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mangostarjam · 4 months ago

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declarations (alternate version) — kaiju no. 8, hoshina soshiro x f!reader, use of foods as nicknames, childhood best friends dynamic, reader wears a dress and heels, oral (f!receiving), 3k words — the first bit is the same as the original but it does deviate

"Why do I need to wear a dress?"

Hoshina Soshiro glances up from where he's lounging on your bed. You've already pulled on the dress, of course, and he watches with probably way too much interest as you tug and adjust the way it drapes along your body. It's pretty. It fits perfectly, though you have no idea when Soshiro learned your measurements enough to show up at your door with such a gorgeous dress hanging from his fingers. Maybe he got them from Okonogi-chan?

"You'll be walking 'round with me and the Captain, egg tart, so you've gotta look the part," he says idly, though you can feel the burn of his stare along the newly exposed skin of your back. "And don't forget the heels!"

You glance at the cute, strappy heels he left by your mirror and frown. "If I wear those, I'll be taller than you, Soshiro-kun."

"Aw, that doesn't matter," Soshiro says. He sits up and you look away from the flex of his incredibly defined abdominal muscles beneath his compression shirt, which he apparently wears all the time, even under his formal dress uniform with all its tassels and buttons.

God. Embarrassing. You really need to get your staring issue under control.

"I can fight whoever looks at ya."

"Wha— ?" Heat sears across your face as you splutter and spin around to face him. The skirt of your dress twirls with the movement and you catch his gaze snapping down to your thighs. "Why would you need to fight anyone?"

"Hm?" You take a step back as he gets up and stalks over to you, holding your breath subconsciously as he kneels at your feet and takes one of the heels in hand. Your room suddenly feels warmer, the air hushed, as if the two of you are the only ones who exist in the entire universe. Soshiro chuckles quietly and shoots you a grin that makes your knees feel wobbly.

"Soshiro-kun?"

"Well, 'course I'm gonna fight for ya, apricot," Soshiro says. You flinch as he reaches out to grip your calf, the rough callouses on his fingers scraping lightly as he lifts your leg and slides your foot into the shoe. "You're my best friend, yeah?"

And I'm just a simple man in love goes unspoken as he carefully ties the silk around your ankle to keep the shoe in place. You wobble a bit at the balance and he glances up from beneath his violet bangs. "Hold onto my shoulders," he says quietly, reaching for your other leg. "Don't worry, I've got you."

"S-Soshiro-kun, I can put these on myself," you mumble, heat flaring up your spine at the careful pressure of his fingers on your ankle. He lifts your leg and you grab abruptly at his shoulders, fingers digging into the thick muscle there as you regain your footing with his support.

Soshiro lets out a breath. "I know," he says simply. "But I wanna do it."

Is this what men do when they're in love? You wouldn't know — the only man in your life you've ever cared about is right in front of you, and he's refused to elaborate on his strange statement no matter how many times you've asked. You have a feeling he means it, though.

Like, really means it. You love Soshiro — of course you do. You've always loved him. But lately it's felt… different.

Still comfortable. He's still your biggest supporter and vice versa, and he still knows exactly how to cheer you up and make you laugh. You know all his ticks and tells, and you take great pride in taking care of him while he's looking out for everyone else.

But at the same time… it's uncomfortable.

These little touches — they're new. The way his gaze lingers on your body is also new. Or… maybe you've just never noticed before. It's not a bad thing. But it makes you feel strange and fluttery inside and you catch yourself daydreaming about what it'd be like to actually get a hickey from Soshiro. Your best friend.

You stare down at the top of his head and try to repress a shiver as he skims up your legs to where your skirt rests against your thighs. His touch leaves behind a trail of warmth that burrows deep. "Um— ?"

"Ya look real pretty like this," he says. You're still holding onto his shoulders as he rises from his crouch, your entire body hot and hyperaware of how close he's standing once he straightens. "I could really just eat ya up." The smirk on his face makes your heart thump painfully in your chest, but he doesn't give you a chance to question it before he's grabbing your hands and spinning you around in a little twirl.

"S-Soshiro!"

You let out a little yelp as the room suddenly turns sideways, your center of gravity abruptly gone as Soshiro scoops you off your feet with one strong arm behind your back and the other beneath your knees. You throw your arms around his neck in a desperate move to keep from falling, though you know he'd never drop you.

Soshiro looks down at you with a glint in his eye. "Maybe I will."

"You'll… what?" you ask, breathless. He looks… hungry. Something about that look makes your stomach clench. "Soshiro-kun?"

"As your best friend, I think I've gotta do a lil inspection," Soshiro says brightly. He carries you over to your bed effortlessly, laying you down with a care that makes you burn up in a mixture of embarrassment and want.

You want… something. Soshiro gently detangles your hands from behind his neck and brings them up above your shoulders, gripping both wrists in one of his hands. His other hand is planted by your shoulder to keep from squishing you, though he keeps his balance with a knee between your thighs. "What…?"

"Just checking," he murmurs, leaning down to brush his nose against yours. You can feel his breaths on your lips and you strain a little against his hold, wondering if he can feel your pulse beating rabbit-fast in your wrists. His hand is trembling, though you can't imagine it's from the strain of holding himself up. "Can I?"

What… what is he asking?

Does it matter? It's Soshiro —

"Yeah," you breathe. "Go ahead."

His lips brush yours in a whisper, an exhaled sigh, a pressure as light as a butterfly. You make a funny sound and he grins as he skips down to your neck, pressing a firmer kiss there at your pulse.

"You do taste good, chestnut," he mumbles, just before you feel the sharp nip of his canines pinching your skin. You yelp in surprise and he chuckles, brushing his lips across the spot in apology.

"What did I say about food nicknames," you manage to gasp out, blinking blearily as he rises back up to face you. The tops of his ears and the arch of his cheekbones are painted a charming pink, but his eyes are serious as he meets your gaze.

"Are you good?" Soshiro asks.

Are you? You do feel good — better than good. The way your heart is racing would probably raise some eyebrows in a medical ward and your brain feels like mush, but. You've had your share of meaningless crushes — puppy love, infatuation — but none of it ever really mattered because you've always had Soshiro.

None of it ever felt like this.

Oh.

"I'm good," you whisper.

"And this is okay?" he asks. "I'm not — I told ya I don't mess around when it comes to you."

"I'm not messing around either," you grin up at him, feeling suddenly buoyant as the pieces click into place. "I'm yours, Soshiro."

Your best friend looks at you for a moment, but whatever he sees in your expression makes him laugh — a rough burst of sound punched out of his chest — before he leans down to kiss you again.

You can feel him smiling into the kiss.

It's a little awkward — he bumps your nose and you can't keep from grinning, either, so the kiss turns into several kisses, the smooth press of his lips against yours sending heat curling through your veins as his kisses get deeper, hungrier. He tilts his head and finally lets go of your wrists to grasp your chin, moving you to get the angle just right, though his careful intentions go up in smoke when you reach up to tangle your fingers into his hair and tug.

He pulls back with a gasp, eyes wide and pupils blown, panting as if he's just finished fighting off a kaiju. His voice cracks as he murmurs your name.

"Yeah?" you lean up to brush your lips against his jaw, admiring the strain of his neck as he huffs. "You're so pretty, Soshiro-kun."

It takes a second, but Soshiro's next breath is a sharp inhale as he presses his body against yours, pinning you to the mattress.

Then he whines.

Oh, god.

The sound seems to startle both of you, but he recovers first, dipping down to kiss you senseless as the ache in your core intensifies. He's solid and warm and heavy on top of you, his hands burning along your arms and sides and skimming over the neckline of your dress before he seems to settle on gripping your hips as he bullies his way between your thighs. The gasp you let out is loud in the thick air of your room, but the groan he lets out when you squirm against the solid, unyielding length of him is even louder.

Soshiro moves back to pressing hard kisses to your neck and exposed shoulders, panting hard as you whimper with every stinging nip of his teeth. "You're gorgeous," he murmurs, "you're so fucking perfect, I can't —"

"S-Soshiro," you whine, wiggling your hips in an effort to chase the electric sparks of pleasure rising with every sharp, aborted thrust of his hips. "What's — why're you —"

"I'm tryin' not to cum in my pants," he grunts, fingers digging hard into your waist to still you. You sob at the loss of friction and Soshiro huffs. "Fuckin' hell — you're so — but I can't be walking 'round the party all dirty."

Your eyes snap open at the reminder and you shove at the shoulders you were clinging to for dear life a moment ago. "The party!"

"Yeah, the party," Soshiro laughs, grabbing one of your hands. He presses a kiss to the leaping pulse in your wrist. "Didja forget, pumpkin?"

The tender affection somehow makes you warm, even as his hips grind slowly against your core to make you burn. Your legs, which you hadn't even registered moving, drop to the sides, sending your dress to pool further up your thighs and exposing the thin fabric of your panties. Soshiro glances down at the movement, but you can only see the way his lashes flutter at the sight before he's grinding his clothed cock against you again.

A muscle in his sharp jaw ticks as he glances back up at you. "Ya look real good," he says, "and I'm tryin' to do this right, but —"

One thing about being best friends for your whole lives means you can tell when he's holding something back.

One thing about becoming lovers with your best friend is that now you can see he's been holding back from this.

"You can't go into the party like this," you point out. Soshiro laughs, a strangled sound.

"We're not havin' a quickie as our first time," he says firmly. His expression lights up. "But I did promise an inspection, didn't I?"

"What're you — Soshiro!"

He moves too quickly for you to react, pressing another hard kiss to your lips — his tongue dipping in to draw out a startled moan — before he's suddenly kneeling at the edge of the bed, yanking you closer by your legs spread on either side of him. "The heels look nice," he says conversationally, dragging his hands up your calves.

You suddenly feel over-sensitive, your nerve endings straining into his touch as he leans forward to drag his nose along the inside of your thigh. "Ah— Soshiro, that tickles!"

"They make your legs look good," he continues, as if you hadn't spoken. You raise up on your elbows to glare down at him as he brushes his lips featherlight against your thigh. Soshiro smirks and turns his head to nip the skin there, kissing and sucking along your thigh as he slings your leg over his shoulder for easier access.

Oh, shit.

The whine you let out would be embarrassing except that Soshiro mutters a curse and shoots you a look that makes your core clench tight. You reach for his hands, desperate for some leverage or an anchor, and he lets you take one of his hands but uses the other to hike your other leg over his shoulder.

"This is cute," Soshiro remarks, looking intently at your panties and the damp spot clearly evident even in the dim light. "Were they expensive?"

What is he asking? Why would it matter when the only thing you can focus on is the incessant ache in your core, inches away from his touch, heartbreakingly empty and wet and hot —

Soshiro rips your panties with one hand and tosses the flimsy scraps of cloth aside, exposing your fluttering core to his hungry gaze. You shift desperately, torn between wanting and wanting to hide, but before you can voice a request Soshiro dips in and licks you.

"Oh, fuck —" you moan, collapsing back on the bed as your hips buck up into the friction. Soshiro licks at you sloppily, digging his tongue into every inch and fold of you as he groans.

"All this for me?" he murmurs, catching your eye as you clutch desperately at the blankets. "Only for me, right, melon drop?"

You nod shakily as he gently kisses the throbbing bundle of nerves at your core. "I'm yours, Soshiro," you gasp. The waves of pleasure building in your body are frightening, your heart pounding hard, but you can't help tilting your hips closer to him. "Please, Soshiro — I… I can't —"

"Hah — fuck you," Soshiro groans. "Hold on to me."

You barely get a moment to register his command before he dives back in, targeting your clit and sucking on it as you sob with pleasure. White hot electricity races through your veins as you scrabble desperately for something to hold on to, grabbing at the purple strands of his hair and rocking your hips as he devours you.

You feel the burning touch of his finger as he drags it along your lower lips, making you suddenly hyper aware of how empty you feel. Your insides clench futilely, your fingers twisting into his hair painfully as you moan and beg. "Soshiro, Soshiro please —"

You can hear the squelch of your wetness as he finally slides his finger inside you, poking and prodding your walls until he presses against something that makes you see stars. Your back bows off the bed as you pant and squirm.

"There ya go," he grunts, pulling back to fix you with a burning red stare. "Let go for me, honey. I've got you."

You clench around his finger as he adds another, the intrusion unfamiliar but welcome, pleasure spiraling and spiking through you as he flicks his thumb over your clit and presses against that spot just right. It's — it's too much — too overwhelming —

Soshiro sucks your clit between his lips again and you shoot over the edge with a shout.

"Good fucking girl," Soshiro murmurs. You can barely hear him beyond the fuzzy aftershocks, but the words bleed warmth into your face as you melt into the mattress. He carefully licks you clean, chuckling when you whine at the overstimulation.

"Soshiro?"

"Yeah?" He climbs back over you, the lower half of his face shiny with wetness. It should be gross, but you're so boneless you can't even bring yourself to care as he leans down to kiss you, tongue tangling with yours as you moan at the taste of yourself.

"Where'd you… where'd you learn how to do that?" you mumble tiredly.

"In my dreams," Soshiro says, laughing when you pout at him. "I've been dreaming 'bout you for ages, y'know. But most of the technical stuff was from locker talk with the guys."

You nod and glance down, but the angle is awkward and you can't quite see —

"Ah, don't worry 'bout me," Soshiro ducks his head and you stare at the pink flush rising up his neck. "I'm gonna hafta meet you at the ballroom, hazelnut. I need a change of pants."

"Oh," you nod, wide eyed and blushing as he snorts. "Sorry?"

"Don't apologize for bein' a dream come true," he says. "But we should really go soon, or the captain'll have both our heads."

Soshiro helps you stand on wobbly legs as you regain your balance on heels, kneeling to smooth your dress back down your thighs. "Wait — what about my panties?"

He tilts his head thoughtfully. "Right, I'll help ya with that."

Soshiro's touch is warm this time, not burning hot, and the kisses he presses along your thighs are more ticklish than anything. He grins up at you as you giggle. "Will we tell Captain Ashiro after the party tonight?"

He rises and his gaze goes to your neck and shoulders, exposed by the straps of your dress. Something sharp and pleased settles in his smile. "I don't think we'll need to worry 'bout it. Any fool who gets close to ya when you're marked up all pretty for me is askin' for trouble."

… What?

You look past him to the mirror and gasp. All those little bites from earlier are blooming pink and purple beneath your skin. Soshiro laughs, swoops forward to kiss your scolding right out of your mouth, and pulls away only after you've melted back into his arms, pliant and breathless.

"You passed inspection, by the way," Soshiro adds, smiling a little lopsided and fond. "Congratulations on becoming the Third Division Vice Captain's fiancée."

Your eyes widen. "Fiancée?"

"Oh, too soon? We can start off with 'girlfriend' first."

"Soshiro…"

"What? A guy's got dreams, alright?"

You laugh. "You didn't even propose!"

"Alright, fine," he kisses you again and you beam, delight and happiness swooping through you at how easy it all feels. "Keep that third finger on your left hand empty for me, apricot."

"It's a promise."

#hoshina x reader #hoshina soshiro x reader #kn8 x reader #kn8 fic #kaiju no. 8 x reader #kn8 smut #hoshina smut #hoshina soshiro #fuji writes fic #UNEDITED and written while elbow to elbow with people at anime expo lmao #sorry to those fans if they were reading over my shoulder or something #while we waited in line or for panels to start #i'm still on hiatus bye again #hope you enjoy this alternate version #and yeah. i did give hoshina a praise kink. it makes sense to me

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khruschevshoe · 10 months ago

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How Behind-the Scenes Issues Affected the Writing of Doctor Who (Both Good and Bad)

Doctor Who is such a fascinating show to look at from a Watsonian v. Doylist perspective. Like, entirely just from an episode writing point of view:

Twice Upon A Time feels so slow and meandering and even boring in places because Chris Chibnall didn't want to start his run as showrunner and Steven Moffat didn't want the show to lose the coveted Christmas timeslot (ironic, I know) so he bumped the Twelfth Doctor's regeneration from the end of The Doctor Falls (where it makes sense) to the end of the Christmas special

Boom Town (my beloved) only exists because originally there was going to be an episode in its spot explaining that Rose had been molded to be the Doctor's perfect companion (by the Doctor, gross) and the writer didn't have the time to commit to the show

The ending of Last Christmas feels like one inside-a-dream too many because originally Jenna Coleman was questioning whether she was going to leave the show or not and the ending was rewritten after the first readthrough when she decided she wanted to stay for another season

The first five episodes of Season 7 feel like each one takes place in a different genre because that's literally how Steven Moffat pitched it to the writers; for example, A Town Called Mercy was literally pitched as "Doctor Who does a Western"

Not so much a weird one but one I find cool: Eleven's first words and Thirteen's first words were literally written by Moffat and Chibnall respectively, as they were brought in to write the first words of the first Doctors of their runs so as to make it cohesive

The reason why Fourteen isn't wearing Thirteen's clothes when he regenerates is because Jodie Whittaker is much shorter than David Tennant and Russell T. Davies didn't want it to look like he was making fun of the genderfluidity of the Doctor (still think he made the wrong decision, but eh)

Wilfred Mott isn't in the Runaway Bride and Donna's father isn't in Partners in Crime because the actor who played Donna's father, Howard Attfield, died after filming several scenes for Partners In Crime, leading to the character of "Stan Mott" from Voyage of the Damned being written into Partners In Crime as Donna's grandfather

Astrid Peth doesn't die in the original drafts of Voyage of the Damned, but Russell T. Davies wrote what is generally considered one of the most emotional deaths in Doctor Who just because he wanted Kylie Minogue to be able to focus on her music career

Originally Oxygen was written as a prequel to Mummy on the Orient Express, where a corporate representative appeared on a monitor. Said representative was fired for his fumbling of the station and would later live on as the company computer, Gus

During Season 11, Chris Chibnall had to do some major rewrites for many of the one-off episodes, therefore The Battle of Ranskoor Av Kolos ended up being a first draft that made it to screen. He later admitted it was his least favorite episode of the series

And this is only a fraction of what I found in terms of major behind-the-scenes writing reasons. Though I am still totally willing to critique the product that made it to our screens, finding out the reasons behind some of the more badly written episodes of the show really made me feel sympathy for every showrunner of the show as well as appreciate a lot of the good episodes that ended up here despite the short production schedule/unexpected problems (once again, Boom Town my beloved AND everyone's favorite companion Wilfred Mott only exist because of unforseen problems). Absolutely bonkers, isn't it?

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ibelievewhatyousaid · 2 months ago

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The Sinner’s assigned Abnormalities in L. Corp are very intriguing to me, as not being a general “resonance,” that Limbus uses with its current day Ego. But! They were assigned that for a given reason, even if only on a meta level, so I’d like to put my two cents into it as I love the Lobcorp Abnos so much. These are simplified summaries of the Abnormalities and speculation on how they fit said Sinner.

Faust - Forsaken Murderer

I do not believe she has an Ego Gift adored to her except the one for this Abno, so we can focus in on this purely; all being of Forsaken Murderer. (On this note, although I am not talking about the realization Ruina Egos, Meursault has Ego for this Abno as well) Forsaken Murderer in his original logs was said to have been a murderer in federal prison to have been sentenced to death. Before that could take place, a bunch of researchers decided to experiment on him. They wanted to prove an innate “evil,” existed and on a further level, they wanted to “cure,” him, although unclear what it really was they wanted to cure. Their experiments twisted out all of his penitence for violence, turning him docile, until he came to this belief of ringing in his head, that his head itself had became metal, leading to self harm against himself. Eventually a fatal accident happens, the researchers jump the ship and decide to simply dissect his brain, until the end he muttered, “ends, begins, ends, begins, end.”

NOW, this is hard to shape into Faust’s story, given how little we know about her on a deeper level, but, I think there’s already (shallow-ish) connections we can make. Faust has a lot of implications of science experiment (Child in a Flask, Telepole) whether we take this ‘literally,’ it’s safe to say either way Faustcord keeps her on a tight leash as being an “experiment” of a Faust who is willing to take a gamble. A lot of Forsaken Murderer focuses on the fact he is chained and tied up but “free as any other man,” we could take this as Faust’s expectation of being a skilled scientist and genius who is bound by those around her, to fulfill that role, yet “free,” at the sake of being all knowing. Faust is “omnipresent,” yet she is just another in a chain of command. In TKT she mentions to Vergilius that both of them “know their place,” despite how great she is, how “free,” of knowing she is, she is just another chain, in both the City and Dante’s contract to the sinners. We can also go deeper with this concept of “inevitably,” of the city, given to her by a predestined plan of fates, in every mirror world, how it all will end has already been put into motion. To know of how tied you are to fate surely must be a token of freedom as well, can’t it? He also seems to have a bit of an ego, a Ruina line of his being, “Don’t look at me with those eyes. You’re the most pitiful one here.” Which, fits Faust’s need to be above others, such as “Faust is brilliant, smart, Yi Sang is a genius.” An implication that Yi Sang had a cap on how brilliant he can be, something he must’ve lucked into, Faust was born to be great. Even if she is regrettably pitiful in every other aspect. An inability to connect to others or form meaningful attachments, this especially rears its head in events were her intelligence creates gaps between her and others, all of MotWE or Dante’s brush off of her in Canto 6 when she cannot given them an answer, or, even earlier, Sinclair accusing Faust and Limbus using the Sinners as compasses to boughs. In all situations it leaves her isolated and awkward, unable to answer, creating a larger, pitiful wedge between her and others, despite how great she is. She is still a thing to be “studied,” whether from an actual scientist or to other versions of her, or those around her, she is a spectacle.

Outis - Der Freishütz / Bloodbath

The story of Der Freischütz in Lobcorp was of a marksman making a deal with the devil, the devil proposed that the gun could shoot anyone, on the last bullet it would pierce the person the marksman loved, in return, the devil would gain the marksman soul in hell. The marksman thus went through all his bullets, killing off all his loved ones. The marksman traveled, simply doing good and bad deeds in impulse, no sign of an actual moral code. Eventually, he realized that the devil had long since stopped following him. He realizes that the contract had long been fulfilled, since the very beginning of him giving up his loved ones, did he fall to hell. And so, now a devil as well, the marksman continued to shoot anyone he wanted, forever.

Again, another sinner we’re left out in the cold for. But, to tap into Outis’ source, The Odyssey, the story follows Odysseus’ desperation to finally reach home, to his family. As the stories play out the more Odysseus gives up his morals. To sacrificing his men to no mercy, a king who was once gentle and kind, gives up all people around him to succeed in arriving home. Of course, from the start, Odysseus had given up his family, a mother who died alone, a wife left waiting for over a decade, a son who had never known him. Odysseus also makes many deals with Gods around him, something he pays greatly later for. Of course, none of this is a one for one, but I think it is to mimic Odysseus, or here, Outis’ slower decent into someone who hurts those who she loves (or should’ve) by her cruelty, once Odysseus had set off to war was the moment he was bound to lose everything. Which, is very similar to how Der Freishütz is, he had lost his humanity the moment he made the deal.

Bloodbath is a Abno based overtly on Carmen, but, to ease it into a more general baseless story, the Abnormality represents: “the pain of all those who couldn’t take their sorrow in stride.” A huge focus on Bloodbath is the guilt of love, of unable to achieve success, using “scars” as marks of failure. The bath mocks the person peering in with hands reaching out desperately, as if begging to be saved, or joined, in this misery. It’s a sign of endless despair, unable to ever reach the climax of this, the only outcome is to accept this wave of despair and let yourself accept it.

So, arguably this fits Outis really well just on the bases of the line: “Many hands float in the bath. They are the hands of the people I once loved.” This once again, is more of a line of thinking born from her source, but a lot of Odysseus’ guilt is haunting to him, specifically that of Penelope, but overall, he gives up many men, including people very close to him, to never truly “succeed,” I feel like this one is easier to connect to, given what I said of the previous Abno to Outis, so.

Don Quixote - Meat Lantern / Void Dream / Fragment of the Universe

Meat Lantern is quite.. obtuse, in its logs, both in Lobcorp and LoR most is left obscure. Which is terribly fitting. Meat Lantern, by your guess, is obviously not a tiny little flower. The logs say that it is gigantic, underneath the entire facility, always waiting, it lures people in, in L. Corp’s lens, it lures in employees by being a lantern, something shiny, full of hope, they haven’t seen stuck underground for so long. Any nature, any lights, something that wasn’t horrific or artificial has long since been lost to everyone there. It’s easy to feel it calling to them, to reach out, to touch, but it’s all a ploy to devour and eat whoever trusts it.

So, Donqui’s Abnos are actually what made me originally want to write about them. I had written out my analysis of hers a few months before, but it was too hinged on my own reading of her that it felt easy to write off as me sounding insane. But! With the reveal of MotWE.. this seems, pretty obvious. (Glad to know I’m not too crazy) Don Quixote wears a mask, one of “hope” something born from really just being .. silly, of something rare in the City. Someone who genuinely believes in good? In hope? Here? As “Don Quixote” stands as an ideal, a concept, “too good to be true.” and beneath that is a “reality,” no one’s has “really ever seen.” (as the log says about the “real body” of Meat Lantern) and then “devours” people. Yeah. I bet.

Void Dream’s logs follow someone who has Void Dream eat all their nightmares, giving them the best dream they could have imagined, the person they love had returned, even working in such a horrible company that is L. Corp was good. Everything was so, so amazing, a perfect ideal world for the dreamer. When waking up, the person was crushed by reality, when forced to confront the truth they became despaired. They tried to find those dreams again, in an obsession, but, they never did come back. The employee comes to the realization that Void Dream’s deal was too good to be true, that from the start, the Abno had set them up. And they had lost, unable to enjoy either sides of reality or dreams, they find their way back to Void Dream and beg them to eat all their dreams. Stealing away all their dreams, nightmares, hopes and despairs, virtually leaving them empty. When Void Dream is accused of leading people on, it brushes off the person, insisting it just wishes the best for others. The line, “a demon must change its shape to deceive others.”

Originally, I had read this purely as Don Quixote being put into the victim’s prospective, someone who “wakes up” from a perfect dream to be crushed by reality. And, I don’t actually disagree, I think this still 100% fits. But I think her fitting “as” the Abnormality makes perfect sense, too. Obviously, the whole “deceiving others,” line fits. To change one’s shape, a “demon” a Bloodfiend, to deceive others into seeing it as innocent, pure, true to the ideals it preaches. But, and this is a bit speculation on what we know very little of, “Don Quixote,” was given, or is a dream herself that a Bloodfiend wishes to dream, that Bloodfiend must’ve spun this tale, this “perfect” dream is an “act of kindness,” despite not being kind at all. Despite giving out this dream, not only to herself, but to others around her, does it lead to destruction and a harsher fall to reality itself.

Fragment of the Universe.. actually isn’t an Abnormality. At least, not traditionally, if the logs are true. The log mentions how it let itself be caught and studied, and through studying they declared it “intelligent enough” to communicate via language, thus, it learned more and more of humans and humanity. It became endeared and loved people. It reflected what it saw, leading to it looking like a kid’s drawings of hearts. When asked why it had came to interact with humans, it said it wanted to spread messages. One being its song, a song of the universe that drove people crazy, but also let them “finally see the stars,” and also to inform everyone that “there are no coincidences in the universe.”

FotU is really intertwined to its love of humanity, even its design is rooted in this love for the species. Its aim to spread its song is to “relieve” people, as well, even if misguided or unable to be understood. I think Don Quixote, as a concept, is so terribly human. She’s overly emotional, she’s quick to action, strong morals, she’s clumsy and brave and fearful and determined. She is so very human that it backfires. Given Cassetti’s lines, “we are so, so hideous behind the mask.” and his dedication as well as other Bloodfiends to “run” from being monsters and Elena’s lines of her wondering if she was desperate enough to “chase after being an ordinary human again.” I think the Bloodfiend behind Don Quixote genuinely loves humans, and, most likely, wants to “be” one. And “reflects” what she sees, which is a habit Donqui has, mirroring Merusault in TKT, or wishing to “copy” other sinners from Outis’ wristwatch. Donqui also has a huge tie to stars, so, so many of her IDs have her mentioning them, not to mention her tagline. I think an Abno who knows far more than it lets on, powerful, letting itself into humanity, coming to love them, but never being one, is dreadfully fitting.

Yi Sang - Funeral of the Dead Butterflies

FotDB is an Abnormality born from the pain and suffering of.. Lobotomy Corporation, actually! It’s a mourner who is rumored to wandering the halls of the facility with a coffin for those who are bound to be lost, an early mourning for those who are destined to die, and an incomplete sorrow for those already gone, the coffin too small to fit them all, unable to fall asleep or escape. The ending of the log decides that there is no escape, these butterflies are damned to wait, because there “must be an end to every world.”

I think, just like with Gregor’s case, although the original Abnormality is directly tied to L. Corp, in a more general definition, it is about the pain and sorrow of those inevitable deaths born from things such as K corp, or the Smoke War. Cases of people’s lives being thrown away and devalued, not given proper burials, no home to escape to, a fate to dying here, leaving the mourning to the others in the same situation who simply “lucked out.” In Yi Sang’s case, an “ending for every world,” feels very deliberate to the “world,” in which he was locked up in a cage, passively awaiting the days for it to end, one way or another, only to realize he was able to walk out, that the door was never locked. Yi Sang’s grief and attachment to the League of Nine, the only person who seems to grieve over those loses, alone, carrying that pain wherever he goes. In that sense, “an ending to every world,” could also be turned into a guaranteed ending of things he loved as well. There is more to be said, but this one seems very obvious.

Ryōshū - Spider Bud / One sin and Hundreds of Good Deeds / Scorched Girl / Bloodbath / Big and Will be Bad Wolf

(Oh my God girl. Do you need that many???)

Spider Bud is an Abno that is deeply protective of her babies, quite literally her alternative name being “brood mother,” she reacts negatively and violent if an Agent hurts or steps on her children

Ryōshū has gotten this Abno thrice now. It’s gotta be important, and yeah, it is! This is born purely from her Source, but Yoshihide’s tragedy is losing his daughter, Spider Bud’s entire gimmick is being peaceful (as an Abno can be) unless someone hurts her children, she stalks and watches and exacts revenge against those people. I didn’t want to bring in Uptie stories, but Ryōshū’s uncharacteristic gentleness to the spiderlings who nip at her is really.. striking. Once again, this one feels kind of.. duh, so I won’t go much deeper into it.

One Sin is an Abnormality with the purpose of being confessed to, to relieve one of their sins, it’s tied to religion to Hell’s screen gimmick of.. Hell.. feels, yes, but I feel as though this is more general and disingenuous from One Sin’s connection to Christianity while Hell’s screen is about Buddhism’s hell. Instead this felt more interlined to Parallel Gebura. A lot of people have jumped on this for power scaling fun, but! I think it’s important to realize why Carmen would’ve said “At least similar in this regard,” my take is that a huge aspect of Gebura’s woes in Lobcorp was her unable to protect those she loved. Given Yoshihide’s tragedy here, unable to protect his daughter. I think that is the aim that makes the most sense right now with how very little we have about Ryōshū.

Scorched Girl is another Abnormality she’s already gotten, all in all, SG lives on a sense of angered revenge and self destruction. Her logs depict her to be torn in two from her desire of affection to one of wishing harm on others.

Her attempt at hurting others involves hurting herself, which lines up with Yoshihide’s ending, of his natural self destructiveness, how he makes his art and his death. Her rage also lines up with Ryōshū’s, a want to have back warmth, love she’s lost, but only able to be a match of destruction.

Bloodbath, we already covered this in Outis’ section! I think Outis and Ryōshū naturally align similarly, (Hong Lu, Mr. “Horrific family” isn’t ever the one getting cold or aloof to mentions of family or parents or children, it’s only ever these two!) A guilt of unable to succeed despite how much you gave up and sacrificed, including others And to lose those you love, the hands in the water being everyone you’ve ever loved, by your own faults.

Finally, Big and Will be Bad Wolf! The Abnormality is about being set up from birth being one way. From the way society sees you, you will always be what they depict you as. The Abnormality doesn’t feel remorse over the violence it causes, because it was “inevitable” he’d turn out this way. Who is he to blame nature? Regardless of nurture.

This one is the most hard to really fit without going “well, just a hunch.” I think this could be in regards to Yoshihide’s further and further acts of violence and pain to others around him, but unable to feel that remorse (until it is too late) because he was born with this way. He was “born” an “artist.” Who is he to defy things sacrificed for art? He is unable to be anything but cruel and vindictive, and he doesn’t try to be.

Well, that’s everything I could remember off the top of my head! Apologies if it starts to get a little weaker by the end, I’ve been typing for hours. In general, there’s more I could say or conclude, but, because of how loose Abnos are in concept, as well as how most of these Sinners (everyone but Yi Sang…) haven’t had their cantos yet, it leaves a lot of assumptions built upon their sources and short behavior ticks we’ve seen them display. I won’t say these are confirmed or sure fire takes but more so a jumping off point in fathoming these choices.

#limbus company #lobotomy corporation #library of ruina #faust limbus company #outis limbus company #don quixote limbus company #yi sang limbus company #ryoshu limbus company

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imustbenuts · 5 months ago

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theres a few ??? thing going on in trigun stampede that's explicitly japanese/sino-ish in culture but im entirely not sure what to make of it. 3 things.

Knives' birthname being settled as Kni/Nai,

JuLai's emblem symbolism,

and the Buddha Thread??? thing in ep 11 10

Knives' birthname is Kni and hm! ...無い?

this is specifically a stampede thing. nightow didnt give him this Kni name in his work, so i can only chalk this up to the stampede staff's deliberate decision. if you render it into japanese, it'd be Nai, and the immediate word i can think of is... 無い. meaning, Nothing, or Without.

it fits rather well considering stampede has officially placed an emphasis on his obsessive love towards his brother on his bio on their official site:

my TL:

Vash's twin brother. Possesses a cold and merciless personality. Filled with a hatred for humans, he masterminds an organization with a plan to massacre the entire human species. With abilities beyond human understanding, he has the power to destroy entire planets. He greatly loves his only younger twin brother, Vash to an obsessive degree.

interestingly, the word used for the obsessive love here specifically is 執着 shuuchaku, which has roots/association with the word Abhinivesha. from what i understand it is a mental state, a fear of death, and a desperation to cling onto life so much one becomes ignorant and causes their own suffering. and ignorance is another big core of what makes Knives' character tick.

so i feel like this has some pointers towards Knives, or even child Kni being nothing without his younger brother. (or it could just be a simpler play on the word naive lmao)

meanwhile for Vash there's not really anything japanese that jumps out at me, but some have pointed out his name sounds like the french word Vashe, used for female cattle. extremely passive and born for consumption and theres a lot to dissect in that direction but im not going there! his name is Knife and his brother is a cattle there's catholicism may your brain go brr.

theres more to the nothingness concept in buddhism that doesnt put it squarely in a negative category but lets talk about buddhism later. next:

JuLai's emblem

stared at this for a few seconds and yelled fuck me. this represents the twins, AND its the broken yin yang symbol:

:). hey look at that female thing popping up again--

Knives is evidently the light Yang, and Vash is the dark Yin. ngl this daoist thing is somewhat sexist but lets brush that over 2 thousand year old aspect aside for this post. for stampede's case we can clearly see what theming is going on especially for those in the know of the original work.

Knives is hella assertive to the point of echoing fascist eugenics nonsense, and Vash has that nurturing instinct that seems to pop in whenever there's a human child or people who needs help.

interestingly the planet No Man's Land has too much fugging sun and is too hostile for human life. to survive people have to live in the shade and turn to plants for counters to the harsh, hot celestial sun. so here if Knives is being the sun, hes also being hostile to human life, and meanwhile the feminine looking plants and Vash's personality plus actions are the only thing giving these people at chance at life. (also vash has the power of Dark Matter or something)

obviously, just like JuLai's broken symbol, the balance is completely and utterly out of whack. in daoism a broken balance is thought to cause a lot of suffering. in the finale, Vash doesnt have a single speck of white on him, and Knives doesn't have a single speck of black. this means there isn't a balance and they cant come to an agreement at all.

im gonna also point out here that vash's idea of co-existence even if accepted wouldnt be a permanent solution due to the dependents having limited lifespan. so through this lens, stampede seems to be saying that neither twin's ideas are really effective long term solution, tho Knives is completely unacceptable due to obvious genocidal reasons.

Buddha Thread

studio orange whaaat are you guys cooking over there... ok so. in ep 11, Knives drops Vash into the uhhh The Hell Pool, and Vash tries to get out of it with his wire and hangs for a bit. then we get a scene like this:

Knives proceeds to cut Vash's thread and he drops into The Hell Pool. and then the metaphorical SA scene happens.

i call it Buddha Thread but this can also be known as The Spider's Thread. there exists a story of The Spider's Thread that's very Japanese-Buddhist and well known over there.

the gist of this story is that Buddha lowers a single spider thread to a sinner in the deepest hell as a lifeline to get out, bc this heavy sinner had done a singular good deed of saving a spider he was about to crush with his foot. however, the thread is broken as a result of the sinner's selfishness yelling for the other sinners below him to let go, claiming this thread was his and his alone. the sinner having climbed halfway upwards the thread after great effort plunges back into the pits of hell. buddha having watched all of this reacts with sadness, and the days in paradise carry on as per usual.

and. digest that for a second. and then refer back to Knives and The Fall and this scene that plays later, when Vash's mind wipe begins proper:

fuck. me. knives is framed as a self proclaimed god in the loudest ways on multiple levels.

while these 3 aspect i just broke down explaining do not exist at least overtly in the original trigun, i thought it would be interesting to chew on in light of the overwhelming catholicism existing in the story.

there's some themes im also picking up from the original trigun that might be rooted in either buddhsim or japanese culture such as: the undeniable truth that yearning and hunger is part of the human living experience and to deny it is to deny living. but im not sure what to make of it bc A) not explicitly framed or explored as a buddhsim/japanese idea thing and B) catholicsm obv is the overwhelming theme of the entire work

idk what the heck studio orange is cooking exactly but. hm.

#trigun stampede #trigun #culture #knives #million knives #vash #vash the stampede #analysis #ramble #i need to go wrangle my tags one day but ughhhh

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solargeist · 5 months ago

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i keep mistaking some of ur kidxelqua art for ur grian art so i have to stop and read the captions/tags every time 😭😭 is there a fundamental difference im missing that would make it any easier

hi !!!!!!! no i understand it can be pretty confusing !! its pretty messy on my blog ahahah i'll try to explain them and their place in the AU

All the kid drawings are Xelqua ! Originally it was Grian, but as the character Xelqua developed, I changed it to him. When people send requests for kid Grian, i'm drawing Xelqua, as that is the AU.

This isn't 100% accurate as I forget to do it, but Grian and Xelqua part their hair differently, kid Xelqua does too. Xelqua's hair is always a bit longer. (Grian got a haircut when he joined the Watchers, thats why his hair parts different now in evoAU and HC, he just kept it shorter ! Xelqua used to wear his hair in a ponytail during his time with the Watchers.)

The reason why i say they're "technically the same" is bc Xelqua is just another Grian from a different timeline, he just has a different name. Xelqua only exists because this one Grian joined the Watchers, new possibilités opened new timelines, ones where he died, ones where he's a Listener instead, or ran away to different servers, or stayed. Xelqua is the only one to have reached Sainthood.

Because of this, Xelqua can hop around timelines, he usually just bugs other versions of himself, helping them, giving them tnt. He finds This Grian during s8 of HC, bugging him through the boatem void, briefly possessing him later, but hey ! water under the bridge !

Xelqua's timeline doesn't exist anymore after becoming That, but by becoming That he has essentially rewritten history in other timelines, solidifying himself as a saint of destruction, a destroyer, this is what the Watchers know him as, this is what evo Grian knew him as, even if Grian caused it--It already happened--Xelqua has always been here. (It makes Grian's head hurts when Xelqua explains this to him.)

Basically: Grian set off a chain reaction when he joined the Watchers, and that opened new universes, and in doing that, Xelqua is made.

Xelqua is powerful, but also very lonely and has a lot wrong with him, which is expected he spent many years with the Watchers. Xelqua can mimic any version of Grian he wants, but if he stays in that form for too long, he'll start to forget himself and instead think "Xelqua" is a patron, rather than himself. This is why kid Xelqua will usually praise the Saint Xelqua and be proud of his own name, he just doesn't know ! It takes a little while to remember himself and change back. This also happens in high stress, (bc of course it does, i love when a character loses control of their powers hahaha,) the memory is much worse if it happens from stress. You can't talk kid Xelqua out of this, it'll stress him out further and you'll just have a little god child throwing a temper tantrum then, never a good idea.

After s8 in HC EvoAU, Xelqua hangs around, popping up sometimes in s9, mostly in his adult watcher self. They don't get along too well at first, Xelqua has a little bit of bitterness over Grian having such a fun life, all these friends, needed, wanted..... But whatever ! Xisuma doesn't know how he keeps getting in, but Xelqua has been on good behaviour, so...... Shrug... Just let him visit sometimes....

Xelqua's version of the Watchers are gone, the unfortunate conséquences of becoming a destroyer, you kinda rip your own timeline apart. This, added with the fact that he is a cautionary tale in every other reality to Watchers, means if he tries to visit other versions of his Watcher family, they won't really know who he is, and just see something destructive and chaotic. If he wants to see Aether, he'll just... hop in a timeline and change himself into a kid and quickly forget what he's done. He's lonely, ok !!

Xelqua starts doing this kid bit on HC (late s9/early s10) too, he doesn't exactly mean to, but he does feel safe there. He eats Grian's food and takes over his couch and no one can get mad at him bc he is just a little kid--grian puts him in the corner. timeout. a few dead birds hit the roof as a result.

#KID XELQUA IS VERY MUCH YOTSUBA TO ME </33 ADGHJKAD #ask #kidxelqua #evoau #DOES THIS MAKE SENSE !!!!!!!!! i try to explain the timeline as best as i can but if its still confusing i can probably. clarify more #eovAU is 90% just my own ideas so you wont find a lot of this within Evo itself

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brucebocchi · 26 days ago

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Summer 2024 anime roundup: ALL IN ONE

hey! i also post these reviews on my ko-fi. this is a labor of love so if you like the stuff i write, i'd really appreciate it if you'd throw a few bucks my way. thanks!

Well, I'm much busier now than I was in the first half of the year, so that means less time for anime and less time for writing about it. I managed to watch only (ONLY?) nine shows this season, so might as well put it all in one post.

As always, each show's OP is linked in the title.

Let's jump in.

Returning anime

NieR: Automata Ver. 1.1a, part 2

After a COVID-plagued production delayed the last few episodes of its first half last year, A-1 Pictures’ adaptation of Yoko Taro’s landmark action-RPG returns to deliver the real meat of the story. And as with the game, the first half of NieR: Automata Ver. 1.1a was something I’d classify as “pretty good!,” while the remainder is what makes the entire endeavor worthwhile.

I’m happy to report that not only did the studio not lose a step, but they improved on the presentation of Ver. 1.1a immensely. The action sequences are superb and expressive throughout, and the CGI integration is actually, y’know, integrated this time out. The score, both original and borrowed from Keiichi Okabe’s contributions to the NieR duology, remains as evocative as ever. They also ramped up the cheesecake more than a little bit, and let’s be real, that was the draw for a lot of people in the first place.

If there’s any one thing Ver. 1.1a can claim as an advantage over the game’s narrative, it’s that the former does a lot more work in building on A2 as a character. There’s just enough to chew on in the game, but having more of her backstory from the YoRHa stage play and manga adaptation integrated into the narrative makes for more of a meal. Having A2’s history and real personality pinned up as a backdrop as she struggles to suppress both really fleshes out her journey and eventual resolve as shit continues to hit the fan. She’s also just a big ol’ tsundere sometimes. And not for nothing, but they gave her an absolute DUMPY for no reason, but I can’t really pin that as a negative.

9S’ whole thing happens too. I really don’t have much to add to that.

When I reviewed this show’s first half at the end of 2023, I mentioned that the initial concern with the anime’s very existence is that it’s adapting a narrative that is functionally being told through the very fact that it’s a video game. The delivery of the game’s true ending, especially, is so innately A Video Game that it’s functionally impossible to adapt directly into a television show. I’m happy to say that although that function is lost, Ver. 1.1a’s ending is still plenty satisfying (and I’m told especially so for Drakengard fans, without giving too much away). Something is still very much lost in the transition, though. In his review of the penultimate episode, Anime News Network’s James Beckett wrote:

What the anime of NieR:Automata has not been able to capture in these critical final moments is the way that the game makes its players complicit in the tragedy in a way that they could never be if they simply sat down and passively watched these events unfold from behind the safe veil of the fourth wall. It would be like if we were each individually guided on stage to place our hands on Hamlet's shoulder and push him gently onwards to his final destination. It doesn't change anything about what happens in the story, but it changes everything about what it means to us.

These acts of “ludonarrative culpability,” as Beckett called it, are the reason why Yoko Taro is considered an auteur in the gaming sphere. Both NieR games are tragedies writ large, and Yoko’s genius lies in making you, the player, carry out the tragedy, often well before you realize what you’ve wrought. And to Beckett’s point from his review, NieR: Automata is a perfectly fine sci-fi story in its own right, but the game puts the blood squarely on the player’s hands and inserts them into the narrative in a way that simply watching cannot. The connection I felt to the story was only there because I’d already played the game myself; I can only imagine how it would feel if this was your introduction to NieR.

So to return to a question I suggested at the end of last year: Do I recommend this to people who haven’t played the game? Eh, not particularly. It’s a well-made show, to be sure, but there’s enough missing from what makes Automata such an exceptional game that I’m not sure I can recommend it wholeheartedly if you’re not already familiar. Then again, I wouldn’t really know how it reads from the other side. To those who know and love the game, Ver. 1.1a isn’t quite the “Rebuild of NieR” some were hoping it to be, but it’s an interesting companion piece that takes surprising strides to tie it even closer to the preceding franchise. If you’re a newcomer? YMMV. Either way, play the game.

Oshi no Ko, season 2

I spent far more time than was necessary in the Discourse Mines following Oshi no Ko’s thunderous debut last year and a controversial (but fortunately inconsequential) turn of events in the manga shortly after the season finale. Though I remain one of the series’ foremost glazers, I’ve had my moments where I worried that maybe I overrated it a bit in my head, that I carried too much water for writer Aka Akasaka, and that I’m still riding the high of the series’ premiere.

Oshi no Ko’s second season completely erased any lingering worry almost immediately and reminded me and the world that yes, it Really Is That Good. The “It’s So Over” switch flipped to “We Are So Back” as soon as best girl Kana Arima and co-lead Taiki Himekawa dazzled their co-stars and one another with literally colorful displays of their acting prowesses. My expectations continued to rise as an active reader of the source material, and studio Doga Kobo continued to surpass them. This adaptation is just that good.

Aqua’s quest for revenge and Akasaka’s continuing examination of Japan’s entertainment industry both lead us into the world of stage acting, specifically 2.5D adaptations of famous manga and anime. Aqua is cast alongside Kana and his sham girlfriend and former reality show co-star Akane in an adaptation of the fictional smash hit shonen manga Tokyo Blade, along with several members of a theater company to which Ai once belonged. While Aqua is more concerned with getting dirt on Ai’s background than he is with acting, Kana and Akane have much more personal stakes as they try to show one another up and still put on the best play they can. Kana can’t stand Akane’s absolutist, matter-of-fact approach to acting (nor the fact that she’s fake-dating the guy for whom Kana’s down abysmal), while Akane, who idolized Kana as a child and is disappointed to see her take a step back as an actress, is trying her damnedest to rekindle the spark that convinced her to pick up acting in the first place. On the fringes, rookie actor Melt Narushima is trying to make up for a heinous performance in the first season that earned him the scorn of his more experienced castmates as well as a mangaka’s permanent ire.

A good amount of this arc does feel like Akasaka was still sorting through his feelings about the Kaguya-sama live adaptation when he wrote it, but he also gave himself some room for reflection on his own side of the equation as a mangaka. Tokyo Blade’s creator, Abiko Samejima, holds her creation very dear and is not impressed with the script. Her friend and former boss, Yoriko Kichijouji, is entirely too familiar with how badly the process can go; her own manga, Sweet Today, was horribly botched in this show’s first season, and she wants to help Abiko-sensei keep a level head. Kichijouji-sensei is the voice of reason this time out as she points out all of the concessions creators may need to take in order to get their work adapted and the unimpeachable truth that mangaka are basically crazy people (and you can practically hear Akasaka screaming through her lines; four months after Kichijouji said this in the manga, Kaguya-sama published its final chapter, marking Akasaka’s retirement from illustrating serialized manga). At her urging, in addition to an all-nighter helping Abiko-sensei make a deadline, the play goes off without any more hitches.

I didn’t much care for the Tokyo Blade arc in the manga but I knew full well that it would translate well to anime just as well as the acting sequences in the first season had. Akasaka’s decision to have the actors treat the stage as a battleground felt a little silly on the page, but experiencing everything again in sound and motion reminded me that this was the same genre of psychological competition that made Kaguya-sama one of my all-time favorites. Doga Kobo is just stupidly good at adapting manga. God, the animation is incredible. Character animation is as deliberate and mesmerizing as always, and emotional moments are punctuated by interpretive splashes of watercolors. Melt’s breakout on stage was a standout moment in the manga, but the abstract, expressionistic depiction of his redemption was so perfectly conceived on screen that life imitated art: Kichijouji-sensei cried in the anime, and manga artist Mengo Yokoyari cried in real life.

I could go on and on and on, but if you’re already this deep into Oshi no Ko I really don’t need to tell you anything else. This season, for all its gorgeous visuals and onstage glory, does not hesitate to remind you at the worst possible moments that this is still ultimately a revenge story and pulls the rug from you just as gleefully as it dazzles. The first season was already exceptional, but the second cements Oshi no Ko as an all-time great adaptation. As a fan of the manga, this is as good of an anime as I could ask for, and then some.

Mixed Bags

My Deer Friend Nokotan

I’m just exhausted.

I’ll admit, I bit a little too hard on the marketing. The preview trailers promised madcap, nonsensical fun on the level of Nichijou or Asobi Asobase, the cast was exceptional, and the OP’s refrain was a total earworm (Shikanoko Nokonoko Koshitantan! Shikanoko Nokonoko Koshitantan! Shikanoko Nokonoko Koshitantan!). It even has the cast jumping in the air! And we all know the Ryo Yamada rule! This was going to set the bar for gag anime!

Oh, how little I knew. Y’know how sometimes you see a trailer for a middling comedy movie and you can tell they already gave away all of the movie’s best jokes? Turns out My Deer Friend Nokotan did just that. I did temper my expectations; it’s not like I thought this was going to be the second coming of Nichijou or anything, but I guess I was still expecting something, I dunno, funnier?

The premise seemed to lend itself to a good comedy either way: Torako Koshi, a former delinquent, has successfully expunged her prior reputation and worked her way up to becoming her school’s student council president. All of that is nearly thrown away when a bizarre new student, Noko Shikanoko, immediately clocks her and almost spills the beans. Also, Shikanoko (who prefers to be addressed as Nokotan) has antlers and can commune with deer. She may even be a deer herself. She hoodwinks Koshi into starting a Deer Club at school, where they recruit Koshi’s upsetting younger sister Anko and the languid, rice-obsessed Bashame. Allegedly, shenanigans ensue.

Take this with a grain of salt, as humor is very subjective, but this show just plain isn’t very funny. Nokotan’s gags hit at least as often as they miss, and a lot of them just feel unforgivably dull. One bad segment can feel like an entire episode. The only reliable gags are gross-out humor, outsized slow-motion violence, or Nausicaä references. Everything else is just Koshi barging into the lower third of the screen to shout about how wacky the joke was just then.

Look, I know that humor doesn’t always translate across cultures. The things I don’t understand about Japanese humor could fill several libraries. I do, at the very least, get the basics of the boke/tsukkomi dynamic (fool and straight-man, basically) and how the reaction to a silly thing is usually the real punchline. I’ve absorbed enough Japanese media to adapt to that momentum. That nearly goes out the window here, because Koshi’s role as the tsukkomi is a straight-up momentum killer. It’s rarely just a “wait, what?!” or a “yeah, that’s rich coming from you;” it’s usually more like “wait, that is so ridiculous! You couldn’t possibly have pulled that off! And what’s that you’re wearing all of a sudden?” The rhythm is just gone. Comic timing? Don’t know her. Even if I thought the joke was funny at first, you could probably see any semblance of a smirk fading off my face by the time she was done. And hey, maybe some of this stuff doesn’t translate. Maybe it’s not that funny in Japan either.

The other characters outside of our main two really don’t help. Anko’s whole “yandere siscon” act isn’t very funny to start with, and she brings nothing to the table otherwise. Bashame is such a nothing character that even Koshi was sick of her by the end of the season. And while I feel like a good narrator can add a good level of je ne sais quoi to a comedy anime (see: Kaguya-sama), an overly intrusive one can actively take away from the humor (see: the Kaguya-sama dub). Nokotan’s narrator comes at it with a sort of winking, nudging “HEY, WE’RE A GAG ANIME” energy that gets too grating, too quickly. What doesn’t help is that he eventually affects a fake-desperate “please watch this show and tell your friends!” bent that called to mind Ron Howard’s narration in Arrested Development’s third season as it was approaching cancellation. Meta humor, as in the latter, can absolutely elevate the level of comedy; 100 Girlfriends in particular wielded it like a machete. In Nokotan, on the other hand, it betrays a clear lack of confidence in the writing, and there’s nothing less funny than comedy that doesn’t even believe in itself.

It’s not all awful, I swear. There are genuinely some very good gags; Nokotan’s cat-and-mouse game with an anachronistic matagi was a blast from beginning to end, and the skin-suit gag got a bigger laugh out of me than almost anything else I saw this season. Any good anime, especially a comedy, lives and dies by its voice cast, and Megumi Han’s performance as the titular Nokotan is this show’s whirring, beeping life support. She makes the absolute most of her considerable range as the jokes call for it, while somehow never stepping on her own toes by dipping into her Kana Arima voice from Oshi no Ko. Koshi shares a VA with Hatsune goddamn Miku. Bashame is pretty much only tolerable thanks to the languid performance of relative newcomer Fuuka Izumi, whom I’m very glad to hear in something that isn’t Gushing Over Magical Girls.

And aside from the music (the OP, to be fair, is infectious), that’s about all there is to like about the production. Did Studio WIT really make this? It looks like it could’ve been made by anybody, and that’s not a compliment. The uncanny CGI deer were the only real visual standout, and even those lost their shine before long. Something attempting to be this audacious needs to have a look to match, and Nokotan falls flat. Again, maybe that’s on me for trying to hold it to the standard Nichijou set.

I’d honestly be surprised if this gets picked up for another season. I’d be hard-pressed to come back for more.

No Longer Allowed in Another World

(CONTENT WARNING for discussion of suicide)

Osamu Dazai was one of the most complex and fascinating figures in Japan’s modern literary canon, right up there with his ideological opposite and real-life rival, Yukio Mishima. Dazai was, frankly, a disaster. He was a serial womanizer, terrible with money, repeatedly disowned by his family, unemployable, a deadbeat dad, and hopelessly addicted to drugs and booze. His magnum opus, Ningen Shikkaku, or No Longer Human, is a stark semi-autobiography, just barely fictionalizing his repeated failures of dignity and self-preservation, including his several failed attempts at double-suicide with his many illicit lovers. The same year it was published, however, Dazai was successful in his final attempt, drowning himself alongside his mistress in 1948.

But like, what if he got hit by the isekai truck instead?

Isekai Shikkaku, or No Longer Allowed in Another World, fully Goes There. The series begins with the legally distinct, unnamed Sensei and his lover Sacchan blindsided by an anachronistic truck along the riverbed. Sensei comes to, alone, in a monastery inspired by the JRPGs from well after his time. He doesn’t know what’s going on and he doesn’t care. All that matters is that he’s still alive, and that sucks for him. Sensei is greeted by Annette, an elf priestess in a virgin killer sweater, who is shocked to discover that not only has he not gained a single stat boost by coming to this world, but he’d also rather kill himself than take her up on the standard offer of an OP cheat skill (and he’d also just rather kill himself in general). So he bounces to go find Sacchan. His refreshing outlook on the new world, as opposed to the other excitable losers who got isekai’d before him, completely melts Annette’s brain to the point of falling in love with him on the spot, so she dons her sluttiest Persona 3 battle armor to chase after him.

Sensei hates this shit. Contemporary western fantasy hadn’t made its way to Japan yet in his time, so he has zero point of reference in this world, and he sure as shit has no clue what a JRPG is. The level-up jingles give him migraines. He has no self-preservation instincts and the only solace he has in this strange new world is a jar of toxic sleeping pills that he munches like M&Ms. He has no interest in or aptitude for fighting, so when he encounters a big-tiddy catgirl being squeezed half to death by a walking tree’s branches, Sensei sees the perfect opportunity to get himself killed. Unfortunately, his blood has become so toxic from said pills that piercing his skin instantly kills the tree, saving the young lady he incorrectly names Tama. Much to Annette’s consternation, she joins the party, and they set out on Sensei’s quest to find his lover and finally die in peace.

As you can guess, that’s not what happens. For some time, we see Sensei throwing himself in harm’s way, floridly imploring various fantasy monsters to kill him in one shot with their big bats, to the point where they get creeped out. His vaguely-threatening exhortations for death make for a fine formula, but one that can wear thin quickly. Before it gets that chance, though, the seed planted in Annette’s introduction bears fruit: The visitors to this world from our own aren’t here in isolation, and they have succeeded in completing the usual isekai goal of overthrowing the demon king. There’s now a massive power vacuum, and nature abhors that shit, so a cabal of erstwhile isekai protags dub themselves the Fallen Angels and decide to take over.

This turn was, to put it bluntly, the main thing that kept me watching. There’s a fine bit of commentary inherent to this framing that the type of wet-noodle, borderline faceless self-insert isekai protags tend to appeal to antisocial losers who would rather give into their basest impulses than see an opportunity to actually better themselves. This is not at all lost on Sensei; his keen eye for the human condition leads him to interrogate the Fallen Angels his party encounters so that he can write about their own failures as humans, as well as the gaping voids in their previous lives that led to them acting like petty tyrants as soon as they gained a bit of power and treating a brand new world like their own personal playground. Sensei’s writings reveal that he did indeed gain a power when he came over to this world; if he sees fit, a finished book will surround its subject and reanimate them back in their original world and afford them a second chance to right their wrongs or, in one particularly moving case, start over on the right foot.

For as audacious as No Longer Allowed’s premise is and as impeccable its comic timing and voice cast (you will find some absolute heaters completely buried on the call list), I just didn’t find it all that compelling. Isekai as a genre is so oversaturated that it was old hat to call it oversaturated even five years ago, so while I do try to pan for gold, sometimes I just come up with a neat-looking river stone. Hell, I can’t even say this one’s all that neat-looking; there’s nothing that looks all that great about it to begin with. The character designs and backdrops are pretty standard JRPG-style stuff that you’re just as likely to find in the likes of Helck, with lackluster animation to match. Didn’t care too much for most of the characters either. Even for its commentary on the isekai genre and the type of person it caters to, No Longer Allowed just ends up shaking out like another isekai series.

There’s clearly more at play here, and I might just go ahead and read the manga because I didn’t really find myself looking forward to watching the anime. Maybe it just didn’t translate well. No Longer Allowed in Another World does clearly have something to say under its silly premise, but its method of getting that message across is, ironically, buried underneath the usual trappings of the genre it’s trying to say something about.

Wistoria: Wand and Sword

I’m gonna preface this by saying that Wistoria is probably the best anime I watched this year that I’ve classified as a “Mixed Bag,” save for Jellyfish Can’t Swim in the Night. I’m generally of the mind that excellent production can make up for a middling story (my enjoyment of the likes of Solo Leveling and Wind Breaker this year was pretty emblematic of that), and that is the case here for the most part. Wistoria, story-wise, is nothing special; it’s your standard power fantasy set in a magical school, but the entire presentation is just almost fascinating enough to overcome that hurdle.

Hell, it’s almost not even worth going over the plot. Unassuming boy named Will goes to a magic academy, he doesn’t have any magical aptitude, so he makes up for it by honing his hand-to-hand combat prowess in the school’s designated dungeon. It’s Mashle meets Solo Leveling. Will gets picked on (like, a LOT), but he doesn’t care, because he made a promise long ago to reach the pinnacle of magical society to reach his childhood friend, who happens to be a genius mage. There are duels, there’s a tournament, there’s monsters, you know how this goes.

Will has allies in the school, namely a female friend who’s madly in love with him as well as a professor who covers for his shortcomings in magic-related subjects, but remember that this is a self-insert fantasy: There are also increasingly menacing bullies for him to put in their place. Will is challenged by a Snape-like instructor, a classmate who just hates him so much for not having magic aptitude, and a top performer at the school who’s just flat-out evil (and racist to boot!). And of course the latter two also have goon squads of snickering hangers-on. Will always succeeds, of course, because despite his shortcomings, he’s the strongest and most specialest boy. It’s almost like an isekai without the isekai. Too bad we find out that Will is hilariously shredded, which kinda blows a hole in the self-insert aspect.

Goofy shonen-isms aside, there’s still plenty to enjoy here. Varying types of magic, artifacts, and fantasy races abound, and lore is sprinkled throughout the show in character biographies in the commercial break eyecatches. The story does get gradually less stupid as the season goes on and characters are better fleshed out. And hey, there’s nothing wrong with watching a really strong dude beat the shit out of monsters and assholes.

The only thing that really kept me coming back to Wistoria was that, plainly, it looks and sounds fucking awesome. It’s not the best-looking anime I watched this season (that would either be Oshi no Ko or one of the next two anime on this list), but Wistoria takes such a surprisingly cinematic approach to such an uninspiring story that I couldn’t help but keep watching. The lighting effects are lush, combat animation is bonkers in its best moments, and the score is pretty darn good too. It definitely takes some big swings at simulating camera movements and perspective shots that don’t always accomplish what they set out to do, but I can appreciate the ambition bleeding through. I can see the vision, and that’s what counts.

The actual content is pretty paint-by-numbers, but Wistoria is well-made enough that it’s worth a shaky recommendation. Maybe just turn your brain off until the action picks up. I've heard the manga gets pretty good from here on out, so I'll probably stick it out for another season.

The Gems

The Elusive Samurai

If you’re not already familiar with this series, do me a favor and watch the OP linked right above. Pretty good character animation, right? Expressive, weighty, plenty of personality. The colors pop like crazy too! A lot of the time, an anime series will heavily stylize its OP to attract eyeballs and YouTube metrics, oftentimes bringing in outside animators and directors for a unique feel. In the case of The Elusive Samurai, I cannot stress enough that all that animation is the standard.

Yes, this show looks exceptional. Even putting aside the fact that it’s historical fiction, this show has a truly timeless look to it that I still struggle to put into words. The Elusive Samurai is clearly a modern production but bears all of the hallmarks of what great animation has always looked like when a studio is willing to invest in it: Colors are so bold and saturated that I want to take a damn bite out of them, backgrounds are painstakingly hand-painted even for brief cuts, and there even seems to be a film grain overlay to really sell the classic feel. It’s not perfect (I’ll get into that later), but holy shit is it a feast for the eyes.

Adapted from the pages of Weekly Shonen Jump, The Elusive Samurai is a heavily fictionalized retelling of the fallout of the Siege of Kamakura in the 14th Century. Tokiyuki Hojo, left without a family in a bloody coup of the shogunate, is prevented from committing suicide by enigmatic priest Yorishige Suwa and then thrown right back into the fire of the battlefield. Yorishige, who has prophetic visions of the future, foresaw Tokiyuki’s ascent to leadership and wants to see how he fares in battle. Tokiyuki didn’t bother with his training as a young master, instead playing elaborate games of hide-and-seek with the Hojo clan’s advisors, so in the face of certain danger, he’s left with no choice but to do what he does best and run the fuck away. And as with evading his training, Tokiyuki realizes that it’s way more fun than actual combat, and the future is suddenly even more clear to Yorishige: Evasion, not bloodthirst, will guide Tokiyuki’s path to revenge.

At Yorishige’s increasingly unnerving behest, Tokiyuki goes into hiding at Suwa Shrine and begins building a squad to take down the usurper, Takauji Ashikaga. Along with Yorishige’s daughter, Shizuku, he teams up with young warriors Kojiro and Ayako, and in their travels pick up the crass, kitsune-masked thief Genba and the food-obsessed swordsboy Fubuki. It’s fine as extended casts go, though we don’t get much from a few of them past their introductory arcs. Tokiyuki is an absolute delight, though. He’s a sweet and joyful kid despite his circumstances; real shonen protag material. And most importantly, he’s completely over Yorishige’s shit.

I’m a sucker for magical realism, and The Elusive Samurai delivers. Yorishige really does appear to be a prophet, to the point where he can even predict Dragon Ball Z (yes, really), and he and Shizuku are capable of pulling off acts that any actual person would consider a literal miracle. Mythical beasts roam the land and those that were slain appear to reside on a different realm accessible to the Suwas. All of Takauji’s top soldiers have senses and abilities far beyond anything human or animal, and Takauji himself seems to have borrowed some of his prowess from the devil himself. With this show’s commitment to top-tier visuals and animation, the sky's the limit for what we can see, and it kept me glued to my TV every episode. It almost made me want to watch Demon Slayer. Almost.

The cast has some solid performances from familiar names and voices: Yuichi Nakamura is his usual blusteringly silly self as Yorishige, Aoi Yuuki is a riot as Genba, and Katsuyuki Konishi (Kamina himself!) infuses Takauji with appropriate menace. There’s some Chainsaw Man and Bocchi sprinkled into Tokiyuki’s clan of rookie warriors as well. Good stuff, but what really caught my attention was a surprisingly familiar voice giving life to the bug-eyed villain Sadamune Ogasawara: None other than Yutaka Aoyama, the narrator of Kaguya-sama: Love is War. Nobody could have more perfectly infused Sadamune with the appropriate level of self-serious goofiness than the guy who narrated Kaguya-sama’s balloon game like it was an NFL Film. Perfect casting.

As incredible as this show looks most of the time, the remainder does have a critical issue: CloverWorks didn’t seem too invested in hand-animating horses or any of the show’s characters riding them, so it opted instead for CGI. Very poorly-implemented CGI. I really try to take stuff like this as it comes, but the modeling looks way too video-gamey for the style the rest of the show is going for, to the point where I’m taken out of it. There’s really no excuse for something this uncanny with the high bar The Elusive Samurai set for itself early on (and yes, Uzumaki is airing as I write this, and I’ll talk about the similar problem that show has at the end of the year).

I know I just said this about Wind Breaker last year, but this may be CloverWorks’ other Big Shonen Hit. It certainly has the juice, between the wacky gags and shockingly brutal violence, and CGI issues aside, the studio has clearly invested in it. A second season is already on the way, and I’d say it’s paid off. If the studio can iron out the kinks, this could end up becoming an all-timer.

Makeine: Too Many Losing Heroines!

If I haven’t made it clear enough, my anime journey has turned me into a bit of a romcom guy. Couldn’t tell you why. Maybe it’s because Tenchi Muyo was a formative anime for me, or maybe it’s because I got on Kaguya-sama relatively early in my return-to-weebdom trek and I’ve been chasing that high ever since. I could go on and on about the ones I’ve watched and which particularly stood out, but we’d be here all day. At the same time, though, a burgeoning market for the genre, particularly among the shonen demographic, means that there’s gonna be some real slop out there. Plenty of anime, manga, and especially light novels are targeted at the “lonely boy who wishes cute girls would attach themselves to him just because he’s A Nice Guy” type, and while there are some genuinely excellent series that cater plenty to that kind, there’s a well-defined line between the good and the trash.

Makeine is well aware of that line and elects to skip rope with it. Genre subversion is at its best when the work in question shows a genuine care for the milieu it’s satirizing, and Too Many Losing Heroines is to trashy light novel romcoms what The Eminence in Shadow is to edgy isekai and Bang Brave Bang Bravern is to vaguely homoerotic mech warfare. It’ll slap you in the face with every dumb threadbare cliche you’ve come to expect from the genre, and it’ll do so with a smile.

These stories are usually fronted by a total wet noodle and Kazuhiko Nukumizu is the soggiest soba you’ve ever seen. His main interests are water fountains and hey, wouldn’t you know it, light novel romcoms. As far as he’s concerned, he’s a background character with the personality to match. He’s thrust to the forefront, though, when he’s caught staring at his classmate, Anna Yanami, embarrassingly picking up the pieces from being brutally rejected at a cafe. She forces herself into Nukumizu’s booth and helps herself to several courses’ worth of stress-eating on his dime, which he never agreed to. As recompense, Anna decides to cook him lunch until her debt is more or less repaid, and would you look at that, Nukumizu just made a friend!

As the title would suggest, Anna’s not the only lovelorn maiden finding her way into Nukumizu’s school life. He’s exhorted into joining the school’s literature club, where he meets the track runner, Lemon Yakishio, and the lit club’s stammering stalwart, Chika Komari. He also has to bear witness to each of their own crushes backfiring and deal with the fallout. And amidst this chaos, there’s plenty of botched confessions, getting locked in storage closets, boob faceplants, and all the other nonsense you’d expect from the genre. And it’s terrific! And in the midst of all this, even as Nukumizu seems to be a passenger in this journey, you see him ever-so-slowly realize that he has some agency and grow closer to these girls. Makeine is plenty silly and more than a little stupid, but there’s plenty of heart in here as well.

The offbeat character dynamics and clever dialogue are what really make this. Everyone is just refreshingly weird in their own ways. Anna is a complete menace and totally convinced she’s the protagonist of life, and she may not even be wrong. I almost don’t care whether she and Nukumizu get together or not; they’re such a fun “serious guy/goblin mode girl” pairing that I’m not that interested in their dynamic changing. Komari and the lit club VP Koto are a dynamic fujoshi duo, ensuring that the club’s shenanigans aren’t too shonen-centric (and funny enough, Koto has her own idea for an Osamu Dazai isekai). Everyone in the student council has something demonstrably Wrong With Them, the homeroom teacher is a disaster, and the school nurse probably belongs in prison. I love every single one of them. I could’ve done without Nukumizu’s offputtingly-clingy little sister (and learning about her analogue in this season’s other romcom LN adaptation, Alya Sometimes Hides Her Feelings in Russian, was enough to put me off of watching it), but it looks like one of her own female classmates is in love with her, so that could be gold in later seasons.

A-1 Pictures, to borrow an industry term, put its entire pussy into this production. As with last year’s Heavenly Delusion, there was so much love put into the lighting effects, background art, and character animation that I felt like I was watching a Makoto Shinkai film at times. All of those elements working in tandem massaged my brain in such a way that when every episode ended, I was left confused because hey, where the hell is the rest of the movie? Makeine is also loaded with killer visual gags, and I give A-1 a ton of credit for letting those jokes land without calling too much attention to them, unlike a certain other show I watched this season. The opening and endings were real treats, with three different EDs as the season progressed, each depicting one of the titular heroines’ personal journeys (and performed by each respective girl’s VA, no less). This is some real investment on the studio’s part and it absolutely paid off.

I promise that every time I compare a romcom to Kaguya-sama, it comes at a great inner struggle to prevent myself from doing so, but if that anime is truly over and this is where A-1 is focusing its resources, Makeine may very well be a worthy successor. I really can’t say for sure whether this or The Elusive Samurai was the best new anime of the summer season, and it doesn’t help that they aired on the same day and I’d always watch them back-to-back. Just know that they’re easily two of the better anime I’ve seen this year.

Mayonaka Punch

If “mega-cancelled YouTuber starts up a new channel with a bunch of disaster lesbian vampires” isn’t enough of a hook for you, I really don’t know what else to tell you.

Masaki got kicked off her popular NewTube channel after punching one of her co-hosts, and the internet is letting her hear it. Maybe barging in on the “we’re firing Masaki” live stream and tackling one of them didn’t help either. Rather than film the bog-standard apology video, she figures she can just wing it and start up a solo channel. Masaki decides to start by playing the hits and drunkenly recreate her first channel’s breakout video in a spooky abandoned hospital, and finds more than she bargained for in a vampire named Live (pronounced like it’d be short for Olivia) who really, really wants to drink her blood in particular. Masaki nearly falls to her death in a panic, only for Live to save her and reveal that she has the very filmable ability to fly, so Masaki cuts a deal: If Live can help her get a new channel off the ground, Masaki will let her drink her blood.

This is tremendous content, so Masaki moves in with Live at Banpai Manor along with her vampire roomies to produce a new channel, co-starring the eternal 10-year-old day trader (night trader?) Ichiko, the soft-spoken fujoshi musician Fu, and the heavy-vaping gambling addict Tokage. They name the channel Mayonaka Punch (because mayonaka means “midnight” and because Masaki punched the shit out of her former co-host) and quickly get to work trying to beat Masaki’s former channel to their goal of a million subscribers (and a delicious lunch for Live). Even though they try to pass off their vampire shenanigans as Very Good CGI, they run afoul of a vampiric authority figure for exposing their identities, so they have to get internet famous the old fashioned way: Cute Girls Doing Cute Things.

I can’t quite put into words what a blast this show is. Mayonaka Punch frequently barrels along at a madcap pace, often punctuated by an electro-swing score, as its cast of loud idiots (and Fu) carom off of one another to chaotic effect. The voice cast really sells it, too: Ikumi Hasegawa (Kita in Bocchi the Rock!, Vladilena in 86, Übel in Frieren) owns every ounce of Masaki’s mounting exasperation as she deals with all the vampire nonsense while continuing to avoid the consequences of her own actions. Fairouz Ai continues her MVP-caliber resume for 2024 in style as Live, infusing her with a kind of desperate manic energy as she scratches and claws for Masaki’s approval. This was easily my favorite of her many roles so far this year, and two years removed from Chainsaw Man’s debut, it’s been a treat to hear her once again voicing a feral, bloodsucking loser.

As silly as Mayonaka Punch gets, though, it delivers some serious emotional blows when you least expect them. The fourth episode, centering on Fu’s history, is one of the best of any anime I watched this season. There’s also some very interesting history between Live and the head vampire’s go-between, Yuki, that was told through (though partially buried by) a series of video game facsimiles, and I hope there’s more there someday. And, of course, there’s Masaki’s evolving relationship with Live, with romantic undertones so tantalizing they might as well be overtones. I really thought there wasn’t enough time left in the season to reach a satisfying conclusion, and though it might not have fully reeled in the yuri bait, I was pleasantly surprised at how well everything tied together.

Mayonaka Punch’s ending is open enough that I can only hope it gets a second season, but I’m not about to hold my breath. That’s a tall order for original anime that don’t set the world on fire, but this one has all the right pieces for a future cult classic. Liked and subscribed.

Suicide Squad Isekai

When this was announced, the only reaction it really got out of me was “Sure dude, why not.” As far as what this show is, it does what it says on the tin. It’s an isekai featuring a motley crew of anti-heroes plucked directly from the David Ayers and James Gunn Suicide Squad films. You already know what you’re in for.

Sure enough, this is a straight up Suicide Squad story from the jump: Harley Quinn and the Joker (the latter sporting yet another heinous makeover) try to pull off a heist, it goes sideways, Harley gets arrested and forced into Amanda Waller’s scheme to mine rare resources in another world alongside Deadshot, Clayface, Peacemaker, and King Shark. It’s your standard JRPG-style isekai fantasy world, except the previous Suicide Squad of Enchantress, the Thinker, Ratcatcher, and Killer Croc seem to have run roughshod over tensions between races and kingdoms, leaving Rick Flag alone to pick up the pieces.

And what ensues is pretty much what you’d expect. Everyone looks appropriately anime; Psycho-Pass character designer Akira Amano did especially good work with Harley, to the point where I’m shocked that a billion-yen idea like “anime Harley Quinn” was slept on for so long. All of this makes it even funnier that Peacemaker is still very much just John Cena. Character designs aside, Suicide Squad Isekai only seems to look good when it wants to; most of the moment-to-moment stuff looks a bit muted but absolutely pops off when business picks up. There’s even a flashback sequence of Deadshot and Ratcatcher that has a sort of loose, crumbly Masaaki Yuasa look to it. Despite the genericism of the setting and inconsistency of the aesthetic, though, Suicide Squad Isekai still carries plenty of style with it. The intro and outro are both blasts; I didn’t realize until the season ended that the “Tank!”-style OP was by Tomoyasu Hotei, the composer of the most iconic piece of music from Kill Bill. The ED (content warning: Mori Calliope) heavily features Amanda Waller getting down in ways I can only hope to one day see Viola Davis recreate.

The fusion of American and Japanese styles is definitely awkward at times; the occasional references to other Warner Bros properties like Lord of the Rings and Tom and Jerry feel particularly shoehorned in considering this is a Japanese production, but the voice cast makes up for a lot of faults. Anna Nagase captures Harley’s freewheeling energy perfectly, and her penchant for nicknames is extra cute in Japanese when she’s calling the Joker “Purin-chan” or King Shark “Nana-chan.” Jun Fukuyama is a real standout as Clayface, channeling the flashy spirit of Joker (not this one, the Persona 5 one) to animate Basil Karlo’s irritating showmanship. Takehito Koyasu as Peacemaker doesn’t quite have the self-serious goofy energy we’ve come to expect from the live action version, but it’s such funny casting on its face that I don’t really mind. Can this tradeoff go both ways? I want John Cena as DIO yesterday.

For a Studio WIT production and a story by Re:Zero’s writers, Suicide Squad Isekai may occasionally feel like less than the sum of its parts (par for the course for the property’s recent adaptations, unfortunately, save for the Gunn film), but if you don’t come at it expecting too much you’ll have a good time. Far from my favorite this year, but it’s a crowd pleaser, and those, I like.

#anime reviews #nier automata #oshi no ko #my deer friend nokotan #shikanoko nokonoko koshitantan #isekai shikkaku #no longer allowed in another world #wistoria wand and sword #the elusive samurai #makeine #too many losing heroines!#mayonaka punch #suicide squad isekai

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spitdrunken · 9 months ago

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response to this ask: ABSOLUTELY NOT TOO MUCH!!! This ask has brought me infinite joy and I have reread it a LOT. (Also dw, I will always assume Reader is an adult through asks!! But I get why you’d wanna say that with a term such as grooming, haha) also this got REALLY LONG… HELP.

Notes: pseudocest, obsessive behaviour, codependency, unequal power dynamics, implied minor character death, infantilization… general creepiness. Perhaps this veers away from my original post a little, but I love the idea that you’re someone entirely new to Hell. You’re fresh off the boat, so to speak, entirely unfamiliar with the way things work around here— Except that everything’s fucking terrifying, and you want out! Right now. Please. You see an ad on a random TV in a store’s display, one featuring a hotel that promises ‘sinners’ (which is what you are now, apparently, even your own body now being a new and confusing factor of your existence) a possible way to ascend up to Heaven. Now new and refurbished, after the last successfully averted extermination! Whatever that means. With nowhere else to turn to, no other leads or possibilities except sleeping out on the blood-soaked streets, of course you go! Who wouldn’t? You’d be stupid not to go! …Unless this is all a big scam In which case, you can only hope that you can’t die more than once.

Maybe you arrive, and this grand, beautiful hotel, is, well… Deserted. It’s beautiful on the outside, sure, but where are any of the staff? Or the people staying there, for that matter? You’re so uncomfortable out it all, that you nearly turn tail and run back from whence you came. You would have, if where you came from wasn’t ten times worse.

You walk up to the front desk, and, before you can change your mind, ring the little bell placed on the desk. Someone appears in a flash of golden light, and you have to squint your eyes to avoid being blinded. It disappears as quickly as it came, and a man… Demon, actually, appears in its place. (You catch a quick glance of something bright yellow being quickly stuffed into his pocket, but you have no idea what it is.) His form is noticeably more humanoid than the others you’ve seen out and about. Yes, his skin is an inhuman tone, and his cheeks take apple-red to a whole new level, but he doesn’t appear monstrous. That doesn’t make him exactly inviting, however. His face is set in a neutral expression, and he openly looks you up and down, pupils narrowed into slits. You scratch at the side of your neck, only to immediately flinch. You aren’t quite used to how sharp your nails are nowadays. “Um, hello! I— Sorry to bother you, sir,” you break the silence. “I might be wrong, but is this the Hazbin Hotel…? I saw the advertisement that was put out, and I was interested. Would you happen to be the owner?”

His neutral expression fades, and a small smile takes it place, eyelids sliding half-closed. “Oh no, no— Old me isn’t the boss of this place. That would be my daughter! I’m sure you would have heard of us.” He leans on his staff, both of his hands cupped around the apple on top. His eyes roam around your expression as if searching for something. “You’re pretty new here, I’m guessing?” “…Mhm. It’s that obvious, huh?” You don’t know how he was able to tell so quickly, but you laugh in a way that can only be heard as self deprecating. You shift your weight from one foot to the other, and avert your eyes.

“It’s kind of hard to tell how much time has passed, but— Not a lot. Honestly, I have no idea what’s going on. One moment, I was alive, and the next I was here, with this weird body, surrounded by terrifying people, and I don’t know—“ Your voice cracks under the weight of the reality of your situation. An eternity in Hell. “God, I’m sorry. I didn’t mean to… Yeah. It’s just been a lot.” “I see. Yes, this realm isn’t particularly kind, least of all to newcomers. I can’t imagine what you’ve seen.” He says, quieter now. You dare a glance at his face. Something in his features has softened at your words, his slit pupils and smile wider in size. When he sees you looking, he extends a hand. You take it, and he gives you multiple firm shakes, before pulling you into a quick hug that has your knees buckle a bit and crushes the air out of your lungs. For a little guy, he really is surprisingly strong. When he lets you go, he’s still got a hand holding yours, leading you to one of the couches in the lobby, and promptly plopping down, pulling you with him. “But things are already on the rise for you from here on out!” He says, all boisterous and smiles, revealing rows of sharp teeth. “You’re new here, and already hit the jackpot! Lucifer’s the name!" And you can only imagine what kind of expression flashes over your face, because he nods rapidly and winks at you. “—Yes, that one, glad that, at least, rings a bell. And staying here places you under my family’s protection." His gaze drifts over the lobby. "My daughter and her friends are out doing trust exercises somewhere right now, but I’m certain she’ll be happy to welcome once she returns. She’s a real sweetheart, let me tell you! She didn’t get that from me, I can tell you that!” He laughs, but it quickly tapers off into a sigh. You wish you could laugh along. You have to admit you’re more than just a bit frozen up, questioning all of the decisions in your life and death that lead up to this moment. Sitting on a couch in a hotel lobby with Satan himself… Maybe you could die again, after all, and you were about to experience it. You probably have committed like fifty gross breaches of etiquette already, and, and— There’s a little rubber duck sitting on your lap.

It immediately snaps you out of your stupor, with how sudden and unexpected it is. The duck is bright yellow with chubby orange cheeks, and wearing a little black top hat. You can’t help cracking up a bit, taking it into your hand. …Maybe this guy is as silly as his outfit would suggest. Was calling himself Lucifer his idea of a joke? Things might be alright after all. “Ah..." You smile. "He’s so cute!” You relax, letting your back hit the sofa you’re sitting on. “Like a little gentleman!” This is the only adorable thing you’ve seen ever since arriving in Hell, and no one should blame you for getting a bit excited. Your days have been nothing but utter misery, after all. “You think so? I mean—“ He laughs, short and sudden. “Of course you do! Just look at the little guy! Who couldn’t love him? You can keep him, I can make another one lickety-split!” “Oh! Um, thank you! Does he have a name?” You’re full-on smiling now, and turning to look at ‘Lucifer’. At a shake of his head, you hum in thought. “A fancy guy deserves a fancy name… What about Reginald?” You turn the little toy around, inspecting it from all sides. “You’ve seen nothing yet! Just give it a little squeeze, not too much.” You do as he says. Through the little hole in its beak, a white droplet emerges. “It’s glue! He used to help me with my crafting projects. But, well, he’s yours now. Off to greener pastures, as they say.” You can’t help yourself. The whole situation is really not all that funny, but you crack up, and once you start laughing, you can’t stop. Your chest hurts, and tears are burning at the corners of your eyes. You have no idea why! Everything’s been such a mess lately. After a couple of seconds, you babble out some nonsense. “I gave— I gave Reginald such a posh name! But… Y’know, he’s a working man!” You say, still cracking up in between the words. At this, it’s Lucifer who laughs, a sound loud and sudden enough to ring in your ears. Seems you hadn’t heard a real laugh out of him before after all.

In other words, Lucifer (who you end up finding out really is the Devil himself) quickly grows fond of you, and takes you under his wings. Perhaps it’s your innocence about Hell and it’s mechanisms that pulls him towards you, combined with the fact that you’re just kind of easy to fuss over. You’re none the wiser that Lucifer was all but hopeless about sinners before helping restart the hotel, and entirely unaware that your dynamic is anything but normal. In your mind, Lucifer must befriend people rather frequently! While you’re quickly taken in by Hazbin Hotel’s other friends and staff, it really is Lucifer who helps you through your adjustment period. He makes you little covers for your claws, so you can get used to having sharp appendages, and not accidentally keep clawing open furniture or your own flesh. He requests Nifty makes some food that is at least visually similar to some Earth meal. When you wake up in the morning, there’s always a little duck sitting in front of your hotel door, making you start your day with a smile. You’ve got a shelf full of them now, and love all of them. (And when you’re curled up in your bed, late at night, crying over all that you’ve lost, smothering your sobs with a pillow, there is a gentle knock on your door. Lucifer sits on the side of your bed, wearing striped pajamas in red and white, and encourages you to pour your heart out to him.

There’s nothing to be embarrassed about. Everything you’re feeling, everything you’re going through— He’s heard and seen it all before. In fact, he’s sure he’s heard much, much worse. Has he ever done you wrong? No, he hasn’t. So, talk to him. He tells you, dabbing at your face with a white handkerchief decorated with apples stitched onto it. And you do.)

Lucifer looks after you. Sure, he’s not perfect. But no one is, right? Lucifer often seems to lose track of the conversation you’re having with him, distracted by the things around him and suddenly veering off into entirely different territory. In general, his memory is spotty at best, but you’re not surprised that an immortal being such as himself wouldn’t remember every single little thing you say.

He’ll hole himself up in his workshop for days at a time, only to emerge with nothing to show for it, except for a downtrodden expression. He’ll fight with Alastor (and continuously remind you to stay far away from that piece of shit), and get fussy whenever you try to leave the hotel without him glued to your side. Though his memory seems to often be unreliable, and you believe that a lot of simple conversations you have with him are simply left forgotten, there are instances you would consider insignificant that remain fresh in his mind.

“You’re doing it again,” you tell Lucifer. He’s pacing up and down the length of his room, ranting about Alastor. He blinks, and halts his movements, tapping his staff on the floor. “Doing what?” “The thing,” you emphasize, before standing up and walking towards him, dragging the top of your finger across his bottom lip. You can feel him take a quick inhale as soon as you make contact. A golden smear is left across your skin. “You’re always chewing on your bottom lip when you get upset. Doesn’t it hurt? I know it heals within, like, ten seconds, but still!” Absentmindedly, you look at his blood. It’s a weird thought to have, but it’s strangely… Beautiful. You look back up at him, and your brow furrows. “Hey… Were your red spots always that big? I think I’m seeing things.”

But things get better, and he improves. He starts to try and take little notes of the things you’ve told him, alongside the words of other people important to him, like Charlie, like a diary of sorts. The door to his workplace starts being left unlocked, and you’ll wander in, from time to time. You’ll sit on the chair in the corner of the room, reading or otherwise occupying yourself, and telling him that no, that duck or toy is not the worst thing you’ve ever seen, and doesn’t deserve to be burnt to a crisp.

You listen as he, on bad days, talks about his wife with a forlorn expression on his face. Things get better, though. He tries not to see the worst in sinners any longer, and his moods grow better. He spends more time with Charlie. All is well. You don’t realize just how entangled your existences are until you’re in too deep. That your eyes search for him every time you enter a new room, that you’ve grown comfortable with him doing the talking for you. You try to convince yourself it’s not a bad thing, but the simple truth is that you’ve lost a chunk of your independence. And when you try to go out with the other residents, it’s so easy for him to coax you back out of it.

Are you really sure you want to go? Look, I’m not trying to keep you here— I’m really not! But Hell’s a dangerous place out there, and I can assure you there’ll be things there that you really don’t want to see. …I’ve been working on a little display case for your favourite ducks, I can show you that instead.

He only grows more protective when time goes on, and you do more exercises with the rest of the hotel, bond with the other residents. At times, he tries to convince you to forgo their shared activities entirely.

(You try to forget about what you found in a drawer of his desk, one day. A note among so many other reminders that he is known to keep. But this one is wrinkled, pen pressed so hard to the paper that it’s torn in places. All of them want to go to Heaven, all of them want to leave here. Me. I get it. Because she has left, no one can be guaranteed to stay. But I won’t let the apple of my eye be taken, even if they send down an envoy and try to escort them up themselves. …But it’s hard not to remember.) When he gives you your a warning about the ‘scary outside world’ for the umpteenth time, you can’t help but roll your eyes and counter. Alright, dad. Nothing about your tone shows sincerity. You mean it as a joke or a jab, but Lucifer doesn’t laugh. Instead, he hums out a pleased little noise, a smile settling on his face.

The way he looks at you is so utterly tender, all half-lidded eyes and pupils blown wide, that it leaves you reeling. He nestles himself at your side, under the comfort of your arm, and promises to take care of you for the rest of your eternal life spent there. You have an eternity. It’s sweet, and knocks the breath out of you.

But you would’ve been able to reconcile the image of Lucifer and ‘father figure’ more easily if he, sometimes, didn’t act so contrary to such an image. He’ll call for you from behind his workdesk as you’re sitting on your usual chest, ready to show you a ventriloquist doll he’s been working on.

As you stand next to him, an arm is wrapped around your waist, and he pulls you on his lap. It’s in no way comfortable for him. He has to stick his head underneath one of your arms to see anything at all. It would be silly otherwise, but the way he pulls you flush against him, face nuzzled into your side as he audibly inhales, one clawed hand resting on your thigh… You can’t help but have it muddle your feelings towards him. He frequently kisses your hand as a greeting, and insists you let him kiss both of your cheeks before parting. You would write it off as one of his unique quirks if he did the same thing for Charlie, but he doesn’t.

Lucifer, with an eternity of time to hone his skills behind him, has picked up all kinds of crafts, including sewing. He’ll make pieces of clothing for you in his colour scheme, sew apple-themed patches on your clothing, among other things. It’s always embarrassing when he makes something. He fusses and cooes over you like you’re a child when you first wear any piece, clapping his hands and grinning. Oh, just look at you! Aren’t you the cutest little thing? It looks lovely on you!

Anyone with more than two braincells can tell something is going on between the two of you, though no one is quite sure exactly what. Perhaps Angel is rubbed the wrong way by just how overbearing Lucifer is being, and considers you to just get out there for once with the rest of them. You’re always cooped up inside the hotel! Come on, he’s been around the block more times than he count, and he knows every trick in the book. You’ll be fine as long as you stick with him. And… You have fun! Going out, dancing and drinking, accompanied by your friends, is wonderful. But maybe you drink a little bit too much, yet entirely unfamiliar with the different types of names alcoholic beverages in Hell have. How were you supposed to know you accidentally ordered one of the strongest drinks on the menu? And, in the crowd of people, you lose the rest, wandering outside without really noticing it. You’re such an obvious target, staggering on the sidewalk, giggling and mumbling to yourself, that you wouldn’t entirely blame anyone for the poor argument that ‘you were asking for it’ in a place like this. Your world is left spinning as you’re pushed against a wall, vision momentarily blacking out as your skull bashes against brick. (Somewhere in the club, Angel is looking for you, getting more frantic by the moment.)

You never get the chance to figure out exactly what the demon’s intentions are. As soon as their fingers brush over a patch Lucifer had sewn into your clothing, an apple with a little snake head popping out, they’re blasted back by golden light.

Your addled mind is still struggling to keep up when you’re wrapped in a set of soft, beautiful wings. The back of your head is cradled by gloved hands. You catch a glimpse of blood-red eyes set within a familiar face, but, soon, a cluster of feathers covers your eyes. There are horrible cracking noises, gurgling, wheezing— Though you see none of it, your imagination more than makes up for it. You press your face up against his chest, nauseous and shaking like a leaf. Lucifer takes off without a word, the flapping of his multiple sets of wings loud enough to awaken an oncoming headache. Mid-flight, when his features have returned to the ones you know him for, he peppers your face with kisses, and makes you look at him. You mumble out apologies, sniffling, drunk and shaken, but Lucifer shushes you.

What were you doing all the way out there, on your own? You’re usually such a good listener, my dove. You always listen to all of my warnings. A gloved finger traces your cheek. Someone convinced you to go out, didn’t they? That has to be it. You can tell your dad who it is. I won't be mad at you. You’ve never been afraid of Lucifer before. Now, though, you’re filled with apprehension. You frantically shake your head. Oh, then it was your own idea? The tip of one of his nails pokes your cheek. Not nearly hard enough to hurt, but the pressure is there.

…And you really do deserve to be in Hell, because prompted with this question, you take the selfish way out, and once again shake your head. More slowly, this time. See? It wasn’t that hard to be truthful, was it? I knew it wouldn’t be your fault. Now, all you have to do is tell me who it was.

That night, you spend the night in his bed, with Lucifer arguing that you’re very drunk. Which is very much. It’d be horrible for you to go ahead and choke on your vomit, or something like that! So, you should just stay with him. As you're drifting on the verge between conscious and unconscious, his lips find the skin of your throat, placing kisses up and down. Open-mouthed and warm, barely restrained.

You wake up the next morning with a splitting headache and only vague memories of the day prior. But you wake up with Lucifer’s arms wrapped around you, his face hidden in the crook of your neck, each of his breaths tickling your skin. You wake up to one of his legs slotted in between yours. You wake up to the realization that you’ve bitten off far, far more than you can chew.

#lucifer magne x reader #lucifer morningstar x reader #hazbin hotel x reader #yandere #yandere lucifer morningstar x reader #cha.lucifer #cw.dubcon #cw.pseudocest #cw.yandere #cw.alcohol #cw.infantilization

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nyxshadowhawk · 5 months ago

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A Retrospective on Harry Potter

Why did I like it in the first place? What about it worked? Where do I go from here?

I have decided to give up Harry Potter.

J.K. Rowling’s reputation now stinks to high heaven. At this point, she is quite indefensible. And even if that weren’t the case, she is not someone that I would want to associate with anyway. Meanwhile, the internet has not only turned against her, but against Harry Potter itself. An innocent question on Reddit, about which Hogwarts Houses the ATLA characters would be in, got downvoted to oblivion. Innumerable Tumblr threads insist that fantasy fans should get into literally anything else (suggestions include Discworld, Earthsea, The Wheel of Time, and Percy Jackson). And now that Harry Potter is no longer a sacred cow, there has been a recent slew of video essays that rip it to shreds, attacking it for its poor worldbuilding, unoriginality, and the problematic ideas baked into the original books (like the whole SPEW thing), etc. Those criticisms always existed, but now they’re getting thrown into the limelight.

It pains me to see such an ignoble downfall of Harry Potter’s reputation. If Rowling had just kept her damn mouth shut, Harry Potter would have aged gracefully, becoming a beloved children’s classic. I'd still plan to introduce it to my own kids one day (after Rowling dies and the dust settles). It’s not surprising that not all aspects of it have aged well, since it’s been more than twenty years since its original publishing date, and everything starts to show its age after that long. I acknowledge that most of the criticisms of the series that I’ve seen lately are valid, and I’ve read plenty of better books. And yet, when I return to the books themselves, even with the knowledge of who JKR really is inside my head, I still really enjoy reading them! There’s still a lot about them that I think works!

None of the other things I’ve read have had as collossal of an impact upon my identity, my values, and my own writing as Harry Potter. It’s hard to move on from it, not just because it’s something I enjoy, but because I have to literally extract my identity from it. I don’t know who I’d be without Harry Potter. I don’t know what my work would look like without Harry Potter. I don’t know how to carry it with me as just another piece of media that I like, as opposed to a filter for who I am as a person. So, with all that in mind, I have to ask myself why I liked Harry Potter so much in the first place. If I’m going to move on from it, then I have to be able to define and isolate the things about it that I want to keep with me. Something about it obviously worked, on a massive scale. So what was it?

It’s not the worldbuilding. The worldbuilding is objectively quite terrible, especially in comparison to that of other fantasy writers who knew what they were doing. At best, it’s inconsistent and poorly thought-out, and at worst it’s insensitive or even racist. Is it the characters? The characters are, in my opinion, one of the stronger parts of the story. But I felt very called-out by one of the many online commentators, who said that anyone who identifies with Harry is too cowardly to write self-insert fic. (I do not remember who said it or even which site it was on, but I distinctly remember the phrase, “Reject Harry Potter, embrace Y/N.”) The reason why people get so invested in Harry Potter’s characters is because they’re easy to project upon, and it’s possible that my love of Harry comes more from over a decade’s worth of projection than anything else. The incessant arguments over characters like Snape, Dumbledore, and James Potter ultimately stem from the fact that these characters do not always come across the way Rowling wanted them to. As for the writing itself, it’s decent, but not spectacular. Harry Potter is something of a sandbox world, with less substance than it appears to have and a crapton of missed opportunities, making it ripe for fanfic. For more than ten years, I’ve been doing precisely that — using Harry Potter as a jumping-off point to fill in the gaps and develop my own ideas, some of which became my original projects.

So what does Harry Potter actually have that sets it apart? Why are people so desperate to be part of Harry Potter’s world if the worldbuilding is bad? What, specifically, is so compelling about it? I think that there’s one answer, one thing that is at the center of Potter-mania, and that has been the underlying drive of my love of it for the past decade and a half: the vibe.

Harry Potter’s vibe is immaculate.

You know what I mean, right? It’s not actually a product of any specific trope, but rather a series of aesthetic elements: The wizarding school in a grand castle, with its pointed windows and torches and suits of armor, ghosts and talking portraits and moving staircases, its Great Hall with floating candles and a ceiling that looks like the night sky, its hundreds of magically-concealed secret doorways. Dumbledore’s Office, behind the gryphon statue, with armillary spheres in every single shot. Deliberate archaisms that evoke the Middle Ages without going as far as a Ren Faire: characters wearing heavy robes, writing with quills and ink on parchment instead of paper, drinking from goblets, decorating with tapestries. Owls, cats, toads. Cauldrons simmering in a dungeon laboratory. Shelves piled with dusty tomes, scrolls, glass vials, crystal balls, hourglasses. Magical candy shaped like insects and amphibians. A library with a restricted section. A forbidden forest full of unicorns and werewolves. That is the Vibe.

There are five armillary spheres just in this shot. They are unequivocally the most Wizard of tabletop decor.

There’s more to it than just the aesthetic, though. The vibe is present in something that writers call soft worldbuilding.

There’s a phrase that writers use to describe magic systems, coined by Brandon Sanderson: hard magic and soft magic. Sanderson’s first law of magic is, “An author’s ability to solve problems with magic is directly proportional to how well the reader understands said magic.” A hard magic system has clearly-defined rules — you know where magic comes from, how it works and under which conditions, how the characters can use it, and what its limitations are. Examples of really good hard magic systems include Avatar: The Last Airbender and Fullmetal Alchemist. If the audience doesn’t understand the conditions under which magic can work, then using magic to get out of any kind of scrape risks feeling like the writer pulled something out of their ass. It begs the question, “Well, if they could do that, then why didn’t they do that before?”

You may come away from that thinking that having clearly-defined rules is always better worldbuilding than not having them, but this isn’t the case. Soft magic isn’t fully explained to the audience, but that doesn’t matter, because it isn’t trying to solve problems — its purpose is to be evocative. Soft magic enhances the atmosphere of a world by creating a sense of wonder. If your everyman protagonist is constantly running into cool magical shit that they don’t understand, then the world feels like it teems with magic, magic that is greater and more powerful than they know, leaving lots of secrets to uncover. Harry Potter, at least in the early books, excels at this. The soft magic in Harry Potter is what got me hooked, and I think it’s what a lot of other people liked about it, too.

The essence of soft magic is best summed up by this scene in the fourth film, in which Harry enters the Weasleys’ tiny tent at the Quidditch World Cup, only to find that it’s much bigger on the inside. His reaction is to smile and say, “I love magic.”

That’s it. That’s the essence of it. You don’t need to know the exact spell that makes the tent bigger on the inside. You don’t need to know how Dumbledore can make the food appear on the table with a flick of a wand, or how he can make a bunch of poofy sleeping bags appear with another flick. You don’t need to know how and why the portraits or wizard cards move. You don’t need to know how wizards can appear and disappear on a whim, or what the Deluminator is, or where the Sword of Gryffindor came from. You don’t need to know how the Room of Requirement works. Knowing these things defeats the purpose. It kills the vibe, that vibe being that there is a large and wondrous magical world around you that will always have more to discover.

One of the best “soft magic” moments in the books comes early in Philosopher’s Stone, when Harry is trying to navigate Hogwarts for the first time:

There were a hundred and forty-two staircases at Hogwarts: wide, sweeping ones; narrow, rickety ones; some that led somewhere different on a Friday; some with a vanishing step halfway up that you had to remember to jump. Then there were doors that wouldn't open unless you asked politely, or tickled them in exactly the right place, and doors that weren't really doors at all, but solid walls just pretending. It was also very hard to remember where anything was, because it all seemed to move around a lot. The people in the portraits kept going to visit each other, and Harry was sure the coats of armor could walk. —Philosopher’s Stone, Chapter 8

Many of these details don’t come back later in the series, which is a shame, because this one paragraph is super evocative! It establishes Hogwarts as an inherently magical place, in which the very architecture doesn’t conform to normal rules. Hogwarts seems like it would be exciting to explore (assuming you weren’t late for class), and it gets even better when you learn about all the secret rooms and passages. The games capitalized on this by building all the secret rooms behind bookcases, mirrors, illusory walls, etc. into the game world, and rewarding you for finding them. The utter fascination that produces is hard to overstate.

Another one of the most evocative moments in the first book is when Harry sees Diagon Alley for the first time, after passing through the magically sealed brick wall (the mechanics of which, again, are never explained). This is your first proper glimpse at the wizarding world and what it has to offer:

Harry wished he had about eight more eyes. He turned his head in every direction as they walked up the street, trying to look at everything at once: the shops, the things outside them, the people doing their shopping. A plump woman outside an Apothecary was shaking her head as they passed, saying, “Dragon liver, seventeen Sickles an ounce, they're mad....” A low, soft hooting came from a dark shop with a sign saying Eeylops Owl Emporium — Tawny, Screech, Barn, Brown, and Snowy. Several boys of about Harry's age had their noses pressed against a window with broomsticks in it. "Look," Harry heard one of them say, "the new Nimbus Two Thousand — fastest ever —" There were shops selling robes, shops selling telescopes and strange silver instruments Harry had never seen before, windows stacked with barrels of bat spleens and eels' eyes, tottering piles of spell books, quills, and rolls of parchment, potion bottles, globes of the moon.... —Philosopher’s Stone, Chapter 5

What works so well here is the magical weirdness of wizardishness juxtaposed against normalcy. Eeylops Owl Emporium is just a pet shop to wizards. A woman makes a very mundane complaint about the price of goods, but the goods happen to be dragon liver. Broomsticks are treated like cars. All of these small moments contribute to the feeling of the wizarding world being alive, inhabited, and also magical. It gets you to ask the question of what your life would be like if you were a wizard. What do wizards wear? What do they eat? What do they haggle over and complain about? What do they do for fun?

In Book 3, Harry enjoys Diagon Alley for a few weeks when he suddenly has free time, and we get to experience the wizarding world in a state of “normalcy,” when he isn’t trying to save the world. He gets free ice creams from Florean Fortescue, gazes longingly at the Firebolt, and engages with delightfully weird people. He’s a wizard, living a (briefly) normal wizard life among other wizards in wizard-land. And that is fun. It’s so fun, that people want that experience for themselves, enough for there to be several theme parks and other immersive experiences dedicated to recreating the world of Harry Potter.

One of the greatest things about Universal was its phenomenal attention to detail. You can hear Moaning Myrtle’s voice in the women’s bathroom, and only the women’s bathroom. The walls of the Three Broomsticks have shadows of a broom sweeping by itself and an owl flying projected against the wall, so convincingly that you’ll do a double take when you see it. Knockturn Alley is down a little secret tunnel off of the main street, and that’s where you have to go to buy Dark Arts-themed stuff. It’s really well done.

Another thing that contributes to the vibe, in my opinion, is that the wizarding world is slightly macabre. They eat candy shaped like frogs, flies, mice, and so forth, and they have gross-tasting jellybeans. In the film’s version of the Diagon Alley sequence above, there’s a random shot of a pet bat available for purchase. In the third film, when Harry is practicing the Patronus Charm with Lupin, the candles are shaped like human spines. In the first book, this is Petunia’s description of Lily’s behavior after she became a witch:

Oh, she got a letter just like that and disappeared off to that-that school, and came home every holiday with her pockets full of frog spawn, turning teacups into rats. I was the only one who saw her for what she was — a freak! —Philosopher’s Stone, Chapter 4

I remember reading this for the first time, and it just kind of made intuitive sense to me. I suppose it fits into the “eye of newt and toe of frog” association between magical people and gross things, but somehow it works. Unfortunately, this is retconned later with the knowledge that wizards can’t use magic outside school, but before that limitation gets imposed, the idea of Lily amusing herself by turning teacups into rats seems like an inherently witchy thing to do.

That association between magic and the macabre shows up elsewhere, as well. In The Owl House, Luz’s interest in gross things is one of the things that marks her as a “weirdo” in the real world. When she goes to the magical world of the Boiling Isles, weird and gross stuff is absolutely everywhere. That world’s vibe leans more towards the macabre than the whimsical, but it works because you sort of expect the gross stuff to exist alongside the concept of witches, and that they would be an intrinsic part of the world they inhabit. You don’t question it, because it’s part of the vibe.

(The Owl House is one of the few things I’ve encountered that has a similar vibe to Harry Potter, but it’s still not the same vibe. In fact, The Owl House outright mocks the expectation that magical worlds be whimsical, and directly mocks Harry Potter more than once. The overall vibe is much closer to Gravity Falls.)

The Harry Potter films utilize a lot of similar soft worldbuilding with the background details, especially in the early films that were still brightly-colored and whimsical. For example, the scene in Flourish and Blotts in the second film has impossibly-stacked piles of books and old-timey looking signs describing their subjects, which include things like “Celestial Studies” and “Unicorns.” When Harry arrives in the Burrow in the same film, one of the first things he sees is dishes washing themselves and knitting needles working by themselves, taking completely mundane things and instantly establishing them as magical. In that Patronus scene with Harry and Lupin, the spine-candles and a bunch of random orbs (and the obligatory giant armillary sphere) float around in the background. One small detail that I personally appreciate is the designs on the walls above the teacher’s table in the Great Hall, which are from an alchemical manuscript called the Ripley Scroll:

It’s all these little things that add up to produce The Vibe.

Obviously, much of the vibe is expressed very well in John Williams’ score for the first three Harry Potter films. The mystical minor key of the main theme, the tinkly glockenspiel, the strings, the rising and falling notes that mimic the fluttering of an owl, the flight of a broomstick, or the waving of a wand. That initial shot of the castle across the lake as the orchestra swells, as the children arrive at their wizarding school:

If you grew up with Harry Potter, just looking at this image gives you The Vibe. The nostalgia hit is definitely part of it, but The Vibe was already there, back when you were a child and you didn’t have nostalgia yet.

In my opinion, only Williams’ score captures this vibe — the later films, though their scores are very good, do not. But the soundtrack of the first two video games, by Jeremy Soule (the same person who did Skyrim) absolutely nails it. This, right here, is Harry Potter’s vibe, condensed and distilled:

youtube

This is why I feel invalidated by the common advice “just read another book.” I have read other books. I’ve read plenty of other books, many of which are wonderfully written and have left an impact on me. But there’s still only one Harry Potter. To date, there’s only other book that has filled me with a similarly intense longing for a fictional place, and that is The Night Circus by Erin Morgenstern. That book deliberately prioritized atmosphere over everything else in the story, and actually lampshades this in-universe. The Night Circus has a plot and it has characters, but it’s not about its plot or characters. It’s about the setting and its atmosphere. It swallows you up and transports you to a fictional place that is so evocative and so magical that you just have to be part of it or you’ll die. And even then, The Night Circus has a different kind of vibe from Harry Potter. In this particular capacity, there’s nothing else like Harry Potter.

The thing is, I don’t think Rowling was being as deliberate as Erin Morgenstern. (In fact, given many of Rowling’s recent statements, I question how many of her creative choices were deliberated at all.) She was throwing random magical stuff into the background without thinking too hard about it, which works when you’re writing a kids’ story, but stops working when you try to age it up. Actually, scratch that — soft worldbuilding is definitely not just for kids! The Lord of the Rings has a soft magic system, for crying out loud, and Tolkien is the original archmage of worldbuilding. Don’t listen to anyone who tells you that prioritizing atmosphere over meticulousness is bad worldbuilding. That is a valid way to worldbuild! Not everything needs to be clearly explained, not everything needs to make sense. The problem is that Harry Potter doesn’t balance it well. Certain things do have to be explained in order for the magic to play an active role in the story (and the setting of a magic school lends itself to that kind of explanation), but no rules are ever established for the kinds of magic that need rules. When you begin thinking about the rules, you’re no longer just enjoying the magic for what it is. At worst, you begin running up against the Willing Suspension of Disbelief.

It wasn’t actually the “aging up” of the story that did it in, per se, but rather, the introduction of realism. The early books were heavily stylized, and the later books were less so. A heavily stylized story can more easily maintain the Willing Suspension of Disbelief. That’s why, for example, you don’t ask why the characters are singing in a musical — you just sort of accept the story’s outlandish internal logic, and the inherent melodrama of it doesn’t take you out of the story. Stylized stories are more concerned with being emotionally consistent over being logically consistent. The later Harry Potter books changed their emotional tone, but without changing the worldbuilding style to compensate.

In addition to the more mature themes and darker tone, Harry Potter introduced more realism as it went, but Rowling did not have the worldbuilding chops to pull this off. There’s the basic magic system stuff: When you begin thinking about it too hard, something like a Time-Turner stops being a fun magical device, and starts threatening to break the entire story. Then there’s the characters: Dumbledore leaving Harry on the Dursleys’ doorstep in the first book is an age-old fairy tale trope that goes unquestioned, but with the introduction of realism in the later books, it suddenly becomes abandonment of a child to an abusive family. The exaggerated stereotypes of characters like the Dursleys become tone-deaf. The fun school rivalry of the House system is suddenly lacking in nuance. And then there’s the shift in tone: The wizarding world that we were introduced to as a marvellous place is revealed to be dystopian. You start thinking about how impractical things like owl messengers are, you start wondering if Slytherin is being unjustly punished, the bad history appears glaringly obvious, the quaint archaisms become dangerously regressive. Oh, and the grand feasts are made through slave labor! The wizarding world suddenly feels small and backward instead of grand and marvellous. J.K. Rowling’s bigotry throws it all into an even harsher light.

This is why I’ve always preferred the early books and films to the later ones. There’s a lot of things I like about the later ones, but they’re not as stylized — they don’t have The Vibe. Thinking about things too hard is just a necessary condition of adulthood, but it’s still possible to tell a dark, mature story that is highly stylized. I really think JKR could have better pulled off that shift if she was a more competent worldbuilder. But it is painfully obvious that she did not think things through, and probably didn’t understand why she had to. In her defense, she did not know that her story would end up being one of the most scrutinized of all time. As it stands, her strength in worldbuilding was in the softer, smaller, deliberately unexplained moments of magic that were there just to provide atmosphere. And there were less and less of those as the books went along.

Pretty much all the Harry Potter-related content released since the last film — including Cursed Child, Fantastic Beasts, Hogwarts Mystery, Hogwarts Legacy, Magic Awakened, and that short-lived Pokemon Go thing — have been unsuccessful attempts at recreating The Vibe. In fact, the only piece of supplemental Potter content that I think had that Vibe down pat was the original Pottermore, back when it was more of an interactive game. And of course that got axed. That was right around the time things started going downhill.

Some of the art from Pottermore’s original Sorting quiz.

So what now? Well, that’s the question.

I think I can safely say that The Vibe was the reason I liked Harry Potter. It’s the thing I still like the most about it. I’ve spent years chasing it, like an elusive Patronus through a dark wood. If I can capture and distill that Vibe, and use drops of it in my own work, then perhaps I won’t need Harry Potter anymore.

I'm gonna write the story that I wish Harry Potter was, and when I'm a famous author, I won't become a bigot. I'll see you on the other side.

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1800-page-not-found · 5 months ago

Text

■■ (Kim Dokja x Reader)

in honor of the latest chapters of the manhwa

reincarnated reader x kim dokja

not really romantic, more like how kdj and yjh are to each other

i think i might open req again but probably just writing about orv.

in which the reader reincarnates and they become a streamer for 'our' earth in the orv world, representing every reader from 'our' world.

---------

[Kim Dokja will be killed by the person he loves most.]

They still...messed with kim dokja's fate. Damn it!... You bit your lip in frustration. You made sure he wouldn't become a constellation, so why?! You became a constellation in his stead, all for this!

You looked at your stream of viewers, who were just as anxious as you.

No... I won't let it end this way. You closed your eyes. This was a very risky bet.

[The constellation '■■■■■■■■■■■■' has used their life force to call upon an outer god.]

[The constellation '■■■■■■■■■■■■' has changed ■■]

[Many constellations have marked the constellation '■■■■■■■■■■■■' an enemy.]

[Many constellations have start to fear the constellation '■■■■■■■■■■■■']

Originally, the outer god, Eater of Dreams should have appeared. However, probability has increased to an amount where an outer god can not handle.

[A new being has appeared!]

Ņ̷̛̰͇̹̈́ó̶̳̫̯̦̘̣̊̃̈͐!̸̭͉͇͙̊̑̈̎͌ ̶̼͕̄̀́I̷̲̓̐̀̀͘'̵̬̦̤̂̐͒̔̋̉̓͜v̵̨̢̛̝͕ě̶̹͈̣̜͉̱̿̒̕ ̷̙͓̮̐̓̊̃́̈́a̷̗̣͎̩͗͊͌̈́̂̓l̷̡̗̤̘͇͊̔͐̈́w̴̟̘̺͓̬̬̼̃̋̇͝a̵̧̛̤̰̾͋y̸̞̳̫͐s̷̬̹̤͇̦͆̒͛͆͊̚ͅ ̶̦̫̳̆̅̍̉͘̕͜͜b̶̩̮̽̅̕͘e̷̞̺̖͉͆̈̽͘è̸̯̫̣̩̏͠n̵̡̮̩̟̏͜ ̷̨̮͉̤̬͈̊̆̀̽̐͘h̵͙̅̉̌̄͌̓̐e̷̜̹̱̬̘̠̒͝ͅŗ̸̰̭̭̄ė̴͔͔͐̏͛͘!̵͕̥̠̊̐

[A new fable has been created.]

Ḧ̶͓́͛̀ō̴̡͎͈̱͓̰̫̊̂͋̀̚͝w̶̢̨̐̊̈́̉̕?̷̜͍̭̜̮̅

[Great Fable, 'Fantasy's Single Observer', has been acquired.]

[Everything's and Nothing's Only Fear has been found.]

[Everything's and Nothing's Only Fear is you.]

[The Constellations watch [L. Name] [Name].]

[■■ will be reached very soon!]

You are dying...You? Me? [Name].

[The viewers of your stream have decided unanimously.]

[Legendary Fable, 'A Unanimous Vote', has been acquired.]

[Everything's and Nothing's Only Fear's 'Home' will consume this universe.]

"I refuse to let the dominos fall." You looked up at the constellations. "I'm sorry. You will all cease to exist."

Yoo Joonghyuk stared at his companion. He then went to check again at his attribute window. His sponsor was gone. So was his Stigma. Looking at other people's reaction, theirs were too.

[Great Fable 'What is a Constellation?' Has been acquired.]

[You are now the sole constellation to exist.]

[The rebirth of the world has started.]

Then, everyone got a new message.

[Sorry! You do not exist yet.]

"Wha-?" Before anyone could react, suddenly, nothing existed.

And then it did.

-13.8 billion years later.

Kim Dokja sat on the train, reading The World After the Fall. He couldn't wait to go home and eat the great food his roommate cooked. He got off his stop, walking home. He put the phone in his pocket and looked around himself. His eye caught a poster of his roommate, plastered onto a billboard.

Damn...it's so unfair! He thought. He gets to play games and be handsome? He even makes more than I do!

He reached the place he called home, and stepped in, taking off his shoes. "I'm home!" He shouted.

A little girl ran up to him. "Ahjussi!" She jumped into his arms.

Kim Dokja laughed dryly. "Mia-ya, you don't have to call me that...I'm not that old you know..."

"Huh? But Joonghyuk-oppa says I should!" Ah that bastard...

"Ah is that so?.." He carried her to the dining room. "Let me call my mother before we eat alright?" He smiled, placing her down on a chair.

"Okay!"

He went into another room and dialed his mom. "Dokja?" He heard his mom say.

"Omma, how are you doing?" He said warmly.

"Its good, I have Yoosung and Gilyoung to keep me company. Along with Biyoo too. She keeps getting cat fur all over me though." She laughs light heartedly. "How about you?"

"I'm doing well, I quite like it."

[■■ will never be reached.]

[The world will continue forever.]

[No one's story will end.]

['A being who swallowed a universe' watches over the one she loves most, Kim Dokja]

y̸͍̔͋ō̷̟͚̣̣̪̱̐̏͜ṷ̷̧̮̘̐͊̌̏́̕̚ ̷͖̯̆̑̔̈̾̊̈ẘ̶̡̻̯̫̮͊̂i̸̛͈̠̬̝̿̇̈l̸̨̯͚͍̹̝̰̮̹̎̅͛́l̵͚͈̭̀ ̷̣̘̻̜̮̰̏̀̋́̉̓̈͊̾̎n̵͕͇̪̭̳̖̼̘̯̄͗̂̚ͅȩ̵͍̪̭͙̞́v̴̪̉̉̄̽̿͆͛̌͠ę̶̛̹͎̙̞͈r̵̜̲̞̙̠̣̘̝̝̫̈́̽̅̈́͌͑͗ ̵̨̢͍̼͈̱̪́͌͜͜b̵̯͔̜̹͚̩̗̌́̏͒̑͌̾͘͝ē̷̡̜̭̟̞͔̳͕̘̟̊͂ ̷̪̈́̐f̸̟̣͎̪̟̞̳̥̯̝̈ŕ̴̛̺̯̤̤͚̰͖̥̲̐͗͊̀͐ͅḙ̷̬̣͎͂͌̽ȩ̵̻̹̖́̉̃͌̏̀̃ ̵̢̧̭̘̙̝̞̻͋̈͐̽̆̅̚ͅt̶͓̩̊́̃͐͑̂̐͘ḥ̸̥̺͓͌̃̚͜͝͝͝͠o̵̢̢̻̥̝̥̪͍̝͓͛͛̆͋̍ṷ̸̢̥͕͎͖̘̥̀̓̿̌̐̊̃͜g̶̢̬̘̥̻͙͍͎̀̏͋ḩ̸̻̳͚̟̜̖̘̰̱͊͒̆̾̅̃͒͑̏,̷͎̮͌̈̾ ̸̛̗͖̗̳̜̰̎̕ạ̸́̀̈́r̶̛͇̜̘̼͍̲͛͂ͅȩ̴̘̙̳̪̗̍́͜ͅ ̷̳̅͋́̋̾̍͝y̸̖͛̎̏͂́͠ǒ̵̥̜͉̹̺̘̊ǘ̴̺͔̅̃͋̌̋̄ͅ ̵̡̬̫̳͙̝̼̦̔͒̓̀̃̍̈́̕͝͝ͅs̷̺̝̻͎̄̔́͆̏̑͑͆͝͝t̵͔̪̙̾͂̊̚͝i̴̧̺̘̫̘̅̽̽̆̋́̏͐͂ļ̷̰̤̼͌̽̏̽͋̓̑̓̏͠l̷̤̩̲͗̇͑͐̆͗̄͝ ̴̢͑͘h̷͈̠̤̦̳̍͑͑ä̷̡͈̖̫̻̰́̓̈́̐͠͝p̵̢̧̱̤̞͓͒̈͛̔̂́͐p̵̪̩̎̄̾̑̐͐̉̈́̐̀͜y̴̢͙̜̱̖̣͉̪̌͌̏͂͊͠͝ͅ?̸̡̢͎̟̠̇͊̀̂̉̚̚̚

Yes.

[The stream has ended.]

[Stream time: 13.8 billion years, 5 months, 3 days, 9 hours, 7 minutes, and 4 seconds]

-----------

This is my once in a blue moon post to say im alive! I've dropped genshin but I'm still into orv but ive forgotten like everything so im gonna read everything again if i have the motivation to.

This was kinda rushed cuz i spent most of the time trying to remember how orv worked lolol

#orv x reader #omniscient reader's viewpoint #orv #omniscient reader's viewpoint x reader #kim dokja x reader #kdj x reader #kdj #kim dokja #manhwa x reader

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spooky-pomegranate · 2 months ago

Text

Eyes on Fire (pt 6)

*Enemies to Lovers inspired by the Year Zero music video*

Papa Emeritus II x Reader (18+) Word Count: 9.3k Read on AO3 Get caught up: Part 1, Part 2, Part 3, Part 4, Part 5

Summary: Your daily life is upended after becoming Secondo's assistant. Meanwhile, Secondo comes to a startling revelation as he struggles to keep his emotions in check.

*apologies for the delay. literally fell down a flight of stairs and broke my hand. but we're back baby and better than ever. (Dividers by @wrathofrats)

Out beyond the summer gardens, there is a seldomly walked path. It twists and turns around broken trees, large boulders, and the placid waters of a glacial lake. There’s nothing important on the path anymore, or at least that’s what the upper clergy tells its youngest siblings, but the footpath is dangerous. It’s been decades since the ministry diverted funds away from maintaining it to build a straighter and safer walkway from the Abbey down to the lake’s oftused beachfront. Any markers that used to stand along the old route are long gone and the only indication a path used to exist at all are the faint traces of gravel that peek out from blankets of fallen leaves and overgrown grass.

Most sane people avoid the old path. It’s not worth the risk they say. But every morning two creatures, one man and one ghoul, walk that crooked and crumbling path and neither is afraid…because they both know a secret. That at the very end of the path lies the most magical place on the Abbey’s grounds.

The sun was still asleep as Secondo and Alpha walked along the forgotten pathway until they reached a chapel. Although it should be noted the chapel didn’t look much like a place of worship. It much better resembled an ancient ruin. Only three stone walls remained standing. Two were at half their original height and the third somehow still towered over Secondo’s head. There was no door. It had rotted away centuries ago, and the floor made of stone, was covered in a layer of dark green moss that was so thick it felt like a heavily weighted carpet underfoot. The only piece of furniture left in the ruins was an altar that had been crafted long ago from beautifully marbling petrified wood. But despite its well-worn appearance, when Secondo found this place years ago he immediately knew it was special. He could feel it in the air.

Anyone who enters the Abbey, whether they are a follower of the Dark Lord or not, can feel dark magic around them. It’s often been described as an incorporeal haze. Although unseen, it lingers in every corner of the building and sits a bit heavy around you. In certain places, like the crypts and the ghoul dens, the haze is stronger. You can feel it physically. It brushes against your skin like a soft summer breeze or the flutter of silk bedsheets. But in all his years living in the Abbey Secondo never found anywhere where the haze was as strong as it was in the old chapel.

So it’s here that every morning Secondo comes to start his day, to offer his thanks, and to hope that maybe today will be the day the Dark Lord finally speaks to him. Normally each morning in the crumbling chapel is the same. Secondo kneels before the altar repeats a round of prayers and offers any confession he deems necessary. Alpha kneels quietly beside Secondo and speaks only when spoken to. Any prayer the fire ghoul makes to his Lord is a silent one. This routine never changes. Every day is the same.

But the morning after your stunt in Secondo’s bedroom, things went differently. Before Secondo could kneel Alpha was apologizing, spilling out words faster than Secondo could acknowledge them.

“I’m so sorry about last night Papa. I didn’t want to disobey you. I should have never allowed it. I didn’t mean to offend-” Secondo held up a gloved hand and the fire ghoul caught his tongue.

“It’s fine, Alpha.”

The ghoul’s eyes snapped from the mossy ground up to his master, “Really? You’re not upset?”

“Really,” Secondo answered truthfully. “I asked you to make sure she wanted for nothing and you did as I asked. I cannot be upset with you for that.”

“Thank you, Papa,” Alpha sighed before bowing his horned head and inhaling deeply. Secondo eyed the ghoul carefully, looking over every inch of his guard. Alpha looked tired. Worn down. Exhausted. His shoulders rolled forward and his orange eyes looked more dull than normal.

Secondo wondered if the fire ghoul was as burnt out as he was.

Since his summoning two decades ago Alpha had always been a quiet ghoul. He hardly ever initiated conversations with humans and if the whispers around the Abbey were to be taken as truth, Alpha’s silence was born from his deep-seated distaste of human nature. Secondo knew that wasn’t really true but he saw how siblings often gave Alpha a wide berth when they passed him in the halls. He heard the names they called him. Most siblings avoided ghouls. But they practically ran from Alpha.

Secondo never understood the cruelty. He had never really minded the fire ghoul’s reticence. He’d actually asked Primo for care of Alpha because he liked the ghoul’s quiet nature so much. It didn’t hurt that Alpha was more reliable and trustworthy than any sibling Secondo had ever met.

And they had an understanding.

Or so he thought.

Secondo had always assumed that Alpha enjoyed their quiet moments together and lack of idle chit chat, but looking at the fire ghoul now he was starting to wonder if Alpha’s care was another item to add to his list of failures. Had he ignored signs that Alpha was struggling? Should he have been checking in with him more? Was Alpha suffering in silence like he was? Did he even like being by Secondo’s side?

“Alpha?”

“Yes.”

“Are you happy?”

In all their time together Secondo had never asked Alpha that question. He wondered it many times but self-preservation had always held his tongue. Secondo had faults. He knew that. He wasn’t completely blind. But if Alpha hated him. If he hated his daily life then Secondo might just fall apart. He couldn’t be Papa alone.

“What do you mean, Papa?”

Santanas.

He was going to have to spell it out. Secondo wanted to dig a hole in the moss under his feet and bury himself alive.

“Are you happy by my side? Do you enjoy your life,” Secondo paused, swallowing against the self-preservation that had somehow turned to ash in his throat, “Do you enjoy your life with me?”

Alpha blinked.

Secondo knew Ghouls were terrible liars. Something in their design made them brutally honest. It had something to do with being born from the brimstone of His fire. Or maybe it was because they were formed by the make of His hands? Secondo could never quite remember how the story went. Primo had told it to him so long ago when he was just a boy. But Secondo knew that while ghouls could joke and play around… for the most part they spoke plainly when asked direct questions. Normally that was something Secondo admired. He liked honesty. He liked people and creatures who spoke the truth. But right now Secondo wished Alpha was more human than hellspawn. He wished he would lie. He wished for anything but the truth because he knew it would sting.

“No.” There it was. The answer he knew was coming. The sting hurt more than he’d expected. “No, most days I am not happy with you Papa.”

Secondo turned away from Alpha and looked at the crumbling chapel wall. He felt like a fool. After so much failure the fire ghoul had been the only thing keeping him grounded. He’d been the only one who’d stood by his side. But now Secondo was realizing that maybe that was a bad thing. Maybe it was selfish to hold on so tight. Maybe he should set Alpha free. After all, why should two people drown in misery when one is far less cruel?

“Would you like to return to Primo?”

“No, Papa.”

“Are you sure?” Secondo asked finding the courage to turn and look at his ghoul. “He will welcome you and your place in the band won’t change unless you want it to.”

Alpha blinked again and Secondo tried to brace himself for another sting. “I don’t think my life here is about being happy. I know you’re doing important work and I want to be a part of your legacy.”

Secondo didn’t know what to say.

He didn’t know if he liked that answer.

“But I was happy yesterday…”

…with her.

Alpha left the final two words unspoken and Secondo was thankful. His self-preservation was already teetering on the brink of collapse and he couldn’t bear to be pushed any further otherwise he’d have to die right here in this run-down place.

Secondo hummed in affirmation before closing his eyes.

Alpha had been happy with you.

You.

Secondo thought of you.

He thought of your eyes and how differently they had looked at Terzo last night. He thought of how happy and relaxed they’d been, pupils for once not blown wide from anger but instead sparkling with joy. Their iridescent color simply shining. He thought of your hair and how he’d finally seen it free from your veil. He thought of how soft your curls looked falling in waves around your bare shoulders. He thought of your face and how your lips had twisted up into that saccharine smile. A smile he’d never seen before and wondered if he’d ever see again.

You had been happy.

Alpha had been happy.

Everyone in his entire damn room had been happy.

There had been so much laughter, dancing, and joy. There had been so much happiness so much glee…and then he’d ruined it. Snuffed it out like depriving a flame oxygen. Secondo took a deep breath and tried to push away his own self-loathing.

He thought of you again and the ache in his chest started to burn. It spread moving from deep in his lungs out until everything burned. Then suddenly Secondo started to cough. He coughed so hard that his eyes watered and Alpha immediately came to his side. A clawed hand gripping his shoulder.

Secondo waved him off, trying to compose himself but the haze… it had never been this thick in the chapel before. Secondo could feel it sticking to his throat and sliding down into his belly. And then for the first time in his life, Secondo tasted dark magic. It was sweet like honey and floral like roses.

If only he could have known how he would be chasing that flavor for the rest of his life.

Apparently, you weren’t just Secondo’s Imperatrix. You were his assistant now too.

You showed up to Secondo’s office at six am as he’d asked and were greeted with the biggest stack of paperwork you’d ever seen. The daunting thing dwarfed the tiny desk you’d been given and spilled onto the floor and over the carpet in Secondo’s office. There wasn’t much of an order to things and Secondo’s instructions on getting through the pile had been curt. Sign these. Edit this. Transcribe that.

But truthfully you were thankful he didn’t have much more to say to you. You didn’t want to talk about what happened last night. You’d done enough of your own cross-examination, staying up half the night replaying it over and over and over again in your head while trying and failing to fall asleep.

You’d nearly let him kiss you. What in the actual fuck had you been thinking? Papa Emeritus the Second. You’d actually let him corner you, and touch you, and tease you, and for some ungodly reason when it was all happening, you had wanted it. You had wanted him. Something in you had shifted and you became an animal motivated solely by the lust of their heat. Warmth had coiled in your belly like a snake and even a cold shower hadn’t been enough to quench what he’d started. Embarrassingly the only thing that eventually helped you get to sleep was the little battery-powered toy you kept in your bedside table.

In the daylight of his office, knowing that you had made yourself come thinking about Secondo made you squirm. All that teasing had probably meant nothing to him anyway. You were probably just another sister in a long line of siblings he played games with. You felt toyed with like a mouse batted about by a house cat. Embarrassment was creeping in, especially since he hadn’t spent more than a few seconds looking at you since sat down at your new desk.

Secondo was focused on his own stack of paperwork. While it wasn’t nearly the same size as yours he never seemed to take his eyes off it. He barely even took a second to blink. The man worked like a dog.

If Secondo wasn’t signing papers he was on the phone. And when he wasn’t on the phone he was writing sermons and speeches and internal documents that were somehow all passed due. He never took a break, stretched his legs, or stopped for a sip of water. With everything expected of him, you started to realize there wasn’t time. There was always more to do, someone to answer to, or something that needed to be fixed. But Secondo was like a machine. He never ran out of steam. All you could do was try your best to keep up and before you knew it half the day was gone.

Your head was pounding from so much reading and writing that you nearly cried tears of joy when the lunch bells rang.

“Should I call the kitchens and tell them you’ll be in the dining room shortly, Papa?”

You stood up for the first time in hours and walked around the desk, feeling the stiffness in your legs from sitting for so long. Secondo finally looked up from his work and his mismatched eyes met yours.

“No, I’m not hungry. Just bring me a cup of coffee and some water from the dining hall,” he replied coldly before turning back to his papers. You nodded and scurried out of his office thankful to finally look at anything besides the horde of papers.

As you walked through the Abbey toward the dining hall you spotted Mountain as he tended to some of the Abbey’s ficus trees in the main hall. With a pair of sheers in his hand, he looked up and offered you a warm smile that crinkled the corners of his eyes.

“Hey, little flower. How’s your head?”

“Ugh,” you groaned posting up against the cool stone wall as you watched him primp and prune the small tree. “I don’t know why Alpha likes absinthe. I felt like there were bees in my head this morning.”

Mountain chuckled before setting down his sheers and picking up a water canister at his feet. “Well, I had a great time. Dew won’t shut up about it either. Says he wants you to throw him a birthday party next week.”

“Wasn’t his birthday last month?”

“Yeah,” Mountain said moving further down the hall to another cluster of trees that needed watering, “but he said the one we threw him was lame.”

“What?!” you cried following Mountain as he inspected the soil, digging his large fingers into one of the ficus’s pots. “He literally rode a bear!”

“I know! That’s exactly what I said. Little guy’s never satisfied,” he said shaking his head. “But anyway, how are you? Or maybe a better question is how much trouble are you in with Papa?”

You paused for a moment and watched Mountain work. His fingertips idly traced the soft petals of a ficus tree inspecting it for rot and insect damage. It was amazing how such a large creature could care for something so fragile.

“None,” you answered.“ I think Papa promoted me.”

Mountain’s fingers froze over the leaves before he turned to look at you fully. “He what?”

“I’m his assistant now I guess. He asked me to come to his office this morning and I’ve just been doing paperwork since. I was headed to get him some coffee now actually.”

Even though Mountain was masked and the only sliver of his face you could see were his emerald eyes you could tell he was shocked. His dark green pupils blinked at you slowly, like he was trying to calculate the speed of the earth’s orbit divided by its distance to the sun.

“You’ve got to be the only person in this place who can get away with what you did last night.”

“Yeah maybe…” you trailed off before suddenly remembering something important you’d been meaning to ask Mountain. “Hey. While we're here I have a weird question for you. It’s about Primo’s garden.”

“Shoot, little one.”

“Have you seen any snakes out there lately?”

“I don’t think I’ve ever seen any actually. Pretty sure Primo does some sort of magic to keep them away. Looking for a new pet?”

Apparently, you were going to have to take a trip out to the gardens and ask the old Papa some questions. But that was fine you were overdue for a chat with the eldest Emeritus anyway.

“Nah. It’s a long story. There’s a lot I need to tell you. But I really need to get going,” you said picking up Mountain’s watering can and handing it back to the big ghoul. “I probably shouldn’t test Papa’s patience anymore after last night.”

“Why don’t you come to the dens tonight? Aeth is cooking and I can make you a batch of the new tea I’ve been working on.”

“Sure Mount,” you called out over your shoulder already walking toward the dining hall, “See you then.”

The dining hall was busy.

Siblings and clergy members piled in from all corners of the Abbey, settling down at the long wooden tables for their midday meal. The room smelled of hearty stew and freshly baked bread. Summer was ending quickly and the kitchen staff had already started to transition from lighter fare to heavier, colder-weather meals. You’d miss the strawberry salads and cold gazpacho but fall was your favorite. Spiced cider, fresh apples from the orchard, warm shepherd's pie, those were the best.

You grabbed a large tray from the end of the buffet and waited in line. With every minute that passed a quiet pounding started to grow against your temples.

Thud. Thud.

You could feel it. A migraine was starting to build. The warm food couldn’t come quickly enough.

As you approached the front of the line, you selected a portion of the hearty stew with chunks of tender venison and root vegetables, a slice of warm crusty bread, and a generous helping of crisp apple slices drizzled with honey.

“Is that all Sister?” One of the kitchen staff, an older brother with dark hair greying around his ears, asked.

Thud. Thud.

The pounding in your head grew louder.

“Actually uh…” you stammered, looking down at your tray and smelling the delicious food. “Can I have a second serving of the same thing?”

“Sure thing,” the brother replied with a kind smile, ladling another portion of the stew into a second bowl.

Secondo might get pissed but you were going to bring him back food. If he was anything like you, or even remotely human, you wagered he was sporting a similarly splitting headache.

You carried the loaded tray before collecting two cups of coffee and two glasses of water from the drink station. Balancing the stacked tray, you navigated through the bustling hall and carefully avoided any wandering feet and stray elbows. But just as you were about to walk out the door a high-pitched voice called your name.

“Sister… sister wait up.” The corners of Sister Luciana’s lips quirked upward, but her twisted and forced smile didn’t reach her eyes as she jogged over to you.

“Sister Luciana,” you replied, setting your heavy tray down on a nearby table. “What can I do for you?”

“Oh aren’t you so sweet,” she cooed and you had to bite your lip to keep from rolling your eyes. “I just wanted to see if you’re okay. No one’s seen you in two days and I’ve been so worried about you.”

Satanas. How fake could one person be?

“Thank you for your concern, Sister Luciana,” you replied politely, masking your annoyance. “I was under the weather but I’m better now.”

It’d be a cold day in hell before you’d tell Luciana the truth that you’d blacked out in the catacombs after talking to Lucifer and were held hostage by Papa in his suite for 24 hours.

“Glad to hear you’re feeling better,” Sister Luciana replied. Her eyes scanned you from head to toe like she was trying to catch the lie on you. “I gotta tell ya I heard some of the younger sisters talking, you know how they like to gossip, and some of them seem to think you’ve been promoted to Secondo’s assistant. There’s no way that’s true right? He wouldn’t choose you for that.” Luciana’s eyes darted from you to the tray and the two servings of stew steaming on it.

It was people like Luciana who reminded you why you avoided friendships with siblings. Anyone overhearing your conversation probably thought she was a concerned friend. Merely a sweet sister who was worried about you after your prolonged absence. But you knew better. This conversation had nothing to do with you. Luciana only ever looked out for herself. If she was here in the dining room at lunch it meant she wasn’t in Papa’s dining room. She was just worried that someone was taking away her access to Papa. And for a sibling like Luciana power and status were everything.

“You know how rumors spread like wildfire around here,” you said, forcing a casual laugh. “But who knows what goes on behind Papa’s doors right?”

The skepticism was obvious in Sister Luciana's eyes, but you tried to keep your expression neutral. She smiled at you again and wished you better health. Luckily you were able to slink away without her pestering you further.

You briskly walked through the halls of the Abbey, the tray heavy in your hands as you made your way back to Secondo's office. The pounding in your head had only gotten worse after talking with Luciana, and with each step, you could feel your pulse beat through your skull.

When you opened the door to his office, Secondo was in the same place you’d left him, seated at his desk with the big stack of papers in front of him. His brow was still furrowed deep in concentration.

“I brought you some lunch,” you said, setting the tray down on the tiny open corner of your desk. “I know you asked just for coffee, but they had stew today and it just smelled so good I thought you might want some.”

For the first time all morning, Secondo looked up from his work. His eyes darted between the tray of warm food and you.

He stood from his desk and you braced yourself for a reprimanding. You closed your eyes and waited for the fire and fury to rain down on you.

Thud. Thud.

The pounding in your head shifted to your heart.

Thud. Thud.

It was going to burst.

You shot your hand to your chest and rubbed tiny circles trying to massage away the pain.

But then the cool slide of leather brushed against your chin and you opened your eyes. Pain forgotten, Secondo tilted your face to meet his gaze. You stared into marble white and mossy green. You had expected his eyes to darken the way they did when he was angry, the green becoming nearly black and the white more piercing than an arrow. But Secondo wasn’t looking at you like that.

He looked thankful, pleased, and dare you say it… glad.

There was a moment before you remembered to breathe.

You could smell him. Cologne, spice, and incense. The swirling muddled scent clung to everything. You swallowed it all down but the beast from last night returned and it wanted more.

To taste… would it be so bad to push forward and just have a taste of him?

Your lips parted and you breathed in deeply.

“Thank you,” he said simply, his voice barely above a whisper as his thumb brushed against your cheek. “You didn’t have to bring me this.”

Then without another word, Secondo’s gloved hand slipped from your jaw, he picked up his bowl of stew and returned to his desk.

Thud. Thud.

As Secondo walked away the pulse in your heart returned to your head.

You’d almost let him do it again.

You idiot.

You foolish and reckless fucking idiot.

What the fuck was he doing?

Had he lost his damn mind?

Between this morning's incident in the chapel and whatever the fuck was happening to him now Secondo needed a minute to just… be. He needed to collect himself.

He was thankful for the stew. The monotonous motion of simply lifting his spoon from the bowl to his mouth and back again gave him some cover. And he was thankful for it because he was spiraling. His mind was all over the place and if he’d even pretended to go back to his sermon he was sure you would have seen right through him.

He’d touched you.

Again.

He had touched you.

The same way he had last night and it hadn’t been some kind of power play or show of dominance this time. He’d touched you simply because he’d wanted to thank you but words hadn’t felt like enough. But why… why didn’t words feel like enough? You’d just brought him soup. You hadn’t brought him the moon.

Last night he had meant to tease you. All he’d wanted was to get you worked up again but somehow he’d ended up touching you. He’d cupped your jaw and slid into your space before even realizing what he was doing. And you looked at him the same way you had just now.

Your lips had parted, your breath had held, your eyes had softened, pupils growing and darkening, lashes fluttering, cheeks turning red, and you had looked… you had looked just for a moment… just for the smallest sliver of a second like you didn’t hate him. Like he wasn’t a monster. And you had…

No.

Stop it.

Focus.

Swallowing the lump in his throat, Secondo cleared his mind and forced himself to concentrate. You weren’t supposed to be a distraction. You were here to learn from him and to serve Him. Whatever tricks his mind was playing on him he would squash. He would bury them inside just like he did so many other of his emotions. He had to remember what was important. What was at stake.

The catacombs.

The book.

His voice.

His guidance.

His legacy.

You were another test. He couldn’t forget that so Secondo ordered himself to focus. He finished his lunch quickly and tried his best to avoid looking at you as he returned to his work… but the ache in his chest persisted, a gnawing hunger that had nothing to do with the stew he had just eaten.

You sighed as you stared down at a particularly confusing text and Secondo couldn’t take it anymore. He pushed back from his desk. His papers now forgotten and stood abruptly. His chair screeched against the stone floor, echoing loudly in the room.

He needed air. He needed space. He needed to get away from the suffocating walls that seemed to close in on him every time you were around.

“Papa?” you called out softly.

Secondo ignored you and stormed past your desk, throwing open the heavy wooden doors to the hall.

“Hello, son.”

“Fucking hell!”

Secondo jumped back from the door. In his jumbled mess of a mind, he’d forgotten about the meeting with his father. He glanced over at the clock above your desk.

Shit.

He’d forgotten about the meeting he was supposed to have thirty minutes ago.

“It’s rude enough that you didn’t come to my office on time. Now you’re going to just stand there and block the door. Move boy!”

Secondo stuttered for a moment before stepping aside, allowing Papa Nihil to enter. Sister Imperator trailed closely behind him, pushing his oxygen tank as it creaked across the floor. In the corner of the room, Secondo saw you jump up from your desk and close the door behind Imperator. He’d forgotten to tell you about this meeting too.

Shit.

He hadn’t planned for anyone to be here for this. Meetings with his father never usually went well, and he’d like to spare himself the shame but it was too late to send you away now.

Nihil and Imperator shuffled past Secondo and sat in the two tufted armchairs by the fireplace. Secondo moved to follow them, standing in front of the fire, and resting his elbow on the mantle. The heat from the flames licked at his back as he looked down at the elder pair.

Nihil had always been a rotten bastard and a poor excuse for a father. How he’d managed to hold onto so much power in the Clergy, always amazed Secondo. He’d assumed, as did many others, that he would have been cast out of the church many moons ago if it weren’t for Imperator. It was she, he would need to placate today. She was the real power player in the room.

Through the corner of his eye, Secondo watched as you sat back down at your desk and opened a little black notebook, readying yourself to take notes. He wanted to tell you not to bother. He’d never read them anyway.

“Your lack of punctuality is concerning, my son,” Papa Nihil rasped, his voice muffled through the mask he held against his face. “Let’s hope you haven’t forgotten what we’ve come to discuss.”

“I haven’t forgotten. I’ve been working hard on it. Last night I finished a new song. It’s called-” Imperator raised a hand silencing Secondo.

“The clergy has concerns Papa. Have you reconsidered their offer?”

If anyone else in the Abbey besides Imperator had asked that question Secondo would have barked out a list of insults so vile Satan would have blushed.

“I understand,” Secondo said, forcing his tone to remain composed. “But I think the album is headed in a much better direction than the last time we spoke. Last night I-”

“I don’t understand why he even needs to write a new album. Why can’t he just sing my songs and a few of his brothers? Wasn’t that the whole point of sending him out on that little tour last month? To see if this stronzo’s could even sing?” As Nihil prattled on Secondo glanced over at you, hoping to catch your eye, but you were too busy scribbling away in your notebook to notice him.

Imperator sighed loudly and Secondo looked back at the elder pair sitting before him.

“You know why we need a new album, Nihil,” she scolded. “We need more followers. And new music is the best way to do that. It’s also why we have concerns over your album, Secondo. How will we attract more people to join us if your album is full of morose and macabre dronings? The clergy simply thinks a little outside collaboration will help spice things up. Help lift the veil a bit. Do you understand?”

Secondo clenched his jaw and tried to swallow the boiling rage that threatened to spill over. The nerve of them to suggest diluting his art with outsiders, people who weren’t even members of their congregation. His music was sacred, a vessel for the Dark One's message, not some commodity to be watered down for the masses.

“Honestly son, no one wants to hear it. Sathanas your lyrics aren’t even in English! Per Ad Ass whatever. See, I can’t even remember the damn title. How do you expect anyone to-”

“I liked it.”

Secondo’s eyes snapped to yours.

You’d set your notebook down and were staring back at him, a meek little smile spread across your face. You pushed away from the desk and crossed the room, stopping beside him. Secondo swore the flames behind him jumped when the fabric of your habit brushed against his robes.

Imperator raised an eyebrow, looking between you and Secondo with mild interest. Papa Nihil rolled his eyes.

“Sister if you're trying to get in this stronzo’s pants you don’t have-”

“Nihil enough,” Imperator growled, before turning toward you. “Please. Go on sister. What did you like about the song?”

Your eyes drifted from Secondo’s to the floor. Whatever had emboldened you a moment ago was slipping away. Your voice was soft as you started to speak.

“I thought it was beautiful. I… I couldn’t get it out of my head after I heard it. There’s something… I don’t know something ethereal about it.”

As you shook your head Secondo balled his fist by his side. He wanted to tell you that you didn't have to do this. You didn’t need to stick up for him. Nihil would always have something negative to say and for as long as he’d known Imperator she had never been his biggest supporter. But your eyes flickered from the floor to his and all his thoughts went out the window.

“No, maybe ethereal’s not the right word. It feels like… well it feels like that moment when we all gather together for Black Mass on All Hallows Eve. Everyone’s excited. A little nervous. Lust. Devotion. Passion. All those feelings we share builds that electricity in the air. You can feel it in your chest. That night it… it feels like the best of us. Like the best of our church, I mean. Everyone gathered together on the one night of the year we all looked forward to most. When the veil is thin and for most of us it’s the closest we’ll ever get to Him.”

“Sister,” Nihil whined impatiently, taking a drag of his oxygen, and tapping his long fingernails against the armrest of the chair, “get to the point.”

“I just mean. His song. Per Áspera Ad Inferí. It reminded me of why I’m a member of this church. It reminded me of why I’m here. Even if I didn’t understand the words I think it’s beautiful.”

A TIDAL WAVE.

A TORNADO.

AN AVALANCHE.

All three are natural disasters that consume. They claim every square inch of calm and bring complete chaos. Disrupting all that was.

People can rebuild. They can lay out new foundations, frame new homes, and pave new roads. But life is never the same. It can’t go back. The world will never be the same once the snow tumbles down, the wave crashes in, and the winds wreak havoc.

As Secondo looked at you he felt like one of those towns he’d seen on TV destroyed by such nature. His world would never be the same. Every thought that he had held was squeezed out. His world was disrupted. Interrupted. Changed. By you.

Sathanas.

He thought to himself.

You’re beautiful.

You’re so fucking goddamn beautiful.

In was in that moment that Secondo realized you were the most stunning creature he had ever seen. He had denied it, pushed it down, and tried to bury his attraction to you and focus on other things like his papacy, the rituals, and the Dark Lord himself. But how could he ignore it now? How could he push it down and bury this feeling somewhere deep when you’d gone and said something like that?

You went ahead and talked about the music… his music, like it meant something. Like it moved you. Like you had understood the very thing that moved him and motivated him to write it. He didn’t know when you’d heard it but that didn’t matter. You’d stormed into his mind now and there would be no rebuilding it to how it was before. He couldn’t ignore it.

Maybe he should have seen it coming. Secondo was only a human. And so far humans haven’t figured out how to stop storms before they start so maybe he should have realized he wouldn’t be able to keep this feeling locked up forever. But he was here now, wrecking his brain. He saw you now.

And you were so beautiful.

His attraction had been there since day one, just simmering under the surface waiting for the right moment to boil over. But now it was happening at the most inopportune time and Secondo couldn’t put it off one more fucking second longer.

He knew when this started.

It had been the moment Imperator laid your photo out next to the others. He remembered it clearly. He was supposed to pick his first batch of Imperatrix’s. It was a high honor and an important duty as Papa but he hadn’t been able to pull his eyes off your picture. You were smiling, standing in the warm summer sun down by the lake. Your hair was undone, long, and flowing beautifully past your shoulders and you were wearing that sundress. The sweet little yellow thing with white flowers and a hemline landing just above your gorgeous thighs.

You’d stolen all of his attention in that moment. So much so that he hadn’t even cared to look at photos of the others. He’d picked five more sisters at random. It’d been you he wanted. It’s been you he couldn’t wait to see in the dining room that first day. It’d been you he made sure was given the nicest suite. The one with the largest bath and the prettiest view of the summer gardens. He’d been disappointed when you’d told him you wouldn’t participate in the rituals but he’d tried to move on. The ritual was supposed to be only an offering after all. He’d been selfish to think of anything else.

But Santhas how he wanted to kiss you right now. He could just wrap you up in his arms, yank off your veil, grab a fistful of your hair, and leave you breathless. He could have you panting, whining, begging for more. He could do it right here in front of his father and Sister Imperator. Or better yet he could kick them out, pick you up, and push you down against his desk and show how good he could make you feel with just his hands and mouth before he even used his cock.

Fuck he could just-

“Why are we listening to this girl when she can’t even speak Latin?!” Nihil's ancient voice sliced through Secondo’s thoughts. “She doesn’t know what would make a good performer. Sister,” Nihil turned to face Imperator in his chair, “he is not ready.”

“I may not speak Latin,” you snapped, taking a step toward Nihil and lowering your voice until it became an angry growl, “but I know that Papa commands every room he walks into. So why should a stage be so different? Why wouldn’t he be ready?”

You took another step toward Nihil, positioning yourself in between the old man and your Papa but Secondo couldn’t let you throw yourself to the wolves. He reached for you, grabbing your wrist and gently pulling you back to his side. He could feel your pulse throb with fury as his gloved fingers held you back.

He wanted to pull you even closer and hold you against his chest but Secondo stopped himself. He was thankful for your defense but couldn't let you provoke Nihil any further, not when the consequences for you both could be dire. He needed you near. He needed you close. He wouldn’t let Nihil send you away for your insolence.

Not now.

Not now that you had finally consumed him.

Imperator leaned back in her chair and observed, watching the exchange between you, Secondo, and Papa Nihil. She rested a finger on her chin, deep in thought.

“Papa Nihil, your concerns have been duly noted. But, I believe the sister's perspective holds merit. Secondo you may continue with the album as planned for now. We will meet again in one month to discuss your progress.”

Nihil grumbled under his breath but eventually nodded in reluctant agreement. “Fine,” he said. “But he needs to prove himself. We can't afford any more fuckups. Capisci?”

“Sì,” Secondo answered, biting down on his cheek until the taste of copper filled his mouth, “Capisco, padre.”

A week had passed since your promotion to Secondo’s assistant.

The job wasn’t easy, but you’d learned his routines quickly enough. A cappuccino in the morning. Reading glasses cleaned and on the left side of his desk before his arrival. A fire hot and roaring before he entered and freshly-cut firewood kept stacked in the rack by the door.

The work itself was usually the same. Every morning Secondo started with the pile of papers on his desk. Signing, editing, and transcribing. As Papa, it was his duty to understand all the traditions and rituals of the church while guiding his flock toward or against the known and unknown dogmas.

All important clerical duties were done by lunch. In the afternoon, Secondo dedicated himself to his music. He wrote, sang, and played his guitar, a beautiful acoustic thing with a solid Sitka spruce top and touches of emerald green around its body. Most days Secondo didn’t leave his office when he worked on his album, preferring to play by the fire. But sometimes he did wander down to the music room, where the walls are padded and he could mix tracks when he felt so inclined. On those days his most trusted ghouls usually joined him. Alpha. Omega. Aero. Crust.

The nighttime was reserved for sermons. Secondo wrote and practiced them over and over again until his message was clear and memorized completely. You never realized how much detail was packed into each line he delivered at mass until that week. Every word served a purpose, every phrase held a deeper meaning.

Through it all you helped Secondo the best that you could. You learned that he was meticulous about his robes and paints, both of which he wore every single day, so you started keeping lint rollers in his office and a pot of his special facial paints in your pocket at all times. You learned inspiration could strike him at any moment so you also carried a little black notebook and a pen in case he ever needed to jot something down.

Alpha was around most days and you were so thankful for that. You enjoyed your time together when he did play bodyguard, posting up inside Secondo’s office like a sentinel. He occasionally would slip you little cartoons he’d draw of you or Papa. He was a talented artist and you wondered if all ghouls were born with such creativity. You wanted to ask him but for some odd reason, Secondo kept giving him time off saying things like “go enjoy yourself” or “make sure to rest.” It was strange, seeing Secondo pretend to care about someone else.

Most days you didn’t speak to Secondo and the two of you worked side by side in total silence. Although on more than one occasion you did catch him staring at you, you tried your best to stay out of his way and anticipate anything he needed.

Neither of you had taken a single meal in the dining hall in the past week either. There was too much to do and too few hours in the day to do it all. It’d become clear that Secondo’s last assistant was less than organized and the backlog of work she’d inadvertently created felt neverending most days.

Every night when you dragged yourself back to your suite you felt the same. You were tired. You were body-aching, head pounding, feet burning, doggone tired. You’d never worked so hard in your entire existence and your social life, as modest as it was before, practically vanished overnight. Your world became absolutely consumed by Secondo’s.

It’s been a week since you’d been able to see your friends in the ghoul dens. You never made it down for Aether’s cooking or Mountain’s tea the day he had invited you. You’d apologized for missing out when you bumped into Mount days later. He’d been kind and understanding, offering you a hug that you needed more than you realized. And since then he’d taken it upon himself to leave little snacks and energy drinks in your suite every night.

“You need the energy, little flower,” he had said when he’d delivered you the first round of goodies.

The other ghouls helped out too. Aurora and Cumulus surprised you with little pink Post-it notes on your bathroom mirror full of encouraging messages and adorable drawings. Aether also brought you your favorite wine. And Dew brought you his favorite weed. Swiss, the chaotic little sweetheart that he was, lent you two piles of his favorite records.

“Music to put you to sleep and music to get you going in the morning,” he had said when dropping them off at your door.

At some point, you’d eventually figure out a way to thank everyone. You just needed a minute away from Secondo before that could ever happen. But today wasn’t going to be that day.

It was Saturday evening and while most of the Abbey was preparing for a night of sin and revelry you were with Secondo, holed up in his office and staring down a stack of receipts that needed approving. Alpha had left several hours earlier and the sun was setting outside, casting a warm orange glow through the open window behind Secondo’s desk and a cool breeze swept through the room.

Secondo had set aside his latest sermon and was plucking away at his guitar. You stole glances at him every now and then, watching the way his ungloved slender fingers danced over the strings with effortless grace.

The song was different from the rest he’d been working on. This one was slower. Softer. If anyone else had been playing it you might even dare say it was sweeter.

“Ghuleh… Ghuleh…”

Secondo sang, his voice rising over the crackling fire and gliding over you like the breeze from the open window.

“Ghuleh… Ghuleh…”

You set your pen down and watched him. For all the vial names you wanted to spew at Secondo, you couldn’t deny him two things. The first was that the man had the voice of a fallen angel. You could easily imagine falling down again into the black void and meeting one of His princes. Maybe Belial or Beelzebub. You could imagine how they would probably sound the same if they sang. Confident, verging on arrogant but soft enough to corrupt any innocence they crossed.

And the second thing you couldn’t deny Secondo was just how much you liked his voice. You could listen to him sign anything. The Macarena. Happy Birthday. God damn Barbie Girl. Honestly, it didn’t matter what Secondo was singing you’d listen to it all just to hear the way his voice could flit between light and delicate to those guttural deep growls that made your cheeks warm and red.

You subtly reached up to your cheek and tried to hide the shame that they were indeed flushing red again.

But luckily Secondo wasn’t looking at you. His gaze was elsewhere. His mismatched eyes were busy staring into the fireplace’s flames as he sang.

“Putrefaction. A scent that cursed be. Under coat of dust. From the darkness. Rise a succubus.”

On the last word, Secondo stopped, turned his head, and stared at you. If your cheeks had been tinged pink before they were bright red now.

You had to say something.

“That was beautiful.”

Secondo’s gaze lingered on you for a heartbeat before he looked away. His fingers stilled on the guitar strings. Then Secondo did two things you never thought possible. He thanked you and he smiled.

The deep-set corners of his eyes that were so often set in a frown shifted upwards. And his lips followed course. Moving big and wide. You were surprised at how nice it looked on him. How handsome his chiseled face was when he twisted it this way. Not that you ever thought you’d see it, but when you had imagined Secondo’s smile you’d thought it would be awkward, forced, and uncomfortable. But nothing about the way he looked at you now made you feel any of those ways.

You don’t know why. But his thanks his smile…it felt like a truce.

Even if he didn’t know why you hated him and even if you didn’t know why he hated you something about the moment felt like a ceasefire. A break in the lingering feud between you both. You still hated him for what he’d said to you. And probably still despised you for your disobedience but right now… right now you could just co-exist. Right now that hatred didn’t feel important. Something else mattered. You weren’t sure if you could name it. But you felt it, fluttering in your chest and flickering on the tip of your tongue.

Maybe the moment was getting to Secondo too, because he set his guitar aside and stood up, walking over to the window to watch the sun sink lower in the sky before rubbing his temples.

You’d learned over the week that despite the front Secondo tried to put on he was indeed human. And he was a human being who suffered from pounding headaches just like you.

“Headache, Papa?”

“Nothing that won’t go away on its own, sorella,” he said despite mixing the white and black paint at his temples into a grey mess, as he moved his fingers in tiny circles.

“Maybe you should take a break. Is there something you do to relax?”

Secondo turned from the window and blinked at you. He looked surprised.

“I don’t have time for that.”

You pushed away from your chair and reached into the pocket of your habit, pulling out a cotton handkerchief before handing it to Secondo and pointing to the grey smudges on his fingertips.

“Well how about you take your guitar and I’ll take some of these,” you pointed back toward the stack of receipts on your desk, “and we’ll just go somewhere that’s more relaxing.”

“Somewhere more… relaxing?” He repeated, eyeing you curiously.

“Yeah, maybe a change of scenery could help clear your mind.”

The idea seemed to intrigue Secondo. His gaze flickered between you and the window where the last rays of orange sunlight were fading fast. After a moment, he let out a sigh and nodded.

“Lead the way, sorella.”

Secondo had lived in the Abbey his entire life and while he knew plenty of secrets about the old place he had never been here before.

You had led Secondo through the Abbey into an abandoned classroom on the top floor of the eastern wing and climbed out its window. Then you’d scampered up onto the roof, where a black and red plaid blanket had already been waiting. A tin bucket sat next to one of the brick chimneys and Secondo peaked inside, noticing half a dozen smoked-down joints.

You sat down on the blanket, deftly crossing your legs at your ankles, and waved at Secondo to join you. Secondo couldn’t help but think what a pair you two must make. What would people think if they saw you? A young Imperatrix, dressed in her most conservative black habit, not an inch of skin showing, and him…Papa Secondo, clad in all the finest regalia of his station donning black robes, mitre, and all. Even though the sun was almost fully set Secondo doubted that any sibling wandering the grounds below would be able to see either of you. But still, he felt subconscious about his dress. He normally didn’t mind people staring. But up here with you, he’d rather not draw stares. So he pulled off his mitre and gently set it on the roof before joining you on the blanket with his guitar.

While the plaid blanket was decently sized, Secondo was forced to sit relatively close to you. Just a handful of inches separated the two of you. So he kept his eyes fixed on the horizon in an attempt to distract himself from the proximity and began plucking away at the strings of his guitar. Normally, keeping his hands busy was enough to distract himself.

But tonight it wasn’t cutting it. Secondo couldn’t focus.

Being here with you was so much different than his office or the music room. This felt too intimate. Two people, lying under the stars, with music in the air, this felt more like a date than the tail end of a long working day. And while Secondo was ready to admit that you were beautiful he wasn’t ever going to be the kind of man that took sisters like you on dates. He was missing that thing in him that sought out companionship, or the type of love that made people weak and vulnerable. Secondo was determined never to let himself be so at the mercy of another person.

“I’ve never brought another human up here before?” Your voice cut through his idle strumming.

“Human?”

“Yeah,” you said fidgeting with your habit. “I’ve only ever brought the ghouls up here.”

Secondo raised an eyebrow. Most siblings were terrified of ghouls. But you were apparently comfortable enough to lay with them under the stars. Who were you?

“The ghouls… they are your friends?”

“They’re my only friends.”

For two people who have spent every waking minute together over the past 7 days, Secondo realized then he knew absolutely nothing about you. He shifted on the blanket, moving his long under his thighs. Then he turned his broad shoulders in your direction so he could look at you fully. He hoped you look back at him.

But you avoided his eye contact and stared up into the sky.

The moonlight glistened on your face, casting shadows in the hollows of your cheeks and Secondo was struck by how ethereal you looked, like a beautiful unholy being bathed in silver light.

“You are beautiful, sorella.”

The words were out of Secondo’s mouth before he realized it. They’d simply escaped, like taking a breath, without any consciousness.

But Secondo didn’t want to take them back. They were the truth and he couldn’t rewind time. All he could do was wait for you to say something… anything. The minutes stretched like hours. But you weren’t going to answer. You had frozen in place and the only thing that emerged from your lips were shaky and nervous breaths that puffed out into the cold night like little clouds.

Then Secondo did something stupid. He spoke again.

“You don’t like me do you?”

This time your eyes snapped quickly to Secondo’s and nothing could have prepared him for how much angry fire was burning behind them.

“Fuck you.”

“W-what?”

“I said fuck you, Papa,” you spat out Secondo’s title with ugly disdain and dug a pointed finger hard into his chest. “You’re the most selfish person I’ve ever met in my life. I bet you don’t even remember what you said to me do you?”

Secondo tried to rack his brain. He tried to think of any interaction. Any possible bump in the halls, or faux pau in the dining halls. He’d only known you for a week. He’d never spoken to you before seven days ago. What the hell could he have done in that time to make you hate him so?

As Secondo looked at you, it was obvious he didn’t remember. There was no flicker of recognition. No flashback running through his mind.

And somehow that felt so much worse. How could he not remember when you’d never forget?

“Sorella,” Secondo pled, “Tell me please. What did I do to you?”

Go back: (Part 1) (Part 2) (Part 3) (Part 4) (Part 5)

(Read on AO3)

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