#Vincent Grass

[peaceinthestorm]

Vincent van Gogh ~ Patch of grass, 1887

[Source: Google Art Project]

[meisterdrucke]

The Plain of Auvers, 1890 by Vincent van Gogh

[landschaftsmalerei]

Garten mit Trauerweide, 1888 von Vincent van Gogh 

[undead-knick-knack]

Skull of a Skeleton with Burning Cigarette (1885-1886) by Vincent van Gogh // Fresh Cut Grass (2023) Critical Role

[natp20]

I am alive. I am alive for the first time. And I am alive, not because I was made by D or Dancer or even the Changebringer. I’m alive because they made me alive. And it’s the connections that I made with all of them. And it’s a feeling of joy.

And I’m happy to do this, because they saved my life and I’ll save theirs.

And some connections are made with wire, some are made with blood, some are made with bone, and some are made with wood. But they all matter. And even in this dark cave they make it a smiley day. But they all matter. And even in this dark cave, they make it a smiley day.

wheat fields/finale ultimo - starry, a musical about vincent van gogh

[s0lairee]

USUALLY i keep the incoherent rambling to @xanyiaz's dms, but y’all know how i feel about vincent. so, here: roughly 2000 words of me talking abt him and the house of solaire.

(also, all non-art, original posts that i make, whether they’re just me keysmashing or me actually dissecting a video will now be tagged as #jo speaks <3)

(possibly incomprehensible) spoilers for “questioning the king” underneath (and a bit from sam’s latest vid). this isn’t really theorising, it’s more “jo analyzes fictional characters and cries”

first of all. CAN we get a round of applause for the voicing and the thumbnail. erik did such a good job - i wasn’t actually expecting a william vid since hedral has been mia for two years, but this was INSANE. erik’s voice is much softer than hedral’s (i think it’s because erik is used to voicing younger characters?) and it really adds to the tone of the video. also, the thumbnail is so perfectly in style with the summit thumbnails. everything is wonderful i just needed a moment for that.

anyways. i did not expect the video to go like this? i mean, everyone expected vincent to call william out for everything at some point, but dude, this caught me so off-guard. and in hindsight, it shouldn’t have. obviously the fandom paints (or painted, before the summit) william as the vamp dad, but he’s a king. he’s going to be political, pragmatic, and sometimes callous. callousness is why he survived. if he was as feeling as vincent is, he wouldn’t have survived his maker.

but like. i completely expected william to stand his ground against vincent’s criticism and mention how it was the right thing to do, but i thought eventually he’d give in and (at the very least) apologise. what i DIDN’T expect was for william:

to not do that.

to pretty much only apologise for keeping vincent out of the loop

to emphasise that this was what being a vampire prince entailed - this was what politics meant

and to GIVE HIM AN ULTIMATUM. it didn’t seem like one, but “if you’re one of us, that’s part of the deal” very much implies “be a solaire and do what is expected of you, or leave.”

i’m glad that vin and william, in some way, found a middle ground. but (as much as i was on will’s side this whole time bc vin always seemed too naive for the rough politics), vincent is right. william shouldn’t have given that burden only to porter. that’s one vampire against dozens that are at least centuries old. also, not to mention, vincent would NOT have trusted porter. can you imagine the mental strength it took vincent to not only hear porter out, but hear stuff that his maker was supposed to tell him from the one person he couldn’t stand? can you imagine how porter felt to be the messenger caught between these two??? and somehow, it’s worse when william doesn’t back down and just accept that vincent was right. he can excuse everything else as politics, but he can’t excuse this. and it’s so weird that he tried so hard to brush past that. 

also. william’s favouritism is incredibly obvious. it’s insane. like, this entire audio, he’s prioritising vincent (and lovely, to some extent). his literal first lines are him choosing to speak to vincent and lovely alone, when sam is RIGHT THERE. he refers to sam as samuel, being one of the only people who does that. he also took the time to explain himself to vincent, but to sam he just says “say what you will.” it gives the vibe of the older sibling that the parent knows will understand, and i know sam doesn’t care about the house like vincent does, but GOD it really rubs it in. i know there’s that convoluted father-son dynamic between vin and william, but william put the pack, their mates, sam and darlin’ into the firing line. porter only gave vincent and lovely an alibi. none of the others. this was the pack's first summit too. if sweetheart was caught eavesdropping, they would have been in SO much trouble. it’s pure dumb luck they escaped. 

also. my brain ran away here. but porter, who isn't will's progeny but acts like his dutiful son, doing whatever is asked of his king because he saved his life - porter, who can't help but feel slighted when after everything, william still fights to justify his actions to vincent (while porter understands). porter who watches (in his mind, at least) vincent throw all of that away for what's "morally right". porter who is faultlessly loyal but so goddamn alone. are you picking up what im putting down <3

^ going off on that, the different reactions (or possible reactions) to will’s ultimatum have me frothing at the mouth.

i want to say porter is fiercely loyal to william and the house but i do think a lot of it is desperation and his own version of “morally right”? like to porter, the right thing is listening to whatever his king - the man that took him in and saved his life - says. or it could be cowardice. if he doesn’t do what will wants him to do, he would have to leave the house… and where would he go? to treasure? imagine explaining this shit to them. he literally has no choice.

to sam, it's the practical, good thing, and it's almost political. and this way of thinking is easy for sam, since he's not really as loyal to the house as vincent is. in fact, he's almost completely detached. so sam's idea of what's right is that william should've considered vincent’s opinion too, or have some kind of counsel, because they were the people who were most directly in the firing line. so when william so self-assuredly says he isn't wrong, and won't ever be wrong... he lost sam. (sam also never outright got the choice to leave like vincent did. he still made the decision. he's, like, 100% gone.)

and to vincent, it's almost completely emotional. he had this responsibility for the summit thrust onto him suddenly after william shielded him from a lot during his growing up as a vampire. he had so much information kept from him by his maker, his family, and he had to put up with the one person william knew he couldn't put up with. he also almost lost his partner, his brother and his friends in the whole mess.

+ need to add that vincent is very, very emotional. throughout the whole summit, there wasn’t one time when he was able to go with the (albeit fucked up) flow. partly, this is who he is; someone who feels everything in extremes, and partly because william had shielded him from the worst of the vampire world for so, so long. this isn’t a positive or negative character trait: it’s just a trait, and something will should have considered. then again, if not vincent, who would host the summit? not sam. certainly not alexis. and porter couldn’t. 

(also, it’s precisely how emotional he is and how much importance he places on family that makes “a prince is supposed to answer to his king, not the other way around” STING.)

now the part that GUTTED me: the ultimatum, and why sam is most certainly leaving (and vincent might consider it, but GOD i fucking hope he doesn’t.)

erik has established both sam and darlin' as being completely self sufficient. like they've both expressed that they're better with each other, and that they've grown as people, but also they're not tied down by any obligations to anyone. darlin' may be fiercely protective of their pack and their identity as a wolf, but sam is heavily disconnected from the house. he might only be sticking around because of vincent, and those two are BROTHERS your honour. but like, he doesn't really feel anything emotional to them nor does he have an obligation to them, even as a vampire.

(especially as a vampire, a status he did not want and is going to give up some time in the future.)

but vincent has both emotional (and i wanna say political?) ties to the house. one, being turned saved his life. he didn't have the choice that lovely had, but he also doesn’t completely hate it like sam did (maybe bc he was unempowered before and the loss of power didn't hit as hard.) two, he's kinda reconciled with his status as a vampire prince. he really does love william. whatever relationship they have (had.) was good - there was some amount of trust there (that will broke now). 

and also, being a vampire allowed him to save lovely. vin and lovely are COMPLETELY devoted to each other. they've had one of the most dramatic changes together.

more than that, the solaire house is family to vin. like, at least in the context of lore and the channel, it has been such a massive part of his life. he introduced his partner to his maker. he took them to the summit. he has confided in them abt princely duties. the house is, for better or for worse, his family.

(also, william bringing out all of vincent’s worst memories right in front of lovely (who was also there for those memories) is so fucking insane. wh. every argument he made in this video is so so insane.) 

somehow, for all the analysing i'm doing, i can't predict lovely's emotions. i know they're gonna be angry in their own way: very soon after mastering their powers, they had it taken away from them; and very soon after being crowned in the house of solaire, they're watching it crumble.

will giving them an ultimatum felt very final. i know erik mentioned wanting to wrap up a few plotlines, and i’m totally ok with that (not . i need vincent. but i can make my peace w things) but if this is how it ends i will cry

in conclusion, will was fighting between politics and progeny. he tried, desperately, to have both. unfortunately, you can’t have both. fortunately, you can try to rebuild the relationship the choice broke. unfortunately, will didn’t do that. he wasn’t fair to a single person here. he still sees tasks and details as a privilege given to solaires, not something that is expected of him as vincent’s family.

most of erik’s plotlines have a theme, and this one seems to surround trust and choice and how the right thing isn’t always in black and white. so yeah it would fucking suck and i would bawl my ass off if vincent and lovely decide to leave the house …… i know it would be the right thing to do but also i wish porter could knock some sense into william or something. 

i would love to see that, actually. feels shakespearean.

[lqb2quotes]

Dutch painter Vincent van Gogh — who sold only one painting during his life — on self-worth: "If I am worth anything later, I am worth something now. For wheat is wheat, even if people think it is a grass in the beginning."

[streetkid-named-desire]

Once upon a time, @totentnz's VS and VG lived in a rotten and run down punk house in San Domo. It was the first real home VG had since his parents has died. He couch surfed, he slept on the streets, he worked odd jobs in exchange for shelter. Until the Viper he had been talking to on the net for years and who was his best friend, turned out to also be VS his coworker. After some awkwardness on his birthday, when he ended up the third wheel on a Valentine's Date that VS and her girlfriend had, VS invited him to stay with them.

The place was eventually condemned after they all moved out but they still go up on the roof, a little awning right outside their bedroom windows, to talk.

[yardsards]

vincent: destroyer of basil

[e-m-p-error]

[ @voxiiferous LIKED For A Starter || Vincent + Hellaina ]

[ Erasmo ]

To say the least, he was nervous.

Erasmo Martinez, on national TV, where his mamá could see him. Where his baby sister could see him. And this particular show? He even got to keep his clothes on. It was his first real break into any kind of media that didn't involve him getting down and dirty with some rando he then had to make conversation with between takes.

But he was glad that his agent had secured him this dinner meeting with Vincent Price beforehand. He had no idea what he was even supposed to be doing on this talk show. What did they want with a (hopefully) ex-pornstar?

Adjusting his button-down shirt, open down almost his entire chest, he walked up to the restaurant he'd been told to go to. He gulped as he stepped inside, speaking with the hostess for a moment before being led to a table where his company was already seated.

Could he use the excuse of being fashionably late and not have to explain getting on the wrong subway train?

"Ah, buenos noches, Mr. Price." He offered as he stood a little awkward at the table, taking his seat probably too quickly. How formal was he supposed to be? He shot Hellaina an uneasy look he hoped only she noticed.

[careful-disorder]

Le Japon artistique : documents d'art et d'industrie. Vol 1 - Archive

"I have the reproduction (Bing publication) of a Japanese drawing: A single blade of grass. What an example of awareness — you’ll see it one day." - Vincent van Gogh, Letter to Emile Bernard

[little-cereal-draws]

Another Van Gogh inspiration poster for my photoshop class

Text: "Many people think it foolish, even superstitious, to believe that the world could still change for the better. ... Yes, evil often seems to surpass the good. But then in spite of us, and without our permission, there comes at last an end to the bitter frosts. One morning the wind turns and there is a thaw. And so I must still have hope." --Vincent Van Gogh

Sources: Still Life With Oranges (1889), Wheat Field With Cypresses (1889), Green Wheat Fields (1890), Two Peasant Women Digging in a Snow-Covered Field at Sunset (1890), Stary Night Over the Rhone (1888)

[landschaftsmalerei]

Die Ebene bei Auvers mit Regenwolken von Vincent van Gogh (1890, Gemälde)

[acescats]

GWASS.

[tac-the-unseen]

Slapping Slasher's Ass and Running away!

Micheal Myers:

•He likes to believe he has complete control over his surroundings 

•He likes to imagine himself as a Jaguar; opportunistic, stealthy, adaptable, and an Apex predator

•And then there's you, here to snap them back to reality 

•If he's a Jaguar, you're an annoying bird that follows him 

•All this made clear when He's just standing in the kitchen and feels a hard smack on his Ass

•He whips his head around to see you, running at full speed and giggling 

•For a moment he's completely stunned 

•But only for a moment 

•He’s quick on your heels 

•In less than 10 seconds he's holding you in the air by your shirt, like holding a cat by its scruff

•You can immediately tell through the mask how pissed he is

•But for a few seconds he just leaves you suspended in the air, and soon enough he makes his decision. 

•He walks to your shared bedroom and drops you onto the bed

•You think you're in for some sexy-funtime

•That quickly washes away when Michael turns around and walk out the door 

•When you get up to follow you find that he's locks you in by putting a chair under the handle 

•This man is so sick of your shit, but loves you too much to actually harm you

•He just put you in time out while he waits for the stinging on his ass to go away

Billy loomis & Stu macher:

•When the school day ends you're walking towards the front door, you spot both of your boyfriends walking towards the door too

•With the coast clear of teachers and most other students you knew what you had to do

•You rub your hands together diabolically and begins to run towards them

•when you're finally in the perfect position, you wind your hands back and as hard as you can, you slap their ass

•They both tense up and freeze

•When they see you running past them and laughing, they are quick to give chase

•They Chase you down the field and into the parking lot

•Stu was the one to tackle you onto the grass, making sure to protect your head when you fall

•Stu pins you down while Billy catches up 

•When (a winded) Billy reaches you two he drops to his knees and starts tickling you

•Neither boy takes to seriously and think it's a playful invention to rough house and playfully fight

Thomas Hewitt:

•While he was meticulously cutting up some cow legs, you spotted a golden opportunity 

•Thom’s fat ass in perfect position 

•After circling him, carrying the same box of tools, you decide to go for the kill

•”Tommy!” You shout while running past him

•Your hand makes firm contact with the side of his rear 

•You leave a blazing trail up the stairs while Thom processes what happened

•Thom watches you run away while his ass stings 

•At most he's confused 

•He just goes back to work 

Bubba Sawyer:

•You were playing with him outside

•Running around, picking flowers, picking up pebbles, roughhousing

•While play fighting you slap is ass and run away hoping he would chase you

•instead he stands for confused 

•after an awkward couple seconds, you realize he's not going to chase you, So you walk back to him 

•You ask if He's okay and realize his eyes is watering 

•After a frantic apology and check over You managed to figure out that he's not hurt 

•Bubba Just associates spanking with being bad/bad behavior 

•He was upset because he thought you were punishing him for being too rough 

•You made it up to him by making him a flower crown 

Bo Sinclair:

•This could go one of two ways

•He could be really into it OR he could freak out

•It depends on what mood you catch him in

•One day he'll think it's sexy and want you to do it again 

•The next he'll have a PTSD attack remembering his childhood 

•It's honestly best if you keep your hands to yourself

Vincent Sinclair:

•He honestly thought you did it by accident 

•He didn't understand that you were trying to play 

•He didn't react at all 

•You have to tell him what you're trying to do 

•He gets very embarrassed about not understanding that he kind of shut down for the day 

•He remains hunched over on his desk for the rest of the day 

Lester Sinclair:

•It honestly doesn't matter what you do to Lester, He's just happy you're giving him attention 

•The man is the definition of a puppy 

•He's just happy to be here 

•So if you want to play a game of Chase, He’lll Chase

•As soon as you slap and run away he's hot on your heels 

•He chases you through a field and down the roads 

•When he catches you he's out of breath and takes a second to dry heave 

•Then he'll hug and kiss you while walking back to the Truck 

Billy Lenz:

•Billy is one of the characters you Can not hit

•You think he'd be into to quick slap, but he has the opposite reaction 

•He thinks you're planning on hurting him And will either attack you or hide 

•If he chooses to attack, You're likely going to have to hold him down until he calms 

•If he hides, leave him alone

•trying to find him would be like walking into a coyote's den

•eventually he'll come back out because you're the only person that still talks to him 

•He figures it's better to be physically abused than be lonely 

•Good luck explaining that it was just a joke 

Brahms Heelshire:

•He was acting up after you told him the grocery boy was coming today

•He was whining about how you don't need to interact with him and how the help shouldn't be seen or heard

•You remind them that you're technically ‘the help’ and he pouts on the couch 

•When the doorbell rings he immediately jumps up to try to stop you 

•You have a light bulb moment

•You get closer, reach around, and slap his ass

•You almost immediately push past him to run to the door 

•Brahms is quick to follow, but not quick enough

•You swing open the door before Brahms can reach you

•He hides just in time, and proceeds to stew behind the door.

Hannibal Lecter:

•While he was cooking up some breakfast you come up behind him and hug him

•He greets you and continues to cook 

•You two have a lazy conversation while you lean your head against his shoulders 

•Deciding he's not pay enough attention to you come up with a plan

•You steal one of his knives, slap his ass, and bolt out of the kitchen 

•He gives you about a 5-second Head start before he begins his hunt 

•In that time He turns off the stove and allows himself time to find you

•He slowly starts his prowl 

•Checking doors, behind furniture, around the stairs, and behind curtains 

•When he finds you, he pounces and pulls you into a pinning hug

•He forces the knife from your hand and kisses your forehead

•”Let me finish breakfast, then I'll spend time with you.”

Will Graham:

•While on the world's most boring fishing trip (Will Even admitted this trip sucked) You watch as no lines get tugged

•board out of your mind you decide to at least mess around 

•While Will was leaning over to check his lines you slap his ass as hard as to can, which throws him into the calm river

•You howl with laughter as Will get thrown overboard 

•When he resurfaces we comes back up with a scowls on his lips, but a playful look in his eyes

•”You suck” he chuckles while you help him back in

•As soon as he's on board, he throws you into the water and laughs

The Lost Boys:

•All the boys are up for a good chase, But they all have different reactions 

•David

-Slapping David's ass takes balls

-As soon as you try to run he has you by the arm 

-He smirks and pulls you towards him

-”Oh-ho-ho, where do you think you're going?”

-If you play your cards right he'll let you go to properly chase you 

-All’s well and good before he flies at you like a hawk

•Dwayne

-He'll let you run away But as soon as you're out of sight the game is on 

-It doesn't matter where you're at 

-The boardwalk, the cave, the forest, the beach 

-He sprints and tackles you to the floor 

-”Did you honestly believe you could outrun a vampire?” He muses

-could turn playful, could turn romantic 

•Paul

-as soon as your hand collides with his ass, he shrieks 

-He playful pretends he's wounded 

-He writhes on the ground, cries fake tears, hand over forehead

-”Why should you do this to me!” 

-”I thought you loved me!” 

-Walks around all day telling his brothers that you abuse him 

-gives you love bites while telling his tale of woe 

•Marko

-when you slap his ass he lets out a moan that causes both of you to freeze 

-after a few seconds Marko whips around 

-”Tell no one.” He says in a completely serious voice 

-You know for a fact the others would make fun of him for the rest of his unnatural life 

-Every time you're behind him, he turns around to face you So it never happens again

Thanks for reading <3

Sorry this took so long! I've had a busy week!

[amicus-noctis]

"If I am worth anything later, I am worth something now. For wheat is wheat, even if people think it is grass in the beginning." - Vincent Van Gogh

Painting: "Wheatfield with a Reaper" by Vincent van Gogh