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voluptuarian · 11 days ago

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another thing that's weird about adults who make an identity out of reading children's books is what they hold up as representative of the values they find in YA/young reader's fiction. They typically bring up wish fulfillment fantasy, morals and clear cut lessons, adventure stories with mild peril, strong centering on friendship and found family, and stories that make them "feel good" and are extremely light on genuinely challenging themes or ethically dubious situations.

Meanwhile when I was neck-deep in YA as a kid in the 90s and early 2000s this was the kind of stuff I was reading, other kids were reading, and that was winning awards, being highlighted on shelves and recommended by librarians:

Hatchet by Gary Paulsen, in which a teenage boy survives a plane crash and is stranded in the Canadian wilderness and forced to survive on his own for months. He is ultimately rescued but is permanently altered by the experience. His navigating the drama of (I believe either currently separating or recently divorced) parents is also a major plot element.

Virtual War by Gloria Skurzynski, where real-life wars have been eradicated and instead are fought virtually, (inspired, if I remember correctly, by the disastrous results of a previous nuclear conflict) by specially chosen champions who are trained in combat strategy from childhood. Throughout, the three child champions are forced to question and push back against what the government has told them is the truth as well as against their own prejudices, including toward one of their own who is considered a "mutant" due to his dwarfism; it also details the grueling hours-long "war" in which the kids watch thousands of little 3D soldiers get blown up and dismembered and leaves them feeling genuine guilt for participating in.

Julie of the Wolves by Jean Craighead George, which focuses on a teenage Inuit girl who is orphaned, forced into marriage and sexually assaulted, then runs away and ends up lost in the Arctic and survives by befriending and living with a pack of wolves.

Out of the Dust by Karen Hesse, in which the heroine lives with her parents on a failing farm as the Dust Bowl is beginning, accidentally sets her pregnant mother on fire resulting in her mother's lingering death and the death of her baby, and the girl herself being permanently maimed, after which she and her father become estranged and she eventually tries to run away.

Summer of My German Soldier by Bette Greene, which follows a young Jewish American girl on the WWII homefront who befriends (and falls in love with) a German POW, and when he escapes, hides him in her home for months; eventually the prisoner is caught and killed and the girl is sent to prison after being ostracized from the community and disowned by her parents.

The Ramsey Scallop by Francis Temple, where the heroine, engaged since childhood to her current fiance, is sent on a pilgrimage with him as way of working out his trauma from serving in the crusades. Neither of them feels ready to get married and the fiance is dubious about doing much living at all, but they're able to get to know each other and build trust on the road. It's been ages since I read it but I'm pretty sure there's a scene where a hot single guy who helps patch up an injury she sustained then offers to have sex with her, which she decides to turn down.

Music of the Dolphins by Karen Hesse, where a feral child who has been raised by a pod of dolphins is rescued and taken to a center for rehabilitation. The whole thing follows her progress at understanding to how to be human, and eventually her decision to reject it all and go back to her dolphin family.

The Last Book In the Universe by Rodman Philbrick, whose hero is a teenage orphan living in a purposely abandoned dystopia, ostracized by his community for being epileptic, whose only friends are an old man who is the last literate person in the community and a monosyllabic feral child. The split between the have-nots and the haves, who live in sheltered futuristic cities, and discussion of privilege (one of the main characters is a girl from the cities who comes out to do charity work in the dystopian district) are major themes, and violence is a regular occurrence, including toward the finale when the boy's mentor is murdered by a mob while he watches.

(And of course there's Among the Hidden and its sequels by Margaret Peterson Haddix which I never read, but my sister did, and I know at some point a whole bunch of child characters are massacred by the government because it upset my sister so badly she cried.)

And I couldn't forget The Dear America series, which includes:

character who is finishing high school as the Vietnam War begins and watches her social circle split nastily over the issue, lives through classmates and friends getting drafted, and ends up working at a hospital as volunteer where she is assigned to help disabled veterans

character whose mother (and I think siblings), as well as numerous fellow travelers die while traveling alongside her on the Oregon Trail, and later accidentally poisons to death several of her friends after picking a look-alike plant for their dinner; only one survives, who she eventually marries

character who is kidnapped by a local native tribe and eventually adopted, then marries a fellow captive, only for him and other friends and family to be killed when the tribe is attacked by Europeans, putting her into a total crisis of identity and conflicting loyalties

character who is taken from her tribe to be put in residential school, during which she is forcefully acculturated, severely bullied by another classmate, and a childhood friend of hers is accidentally buried alive

multiple books about immigrants in the 1800 and 1900s which highlighted struggles with poverty, cultural pressures, and prejudice; one of them follows a pro-union factory worker who watches as multiple friends die in the Triangle Shirtwaist fire, and another whose father imports her to America at 13 to marry a coal miner

most of these stories emphasize the young protagonist ending up in situations were they are either on their own, or so alienated from the adults around them that they might as well be. The protagonists have to assume the adult duty of taking care of themselves, but also of thinking for themselves and making their own decisions and judgements about their lives and the world.

they are also going through big changes, often ones created by their parent's decisions, and which they frequently dislike or are straight up Bad for them. This contrasts with later, when the protagonists are able to make decisions for themselves-- often this comes through hardship and abandonment, but ultimately allows them to control their narrative going forward.

the setting and events are often harrowing, deeply unpleasant, and put the protagonist and their friends in danger of victimization by forces around them. Obviously this is exciting for kids to read, but it also allows them to see someone their age on their own, entering into Adult situations and taking on that role. It's also a break from the overtly positive or cartoonishly (but usually un-seriously) bad circumstances that dominate younger kids fiction and an introduction to the idea that life is just terrible most of the time, sometimes massively and unbelievably so. (It's going from the early childhood story of Madeline's thrilling adventures escaping forced labor in a factory, to the older kid's or YA story of seeing the protagonist work at one day after day, getting injured, having friends get sick, and then watching a girl's scalp get ripped off by the machine, something which creates not excitement but genuine horror and sympathy.) These plots also allow adolescents a chance to experience Big Emotions (like the ones they're about to fall head-first into themselves) in a stable, safe way. All of this aims to create a bridge from the juvenile reality to the genuine, adult one. Trite moral lessons are dispensed with in favor of allowing the child to go out and start thinking for themselves. And especially in stories like the Dear America books, it allows a look at things that happened in the past that we have, or should learn from, but also allows for a fuller emotional, ethical, and empathetic development.

often the introduction of sex is part of the story, from initial experiences of attraction (and the resulting self-consciousness, jealousy, etc.) but also sometimes actual sexual experience. Especially in the historical stories, marriage is also frequently part of the story-- either again, as a fantasy introduction to adult experiences, or as a realistic detail separating a child's historical experience from current ones and creating a better understanding of the hardships historical people went through.

and most include some form of rejection of prevailing authority and thought. Instead of blindly "doing what your parents tell you to" these protagonists must do what they think is practical or ethical. The boy in Hatchet cannot wait for an authority figure to guide him, he must figure out how to survive entirely on his own, while the kids in Virtual War are old enough to begin questioning the entire structure they've been raised in, and to develop empathy for figures that structure has deemed outsiders; the heroine of Music of the Dolphins decides the entire experience of being in human society is not for her, and returns to living with animals.

So these books offer harrowing circumstances, protagonists who are isolated literally or through moral or political alignment, and who must learn to live on their own and make decisions for themselves, often in defiance of prevailing attitudes. They usually emphasize finding one's place (even if that place is completely alone and unsupported), fostering understanding and sympathy with others, even with people who are considered "undesirable," who are different, or who have behaved badly to you in the past. And they frequently involve violence, budding sexuality, exploitation and abuse by authority figures/structures, and a heaping helping of death, including the deaths of beloved friends and family members. What is "feel good" and "unchallenging" about that? And like, I can't speak for what YA is bringing to the table now, but these people are overwhelmingly adults, they were reading YA at around the same time I was, I don't think it would be possible for them to have somehow missed the plethora of books with these hallmarks. So where did they get this idea that YA is some land of comfort where no complicated idea can ever reach you? Even Harry Potter is full of them, and we know they read that!

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yuurei20 · 1 year ago

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Twisted Wonderland Fes 2023 Notes

(this is very stream of consciousness, based on notes taken during the event)

・After the livestream cut out there was a virtual concert: 3D animations of the characters performed Absolutely Beautiful and the Glorious Masquerade song

・Jamil and Kalim’s VAs held hands at the closing of the curtain so cute

・Before the livestream was an amazing, long-form version of Piece of My World. Longest version I have ever heard--it lasted throughout the entire time the VAs were appearing on stage and might have been specially composed for the event.

・The first part, pre-livestream, was a live script reading by all cast, split into two halves: the VAs for Riddle, Cater, Jack, Azul, Floyd, Kalim, Epel, Vil, Silver, Lilia performed a scene of making summer break plans to got to a beach together. The VAs for Ace, Trey, Deuce, Ruggie, Leona, Jade, Jamil, Rook, Ortho, Malleus, Sebek performed a scene of participating in a menu creation contest for the school cafeteria. Basically voiced vignettes, but instead of the characters, it was the VAs themselves, reading live in front of the audience. Really amazing.

・Then the livestream began, including a lot of Book 7 and Stitch event talk. Jamil’s VA Futaba insisted that Jamil has the coolest unique magic and so they held a vote, it was hilarious. They all have great chemistry and seemed to really enjoy it. The “what unique magic is coolest, snake whisper vs unleash beast vs Shock the heart vs silver’s unique magic” argument was hilarious. No one voted for Oasis Maker, Sebek’s VA voted for Silver’s, Jade's voted for Azul's.

・When idia’s VA have his video message all the VAs watched via little monitors on the end of the stage, but Ortho’s Aoi turned around in his chair to watch the big screen.

・When Jack did the in-game exam battle all the VAs got out of their chairs to turn around and sit on the floor to watch, but Ortho’s Aoi stood and did Ortho’s attack gestures along with the battle, it was adorable. Aoi had some great comments on Book 7, too. Lilia’s VA is very good at the battles and instructed Jack’s VA on how to get a good exams score.

・And the new info was all shared via livestream! The new birthday series will be redrawings of all the characters from the platinum suit series (same poses and everything, pre-groovy), new Halloween event is Pinocchio, an SSR platinum suit Grim is coming!

・They had Leona’s VA play the hydra game from Book 6.

・Malleus’ VA talked about Book 7 and how he feels bad for Malleus.

・Ortho’s Aoi had idia’s light ring and said “I brought my brother” when he did his introduction at the beginning. Most (if not all) of the VAs wore light rings for their character, and were dressed in colors reminiscent of their dorm.

・Kalim’s kept showing off his muscles and Jade’s VA thought he was hilarious. At least twice, Jade’s VA was doubled over laughing at whatever it was Kalim’s VA was doing, it was so funny, he could not keep it together.

・Vil’s VA said that there’s a grandma version of the grandpa recording that he made for book 6 and he didn’t know which one the director was going to go with until the game came out.

・Ortho’s VA shared ideas for gear for Ortho, such animals like a fox. And also shortcake gear that smells like cake.

#twisted wonderland #twstfes

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blockygraphics · 4 months ago

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Various BMP files representing scenes from the CD for the German game Virtual Corporation (1996). According to MobyGames the 3D animators were Alberto Morales, Adrian Williams, and Peter Vlahakis, with additional graphics by Martin Dolgener.

Intro to the game (translated from German):

"The year is 2028.

All trade and business transactions are conducted on the NET, an evolution of the Internet from the 1990s.

Access to the NET is via Brainstorm TM, a user interface developed by Google Plex Industries in collaboration with governments around the world. Brainstorm transmits audio and visual inputs directly into the user's brain while complying with legal regulations.

Chris Qwerty, a promising young programmer at Pogodyne Systems, Google Plex's main competitor, developed the concept of virtual teleconferencing. This revolutionized the way companies around the world did business and a global cybercity developed on the NET.

Pogodyne became the most successful and powerful software company in the world.

And then suddenly a job opened up..."

#virtual corporation #games #digital art #computer art #interiors #corporate gen x cyber #cgxc

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cozeydaily · 2 years ago

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Attention

Attention #secondlife #secondlifedecor #virtualphotography

You give me butterflies, you know? My heart has gone to paradise. (more…) “”

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#Disorderly Second Life #Home and Garden in Second Life #Home and Garden Second Life #Metaverse #Pitaya Second Life #Second Life #Second Life Decor #Second Life Decorating #Second Life Photography #Second Life Virtual Worlds #SL Decor #SL Interior Decor #SL Photography #Virtual 3D Game #Virtual 3D Gaming #Virtual 3D Scenes #World Building

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aurosoulart · 2 years ago

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I finally took pictures of the VR art collab I did with Vaidehi Bhargava for her 30th birthday party!!

she has an art style I can only describe as ‘Hot Pink Psychedelic Picasso’, and it was fascinating working alongside her in virtual reality.

EVERYTHING is chaos and symbolism - the unicorns on the cake have binoculars to search for creative inspiration, the sugar cookies have a ‘devil’s advocate’ with horns & a tail hidden in the back, the food items symbolize hopes and dreams, and so much more!! the whole process was recorded and can be watched HERE

Vaidehi also wrote an article about our collaboration, describing it as ‘a feast with the Fairy King himself’ 😭💖

#art #digital art #vr art #3d art #vr #virtual reality #tilt brush #eye strain #looking at these pictures makes my eyes vibrate in the best way #just imagine what it was like actually being IN this scene while we were making it #anyways i am SO SO SO enjoying getting Weird with art lately #collaborating with other artists and creating things outside of what i'm used to #i'm trying to steer away from 'art that looks good on social media'#and more into...... something else.......

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jumpstartfactoftheday · 9 months ago

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Frankie appears in a corner of the screen in some of the learning games in the JumpStart 3D Virtual World series (top). The learning games do not use real-time 3D graphics, so although Frankie's animations look 3D, they are actually made up of 620 pre-rendered static images, the first 35 of which are shown here (after being extracted from the game's files).

#jumpstart 3d virtual world #frankie #behind the scenes #gif #jsfotd

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raven-at-the-writing-desk · 1 year ago

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