#WHOM I'VE BEEN IN LOVE WITH FOR YEARS?

[retquits]

local hylian literally too shy to revisit zora's domain

[r3dlif3]

I think above all the worst misconception about a naruto character has to be a 31 year old obito still being in love with 14 year old rin. Not only does this go against obito's whole character past the third shinobi war but it's plainly disgusting that people think this about a middle aged man. I'm telling you now that rin was not the sole reason for Obito's hatred for the shinobi world she was just the catalyst for him agreeing to madara's plan, resulting in everything that happened.

It's just annoying to see this misconception even when within the manga itself obito has stated he isnt in love with rin anymore in his adulthood as he refers to his love of her in the past tense. It's just painful to see people forget that rin was his best friend, not just his crush. She was the first person in his life to introduce him to friendship and to truly believe in his abilities and dreams. They were eachothers closest friend within life, even if rin didn't reciprocate obito's feelings she still loved him and cherished him.

I see comments about obito being the ultimate simp or some shit like that and its infuriating to see this shit about such a complex character like obito, he's only wittled down to some guy in love who apparently caused a war only for her or kakashi's friend.

[compacflt]

question: how do you find your research/sources? yours and dancing disasters' icemav fics are so inside baseball i love it, but how do you go about doing research?

I just read a lot & google stuff I don't know & am curious about. not that hard to start learning. and in terms of reading I've been interested in military history & milfiction my whole life. mostly related to the US army, actually--im extremely new to naval history and naval literature; all of that interest was driven by top gun. I've also been fortunate enough to visit a lot of the places I write about--ive been to Pearl Harbor a couple times & San Diego MANY times, for instance, and I've toured a few aircraft carriers and military bases. I've also finally bitten the bullet and kinda shifted my career path towards aerospace, so I've been learning a lot just by working in the aerospace & defense sector/spending a lot of time with people who do.

that's obviously not to say that I am somehow Educated in all this stuff. im pretty open on this blog about me being young & naive & wrong much of the time about how the real world works. so, you know, a lot of shit I just Make Up according to my preconceived notions of the military & the world.

here is my recommended military/navy reading list, some fiction and some nonfiction.

someone also asked recently if I had read anything good in the last 6 months--yes!! three new additions to my reading list: a) Billy Lynn's Long Halftime Walk by Ben Fountain. So goddamn good. If you have to read only one novel about the Iraq War, make it this one. It's more about America than it is about Iraq. b) Redeployment by Phil Klay. This one is a collection of short stories about Marines in Iraq, written by a USMC vet, talk about inside baseball. Crazy amounts of jargon in here, basically a "to-google" list. won the national book award which idk if it deserved, but it's good. c) No true glory: A Frontline Account of the Battle of Fallujah by Bing West. currently reading this one, really well done so far, talks a lot about how fucked the US strategy was in Iraq with Fallujah serving as a metonymy/case study for the war itself.

again... this is all mostly close-quarters-combat (infantry) literature, I really am not that interested in the navy/Air Force that much outside of top gun lol

though I did recently remember that in early 2022, before I was into top gun, I read "Wingmen" by Ensan Case, which is actually a gay US naval aviator romance set in WWII published in 1979! it's really authentic and kind of sad, obviously, since it was a 1940s navy gay love story published in 1979. I don't actually think Wingmen influenced how I wrote wwgattai or how I think of TG/TGM but I just remembered that I read that book in February 2022 and going "oh my god they were wingmen" so maybe you might find that book interesting.

[the-oracle-of-the-lost]

without Getting Into It i've been having really bad fatigue the past week or so but at exactly 10:30pm every night i suddenly feel fine and am filled with energy and will i be spending my few hours of energy & brain power per day doing something productive? no. will i spend it on a hobby i love? no. will i at least work on some creative projects i want to finish in the next few weeks? no. but i will start writing a long ass guide on buying kitchen equipment & utensils because i have strong feelings on people wasting money on kitchen gadgets that aren't actually that useful.

[lurkiestvoid]

I couldn't sleep but I have Shit To Do Today that I can't risk missing so I am mainlining caffeine. it's 10:30am and my chest is full of hummingbirds. This is maybe fine

[mad-hunts]

[c0rpsedemon]

every once in a while i find myself daydreaming about what it'll be like when i'm a successful and widely celebrated illustrator/author/game dev/whatever the fuck it is this week. which is a completely normal thing to do btw. the thing is though, at the point in time the daydream is at, i've always already produced every miscellaneous project which is bouncing around in my head, so now i need something new for daydream me to be working on/promoting. slightly less normal thing to do but alright. the thing about daydream me is that the fame has gotten to his head, everything he touches is looked upon as gold, so the new games/whatever he's putting out are basically what i would put out if i was too conceited to know what kill your darlings means, and are a parody of what i would come up with. that's the part where this thought exercise (read: indulgent fantasy) takes a turn into insane person territory. the problem with this is that a decent percent of the time i get so attached to daydream me's conceited little projects that i miss the point where they're meant to be a literal parody of how my mind works and they become actual serious things i want to make some day.

[twodragonsinatrenchcoat]

terrified for how large the number on that post may be by tomorrow please don't give me any more notes. go give my friends' art more notes please and thank you <3

[buysomecheese]

Becoming more and more like my fav (Darryl Wilson) everyday......

[weirdly-specific-but-ok]

for whom good omens is being written

Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:

The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.

And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:

'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."

'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'

He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'

(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'

And, finally, this paragraph:

"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"

I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.

Share this post, if you can, please, so that more people can read these excerpts :")

Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)

[amarriageoftrueminds]

I've seen people try to excuse it by claiming Steve created a new timeline where he fixed everything horrible that happened in his timeline but:

you can't claim that a movie portrays something when it literally physically does not. Not only is Steve creating a new timeline not shown in the movie it's not even referenced, not even in a single throwaway line of dialogue!

(You wouldn't need to make shit up to say Steve did it to explain things if the ending had actually made sense as-shown and been in-character. Ditto showing us a Peggy who's supposed to be in her 50s but doesn't look it -- because that would highlight how fucking weird this whole thing is -- while ignoring that she's working in a "quasi-fascistic black site." Steve going cruising for GILFs in a Hydra base? It's like something out of Deadpool it's so moronic.)

Even if Steve had egotistically made a new timeline, that still doesn't address the fact that a lot of those horrible things in the original timeline happened because of Peggy, the person we're supposed to believe Steve would give a shut up ring. She hired both Zola and Fennhoff to SHIELDra -- jointly responsible for the Winter Soldier and the rise of Hydra in the 20th century. So how can Steve be 'fixing' the horrifying timeline while married to the person responsible for the horror? Is he going back to teach Peggy how to be an actual good person? To poison the wedding cake??

Even if he had made a new timeline, that still means Steve abandoned 'his' Bucky to go and protect a version of Bucky who doesn't have all of his Bucky's trauma, and marry the person responsible for it... Which is just. despicably cruel.

(And that's before you add on that it leaves Bucky alone, as the 'man out of time', the only person in the future who remembers 'their' time, which Steve's whole ending depends on us believing is a terrible thing to happen to you. But it's fine if Steve did that to Bucky...? Is it in-character for Steve to get Bucky back from the dead and then immediately ditch him in the cruelest way imaginable?)

On top of burdening Sam with a difficult legacy, with no thanks and no help for the transition, Steve's ending also means he has done nothing to bring Natasha back from the dead, despite having all six magical stones that can do anything including bringing people back from the dead. And old-Steve, in their present, also did nothing about any of his friend's problems.

On top of which, Steve's ending (returning all the Infinity Stones from the place and time they were taken) means he met with Red Skull, aka the Nazi so extreme he thought Adolf Hitler was mid, who had just murdered Natasha... and instead of fighting him, Steve gave him an Infinity Stone? (Is it in-character for Steve to quite literally empower Nazis and ignore that they murdered his personal friends?)

Since day 1, the MCU has been chipping away at Steve's decent characterisation with this subplot of 'okay yeah he's saved the world and made friends or whatever 🙄 but does it really count as happiness unless he has also attained pussy in a god-honouring way??' 🤩

And annoying as that was, it was more or less tolerable because they kept the rest of him in-character.

But that shit collapses if he isn't otherwise 90% in-character and the plot completely salts and burn every established trait just to make comphet happen.

Guys, I know it was five years ago but Steve’s ending still makes me so mad, like are you seriously going to tell me that he left to go live a life with Peggy and didnt even try to stop the pain and torture that he knew his best friend since childhood was enduring?? I can kind of get over him living with peggy, like, I get it, he’d been fighting his whole life and he just wanted some peace, and if living with peggy meant peace for him than that’s understandable, but the fact that he knew what was happening to bucky and did nothing to stop it, despite fighting tooth and nail to protect him ever since he learned he was alive, just doesn’t sit right with me

[gallusrostromegalus]

The Van Has Officially Declared It Spooky Season

---

I've got my parent's van for the week and it seems determined to establish my status as The Local Cryptid by terrorizing an innocent 7-11 clerk.

...I might need to back up a bit.

My mother is an eminently sensible woman who knows herself well, and when The Plauge hit, she knew she'd need some sort of mentally and physically engaging craft project to keep herself from going insane and massacring the local zoning and water management boards (even if they have it coming). So she and Dad acquired a utility van and converted it into a camper van because while they love camping, they're past the age where their joints and immune systems will tolerate sleeping on the cold ground in a nylon tent.

They did a terrific job of it and my mom taught herself woodworking and carpentry and now the van has it's own cabinets, fold-away dining table, and removable queen-sized bed with memory foam mattress. My Dad was already a computer engineer, but he learned the dark magics of automotive software and electronics to install after-market backup cameras, a media player that would take a terabyte hard drive and a solar-powered battery and outlet so they could wake up and just turn on the kettle and griddle for breakfast without having to exit the van into a cold morning on an empty stomach.

Truly, the height of Camping Luxury.

My parents are both in their mid-seventies and my primary life goal is to be at least half as cool and hale as they are when I get old.

Anyway, they take it out at least a dozen times a year and it works fabulously, but, being as I am on good terms with my parents and also finishing the process of moving house, I've been borrowing it to move large and cumbersome objects that will not fit in the back of my equally lovely but minuscule Honda hatchback.

It's a Great Van. Very easy and comfortable to drive. Stunningly good MPG for it's size. The best cruise control I've ever had in a car.

It's just also. Quirky. Mischievous, even.

---

If this van has a fault its that it bears the unfortunate affliction that all lightly used white utility vans have in that the combination of an utter lack of branding features and the large dent/scrape I accidentally put on it while trying to escape a Denny's last Thanksgiving means that this vehicle is one addition of a Badly Spray-Painted "FREE CANDY" on the side away from being the sort of vehicle you see in an edgy horror movie.

It's got the same issue that Doberman Dogs have where they look like the sort of creature that likes to snack on toddler's faces whilst actually having personalities made of marshmallow fluff. This vehicle is unnecessarily menacing and I think nothing short of an airbrushed Epic Van Wizard will correct this. People see this van pull up and lean over and squint suspiciously at me when the driver's side door opens, and then look moderately confused when, instead of Charles Manson, a small, potato-shaped creature with neon purple hair and a statistically unlikely assortment of dogs emerges.

My own two dogs, Herschel the Hanukkah Goblin/Corgi and Charleston Chew The Taco Dumpster Dog, Do Not Like The Van. Even with the bed in it, they have a tendency to slide and roll around in the back, and both WILL chew through dog saftey belts or other attempts to secure them in there.

On the other hand, my house mate's dog, an exceptionally tall standard poodle whom we lovingly call "The Creature", loves the Van because SHE wears her doggy seat-belt with only mild complaining and gets to sit up in the passenger seat like A People.

Also like A People, The Creature likes to stand and walk around on her hind legs. It doesn't hurt her and it's entirely voluntary, but every so often I will feel a hand on my arm and instead of my husband or friend, it's a canine that's taller than I am on her hind legs who wants to stare at my face with soulful, concerned eyes. The Creature's favorite thing is that she is exactly the right height for me to hold her arm in Genteel Fashion and walk around the pet food or hardware store with her like I'm a count escorting a debutante around a royal ball.

---

As it stands, I am set to inherit this vehicle whenever my Honda gives up the ghost, and I fully intend to paint an Epic Van Wizard on it when that time comes.

The other peculiarity of The Van is that while Dad did manage to successfully install all his after-market electronics, not all the electronics get along. Sometimes, they fight for Dominance. The Terabyte Music Player and the Backup Camera have a particularly contentious relationship, and turning on the music has about a 25% chance of turning on the backup camera as well, and turning on the Backup Camera is equally likely to turn on the music.

Firthermore, The Van has a favorite song.

I am not kidding that Dad filled an entire terabyte hard drive with music and the software to sort it via the radio controls, but of all the Early Boomer Dad Rock (Kingston Trio over The Eagles) and Irish Folk and Symphonies and the entire discography of Weird Al Yankovic, The Van's favorite song- The one it picks to play as victory music every time it beats the Backup Camera at their weird electronic game of rock-paper-scissors -is The Liberty Bell March by John Phillip Sousa.

You all know this song already.

...but in case you've forgotten the tune:

Yeah.

The Van's favorite song is the goddamn Monty Python's Flying Circus Theme Music.

It does not play this song at a normal volume.

Every time I turn on the Backup Camera and it manages to turn the music player on as well, The Van insists on absolutely blasting this nonsense on at the maximum volume it's physically capable of producing, which I know is loud enough to be heard from the Denver International Airport's Pickup zone when they Van decided to start playing it from the economy lot about half a mile away.

Perhaps it's The Van's way of honoring the aesthetic sensibilities and sonic enthusiasm of Mr. Sousa.

...I can't help but wonder if the purpose of an Epic Van Wizard is to control this sort of faerie-like malarkey, and channel these chaotic energies into things like Spell of Don't Break Down In Nevada or Enchantment Of Always Have Good Parking.

---

So last Friday the 13th, I get a call from my friend and housemate, at said airport.

It's roughly 11PM at night, and I have already retired for the evening. I am in the exact minimum of clothing required to be a decent housemate and not scandalize the neighbors should I happen to walk by a window. My feet are up. There is a cat in my lap and fictional British people murdering each other in highly inventive fashion on the tv. -But my friend has returned from her friend's wedding,and either American or United Airlines has managed to lose her luggage, including, among other valuable possessions, the keys to her car. ...So she cannot just drive home as originally planned.

There are, as luck would have it, her spare set of keys not eight feet from me.

Being a good and decent person, I agree to bring the spare keys to her so she may get home before daybreak and not spend a semester's worth of tuition on an uber across the greater Denver traffic jam.

Being also that she Loves Activities, and it's her mom we're going to pick up, I elect to take along The Creature.

I am primarily focused on remembering how to get to the airport and not leaving my friend's spare keys on the counter, so I throw on a pair of flip-flops, step outside, remember that it's AUTUMN and my minimal evening attire is not sufficient thermal protection, step back in, grab the first coat in the closet I lay hands on, pull it on, check that I have her keys again and leave.

The trip to the airport is largely unremarkable, save that it becomes necessary for me to put on sunglasses to drive, despite it being nearly the witching hour and almost entirely darker than the inside of a cow.

It's necessary because this blissful darkness of night is violently punctured by a startling number of cars that seem to have installed miniaturized but no less powerful lighthouse bulbs in where their headlights ought to go so the oncoming traffic and sports cars that insist on tailgating me in the slow lane alike illuminate the road and my mirrors with the kind of radiance I'd normally associate with the arrival of a Seraphim.

I arrive at the distant highly discounted airport car lot where my housemate is waiting, deeply apologetic. It's nothing. I say. Once I see that your car starts up, I'm gonna go to that 7-11 across the way that I parked in front of, get a slurpee or something and I'll see you at home.

While she is retrieving her vehicle (an equally eccentric but much more stately Subaru that is old enough to be elected to congress) I rifle through the loose change in the glove box and discover that I have exactly $6.66 in small bills and coins. The Subaru, continuing it's long voyage into vehicular immortality, immediately starts up.

Upon her return, we all remember that my friend had all her camping gear in the backseat of the car and there is no room for The Creature to ride home with her parent, so I again assure her it's nothing, and will just take The Creature into the 7-11 with me. She is trained as a service animal and needs the practice after the plague.

I wave my friend off and turn to enter the 7-11.

I promptly trip over the jutting back bumper of The Van and fall, cartoonishly, face-first onto the sidewalk.

Fortunately, I have a lot of practice falling on my face, and have learned not to throw my hands out but instead cover my face, so my unexpected self-inflicted attempted curb-stomping lightly scrapes my hairline and nothing else -my sunglasses even stay in place- and I get up and resume my quest for a slurpee.

It's well known that the airport is a lawless place, and the 7-11 across from the discounted airport parking at the stroke of midnight is no exception.

I know it's the stroke of Midnight because there's one of those Audubon society bird-call clocks that makes bird noises, and my arrival is heralded by the twittering call of a Summer Tanager. I am almost charmed enough by the unusual choice of chronological device to excuse the exorbitant Airport-adjacent mark-up of Slurpee prices. I stand at the machine for some time, trying to decide on a size for the price and guess what the fuck "Blue Lighting Blast" is supposed to taste like.

The Creature is being Very Polite but is somewhat agitated, I assume because she *just* saw her mother for the first time in three days and then she LEFT with no explanation, so The Creature is on her hind legs, staring woefully into my eyes, asking to be escorted around the 7-11. Even though that's not what she's not supposed to be doing, there's nobody else in here, so I let her hang off my arm and discuss various Slurpee Flavor options with her.

We eventually decide on an experiment in which I try a Small Blue Lightning Blast, and discover it tastes a bit like licking a nintendo cartridge but in a pleasantly satisfying way.

I go up to pay and realize something is amiss.

The Cashier is a young man staring at me with wide eyes, one had over the register and the other wrapped up in his rosary.

I look down at myself.

In my haste to reunite my friend with her spare keys and service animal, I had left the house in the following accoutrements:

Flip Flops. Not matching. It's below freezing outside. That last part is not particularly odd footwear for the weather in for Colorado, but it's an important detail for the rest of the ensemble.

Assorted scrapes, bruises, cuts and welts on my arms and legs that come with doing outdoor work and living in a house with three dogs and a fully-clawed cat that all want to be in my lap all the time. It's cold out, so vasoconstriction has pulled the blood away from my skin, a trait that served my ancestors well during the last Ice Age, but leaves me with pale skin to contrast the various wounds and I look like a corpse that fell out of the back of a pickup truck.

The black Bootyshorts with "CRYPTID" painted in bright red gothic font across my ass, that @theshitpostcalligrapher gave me for my wedding present.

A peculiar but extremely comfortable garment that straddles the line between "Lacy Camisole" and "Industrial-Strength Sports Bra" like the Ever Given straddling the Suez Canal. It is also Bright Red. with black accents.

The Jacket I had grabbed out of the closet, which is in fact, a black Velour Dinner Jacket.

The Tokyo-Ghoul inspired reusable anti-covid mask a friend made me with the set of Coyote Teeth.

My sunglasses, which are shaped like a Halloween Bat. The lenses are the wings and the body is the nose bridge. It is ALSO bright red.

A Very Large and remarkably Humanoid Poodle that I have been audibly affectionately calling "Dear Creature" who is hanging off my arm like she's my Prom Date.

The Very Large and remarkably Humanoid Poodle is ALSO dressed up in a black Dog Sweater that has white bones printed on it to look like its an X-ray jacket showing off her skeleton.

I look like I am taking my Very Fancy Werewolf Girlfriend to a particularly casual Dinner Party for Vampires, but the thing that's really selling it and probably alarming the kid the most is the fun accessory I acquired in the parking lot not five minutes earlier:

The "Small Scrape At my Hairline" is actually a painless but PROFUSELY bleeding head wound that I had somehow entirely failed to notice covering my face, neck, decolletage and magnificent cleavage with blood like a Tarantino Film Extra.

This does explain why The Creature has been delicately trying to use her bodyweight to push me down onto the floor for the last ten minutes. So I don't injure myself while we wait for the paramedics she hoped this kid called to arrive, you see.

The Creature has such a High and Naive Opinion of humanity.

I decide this social situation is already fucked, and the only way out is through, and with haste, before I start dripping on the floor.

"Hi there!" I say cheerfully, to indicate this is a visually alarming but not terribly serious situation. "Just a Small Slurpee!"

The Cashier has entered the relevant code into the register before I finish the sentence. His gaze flicks off me just long enough to look at the total, and he grips his Rosary harder.

$6.66

"Oh cool! I have exact change!" I say, taking the money out of my as-yet-unsanguined pocket without looking and slap it down on the counter. "You have a good night and be safe out there!" I wave, leaving.

I get in The Van, mortified, buckle The Creature up, and as I make to leave, I have to put it in reverse, which automatically turns on the backup Camera.

It also turns on the music player.

I make eye contact with the cashier as the dulcet tones of John Phillip Sousa boom from the van hard enough to make the windshield and the windows of the 7-11 rattle for the nine-and-a-half seconds I have to wait to be able to turn the volume back down. Not knowing what else to to, I give him a thumbs up, and leave.

Anyway, now I know what my Future Van Wizard has got to be dressed like, and what their familiar is.

---

If you enjoyed this story, please consider donating to my Ko-Fi or Pre-ordering my Family Lore Funny Stories book on Patreon

[einaudis]

.

[rinawantstosleep]

𖹭༉‧°𓂃 𓈒𓏸‪‪

bf satoru x fem single mom reader

wc: 1.1k

— a pair of troublemakers residing in your house; both of whom are (unintentionally!) dead-set on making themselves the death of you.

"I don't like your stupid, white hair." 

"And I don't like your boring, brown hair, buddy."

"W-well... well, I don't like your ugly, doo-doo face!"

"Your mama does." 

The two could go bickering like this for hours on end if you let them. What may seem to be a mutually digressive arrangement is actually an oddly adorable bonding in disguise. Satoru and your son put on a front of being annoyed at the other's presence, but you've never seen them apart for longer than a few minutes at a time. They've grown on each other; much like how moss grows on a statue that's been lingering out in the open. An indispensable cycle of life that's truly inevitable. 

"No, she doesn't! She doesn't! She likes... sof- sofis... sofistogated guys."

"You mean sophisticated?"

"Shut up!" 

You'd been terrified that your little one wouldn't have a father-figure to rely on anymore after you divorced your husband. However, it was something you had to do for his sake. The child deserved to live in an environment that wasn't always reeking of alcohol, where he wasn't subjected to the constant, drunk yelling of a pathetic excuse of a father who couldn't get his shit together and lazed around at home all day while you did all the work. If that meant that you'd have to raise him on his own, then so be it. At least he'd be raised properly. Signing those papers was, by far, the easiest decision you'd ever made. 

"I'm not shutting up because a kid in clothes too big for him is telling me to."

"You... you're the one always wearing tight clothes around the house to impress my mama."

"No, that's because I'm ripped. Gotta show off what I've got. And your mama loves that." 

"Oh, yeah? That means you show off your... your - um... ugly, doo-doo face!"

Would you regard it a miracle that Satoru just so happened to stumble into your life around that very time? Well, relatively. Meeting him wasn't something you'd planned, nor anticipated. The kind stranger who offered to pay for your order at a café a year ago has somehow, thanks to quite a romantic sequence of events, turned into your boyfriend; a rock to lean on for when you need the support. And, also, someone that your little one can look up to (with the fun, bonus benefit of the pair getting into silly, childish quarrels nine times out of ten). What is Satoru if not a three-hundred-and-thirty-six-month-old toddler, too? Puts your five-year-old to utter shame with the way he acts. 

"Enough. Baby, we've been over this before. Behave."

"But, mama, he's being a meanie!" "But, babe, he's acting all pretentious." 

The responses come simultaneously: one is high pitched and whiny, and the other is your son. Sometimes, you have to pause and ask yourself how you haven't gone insane yet. It's the love that keeps you from falling apart. How could you ever harbor any other feeling for these two, except for wanting to cherish them? You just... need to work on a pet name that doesn't apply to the both of them at once.  

"I don't want to hear it. Sweetie, finish your lunch. And, Satoru?" 

"Yes, honey-who-loves-me-and-my-'ugly, doo-doo'-face?" He's smirking, snickering, while saying this, the sly bastard. When will the pair ever relent on trying to one-up the other? 

"Why have you got one of my hair ties on your wris- never mind. Don't forget to change the sheets in our room. I'd do it myself if not for the meeting I need to get to in an hour." 

"Yes, ma'am." 

Cue a tiny gasp. 

"But, mama..." The voice of your little one breaks the peaceful silence at the dining table once again. His legs start kicking back and forth - a sign that he's growing restless - from the chair they're dangling off of. He's got a protest already forming up in that head of his. "Toru said he'd take me to the skate park today. And he promised to get ice cream after."

Toru, huh? That's new. You can't help the smile that paints itself on your lips. The two have been getting along pretty well, it seems, contrary to all the bickering they do. That's always nice to know. It's amusing to see the dynamic they've built. One second, they're riling each other up to no end, the next, they've already formed a secret alliance to go out and have fun together. How cute. "Is that so?"

"Mhm! So that means we need to leave riiight after I finish my lunch. Don't get mad, okay?" 

It's the small things like these that warm your heart. Some sacrifices can be made if it's in regards to this adorable (step, even though you haven't married Satoru yet)father-son moment. The sheets are insignificant right now. "Awwh. Of course I won't get mad, baby. It's good for you to want to spend more time with Satoru. Isn't he a fun guy?"

"... maybe." 

. . . 

"Just make sure he's safe out there. Helmet and gear on at all times, no big ramps. And don't let him eat too much sugar. He'll get hyper. Once the rush dies down, he'll get cranky -"

Satoru's arm wraps around your waist before you can finish your sentence, pulling you overwhelmingly close to his frame. Instinctively, your arms move to wrap around his neck, just the way Satoru likes it. Oh, how he wants to just throw everything else out the window and drag you to the nearest room with a lock in place.

"You -" A quick peck to your lips, followed by a nibble on your bottom lip. "- worry -" Another peck. "- too -" Another. "- much." Then, an unexpected bite on the shell of your right ear. "I'd never allow myself to let that little demon get hurt; or hyper."

Large hands wander across the curve of your back, resting firm on your butt. Satoru doesn't want to expose your son to the way he's squeezing your plush flesh with his long digits, so he shifts to have your back pressed against the wall. A perfect opportunity to kiss you - which the man can't help but seize. What else is a smitten boyfriend to do while waiting for your son to get ready and come down from his room upstairs? Lips against lips until one of you pulls away for air. "He's safe with me, okay?" 

"Okay." 

"Atta girl. Now, you go to that meeting of yours. And, tonight, after we both get back- oww."

"Groooss! Don't kiss my mama, or you'll make her ugly! Like youuu!"

"Baby, no. Don't kick Satoru's ankles-"

"I'm saving you, mama."

with 𖹭, rina !!

[demilypyro]

My father chases ghosts.

In a moment of uncharacteristic boldness, I once questioned my father on why he treated me with such cold detachment. Why his advice only ever seemed to come in the form of lecturing, and why he never hugged me, or even said he was proud of me. His words in that moment caused the small amount of respect I had for him to shake. He told me that he saw it as the mother's role to love a child, and that it was the father's role to keep the child on the straight and narrow. After some contemplation, I decided in that moment that I disliked him, not just as a parent, but as a person.

My father doesn't have a father. He was the product of an out-of-wedlock pregnancy between an interracial couple in the 60s... My grandmother was never willing to speak about what happened to my grandfather. I can only imagine he didn't stick around long, since my father never knew him, and grew up with only his mother. And it's always been clear to me that this bothered him. The man idolizes masculinity. Maybe desperate for a father figure, he found role models in his grandfather, whose portrait still hangs in his house and which he treats with great care, and his stepfather, whose surname he took (discarding his mother's last name) and passed on to me. Supposedly, his stepfather left his mother in a matter of years, so why my father idolizes him so, I don't understand. I've never met the man.

Perhaps similarly, my father left his mother's care the second he turned 18. Having lived with my grandmother for some years when I was in college, I can honestly understand why. She is prone to smothering the people she loves. In light of that experience, it maybe becomes easier to understand why my father would prefer a more distant form of parenting. Still, I don't agree with his philosophy on gender roles.

Some years after I transitioned, I had a conversation with my father that stuck with me. He said that he actually saw himself as rather unmasculine, a possibility that had never once occurred to me. With that in mind, I suppose he is somewhat short, and not especially muscular. He told me he had always felt insecure about it. But, unlike me, he had never once considered abandoning the pursuit of masculinity entirely. Rather, in his own words, he felt he needed to chase it even harder. To live up to the image he'd set for himself. The ghost of masculinity.

A lot became clear to me in that moment. My father is obsessed with chasing ghosts of how he thinks things Should Be. My mother once told me how he had this "plan" for where he wanted to be in life at each age. He wanted to live on his own by 20. He wanted to be married by 30. He wanted children by 40. When he found out my mother was pregnant, he married her as fast as he could. My mother didn't really care, but he said they HAD to be married before the baby was born. Things had to go in the right order. According to him, that was just how things Should Be.

He was chasing the ghost of the perfect nuclear family that was denied him.

They divorced when I was eight.

In light of all this, it becomes very clear why he acted the way he did when I was younger. I wasn't how his child Should Be. No matter how many things I was diagnosed with, he never bothered looking into what neurodivergency was, or how to deal with it, and simply held me to the standards of a neurotypical child. My mother tells me that when I was six, he yelled at me in a store for wanting to try on a dress. His child being autistic was something to be ignored until it went away. His child being transgender? Forget it.

In recent years, I think my father has started giving up on me. In a good way. Seeing me become happier as my transition progresses seems to have finally convinced him that he doesn't understand what's best for me, at least somewhat. I speak to him maybe once a month. But I often mourn the idea of a father I could've been closer to. A father with whom I could have had a relationship of love, and support. A father I never had.

Maybe I'm chasing a ghost too.

[kathaynesart]

BABY HEIST!

BEGINNING || PREVIOUS || NEXT MASTER POST

I'm sick as a dog, but at least it gave me the time to stay home and finish this update! This special though is definitely going to be lasting through into the new year, but I figure I would rather take the time to see it to completion rather than try to stuff it into some arbitrary date. It was so fun finally getting to do Casey Sr and Raph though. I wanted to give these two some time to shine since we see so little of them in Replica.

MOTHEROOD/CASEY TED TALK TIME UNDER THE CUT

I will admit... I've never been a big fan of the dumpster baby scenario for Casey Jr. It's not a bad scenario at all! Plenty of amazing stories have used it and it certainly embraces the "found family" theme of TMNT. It just always seemed a little unrealistic given the harsh state of the world (or at least as unrealistic as you can get in a story about brain aliens and mutant turtles haha). It's certainly an easier and simpler setup (removes the dad out of the picture for sure) but I wonder sometimes if this choice of origin story gets picked a lot simply because it's difficult to envision Cassandra going through pregnancy and typical motherhood willingly. However, if that's the core reason, I feel as if that does her character a great disservice!

After re-watching a few episodes with her, it's shocking the amount of depth of character Cassandra has (even compared to some in the main cast). I love her because while she's a passionate woman who makes mistakes, she's also extremely introspective and sensitive (something we see a great deal in the Brownie episode).

While I have never been a mother myself, a good number of my closest friends have been. Some of whom I could have NEVER IN A MILLION YEARS seen becoming mothers. Yet those people end up becoming some of the most amazing moms I've ever seen. Being a mom changes you, both physically and mentally in a way that I think gets glossed over in general storytelling. While I can't necessarily show that change much in Replica, I can at least give a nod to the fact that Cassandra, for all her flaws, is an amazing woman who I think would be an awesome mom! Thank you as always for your support!