#Vocal Vibes AI Review
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🔥🔥🔥Vocal Vibes AI Review : A Game Changer for Marketers
In the ever-evolving landscape of digital marketing, the ability to create engaging and authentic content is paramount. Enter Vocal Vibes AI, a groundbreaking platform that promises to revolutionize how marketers approach voice content. This first-ever AI voice cloning platform is designed specifically for marketers, enabling them to clone their voices or create custom, unique AI voices in seconds. This article delves into the features, benefits, and potential impact of Vocal Vibes AI on the marketing industry.
What is Vocal Vibes AI? Vocal Vibes AI is an innovative software that allows users to create personalized AI voice clones. Unlike traditional voice imitation tools that merely replicate sounds, Vocal Vibes AI captures the unique tone, style, and emotional nuances of a voice. This means your audience hears a voice that feels familiar and engaging, helping them connect better with your content.
>>>>Get More Info
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A Step-by-Step Guide to Creating Custom AI Voices
Get The 1st Mover Advantage & Dominate:
Revolutionary “Vocal Identity Matrix” Tech: Perfectly preserves your voice in a clone.
Personalized & Emotionally Engaging Voiceovers: Create voice clones with your unique vocal patterns, accents & emotions - making your content more relatable and persuasive.
Create Any Content With The Perfect Tone & Emotions: Use in videos, webinars, audiobooks, shorts, reels - the possibilities are endless.
Gain Trust & Build Authority: Your audience will never know the difference between your voice and your voice clone, building trust & authority.
Save Time, Effort & Money: No need to record yourself or hire a freelancer. No costly monthly subscription to any AI voice cloning app.
Expand Your Reach Globally: Translate your voice clone into any language without worrying about accents or mispronounced words.
Multiply Your Content 10x Faster: Create multiple voice clones for different uses - each with your unique vocal identity.
Sell More, Sell Faster: Emotions sell, and with our “Smart Voice Cloning” technology, you can now evoke the right emotions in your audience and boost your sales exponentially.
Vocal Vibes AI Review: Awesome Features
100% Cloud-Based Software
No need to install anything! Just sign up and access our software from anywhere on earth with an internet connection.
Create UNLIMITED “Personalized” Voice Clones For All Your Projects!
Clone your voice or any voice perfectly. Unlike other voice cloning software, VocalVibes AI allows you to create unlimited personalized voice clones for life. No restrictions, no limits - use it however you want for all your future projects.
Generate UNLIMITED Realistic Voice Overs In 2000+ AI Voices
We offer the most diverse and largest number of voices available in any text-to-speech software. With over 2000 AI voices to choose from, you can easily find the perfect voice for your brand and message. From male, female, different accents, and languages - the possibilities are endless.
Infuse EMOTIONS Into Your Voiceovers For Maximum Impact
With our emotion-driven speech feature, you can choose from a variety of emotional tones to add depth and impact to your voice clones. This will help you better connect with your audience and leave a lasting impression. Select from Friendly, Cheerful, Excited, Sad, Angry, Shouting, Whispering, and more.
Go Global & Break Barriers With 17 Different Languages
Expand your reach and break language barriers with our multilingual support. Choose from 17 different languages, including:
Arabic, Chinese (Simplified), Czech, Dutch, English, French, German, Hindi, Hungarian, Italian, Japanese, Korean, Polish, Portuguese, Russian, Spanish, Turkish.
This will help you cater to a wider audience and increase your brand’s global presence.
Generate UNLIMITED Scripts With ChatGPT With A Single Prompt For Any Purpose!
Never run out of ideas or scripts again with our ChatGPT feature. Simply enter a single prompt and let VocalVibes AI’s advanced AI technology generate unlimited scripts for any purpose you need - whether it’s for marketing, customer service, virtual assistants, or educational tools.
Customizable Voice Settings For That Perfect Fit
With our customizable voice settings, you can adjust parameters such as pitch, speed, and tone to match your specific preferences or requirements. This ensures that your voice clones and voiceovers sound exactly how you want them to, making them unique to your brand.
Enhance Engagement & Personalization With Contextual Emotion Application
Stand out from the competition by adding contextual emotional tones to your voice clones. This feature analyzes the context of the text and applies appropriate emotions for a more engaging and personalized experience for your audience.
Realistic Speech Patterns For A More Lifelike Experience
Our software closely mimics human natural speech patterns, making the voice clones sound more realistic and lifelike. This enhances the overall user experience and makes your brand stand out.
Enhanced Pronunciation Accuracy For Clear & Fluent Voiceovers
With our advanced AI technology, our software can accurately pronounce words and phrases in different languages for a clear and fluent voiceover experience. This ensures that your audience understands and connects with the message you are trying to convey.
Multiple Language Accents To Perfectly Match Your Target Audience
Choose from multiple language accents to ensure that your voice clones perfectly match your target audience. From regional dialects like Cantonese for Chinese and various English accents (e.g., British, American, Australian) - you can cater to a variety of audiences with ease.
Voice Synthesis for Personalized Branding
Make your brand stand out and sound unique with our voice synthesis feature. This allows you to personalize voices for specific branding or use cases, making your voice clones truly one-of-a-kind.
Make Any Type Of Content, In Any Niche, Any Industry Come To Life Effortlessly
Whether you want to record a video ad, podcast, audiobook, demo video, review video, video course, explainer video, or any other type of content - our software can bring it to life effortlessly with our realistic and high-quality voice clones.
Professional Quality Output So You Can Sound Your Best
Our software uses the latest in AI technology to produce high-quality voiceovers that sound professional and natural. No need to hire expensive voiceover artists or spend hours recording and editing - with VocalVibes AI, you can sound your best in just a few clicks.
Scalability For High-Volume Requests Without Compromising Quality
Our software is designed to handle large volumes of text or voice requests without compromising on performance or voice quality. No matter how big your project is, VocalVibes AI has got you covered.
Transcribe Audio & Video Files Into Text Within Seconds
Need to transcribe an audio or video file quickly? Our software has got you covered. With our advanced AI technology, we can accurately transcribe audio and video files into text within seconds, saving you time and effort.
Merge Multiple Voice Overs Into One Seamless Audio File
Easily merge multiple voice overs into one seamless audio file with our software. This is perfect for longer recordings or projects that require multiple voices, making the editing process smoother and more efficient.
>>>Get Instant Access Now
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Vocal Vibes AI Review: Is It Worth It? Pricing, Pros, and Cons
Looking for the ultimate voice cloning tool? Our detailed review of Vocal Vibes AI reveals everything you need to know! From its impressive voice accuracy to seamless integration, Vocal Vibes AI is redefining the possibilities of audio creation for content creators, voice actors, and businesses.
🔹 What Makes Vocal Vibes AI Stand Out?
With advanced AI-powered technology, Vocal Vibes AI lets you clone voices with remarkable precision and authenticity. Perfect for podcasts, videos, and marketing content, Vocal Vibes AI brings powerful customization, allowing you to match tones, accents, and more.
🔹 Why You’ll Love It
Natural Sound: High-quality voice replicas that sound real.
Easy Integration: Compatible with most popular audio platforms.
Time Efficiency: Save hours on recording and editing.
🔗 Read the Full Review Here: Vocal Vibes AI Review
Explore our review to see how Vocal Vibes AI can elevate your audio content game.
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Pretty Series song reviews: Pure Amore Ai
I tried (and failed) to be normal about this song.
Song
This song has such a 'perfect' or 'completed' kind of sound, like a perfect circle. It sounds so complete that I actually think the full version is a downgrade musically, although I am grateful for the additional lyrics.
The overall sound ditches PriPara's usual maximalist vibe for a carefully-balanced orchestral track that never goes overboard, but is also never underwhelming. With a few changes, it could easily become one of those 'spiritual experience' songs (like Sevendays Love, Sevendays Friend), but it isn't like that due to the harmonic instrumentals that mostly stay on-key and stick to traditional chord progressions, as well as the fact that the song moves along well and never lingers on any moment for too long. I think it's wise for this song to not go that far, since the goal is to be theatrical rather than spiritual.
Of every song in the Pretty Series, this is definitely the one I know best. I swear I can recreate almost every little detail in my head – the subtleties in vocal delivery, the single bell strike in the first verse, the drum patterns, those totally unnecessary glitter SFX in the second verse (actually, it's Hibiki, so glitter is always necessary). I love the way the intro's instrumentals seamlessly pass the melody back and forth between different instruments.
The first verse is attention-grabbing and slightly intimidating, but it's mostly just there to set up the rest of the song, so it's not as addicting as the other parts. (Honestly, when I first heard the first verse, I thought I wouldn't like the song at all.) I also kind of wonder why the second half of the first verse has such an intense, rock-like beat. It was probably just to make Hibiki seem intense and intimidating. But it's a bit out of place, considering that the rest of the drum track is light, subtle and unobtrusive.
The second verse feels like a release, changing from sparse and serious into something a lot more free-feeling. From there it slows down a bit and then seamlessly moves in into the chorus, which feels even more free. The chorus is somewhat repetitive and simple, but also dynamic. The fast-ish speed and good execution makes it feel like a hypnotic whirlwind.
The last part of the main melody, as well as the glissando at the end of the song, both give it a neat, definite conclusion that reminds you this is a villain song.
I think it was unnecessary for that one part to have those soprano opera vocals. They almost make the song feel like a religious song, when it's really supposed to be more of a musical theatre song.
Vocals
It sounds crazy to say this now, but initially I was not so sure about these vocals. Hibiki's voice is so different from that of every other PriPara character, and the song begins in a lower range, so at the beginning, it didn't even really sound like singing to me. (Hibiki's lower range sort of feels like it's dragging the melody down into flatness – Bell and Amane are like this too.) But the first long note is like a peek into what's to come, and by the time the B-melody hits, the vocals are shining. They just keep getting better as the song goes on, so by the time the song was done, I was like "oh okay, I love this".
Surprisingly, despite the deep sound of the vocals, this song is comfortably within the alto range (F3 - B♭4). The chorus is in a range where I would have to use mixed voice (or maybe even head voice on a bad day), and my voice is nowhere near as deep as Hibiki's. So this song is actually very difficult to sing regardless of voice type, because those with higher voices would have to force a lower range, but those with deeper voices (i.e. Hibiki) have to maintain their voice's richness and stability while singing in a higher range that makes it difficult to do that. Really, the only way to sing this is through sheer force, which Hibiki does excellently.
What's really amazing is how the delivery of the second verses is nearly identical to the first. Maybe that's really common, but I noticed it a lot due to Hibiki's distinctive voice. Perhaps it's slightly boring to sing like that, but it's a very professional way of singing, displaying the singer's level of thoughtfulness and control.
Lyrics
The lyrics are very wordy and a bit confusing, and I have to say, I don't really understand them much better now than I did all those years ago. My interpretation changed after reading an analysis saying that these lyrics were not just about love in the usual sense, but also about Hibiki's love for PriPara. I'm not sure whether it's true, but it's making me think. (And it helps me relate more to the lyrics since the strongest, most intense love I've ever felt was not for a person but for something more abstract.) Still, I want to understand the lyrics without projecting onto them. And I think that the lyrics are mostly about the type of love that is felt toward Hibiki. There are essays on this, and you should read those if you're interested (I'll link to one later), but it's basically about Hibiki's persona, and the way that kind of persona can make people feel. They are in love with the persona, even though the persona is a lie. The lie could not exist if people were not in love with it. If "Pure Amore Ai" is a manifesto, "boku wa aru" is the thesis.
The full version's lyrics make me cry.
Choreography
When I was younger and more shameless and had good leg flexibility, I was always like "I'm gonna learn this dance one day", but then I didn't and now my leg flexibility isn't so good anymore. Well, it's probably for the best, since this dance, like everything else, is cringe! But just because it's cringe doesn't mean it's bad.
The dance starts off fairly low-intensity and remains that way until suddenly the chorus comes and it's just crazy stunts and so much leg. Amazing.
The lyrics and choreography are closely linked, so it's worth wondering what some of the dance moves mean. For example, during the part before the chorus, Hibiki says 隣人 (neighbours), but touches the ground. The lyrics imply that these people are equals, but the dance implies that Hibiki sees them as lesser. The same move is repeated when Hibiki starts to explain what love "really" is.
There's also a lot of pointing in the choreography, mostly either pointing up (during lyrics about big, grandiose things) or pointing straight ahead (during lyrics directed at the audience). However, during the lyric about love being a foolish impulse, the choreography is pointing up and then moving the arm down, almost like it's representing disillusionment. I'm not as sure about the intent this one as I am about the touching the ground. It could just be a coincidence.
Visuals
The crystals that constantly shift and reflect light are very cool, and give the stage a slightly ethereal vibe. The runway has a chess motif, which is perhaps a nod to Hibiki's role as a chessmaster in the plot.
The Making Drama is as over-the-top and hammy as ever, with lots of references to The Rose of Versailles, Princess Knight, and Revolutionary Girl Utena. I learned about these series from an essay on Hibiki that I read years ago, and I usually try to avoid linking to other blogs these days, but I'm just gonna link to this one in case anyone's interested. I hope it's okay that I'm linking to it. The whole blog is dedicated to Hibiki, BTW.
Anyway, I haven't read/watched Princess Knight, but apparently the main character of that was born with both a pink 'girl' heart and a blue 'boy' heart. It's worth noting that, in the Making Drama, Hibiki only has a blue heart. Gender theorists can do whatever they want with this information.
I love that the end of the performance goes straight-up villainous in a matter of seconds. It has a bit of a boiling frog feeling to it, where curiosity turns into enjoyment turns into enabling. Like you, as an audience, allowed this to happen.
Good points: E V E R Y T H I N G Bad points: First verse isn't as good as the rest of the song, operatic vocals during the instrumental part were not necessary
Rating: 9.5/10 Personal rating: Also 9.5/10 (10/10 in my heart)
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Top 20 songs of 2024 reviewed by yours truly
As a yearly tradition I review my most liked songs when Spotify Wrapped comes out. Since this year was full of bangers, I extend the list to 20 instead of 10. Rules:
One song per artist
Can only include song when the song itself came out this year (album doesn't count)
Enjoy and thanks if you read it through.
20. Windwaker - Tabula Rasa
This song took me by surprise and I have not nearly listened to this band enough. This song basically was unskippable for me the later half of the year with the rapping, the electro beats, the super catchy chorus or the high variety of screams. Also the song's title is an item name in my favorite game of all time helped a lot to keep this one in memory. Start this list with a clean slate.
19. Bad Omens X Poppy - V. A. N.
Violence Against Nature is a really unique song in a sense that even though the Bad Omens are playing the super industrial metalcore instrumentals, the vocals are provided none other than Poppy herself only. Some people would find the monotonous vocals really unsettling and boring, I think they are very charming in a weird way. The machine gun-like drums are just the cherry on top.
18. Nothing More - House on Sand (feat. Eric V of I Prevail)
This was also a song that I got addicted to in the latter half of the year. The guitars are very modern sounding and the verses kinda remind me of a Beastie Boys/RHCP kinda groove, I don't know why. It's a strange mixture that somehow works.
17. Green Day - Suzie Chapstick
Probably my favorite love song from this year that gives me strange warmth, especially 'cause I remember it coming out during wintertime and I always listened to it on the warm bus on the way to work. Very comforting song with a nostalgic hook, I would honestly even call it Whatsername 2.
16. Alpha Wolf - Sucks 2 Suck (feat. Ice-T)
This might be way lower than it should be but hear me out. The song is great, the Ice-T feature is a little questionable but the whole vibe of this "standing up against bullies" type of hardcore song is really speaking to me. I often caught myself listening to it in home office when someone pissed me off.
15. LANDMVRKS - Creature
What's a song that begins with french rapping then turns into a metalcore anthem with a really melodic chorus and great breakdowns? This song. I really can't say anything else about this other than it's a banger.
14. Sum 41 - Waiting On A Twist of Fate
I could have picked any single from Sum 41's last album and it would have fit. I chose this one because of the punk-ish nature, fast drums, screamy vocals just in good Sum 41 fashion. I'm sad that I won't be able to hear this band live again but I'm glad they went out on their own terms (also I kinda relate to that).
13. Boi What - Funeral of an Antihero
If there was a genre called I'm not okay-core, this song would be there along with Lost by BMTH. The similarities are crazy between these songs and the pacing, the melodies and even the vocal style is very similar (though this song has the Plankton AI filter over it). I got called out by my ex-girlfriend for liking literal Spongebobcore but hey, a good song is a good song.
12. Nightwish - The Day Of...
Apparently it's an unpopular take but I loooove this song. The key change in the last chorus with the choir singing and Floor's amazing vocals had me shook since I first heard it. Though I think Yesterwynde was a little underwhelming (the later half, the first half is pretty decent in my opinion), this song is well deservingly here on this list.
11. Billie Eilish - Birds of A Feather
A really chill pop song from a really chill pop album and a really chill pop artist. It's also adorable and dreamy and to be fair just a cute lovesong that gets stuck in your head. I only put this love song ahead of the Green Day one, because even though both singers are called Billie, this one made a more unique sounding song.
10. Bilmuri - TALKIN' 2 YOUR GHOST
I know, unexpectedly low for American Motor Sports being my AOTY, but I got into the Bilmuri hype really late this year. Johnny Frank's metalcore-country hybrid band did a great job with this song despite it being less than 3 minutes long. I can also relate to the meaning behind the lyrics, I just love the whole thing to be honest.
09. Sleep Theory - Stuck In My Head
Sleep Theory is a band that I rarely listen to but when I do, I binge a lot of their songs. They're very nu-metal adjacent modern metal/metalcore band that have a very good artistic direction and good sense of melody. Also in my opinion very underrated, I love their older EP Paper Hearts, as well as this song. And of course this one got stuck in my head all year, pun intended.
08. Spiritbox - Soft Spine
YOU ALL DESERVE EACH OTHER. This callout is probably the hardest of the year for me, the song is pure breakdowns and screams, being very faithful to Spiritbox' sound. I'm really looking forward to their new album. Similar to their song Cellar Door from last year, this one doesn't need any huge melodies or choruses either as long as the heaviness is there.
07. Ice Nine Kills - A Work of Art (feat. SHAVO)
Despite hating horror and gore, INK is one of my favorite bands right now. The melodic sensibilities of Spencer Charnas. musical genius of of the whole band, and the corny horror vibe that does not take itself very seriously always brings me to a good mood. For some reason the band got a lot of hate online for being "boring and cheesy" by most metalcore listeners and reviewers but I honestly cannot give less fucks about it. The breakdown with the clown noise just always makes me smile. A Work of Art is a banger (and the key change at the end is just perfect).
06. Knocked Loose - Suffocate (feat. Poppy)
I kind of lied at the beginning. Poppy is featured in multiple instances on this list, bringing her to my favorite artist for this year. Knocked Loose knocked it out of the park this year with their album, You Won't Go Before You're Supposed To, and even though I wasn't very keen on Bryan's vocals first, the pissed of vibe of the whole band got me through my worst days of this year. Her PR team must do a great job because wherever I looked this year I saw this girl who started out as a creepy internet sensation, making it to Jimmy Kimmel by screaming her lungs out and then releasing one of the biggest albums of 2024. Also the reggaeton breakdown got me jamming even though I absolutely despite the original genre. Great job, KL.
05. Poppy - they're all around us
Yeah... I know. I'm a liar. So the album of this unexpected banger came out on the same day as another anticipated album of mine, yet this song was still on repeat more times than that record as a whole. 2024 was undoubtedly Poppy's year for sure. Oh and about the song, well it's very angry, brutal at times, but still has a Britney chorus, do you want any more information?
04. twenty one pilots - Routines In The Night
A bit of a mood change as we get to my favorite pop song of the year, which is unexpected a little because all the singles from Clancy, the 2024 album of the band were very competitive. Routines In The Night got stuck in my head for days, and while I was trying to figure out why, I noticed that the melodies just like in the Billie Eilish song, were very comforting, but in a different way. It was more like meeting an old friend late at night because neither of you can sleep. Brought me back to the good old days.
03. Electric Callboy X BABYMETAL - RATATATA
Some unhinged commenters said that this collab is similar to WWII, since the germans and the japanese have united and dropped a bomb. While this might be a very dark joke, I think it's absolutely correct. Two of the most fun modern metal bands unite in this beautifully chaotic mess of a metalcore mixed with J-metal, I love this song so much and it always brings me to good mood.
02. Linkin Park - Two Faced
Welp. Linkin Park are back alright. Two Faced brought me back to the first time I listened to Hybrid Theory and Meteora in full. The breakdown, the rap parts, the screams, everything is perfect and I can honestly say I'm always fully immersed in nostalgia when playing this song. Sidenote: this was the only song this year that I always had to listen to twice because one time was never enough.
01. Bring Me The Horizon - n/A
Might be an unlikely pick but n/A was my most relatable song this year. Oli dealing with substance abuse and telling the story of his relapse, how he feels guilt over relapsing made me think of how much I fucked up this year. I could write a bunch of personal stuff here why I chose this as my song of the year but let me just say that the subject matter always hit very close to home, especially describing the intrusiveness of Oli's thoughts. I literally never skipped it, ever.
So these are all my favorite songs this year but of course the list could be even longer than this by at least 10-15 songs.
#songs of the year#favorite#favorite songs of the year#long post#text#windwaker#bad omens#poppy#nothing more#green day#alpha wolf#landmvrks#sum 41#boi what#nightwish#billie eilish#bilmuri#sleep theory#spiritbox#ice nine kills#knocked loose#twenty one pilots#electric callboy#babymetal#linkin park#bring me the horizon#soty
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Discovering Tsukasa: A Quaint Hideaway in Yokohamabashi's Back Streets
Location: Yokohamabashi, Minami Ward, Yokohama, Japan Timestamp: 18:40 on December 19, 2023
Fujifilm X100V with 5% diffusion filter ISO 160 for 1.0 sec. at ƒ/6.4 Astia/Soft film simulation
Venturing into the dark, narrow alleys branching off from the brightly lit main drag of Yokohamabashi Shotengai shopping street, I discovered a quaint bar and eatery named “Tsukasa.”
The establishment, run by an elderly woman, served homemade dishes and drinks to customers engrossed in the sports news broadcast from a tiny TV perched atop a refrigerator in the corner behind the kitchen counter.
Inebriated salarymen in business suits and equally red-faced blue-collar workers, still in their factory uniforms, laughed loudly and became vocally excited about the baseball news emanating from the small screen.
This shop, absent from Google Maps with zero online reviews, barely seems to exist in the modern world. The only way to discover it is through word of mouth or by stumbling upon it while meandering through the back alleys branching off from Yokohamabashi Shotengai’s brightly lit main street.
As mentioned in previous posts, I appreciate the wide variety of noren curtains, particularly those with charming, traditional designs that hint at the owner's character, the establishment's vibe, and sometimes reveal a shop’s heritage.
I love the understated noren of this shop with its classic indigo blue called “ai” (藍) in Japanese. This indigo, made from the leaves of the Japanese indigo plant, was initially used by aristocrats and samurai. It can now be found adding color to everything from kimonos, blue jeans, linen, and of course, noren curtains.
The young bamboo plant motifs in the noren blend well with the real potted bamboo plant positioned just below it.
The storefront sign indicates “Sapporo” (the type of beer served at the shop) and, from top to bottom, right to left, reads “家庭料理・katei ryōri,” which means homemade cooking, and “つかさ・Tsukasa,” likely the owner’s name. Next time I visit, I hope to remember to ask about the origin of the name!
Explore other shops near Yokohamabashi Shotengai, and find references to related articles for further reading on my blog post: https://www.pix4japan.com/blog/20231219-yokohamabashi
#ストリートスナップ#つかさ#横浜#横浜橋商店街#昭和レトロ#pix4japan#X100V#Fujifilm#street photography#Japan#Yokohama#Yokohamabashi#Tsukasa
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I've been avoiding Tumblr and Twitter since I haven't watched AYS yet... I have no excuse... it just never felt like the perfect moment, you know? But yesterday I bought my ticket to I Am Still! Should've done it sooner, the tickets were almost sold out, oops...
Anyway, this is a big day for kpop, with many songs dropping, but sadly not hitting for me.
Neva Play was a bit disappointing- Megan is an amazing rapper and she's a very clever lyricist, but her lyrics are always about the same thing and often sound misogynistic. She's very hit and miss, but her solo songs can be very good (I really love Hiss). I also think her voice doesn't go with RM's. It's bright and snappy whilst Joon's tone is smooth and has a bit of a drawl? I didn't really get RM's lyrics. The vocal production on his part was very weird too. The song would've been better if it was just Megan or RM's, but the both of them don't match? They give the same vibes but different frequencies lmao. The song is good, but underwhelming. I like it the more I listen to it. The weakest part is by far the chorus, which is annoying. The song ends a bit abruptly too and the structure is basic - Megan raps, then Joon raps. it. It was less of a collab and more of a copy and paste of vocals. Sadly, most collabs are like this. I just think they had an opportunity to gag everyone and delivered something pretty basic.
I also checked-out MEOVV's debut song, which was... not even bad enough to stand out. They looked like a cheap NJs and BP cross-over. The MV was crappy, the song was not age appropriate, and the lyrics sounded ridiculous coming from rookie idols...
Baekhyun and Chanyeol also came out with songs and both are unmemorable to me. If I didn't know any better, I wouldn't guess Baekhyun left SM. All these soloists leaving SM, but their music and concept stay the same. I hope everything else is worth it.
I'll review Tzuyu's album in another post...
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Sixfonia Music Review
I don't really care for vtubers as a genre, but recently, I've been following this one vsinger group for their non-music content because "haha funy". After a while, I decided to listen to some of their songs because I'm a self-proclaimed music enjoyer, and the result was.... not good.
(I was initially gonna keep this off tumblr, but I have so much to say about their songs that I decided to review all of them here.)
First things first, 90% of their songs are normal straight boy love songs, so I won't be talking about their lyrics. Also, I feel like most, if not all of the instrumentals in their songs are done by computer simulations and not actual instruments, which is disappointing.
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J0KER×JOK3R: This is the song they use in the end-cards of all their videos, so I've been forced to listen to the chorus A LOT. I didn't really like it at first, but it started growing on me, and one of the guys (the green one) screamed before the final chorus, and screaming always makes a song better.
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SHALL WE GONG!?!? -1st battle-: Boy do I have stuff to say about this one. First, the word "Gong". The first thing it brings to mind is "dong". I think it's supposed to be the Mandarin word 攻, but since that's also a bl term for tops, I can only think of dirty things looking at the title.
Onto the actual song. It starts with an AI woman saying "This is not an ordinary record." You'd think that'd be enough of a red flag, but tbh... this song is actually kinda enjoyable for me. It's mostly rapping (something they do a lot), but there's another shout before the final chorus, which, as I said, always makes a song better.
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eND oF FaNTaSY.: As a tumblr user, I cannot look at the sprites in this video without going "Little German boy????" When I first started listening to this one, I was like "wtf this is so good??" I like how the instrumentals actually get quieter during the chorus, and the flow is pretty good UNTIL the final chorus, where everything falls apart. They decided to raise the key, add in some jingles, and piano keys being pressed one by one, which ruins the song's vibe and makes it sound like an ice cream truck's jingle.
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SCRaP&ReV0LuT1oN: This one's such a mess. They start, with no intro, by singing the chorus, which starts with "Let the opera resound," shaping it up to be a neo-classical song, but they started scat singing right after that?? Also, during the verses, I can't tell if they're singing off beat, or if the beat is off them. It's one of the most disjointed songs I've ever heard, but at least the chorus slaps.
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絶対!キメツケ症候群: It's a goofy 47-second song. Not much to say besides that.
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Can We Jazz?: No, we can't. This is the point where I realized they really like starting with vocals and no intro. The beat is really loud and I don't really like the melody, but it doesn't sound outright ugly like some of their other songs. Overall mid.
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六陣革命: This one's lit. Not many funny things to say about this. The visuals are inspired by the taisho period, which is... not good (also another can of worms that I can make a whole different post about), but if you're willing to ignore that, it's a really solid song.
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ただ想う、君がため。: It's a really good ballad. Beautiful melody. The harmonies (?) during the chorus are a bit too loud compared to the main melody, but that's easy to get used to after a few listens. Funny though, how this is, iirc, their only song with no rap break, even though ballads with slow rapping do exist, and they seem to put rapping in every song they can.
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6-4-Sweets: This one's just mid. Not much else to say.
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「好き」のかくれんぼ: I know the EXACT vibe they're trying to go for, but damn, does this just sound bad. I don't like comparing artists with each other, but this sounds like a cheap rip-off of AKB48's Iiwake Maybe and other similar songs, so why would I listen to this (which doesn't even have a good chorus), when better songs with the exact same subject and vibes exist?
(I can't post anymore videos, so I'll be continuing this in a reblog)
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My (Review? lmao) Thoughts about The RENAISSANCE World Tour That No One Asked For
BITCH I WAS NOT OMFGGGGG
I am SO glad I stayed away from clips of the show (for the most part lol) truly made the experience extremely special. like this is really my GOAT. THEE GOAT. And I got to witness her live and in person for a second time. I'm sooooo grateful and hopefully I'll have another opprotunity.
BUT WE ALREADY KNOW SHE'S THAT GWORL SO IMMA FOCUS ON THE DANCERS!
Amari Marshall is a fucking STAR. That's all I could think whenever I saw her. Stage presense on 100000. She's impactful.
Les Twins were utilized very well! I haven't seen them dance much since i hung up my fangirl cape, lol, but their dancing felt soooo familiar and I really enjoyed them 🥰
DANCE CAPTAIN HANNAH DLAINE! Y'all like to try my girl, but I loved everything she was doing on that stage. She may look diferent next to other dancers, but those lines, technique, elegance, that CLEAN look makes her great and Bey's fave 🤭
Simone showed up and showed out for her hometown! Definitely took notice of that. Ai, Alannah, and Brianna really held it down like the OGs they are. Kyndall may be the baby on tour, but she definitely rises to the occasion! love ha. Trinity is so radiant! Truly. This is her first big gig and she's definitely not taking it for granted. a PROFESSIONAL. Lisa, Nerita, ans Aakilah are all sooooo STUNNING? Truly shook looking at the three of them. Ms. Aliyah Janell doeeeeees thiiiiiiiiis lmao she was eating it up!
The boys, Rob, Zavion, Jus, Konkrete held it dooooown. They were utiilzed so well, especially in comparison to the boys on OTR2, no shade chile 🙃
Darius is also VERY STUNNING. FACE. CARD. and he can dance his ass off some ppl really have it all 😌. I loooved watching Carlos lmao idk what is was but i always found him whenever he was on stage 💕💕💕 And Jonté! Male Beyoncé himself! an undeniable talent.
and a special shoutout to Cha Cha Balenciaga! ate that ball right on up!
BLUE IVY THEE CARTER. That is all.
As for the choreography, I love the direction Fatima took it in. I know there's been criticism over how much Bey is dancing, but I think its the perfect balance of dance and vocals. I don't feel like I'm missing anything. the choreo matches the vibe of the album, of the era perfectly.
MOVE is my fave choreo at the moment, but now that I can watch clips lmao, that might change! I just cant get that Move Your Body Girl/Free Mind mashup out of my head 😌
This was just me writing down my thoughts so I’ll always be able to go back and reminisce on how I felt. If you read this whole thing, just know...
I love you deep deep deep deep 🥰🥰🥰
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Pretty Series song reviews: The Secret Garden
In my mind, this song is a meme.
Song
So like... I think this song is proof that I like almost any neoclassical-sounding songs, regardless of whether they're good. This goes double if they're performed by a girl-prince character.
Although this song is more of the classical, theatrical type, there also seems to be a little bit of a jazzy undertone – it's not swingy and it doesn't have the typical jazz instruments, but there's a little bit of jazz influence throughout the whole song.
The instrumentals are mostly pretty unobtrusive and exist to support the vocals more than anything. But there are a few parts where different instruments get their chance to stand out, like the glissando at the end of the narration, and the loud trumpet (?) before the first verse. I think the instrumentals could be simple-but-effective in a song with a stronger melody, but unfortunately, this song's melody is pretty boring, doesn't go anywhere, and doesn't seem to have a particular vibe. I honestly can't think of any words to describe the melody aside from boring. It's not simple, complex, bright, dark, warm, cool, random, coherent, original, generic, or any combination of any of those words. It's just... sound.
In general, this is just the sort of song where I spent the whole thing thinking "well this is the boring part but I'm sure it will get good soon", except it never does, it just sounds boring and/or weird the whole way through.
Vocals
It's hard not to compare Amane to Hibiki. Hibiki has a rich upper range, but loses some of that richness in the low range. Amane is the opposite: her lower range is smooth and rich, but her upper range is... unpredictable, shall we say. However, with both her upper and lower range, Amane's voice is a bit flat, to the point where I had a lot of trouble understanding how this song's melody is supposed to go. I'm still not sure I fully know the melody, even though it's one of the PriMagi songs I listened to the most, and I remember the song structure, vocal style, and instrumentals pretty well. (Some of the pitchiness may be in the melody itself, but this is also true of Amane's vocals in other songs, so it's not unique to this song.)
And... Amane's voice sounds so weird when she hits the louder, higher notes. It sounds like her voice is... curdling? Distorting? It's really, really unique, and it gives the song more... presence. I think I once said "that is the most aggressive and joyless 'la la la la la" I've ever heard.
I have trouble judging the opening narration since I don't really speak Japanese, but I think it manages to be dramatic without being hammy. Apparently Amane's voice actor is a fan of Takarazuka, so she probably has a good grasp on the style. A lot of the time, including spoken lines in a song can feel forced or awkward, but I think it works well with this particular style of song and vocals. The part at the end where she says "Can you keep a secret?" in English is also impressive. You'd never hear that kind of thing in Pretty Rhythm from a decade earlier. But I do hope there's not too much pressure for seiyuu to be able to speak English too, because their job is already hard enough.
I think I like Amane's voice better when she speaks rather than sings.
Lyrics
Well, immediately the first thing that came to mind was the novel of the same name as this song. But the song doesn't seem to have any connection to the book.
I'm comparing this song to Pure Amore Ai again, but this is making me think about how a really good song can get away with having ridiculous lyrics, whereas a mediocre song can't. Hibiki can sing ridiculous phrases like "Perfect Beauty Knight" and I won't bat an eye because the song is so good. But when Amane says things like "Take a bite out of the forbidden fruit!", I just start laughing because the song isn't good enough to distract me from the lyrics. I think this is why most comedy songs aren't very musically impressive - if they were, they wouldn't be funny.
It's also funny how the lyrics are like "this is a SECRET garden of FORBIDDEN SECRETS" (i.e. lesbianism), reflecting the attitudes of old yuri, even though PriMagi is set in the modern times where like half of the cast is pretty open about being into the same gender.
Choreography
The highlight of the performance! I think this one has the best choreography out of all the solo songs in PriMagi. I wouldn't exactly say it fits with the music, but it doesn't not fit with the music, either.
There’s a satisfying combination of flowing and sharp movements that fall into each other seamlessly. I like the flowery yet controlled hand movements, and of course the Leg Thing. The choreography looks elegant but strong.
Visuals
I love the stage design, and I love the first outfit and the Elements outfit, though I don't have much of an opinion on the second outfit (Justice Rose). I don't really have much to say about the visuals, other than that they're good.
Good points: I like the vibe it was going for Bad points: Boring yet intangible melody, vocals are weird at times, and it's... just not that good of a song
Rating: 3.5/10 Personal rating: 6/10
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ViralAnimeX Review – Create Viral Anime Videos For Any Social Platform
Welcome to my ViralAnimeX Review. Anime style videos are now a booming trend all around the world in the world of content creation. Finally anime is a visually stunning art form and storytelling capabilities that have become top rated across social media, streaming services, campaigns, etc.
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Check Out My Previous Reviews: DFY AI Sites Review, Yield App Review, Blaze Builder Review, RankNinja Review, and VidPulse AI Review.
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I read your review and listened to the album while getting ready this morning. Didn’t wake up for it, I’m done sacrificing my sleep for BTS, lol. I wasn’t expecting much because I knew it wasn’t for me, as I didn’t like Seven, 3D AND Too Much, lol basically none his collabs made it for me. Which, the album confirmed — both 3D and Seven are skips for me, I just can’t stand those songs.
That being said, I’m pleasantly surprised by some songs. I personally LOVE the sound of Standing Next To You, the 80s vibe! It’s a bit of deja vu as this trend has been going on for a while now but it’s right up my alley! Though I have to say it’s a tad bit too MJ-esque. I love MJ’s music, but it’s hard to make music inspired by him that isn’t too obviously inspired by him, if you know what I mean. But the sound suits my taste. That’s probably the song I’ll listen to the most. I could probably add Somebody and Shot Glass of Tears to my playlist as well. As for the rest, nothing special, maybe some songs will grow on me after some time?
The problem I have with the whole album is partly the sound — too generic, too mainstream pop, too much inspiration going all over the place, we’ve heard those songs over and over again, they’re well produced and catchy so it works but there’s not an ounce of novelty — partly the lyrics. I’m much more demanding for songs written in English (even though it’s not even my first language) than I am for songs in Korean. I’m not asking for poetry and deep meaning necessarily but it has to sound right, and in that department the album lacks a lot. For many tracks I noticed that, while I was warming up to the sound after a while, some lyrics just ended up toning down my enjoyment because they’re either way too basic or cringe (but I know I’m very picky when it comes to lyricism, I find so many songs so cringy, I’m probably just annoying) or they just don’t fit/sound right for me. I wouldn’t say it ruins the whole thing but I have to get myself accustomed and forced myself to not pay attention to it… For songs in Korean, I always read the translations and explanations about the songs but as my Korean is still pretty basic it doesn’t play a huge part when I listen to music in the language. I might become more demanding and hard to please as my level in the language increases (hopefully, I have to work hard).
Overall Golden is a bit better than I expected but not my cup of tea so while I’ve added a few songs to my playlist I probably won’t listen to the whole album a lot. Along with Layover, it’s the weakest in chapter 2 for me. But I’m impressed by Jungkook’s vocals, he really did challenge himself and worked on new techniques. I might not like the way he sings on several tracks but I can hear he worked hard on it. I love Jungkook so much, I feel a bad for being too harsh on him. And I appreciate his sincerity while talking about Golden, admitting that it was just not the right moment for a personal album, that he just went with the flow. I might not like the direction he took but at least he’s being honest about it. [How the fuck does it relate to his "golden moments" though? Hybe really just writes whatever for the album descriptions…]
Finally, about the MV… meh. Again, it’s nothing special? The outfit with the waistcoat is nice but not outstanding, it looks good on him, as for the rest? nope. That abandoned place in Hungary looks so impressive on pics but the MV doesn’t give it justice, they could have shot it in a studio using AI it wouldn’t have made a huge difference. The choreo, the photography — again, the 80s and MJ inspiration is a bit too much. Jungkook’s expressions are too exaggerated, it made me laugh lol sorry. He’s way hotter when he’s smiling and showing his goofy and cute sides rather than acting all tough. His Tik Tok challenges with LeSserafim and TXT were perfect in that sense, cute and sassy looks waaaay better on him, it makes him look so freaking attractive and powerful. The ‘mafia boss’ look suits Yoongi much better in my opinion. But I understand many fans like it on Jungkook, it’s how they want him to be. To each their own.
Overall the album is okay but nothing impressive, definitely some skips for me but I’m relieved there’s a few songs I really appreciate. I’m happy for Jungkook but I doubt this is an album we’ll remember in the future. I hope I’m not being rude. I wish people would also stop with the superlatives — breaking the industry, album of the year, mind blowing… everything is blown out of proportion, and coming from productors and people who collaborated on the album it’s just a marketing tactic for promotion but it’s getting annoying and it sounds fake. But I guess it’s fandom culture… Anyway, I’ll let it rest a few days to see if I change my mind and end up liking more songs. I’m happy Jungkook is satisfied, it’s nice seeing him happy.
Sorry this is way too long and I keep repeating myself!
Hi! Thank you so much for reading my review after listening to the album. That's really sweet!
I agree a lot on SNTY. I've heard the song a few times now. It's pretty catchy and powerful, but the MJ vocals at the end ruin the ending. It also ends really abruptly with an outro that sounds like a bridge. It's confusing when the song ends just like that. Many songs these days are like that. I think no song in Golden has a bridge? That's probably why I can never tell when the songs are about to end and stop paying attention halfway through.
Somebody is probably my favorite bside, Closer To You stands out because of the chorus, Shot Glass Full of Tears is growing on me, Hate You and Too Sad to Dance are pretty bland, I hate Yes or No, and Please Don't Change is meh and sounds too much like Closer to You. The issue with the album is structure and lack of cohesiveness. The song selection only makes sense after Please Don't Change. Why start with 3D and follow it up with Closer to You? SNTY makes sense after Closer to You, but after Seven? Seven after Closer to You? SNTY after Seven? And then Yes or No after SNTY instead of Seven? Why in the world... The songs also don't feel like Jungkook? I don't know if they will eventually, but I can't hear Jungkook in them. I can hear him in 3D and Seven. Hate You sounds like a song he would cover, but in general it's like they're not really him? SNTY sounds too much like The Weeknd too, especially the vocals, though JK is likely a better singer and sings really well in the song.
I don't even know the lyrics. It's hard to understand him tbh. He did a great job with his English pronunciation, but sometimes his accent is too noticeable. and I also keep spacing when listening to the songs. In SNTY there's a line that's like "left and right something" and makes no sense. And, yes, the songs have all been done before. Seven is by far the most refreshing and original to me actually.
Another issue with Golden is that the songs all feel really short and repetitive. I space out listening to them and before I know it they're over and I can't remember what the middle sounded like. I still can't remember how most of the songs end. I stop paying attention since they're so repetitive. 3D and Seven have bridges, but the other songs don't. Actually, Yes or No has a bridge, kinda, but it's not a good one and it's more like the pre-chorus. Jungkook's high note in that song sounds surprisingly bad. It's so thick and doesn't fit the song at all. So, yeah, most tracks sound unfinished.
Golden is neither worse nor better than what I expected. I think the issues with the album are Jungkook's lack of vision. As he explained, he didn't want to write the songs because he had nothing to say and doesn't love songwriting, so the lyrics are just lyrics, just images, not autobiographical, and apparently about love since it's universal. Thus the album has no message and the songs don't tell a story. He just wanted to try different genres and challenge himself, so the album sounds like a compilation of covers of different artists and less like a pop album. Jungkook's goals were to make a mainstream pop album and try many genres uncaring of messaging and refusing to settle on a specific sound... Imo the album was pretty much bound to feel unfinished and disorganized. It's almost mid by design.
Finally, about the MV… meh. Again, it’s nothing special? The outfit with the waistcoat is nice but not outstanding, it looks good on him, as for the rest? nope. That abandoned place in Hungary looks so impressive on pics but the MV doesn’t give it justice, they could have shot it in a studio using AI it wouldn’t have made a huge difference. The choreo, the photography — again, the 80s and MJ inspiration is a bit too much. Jungkook’s expressions are too exaggerated, it made me laugh lol sorry. He’s way hotter when he’s smiling and showing his goofy and cute sides rather than acting all tough. His Tik Tok challenges with LeSserafim and TXT were perfect in that sense, cute and sassy looks waaaay better on him, it makes him look so freaking attractive and powerful. The ‘mafia boss’ look suits Yoongi much better in my opinion. But I understand many fans like it on Jungkook, it’s how they want him to be. To each their own.
Took the words right out of my mouth!! Yes, the waistcoat look is sexy and very Jungkook - it's kinda sassy and androgynous - but his other looks, particularly the sparkly jacket are crap (and look like Enhypen rejects). I couldn't really put into words what was missing with the MV but it's exactly what you said! They shot the MV at a historical place all the way in Hungary but you can barely tell? All I noticed was a normal stage. They literally could've shot it in a green room and added CGI and I wouldn't have noticed. The MV is also so dark and monotonous? The MJ inspiration is an over kill. The choreo is good, from what I saw, but the MJ grunting and choreo at the end are just frustrating... JK's facial expressions are too exaggerated, thank you for noticing! JK's sexy when he's dancing and naturally makes these powerful and sassy facial expressions, he's naturally sexy when he's not wearing makeup and just chilling, but he was trying too hard in the MV and looked baby more than anything. I think he looks cool in all his TikToks, but sassy JK with LSF is a different kind of attractive haha.
As far as records go, I'm sure Jungkook will set and break them, but the album's nothing special and does not match his talent. He wasn't even sure about releasing it. If Jungkook had had all the time in the world to make an album, would it have sounded like this or would it have been better structured and more personal?
Don't worry, your post isn't too long! Mine is just as long! Thanks for the ask!! I love it when anons share their thoughts in such detail! I'm glad you enjoy the album overall.
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Vocal Vibes AI Review & Bonuses | Voice Cloning App | AI Voiceover Softw...
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Vocal Vibes AI Review: Best AI Voice Cloning App 2024
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Sera Myu: Musical Festival -Chronicle- Review
You know when something just hits you deep in your core and you can’t help but be a sobbing mess on the floor? Yes, that was me.
When this musical was first announced, I really had no idea what to expect. I had predicted it would be like an Ai no Sanctuary 2.0, and then they said it would be mostly Kaguya-Hime songs, that turned out to be a big ass lie. WHICH I’m grateful for. Not that I don’t love those songs, but the musical was truly something beautiful and shiny and celebrates the history of Myu in its own beautiful way! The song list is mainly NelkeMyu songs (2013-2017, NogiMyu, The Super Live) with a tiny sprinkle of Bandai thrown in for flavor (though, they are newer versions as seen in NogiMyu and The Super Live). Speaking of new arrangements, nearly every song was re-arranged! Whether it be new instruments, new lyrics, or something along those lines, all except a very few songs were re-arranged for the musical and I love the new feel to songs! And the 2 new songs (Chronicle the Story of Sailor Moon and Eternal Cycle) are SO good. Eternal Cycle in particular made me start crying with how beautiful it was.
The cast REALLY showed off. I saw both the second-to-last and the senshuuraku performances. While the vocals are better in the earlier show, the emotions are much stronger in the final show. Riko-Moon in particular REALLY redeemed herself for me. I liked her last musical, but I REALLY loved her this time. She really put her all in this time, and I’m SO proud of her. Her vocals snatched me in the earlier showing, and her determination and power wowed me in the senshuuraku. I’m so grateful she got to play her again. ;w;
I have to address the elephant in the room. Kisara’s vocals. If you remember last year, she nearly had the best vocals out of all the inners. However, I could tell even in the first day’s livestream, she was lip-syncing. And this year, we found out why. Kisara really struggles at live singing. There were some times she sounded pretty okay (when she sings high in her head voice, she sounds really good most of the time), but her voice breaks when singing low. Which is kinda bad when you’re playing Sailor Jupiter... ^^; Some friends in the SoS Discord think she was sick. It’s a possibility. IDK how to feel Because I lowkey felt like she broke immersion a bit in some songs, but I really like her as Jupiter at the same time. I’m torn. ;-;
MVP award goes to miss Riona Tatemichi who has climbed ALL THE WAY to the TOP of my favorite Tux list. Yes, she beat out the previously untouchable Yu Shirota. She made an extremely gay man swoon. SHE DID THAT, SHE DESERVES THAT SPOT. xD
MVP AWARD ALSO GOES TO MISS CHISE NIITSU. HELLO? NEW FAVORITE CHIBI MOON. She really REALLY leveled up from her Chibi Chibi days. I actually wasn’t huge on her Chibi Chibi back in the day and vastly preferred Hinari. But she was SUCH a cute Chibiusa with a powerful, strong voice! I can’t help but love her!
I’m just generally in love with the current outers. Shinju-Uranus grew on me this musical. I think she pairs really well with Ayana and MISS AYANA?! NEW FAVE NEPTUNE AS WELL WTF AND MISS YUKA IDE? NEW FAVE SATURN. This Musical gave me a bunch of new faves. Chisato-Pluto also FINALLY got a chance to shine and QUEEN I LOVE YOU. (Still mad Nelke hasn’t given you a solo song or at least let you cover Chronos Guardian though ;O; )
If you want a story summary, check out @crazykacey‘s! I don’t understand Japanese, so I actually used his review and context of watching to understand the musical. All I can say is fantastic BandaiMyu vibes and a very fun musical! I’m pretty tired after this Musical season. I really went in on reporting (on Twitter and Discord LMAO) and doing some things (which will be revealed in the near future) so IDK how to end this review. Long story short, the musical is really worth your time and from the very beginning, you’re probably gonna cry. It’s a great time, and I hope you all get the chance to see it! ALSO PRE-ORDER THE DVD OR BLU-RAY. Thank you. XD
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Wakana Covers ~ Anime Classics ~ Release
It’s officially the 9th of December in Japan which means it’s the release day of 『Wakana Covers ~Anime Classics~』! BANZAI! The album is now available for purchase in digital format in Japanese stores.
❗Please SUPPORT Wakana and BUY her album❗ ❗BUY a PHYSICAL COPY on CDJapan❗ ❗BUY it digitally on MORA JAPAN ~ TUTORIAL (no OTOTOY this time)❗ ❗Check your local iTunes store and Spotify after midnight❗
Here’s a quick REVIEW
THIS IS A GREAT ALBUM. I LOVE IT!! The tracklist is not what I would have hoped for but then again, I only know a handful of old anime songs so it’s really no surprise that none of them made it onto the album. I wasn’t really familiar with any of Wakana’s chosen songs but to her credit, she made me fall in love with almost all of them. The only tracks I do not like are “Yatsura No Ashioto No Ballade” and “Rain” but that’s not Wakana’s fault, it’s just that I do not care for those types of songs. Wakana’s vocals are really solid throughout the album, her voice was made for classical arrangements like this and I am forever grateful we are getting a full album and a concert on top of that. There are just a few sections here and there where I am not too happy with her choice of singing style but it doesn’t take away from my enjoyment. Question: Is it just me or are the instruments (strings in particular) overly loud sometimes? Occasionally they seem to almost drown out Wakana.
Detailed review below the cut〈(•ˇ‿ˇ•)-→
1. 時には昔の話を (Toki ni wa Mukashi no Hanashi wo) Arranger: Sin; I understand why they chose this as the leading track to promote the album. Everything about it is absolutely beautiful, Wakana’s vocals, the arrangement, the lyrics, the PV (from what we have seen so far). I have mentioned it before but her “hashitta” in the second chorus(?) kills me every time. And the way the strings build up in the first and last chorus. Ahhh, be still my heart I cannot take it. Btw, I am still not sure if you consider those two last lines in each of the three verses a proper chorus or if the song just consists of three elaborate verses..? But for the sake of this review, I will call them choruses XD 2. やさしさに包まれたなら (Yasashisa ni Tsutsumareta Nara) Arranger: Miki Sakurai; Gorgeous arrangement (especially with the added tin whistle). Kinda reminds me of the Concerning Hobbits theme from LotR. I am a big fan of Celtic and folk-ish elements. Miki Sakurai apparently is a big fan too. After all, her “Yakusoku no Yoake” which she wrote for Wakana’s first album also had strong Celtic vibes. My favourite part of the song is when Wakana sings that final “meseeji” in the last chorus, the arrangement here is beautiful. Still think Wakana’s vocals are a bit too cutesy but hell, it’s a cute song so I guess it seems fitting. 3. Rain Arranger: Shu Kanematsu; Wakana sounds great but the song doesn’t do anything for me. T_T 4. いのちの名前 (Inochi no Namae) Arranger: Shu Kanematsu; OMG, this brought tears to my eyes. SO SO BEAUTIFUL. The way her voice just blends with the strings. Her vocals are a tad quiet though compared to the instruments. Or is it just me? 5. やつらの足音のバラード (Yatsura No Ashioto No Ballade) Arranger: Sin; I can’t put my finger on what exactly I don’t like about this but I can’t seem to get into it. I guess it sounds a little too jazz-y for me...or is it blues? Either way, not my cup of tea but I can see why Wakana would like it this way. And hey, she does pull it off perfectly so who am I to complain? On a side note, those lyrics are just so perfect for Wakana, she doesn’t often get the chance to sing about dinosaurs :P EDIT: Future!Sarah is coming back to revise her opinion. After listening to the album on repeat for hours on end, I now LOVE this song. It’s charming. 6. Get Wild Arranger: Sin; One of the coolest arrangements on this album!! The strings are just PERFECTION. And Wakana SLAYS!! Who would have thought she can pull off a song like that. I mean, we already knew from gettign that teaser video but this is on a whole other level. Too much awesomeness. 7. 風のとおり道 (Kaze no Toorimichi) Arranger: Miki Sakurai; Ahhhhh, so precious and mystical, such a gorgeous arrangement!! I love how we start with just Wakana’s vocals. And then Miki Sakurai adds her magical touch again by inserting all those Celtic elements. The tin whistle fits perfectly. A couple of Wakana’s high notes no longer sound good to my ears here but overall I enjoy her singing. 8. 君をのせて (Kimi wo Nosete) Arranger: Sin; The arrangement is utterly charming, both the piano as well as the strings are perfect here, Wakana’s vocals in the verses are literally flawless. I kinda find myself wishing she had sung the chorus with a different voice though. Mind you, I don’t hate the one she is using here but it’s bordering on being a teeny-tiny bit too shrill and thin for my taste. It’s still solid (and nothing at all like her strained “ring your bell” voice let’s say) but it’s not what I personally enjoy most from her. Either way, I think she is hitting her notes just fine (as far as I can tell at least) and the style fits the overall sound of the song. Pus, they made up for the slightly thin vocals by adding a little harmony layer which I appreciate. 9. 愛にできることはまだあるかい (Ai ni dekiru koto wa mada aru kai) Arranger: Sin; Most of you may know this already but I am a HUGE fan of the cello so I am happy we have such a strong cello presence here. Those cello parts are so cool. Anyways, this turned out to be one of my favourite tracks even though I didn’t think I would ever like this song based on the YouTube teaser we got a while back. There is just so much raw emotion and fierceness in Wakana’s voice, towards the end she is hitting me right in the feels. I just can’t help but be drawn to the song. I am surprised by how well she handles songs that are originally sung by males. Her covers of this and “Get Wild” are just exceptional imo. They bring out a new side of Wakana which I really love. 10. 夢のゆくえ (Yume no Yukue) Arranger: Shu Kanematsu; While I didn’t know this song before listening to Wakana’s cover version, the melody reminded me a LOT of the old anime songs I used to like back in the day. The feeling of nostalgia is super strong in this one so naturally I enjoy it quite a bit. It’s not an outstandingly beautiful song or anything but the arrangement is lovely and Wakana’s vocals are on point.
»»—— CLICK ME 🎁 CLICK ME ——««
FOR PERSONAL USE ONLY. PLEASE, PLEASE, PLEASE, if you have the means, support Wakana in any way you can. Order a physical copy of her album, purchase it in digital format. Stream it legally on various streaming services. au
#kalafina#wakana#review#Wakana Covers ~Anime Classics~#wakana cover album#thank god today is a holiday so I can focus solely on her album#can't believe how excited I am for this release#obviously I love Keiko and Hikaru and their releases#but THIS is my jam#I AM IN LOVE#audio
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