed my phone to a kind father of some fans waiting near me in line, and I almost walked away without getting a picture with him. When you meet a celebrity crush from your younger years, it has you reckon with how the part of you who crushed back then has walked with you through time—in what ways who you were back then is still a part of who you are now, and who you want to be. And, of course, it gets your heart beating a little faster, too.

There was much more I wanted to ask him (this has never stopped being the case), but there were other fans waiting for their turn, and he had given his time to just shy of 150 people already. So I smiled at him, and said thank you, and moved along.

I am, and always will be, excited to see anything Alex makes. Hearing him talk about his art, and artistry, and being an artist, was beyond wonderful; not only young Holly’s wish come true, but inspiring for Holly, today—as an artist in my own right. In the years since I retired this account, as I’ve read all this news about the industry, I’ve often wondered how Alex has been. I am very happy and grateful I was lucky enough to get a ticket to the signing, and meet him.

And finally…the Cipher Hunt news.

First: the fan waiting in front of me in the signing line (I’m so sorry I didn’t get your name, but if you’re reading this, I hope you had a safe and smooth flight back home!) said she had been to Confusion Hill recently, and that Bill and the treasure box are still there. I haven’t been to Confusion Hill since I last went in 2017–before COVID—but I think about Bill and the treasure box all the time. It made me so happy to hear that fans are still visiting and exchanging treasures. I hope I get to go again, someday soon.

The second announcement: by chance, I happened to meet a fan who is working on a documentary about Cipher Hunt. I introduced myself and said I’d be more than happy to help out with the project! The creator, Keyan Carlile, can be found on both Twitter and YouTube. I hope you’ll follow along!

I met so many other lovely fans while waiting in line, as well. There is still so much affection and excitement for this series, and it was so nice to step back into the fandom, if only or a moment. If we spoke with each other: it was so nice to meet you! Maybe our paths will cross again, someday. And to everyone, all of the fans who were there, and all of you out there with The Book of Bill:

happy reading!! ∆

[fandomtrumpshate]

Listed fandom fun

A bit of random data before we jump into the rankings for listed fandoms …

Since the numbers post yesterday we've had signups for nearly 60 new auctions, bringing the current total to 779. That beats the number of signups for 2016/7, 2018, 2019, 2020, and 2021, and puts us withing spitting distance of our record last year of 819. Can we do it? Will we do it? Signal boost FTH posts and encourage others to participate. More money raised for good causes, more fanworks in the world — it's a win/win!

We posted yesterday about the state of our unlisted write-in fandoms (we've had nine new ones since then!). Time to check in with the rankings for the listed fandoms.

At the top of the pack we have:

87 K-Pop * 66 Good Omens 50 Sherlock Holmes * 44 Harry Potter * 37 Marvel * 32 DC * 31 Mo Dao Zu Shi / The Untamed 27 Red, White, & Royal Blue 25 Star Wars * 23 Scum Villain's Self-Saving System

Our first tie is for 11th place -

22 Avatar The Last Airbender 22 Teen Wolf

And after that, nearly every other place is a tie. And which ones are ties for which places can be shifted slightly with just one signup. Or completely upended with two. Where will your fandom land?

Remember that if your fandom isn't here (or in the rest of the list below the cut), you can write it in. Signups are OPEN through Monday!

19 Supernatural 18 9-1-1 and 9-1-1 Lone Star 18 Locked Tomb Trilogy 18 Stranger Things 17 All for the Game 16 Our Flag Means Death 16 Tolkien * 16 The Witcher 15 Boku no Hiro Akademia (My Hero Academia) 15 Original Work 15 Percy Jackson and the Olympians 14 Baldur's Gate 3 14 Hockey RPF 12 The Old Guard 12 Tian Guan Ci Fu (Heaven Official's Blessing) 11 The Magnus Archives 11 Star Trek * 10 Check Please! 10 Dungeons & Dragons 10 Haikyuu!!! 10 Hazbin Hotel 10 Jujutsu Kaisen 9 A Song of Ice and Fire/Game of Thrones/House of the Dragon 9 One PIece 8 Doctor Who * 8 Hades (video game) 8 Heartstopper 8 James Bond 8 Kingsman 8 Merlin 8 Naruto 8 Suits 7 Dragon Age * 7 Justified 7 Raven Cycle 7 Rusty Quill Gaming Podcast 7 The Sandman 7 Shadowhunters 7 SK8 the Infinity 6 Captive Prince 6 Critical Role 6 Final Fantasy * 6 Fullmetal Alchemist 6 Hannibal 6 Kinnporsche 6 The Maze Runner 6 Queen's Thief 6 Stargate 6 Steven Universe 6 Top Gun Movies 6 Yuri!!! On Ice 5 Alex Rider 5 Grishaverse 5 Interview With The Vampire 5 Malevolent (Podcast) 5 The Murderbot Diaries 5 Nirvana in Fire 5 The Owl House 5 RWBY 4 Erha He Ta De Bai Mao Shizun (The Husky & His White Cat Shizun) 4 Genshin Impact 4 Les Misérables 4 The Magicians 4 Pokemon 4 Witch Hat Atelier 3 Arcane 3 Disney's Descendants 3 Elder Scrolls 3 Hetalia 3 Hunger Games 3 Legend of Zelda 3 Spy x Family 3 Tian Ya Ke / Word of Honor 3 Trigun 3 Welcome to Night Vale 3 Wheel of Time 3 Young Royals 2 Benoit Blanc Mysteries (Knives Out, Glass Onion) 2 Disco Elysium 2 Encanto 2 Gundam Wing 2 The Last of Us 2 Leverage 2 Miraculous Ladybug 2 Miss Fisher's Murder Mysteries 2 Mysterious Lotus Casebook 2 Schitt's Creek 2 Super Mario Bros. 1 Assassin's Creed 1 Attack on Titan 1 Diamond no Ace 1 Fire Emblem Three Houses 1 Homestuck 1 Stellar Firma 1 Wednesday / The Addams Family

[spade-riddles]

Submission:

💛 I like the Gracie theories!

Part one :-)

Gracie said the song ‘Us’ is a conversation where they’re singing to each other. What if Gracie and Taylor met earlier? Did you know they allegedly met because Taylor invited Gracie to her birthday in 2021, seems a rather personal thing to invite someone you’ve never met to right? What if it was an olive branch?

Late 2020-Early 2021 First meeting:

Gracie starts the conversation:

I know you know

(I know you that i’m queer and that I know that you’re queer)

It felt just like a joke

(We’re dancing around the topic it feels so silly)

I show, you don’t

(I tell you i’m queer, tell you about my girlfriend perhaps)

And now we're talkin'

I know your ghost

(Karlie)

I see her throw the smoke

(Through the smoke and mirrors, the lavender haze, the bearding)

She’ll play her show

(The performance of her life, the husband and kids)

And you’ll be watchin’

(You have to watch her do this)

From here we presume Taylor doesn’t take it the best or rather just doesn’t open up to her, perhaps it’s around just after the masters heist which is how Gracie picked up on her flagging and had the courage to bring it up.

And if history’s clear someone always ends up in ruins

(We don’t talk about it because someone ends up upset now)

And what seemed like fate becomes "What the hell was I doin'?"

(Reflecting on the conversation, I’m such an idiot why was I asking her that, this line calls back to failed coming out in Taylor’s verse)

Babylon lovers hanging lifetimes on a vine

Do you miss mine?

(I showed, you never heard about her again)

Gracie:

I know you know

It felt like somethin' old

It felt like somethin' holy, like souls bleedin', so

(A way to describe recognising queerness in another person, it does feel holy in a sense)

Gracie:

It fеlt like what I've known

(I recognised this in you and when i’m near you I can recognise it more)

You’re twenty nine years old

So how can you be cold when I open up my home?

(Why didn’t you give me yours? Why didn’t you open up to me? You’re twenty nine, you’re older than me, I should be the one that’s scared about this)

----------------------

💛 Part Two

Late 2021:

Taylor:

And if history’s clear the flames always end up in ashes

(Failed coming out, likely reason for not opening up)

And what seemed like fate give it ten months and you’ll be past it

(“Come to my Birthday party?”)

Babylon lovers hanging missed calls on the vine

I gave you mine

(I told you about my queerness and Karlie)

The chorus between verses floats through different targets. Gracie may have harboured some hurt feelings about the interaction, in turn probably hurt feelings about Taylor’s role in continuing the machine of closeting (especially in a time when she could be pivotal in breaking that machine for a young queer artist like herself; times are rapidly changing now but even five years ago there weren’t many out and proud big pop artists). Directing the “do you miss us?” at Taylor, do you miss the idea of what could have been? I felt it, I held it, I felt that you were coming out with Lover, I felt the ice castle cracking, do you regret not doing it?

By the second chorus they’ve teamed up, directing the questions at their audience, US. Do we mind? Do we mind that they’re glass closeted, that they know we know, do we miss what could have been? Do we regret listening to the queer signalling and being transfixed while also watching them being spineless in their tomb of silence?

The bridge is where they turn on the machine together, everyone that keeps them closeted, Record Labels, CEOs, Managers, Family etc etc

That night you were talking false prophets and profits

They make in the margins of poetry sonnets

(You made me into this idol for the world that I don’t want to be because it’s not who I am but I continue to do it and it is lining your pockets)

You never read up on it, shame could’ve learned something

(These people didn’t read the poetry sonnets, often that they’re the target of, could’ve learnt that they were destroying their lives)

Robert Bly on my nightstand, gifts from you, how ironic

(Robert Bly is famous for self help material, how ironic that you’re giving me this gift but also causing me to need it)

The curse or a miracle, hearse or an oracle

(Is being famous and closeted awful or once in twenty lifetimes? Will it kill us or save us?)

The last chorus is to this group of people, likely in the future.

All speculation :-)