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yjyt85r98r · 5 months ago

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Pretty Series song reviews: Pure Amore Ai

I tried (and failed) to be normal about this song.

Song

This song has such a 'perfect' or 'completed' kind of sound, like a perfect circle. It sounds so complete that I actually think the full version is a downgrade musically, although I am grateful for the additional lyrics.

The overall sound ditches PriPara's usual maximalist vibe for a carefully-balanced orchestral track that never goes overboard, but is also never underwhelming. With a few changes, it could easily become one of those 'spiritual experience' songs (like Sevendays Love, Sevendays Friend), but it isn't like that due to the harmonic instrumentals that mostly stay on-key and stick to traditional chord progressions, as well as the fact that the song moves along well and never lingers on any moment for too long. I think it's wise for this song to not go that far, since the goal is to be theatrical rather than spiritual.

Of every song in the Pretty Series, this is definitely the one I know best. I swear I can recreate almost every little detail in my head – the subtleties in vocal delivery, the single bell strike in the first verse, the drum patterns, those totally unnecessary glitter SFX in the second verse (actually, it's Hibiki, so glitter is always necessary). I love the way the intro's instrumentals seamlessly pass the melody back and forth between different instruments.

The first verse is attention-grabbing and slightly intimidating, but it's mostly just there to set up the rest of the song, so it's not as addicting as the other parts. (Honestly, when I first heard the first verse, I thought I wouldn't like the song at all.) I also kind of wonder why the second half of the first verse has such an intense, rock-like beat. It was probably just to make Hibiki seem intense and intimidating. But it's a bit out of place, considering that the rest of the drum track is light, subtle and unobtrusive.

The second verse feels like a release, changing from sparse and serious into something a lot more free-feeling. From there it slows down a bit and then seamlessly moves in into the chorus, which feels even more free. The chorus is somewhat repetitive and simple, but also dynamic. The fast-ish speed and good execution makes it feel like a hypnotic whirlwind.

The last part of the main melody, as well as the glissando at the end of the song, both give it a neat, definite conclusion that reminds you this is a villain song.

I think it was unnecessary for that one part to have those soprano opera vocals. They almost make the song feel like a religious song, when it's really supposed to be more of a musical theatre song.

Vocals

It sounds crazy to say this now, but initially I was not so sure about these vocals. Hibiki's voice is so different from that of every other PriPara character, and the song begins in a lower range, so at the beginning, it didn't even really sound like singing to me. (Hibiki's lower range sort of feels like it's dragging the melody down into flatness – Bell and Amane are like this too.) But the first long note is like a peek into what's to come, and by the time the B-melody hits, the vocals are shining. They just keep getting better as the song goes on, so by the time the song was done, I was like "oh okay, I love this".

Surprisingly, despite the deep sound of the vocals, this song is comfortably within the alto range (F3 - B♭4). The chorus is in a range where I would have to use mixed voice (or maybe even head voice on a bad day), and my voice is nowhere near as deep as Hibiki's. So this song is actually very difficult to sing regardless of voice type, because those with higher voices would have to force a lower range, but those with deeper voices (i.e. Hibiki) have to maintain their voice's richness and stability while singing in a higher range that makes it difficult to do that. Really, the only way to sing this is through sheer force, which Hibiki does excellently.

What's really amazing is how the delivery of the second verses is nearly identical to the first. Maybe that's really common, but I noticed it a lot due to Hibiki's distinctive voice. Perhaps it's slightly boring to sing like that, but it's a very professional way of singing, displaying the singer's level of thoughtfulness and control.

Lyrics

The lyrics are very wordy and a bit confusing, and I have to say, I don't really understand them much better now than I did all those years ago. My interpretation changed after reading an analysis saying that these lyrics were not just about love in the usual sense, but also about Hibiki's love for PriPara. I'm not sure whether it's true, but it's making me think. (And it helps me relate more to the lyrics since the strongest, most intense love I've ever felt was not for a person but for something more abstract.) Still, I want to understand the lyrics without projecting onto them. And I think that the lyrics are mostly about the type of love that is felt toward Hibiki. There are essays on this, and you should read those if you're interested (I'll link to one later), but it's basically about Hibiki's persona, and the way that kind of persona can make people feel. They are in love with the persona, even though the persona is a lie. The lie could not exist if people were not in love with it. If "Pure Amore Ai" is a manifesto, "boku wa aru" is the thesis.

The full version's lyrics make me cry.

Choreography

When I was younger and more shameless and had good leg flexibility, I was always like "I'm gonna learn this dance one day", but then I didn't and now my leg flexibility isn't so good anymore. Well, it's probably for the best, since this dance, like everything else, is cringe! But just because it's cringe doesn't mean it's bad.

The dance starts off fairly low-intensity and remains that way until suddenly the chorus comes and it's just crazy stunts and so much leg. Amazing.

The lyrics and choreography are closely linked, so it's worth wondering what some of the dance moves mean. For example, during the part before the chorus, Hibiki says 隣人 (neighbours), but touches the ground. The lyrics imply that these people are equals, but the dance implies that Hibiki sees them as lesser. The same move is repeated when Hibiki starts to explain what love "really" is.

There's also a lot of pointing in the choreography, mostly either pointing up (during lyrics about big, grandiose things) or pointing straight ahead (during lyrics directed at the audience). However, during the lyric about love being a foolish impulse, the choreography is pointing up and then moving the arm down, almost like it's representing disillusionment. I'm not as sure about the intent this one as I am about the touching the ground. It could just be a coincidence.

Visuals

The crystals that constantly shift and reflect light are very cool, and give the stage a slightly ethereal vibe. The runway has a chess motif, which is perhaps a nod to Hibiki's role as a chessmaster in the plot.

The Making Drama is as over-the-top and hammy as ever, with lots of references to The Rose of Versailles, Princess Knight, and Revolutionary Girl Utena. I learned about these series from an essay on Hibiki that I read years ago, and I usually try to avoid linking to other blogs these days, but I'm just gonna link to this one in case anyone's interested. I hope it's okay that I'm linking to it. The whole blog is dedicated to Hibiki, BTW.

Anyway, I haven't read/watched Princess Knight, but apparently the main character of that was born with both a pink 'girl' heart and a blue 'boy' heart. It's worth noting that, in the Making Drama, Hibiki only has a blue heart. Gender theorists can do whatever they want with this information.

I love that the end of the performance goes straight-up villainous in a matter of seconds. It has a bit of a boiling frog feeling to it, where curiosity turns into enjoyment turns into enabling. Like you, as an audience, allowed this to happen.

Good points: E V E R Y T H I N G Bad points: First verse isn't as good as the rest of the song, operatic vocals during the instrumental part were not necessary

Rating: 9.5/10 Personal rating: Also 9.5/10 (10/10 in my heart)

#pretty series song reviews #pure amore love

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thats-the-teen-spirit · 5 months ago

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Top 20 songs of 2024 reviewed by yours truly

As a yearly tradition I review my most liked songs when Spotify Wrapped comes out. Since this year was full of bangers, I extend the list to 20 instead of 10. Rules:

One song per artist

Can only include song when the song itself came out this year (album doesn't count)

Enjoy and thanks if you read it through.

20. Windwaker - Tabula Rasa

This song took me by surprise and I have not nearly listened to this band enough. This song basically was unskippable for me the later half of the year with the rapping, the electro beats, the super catchy chorus or the high variety of screams. Also the song's title is an item name in my favorite game of all time helped a lot to keep this one in memory. Start this list with a clean slate.

19. Bad Omens X Poppy - V. A. N.

Violence Against Nature is a really unique song in a sense that even though the Bad Omens are playing the super industrial metalcore instrumentals, the vocals are provided none other than Poppy herself only. Some people would find the monotonous vocals really unsettling and boring, I think they are very charming in a weird way. The machine gun-like drums are just the cherry on top.

18. Nothing More - House on Sand (feat. Eric V of I Prevail)

This was also a song that I got addicted to in the latter half of the year. The guitars are very modern sounding and the verses kinda remind me of a Beastie Boys/RHCP kinda groove, I don't know why. It's a strange mixture that somehow works.

17. Green Day - Suzie Chapstick

Probably my favorite love song from this year that gives me strange warmth, especially 'cause I remember it coming out during wintertime and I always listened to it on the warm bus on the way to work. Very comforting song with a nostalgic hook, I would honestly even call it Whatsername 2.

16. Alpha Wolf - Sucks 2 Suck (feat. Ice-T)

This might be way lower than it should be but hear me out. The song is great, the Ice-T feature is a little questionable but the whole vibe of this "standing up against bullies" type of hardcore song is really speaking to me. I often caught myself listening to it in home office when someone pissed me off.

15. LANDMVRKS - Creature

What's a song that begins with french rapping then turns into a metalcore anthem with a really melodic chorus and great breakdowns? This song. I really can't say anything else about this other than it's a banger.

14. Sum 41 - Waiting On A Twist of Fate

I could have picked any single from Sum 41's last album and it would have fit. I chose this one because of the punk-ish nature, fast drums, screamy vocals just in good Sum 41 fashion. I'm sad that I won't be able to hear this band live again but I'm glad they went out on their own terms (also I kinda relate to that).

13. Boi What - Funeral of an Antihero

If there was a genre called I'm not okay-core, this song would be there along with Lost by BMTH. The similarities are crazy between these songs and the pacing, the melodies and even the vocal style is very similar (though this song has the Plankton AI filter over it). I got called out by my ex-girlfriend for liking literal Spongebobcore but hey, a good song is a good song.

12. Nightwish - The Day Of...

Apparently it's an unpopular take but I loooove this song. The key change in the last chorus with the choir singing and Floor's amazing vocals had me shook since I first heard it. Though I think Yesterwynde was a little underwhelming (the later half, the first half is pretty decent in my opinion), this song is well deservingly here on this list.

11. Billie Eilish - Birds of A Feather

A really chill pop song from a really chill pop album and a really chill pop artist. It's also adorable and dreamy and to be fair just a cute lovesong that gets stuck in your head. I only put this love song ahead of the Green Day one, because even though both singers are called Billie, this one made a more unique sounding song.

10. Bilmuri - TALKIN' 2 YOUR GHOST

I know, unexpectedly low for American Motor Sports being my AOTY, but I got into the Bilmuri hype really late this year. Johnny Frank's metalcore-country hybrid band did a great job with this song despite it being less than 3 minutes long. I can also relate to the meaning behind the lyrics, I just love the whole thing to be honest.

09. Sleep Theory - Stuck In My Head

Sleep Theory is a band that I rarely listen to but when I do, I binge a lot of their songs. They're very nu-metal adjacent modern metal/metalcore band that have a very good artistic direction and good sense of melody. Also in my opinion very underrated, I love their older EP Paper Hearts, as well as this song. And of course this one got stuck in my head all year, pun intended.

08. Spiritbox - Soft Spine

YOU ALL DESERVE EACH OTHER. This callout is probably the hardest of the year for me, the song is pure breakdowns and screams, being very faithful to Spiritbox' sound. I'm really looking forward to their new album. Similar to their song Cellar Door from last year, this one doesn't need any huge melodies or choruses either as long as the heaviness is there.

07. Ice Nine Kills - A Work of Art (feat. SHAVO)

Despite hating horror and gore, INK is one of my favorite bands right now. The melodic sensibilities of Spencer Charnas. musical genius of of the whole band, and the corny horror vibe that does not take itself very seriously always brings me to a good mood. For some reason the band got a lot of hate online for being "boring and cheesy" by most metalcore listeners and reviewers but I honestly cannot give less fucks about it. The breakdown with the clown noise just always makes me smile. A Work of Art is a banger (and the key change at the end is just perfect).

06. Knocked Loose - Suffocate (feat. Poppy)

I kind of lied at the beginning. Poppy is featured in multiple instances on this list, bringing her to my favorite artist for this year. Knocked Loose knocked it out of the park this year with their album, You Won't Go Before You're Supposed To, and even though I wasn't very keen on Bryan's vocals first, the pissed of vibe of the whole band got me through my worst days of this year. Her PR team must do a great job because wherever I looked this year I saw this girl who started out as a creepy internet sensation, making it to Jimmy Kimmel by screaming her lungs out and then releasing one of the biggest albums of 2024. Also the reggaeton breakdown got me jamming even though I absolutely despite the original genre. Great job, KL.

05. Poppy - they're all around us

Yeah... I know. I'm a liar. So the album of this unexpected banger came out on the same day as another anticipated album of mine, yet this song was still on repeat more times than that record as a whole. 2024 was undoubtedly Poppy's year for sure. Oh and about the song, well it's very angry, brutal at times, but still has a Britney chorus, do you want any more information?

04. twenty one pilots - Routines In The Night

A bit of a mood change as we get to my favorite pop song of the year, which is unexpected a little because all the singles from Clancy, the 2024 album of the band were very competitive. Routines In The Night got stuck in my head for days, and while I was trying to figure out why, I noticed that the melodies just like in the Billie Eilish song, were very comforting, but in a different way. It was more like meeting an old friend late at night because neither of you can sleep. Brought me back to the good old days.

03. Electric Callboy X BABYMETAL - RATATATA

Some unhinged commenters said that this collab is similar to WWII, since the germans and the japanese have united and dropped a bomb. While this might be a very dark joke, I think it's absolutely correct. Two of the most fun modern metal bands unite in this beautifully chaotic mess of a metalcore mixed with J-metal, I love this song so much and it always brings me to good mood.

02. Linkin Park - Two Faced

Welp. Linkin Park are back alright. Two Faced brought me back to the first time I listened to Hybrid Theory and Meteora in full. The breakdown, the rap parts, the screams, everything is perfect and I can honestly say I'm always fully immersed in nostalgia when playing this song. Sidenote: this was the only song this year that I always had to listen to twice because one time was never enough.

01. Bring Me The Horizon - n/A

Might be an unlikely pick but n/A was my most relatable song this year. Oli dealing with substance abuse and telling the story of his relapse, how he feels guilt over relapsing made me think of how much I fucked up this year. I could write a bunch of personal stuff here why I chose this as my song of the year but let me just say that the subject matter always hit very close to home, especially describing the intrusiveness of Oli's thoughts. I literally never skipped it, ever.

So these are all my favorite songs this year but of course the list could be even longer than this by at least 10-15 songs.

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pix4japan · 1 year ago

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Discovering Tsukasa: A Quaint Hideaway in Yokohamabashi's Back Streets

Location: Yokohamabashi, Minami Ward, Yokohama, Japan Timestamp: 18:40 on December 19, 2023

Fujifilm X100V with 5% diffusion filter ISO 160 for 1.0 sec. at ƒ/6.4 Astia/Soft film simulation

Venturing into the dark, narrow alleys branching off from the brightly lit main drag of Yokohamabashi Shotengai shopping street, I discovered a quaint bar and eatery named “Tsukasa.”

The establishment, run by an elderly woman, served homemade dishes and drinks to customers engrossed in the sports news broadcast from a tiny TV perched atop a refrigerator in the corner behind the kitchen counter.

Inebriated salarymen in business suits and equally red-faced blue-collar workers, still in their factory uniforms, laughed loudly and became vocally excited about the baseball news emanating from the small screen.

This shop, absent from Google Maps with zero online reviews, barely seems to exist in the modern world. The only way to discover it is through word of mouth or by stumbling upon it while meandering through the back alleys branching off from Yokohamabashi Shotengai’s brightly lit main street.

As mentioned in previous posts, I appreciate the wide variety of noren curtains, particularly those with charming, traditional designs that hint at the owner's character, the establishment's vibe, and sometimes reveal a shop’s heritage.

I love the understated noren of this shop with its classic indigo blue called “ai” (藍) in Japanese. This indigo, made from the leaves of the Japanese indigo plant, was initially used by aristocrats and samurai. It can now be found adding color to everything from kimonos, blue jeans, linen, and of course, noren curtains.

The young bamboo plant motifs in the noren blend well with the real potted bamboo plant positioned just below it.

The storefront sign indicates “Sapporo” (the type of beer served at the shop) and, from top to bottom, right to left, reads “家庭料理・katei ryōri,” which means homemade cooking, and “つかさ・Tsukasa,” likely the owner’s name. Next time I visit, I hope to remember to ask about the origin of the name!

Explore other shops near Yokohamabashi Shotengai, and find references to related articles for further reading on my blog post: https://www.pix4japan.com/blog/20231219-yokohamabashi

#ストリートスナップ #つかさ #横浜 #横浜橋商店街 #昭和レトロ #pix4japan #X100V #Fujifilm #street photography #Japan #Yokohama #Yokohamabashi #Tsukasa

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struggle-but-its-all-ocean-floor · 8 months ago

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I've been avoiding Tumblr and Twitter since I haven't watched AYS yet... I have no excuse... it just never felt like the perfect moment, you know? But yesterday I bought my ticket to I Am Still! Should've done it sooner, the tickets were almost sold out, oops...

Anyway, this is a big day for kpop, with many songs dropping, but sadly not hitting for me.

Neva Play was a bit disappointing- Megan is an amazing rapper and she's a very clever lyricist, but her lyrics are always about the same thing and often sound misogynistic. She's very hit and miss, but her solo songs can be very good (I really love Hiss). I also think her voice doesn't go with RM's. It's bright and snappy whilst Joon's tone is smooth and has a bit of a drawl? I didn't really get RM's lyrics. The vocal production on his part was very weird too. The song would've been better if it was just Megan or RM's, but the both of them don't match? They give the same vibes but different frequencies lmao. The song is good, but underwhelming. I like it the more I listen to it. The weakest part is by far the chorus, which is annoying. The song ends a bit abruptly too and the structure is basic - Megan raps, then Joon raps. it. It was less of a collab and more of a copy and paste of vocals. Sadly, most collabs are like this. I just think they had an opportunity to gag everyone and delivered something pretty basic.

I also checked-out MEOVV's debut song, which was... not even bad enough to stand out. They looked like a cheap NJs and BP cross-over. The MV was crappy, the song was not age appropriate, and the lyrics sounded ridiculous coming from rookie idols...

Baekhyun and Chanyeol also came out with songs and both are unmemorable to me. If I didn't know any better, I wouldn't guess Baekhyun left SM. All these soloists leaving SM, but their music and concept stay the same. I hope everything else is worth it.

I'll review Tzuyu's album in another post...

#bts #rm #reviews #text

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meruli · 1 year ago

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Sixfonia Music Review

I don't really care for vtubers as a genre, but recently, I've been following this one vsinger group for their non-music content because "haha funy". After a while, I decided to listen to some of their songs because I'm a self-proclaimed music enjoyer, and the result was.... not good.

(I was initially gonna keep this off tumblr, but I have so much to say about their songs that I decided to review all of them here.)

First things first, 90% of their songs are normal straight boy love songs, so I won't be talking about their lyrics. Also, I feel like most, if not all of the instrumentals in their songs are done by computer simulations and not actual instruments, which is disappointing.

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J0KER×JOK3R: This is the song they use in the end-cards of all their videos, so I've been forced to listen to the chorus A LOT. I didn't really like it at first, but it started growing on me, and one of the guys (the green one) screamed before the final chorus, and screaming always makes a song better.

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SHALL WE GONG!?!? -1st battle-: Boy do I have stuff to say about this one. First, the word "Gong". The first thing it brings to mind is "dong". I think it's supposed to be the Mandarin word 攻, but since that's also a bl term for tops, I can only think of dirty things looking at the title.

Onto the actual song. It starts with an AI woman saying "This is not an ordinary record." You'd think that'd be enough of a red flag, but tbh... this song is actually kinda enjoyable for me. It's mostly rapping (something they do a lot), but there's another shout before the final chorus, which, as I said, always makes a song better.

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eND oF FaNTaSY.: As a tumblr user, I cannot look at the sprites in this video without going "Little German boy????" When I first started listening to this one, I was like "wtf this is so good??" I like how the instrumentals actually get quieter during the chorus, and the flow is pretty good UNTIL the final chorus, where everything falls apart. They decided to raise the key, add in some jingles, and piano keys being pressed one by one, which ruins the song's vibe and makes it sound like an ice cream truck's jingle.

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SCRaP＆ReV0LuT1oN: This one's such a mess. They start, with no intro, by singing the chorus, which starts with "Let the opera resound," shaping it up to be a neo-classical song, but they started scat singing right after that?? Also, during the verses, I can't tell if they're singing off beat, or if the beat is off them. It's one of the most disjointed songs I've ever heard, but at least the chorus slaps.

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絶対！キメツケ症候群: It's a goofy 47-second song. Not much to say besides that.

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Can We Jazz?: No, we can't. This is the point where I realized they really like starting with vocals and no intro. The beat is really loud and I don't really like the melody, but it doesn't sound outright ugly like some of their other songs. Overall mid.

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六陣革命: This one's lit. Not many funny things to say about this. The visuals are inspired by the taisho period, which is... not good (also another can of worms that I can make a whole different post about), but if you're willing to ignore that, it's a really solid song.

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ただ想う、君がため。: It's a really good ballad. Beautiful melody. The harmonies (?) during the chorus are a bit too loud compared to the main melody, but that's easy to get used to after a few listens. Funny though, how this is, iirc, their only song with no rap break, even though ballads with slow rapping do exist, and they seem to put rapping in every song they can.

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6-4-Sweets: This one's just mid. Not much else to say.

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「好き」のかくれんぼ: I know the EXACT vibe they're trying to go for, but damn, does this just sound bad. I don't like comparing artists with each other, but this sounds like a cheap rip-off of AKB48's Iiwake Maybe and other similar songs, so why would I listen to this (which doesn't even have a good chorus), when better songs with the exact same subject and vibes exist?

(I can't post anymore videos, so I'll be continuing this in a reblog)

#song reviews

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beyoncesdancers · 2 years ago

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My (Review? lmao) Thoughts about The RENAISSANCE World Tour That No One Asked For

BITCH I WAS NOT OMFGGGGG

I am SO glad I stayed away from clips of the show (for the most part lol) truly made the experience extremely special. like this is really my GOAT. THEE GOAT. And I got to witness her live and in person for a second time. I'm sooooo grateful and hopefully I'll have another opprotunity.

BUT WE ALREADY KNOW SHE'S THAT GWORL SO IMMA FOCUS ON THE DANCERS!

Amari Marshall is a fucking STAR. That's all I could think whenever I saw her. Stage presense on 100000. She's impactful.

Les Twins were utilized very well! I haven't seen them dance much since i hung up my fangirl cape, lol, but their dancing felt soooo familiar and I really enjoyed them 🥰

DANCE CAPTAIN HANNAH DLAINE! Y'all like to try my girl, but I loved everything she was doing on that stage. She may look diferent next to other dancers, but those lines, technique, elegance, that CLEAN look makes her great and Bey's fave 🤭

Simone showed up and showed out for her hometown! Definitely took notice of that. Ai, Alannah, and Brianna really held it down like the OGs they are. Kyndall may be the baby on tour, but she definitely rises to the occasion! love ha. Trinity is so radiant! Truly. This is her first big gig and she's definitely not taking it for granted. a PROFESSIONAL. Lisa, Nerita, ans Aakilah are all sooooo STUNNING? Truly shook looking at the three of them. Ms. Aliyah Janell doeeeeees thiiiiiiiiis lmao she was eating it up!

The boys, Rob, Zavion, Jus, Konkrete held it dooooown. They were utiilzed so well, especially in comparison to the boys on OTR2, no shade chile 🙃

Darius is also VERY STUNNING. FACE. CARD. and he can dance his ass off some ppl really have it all 😌. I loooved watching Carlos lmao idk what is was but i always found him whenever he was on stage 💕💕💕 And Jonté! Male Beyoncé himself! an undeniable talent.

and a special shoutout to Cha Cha Balenciaga! ate that ball right on up!

BLUE IVY THEE CARTER. That is all.

As for the choreography, I love the direction Fatima took it in. I know there's been criticism over how much Bey is dancing, but I think its the perfect balance of dance and vocals. I don't feel like I'm missing anything. the choreo matches the vibe of the album, of the era perfectly.

MOVE is my fave choreo at the moment, but now that I can watch clips lmao, that might change! I just cant get that Move Your Body Girl/Free Mind mashup out of my head 😌

This was just me writing down my thoughts so I’ll always be able to go back and reminisce on how I felt. If you read this whole thing, just know...

I love you deep deep deep deep 🥰🥰🥰

#rwt #renaissance world tour

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marketingprofitmedia · 11 days ago

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planesspoken · 12 days ago

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The Drop Review

Andy Samberg cameo pretty sweet, checking the gas lines.

Cool apartment.

Get me out of this movie, I’m getting throttled down.

Ethereal self clearly taking someone down the rabbit hole. They both like the outfit though. Common ground.

Pitching ink blot movie, I think it’s just a big trebuchet movie and I love it.

She’s got to get through all this existential heat just to have a good date.

It’s good it’s the 4 seasons.

Dice man back on the scene.

Now she’s a single mom and you know there are rugs, they’re pulling out.

Her son left with a babysitter also a cypher for ethereal friend. Kids pretty much toast. We know this from the vibe.

Date shows up. Wearing an undershirt. Also a shirt but he might have just got done doing archeology or something. It’s olive colored hard to pull off with all the ears.

Now his dialogue is clearly frequency fucked. 100 guys can get through, which is both good and bad.

Now she’s a single mom. We’re reminded.

Now this guy is a face in the hole for supply chain issues.

We’re reminded of the great hallmark brand, cards and movies.

Pour the wine fill the coffee. I like hallmark movies sometimes. This isn’t important later.

Guys not wearing an Indiana Jones hat.

Digital route clearly a misstep, she’s getting so much existential terror from the phone.

It’s a walk the steps out of the tall buildin movie but it ain’t die hard, or is it.

Real die hard is the car battery obviously.

Single mom, kid is dead, you’re a terrible person! Going out like this.

Can’t wear olive right now too much military.

But we love our boys and girls…

Men and women, you ever fire a rifle?

Her wait staff is garbage

She’s so psyched out

She’s in infinite distress walking through some nonsense

Not painted into a corner but definitely catching existential heat

She has reverse vision

Ethereal

Lost equity in her eyes probably from the pocket computer

Heigle walk through denied

Now date guy is getting vaguer somehow

She’s getting psyched out because her selves could get through it.

Pratt voice denied

Nobody gets out

Killing your kid for being a bad person

Vocal chords susceptible

Let’s focus on the menu we’re on vacation

Not buying Bardham there.

Hartnett supply chain issue.

Ai feature on overload… They were both wearing shirts, both had side burns.

Now he’s got an undershirt.

Her ethereal is fucking her over.

Bay of pigs invasion.

Bay of lambs in vision

Now she’s signing away her life rights just to kiss a non archeologist

They’re high up in a tall building

Nice Tendrils

Gets a receipt for drink, you got a receipt for that donut, you got an envelope for that mass.

The Net, Sandra Bullick big whisper really ahead of its time

Blazer energy, talking to a great

Megapolis cannot be found good trebuchet movie, can’t find it

“You better fuck this guy” vibe. Probably unnecessarily.

It’s your fault.

He’s got a satchel and leather wallet, you’re really high up

You could say the same thing for anyone with everyman relatablility even with the olive shirt.

—

Phone died

I lost my wallet at the theater

Social security card too

Pretty much a standard night

0 notes

pluginnoise · 3 months ago

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Best Key Detection Plugins for 2025

Key detection tools have become essential in 2025, especially with the rise of AI-driven workflows and producers juggling samples, loops, and collaborations. These plugins cut through the chaos for flipping a vintage vinyl sample or tuning vocals, saving hours of guesswork.

Let’s dive into the top picks that balance speed, accuracy, and creative flexibility; no music theory degree is required.

1. Waves Key Detector

Waves throws Neural Networks and AI into the mix to deliver scary-accurate key detection, even on messy recordings.

The “Transmit” button is great. Just click it to auto-sync the detected key with Waves’ vocal plugins like Harmony or OVox.

It’s dead simple: load the plugin, hit play, and watch the root note + scale pop up in seconds.

Bonus points for letting you toggle between sharp/flat keys and handling macOS Sequoia without a hitch. Perfect for producers who want zero fuss and maximum speed.

2. Brainworx bx_crispyscale

This one’s a sleeper hit for tracks with alternate tuning references (think 432Hz spiritual lo-fi beats).

It doesn’t just spit out a key, as it shows 3 possible scales with probability percentages, so you can pick the vibe you want.

The visual root note display keeps things clear, and pairing it with Brainworx’s Crispytuner means instant fixes for out-of-tune samples.

Ideal for sound designers and perfectionists who geek out on tuning details.

3. Mixed In Key Studio Edition

DJs, this is your harmonic mixing sidekick. Swap between Camelot, Sharp, or Flat notations mid-session to match your workflow.

The Notes/Keys toggle is genius as it can flips to see every note in a sample, making mashups or acapella layering stupid easy.

It even nails the root key of acapella, so you can build chords around vocals without trial and error. A must-have for crate diggers and remix addicts.

4. Zplane Tonic

TONIC’s real-time AI analysis feels like having a producer buddy whispering, “Hey, try this key next.”

It suggests 3 keys with confidence scores and unfolds a Keyboard View to highlight compatible notes and chords.

Need to analyze a dusty vinyl rip tuned to 432Hz? No problem: it sniffs out non-standard reference tunings and works offline.

Great for beatmakers who want to sketch ideas fast without stopping playback.

5. Antares AUTO-KEY 2

Why detect just the key when you can grab tempo and scale, too? Drag in any audio file (MP3, WAV, etc.), and it’s done.

The “Send to Auto-Tune” button is really nice as it allows you to auto-update your Auto-Tune settings, so vocal tuning takes seconds, not minutes.

Use the Manual mode if you’re old-school, or let it listen live while you jam. A no-brainer for vocal producers glued to the Antares ecosystem.

Read the whole review here!

#beatmaking #musicproduction #vst plugins #mastering #mixing #musicproducer #musicindustry #recording

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yjyt85r98r · 4 months ago

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Pretty Series song reviews: The Secret Garden

In my mind, this song is a meme.

Song

So like... I think this song is proof that I like almost any neoclassical-sounding songs, regardless of whether they're good. This goes double if they're performed by a girl-prince character.

Although this song is more of the classical, theatrical type, there also seems to be a little bit of a jazzy undertone – it's not swingy and it doesn't have the typical jazz instruments, but there's a little bit of jazz influence throughout the whole song.

The instrumentals are mostly pretty unobtrusive and exist to support the vocals more than anything. But there are a few parts where different instruments get their chance to stand out, like the glissando at the end of the narration, and the loud trumpet (?) before the first verse. I think the instrumentals could be simple-but-effective in a song with a stronger melody, but unfortunately, this song's melody is pretty boring, doesn't go anywhere, and doesn't seem to have a particular vibe. I honestly can't think of any words to describe the melody aside from boring. It's not simple, complex, bright, dark, warm, cool, random, coherent, original, generic, or any combination of any of those words. It's just... sound.

In general, this is just the sort of song where I spent the whole thing thinking "well this is the boring part but I'm sure it will get good soon", except it never does, it just sounds boring and/or weird the whole way through.

Vocals

It's hard not to compare Amane to Hibiki. Hibiki has a rich upper range, but loses some of that richness in the low range. Amane is the opposite: her lower range is smooth and rich, but her upper range is... unpredictable, shall we say. However, with both her upper and lower range, Amane's voice is a bit flat, to the point where I had a lot of trouble understanding how this song's melody is supposed to go. I'm still not sure I fully know the melody, even though it's one of the PriMagi songs I listened to the most, and I remember the song structure, vocal style, and instrumentals pretty well. (Some of the pitchiness may be in the melody itself, but this is also true of Amane's vocals in other songs, so it's not unique to this song.)

And... Amane's voice sounds so weird when she hits the louder, higher notes. It sounds like her voice is... curdling? Distorting? It's really, really unique, and it gives the song more... presence. I think I once said "that is the most aggressive and joyless 'la la la la la" I've ever heard.

I have trouble judging the opening narration since I don't really speak Japanese, but I think it manages to be dramatic without being hammy. Apparently Amane's voice actor is a fan of Takarazuka, so she probably has a good grasp on the style. A lot of the time, including spoken lines in a song can feel forced or awkward, but I think it works well with this particular style of song and vocals. The part at the end where she says "Can you keep a secret?" in English is also impressive. You'd never hear that kind of thing in Pretty Rhythm from a decade earlier. But I do hope there's not too much pressure for seiyuu to be able to speak English too, because their job is already hard enough.

I think I like Amane's voice better when she speaks rather than sings.

Lyrics

Well, immediately the first thing that came to mind was the novel of the same name as this song. But the song doesn't seem to have any connection to the book.

I'm comparing this song to Pure Amore Ai again, but this is making me think about how a really good song can get away with having ridiculous lyrics, whereas a mediocre song can't. Hibiki can sing ridiculous phrases like "Perfect Beauty Knight" and I won't bat an eye because the song is so good. But when Amane says things like "Take a bite out of the forbidden fruit!", I just start laughing because the song isn't good enough to distract me from the lyrics. I think this is why most comedy songs aren't very musically impressive - if they were, they wouldn't be funny.

It's also funny how the lyrics are like "this is a SECRET garden of FORBIDDEN SECRETS" (i.e. lesbianism), reflecting the attitudes of old yuri, even though PriMagi is set in the modern times where like half of the cast is pretty open about being into the same gender.

Choreography

The highlight of the performance! I think this one has the best choreography out of all the solo songs in PriMagi. I wouldn't exactly say it fits with the music, but it doesn't not fit with the music, either.

There’s a satisfying combination of flowing and sharp movements that fall into each other seamlessly. I like the flowery yet controlled hand movements, and of course the Leg Thing. The choreography looks elegant but strong.

Visuals

I love the stage design, and I love the first outfit and the Elements outfit, though I don't have much of an opinion on the second outfit (Justice Rose). I don't really have much to say about the visuals, other than that they're good.

Good points: I like the vibe it was going for Bad points: Boring yet intangible melody, vocals are weird at times, and it's... just not that good of a song

Rating: 3.5/10 Personal rating: 6/10

#pretty series song reviews

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struggle-but-its-all-ocean-floor · 1 year ago

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I read your review and listened to the album while getting ready this morning. Didn’t wake up for it, I’m done sacrificing my sleep for BTS, lol. I wasn’t expecting much because I knew it wasn’t for me, as I didn’t like Seven, 3D AND Too Much, lol basically none his collabs made it for me. Which, the album confirmed — both 3D and Seven are skips for me, I just can’t stand those songs.

That being said, I’m pleasantly surprised by some songs. I personally LOVE the sound of Standing Next To You, the 80s vibe! It’s a bit of deja vu as this trend has been going on for a while now but it’s right up my alley! Though I have to say it’s a tad bit too MJ-esque. I love MJ’s music, but it’s hard to make music inspired by him that isn’t too obviously inspired by him, if you know what I mean. But the sound suits my taste. That’s probably the song I’ll listen to the most. I could probably add Somebody and Shot Glass of Tears to my playlist as well. As for the rest, nothing special, maybe some songs will grow on me after some time?

The problem I have with the whole album is partly the sound — too generic, too mainstream pop, too much inspiration going all over the place, we’ve heard those songs over and over again, they’re well produced and catchy so it works but there’s not an ounce of novelty — partly the lyrics. I’m much more demanding for songs written in English (even though it’s not even my first language) than I am for songs in Korean. I’m not asking for poetry and deep meaning necessarily but it has to sound right, and in that department the album lacks a lot. For many tracks I noticed that, while I was warming up to the sound after a while, some lyrics just ended up toning down my enjoyment because they’re either way too basic or cringe (but I know I’m very picky when it comes to lyricism, I find so many songs so cringy, I’m probably just annoying) or they just don’t fit/sound right for me. I wouldn’t say it ruins the whole thing but I have to get myself accustomed and forced myself to not pay attention to it… For songs in Korean, I always read the translations and explanations about the songs but as my Korean is still pretty basic it doesn’t play a huge part when I listen to music in the language. I might become more demanding and hard to please as my level in the language increases (hopefully, I have to work hard).

Overall Golden is a bit better than I expected but not my cup of tea so while I’ve added a few songs to my playlist I probably won’t listen to the whole album a lot. Along with Layover, it’s the weakest in chapter 2 for me. But I’m impressed by Jungkook’s vocals, he really did challenge himself and worked on new techniques. I might not like the way he sings on several tracks but I can hear he worked hard on it. I love Jungkook so much, I feel a bad for being too harsh on him. And I appreciate his sincerity while talking about Golden, admitting that it was just not the right moment for a personal album, that he just went with the flow. I might not like the direction he took but at least he’s being honest about it. [How the fuck does it relate to his "golden moments" though? Hybe really just writes whatever for the album descriptions…]

Finally, about the MV… meh. Again, it’s nothing special? The outfit with the waistcoat is nice but not outstanding, it looks good on him, as for the rest? nope. That abandoned place in Hungary looks so impressive on pics but the MV doesn’t give it justice, they could have shot it in a studio using AI it wouldn’t have made a huge difference. The choreo, the photography — again, the 80s and MJ inspiration is a bit too much. Jungkook’s expressions are too exaggerated, it made me laugh lol sorry. He’s way hotter when he’s smiling and showing his goofy and cute sides rather than acting all tough. His Tik Tok challenges with LeSserafim and TXT were perfect in that sense, cute and sassy looks waaaay better on him, it makes him look so freaking attractive and powerful. The ‘mafia boss’ look suits Yoongi much better in my opinion. But I understand many fans like it on Jungkook, it’s how they want him to be. To each their own.

Overall the album is okay but nothing impressive, definitely some skips for me but I’m relieved there’s a few songs I really appreciate. I’m happy for Jungkook but I doubt this is an album we’ll remember in the future. I hope I’m not being rude. I wish people would also stop with the superlatives — breaking the industry, album of the year, mind blowing… everything is blown out of proportion, and coming from productors and people who collaborated on the album it’s just a marketing tactic for promotion but it’s getting annoying and it sounds fake. But I guess it’s fandom culture… Anyway, I’ll let it rest a few days to see if I change my mind and end up liking more songs. I’m happy Jungkook is satisfied, it’s nice seeing him happy.

Sorry this is way too long and I keep repeating myself!

Hi! Thank you so much for reading my review after listening to the album. That's really sweet!

I agree a lot on SNTY. I've heard the song a few times now. It's pretty catchy and powerful, but the MJ vocals at the end ruin the ending. It also ends really abruptly with an outro that sounds like a bridge. It's confusing when the song ends just like that. Many songs these days are like that. I think no song in Golden has a bridge? That's probably why I can never tell when the songs are about to end and stop paying attention halfway through.

Somebody is probably my favorite bside, Closer To You stands out because of the chorus, Shot Glass Full of Tears is growing on me, Hate You and Too Sad to Dance are pretty bland, I hate Yes or No, and Please Don't Change is meh and sounds too much like Closer to You. The issue with the album is structure and lack of cohesiveness. The song selection only makes sense after Please Don't Change. Why start with 3D and follow it up with Closer to You? SNTY makes sense after Closer to You, but after Seven? Seven after Closer to You? SNTY after Seven? And then Yes or No after SNTY instead of Seven? Why in the world... The songs also don't feel like Jungkook? I don't know if they will eventually, but I can't hear Jungkook in them. I can hear him in 3D and Seven. Hate You sounds like a song he would cover, but in general it's like they're not really him? SNTY sounds too much like The Weeknd too, especially the vocals, though JK is likely a better singer and sings really well in the song.

I don't even know the lyrics. It's hard to understand him tbh. He did a great job with his English pronunciation, but sometimes his accent is too noticeable. and I also keep spacing when listening to the songs. In SNTY there's a line that's like "left and right something" and makes no sense. And, yes, the songs have all been done before. Seven is by far the most refreshing and original to me actually.

Another issue with Golden is that the songs all feel really short and repetitive. I space out listening to them and before I know it they're over and I can't remember what the middle sounded like. I still can't remember how most of the songs end. I stop paying attention since they're so repetitive. 3D and Seven have bridges, but the other songs don't. Actually, Yes or No has a bridge, kinda, but it's not a good one and it's more like the pre-chorus. Jungkook's high note in that song sounds surprisingly bad. It's so thick and doesn't fit the song at all. So, yeah, most tracks sound unfinished.

Golden is neither worse nor better than what I expected. I think the issues with the album are Jungkook's lack of vision. As he explained, he didn't want to write the songs because he had nothing to say and doesn't love songwriting, so the lyrics are just lyrics, just images, not autobiographical, and apparently about love since it's universal. Thus the album has no message and the songs don't tell a story. He just wanted to try different genres and challenge himself, so the album sounds like a compilation of covers of different artists and less like a pop album. Jungkook's goals were to make a mainstream pop album and try many genres uncaring of messaging and refusing to settle on a specific sound... Imo the album was pretty much bound to feel unfinished and disorganized. It's almost mid by design.

Took the words right out of my mouth!! Yes, the waistcoat look is sexy and very Jungkook - it's kinda sassy and androgynous - but his other looks, particularly the sparkly jacket are crap (and look like Enhypen rejects). I couldn't really put into words what was missing with the MV but it's exactly what you said! They shot the MV at a historical place all the way in Hungary but you can barely tell? All I noticed was a normal stage. They literally could've shot it in a green room and added CGI and I wouldn't have noticed. The MV is also so dark and monotonous? The MJ inspiration is an over kill. The choreo is good, from what I saw, but the MJ grunting and choreo at the end are just frustrating... JK's facial expressions are too exaggerated, thank you for noticing! JK's sexy when he's dancing and naturally makes these powerful and sassy facial expressions, he's naturally sexy when he's not wearing makeup and just chilling, but he was trying too hard in the MV and looked baby more than anything. I think he looks cool in all his TikToks, but sassy JK with LSF is a different kind of attractive haha.

As far as records go, I'm sure Jungkook will set and break them, but the album's nothing special and does not match his talent. He wasn't even sure about releasing it. If Jungkook had had all the time in the world to make an album, would it have sounded like this or would it have been better structured and more personal?

Don't worry, your post isn't too long! Mine is just as long! Thanks for the ask!! I love it when anons share their thoughts in such detail! I'm glad you enjoy the album overall.

#ask #bts #jungkook #golden #text #thanks for the ask!

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jubaer-rahman · 7 months ago

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Vocal Vibes AI Review & Bonuses | Voice Cloning App | AI Voiceover Softw...

#youtube

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marketingprofitmedia · 1 month ago

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Smart Ebook AI Review – Create 3D Animated eBooks & Flipbooks in Seconds

Welcome to my Smart Ebook AI Review. If you’re looking for an easy-to-use tool, creating engaging content is more important than ever. Whether you are a marketer, educator, entrepreneur, or content creator, the ability to create visually appealing and interactive eBooks can significantly impact your success.

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In this comprehensive review, we will discuss the features, benefits, pricing, pros, cons, and bonuses of Smart Ebook AI and explore why it’s creating waves in the digital publishing industry. So, don’t miss out—transform your digital content today.

What Is Smart Ebook AI?

Smart Ebook AI is an advanced AI-driven application designed to automate the ebook creation process. Unlike traditional ebook creation tools that require hours of manual effort, Smart Ebook AI leverages the power of Deepseek’s AI technology and ChatGPT-4’s natural language processing capabilities to generate fully animated, visually stunning ebooks in minutes. With just a single keyword or prompt, users can create professional-grade ebooks in any niche, language, or style.

The tool is designed for anyone looking to create engaging digital content, whether you’re a marketer, author, educator, or business owner. It eliminates the need for technical skills, design expertise, or expensive software, making it accessible to users of all levels.

Smart Ebook AI Review: Overview of Product

Product Creator: Yogesh Agarwal

Product: Smart Ebook AI

Launch Date: 2025-Mar-16

Launch Time: 10:00 EDT

Front-End Price: $14 One-Time Payment! (Limited-Time Access)

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Product Type: Tools and Software

Support: Effective and Friendly Response

Recommended: Highly Recommended

Bonuses: YES, Huge Bonuses

Skill Level Required: All Levels

Discount Coupon: Use Code “SMARTBOOKAI4” for $4 Off Full Funnel)

Refund: YES, 30 Days Money-Back Guarantee

Smart Ebook AI Review: About Authors

Yogesh Agarwal and his passion for cutting-edge solutions have changed how marketers interact with their audiences. Yogesh, the founder of Smart Ebook AI, created the first AI-powered virtual platform generation tool to let marketers easily generate compelling 3D Animated ebooks creation platform. Yogesh’s platform lets marketers of diverse backgrounds use virtual influencers. His AI knowledge allows him to create easy solutions that require no technical skills, making content creation accessible to everybody.

Some lots of launches, including ViralAnimeX, Insta News AI, Logo Animyze, Vocal Vibes AI, TubeQuiz AI, AI Face Fusion, Vocal Clone AI, AI Ebook Suite, Instant AI Biz, AI Fame Rush, AI Platform Creator, VidMonopoly, AI Creative Suite, AI Audio Avataar, and many others.

Smart Ebook AI Review: Key Features of Smart Ebook AI

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Check Out My Previous Reviews: Grok Blaster Review, CryptoGram Profits Review, AI MiniCourse Review, and AI Toker Review.

Thank for reading my honest “Smart Ebook AI Review” till the end. Hope it will help you to make purchase decision perfectly.

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kosmosinusa · 2 years ago

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Sera Myu: Musical Festival -Chronicle- Review

You know when something just hits you deep in your core and you can’t help but be a sobbing mess on the floor? Yes, that was me.

When this musical was first announced, I really had no idea what to expect. I had predicted it would be like an Ai no Sanctuary 2.0, and then they said it would be mostly Kaguya-Hime songs, that turned out to be a big ass lie. WHICH I’m grateful for. Not that I don’t love those songs, but the musical was truly something beautiful and shiny and celebrates the history of Myu in its own beautiful way! The song list is mainly NelkeMyu songs (2013-2017, NogiMyu, The Super Live) with a tiny sprinkle of Bandai thrown in for flavor (though, they are newer versions as seen in NogiMyu and The Super Live). Speaking of new arrangements, nearly every song was re-arranged! Whether it be new instruments, new lyrics, or something along those lines, all except a very few songs were re-arranged for the musical and I love the new feel to songs! And the 2 new songs (Chronicle the Story of Sailor Moon and Eternal Cycle) are SO good. Eternal Cycle in particular made me start crying with how beautiful it was.

The cast REALLY showed off. I saw both the second-to-last and the senshuuraku performances. While the vocals are better in the earlier show, the emotions are much stronger in the final show. Riko-Moon in particular REALLY redeemed herself for me. I liked her last musical, but I REALLY loved her this time. She really put her all in this time, and I’m SO proud of her. Her vocals snatched me in the earlier showing, and her determination and power wowed me in the senshuuraku. I’m so grateful she got to play her again. ;w;

I have to address the elephant in the room. Kisara’s vocals. If you remember last year, she nearly had the best vocals out of all the inners. However, I could tell even in the first day’s livestream, she was lip-syncing. And this year, we found out why. Kisara really struggles at live singing. There were some times she sounded pretty okay (when she sings high in her head voice, she sounds really good most of the time), but her voice breaks when singing low. Which is kinda bad when you’re playing Sailor Jupiter... ^^; Some friends in the SoS Discord think she was sick. It’s a possibility. IDK how to feel Because I lowkey felt like she broke immersion a bit in some songs, but I really like her as Jupiter at the same time. I’m torn. ;-;

MVP award goes to miss Riona Tatemichi who has climbed ALL THE WAY to the TOP of my favorite Tux list. Yes, she beat out the previously untouchable Yu Shirota. She made an extremely gay man swoon. SHE DID THAT, SHE DESERVES THAT SPOT. xD

MVP AWARD ALSO GOES TO MISS CHISE NIITSU. HELLO? NEW FAVORITE CHIBI MOON. She really REALLY leveled up from her Chibi Chibi days. I actually wasn’t huge on her Chibi Chibi back in the day and vastly preferred Hinari. But she was SUCH a cute Chibiusa with a powerful, strong voice! I can’t help but love her!

I’m just generally in love with the current outers. Shinju-Uranus grew on me this musical. I think she pairs really well with Ayana and MISS AYANA?! NEW FAVE NEPTUNE AS WELL WTF AND MISS YUKA IDE? NEW FAVE SATURN. This Musical gave me a bunch of new faves. Chisato-Pluto also FINALLY got a chance to shine and QUEEN I LOVE YOU. (Still mad Nelke hasn’t given you a solo song or at least let you cover Chronos Guardian though ;O; )

If you want a story summary, check out @crazykacey‘s! I don’t understand Japanese, so I actually used his review and context of watching to understand the musical. All I can say is fantastic BandaiMyu vibes and a very fun musical! I’m pretty tired after this Musical season. I really went in on reporting (on Twitter and Discord LMAO) and doing some things (which will be revealed in the near future) so IDK how to end this review. Long story short, the musical is really worth your time and from the very beginning, you’re probably gonna cry. It’s a great time, and I hope you all get the chance to see it! ALSO PRE-ORDER THE DVD OR BLU-RAY. Thank you. XD

#sailor moon #sera myu #musical festival chronicle

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