tell me the story on when you were a jerk
:)
ah. Tis but the truth...I have not always been this kind and lovable gremlin...
Once I was a jerk! And it was some weird phase? Idk..
So basically, in my 5th grade elementary school I had a group of great friends! We'd always hang out! But I think I started talking to the mean kids and well.. Its like they converted my smooth brain to become an absolute nightmare! I was really rude to my friends and they were always just left confused. I made one 4th grade student cry because I decided to push them over and step on their hand, I made one other 5th grade student shed a tear after I yeeted him off the jungle gym.. (( I'm sorry :,] )) And once, I was talking some trash to the quiet kid, calling her some names... You know, 5th grade stuff... And she was Pissed. Ok I'm telling you DON'T MESS WITH THE QUIET KID... She dropped all of her things, cracked her knuckles, then punched me so hard in the stomach that I forgot how to breath for a solid 5 seconds. THAT WAS A STRONG PUNCH!!! I was just sitting on the floor looking at her. I was just like... trying to process what happened. She then pjcked up her stuff and walked past... well no she walked on and then past me. She stepped on my hand... Shocker.
...Don't be a jerk guys! You'll get punched so hard that you'll be knocked back to 1st grade! I was converted back to good boi after that. My friends forgave me! 🥲👍
((Shoutout to Nancy from 5th grade. You have strong punches and I'm scared of you))
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The dissonance between era inspiration in ACoTaR is one of the more brushed over flaws in the book series. Looking at the Inner Circle's fashion alone, we jump between "literal scraps of fabric" (Under the Mountain, Court of Nightmares) to "orientalist painter's imaginings of the Ottoman Harem" (clothing described during Feyre's first few visits to the Night Court) to "modern 'corset' dress" (Feyre's Starfall dress, majority of Mor's clothing, most of the clothes drawn in fan art) to "modern -- almost sci-fi style -- skin-tight leather armor" to "sweater and leggings combo".
Then, between courts, we have Helion wearing Spirit Halloween's take on the ancient Grecian tunic; Feyre's Spring Court wedding dress looking like an 1830s fashion plate; and Dawn heavily implied to have traditional East Asain clothing (e.g. kimono, hanfu, hanbok).
On top of all of that, some of the Dawn Court's small cities ". . . specialized in tinkering and clockwork and clever things. . ." which -- combined with Lucien's metal eye and Nuan's mechanical hand -- implies a sort of post-industrial revolution time period. However, a decent chunk of the fandom says that ACoTaR is medieval; which, yeah, it's medieval themed in the first book -- sans the "dress" Rhysand forces Feyre to wear UTM.
The wild inconsistencies in ACoTaR's inspiration leads, not to a rich and diverse world, but a world that seems ramshackle and haphazard -- like it's creator simply threw together a board on Pinterest and called it a day. This is a major part of why the world building is so abysmal, it relies on convenience to the plot and whatever pleases the aesthetic whims of the author. Cultures deemed "pretty" or "badass" are thrown together, irregardless of how far apart they actually are. This is not only disrespectful to the narrative, but to the readers and the cultures used as inspiration.
All of this to say: Sarah J Maas is a bad author, not just because of the way she handles serious topics like power dynamics and abuse, but also because she cannot put together a world that is even the slightest bit cohesive.
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Sparkstember Day 12: In Outer Space (Cool Places)
Oh boy, it's finally here!! Having been a Sparks fan for nearly a year by that point, I finally got to an album I just straight up don't like! I honestly forgot by then that this was even a possibility. But a world where I can enjoy everything in such a vast catalogue of a favourite band of mine would be too perfect. It would be pretty strange and unsettling even. Not to always make it about my other favourite band whenever I'm talking about the first, but with TMBG also I eventually got to that one studio album release that I just couldn't bring myself to like, no matter what. So I think I discovered a bit of a personal repeating pattern here.
Alright then. My verdict on this album, which already got a pretty mixed response from fans as far as I know, is that it's not very good, or at the very least, it's not for me. Even the songs I like here I mostly like in the sense of, well, this one I could listen to again outside of the album every once in a while, but they're nowhere near being an actual favourite (besides one song, or two, mayyyybe four if I'm feeling particularly generous).
So I think that my main problem here comes down to how the arrangements / instrumentals seem rather empty to me but not in a cool minimalistic way. And, dare I say, they're pretty damn uninteresting - very few elements of suprise or anticipation to be found here. This is the only Sparks album that just... doesn't feel Sparks to me. (And that's coming right after Angst, which might really just be one of the most Sparks-like of Sparks albums in a way). Something is TERRIBLY missing here and a couple catchy melodies and fun synth lines aren't enough to make up for that. It drags on quite a bit and is underwhelming to listen to as a whole. With only a couple moments of change and something more interesting and engaging. It's this sort of situation where I feel like the whole time I'm waiting for some kind of resolution that never happens ultimately. First instance of me putting on a new Sparks album and forcing myself to sit through the whole thing. And last one I hope! (and expect...? well, better not jinx it)
Ok, having said all that... This will be a historical event because I can't finish this post before I have my obligatory listen to the album of the day on its day. So, time for some real time documentation of my changing opinion, or lack thereof. Time to hear IOS in it's entirety for the first time since april!
...Ok, I'm glad that I didn't say all this in vain at least, LOL! Because I'm still underwhelmed! No major change here. Definitely still not something I'm going to return to more often than very occasionally and the "waiting for nothing" effect was very present and real once again. And it just dawned on be, but do most of these songs not have a bridge?? Maybe that could be part of why it all feels pretty predictable! But alright, as per tradition, let's look at some highlights anyway.
Favourite songs (and other highlights):
Cool Places: never felt in any strong way about it but repeated listens made it an enjoyable little ditty over time, lol. One of my first impressions here was how LOW Russell's voice is, this must be the lowest he's ever sung, right?? And oh, quick shoutout to the 21×21 version of it too
All You Ever Think About Is Sex: ok, this one's really cool and exactly what convinced me that the rest of the album would be enjoyable in the same way. Not for me unfortunately!!
Please, Baby, Please: my definitive fav here that I like a whole lot and that for whatever reason doesn't seem to have any of this album's problems that I described earlier. And I'll always be partial towards songs that I can interpret as being aspec-coded, thanks to my predisposition to do that as often as possible
I Wish I Looked A Little Better: very similar case to All You Ever Think About Is Sex
Dance Godammit: it's funny. It's fun to listen to sometimes
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time travel fix it au's are done to death in this fandom but also they're my favourite thing in the world so au where the entire show happens as is and it's heartbreaking and inspiring etc but then. restart button. waking back up at the start of the end except only the people that lived remember
wanna think about what would happen when daryl and carol wake up at camp, remembering everything that happened; carol stronger, knowing in her gut that everything that she remembers is real, and daryl fucking terrified, because if everything in his head actually happened, then what the fuck is this
wanna think about a rick dragging a hostile merle and a wide-eyed glenn back to camp, memories completely intact, and running to reunite with his family. not letting daryl go and hugging carol so so so tight, collapsing to the ground with carl in his arms
wanna think about them dragging the atlanta group to the farm, maggie leaving the front porch light on for them, and everyone reuniting. rick seeing hershel again, daryl seeing beth, carol pulling sophia close, and maggie being unable to even breath, looking at glenn
wanna think about them tossing up whether to even go to the prison, but they met important people there, and alexandria's a long way, and if they're gonna survive this time–if they're gonna live–they're gonna do it right
so they go to the prison so they can figure out their next step, and michonne's there and waiting, andre on her hip, and they deal with the governor before the governor deals with them, and sasha and tyresse finally show up, they find the prisoners, and then one day they get a knock on the front gate, and it's negan
negan showing up, no baseball bat in hand but his leather jacket still in place, a sick but alive lucille by his side, laura and doctor franklin behind him, and all he's got to say is at the end of the world, i know which side i wanna be on
the fallout of that, of maggie being against it, of rick never having gotten to see negan at the end, not knowing the choices he made, the good and the bad. daryl and carol looking at glenn, seeing him alive and in love and having no memory of his last moments, and never wanting anything to ruin that, but negan saved judiths life, helped save all their lives. he chose, in the end, and now it's their turn
wanna think about a future where beth doesn't die, but they go on a rescue mission to get noah anyway. a future where tara turns up with her niece, led by eugene with abraham and rosita following right behind him
wanna think about how they'd handle terminus, how they'd handle the claimers. wanna think about them trying to find father gabriel, except gabe made it the first time around, and he wasn't wasting his second chance. he saved his flock, and he led them to alexandria, and he's waiting
wanna think of connie's group searching for hilltop. not finding maggie, or alden, but finding jesus. wanna think about lydia, being a fucking child, and watching her mother kill her dad, and remembering aaron telling her how loved she was
wanna think of the growing pains of them being able to save so many more family members this time, but god, a larger group is harder to keep alive
daryl trying to run interference with merle and everyone else, getting the jack of it one day and telling him he's already mourned him once, and he won't again. if merle wants to stay–to live–then it's up to him. daryl's not gonna babysit him anymore
rick trying to find his footing between lori and shane and judith, with carl, with michonne and andre. michonne looking at a weak but alive lori grimes holding a screaming and crying newborn in her arms, and knowing that she's never gonna be her daughter the way she was before, but knowing she'll always be something to her
carol struggling to be the mother sophia needs her to be, emotions too sharp and constantly fucking terrified. doesn't know how to hold onto someone like that anymore, either gripping too tight or not at all
maggie trying to exist in a world where she has everyone she's ever loved back, so close and so fucking dear, except it cost her her son. not knowing if she'll ever get him back at all. doesn't know how to live with the grief of losing someone she never technically had in this world
they make it to alexandria and it's aaron opening the gate for them, waiting to welcome them home
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Ok, maybe this is a really stupid question, but why the hell did Tuunbaq consume souls? What does it do with them? Digest them? Tasty snack nomnomnom? Why not just kill those pesky sailors? I have an understanding of what Tuunbaq represents, but why the soul sucking? Sorry, I still have whiplash from that show…
Anyway, thank you for enlightening me in advance! <3
Not a stupid question at all!
I'm going to give an answer based more on personal knowledge and opinion rather than cold hard fact - apologies in advance if that's not what you're looking for. Rest assured though that this is something I intend to chase up further sources on and think/write a great deal more about in future. :)
For all you couldn't strictly define it as cannibalism, when I think of the Tuunbaq and its consumption of souls, I think of what I know about various cultures throughout the world that have practiced cannibalism historically, and I think about the reasons why they did so.
Often, it was a reverential and sacred practice, enacted in a very focused and particular way. In many cases, specific body parts were eaten with the intention that one would gain characteristics associated with the deceased - eating a man's heart to gain his courage, eating a person's eyes to gain insight or their brain to absorb in some way their wisdom.
I think that's part of why Tuunbaq eats souls. The men are invaders within the landscape who are alien in every conceivable way so it make sense to me that Tuunbaq could gain knowledge of/insight into/power over them by absorbing their souls - the very essence of who they truly are.
But I also see Tuunbaq's consumption of souls as something potentially more akin to exocannibalism - eating one's enemies as an open expression of hostility, the ultimate indignity, the most extreme act of domination.
And make no mistake, Franklin's men are enemies.
They've invaded and desecrated the land, killed Silna's father, caused Tuunbaq to go "off" in the first place. It makes sense to me that an enemy of that magnitude would warrant the extra horror and indignity of their soul being consumed as well as their body.
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oh sometimes i'm overcome with the realization of just how sentimental a bitch i am
like i really am straight up just playing make-believe with these characters like they're digital barbies
okay so in Iona's inventory, i've had this necklace
since very early in act 1.
it was in Aradin's chest at the Grove, and it was the first thing "we" managed to get with the "I distract them with conversation/busking and you steal everything that isn't nailed down" act/trick I had thought up for her and Astarion. I thought it'd be kinda cute for him to, at the end of this test run, present it with a ~theatrical flourish~ once just out of earshot of its original owner, and for her to ~graciously allow~ him to drape it around her neck, as a hamfisted and silly act of mock-courtship they both know is false. (it was kind of a... "we both know what this is all about and where it's headed, but wouldn't it be fun to play make-believe and pretend it's something entirely different" type of thing.)
I thought it'd be cute, if a touch bittersweet for her to keep it, just slotted away in her little "sentimental items" pouch, like.... next to the dog toy, her old wedding band, and the other useless junk she couldn't bring herself to throw away or sell.
and then today, i found this as I was selling stuff in the Glittering Gala.
it's the same design. and i like to describe Iona's eyes as "amber" when I write about them (they're kind of a reddish/yellowish, pretty medium brown). and she looks much better in golds and reds than she does in blues and silvers.
so. um.
guess who got this bloody thing "sneaked" into her inventory at the long rest.
if you think i won't 1.) exit a trading screen abruptly, 2.) switch controlled characters, 4.) buy a silly and utterly useless junk item AS that character (thought about just picking her pocket but.... we have 35k gold. why would i.), and 4.) keep it in that character's inventory until it "seems like" the PC isn't "paying attention", and then 5.) drop it into their inventory "unnoticed", all for LITERALLY NO GOOD REASON other than just to act out a silly little gesture and support the little fanfic in my head, well.
you'd be very wrong.
((and i was grinning and giggling downright embarrassingly the whole time too))
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He’s convinced he’s dying. He can’t protect her anymore. These houses have been raided if anything useful. There’s nothing she could use to help him. They don’t have medicine. They don’t have clean supplies nothing. And he is serious about leaving her. He grabs her and pulls her close so she knows he’s serious. That her safety is worth more than anything to him. That he IS willing to die so that she can be safe. So that she can get where she needs to be. So that she can have a life ahead. That staying out here with him risks so much, but nothing when it comes to him. She’s giving him warmth. She’ll have to hunt for food and risk herself. She has to take care of a whole ass human for who knows how long. It’s all risky and none of it’s worth it for for him, and he tries to tell her that. But that’s exactly why it is worth it. It’s because it’s him. That’s why she stays. It’s why she frantically searches the house for anything she can use. It’s why she holds his hand. It’s why she stitches him up. It’s why she continues to care and protect him through this. He’s protected her since the day they met, and if the roles were reversed, he wouldn’t leave her side for one second. She’s returning the favor. As much as their roles should be reversed, as mucu as this shoudlnt have happened in the first place, as dangerous as this is, it’s what they do. It’s what you do when you love someone.
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