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rhysdarbinizedarby · 10 months

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Couch surfer in his 30s. Oscar winner in his 40s. Why the whole world wants Taika

**Notes: This is very long post!**

Good Weekend

In his 30s, he was sleeping on couches. By his 40s, he’d directed a Kiwi classic, taken a Marvel movie to billion-dollar success, and won an Oscar. Meet Taika Waititi, king of the oddball – and one of New Zealand’s most original creative exports.

Taika Waititi: “Be a nice person and live a good life. And just don’t be an arsehole.”

The good news? Taika Waititi is still alive. I wasn’t sure. The screen we were speaking through jolted savagely a few minutes ago, with a cacophonous bang and a confused yelp, then radio silence. Now the Kiwi filmmaker is back, grinning like a loon: “I just broke the f---ing table, bro!”

Come again? “I just smashed this f---ing table and glass flew everywhere. It’s one of those old annoying colonial tables. It goes like this – see that?” Waititi says, holding up a folding furniture leg. “I hit the mechanism and it wasn’t locked. Anyway …”

I’m glad he’s fine. The stuff he’s been saying from his London hotel room could incur biblical wrath. We’re talking about his latest project, Next Goal Wins, a movie about the American Samoa soccer team’s quest to score a solitary goal, 10 years after suffering the worst loss in the game’s international history – a 31-0 ignominy to Australia – but our chat strays into spirituality, then faith, then religion.

“I don’t personally believe in a big guy sitting on a cloud judging everyone, but that’s just me,” Waititi says, deadpan. “Because I’m a grown-up.”

This is the way his interview answers often unfold. Waititi addresses your topic – dogma turns good people bad, he says, yet belief itself is worth lauding – but bookends every response with a conspiratorial nudge, wink, joke or poke. “Regardless of whether it’s some guy living on a cloud, or some other deity that you’ve made up – and they’re all made up – the message across the board is the same, and it’s important: Be a nice person, and live a good life. And just don’t be an arsehole!”

Not being an arsehole seems to have served Waititi, 48, well. Once a national treasure and indie darling (through the quirky tenderness of his breakout New Zealand films Boy in 2010 and Hunt for the Wilderpeople in 2016), Waititi then became a star of both the global box office (through his 2017 entry into the Marvel Universe, Thor: Ragnarok, which grossed more than $1.3 billion worldwide) and then the Academy Awards (winning the 2020 best adapted screenplay Oscar for his subversive Holocaust dramedy JoJo Rabbit, in which he played an imaginary Hitler).

Waititi playing Adolf Hitler in the 2019 movie JoJo Rabbit. (Alamy)

A handsome devil with undeniable roguish charm, Waititi also slid seamlessly into style-icon status (attending this year’s Met Gala shirtless, in a floor-length gunmetal-grey Atelier Prabal Gurung wrap coat, with pendulous pearl necklaces), as well as becoming his own brand (releasing an eponymous line of canned coffee drinks) and bona fide Hollywood A-lister (he was introduced to his second wife, British singer Rita Ora, by actor Robert Pattinson at a barbecue).

Putting that platform to use, Waititi is an Indigenous pioneer and mentor, too, co-creating the critically acclaimed TV series Reservation Dogs, while co-founding the Piki Films production company, committed to promoting the next generation of storytellers – a mission that might sound all weighty and worthy, yet Waititi’s new wave of First Nations work is never earnest, always mixing hurt with heart and howling humour.

Waititi with wife Rita Ora at the 2023 Met Gala in May. (Getty Images)

Makes sense. Waititi is a byproduct of “the weirdest coupling ever” – his late Maori father from the Te Whanau-a-Apanui tribe was an artist, farmer and “Satan’s Slaves” bikie gang founder, while his Wellington schoolteacher mum descended from Russian Jews, although he’s not devout about her faith. (“No, I don’t practise,” he confirms. “I’m just good at everything, straight away.”)

He’s remained loyally tethered to his origin story, too – and to a cadre of creative Kiwi mates, including actors Jemaine Clement and Rhys Darby – never forgetting that not long before the actor/writer/producer/director was an industry maven, he was a penniless painter/photographer/ musician/comedian.

With no set title and no fixed address, he’s seemingly happy to be everything, everywhere (to everyone) all at once. “‘The universe’ is bandied around a lot these days, but I do believe in the kind of connective tissue of the universe, and the energy that – scientifically – we are made up of a bunch of atoms that are bouncing around off each other, and some of the atoms are just squished together a bit tighter than others,” he says, smiling. “We’re all made of the same stardust, and that’s pretty special.”

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We’ve caught Waititi in a somewhat relaxed moment, right before the screen actors’ and media artists’ strike ends. He’s sensitive to the struggle but doesn’t deny enjoying the break. “I spent a lot of time thinking about writing, and not writing, and having a nice holiday,” he tells Good Weekend. “Honestly, it was a good chance just to recombobulate.”

Waititi, at right, with Hunt for the Wilderpeople actors, from left, Sam Neill, Rhys Darby and Julian Dennison. (Getty Images)

It’s mid-October, and he’s just headed to Paris to watch his beloved All Blacks in the Rugby World Cup. He’s deeply obsessed with the game, and sport in general. “Humans spend all of our time knowing what’s going to happen with our day. There’s no surprises any more. We’ve become quite stagnant. And I think that’s why people love sport, because of the air of unpredictability,” he says. “It’s the last great arena entertainment.”

The main filmic touchstone for Next Goal Wins (which premieres in Australian cinemas on New Year’s Day) would be Cool Runnings (1993), the unlikely true story of a Jamaican bobsled team, but Waititi also draws from genre classics such as Any Given Sunday and Rocky, sampling trusted tropes like the musical training montage. (His best one is set to Everybody Wants to Rule the World by Tears for Fears.)

Filming in Hawaii was an uplifting experience for the self-described Polynesian Jew. “It wasn’t about death, or people being cruel to each other. Thematically, it was this simple idea, of getting a small win, and winning the game wasn’t even their goal – their goal was to get a goal,” he says. “It was a really sweet backbone.”

Waititi understands this because, growing up, he was as much an athlete as a nerd, fooling around with softball and soccer before discovering rugby league, then union. “There’s something about doing exercise when you don’t know you’re doing exercise,” he enthuses. “It’s all about the fun of throwing a ball around and trying to achieve something together.” (Whenever Waititi is in Auckland he joins his mates in a long-running weekend game of touch rugby. “And then throughout the week I work out every day. Obviously. I mean, look at me.”)

Auckland is where his kids live, too, so he spends as much time there as possible. Waititi met his first wife, producer Chelsea Winstanley, on the set of Boy in 2010, and they had two daughters, Matewa Kiritapu, 8, and his firstborn, Te Kainga O’Te Hinekahu, 11. (The latter is a derivative of his grandmother’s name, but he jokes with American friends that it means “Resurrection of Tupac” or “Mazda RX7″) Waititi and Winstanley split in about 2018, and he married the pop star Ora in 2022.

He offers a novel method for balancing work with parenthood … “Look, you just abandon them, and know that the experience will make them harder individuals later on in life. And it’s their problem,” he says. “I’m going to give them all of the things that they need, and I’m going to leave behind a decent bank account for their therapy, and they will be just like me, and the cycle will continue.”

Jokes aside – I think he’s joking – school holidays are always his, and he brings the girls onto the set of every movie he makes. “They know enough not to get in the way or touch anything that looks like it could kill you, and they know to be respectful and quiet when they need to. But they’re just very comfortable around filmmakers, which I’m really happy about, because eventually I hope they will get into the industry. One more year,” he laughs, “then they can leave school and come work for Dad.”

Theirs is certainly a different childhood than his. Growing up, he was a product of two worlds. His given names, for instance, were based on his appearance at birth: “Taika David” if he looked Maori (after his Maori grandfather) and “David Taika” if he looked Pakeha (after his white grandfather). His parents split when he was five, so he bounced between his dad’s place in Waihau Bay, where he went by the surname Waititi, and his mum, eight hours drive away in Wellington, where he went by Cohen (the last name on his birth certificate and passport).

Waititi was precocious, even charismatic. His mother Robin once told Radio New Zealand that people always wanted to know him, even as an infant: “I’d be on a bus with him, and he was that kind of baby who smiled at people, and next thing you know they’re saying, ‘Can I hold your baby?’ He’s always been a charmer to the public eye.”

He describes himself as a cool, sporty, good-looking nerd, raised on whatever pop culture screened on the two TV channels New Zealand offered in the early 1980s, from M*A*S*H and Taxi to Eddie Murphy and Michael Jackson. He was well-read, too. When punished by his mum, he would likely be forced to analyse a set of William Blake poems.

He puts on a whimpering voice to describe their finances – “We didn’t have much monneeey” – explaining how his mum spent her days in the classroom but also worked in pubs, where he would sit sipping a raspberry lemonade, doodling drawings and writing stories. She took in ironing and cleaned houses; he would help out, learning valuable lessons he imparts to his kids. “And to random people who come to my house,” he says. “I’ll say, ‘Here’s a novel idea, wash this dish,’ but people don’t know how to do anything these days.”

“Every single character I’ve ever written has been based on someone I’ve known or met or a story I’ve stolen from someone.” - Taika Waititi

He loved entertaining others, clearly, but also himself, recording little improvised radio plays on a tape deck – his own offbeat versions of ET and Indiana Jones and Star Wars. “Great free stuff where you don’t have any idea what the story is as you’re doing it,” he says. “You’re just sort of making it up and enjoying the freedom of playing god in this world where you can make people and characters do whatever you want.”

His other sphere of influence lay in Raukokore, the tiny town where his father lived. Although Boy is not autobiographical, it’s deeply personal insofar as it’s filmed in the house where he grew up, and where he lived a life similar to that portrayed in the story, surrounded by his recurring archetypes: warm grandmothers and worldly kids; staunch, stoic mums; and silly, stunted men. “Every single character I’ve ever written has been based on someone I’ve known or met,” he says, “or a story I’ve stolen from someone.”

He grew to love drawing and painting, obsessed early on with reproducing the Sistine Chapel. During a 2011 TED Talk on creativity, Waititi describes his odd subject matter, from swastikas and fawns to a picture of an old lady going for a walk … upon a sword … with Robocop. “My father was an outsider artist, even though he wouldn’t know what that meant,” Waititi told the audience in Doha. “I love the naive. I love people who can see things through an innocent viewpoint. It’s inspiring.”

After winning Best Adapted Screenplay Academy Award for JoJo Rabbit in 2020. (Getty Images)

It was an interesting time in New Zealand, too – a coming-of-age decade in which the Maori were rediscovering their culture. His area was poor, “but only financially,” he says. “It’s very rich in terms of the people and the culture.” He learned kapa haka – the songs, dances and chants performed by competing tribes at cultural events, or to honour people at funerals and graduations – weddings, parties, anything. “Man, any excuse,” he explains. “A big part of doing them is to uplift your spirits.”

Photography was a passion, so I ask what he shot. “Just my penis. I sent them to people, but we didn’t have phones, so I would print them out, post them. One of the first dick pics,” he says. Actually, his lens was trained on regular people. He watches us still – in airports, restaurants. “Other times late at night, from a tree. Whatever it takes to get the story. You know that.”

He went to the Wellington state school Onslow College and did plays like Androcles and the Lion, A Midsummer Night’s Dream and The Crucible. His crew of arty students eventually ended up on stage at Bats Theatre in the city, where they would perform haphazard comedy shows for years.

“Taika was always rebellious and wild in his comedy, which I loved,” says his high school mate Jackie van Beek, who became a longtime collaborator, including working with Waititi on a Tourism New Zealand campaign this year. “I remember he went through a phase of turning up in bars around town wearing wigs, and you’d try and sit down and have a drink with him but he’d be doing some weird character that would invariably turn up in some show down the track.”

He met more like-minded peers at Victoria University, including Jemaine Clement (who’d later become co-creator of Flight of the Conchords). During a 2019 chat with actor Elijah Wood, Waititi describes he and Clement clocking one another from opposite sides of the library one day: a pair of Maoris experiencing hate at first sight, based on a mutual suspicion of cultural appropriation. (Clement was wearing a traditional tapa cloth Samoan shirt, and Waititi was like: “This motherf---er’s not Samoan.” Meanwhile, Waititi was wearing a Rastafarian beanie, and Clement was like, “This motherf---er’s not Jamaican.”)

With Jemaine Clement in 2014. (Getty Images)

But they eventually bonded over Blackadder and Fawlty Towers, and especially Kenny Everett, and did comedy shows together everywhere from Edinburgh to Melbourne. Waititi was almost itinerant, spending months at a time busking, or living in a commune in Berlin. He acted in a few small films, and then – while playing a stripper on a bad TV show – realised he wanted to try life behind the camera. “I became tired of being told what to do and ordered around,” he told Wellington’s Dominion Post in 2004. “I remember sitting around in the green room in my G-string thinking, ‘Why am I doing this? Just helping someone else to realise their dream.’ ”

He did two strong short films, then directed his first feature – Eagle vs Shark (2007) – when he was 32. He brought his mates along (Clement, starring with Waititi’s then-girlfriend Loren Horsley), setting something of a pattern in his career: hiring friends instead of constantly navigating new working relationships. “If you look at things I’m doing,” he tells me, “there’s always a few common denominators.”

Sam Neill says Waititi is the exemplar of a new New Zealand humour. “The basis of it is this: we’re just a little bit crap at things.”

This gang of collaborators shares a common Kiwi vibe, too, which his longtime friend, actor Rhys Darby, once coined “the comedy of the mundane”. Their new TV show, Our Flag Means Death, for example, leans heavily into the mundanity of pirate life – what happens on those long days at sea when the crew aren’t unsheathing swords from scabbards or burying treasure.

Waititi plays pirate captain Blackbeard, centre, in Our Flag Means Death, with Rhys Darby, left, and Rory Kinnear. (Google Images)

Sam Neill, who first met Waititi when starring in Hunt for the Wilderpeople, says Waititi is the exemplar of a new New Zealand humour. “And I think the basis of it is this,” says Neill. “We’re just a little bit crap at things, and that in itself is funny.” After all, Neill asks, what is What We Do in The Shadows (2014) if not a film (then later a TV show) about a bunch of vampires who are pretty crap at being vampires, living in a pretty crappy house, not quite getting busted by crappy local cops? “New Zealand often gets named as the least corrupt country in the world, and I think it’s just that we would be pretty crap at being corrupt,” Neill says. “We don’t have the capacity for it.”

Waititi’s whimsy also spurns the dominant on-screen oeuvre of his homeland – the so-called “cinema of unease” exemplified by the brutality of Once Were Warriors (1994) and the emotional peril of The Piano (1993). Waititi still explores pathos and pain, but through laughter and weirdness. “Taika feels to me like an antidote to that dark aspect, and a gift somehow,” Neill says. “And I’m grateful for that.”

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Something happened to Taika Waititi when he was about 11 – something he doesn’t go into with Good Weekend, but which he considered a betrayal by the adults in his life. He mentioned it only recently – not the moment itself, but the lesson he learnt: “That you cannot and must not rely on grown-ups to help you – you’re basically in the world alone, and you’re gonna die alone, and you’ve just gotta make it all for yourself,” he told Irish podcast host James Brown. “I basically never forgave people in positions of responsibility.”

What does that mean in his work? First, his finest films tend to reflect the clarity of mind possessed by children, and the unseen worlds they create – fantasies conjured up as a way to understand or overcome. (His mum once summed up the main message of Boy: “The unconditional love you get from your children, and how many of us waste that, and don’t know what we’ve got.”)

Second, he’s suited to movie-making – “Russian roulette with art” – because he’s drawn to disruptive force and chaos. And that in turn produces creative defiance: allowing him to reinvigorate the Marvel Universe by making superheroes fallible, or tell a Holocaust story by making fun of Hitler. “Whenever I have to deal with someone who’s a boss, or in charge, I challenge them,” he told Brown, “and I really do take whatever they say with a pinch of salt.”

It’s no surprise then that Waititi was comfortable leaping from independent films to the vast complexity of Hollywood blockbusters. He loves the challenge of coordinating a thousand interlocking parts, requiring an army of experts in vocations as diverse as construction, sound, art, performance and logistics. “I delegate a lot,” he says, “and share the load with a lot of people.”

“This is a cool concept, being able to afford whatever I want, as opposed to sleeping on couches until I was 35.” - Taika Waititi

But the buck stops with him. Time magazine named Waititi one of its Most Influential 100 People of 2022. “You can tell that a film was made by Taika Waititi the same way you can tell a piece was painted by Picasso,” wrote Sacha Baron Cohen. Compassionate but comic. Satirical but watchable. Rockstar but auteur. “Actually, sorry, but this guy’s really starting to piss me off,” Cohen concluded. “Can someone else write this piece?”

Directing Chris Hemsworth in 2017 in Thor: Ragnarok, which grossed more than $1.3 billion at the box office. (Alamy)

I’m curious to know how he stays grounded amid such adulation. Coming into the game late, he says, helped immensely. After all, Waititi was 40 by the time he left New Zealand to do Thor: Ragnarok. “If you let things go to your head, then it means you’ve struggled to find out who you are,” he says. “But I’ve always felt very comfortable with who I am.” Hollywood access and acclaim – and the pay cheques – don’t erase memories of poverty, either. “It’s more like, ‘Oh, this is a cool concept, being able to afford whatever I want, as opposed to sleeping on couches until I was 35.’ ” Small towns and strong tribes keep him in check, too. “You know you can’t piss around and be a fool, because you’re going to embarrass your family,” he says. “Hasn’t stopped me, though.”

Sam Neill says there was never any doubt Waititi would be able to steer a major movie with energy and imagination. “It’s no accident that the whole world wants Taika,” he says. “But his seductiveness comes with its own dangers. You can spread yourself a bit thin. The temptation will be to do more, more, more. That’ll be interesting to watch.”

Indeed, I find myself vicariously stressed out over the list of potential projects in Waititi’s future. A Roald Dahl animated series for Netflix. An Apple TV show based on the 1981 film Time Bandits. A sequel to What We Do In The Shadows. A reboot of Flash Gordon. A gonzo horror comedy, The Auteur, starring Jude Law. Adapting a cult graphic novel, The Incal, as a feature. A streaming series based on the novel Interior Chinatown. A film based on a Kazuo Ishiguro bestseller. Plus bringing to life the wildly popular Akira comic books. Oh, and for good measure, a new instalment of Star Wars, which he’s already warned the world will be … different.

“It’s going to change things,” he told Good Morning America. “It’s going to change what you guys know and expect.”

Did I say I was stressed for Waititi? I meant physically sick.

“Well…” he qualifies, “some of those things I’m just producing, so I come up with an idea or someone comes to me with an idea, and I shape how ‘it’s this kind of show’ and ‘here’s how we can get it made.’ It’s easier for me to have a part in those things and feel like I’ve had a meaningful role in the creative process, but also not having to do what I’ve always done, which is trying to control everything.”

In the 2014 mockumentary horror film What We Do in the Shadows, which he co-directed with Jemaine Clement. (Alamy)

What about moving away from the niche New Zealand settings he represented so well in his early work? How does he stay connected to his roots? “I think you just need to know where you’re from,” he says, “and just don’t forget that.”

They certainly haven’t forgotten him.

Jasmin McSweeney sits in her office at the New Zealand Film Commission in Wellington, surrounded by promotional posters Waititi signed for her two decades ago, when she was tasked with promoting his nascent talent. Now the organisation’s marketing chief, she talks to me after visiting the heart of thriving “Wellywood”, overseeing the traditional karakia prayer on the set of a new movie starring Geoffrey Rush.

Waititi isn’t the first great Kiwi filmmaker – dual Oscar-winner Jane Campion and blockbuster king Peter Jackson come to mind – yet his particular ascendance, she says, has spurred unparalleled enthusiasm. “Taika gave everyone here confidence. He always says, ‘Don’t sit around waiting for people to say, you can do this.’ Just do it, because he just did it. That’s the Taika effect.”

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Taika David Waititi is known for wearing everything from technicolour dreamcoats to pineapple print rompers, and today he’s wearing a roomy teal and white Isabel Marant jumper. The mohair garment has the same wispy frizz as his hair, which curls like a wave of grey steel wool, and connects with a shorn salty beard.

A stylish silver fox, it wouldn’t surprise anyone if he suddenly announced he was launching a fashion label. He’s definitely a commercial animal, to the point of directing television commercials for Coke and Amazon, along with a fabulous 2023 spot for Belvedere vodka starring Daniel Craig. He also joined forces with a beverage company in Finland (where “taika” means “magic”) to release his coffee drinks. Announcing the partnership on social media, he flagged that he would be doing more of this kind of stuff, too (“Soz not soz”).

Waititi has long been sick of reverent portrayals of Indigenous people talking to spirits.

There’s substance behind the swank. Fashion is a creative outlet but he’s also bought sewing machines in the past with the intention of designing and making clothes, and comes from a family of tailors. “I learnt how to sew a button on when I was very young,” he says. “I learnt how to fix holes or patches in your clothes, and darn things.”

And while he gallivants around the globe watching Wimbledon or modelling for Hermès at New York Fashion Week, all that glamour belies a depth of purpose, particularly when it comes to Indigenous representation.

There’s a moment in his new movie where a Samoan player realises that their Dutch coach, played by Michael Fassbender, is emotionally struggling, and he offers a lament for white people: “They need us.” I can’t help but think Waititi meant something more by that line – maybe that First Nations people have wisdom to offer if others will just listen?

“Weeelllll, a little bit …” he says – but from his intonation, and what he says next, I’m dead wrong. Waititi has long been sick of reverent portrayals of Indigenous people talking to kehua (spirits), or riding a ghost waka (phantom canoe), or playing a flute on a mountain. “Always the boring characters,” he says. “They’ve got no real contemporary relationship with the world, because they’re always living in the past in their spiritual ways.”

A scene from Next Goal Wins, filmed earlier this year. (Alamy)

He’s part of a vanguard consciously poking fun at those stereotypes. Another is the Navajo writer and director Billy Luther, who met Waititi at Sundance Film Festival back in 2003, along with Reservation Dogs co-creator Sterlin Harjo. “We were this group of outsiders trying to make films, when nobody was really biting,” says Luther. “It was a different time. The really cool thing about it now is we’re all working. We persevered. We didn’t give up. We slept on each other’s couches and hung out. It’s like family.”

Waititi has power now, and is known for using Indigenous interns wherever possible (“because there weren’t those opportunities when I was growing up”), making important introductions, offering feedback on scripts, and lending his name to projects through executive producer credits, too, which he did for Luther’s new feature film, Frybread Face and Me (2023).

He called Luther back from the set of Thor: Love and Thunder (2022) to offer advice on working with child actors – “Don’t box them into the characters you’ve created,” he said, “let them naturally figure it out on their own” – but it’s definitely harder to get Waititi on the phone these days. “He’s a little bitch,” Luther says, laughing. “Nah, there’s nothing like him. He’s a genius. You just knew he was going to be something. I just knew it. He’s my brother.“

I’ve been asked to explicitly avoid political questions in this interview, probably because Waititi tends to back so many causes, from child poverty and teenage suicide to a campaign protesting offshore gas and oil exploration near his tribal lands. But it’s hard to ignore his recent Instagram post, sharing a viral video about the Voice to Parliament referendum starring Indigenous Aussie rapper Adam Briggs. After all, we speak only two days after the proposal is defeated. “Yeah, sad to say but, Australia, you really shat the bed on that one,” Waititi says, pausing. “But go see my movie!”

About that movie – the early reviews aren’t great. IndieWire called it a misfire, too wrapped in its quirks to develop its arcs, with Waititi’s directorial voice drowning out his characters, while The Guardian called it “a shoddily made and strikingly unfunny attempt to tell an interesting story in an uninteresting way”. I want to know how he moves past that kind of criticism. “For a start, I never read reviews,” he says, concerned only with the opinion of people who paid for admission, never professional appraisals. “It’s not important to me. I know I’m good at what I do.”

Criticism that Indigenous concepts weren’t sufficiently explained in Next Goal Wins gets his back up a little, though. The film’s protagonist, Jaiyah Saelua, the first transgender football player in a FIFA World Cup qualifying match, is fa’afafine – an American Samoan identifier for someone with fluid genders – but there wasn’t much exposition of this concept in the film. “That’s not my job,” Waititi says. “It’s not a movie where I have to explain every facet of Samoan culture to an audience. Our job is to retain our culture, and present a story that’s inherently Polynesian, and if you don’t like it, you can go and watch any number of those other movies out there, 99 per cent of which are terrible.”

*notes: (there is video clip in the article)

Waititi sounds momentarily cranky, but he’s mostly unflappable and hilarious. He’s the kind of guy who prefers “Correctumundo bro!” to “Yes”. When our video connection is too laggy, he plays up to it by periodically pretending to be frozen, sitting perfectly still, mouth open, his big shifting eyeballs the only giveaway.

He’s at his best on set. Saelua sat next to him in Honolulu while filming the joyous soccer sequences. “He’s so chill. He just let the actors do their thing, giving them creative freedom, barely interjecting unless it was something important. His style matches the vibe of the Pacific people. We’re a very funny people. We like to laugh. He just fit perfectly.”

People do seem to love working alongside him, citing his ability to make productions fresh and unpredictable and funny. Chris Hemsworth once said that Waititi’s favourite gag is to “forget” that his microphone is switched on, so he can go on a pantomime rant for all to hear – usually about his disastrous Australian lead actor – only to “remember” that he’s wired and the whole crew is listening.

“I wouldn’t know about that, because I don’t listen to what other people say about anything – I’ve told you this,” Waititi says. “I just try to have fun when there’s time to have fun. And when you do that, and you bring people together, they’re more willing to go the extra mile for you, and they’re more willing to believe in the thing that you’re trying to do.”

Yes, he plays music between takes, and dances out of his director’s chair, but it’s really all about relaxing amid the immense pressure and intense privilege of making movies. “Do you know how hard it is just to get anything financed or green-lit, then getting a crew, getting producers to put all the pieces together, and then making it to set?” Waititi asks. “It’s a real gift, even to be working, and I feel like I have to remind people of that: enjoy this moment.”

Source: The Age

By: Konrad Marshall (December 1, 2023)

#rhys darby #taika waititi #next goal wins #our flag means death #hunt for the wilderpeople #interview

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Last Edited: 17/03/2023

TW: slight angst, foul language, violence, blood, gore, gunshot wound, death mention

@denzellovehazelnuts: Hi! hope you have a good day! Can you do a poly "Ghost x male reader x Soap" (if you comfortable writing poly relationship) with slow burn, angst and fluff at the end? Where Ghost and Soap already in a relationship until the reader came into their team The two male thought the reader wasn't talkative around people but few weeks later, things change at first Ghost seems interesting in the male skill using gun and how fast he can run and Soap like the male sense of humour. Both of them thought it only a friendship type of things. Until the male save Ghost from the enemy on the battlefield and him laughing at Soap jokes. That when the two males known what happen to them, they weren't sure if M/n would comfortable in a relationship with them, so they start doing small things for him like making coffee or helping training,.. And M/n notice it, he even started to fall for the both of them. But he keep denying the things they did for him because he thought that what friend do. and M/n don't think he is ready for a new relationship, he wasn't sure he is good enough for them (the male got trauma from the previous relationships) (more angst please, I would like to suffer for a little bit) (・∀・) After a while, the three of them got into a mission together, everything went good until the male got shot. He thought he going to be de@d soon (only to find out that he only got shot at his leg) so M/n confessed how he feel about the two of them. (andddd I don't know what to do with the ending cause I'm ran out of idea. I would want to see how the treated each other when got into a relationship. Sorry about the grammar, English isn't my first language)

Word Count: 2,654

AO3 LINK -> HERE

Notes: hiiii! i dont do heavy angst but i did do some u know? slow burn it is!!! srry it took so long! irl things hold me back a lot. N since u wanted slow burn, n with all that uve put (about 350 words of things i can work on/with 2 get this drawn out as a full-on fic!! yay!) i had 2 like. try n put all u wanted in there so yea! hope u enjoy!! also! i threw in some other characters like gaz n roach. hope u dont mind em being in here since this is like, a mash of cod n codmw2 (canon? what cancon?) cause i rlly do wanna put some other characters in here that i find interesting n build some sort of character/personality 4 the reader. reader deserves some cool friends-2-brothers!

At first, you hadn’t wanted to join Task Force 141. You were comfortable with your position as the quiet, but light on your feet, knife specialist. Well, that wasn’t truly your title. You were just good with knives. You weren’t too shotty with a gun either. Either weapon being in your hands meant blood was going to be shed. KorTac needed those types, especially those who could use it to get in as well as out; you also couldn’t forget about using your skills to get information. Torturing the prisoners wasn’t something you particularly liked, but you were good at it too. Combining your skills with knives and guns, it truly was hell for anyone on the opposite side of your team. You also couldn’t forget that, out of the others, you were much faster. Sure, some could still beat you at times but that didn’t mean you weren’t good. Bets had been constantly taking place with you, along with others as it was one of the few things any of you could do to pass the time in a less-than-bloody manner.

The transfer from KorTac to Task Force 141 wasn’t smooth. Horangi, or Kim Hong-jin, didn’t let you go for weeks. You were part of his team, one of his men. The leader of KorTac is what most of you saw him as. He knew many of you like the back of his hand. Not to mention, a tiger can be cruel but would never devour its cubs for no reason, well, as some say. As far as you knew, because you were all together, you were a team and therefore family. While there were others who didn’t get along, out in the field, all of you had each other’s back. Very rarely did anyone get left to perish to the enemy.

With all that in mind, it took weeks for him to let you go. More or less, Laswell was the one to convince him; that is if you call bringing each plus every person in KorTac to ruins as “convincing”. She wanted you on a team she could keep tabs on you; doubting her power and skills was out of the question. Which meant leaving KorTac to ensure that everyone else was free from possible imprisonment or death was necessary.

Fitting in wasn’t too hard considering most of the people there were from all over the place. While it’s odd for a member from another team to suddenly appear on another, it didn’t bother most of the others. Just from a glance, you could tell who was into who; as well as who exactly was in a relationship. A man by the name of Ghost including another called Soap, you knew were together. Soap flirted with almost everyone, though it was more teasing and lighthearted. With Ghost though? The flirting went up by twenty percent. His dial for teasing went up tenfold too. Meanwhile, Ghost hardly looked at anyone else, nevertheless, stare at them unless they were the Scottish man. Frankly, you didn’t mind. Who were you to judge the two? Especially when they were good at what they did.

It takes weeks before you’re comfortable enough to so much as talk to anyone 141. Gaz, or Kyle as Soap tended to call him when annoyed, is the first to so much as approach you. While the others are interested, you coming from KorTac had put them off for a bit. Gaz on the other hand treats you like a brother. He’ll throw his arm around your shoulder, dragging you around as he laughs about the past or even at your jokes. At meals, he always throws a raised eyebrow at those who look at you oddly when you’re quiet or sitting with the man. He treats you like you’re part of the team, furthermore, that truly means more than anything to you.

The man is just as bloodthirsty as you are. His stories of falling out of planes along with taking out enemies only lead to you looking up to your new teammate and brother. His tales of meeting Captain Price, past missions, a few tidbits of him being with the SAS, together with some metals he’s earned, only makes you want to pry more stories from the man; not like you don’t have to try. Simply asking about his stories leads to at least an hour-long spill of them from the guy.

And with his stories comes a few of your own. You don’t share much of them, knowing Gaz spreads them to the rest of the team with more dramatics to try to get you to interact with the others. Something you do learn about him that you always keep in mind from his stories is that his blood type is B Negative and shooting any dog, wild or not, makes him feel a bit guilty; he had to shoot one a while ago and apologised to the poor mutt after having to put it down to finish his mission.

With all that he’s shared and how the both of you see each other as brothers, it’s only fair that you let yourself talk to the others in the team. Though your words are short, along with your jokes being told quickly to distract yourself from the stressful situations, you allow yourself to slowly relax with the others. Gaz’s constant support helps you finally allow yourself to bond with your new team and family. It’s only after a mission that things change.

– – – – – – – – – – – – – – – – – – – – – – – –

“Take the left! Keep your heads down and keep movin’!” Captain Price’s voice rings out in your earpiece. Everything has gone to shit. The intel you’ve been getting was entirely a trap. You’re running through an underground tunnel, Ghost and another man named Roach is running in front of you.

Roach is a quiet man, never talking or letting out a sound, but semi-friendly. From his actions and what you’ve been told of him, he does his best to complete the missions to the tea. The few interactions you’ve had with him were silent but nice. Whether or not he’s mute has crossed your mind time and mind again but you don’t ask; you’d rather leave the man be. After all, he has become something like a friend maybe even another brother.

“Copy. We’re nearly out. Roach and [Redacted] are with me,” Ghost responds, quickening his pace. The rifle smacks against your back as you speed up to keep up with the other two men. Despite the situation, the three of you remain as calm as you can be.

“You’re bein’ tracked like a rabbit is by a hound, Ghost! Move it!” The captain’s orders are clear and the worry is read between the lines. If you three don’t get out, it’s a huge blow to 141. Not only that, but Soap loses his boyfriend, Gaz loses two of his best friends as well as brothers, you three lose your lives, and Task Force 141 loses three of its members. Dying isn’t an option here.

“We have company,” Your words are muffled by your gear but the two soldiers in front of you hear them in their own pieces.

“Fuckin’ hell-” Ghost’s sentence gets cut off by gunfire from behind. Turning around, you fire the Lachmann Sub in your possession.

“We gotta go! They’re gaining!” You clip one of the enemies in the shoulder and another is hit in the stomach. Picking up the speed, the three of you try to beat them out of the tunnel. You cover the back, hoping the two get out before you. If you get surrounded, it’s over.

Thankfully, they haven’t reached the other end of the tunnel as the three of your burst out of the exit. You grab a grenade, pull the pin and throw it in the tunnel. As soon as it leaves your hands, you’re running faster to get to Roach and Ghost before anything else can; one arm wraps around each of your teammates’ necks, dragging them down to the ground as the little metal bomb goes off. Debris flies everywhere, looking for an area to land after being shot out of its place.

With the tunnel exist now collapsed along with no more flying rock and metal, you release the men. “How copy?” Crackles through each of your earpieces. You knock your forearm into Roach’s upper arm, eyes crinkling from your smile. He gives you a grateful nod, standing. You smack Ghost’s arm as he stands, glad to have escaped the enemies for now.

“Tunnel’s collapsed. We’re good. Ready for extraction, Sir,” Blunt and straight to the point are the skull-masked man’s words.

“Good. Heli’s close by. Move to the edge of the town.” With the three of you alive, you can practically feel Captain Price’s relief.

“Copy that, Captain,” Your muffled response comes before Ghost can send in his own. He scans you from the corner of his eye but doesn’t give you a retort. You do, however, hear a small huff of air leave him. You throw your arm around Roach’s neck again, puffs of air leaving you from happiness, meanwhile, his arm comes around your back. Seems the three of you live another day.

– – – – – – – – – – – – – – – – – – – – – – – –

After that mission, Ghost tends to lurk around you more than he originally had. It didn’t help that Soap tends to tag along as well. Thankfully, he finds your jokes hilarious if the loud, boisterous laughter he lets out all the time tells you anything. His teasing ends up piling onto you as well. Before, it was light as well as spread out. Now, it’s almost like he’s talking to Ghost with all the teasing and flirting he now does with you. His boyfriend hardly seems concerned but rather encourages his behaviour. Of course, that doesn’t mean he goes easy on you when the two of your spar together. He’s dead serious when it comes to sparring; it’s only a reminder that while he does good off, he’s just as dangerous as the rest of them.

The two men seem to be fixated on wanting to help you out in training as well. More pointers plus tips are thrown your way when you practice with either of them. Sometimes, they’ll even make you coffee for those sleepless nights. Mentioning such things to Gaz and Roach only leads to your sworn brothers giving you knowing looks or a few teasing words; Gaz is the one with the teasing remarks while Roach pats your shoulder in a mocking but teasing “you poor man” way. Neither seems keen on wanting to spill the tea on why the Scottish and British men have been more affectionate.

While you enjoy their kind gestures, including their company, you’re not sure if you’re ready to admit to yourself, or them, about such feelings or relationships. On the surface, you truly do want to ask them if this is some sort of flirting schtick they have going on. Deep down though, the idea of being with anyone again makes your stomach fill with the lead. How could you enter another relationship? After the last one ended with your soon-to-be fiance’s brains splattered all over a brick wall. How can you move past that? How can you allow yourself to find someone like them? Or even better than them? The answer to that is a sigh alongside a bitter smile. The ring hiding under your tactical gloves seems to burn your skin. Truly, how can you let your first love go? After all, if you weren’t good enough to keep them alive, how can you keep these two from meeting the same gorey end?

– – – – – – – – – – – – – – – – – – – – – – – –

“To think I’d find myself here… How fuckin’ funny,” You mumble. Another mission, this one just like all the others. Well, it would have been if you hadn’t been shot. The blood leaking from your leg alongside a knife wound to your side leave you in pain. Feeling weak isn’t something uncommon but neither is it constantly happening. Words are being spoken to you through your headset. You were to be the lookout but ended up being the enemy's first target.

“How copy?” Rings in your ears. Your eyes stare blankly in front of you. You feel pathetic. Too tired to talk. Too tired to get up. You just sit, popped up against a tree in the heavily wooded area. You’ve failed, failed, failed.

“C’mon, Mate, how do ya copy?” Soap’s voice is worried and winded. He and Ghost are the people you’ve been teamed up with and you’ve failed.

“[Redacted], how copy?” The next tone is Ghost’s. It sounds slightly strained.

“Mission Failed,” You croak, head tilted back and against the tree.

“Status report, Mate. Where are ya?” He’s rushing, possibly panicked now.

“Got two wounds. Gunshot to the thigh. Knife to the side. Bleeding pretty bad, Soap.” You close your eyes, sighing.

“State your location.” The Brit seems to be just as worried as his Scottish counterpart.

“Dunno. Woods. Against a tree… There’s a lot of blood. Feelin’ woozy.” When you open your eyes, your sight is blurred. You’re losing too much blood.

“Keep talkin’ to us then, yeah? You’ll make it out. We’ll get out together,” The Scot’s words, though hopeful, only make you scoff quietly.

“You know… If I get outta here… Think we can go out sometime? Bourbon and whiskey? The three of us?”

“When we get out, [Redacted]. There’s no if here,” The masked man makes it sound final like there’s no way you’ll die on them.

“Yeah… Yeah..” You don’t say anymore, everything slowly hazing away. It’s like your floating in winter with how cold you feel.

“[Redacted]? Don’t sleep! C’mon! Keep ya eyes open!” Soap’s words fade away along with everything else. All that waits is cold darkness.

– – – – – – – – – – – – – – – – – – – – – – – –

“So… Think you can handle our drinking date after this?” Soap perches on the side table, messing with a lighter he took from Ghost.

“After he’s healed, Johnny. No alcohol before,” A semi-scolding is all the man gets from the brooding Ghost. You laugh slightly, jostling your wounds. You wince but wave off the concerned looks you get.

“After I’m no longer full of holes, Johnny-boy.” You take a sip of water afterwards, making Soap frown playfully.

“And to think I was gonna bring out the good shit fer ya. A shame. A damn shame.” You gently shake your head. It was a close call but Ghost got to you before you completely bled out. From what you’ve been told by Gaz, who yelled at you for an hour after you woke up from your four-day sleep, Ghost and Soap dragged you back to the helicopter. Both refused to leave your side. Captain Price ended up having to yell at the men and bribe them with a bit of alcohol to get them to even go to their own rooms. You made sure to apologize to Gaz, hugging him tightly after his blow-up. He thought he was going to lose a friend and family member so you couldn’t blame him.

Roach gave you the cold should for a while before appearing in your room with a cup of coffee. He made sure to smack the back of your head for your stupidity as well, though it was hardly rough. You grabbed the man before he could so much as bolt though when he saw you getting up to hug him. He hadn’t pushed you away though. And the captain? It felt like you were a kid again with how he pinned you with his stare. He made sure to tell you exactly how he felt, going from angry, to disappointed, to angry again. Another guy you couldn’t blame anything on. But you get to live another day at least. And you get to have that date with the two guys who were able to grab ahold of your heart after a long-time of heartache and loss.

#x male reader #x reader #my fics #fanfic #ao3 fanfic #cod x reader #cod x male reader #cod mw2 x reader #cod mw2 x male reader #poly ghoap x reader #poly ghoap x male reader #simon ghost riley x reader #simon ghost x reader #simon ghost x male reader #john soap mactavish x reader #john soap mactavish x male reader #mdni blog

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trohpi · 3 months

Text

@regulily-microfic • july 3: dance • 904 words

cross-posted on ao3

Regulus hates this. The ornate dresses, the insipid dancing, the hollow pleasantries. Really, she has no idea why she agreed to come.

Well. Regulus’ eyes involuntarily land on a shock of wavy auburn hair across the room.

She has some idea.

“You’re staring again,” a voice behind her informs gleefully. Regulus shoots a glare over her shoulder.

Barty grins as he pops a greasy sausage roll in his mouth. His dress robes are wrinkled and sloppy, though he seems unconcerned. His tie, the one Regulus had to force him to wear before they attended this horrid Christmas party, is gone. She’s not sure why she bothers.

“What are you doing?” Regulus sighs as Barty slinks an arm over her shoulder and tugs her closer.

“What, I can’t hold my date? My gorgeous, smoking hot, sexy—”

Regulus elbows him in the ribs and he stumbles back with a cackle. She whirls around and narrows her eyes at her idiotic best friend.

“You’re never letting this go, are you?”

“My dear Regulus, you’re the one that begged me to be your date to this stupid thing,” Barty says, eyes bright with humour. “You better believe I’m milking it.”

Regulus rolls her eyes. “You were invited too anyway.”

“Oh, you and I both know I wasn’t going to come. The only reason I was invited in the first place is because Slughorn’s an arse-kisser.” Barty leans in with a grin. “Admit it, Reggie. You love me.”

Regulus scoffs. “Fuck off, Crouch.”

“Aw, love you too,” Barty laughs before he sighs dramatically. “It’s a shame, you know. If only I weren’t horribly gay and you weren’t horribly in love with Evans, we would’ve made a hot-arse couple.”

“I’m not in love with her.”

Barty looks at her blankly before a slow, mischievous smirk spreads across his face. “I guess you won’t mind if I do this then.”

Before she can even blink, Barty’s shouting across the room over the chatter and music, dragging her over to where Lily’s standing. “Oi! Evans!”

“Barty!” Regulus hisses as she tries to rip her arm out of his grasp. Lily’s already turned to look at them, wide-eyed in her stunning grey dress. Regulus’ face goes hot and she groans. “Vous êtes le pire, I hate you so much—”

Barty ploughs forward, only stopping once they're in front of Lily to utter a cheerful, “Hello, Red.”

“Crouch,” Lily says slowly, eyes darting between him and Regulus in bemusement.

“Me and Reggie here were just talking about how absolutely ravishing you look tonight. Isn’t that right, Regulus?”

Oh, she’s going to kill him.

Lily blinks at Barty before a small amused smile quirks her lips. Her face— flecked with milky white patches that Regulus privately thinks makes her even more captivating— goes a pale pink, and Regulus is officially useless. She’s never seen Lily blush before and she finds that she’s helplessly enamoured by it. She wants it to happen again and again, wants Barty to never stop talking just to see that rosy flush painting her cheeks deepen.

Suddenly, green eyes lock on her grey ones and oh, there goes Regulus’ brainpower. Her mind empties of all thoughts except those unfairly bright eyes and she surely looks like an idiot right now but the thing is, she doesn’t even mind. Regulus would happily spend the rest of her life making a fool of herself for one Lily Evans.

Lily searches her face, looking somewhere in between curious and fond. “Is that so?

“Oh, absolutely. Would I ever lie to you, Red?” Lily levels him a flat look and Barty grins. “Well, I’m off, girls! Be sure to use protection. Evans, you might wanna cut those nails of yours, they seem a bit long—”

“Okay, thank you, Barty!” Regulus all-but shouts, cherry red in the face as she shoves him away. Barty cackles as he leaves willingly, cupping his hands to shout, “Have fun!”

An old, stately woman wearing an atrociously large hat— no doubt one of Slughorn’s esteemed guests— looks at them in scandalised outrage where she helps herself to a cucumber sandwich a mere few feet away. Regulus cringes, face hot to the touch, and turns to share a look with an equally warm Lily. It takes only a moment for the two of them to burst into laughter.

“Oh, Merlin,” Regulus gasps. “Sorry about him.”

“Don’t apologise,” Lily giggles, reaching a hand out to steady herself on Regulus’ shoulder. “It was funny.”

“Yeah,” Regulus breathes, the warm touch sending sparks through her body. Lily turns to look at her then, face soft and contemplative, and she can’t help but feel overexposed, her soul laid bare.

Lily’s hand slides off her shoulder, trailing down her pale arm. Delicate fingers grip her own, holding her hand gently. A thumb sweeps across her knuckles and she shivers.

“Dance with me?” Lily asks carefully.

Regulus swallows, her heart racing. “Okay.”

“Yeah?” Lily’s glossy lips curve into a hopeful smile. Butterflies absolutely swarm Regulus’ stomach at the sight.

“Yeah,” she says, and Lily beams at her as she tugs Regulus into the cluster of dancing bodies.

“Fair warning,” she starts as she carefully places her hands on Regulus’ waist. A new song starts, gentle and slow and oh-so romantic. “I’m absolutely dreadful at dancing.”

“That’s okay,” Regulus sighs, looping her arms around the taller girl’s neck. Tugging her down lightly, she murmurs softly, “I’ll teach you.”

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bobbybutterfly · 5 months

Text

It’s been over 2 weeks since I last posted. Well. I hope that these four pieces were worth the wait.

Mulori! Boy I’m proud of this piece! I tried experimenting with colour by using warmer colours for shadows and cool colours for lights. She’s really giving angel of war descending from the heavens.

What to say about Mulori? Her death! You’re telling me that scout Gosemdouchi got a whole ass music video dedicated to him and Mulori gets NOTHING?! I’m outraged. But her edition of In the Years I Spent Far From Home is just so beautiful. Now I’m writing about it, I’m not sure if they made a separate cover for when she sings it in Operation White Snow or she was always singing it. Non the less it slaps.

Interesting was to see she’s shown often with Commander Gosemdouchi. He personally sends her off on her mission to stop the weasel spies (I’m sorry I don’t remember the name of their group). He cries when she dies, proclaiming they should fire their missiles for Mulori. The reason why I find it interesting is that when I went to write a short story about Mulori’s time in the military, I made them have a let’s say weird relationship. Maybe it got saved in my unconscious memory. Just like with Udochi being scout Gosemdouchi’s younger brother LOL. I thought I made that up but no!

I should maybe go back to that story sometime. Probably change Commander Gosemdouchi to a lower rank hedgehog that still has authority over her. A country leader would not have time to bully some low rank scout. Even though it is quite funny when I think about it.

Oewepali! I got told that this piece lacks depth because I use the same colours in the foreground and background. That’s a problem in all my pieces. It’s my fault for trying to use a very limited colour palette. Also what happened to his left arm and now that I’m looking at it, where’s his tail? The lighting too is… With the lighting in these pieces I wasn’t thinking about where it would logically go. I just made the lighter parts where they would look good compositionally. Yeah. I’m not that proud of the last two pictures.

As for what I think of this character… I originally thought that he got some developmental disability. I thought it would be interesting to write about a character during war that doesn’t really understand what’s going on. Kinda like Forest Gump. After rewatching the series (I still have to rewatch last two episodes) I came to the conclusion that he’s neurotypical but bullied by his brothers into thinking that he’s stupid. In the later episodes he’s shown to be actually quite capable. If I ever write a story featuring him I might give him like dyslexia though. I imagine he and his brothers went through a lot of trauma. Because he was the youngest and maybe had difficulty with learning they picked on him to let their frustration out.

Mulsajo! That’s right! I know his name now! I drew his paw like that because it was like that in the reference. I don’t really like it but I don’t have an idea how I would change it. I did change though, his teeth. My mom shown me rodent teeth because she didn’t like the mice have cat fangs. So he is a little more anatomically correct. Ignore the dog nose and that he’s anthropomorphic. LOL.

I took just so many screenshots! I should sometime post them. I love how they’re drawn in this picture! SO CUTE!

Mulsajo has one of the best designs in the show. The ripped up purple shirt is iconic. It was a while since I’ve seen the episodes with him. Before rewatching the show I thought he was a decent guy. Then I rewatch the show and he’s so mean to poor Oewepali. Dude can’t get a break. My head cannon still is that he’s nice but because they were starving, he’s aloud to be a bit grumpy. He’s also spiritual. Giving us one of the funnier jokes when Oewepali asks if he can eat the big fish only to be told no and then complain that Mulmangcho should have died earlier. This show’s dark humour is pretty great.

I want to develop my own mythology for my AU. Such as the mouse kings being descended from the sea god because Mulmangcho (he’s a king in exile in my AU) is often shown by the sea. It’s something I was thinking about when I drew this piece. It’s also inspired by Mulsajo’s death. Now if we’re talking about a main side character dying, Mulsajo has it the worst. He is never mentioned again in season 1. If you didn’t pay attention you wouldn’t have noticed he died. He is only sort of mentioned in season 2 episode 1. Mulmangcho is in disguise as a squirrel making up stories about what the wolves did to him and his family. He mentions his twelve dead brothers and how they cut off his tail. You begin to realise that he’s talking about what Flower Hill did to him. Obviously the moral is to never trust strangers no matter what they tell you. But I like to view it as a rare sympathetic scene for Mulmangcho. If someone was to write a continuation of season 2 I would like to see them expand on that scene.

Also fan art idea to design Mulmangcho’s 11 other dead brothers?

Last one up is Scout Gosemdouchi. Please don’t pay much attention to the plane. I really got to do some airplane studies. For the background I tried something more graphic and non literal. Lots of people I shown it to think he’s jumping out of the plane.

I actually have some trauma dumping I want to do. I swear it’s related to Squirrel and Hedgehog. If you don’t want to hear me whine about my catholic trauma then skip the next paragraph.

Alright then. Let’s get on with it. So I was like 8 years old. Our whole catholic school went to church. The priest starts preaching about this “real” story from China. The communists were cracking down on Christians. Some soldiers trashed a church. Taking special care the throw the Eucharist on the ground and stomp it with their muddy boots. Later a little girl would sneak into the boarded up church and lick the Eucharist off the ground. One day a soldier noticed her doing that AND SHOT HER ON SIGHT! Lesson? Be willing to die for your god.

I guess I like the cartoon because it reminds me of my childhood. LOL. Be sure to share your stories of childhood indoctrination in the comments! For real though, scout Gosemdouchi’s and Mulori’s deaths are to me the grossest parts of Squirrel and Hedgehog. Luckily I’ve got my head cannons that sort of fix that for me.

Originally this was the first picture I talked about but I found what I had to say was quite depressing. Plus religion is a touchy subject. I hope I didn’t offend anyone. I’m just talking about my own experiences. Also it’s good to have it off my chest. Now I don’t have to think about it anymore! YAY!

#got a bit carried away with doing character illustrations #and there’s still more characters I want to draw #feel free to suggest a character from the show #scout Gosemdouchi’s death made me remember some old trauma #squirrel and hedgehog #fanart #my art #procreate #furry art #digital art

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sitp-recs · 1 year

Text

*posting this way too early to make sure she'll will get to see it today hihi*

Happy happy birthday @shiftylinguini! I wanted to do a little something to celebrate one of the coolest, most talented HP authors out there. Sami is literally the coolest. Anyone who knows me at this point has realized that horny smut and clever humor are the way to conquer my heart. And Sam delivers both - and also plots! Character development! Drama and romance! - masterfully. Fuck buddies, Auror partners, A/B/O, established relationship, triads, age gap (my beloved!), you name it. She’s written it all, with impeccable dialogue and UST.

Sami, I’ve been following your works for quite a few years now and they never fail to impress me with your unique and hilarious sense of humour, your charming and vibrant characters, the A+ banter and domesticity, the clever plots, the lush sexual tension, witty dialogue and above all, unfailing emotional resonance. You build charged yet playful atmospheres like no one else and I’m especially grateful for your iconic takes on creature fic and A/B/O, two tropes that never interested me much until I found Embers and became utterly obsessed with it.

Your fics have shaped my Drarry experience and appreciation for rare pairs over the years and I'm sure I'm not alone; I don’t think you even realize the impact or how seminal your works were to some of us. You’re both a Drarry and rare pair champion, which is why I wanted to take some time and give your phenomenal catalogue a shoutout by highlighting my all-time favorites. I hope you have a lovely birthday knowing how appreciated you are by all of us! Sending lots of love and wishing you a fantastic year ahead, my friend 💙

Safe (M, 2k) - Harry/Sirius

He’s not James, Sirius tells himself as Harry gets into bed with him on a cold Monday night. He’s not James, but Sirius is not Padfoot anymore either.

Toeing the Line (E, 3k) - Drarry + Teddy

Draco wasn’t sure why watching his partner fuck Teddy until he screamed was somehow less morally iffy for Harry than just doing it himself, but Draco wasn’t about to judge. Not when he was balls deep, anyway. Read my rec here.

(Don’t) Behave (E, 3k) - Teddy/Charlie

Teddy is a bit of a mess, and Harry is at his wits’ end with his eighteen-year-old godson. Sending him to Charlie, thinking the older man could knock some sense into the kid, seemed like a great idea.

Sardines (E, 4k) - Scorbus + Jeddy

It’s bad enough his cock is hard from listening to the impromptu midnight pornography of his brother getting off; Albus is not going to add seeing it to the list of reasons why he lost his mind, and presumably his eyesight, on the eve of his grandmother's seventieth. Read my rec here.

A Noir Cliche (T, 4k) - Drarry

Draco is not a Healer. Harry doesn’t get hurt on purpose. They really have to stop meeting like this. Read my rec here.

Five Years (M, 4.7k) - Drarry

For Draco, December means finding somewhere he can lose himself in the thrum of a crowd and the throb of music ― and Potter. It always means Potter now, too. Read my rec here.

Float (E, 5k) - Drarry

After a night out, Harry wakes up feeling like he slept on concrete, like his body's made of sand, like he accidentally pissed on his housemate the night before. Because he did accidentally piss on his housemate the night before.

Splat (E, 5.8k) - Albus/James

Of all the things to happen to them, this is truly, truly the last thing James expected. Cw: incest, mild gore

Up The (E, 7.5k) - Drarry

“I feel I need to point out,” Draco kissed gently over Harry’s Adam’s apple, “that this is the most Gryffindor approach to conception that could possibly exist.” Or: Harry's had madder ideas.

forget what I need, give me what I want (and it should be fine) (E, 8k) - Draco/James

But even on those nights when the club is mad with punters and there are staff running ragged from one end to the other, Draco doesn’t need to be working behind the bar ― he just likes it.

Service Bell (E, 8k) - Drarry

Draco is: a werewolf, living in a cabin in the woods, minding his own business, and never going to buy plaid because he's not that much of a fucking cliche (yet). He's also counting down the days until he sees Harry again.

Teeter (E, 10k) - Drarry

Draco wants to come, Harry has other ideas, and they both might be doing this whole 'casually sleeping together' thing a bit wrong.

Hallo Spaceboy (T, 10k) - Jeddy

James’d had to give up on the eyeliner after that; he was grinning too hard, flushed and happy and basking in Teddy’s attention (fit blokes, we’re fit blokes, that’s us), and he couldn't bloody stop. Or: James kissed Teddy last night. This may or may not be the end of the world.

Team Players (E, 15k) - Jeddy + James/Oliver

Everyone has that one celebrity they’d move heaven and earth to get between their legs, and James Potter is no exception. He just never anticipated that number one on his Freebie List would end up in the same room as him, let alone would make the first move. Read my rec here.

Darling, Don’t Think Twice (E, 18k) - Harry/Teddy

Leaving the Aurors, and then England, after his divorce with Ginny was finalised was the best thing for Harry, and for Ginny, too ― but not for the godson who worshipped the ground he walked on. Now that he’s back, all Harry wants is to set up his own place, and to spend time with Teddy as he tries to fix their fractured relationship.

Celestial Bodies (E, 20k) - Drarry

“An astrological anomaly induced bond,” Harry repeats, deadpan, as the Head Healer of the Magical Malfunctions ward finishes announcing his prognosis. “Space magic,” says Draco, tapping long fingers irritably against the arm of his chair. “You’re saying we’ve been zapped by space magic.”

Two Weeks (E, 22k) - Drarry

If Harry had to guess which out of he or his Auror Partner, and tentative new friend, Draco Malfoy, would turn out to have Veela ancestry, his answer would be: neither, because that is ridiculous.

Midnight in the City of a Hundred Spires (E, 25k) - Drarry

Harry Potter is a missing person. Draco Malfoy is a vampire. They are the last two people one would expect to bump into each other in a Creature Bar in Prague, yet to Draco’s absolute shock that is definitely Harry fucking Potter sitting across from him.

Embers (E, 41k) - Drarry

Werewolf Alphas aren't meant to be alone, or to suppress their ruts indefinitely like Draco has been since he was bitten eight years ago. He needs company, companionship, to knot ― he needs an Omega Heat Companion. Read my rec here.

Heartlines (E, 72k) - Drarry

Harry never expected he’d end up chipping away at his virginity while wandless and bonded to Malfoy in Northern Europe. He never expected that would turn out to be the least surprising thing to happen while out on their training expedition in the middle of nowhere, either. Read my rec here.

#happy bday shifty!!! 🎉🎉#birthday reclist #Sitp essentials #drarry and rare pairs

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couragemydearheart · 2 years

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˚｡ 𖠗 𝐦𝐚𝐠𝐧𝐞𝐭𝐬.

# 01 — reiner braun x fem! reader

# 02 — cw: fluff, slight angst, bittersweet ending (?), and reiner being a softie <3

# 03 — wc: 0.95k

# 04 — an: *clearing my throat* hello! this is pretty much me posting my first work here on tumblr and i’m nervous and excited as hell. so, um, i chose reiner to break me into this because i love him and who doesn’t? feedback and constructive criticism is greatly appreciated!

an off day. that was one thing reiner could usually look forward to. and looking forward to stuff was something pretty rare in his world.

however, today was a different story. today could very well be their last day of peace before the big expedition beyond the walls the next day.

and naturally, like anyone craving to spend time with their lover, reiner decided to take you out of the barracks for some much-needed alone time for the both of you.

“this is the nicest way to spend my day off,” you sighed with a wide smile splitting your face, leaning back on your palms as the both of you sat on the raggedy blanket you had scrounged from the supply closet. he had somehow managed to find a small cliff in the forest that overlooked a lake, not too far from the barracks. it was beautiful and quiet, which was exactly what the two of you were looking for.

reiner looked at you, a small smile breaking out on his own face. how long had it been since he’d been able to sit like this with you, not caring about anything other than those few minutes? he couldn’t even remember.

he’d been so busy and anxious planning to retake the coordinate during the expedition. and now the big day was here and reiner suddenly didn’t want it to arrive at all. if their mission were to succeed, he would have to abandon everyone and everything and leave immediately. he didn’t think he was ready to leave just yet. he didn’t think he would ever be ready to leave you.

of course, it was never meant to be this way. the both of you were not meant to be. he was there to wreak maximum destruction, retrieve the coordinate and get the hell out of there. he was cursed with the burden of their mission among lots of other things and knowing that he could never be yours forever was one of them. all because he wanted to play hero.

he was the bane of his own existence in a way. but while reiner could be all kinds of despicable, he would be damned if he let his misfortune taint you.

he shuddered at the thought of you finding out the truth about him; for he was sure that you would loathe him with everything that you were and he wasn’t sure he could survive that.

so he pushed it deep, deep down into his dark heart and focused on now. deal with it later, he chided himself mentally.

“yeah.” he breathed, entwining his fingers with yours. “it really is.”

“oh? you sure you wouldn’t rather spend it with bertoldt?”

he fondly rolled his eyes at you. “that was one time, will you ever stop harassing me with that?”

you shook your head, a mischievous glint lighting up your pretty eyes and you smirked. “never. i’m going to pester you with this forever and ever and ever.”

your tone was light and airy but the words hit him right where it hurt. forever and ever. something he wouldn’t be around for.

and you must have seen the way all humour left his face and how dread replaced it, because you turned towards him, one of your hands coming up to cup his face, eyes shining with seriousness and determination.

“hey.” your voice was softer now but it didn’t lose its firmness, “i know we’re here to relax but it’s impossible to ignore that tomorrow is the expedition.”

he stiffened slightly.

“you come back to me, ‘kay?” and suddenly reiner could see the fear and uncertainty in your eyes that you hid so well from everyone else. “i’ve lost enough, and i refuse to add you to that list. reiner, i need you with me.”

his heart constricted painfully in his chest at how scared you sounded.

ignoring the lump in his throat, he pulled you closer, his forehead coming to rest on yours. “i need you too, y/n,” then he shut his eyes and lied through his teeth. “i’ll come back to you as long as you promise to do the same.”

he felt you nod against him and he opened his eyes again, wanting the sight of you smiling up at him burned into his mind.

but then your eyes flicked to his lips for a second before returning to his amber orbs and the corner of his lips twitch up into a soft smile.

“would it be okay if i kissed you right now?” he murmured softly.

“i’d like that very much.”

so he leaned down slightly, waiting for you to close the distance. and you did.

your soft pink lips pressed onto his, eyes closing on their own as your arms winded up around his neck, pulling him closer and closer and closer until there was no space left behind the both of you.

he felt a little dizzy—strange for someone who was also a titan—as one of your hands slid down to rest over his chest and the other tangled in his hair. and he tightened his grip on your waist, holding you close and he felt your fingers grow tighter in his hair in response.

he was sure you could feel his heart thundering under your palm but he didn’t care, all he could think of and feel was you, you, you.

reiner hoped then—when you parted from his lips, breathless and flushed, and your eyes shone up at him with a thousand galaxies in them—that even if the both of you fell apart, you would always come back together, no matter what, like two pieces of a magnet.

— © property of couragemydearheart. do not copy or post on any other site without permission.

#⸰ֺ ࣭⭑𓄹—katy writes!#attack on titan #aot #shingeki no kyojin #snk #reiner braun #reiner braun fluff #reiner fluff #reiner braun x reader #reiner x reader #aot fluff

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slytherhys · 9 months

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12 Days of Christmas - ACOTAR Edition

In the spirit of the Holidays, I will be writing & posting short stories about the ACOTAR characters for the next 12 days. Please note that some will be shorter than others and that this is simply meant to be a fun time for everyone that loves these characters as much as I do!

PS. I'm open to requests.

AO3

6th day of christmas - ugly christmas sweater

this oneshot is dedicated to Candice. Thank you for helping me whenever I'm writing about Nessian. love you frenchie

Proof of Love (Nessian AU)

If there was one thing Cassian knew about his girlfriend, it was that she loved receiving gifts. Books, clothes, a pretty flower he picked up from the street on his way home… Nothing could quite compare to the smile that took over Nesta’s lips whenever he surprised her with a new present.

Which didn’t really explain why she was now sitting on their couch, her book long discarded, staring at his latest gift with a blank face. Cassian felt his grin falter, eyeing the sweater in her hands.

“What is this.” She asked, eyes never straying away from the garment in front of her.

Yeah, Cassian was mildly suspicious she hadn’t like it all that much.

“An ugly Christmas sweater.” He said nonetheless, eyeing the red sweater. He had thought it was hilarious when he had first seen it: the upside-down bat and his cheeky grin, the little Christmas hat that was adorned with a real, tiny bell that jingled whenever Nesta moved.

He ignored the way the frown on Nesta’s face seemed to deepen whenever it rang.

“I can see that.” Her eyes flickered to him once before returning to the sweater, as if still not quite believing what was in front of her. Whether that was a good or a bad sign, Cassian wasn’t entirely sure. “Why?”

Now it was his turn to frown. “What do you mean why? So you wear it.”

“Where exactly would I wear this?”

“Feyre and Rhysand’s party.” Cassian said, since it seemed pretty obvious to him. “The invitation specifically indicated Ugly Christmas Sweater as the preferred attire.”

“My preferred attire is my normal clothes.” She raised an eyebrow at his wounded expression. “I’m not wearing this, Cassian.” She said, folding the sweater and reaching for the shopping bag once again. As if it was decided.

“And why not?”

She gave him a blank stare. “It’s hideous.”

“That’s the whole point of it.” At least he thought it was. When Feyre had explained him the concept, it had seemed a bit confusing. Could a sweater be too ugly to be an ugly Christmas sweater? Maybe he should’ve checked with Feyre before buying them-

Nesta went still. “Cassian.” She looked up at him, a flush in her cheeks. “Why is there two of them?”

Oh, right. Cassian grinned, taking the bag from her hands, and pulling out another sweater. His sweater. “So we could match.” He said, draping the sweater in front of his torso.

“Why would we want to match.”

He shrugged. “Because it’s Christmas.”

Nesta shook her head. “Doesn’t seem like a good enough reason.”

He stepped closer to her, making her tip her head back so she could meet his eyes. “Because it’s fun?”

She glared at him, crossing her arms in defiance. “To whom?”

He hummed, leaning down as he gently pulled her up to her feet. Nesta seemed unfazed, but Cassian knew better. The dilated pupils, the flushed neck, her heaving chest. He smirked, pressing a soft kiss to her lips. “Because you love me?” He murmured, smiling.

Nesta cleared her throat, pushing him away and walking to the other side of the couch. “Even love has its limits.”

Cassian stopped, turning with a grin on his face. He raised his eyebrows, watching her as she tried to keep her distance. “Is this yours?”

Nesta eyed the sweaters. He could almost see how much she wanted to say yes. How much she stubbornly wanted to stomp her foot, refusing to wear what was truly a hideous sweater to a party, of all things.

But she didn’t – not even when, hours later, Rhysand opened his front door and eyed them with humour in his eyes. At his growing smirk, Nesta stood a little straighter.

“Don’t you dare say anything.” She growled, walking past him without a glance back.

And no matter how hard he tried, Cassian couldn’t suppress the sheepish grin that took over his features as he watched her stomp through the foyer, jingling with her every step. Mother’s tits, he loved that woman.

He was suddenly extremely glad Feyre had explained to him what, exactly, an ugly Christmas sweater was. He was especially glad she had accepted his suggestion to make them the party’s dress code.

He found his brother studying him, a smile on his face as he let him inside the house. “I’m guessing she doesn’t know this was all your great idea?” He said, looking down at his own sweater. It was dark blue with silver-threaded stars and big, bold letters saying, If lost, take to wife. Feyre most definitely wore its counterpart.

“That woman is wearing a stupid fucking sweater for me, brother.” Cassian grinned. “It was absolutely worth it.”