#WOW THIS WENT LONG

[chloesimaginationthings]

William Afton is a master manipulator in FNAF..

[possamble]

Needlessly close reading and long commentary on chapter 57 and how the audience actually has an extremely limited view on what Marcille has been like over the course of her life.

I am once again thinking about how pre-dungeon Marcille is so quiet and stoic that she seems like a completely different person. How jarring chapter 57 is for the audience. Like you have Marcille, who has been just the most blindingly expressive person with resting baby face

And then the chapter drops a title page of Marcille hearing from Falin for the first time in four years and it's like.

Who is that. Genuinely. Would you even realize that's Marcille without the context clues?

And then the chapter just keeps coming in with the sucker punches.

We have SEEN Marcille meet strangers. It was never with this understated of a smile.

literally who the hell is this. the few times the audience gets to see some Signature Marcille Faces that they're used to is when she finally gets to see Falin again

when she's testing out her new spells

(and when Laios and Falin are fantasizing about her being their damsel in distress, funnily enough)

And then finally. Finally you get to a fully recognizable Marcille when she fucking DIES and comes back to life to geek out about necromancy.

We know she loves magic. We know she loves Falin. So it's not so surprising that she wouldn't be able to keep a mask up when thinking or talking about the things she loves. But why the mask in the first place? Where does it come from? It's tempting to think that, maybe, Falin's departure just hurt her so much that it turned her into a quiet person.

But that's only half true. If you go back, the first instance you see of this incredibly mild personality is actually introduced much earlier, in chapter 17.

What if she was always like that. What if her default after her father died was to hold people at arm's length, to never really emote past being polite and friendly. What if Falin was the first person who was able to bring her out of her shell, and when she left, Marcille just went back to how she was.

And when comparing her detached demeanour with someone else...

It's not exact, but wouldn't you say there's a resemblance? Wouldn't you think she might be trying her best to imitate what she saw of her own mother working as an accomplished mage?

It would certainly explain why she's hiding behind her portrait in her nightmare, at least.

We aren't told that Marcille has been distancing herself from everyone around her using a mature and dignified personality she modelled off her mother. But we sure as hell are shown it, I think.

[karvviie]

(opening my 10k word document of mainewash AU content) welcome to my twisted mind…

[uncreativebean]

Someone said the last songs of the Ithaca Saga spell out "Odysseus, I can't help but wonder would you call in love with me again" and that Penelope must've been just as unsure as Odysseus was and I think about that

[junosmindpalace]

Kento needs something good in his life.

For most of it he was fairly indifferent to a lot of things, his face often, if not always, chilled or some kind of annoyed. This seemed to be on the surface, perhaps, but Kento found pleasure within and among many things. Sakura trees, baked goods, the feeling of warm sand beneath his feet and cool ocean water washing it away.

They're the little things, even just thoughts of them, that keep Kento moving through this god awful world. As he gets older, goodness is found in even more trivial things, because with age also comes additional burden and various disappointment. Restock of a favorite product. Flowers in bloom. Small things that bring colour into a life that very frequently threatens to drain it all until he only knows to identify shades of grey and black.

The withering of leaves and flowers hanging onto dying branches amidst chilling winds, threatening to leave them completely bare, is when Kento is reminded more than ever that he needs you. He needs something good, something to work toward. Something to come home to. Something pleasant to fall asleep to. Something beyond material means to motivate him.

His work, in theory, serves him well enough. Pays him well enough if he sacrifices enough of his physical and mental strength to commit to working with difficult people and staring at a blue light that drains his energy almost as much as the routine of it all itself. In the end, he gets a paycheck, and that's what matters.

But truly, it makes Kento a little sick when he thinks that just can't be all life is. Meant to constantly choose which is the more daunting path. Meant to rot at some miserable desk around miserable people in a world that thrives off misery. When the leaves wither and gain spots, when the baked goods don't taste right, when even the thought of a satisfying future isn't enough to push out the nauseating images of curses, he needs something constant. He needs a good thing. He needs you.

You need something good in your life.

Beyond academics, beyond a 9/5, beyond completely busy and hectic days where, by the end, you struggle to remember half of it. Something besides validation from others, besides the constant need to catch up.

A rest would be good, perhaps. A rest from your responsibilities, a rest from the nonsense and vileness that spouts out of people's mouths on the daily, from the streets to your work to the bubbles on your phone. A rest to remind you that in this world, there was still something worth going on for. Something that made all the work worth it. That there was still time to do you, to be with someone who appreciated you. You need something good in your life.

And you've had something good, both of you: you've had each other. For quite some time.

Neither of you would've been able to predict that your futures would intertwine in such a personal and intimate way. Neither of you would've been able to predict from your high school years that you'd steadily fall in love with each other over trauma bonds and shop run-ins and whatever else there was. Neither of you would've fathomed sharing a home together, a small one, but yours, nonetheless.

Never would you both think that the good thing would consist of each other.

But it's been good. It's been grounding, it's helped you retain some semblance of identity and hope in a world that seems adamant on stripping it from you. Besides late-night conversations about bad memories and the heaviness of the world, there were joint cooking sessions. There were silly debates about nonsensical topics. There was reading together. There was indulging in each other's hobbies, when time made room for them. There were attempts at movie marathons: such as the one you were attempting tonight.

It usually never worked out because often you and Kento both came home exhausted from work, but sometimes a shower, a light dinner and a change of comfortable clothes was enough to wake you both just enough to want to spend the remainder of your energy together. So, you agree on trying a movie you've wanted to see for a while, making yourselves comfortable with blankets and pillows.

Your legs are sprawled over his lap, hugging a cushion pillow close to you as the arm of the couch supports your back. Nanami's slouched and still with his arms crossed over his chest. They'll occasionally come down to settle on your knees. It's a little after midnight, the only light resonating throughout your living room being the blue light from the television. The more time that passes, the more Kento becomes aware of the power it has over his senses, lulling him in and out of sleep. When he tilts his head against the cushion toward you, he can see from the crescents in your eyes that the effect was the same.

"Hey," he mutters quietly, gently nudging your side. "Don't doze off on me, now."

You object with a groan as you sit up against the cushion, lulling your head to look up at him. "M'not."

"Didn't look like it."

"Oh, don't start. I saw your eyes close."

"And you thought that'd save you?"

"Maybe."

Kento has never, but especially not since high school, believed that anything has any real permanence to it, besides maybe death. Everything is fleeting. Life is fleeting, he sees it in the shrivelled lines and drained colored from plants through the changing seasons as well as in the creases of skin and unusual paleness of corpses from the morgue. Routine is not always consistent, it's reminded when he's forced to work overtime, to take a detour to a location, when he falls behind some sort of schedule.

But when he looks over at you, takes in the small smile on your lips, the glow on your skin from the TV lights, he thinks of how badly he wants this good thing to last. Even though it's selfish, even though there was no guarantee that it would no matter the thought of a ring on your finger, there was something in him that wanted it anyway.

The only thing that holds him back from letting the question fall from his lips is the guilt he’d feel for not being more thoughtful in the gesture. No ring, no nice day spent together. Truly, he’d resent himself if he were to propose to you in such an undeserving, unaffectionate and unromantic way. But when he watches you with his head lolled to the side, your own eyes cheerfully boring into his as you sit in the dead of the night trying to enjoy some semblance of peace in your togetherness, he wants so badly to just say it:

Marry me. Let’s have something good.

You know, for good.

He holds his tongue though, and instead gives you a smile of his own, a small but meaningful curve of his lips. The TV light illuminates the sides of your faces, and soon enough the blue light and dialogue will lull you to sleep, and you’ll both abandon your movie session in favor of some much-needed rest. So he stands up from the couch before it could get to that point, letting your legs gently swing to the side to accommodates the sit up. He turns toward you, and offers both of his hands out. "Come on. Let's go to bed."

You whine in protest. "But the movie..."

"We'll finish it another time, promise. I have a day off, soon."

"Really?" A quiet gasp escapes you, and your smile gradually widens as you take hold of his hands as he aids in pulling you up and leading you down the hall.

"Next week, I'm pretty sure. We can do something."

"Not spending the whole day in bed."

"Awfully tempting."

He has a good thing, Kento thinks as you swat his chest, but he doesn't move his hand from your lower back to block at all. He has a goddamn good thing, he thinks when your chuckles break the silence within your home, and through the good, bad, and ugliness of it all, it'll be something that keeps some order and hope in his life.

[numberonetribble]

I got bit by the Sparkling bug and really wanted to give Bumblebee and Breakdown a child for my unnamed AU I'm working on but then I remembered I can't draw children :( big shout out to that post floating around here that's like "imagine a Sparkling but they come out full sized then what." traffic tickets and impound fees that's what

(pssst look at their knees)

[calmbigdipper]

What you mean to me

[zouisalmightie]

and that’s the thing like tommy didn’t end things with buck because buck wasn’t out. he ended things with buck to give him the space and opportunity to get comfortable with the idea of dating a man without the added pressure of having to think about and worry about how tommy felt. he didn’t want buck to have to rush out of the closet he wanted to give him a chance to truly think about how his life will shift if/when he starts a queer romantic relationship.

[babygirlbites]

Okay thank you and I won't! Now... Imagine being Leah's Imprint and feeling that draw before she changed, leading you to be her very best friend rather than a lover for when she was with Sam... And perhaps to you legitimately threatening Sam once he broke her heart.

It could be kinda funny if that is the one thing non of the Pack knows - that you legitimately scared Sam when he had just imprinted on Emily? Bonus points if he has to act like nothing happened around you because you are always with Leah now, and aren't shy about that fact.

(I know this is weird, I just want to kinda punch him in the face or scare him.)

Best Friends to Lovers Pipeline Headcannon (Leah Clearwater)

Normally not a BF2L kind of girl but this ask was just too good to miss

• the boys on the Rez used to pull your hair when you were a kid and call you names, typical childish tourment we all go through

• that is until the day another girl lands a surprisingly strong punch to a juvenile Paul Lahotes face to defend your honour

• Ever since that day you and Leah had been by each others side, inseparable

• sue would often joke that you were the second daughter she never had - and for a long while it did feel that way

• you shared everything; toys, secrets, clothes

• as the two of you grew up, your friendship often dwindled and reconciled

• you had different classes, made new friendships seperate too eachother

• as the dreaded teens and hormones hit the two of you would sometimes argue, both storming home to your respective mothers and crying to them

• but these arguments never lasted; being away from Leah felt as abnormal to you as trying to swim against a current

• Sue would ring your mom and they would laugh at how silly you both could be; their life experience meaning they could see things the two of you could not

• your parents never fretted or worried, they knew you two were never far from making up and returning to being thick as theives

• unlike the other girls in class, you two weren’t boy crazy, neither you or Leah had any interest in sharing your prescious time with boyfriends

• and why would you? You both had everything the other needed

• this all changed of course when Leah caught Sam’s eye

• She hurried home one day, forcing her younger brother from the family landline to ring you, to tell you all about her new obsession

• and you didn’t get it; the twist in your gut or the sick feeling in the bottom of your stomach at your friends new happiness

• you didn’t quite understand yet why you had such an issue with the boy; he had done nothing wrong to you

• you saw them together multiple times but still something was just so wrong with it all too you; everything was about Sam now

•”me and Sam did this…” , “did you know Sam…”, “Sam says he thinks…”, “me and Sam are going to …”

• at first you thought it was just a fear of being replaced; sure, Leah was spending less time with you now that she had a boyfriend, but she still made a furious effort to see you and was dedicated to keeping up your weekly sleepovers

• this confusion was cleared the first time you saw them kiss

•it was like being punched in the gut, a feeling of jealously so intense you had nothing to compare it too

• and it terrified you

• you pulled away from Leah, sleepovers turning to bi weekly, then monthly and then none at all

• you started going out with your other friends, taking your fake id to the closest town and partying with them

• for maybe the first time in your life you were being a “normal” teenager, acting out and mixing with boys

• you kissed boys, girls - anyone who would distract you from your best friend

• trying to be a promiscuous party girl felt like trying to fit a circle into a square shaped hole, but it at least gave you something else to use your time on instead of pining for your lost connection with Leah

• that was until you woke up to rocks at your window, Leah at your door, with tear stained cheeks and red rimmed eyes

• she told you how Sam had left her, the ins and outs and the gory details, every new tear down her cheek made you wince

• “I don’t even know why I came here, I just had to see you” she admits, and you want to get on your knees and beg for her forgiveness, to take back every second you spent pulling away from her

• instead you pull her into your arms and hold her there while she sobs

• days later you turn up to Sam’s house, unsure as to why you’re there or what you plan on doing, but as soon as you see his face behind the door screen your words just tumble out

• you lay it all on him; how vile you think he is, how wrong he is for leaving Leah for her own cousin

• he just takes it, staring down at you with wide eyes

• when he finally speaks you expect him to give some kind of pathetic apology, but instead he tries to tell you he didn’t have any control over his situation

• you’ve struck him before either of you even realise what you’ve done

• admittadly it’s a fairly shabby throw, but your nails catch his skin and break it

• you turn on your heels and storm away before Sam can even gather his thoughts enough to realise he’s just been slapped

• it’s a bitter sweet senario; Leah is more broken than you’ve ever seen her, but in some form you have your best friend back

• you never explain yourself for why you put the distance in place, and if Leah wonders she never bothers to ask

• Sue starts seeing you again, the sleep overs restart

• a strange sense of equilibrium sets in

• that is, of course until Harry dies

• and then she’s just gone

• you don’t even see Leah at the funeral; you hold Sue extra tight that day, hugging her for herself and her daughter

• and oh god do you miss her

• but every text you send is left unanswered, every time you visit the house there’s a new excuse for why you can’t see her

• it’s a month and three days before you see her again, and yes, you had counted

• it’s your turn to storm up too her;demanding an explanation right there in the fresh fruit aisle of the supermarket

• you have no clue what you expected her to say or do; but she just stares at you, openly gawking

• ironic really; you haven’t changed at all since the last time she saw you and she had grown about a foot and toned up massively - you can’t help but subconsciously search for steroids in her basket

• you find out much later that this was the moment Leah imprinted on you, right there and then as you sounded off about how lonely you had been and how much of a bitch she was for leaving you like that

• the dynamic shifted again between the two of you; it was like she couldn’t quite stay away now

• everywhere you went Leah was nearby, never really there but just hovering in the vacinity

• a walk on the beach? Leah’s in her car is at the car park

• youre out with friends? Leah is on the other side of the bar trying to not get caught watching you

• in the end she turns up to your house again, stones at the window and all

• it’s different this time, you’ve always been able to tell if Leah is nervous - you know the twitch and the lack of eye contact, traits she has carried from a very young age

• she shows you what she is and she’s scared

• she knows this is a huge thing, but she can’t stay away from you anymore

• and now YOURE scared, your best friend is a massive wolf and you’re just supposed to be cool with that?

• you run, still in your slippers from the house, and lock the door behind you

• you know the could catch up if she wanted too but Leah has always loved you too much to do that to you

• she knows you need time, and although she’s scared to death that you’ll never come back, she has to let you go

• and you do come back

• this time you’re at her window

• she’s rough, bags under her eyes and her hair is lank like it been washed since she last saw you

• (it hasn’t, she’s been so physically unwell by being rejected by you that she couldn’t eat, sleep or take care of herself)

• Seth had tried to get his mom to call the doctor but Sue just pushed him off; she knew her daughter and the truth behind her intense need for your company

• she knew the imprint bond, even if Leah hadn’t told her in so many words

• and most importantly, she knew you

• Sue had always known that no matter what, you and her daughter were fated to come back together every time you fell apart

• and as always, she was right

• Leah explained the imprint too you, selling it as a friendship bond as to not scare you too much

• you weren’t stupid, you knew the tribes tales, told around bonfires since you were young

• but you let her have you in her life how she needed you, you’d be there for her in whatever form she needed you

• you and Leah definitely have “ you fell first but she fell harder” vibe

• falling in love romantically is inevitable for both of you, but it does give Sue some giggles to watch you both fight it at every turn

• Sue has always had a soft spot for you, knowing you were destined to be part of her family somehow

• Harry used to bet that you would fall for Seth and always be around that way, but she was all too happy to admit that he was wrong

• you brought her daughter back to her, Leah could truly be herself in your company

• when you are around the pack there’s the added level of awkwardness by being around both Emily and therefore Sam

• your history is unspoken, not even Leah knows what happened that night you turned up on his doorstep

• the rest of the pack are left to theorise why Sam seems so uncomfortable when you’re in a room with just him, why he jumps slightly everytime you move too fast

• they find it hilarious, it is hilarious - someone as small as you in comparison to the literal leader of the pack

• Leah tries to ask you about it numerous times but you just bat her off and say you don’t know what she’s talking about

• and she lets it go, because she doesn’t feel any sort of way towards Sam anymore, her heart healed by you

[duckiemimi]

dandadan fills the well-written-female-characters shaped hole in my heart.

[dorothywonderland]

I started doodling greek gods, it's over for me. I have to accept that I'm officially addicted to epic the musical

[spinostarz]

THE WELL AND THE LIGHTHOUSE PMV/ANIMATIC

very very jean valjean centric because i love him and he deserves the world <3 im not sure if pmv or animatic would apply better to this, but either way, i hope you enjoy it!

[symliadoo]

4am fanart doodles

transcribed dialogue under cut!

March: "Why are you breathing the same air as me"

Rain:"It's a free country!"

March: "Last I checked, you were on OUR property."

Rain: "So you DO dye your hair!"

March: "It's not a secret. Olric probably told you already."

Rain: "Yeah— he told me the first Saturday I was here!"

March, flustered: "THEN WHAT WAS THE POINT"

Rain: "I wanted to see for myself! It looks cute!"

Rain: "I wonder what it would look like naturally."

March: "WELL KEEP DREAMING 'CAUSE YOU WILL NEVER KNOW!"

[marciliedonato]

So... Apparently UA s4 is a massive flop.... I'm not saying we need to start bullying* showrunners and writers and networks/streamers (*putting pressure on them to do right by beloved pieces of media with passionate fan bases so much so that they feel they'll get the guillotine if they do anything less than perfect and justice by the story/characters) but.... We need to start bullying showrunners and writers and networks/streamers again. These mfs have gotten too comfortable

[hballegro]

i have more conspiracies about MASH that may or may not be true, but ive decided they are. they also just might have been explained, but im dumb, and cant remember. heres your sequel.

in 7x3 where hawkeye tackles bj, bj goes "AAH!' and hawkeye says 'WRONG! THAT STARTS WITH AN H!'. this is because mike farrell's line was 'hey!' but due to the force and drama of the scene, just Yelped instead.

All the dogs that turned up that never appeared again [like the one bj and hawk "ate" when they were trying to scare a visitor, dogs seen in 1 shot, etc] were just dogs that the production crew/cast owned and wanted to bring to work/volunteered their animal for acting duty

in the handful if scenes where hawkeye is actually knitting [and not using the red yarn, for the reason given in the previous edition], hes making a blankie for erin. [co-credit my sibling]

klinger got his ears pierced during the course of the show, starting with clearly just clip-ons and then later declares he doesnt want his ears to close up. some say continuity error, I say commitment (and also it would probably be easier to find real earrings instead of clip-ons)

in s7e2 Peace on Us, no one told bill christopher to tie that red streamer around his neck, he just thought it would be silly

in s7e2 Peace on Us, again, no one told alan alda to drive the jeep back to camp with his leg up like that. he just knows the character well enough to make that call. which he's correct about

the scar on hawkeye's lip was caused by a fishhook in his youth. got called Troutboy a long time afterward because of it.

bj is a vaseline girlie and takes good care of his hair as well.

hawkeye sniffs food because, having grown up partly during the depression, eating spoiled food was a real risk, so giving it a good ol' sniff-test was a given

fr mulcahy cares deeply about his appearance and engages in more grooming activities than any other guy in camp [the shower cap, always looking perfect, owning gardening gloves, manicured hands and feet, etc]. he even irons his stole on a bi-weekly basis and launders his clerical collars

hawkeye's issues with people leaving and not saying goodbye began with his mother after she passed, since his father didnt want him to worry

on nights where charles goes to bed after the other two, he will occasionally clean up a little bit. this contributes to why he's so pissed in 'Pressure Points'- he's been doing his own cleaning and some of theirs without them noticing or caring.

once again these are all just things that came to mind while watching, i didnt think too hard on them. the only one 'researched' on was the food sniffing, solely because i needed to do Year Math lol

[rrylies]

altan isn't a violent person at his core it was just what other people have always seen him as because he's speerly, and for some reason the speerlies have a savage connotation when we have no proof that they were actually animals in the sense that other people keep describing them as. im sure that we only get the savage speerly stereotype because as a people, they were fundamentally different from the nikara and the mugenese. and since they were all (mostly) dead at the start of book one, who was going to negate all of these stereotypes? no one. (i could go on about how altan was slapped with the "last speerly" moniker when in reality he probably remembers very little about his culture and what speer was like before all of the war and the death but that's for another time <3)

even back in his days of sinegard altan isnt depicted as a particularly violent person, though he's placed in violent events. like in the fighting pits at night altan is pitted up against his peers who want to fight him at a chance at victory, to prove that they've won a battle against the last speerly and we have no idea if altan actually wants to fight them or if he's forced to (iirc it's highly suggested that irjah baits him into fighting by promising him opium if he wins, and he will, because he always does) (although that could've just been nezha being a dick) and even though altan shows no signs of violence or aggression (he's always depicted as calm, stoic, etc) he's always painted as something less than human, an animal simply because ??? he wins their fights? as if that's not something he's expected to do in the first place. ("how did he do that? isn't he human?" "he isn't, he's speerly" this quote. ARGHARAGH RABAN ILY BUT SHUT UPPP)

and back to the stereotypes of speerlies and why they're painted as rabid animals even though there's no proof that they are. the main thing i can think of rn is how the federation (+ the mugenese) think of them simultaneously as something divine and to be studied but also as these rabid beasts at the same time. like the federation soldiers are clearly afraid of fire / the speerlies (i have a separate hc that their culture has something to do with this but that is also for another time <3) shiro mentions how precious and important the speerlies are (and yet his people bombed altan's? ://) while taking every opportunity he can to pick altan apart. then people wonder why altan's vicious towards the federation and hates them with every fiber of his being and why he has so much pent-up anger within him and it's like, hello?? they took him captive when he was a child, and sent him to the laboratory with shiro where he would spend half of his life being cut open and dissected, injected with opium time and time again, forced to watch his people die off one by one without the knowledge that he was the last until after he'd been rescued. (this still gets me btw no im not in tears) and then even when he's out, his suffering isn't over, (it's never over lets be real) because he's shipped off to sinegard academy where he'll be surrounded by so many different conflicting stereotypes (the nikara think he's an animal because he's speerly but shiro thought he was amazing because he was speerly, because of his connection to the phoenix) and really, he's not violent, not at his core, but i cant imagine the inner turmoil altan went through his first few years out of the lab + his first year at sinegard where he was the only one who was different (and also fighting an opium addiction at the same time and people belittle him over this when it literally wasn't his fault)

like altan was not violent. he was calm and he had his moments of peace, but ultimately because of everything that had happened to him (cough. shiro u motherfucker), the violence was forced out of him and became all he knew ("chaghan said they trained you like a dog at the academy" ://) and he literally didn't know any better, he was failed by every single person who should have helped him. (never getting over this btw)

yin riga, a man who he trusted, sent him away to shiro. (will never not think of how much little five year old altan trusted riga and then. well.) jiang, who was supposed to help him with his connection to the phoenix, shunned him. irjah, who was his supposed caretaker, who only fed his opium addiction in order to control him, just like how shiro did, just like how the nikara did to the speerlies (parallels. yaaay.)

in the end altan trengsin wasn't a violent person, but it was all anyone wanted to see. it was all anyone would remember him by.