#Vincent ( dossier )

[contentabnormal]

This week on Content Abnormal we present Vincent Price as Simon Templar in an adventure of The Saint called “Dossier On A Damsel In Distress”!

[sanajeh1909]

The Spy and the Spouse

Pairing : Chamber x F!Reader Word Count : 2139 Warnings : Flirting, Romantic Tension, Spying/Action (only mentions of it), Jealousy, Unrequited Love (at the end on Chamber's part), Emotional Themes. POV : 3rd Person Part 1 - Part 2 - Part3 A/N : Sorry for my poor English, its not my native language. Chamber can be a bit OOC. Gif doesnt belong to me. Please do tell if there is any mistakes or off talks/writings on the scenario.Yellow is for Chamber, Pink is for Reader. I hope you enjoy it.

There was knock on Chamber's office door. Hearing the knock on the door, he sighs and turns to open it, looking at the person knocking. Yes?

She gives him a charming smirk and speaks like velvet. Beinvenue, Fabron. She hands him the mission brief. A mission, but no bloodshed and war this time. An undercover mission. It was written in the brief that Y/N and Vincent were chosen for the mission. They had to pose as a married couple and attend a meeting with businessmen and their spouses.

He looks at the mission brief for a moment, the smirk he had vanishing completely, then looks towards her. He was surprised at the choice of partners they gave. He had'nt expected Protocol to be so nonchalant about them posing as a married couple.

He lets out a long sigh and looks over the mission brief again. He looks at her from top to bottom, clearly analyzing if you'd be capable of carrying out this mission. ...Well. You look good. No one could tell we're actually not dating, right?

Since both of us are seen as suitable for this mission, why not? She raises an eyebrow with the smug smirk on her face. She leans on the doorframe with her arms crossed.

This catches him off-guard. He raises an eyebrow, questioning whether she is confident enough for a mission as tricky as this one, or if she is simply arrogant. Its a fine-line, to be sure. He narrows his eyes slightly, clearly more intrigued by her.

He folds the mission brief dossier and gestures at his desk. If you are coming, sit down. We have plenty to discuss. She opens her hands, accepting that they really needed to discuss about the mission. She walks inside his office.

Chamber walks behind his desk and opens up a drawer, putting the mission brief in its place. He then sits, facing her with his elbows on the table. Now that both were closer, she saw a more professional look to him. His tie was neat, his shirt was crisp, and his manner was reserved. In a word? Competent.

He looks at her again, analyzing her further. He has less doubts in her now, but she was still a wildcard. He had better make sure she was up to the task for this mission. So, are you ready? She speaks confidently, almost playfully, yet its visible she is taking this mission seriously. I am. But we really need to prepare somethings before the mission, otherwise we will get caught easily like a rat.

He nods, his expression remaining neutral. There was something to admire about her attitude, but... They werent just going to be posing as a married couple. They were going to be posing as a happily married couple. He would have to figure out exactly how they would both act in marriage. Lets go over this and discuss, shall we? There are some things I'd like to clarify.

She gives him a small nod. She already knew how to act in front of all that people, the boundaries they will have without being too clingy, but she lets him have the word. Of course.

He leans in closer, his expression becoming a bit softer. When he spoke, it was in a calming, reassuring tone. He'd rather her not lose her composure before the mission even started. I want to be clear on this: you dont need to be lovey-dovey in this mission in front of these people. You need to be married in front of these people. Im sure you understand the difference.

Oooh~, my dear husband doesnt like clingy wife? She teases him and laughs heartily. Chamber laughs in spite of himself. He shakes his head, smiling in amusement. She managed to put him at ease, and he had to appreciate that. She didnt make him worry, she made him laugh.

She sighs as her laughter dies down, then she speaks with amusement in her tone and smirk on her face, but she was speaking with the weigh and seriousness of the mission. She knew what she was signing in. We have to figure out how we would act like a married couple, especially in this setting. I'd like to know how we should act around each other. Pretend we've been in a happy marriage for a while.

He leans back in thought, thinking about how a married couple would act. He had seen a lot of married couples, both good and bad. He takes more than a moment to think, though not as long as to actually make a decision. He looks at her with his eyes as stern as they were sharp. Confident and arrogant. Perfect.

She smirks with confidence. There must be someone who can carry him and herself, and she knew its no one except her. Is that a bad thing? We will have so much fun.

She smirks softly. Chamber smiles a little, looking at her for a few more moments before speaking. You... might make a good partner when all's said and done. Suits are required, ladies are to wear formal attire, gentlemen are to look their best and most respectable. You and I are in a high society marriage. We will be greeted first by a host, then taken through the room and introduced to people. You know the drill.

She chuckles heartily. We all know the format. Whats important is how will we pose as a married couple. We need to come up with a story and act like our characters as a married couple.

Chamber thinks once or twice before speaking, his face and manner becoming more professional. He nods his head. I know something we can use. Our partners arent the only businesspeople attending the dinner. There is a CEO, his wife and his daughter. He leans forward, lowering his voice a little as if it were some super-top-secret state matter. The CEO's daughter is single.

She raises an eyebrow, smirking at the information she just got from him. And? Are you trying to cheat on your dear wife?

He looks at her. It takes him a long while to speak, for he is trying not to smirk alongside her. No, this was not some sort of love comedy, it was a mission in disguise. Still, the playful banter was an interesting surprise.

He tries to maintain a straight face in the most "professional" manner he was capable of. His expression slowly turns into one of intrigue. Maybe the daughter is trying to steal me away from you, darling.

She didnt expect him to say something back, but she welcomed it. She smirks and leans back on her chair. I wont back down to protect my husband though. Im quite possesive.

He smirks in a subtle fashion, finding her more and more interesting. He liked the possessiveness she expressed. Her role was going to be more active in this mission than expected. He was starting to appreciate that. Now, if only he was capable of displaying affection to give her the right idea. Is that so? Who said you wouldnt be playing the loving wife, in that case? He laughs. He couldnt play it cold forever. He had to loosen up a bit.

He sits back, putting his hands behind his head and enjoying the banter a lot. She laughs heartily at the sight of him. We are getting far from the topic. Leave the sweet daughter of CEO aside, how will we act in the mission?

Chamber nods, returning to his serious demeanor. He understood the importance of this conversation. He takes a few more moments to think over what he wants to tell her before speaking. Alright, we'll be acting as newlyweds in this dinner. In the eyes of the other businesspoeple, you should look at me with adoring eyes. You are in love and cant keep your hands off of each other.

He rolls his eyes, almost as if he wanted to barf at the idea of the charade. Then, he looked at her with a sly smile. She rolls her eyes and puts a hand on her forehead dramatically. She speaks in dramatic tone as if she is on stage of Shakespeare's play. Clingy wife and reluctant husband? How dramatic.

He tilts his head to the side, enjoying how into character she was. He was enjoying this a lot more now that they both were really into it. She looked like a girl so in love, it was honestly charming. He had seen this expression enough in the face of a woman.

He sighs dramatically, as if he was a man who had to endure a clingy, needy wife. Are we really going to have to do this...?

She sighs heavily. We have to. We will go our own ways after this is over. She crosses her arms as her expression gets smug: raised eyebrow and a cocky smirk. I hope you dont expect something between us after that.

In the back of his mind, he hoped he could have a moment to breathe after this mission. To actually give a girl the kind of affection he couldnt just so easily turn off.

Of course, darling. This is just business, after all. He chuckles a little, trying not to laugh as the expression on her face looked downright funny. He leans back on his chair, smirking. Lets put on a good show, yes sweetheart?

She nods with the same smug expression. Of course, why are we there for if we dont put on a good show? Chamber grins at her, finally actually happy to have partnered with someone like her. Even if they both were going to act like a married couple, she still gave a hell of a good impression.

He looks around the room one more time before standing up and coming around the side of the desk. He leans on the desk as if sitting on the edge of it. He bends forward over the desk slightly, speaking with a low, soft voice that was still loud enough for her to hear. Lets practice.

He gives her a mischievious smile. In one swift move, he grabs her hand and gets her up on her feet, guiding her to him. He pulls her towards him, their faces dangerously close and he leans even closer, whispering in a tone so quiet she barely believe what was happening. He was a lot closer than he should, his breath ghosting over her skin. Well? Whats stopping you from giving me a kiss, my dear wife?

In front of him, she smirks at his move and she put her arms draping over his shoulders. Does my husband wants attention? She speaks like velvet, seductive and teasing. Her tone is quiet yet enough to make him feel something.

He leans forward, getting even closer. He takes a deep inhale, his eyes closing in pleasure. Slowly, and softly, he leans his head against her soft, smooth skin. He was taking that moment to enjoy, to savor every bit of it. His expression was that of pure satisfaction. It would be such a shame to make this a one-time thing. Dont you agree, beloved wife?

She slowly close her eyes as she closes the distance between them. Their lips touches and they share a tender, slow, short kiss. As the kiss stopped, he took one more small moment of her skin. To feel her warmth, her soft skin on his lips one more time.

When it ended, he breathed heavily and slowly, his face was a little flustered. So close, yet he had to stop himself, just barely. At his flustered state, she feels he wants more than what they shared. The same smirk returns to her face. I hope you wont be too attached to your "wife". Because everything will be over when the mission ends.

He finally speaks, his voice is a little hoarse. He was trying to control his feelings better, but she was something else. A part of him hoped she would feel the same. He only leaned back slightly, still close enough for her to touch. I'll do my best to manage.

I hope so. She chuckles almost seductively. She pulls herself away from him and walks towards the office door. Before she opens the door, she turns to him. Her smirk, her damn smirk on her face, she speaks with velvet-like tone. Dont screw this up.

Chamber watches her leave, clearly affected by the sight of her. He breathed quickly, his hands clasping his arms to stop himself from going after her. In one deep inhale, he got himself steady. He was going to enjoy this game.

Before she left, she heard a low whisper from his lips to her ears:

We will see about that, darling.

[maggiec70]

Maréchaux d'Empire: La gloire pour destin

Quelle horreur!

On the other hand, this book will keep me alternating between guffaws and serious eye-rolls for days.

The "replacement" for David Chandler's anthology, Napoleon's Marshals, published in 1987 with each of the 26 mini-bios written by for-real scholars [and not just Americans, either] is this November 2023 anthology edited by Francois Houdecek, who holds forth at the Sorbonne, claims to be a "disciple" of Jean Tulard [I believe M. Tulard has thousands of those!], and is involved in all sorts of activities and scribblings involving Naps. He is also responsible for gathering and organizing vast quantities of Napoleon's correspondence, so kudos for that.

However--and oh, my! what a huge "however" this is!--the 26 contributors range from the marginally average Pierre Branda to the apparent dregs of French scholarship whose names have never resonated outside the borders of Gallica. Each of these articles is depressingly cardboard, flimsy with details, utterly bereft of any attempt at analysis or understanding of the individual's character, talents--or lack thereof--and other useful and expected details, even in an anthology. These contributors apparently competed to see who could write the most drivel using the fewest sources. Naturally, I went straight to the entry about Lannes, and by the time I reached the end, I had permanently dislocated my eyebrows. The "author" of this travesty is Jacques-Olivier Boudon, whose credentials, on paper, are impressive but whose knowledge of Jean-Boy is worse than passing; it is non-existent. The reason for that is based on M. Boudon's sources:

He cites Lannes’ “official dossier” in the SHD, which I copied before I left, so I know every page and every sentence in it, and I know you won’t find squat that is useful unless, of course, you care how much putting on Mozart’s Requiem cost, and who sang the tenor solo.

High on the hit parade list is Regis de Crepy’s smarmy bio of the Lovely Louise, another book I can quote endlessly. Boudon used one letter from that.

Boudon also took bits and pieces from the three more recent French biographies by Dammame, Zins, and Willette—although the latest was published in 1994—and explained what I thought about them in a previous blog.

The absolutely most hysterical “source” is the 2002 historical fiction by a lovely 93-year-old woman, Penelope Le Fers-Dupac, who lives in Lectoure and who I know [I also know the biographer Jean-Claude Dammame, but that’s another story]. This novel is called “Le Mousquetaire de Napoleon: L’autre vie du marechal Lannes.” Make of this what you will, but it is the wonderfully entertaining, hilarious, and fictional tale of Jean-Boy’s first marriage.

I am appalled that this person didn’t do justice to Jean-Boy in an anthology where he would have shone at the top in capable hands. I know who's the real expert here, and I certainly don’t mind if someone also chooses to write about My Guy. But he or she had damn well better get it right, and this French morceau de merde massacred his subject.

BTW, joachimnapoleon, have you encountered Vincent Haegele? He did Murat no favors here, either. Thanks for reading the rant. I feel better.

[womanofwords]

Masterlist

OC dossier

Tobey’s Community Service (COMPLETE)

Synopsis: as penance for the many times his robots have destroyed the city, Tobey’s community service is to teach the basics of robotics to children. (This is a WordGirl fanfic.)

Part 1

Part 2

Part 3

Part 4

Part 5

Part 6

Ghost Hunters Series (COMPLETE*)

Synopsis: two boys go ghost-hunting in an abandoned, dilapidated mansion and stumble across something amazing that changes their lives. (Based on a series of artworks by @shyticklemonster and listed in reading order.)

Ghost Hunting

Ghostly Vengeance

Ghost Tricks

A Taste Of Halloween Candy

*I will add to this series if @shyticklemonster makes more artworks for me to base my writing on.

The Offer of a Lifetime (COMPLETE)

Synopsis: Hero and Sidekick stumble across a superpowered civilian and recruit them into the team. There’s just one problem: they don’t want to.

Part 1

Part 2

Part 3

Part 4

Part 5

Part 6

High School (COMPLETE)

Synopsis: Frustrated by their behaviour, Superhero turns Hero and Villain into teenagers and sends them to high school to learn some important life skills.

Part 1

Part 2

Part 3

Part 4

Part 5

Part 6

Glitter (COMPLETE)

Synopsis: Hero has always been a guy’s guy. That is, until he gets assigned the girliest female sidekick to ever live. The worst part is, it’s beginning to rub off on him, and that could spell disaster for his image! What’s a guy to do?

Part 1

Part 2

Part 3

Part 4

Part 5

Part 6

Part 7

Part 8

Part 9

STEM Kids Shenanigans (COMPLETE)

Synopsis: When the principal of Marbleton Secondary School created a STEM club for the best and the brightest, she expected prestige and respectability to come to the school. When the students heard about it, they expected it to be filled with nerds.

But the four members of the club find themselves making tight friendships and awesome inventions. They also find themselves in a war with the most relentless prefect to ever be a prefect.

Chapter 1: Making STEM Club

Chapter 2: Introductions

Chapter 3: Change

Chapter 4: Spice

Chapter 5: Trinkets

Chapter 6: Parent Observation Day

Chapter 7: Study Group

Chapter 8: Subtle Messages

Chapter 9: The Unseen

Chapter 10: Day Of The Pink

Chapter 11: Connections

Chapter 12: Slime

Chapter 13: Surveillance

Chapter 14: Public Opinion

Chapter 15: Flight

Chapter 16: Front Page Fallout

Chapter 17: Paint

Chapter 18: Melanie’s Cousin

Chapter 19: Bird’s Nest

Chapter 20: A Very Grounded Young Man

Chapter 21: Adult Supervision

Chapter 22: Matching Patches

Chapter 23: Gloves

Chapter 24: Layla’s Plants

Chapter 25: The Other Secondary School

Chapter 26: The Hated One

Chapter 27: Monitoring Melanie

Chapter 28: Feral Newspaper Hound

Chapter 29: Acting Out

Chapter 30: Bugged

Chapter 31: Checking In

Chapter 32: Stephan’s Black Book

Chapter 33: Engineered Dramatics

Chapter 34: Talking To The Sainsbury Girls

Chapter 35: Stashed Secrets Spilled

Chapter 36: Principal’s Office

Chapter 37: Celebrity and Confessions

Chapter 38: Apologies

Chapter 39: Unwanted Appearances

Chapter 40: A Proper Conclusion

The Poisoned Prodigy (COMPLETE)

Synopsis: When normal Vincent Song is invited to his best friend’s school’s end-of-year awards ceremony, his only real worry is whether or not his brother’s old tux will fit him. But when said best friend, Renaissance boy Patton Reynolds, collapses at the podium after drinking some tainted water, it’s obvious that he was poisoned.

Patton names someone just before he passes out and at first, it seems like the genius solved his own murder attempt. But something’s not right. It’s up to Vincent, described by his own brother as ‘the lamest teenage boy in the world’ to navigate a world of geniuses to find the true culprit and get true justice for his best friend.

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Nerd Juvie (IN PROGRESS/ON HIATUS)

Synopsis: Marco, a troubled yet gifted young man, gets sent to the Lazarus Institute after getting caught drag racing on a bike that he made himself. The Lazarus Institute is a rehabilitation centre run by Dr Bertram Lazarus especially for gifted teenagers on the wrong side of the law, and for a while, it seems like everything is looking up. But when Marco stumbles across sinister plans for the residents, he is forced to question everything. Is Dr Lazarus the benevolent man everybody believed him to be?

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Primary Objective: Friendship (IN PROGRESS)

Chapter 1: Meeting Nikola

Chapter 2: School Enrolment

Chapter 3: School Shopping

Chapter 4: Nikola’s First Day

[jtl07]

jt (finally) watches warrior nun - s1 e5 & e6

All right, I'm just going to combine my thoughts for episodes 5 and 6, and again, going to focus on Beatrice because I have some frustrations with these two episodes as a whole (for some thoughts, see my e5 rewrite; still working on the e6 rewrite) - I can see what they’re trying to do and I appreciate it but ... that's a different post.

Anyway. Let’s talk about Beatrice! The thing that sticks with me in these two episodes are just how angry she’s become - yes, it’s wrapped up in this cool exterior and that seemingly angelic smile but she is just itching to fight - and she does a bit, here.

(Side note: Beatrice is kinda like Ava in that regard, actually - how quick they are to throw down. The difference is that Beatrice a) knows what she’s doing when she fights and b) has been conditioned, trained to think analytically, strategically. Not to say that Ava can’t or doesn’t learn - Bea just has more experience)

The key scene in episode 5 is that brilliant conversation with Duretti. But I think part of what makes that scene brilliant is how it contrasts with her scene with Vincent previous to this. With Vincent, Beatrice allows herself to be uncertain, to question, trusts Vincent to give her an honest answer. (Again, brilliant writing in terms of setting up Vincent’s betrayal - it’s only when you look closely that you see how he’s playing everyone) In fact, one thing that I couldn't help but notice: she fidgets with her hands during the conversation. For someone usually so outwardly confident, she allows herself to just be a young woman seeking advice with Vincent.

Then we have Beatrice with Duretti. From the jump, Beatrice is distant - she even tries to dismiss herself at the start, after loading the shield into the transport. But she unfortunately isn't able to escape. She stays distant as Duretti tries to build rapport - "You've read my dossier" as if implying 'anyone can do that, I know what you're doing.' She even puts literal arm's distance between them:

Contrast this with her scene with Vincent, where she allows herself to bend - it's not a lot, but it's there:

And then Duretti does his spiel. I just want to give KTY all of the props for putting so many layers into how she stays so chilly in the face of his compliments, not to mention her delivery. The simple, “Turmoil, sir?” is just so great:

(I wish I knew how to make gifs lol, but this captures her suspicious face good enough)

Also one thing I didn't notice before about her "to God" line is how much of a threat it is:

And all these layers is what makes me love this whole conversation. The first time I watched this properly, my thought was, "oh snap, this is not a smart play" - because Beatrice has essentially shown her hand here. Even though it’s coated in the language of a believer, both she and Duretti know what she's really saying.

But after watching it again (because I kept missing the timing for my screenshots lol), I realized that this is Beatrice also playing Duretti for information - or rather confirmation. Remember that right before this scene, she was questioning Vincent about the whole change of direction under Duretti. And here, she's getting him to tell her what he wants of her, what his intentions are.

And she gets what she wants - she gets him to be "forthright" with her, and it riles her way up. It reminded me a lot of episode 4 where she calls out Lilith in the middle of the mission. My thoughts there were that her anger is being fueled by fear - and I think that’s the same in this scene with Duretti. Loyalty seems to be the trigger - which makes sense given her background. She found her purpose in the OCS, has given her life to the OCS. And now this man presumes to take control of it? And have her swear fealty to him? No wonder Beatrice is so riled up: he’s threatening what she sees is her way of life - her very existence.

And so in the face of that, she essentially goes over his head, jumps the chain of command so to speak, puts her loyalty in God. It’s both a thinly veiled “f you” to Duretti and a genuine expression of Beatrice’s faith, but also I think it’s a look again into how Beatrice sees herself. That all she has is her service, that her allegiance, and her salvation, lies in Him. I think that’s brilliant in the face of what she ends up going through, especially in s2, how she learns to serve herself, to find salvation in life (and Ava).

Now regarding episode 6, I know Beatrice is only present at the end of the episode to pick up Mary but it’s a curious thing - because while Mary tells Ava that she’s safe here, that the OCS doesn’t know she’s there, when Mary gets picked up, Mary doesn’t try to get Ava to hide or anything. Which makes me wonder: Did Mary do that because she knew Beatrice wouldn’t say anything? I don’t believe that she would do something like that without thinking of Ava’s safety.

We also don’t get any conversation on camera of Mary telling Beatrice to keep Ava’s location a secret - from the way their exchange goes, it gives the impression that there wasn’t much talk during that ride back to Cat’s Cradle. There’s an intensity to Beatrice in this scene that's palapable (which is hella impressive on KTY’s part given that she had only seconds on screen) - I mean, her face when she’s looking at, I’m assuming, Ava in the side mirror:

It’s hard to know what she’s thinking here, and when she speaks to Mary too. The terseness of her words, the shortness of it - “She coming?” isn’t even a proper sentence, now that I think about it. While she trusts Mary, there’s an anger there, but it makes me wonder, is it directed at Ava? At herself? At the whole situation? I also wonder if Beatrice even knows about Lilith at this point - and if she does, is that also a layer in this delivery?

It’s intriguing and sets up very well the fact that the relationship between Beatrice and Ava is very much hard won, that there's many things they have to build together yknow?

Anyway, lmk what y'all think, otherwise, very much looking forward to episode 7!

[mightyflamethrower]

Do not believe the White House/mainstream media-concocted narrative that the four criminal court cases—prosecuted by Alvin Bragg, Letitia James, Jack Smith, and Fani Willis—were not in part coordinated, synchronized, and timed to reach their courtroom psychodramatic finales right during the 2024 campaign season.

These local, state, and federal Lilliputian agendas were designed to tie down, gag, confine, bankrupt, and destroy Trump psychologically and physically. They are the final lawfare denouement to years of extra-legal efforts to emasculate him.

Indeed, the nation is by now worn out by these serial assaults on constitutional norms: the Hillary-funded Steele dossier subterfuge; the pre-election Russian laptop disinformation campaign; the two impeachments without special counsel reports; the impeachment Senate trial of a private citizen; the effort to remove Trump’s name from state ballots; the ongoing attempt to emasculate the Electoral College; or the radical opportune changes in state election laws to ensure massive mail-in balloting.

Recently, Andrew McCarthy has reviewed in depth this coordination between White House personnel and prosecutors, long known and long denied by the left. Biden, for example, had complained to aides about Attorney General Merrick Garland’s tardiness in getting special federal prosecutor Smith appointed—and thus apparently ensuring Trump was convicted before the election.

Nathan Wade, Fani Willis’s now-fired paramour prosecutor, visited and consulted with the White House counsel’s office when he was acting supposedly as a purely local county prosecutor. The January 6th left-wing-dominated congressional committee consulted with the Biden administration in sending forth its criminal referrals about Trump’s purported role in the protests. And to handle his pseudo-indictment against Trump, Manhattan District Attorney Alvin Bragg hired Biden Justice Department official Vincent Colangeio.

Two, the prosecutors’ delayed criminal indictments and E. Jean Carroll’s civil suit were predicated only on Donald Trump running for reelection. After his 2020 defeat, the loss of the two Republican senate seats in Georgia, and the January 6 demonstrations/riot, Trump was written off by pundits as politically toxic.

Then his historic comeback in the subsequent year terrified the left. The reboot prompted the subsequent indictments and suits years after the purported crimes. It was left unsaid that had Trump not been a conservative Republican and leading presidential candidate, he would have never been indicted.

Three, most of the indictments either had no prior precedent in criminal law or will likely never be used again, at least against anyone left-wing. Moreover, many of the writs relied on manipulation of statutes of limitations.

Neither Bragg nor any other local prosecutor had previously transformed a supposedly local affidavit misdemeanor into a supposed federal campaign finance violation, a gambit so preposterous that it had been passed on by federal attorneys.

Letitia James was the first New York Attorney General to indict a state resident for the supposed crime of overvaluing real estate to obtain a loan, which was paid back timely and in full, to the profit of lending institutions. No bank, after auditing Trump’s assets and viability to pay back loans, was unhappy to loan to him. But all were quite happy to profit from the hefty interest—and would likely be happy to loan to him again.

James sought to make Trump a criminal without ever finding a crime, much less a victim. Nor, until the checkered and unethical career of Fani Willis, had any local prosecutor ever indicted an ex-president for a supposedly improper phone call questioning whether all the state’s votes had been fully counted.

Alvin Bragg’s case was nonexistent given the statute of limitations on supposed misdemeanors committed over six years prior—until Bragg transmogrified the accusations of minor crimes into felonies and, with them, extensions granted supposedly due to the COVID lockdowns.

In Carroll’s case, her unsubstantiated accusations of a sexual assault were also well past the statute of limitations until a left-wing New York legislator and unapologetic Trump hater passed a special law—a veritable bill of attainder aimed at Trump—waiving the statute of limitations for a year in cases of accusations of long-past sexual assault in the state of New York.

Four, all the indictments and suits took place in either blue cities, counties, or states. And most of the jury pools in or near New York, Atlanta, or Miami were or will be heavily Democrat. So far, the New York judges who have overseen Trump’s civil and criminal trials—Justices Engoron, Kaplan, and Merchan—were all liberals, appointed by Democrat or liberal politicians, and some have donated to Democrat causes. They were not shy about expressing disdain for defendant Trump. No changes in venues were ever allowed.

Five, all the prosecutors, Bragg, James, Smith, and Willis, are likewise either Democrats or associated with liberal causes. In the case of Bragg, James, and Willis, all three ran for office and raised money on promises and boasts of getting Donald Trump. And all three have now set the precedent that local and state prosecutors can warp the law and use it to go after an ex-president and leading presidential candidate of the opposite party for naked political purposes.

Six, all these cases were equally applicable to high-profile Democrat politicos. E. Jean Carroll’s defamation suit was the most laughable of all the court dramas, but its outline and protocols just as easily could have applied to Tara Reade. She came forward to accuse candidate Biden of having sexually assaulted her years earlier—roughly about the same period’s as Carroll’s fluid timelines. Her story is about as believable or unbelievable as Carroll’s. But the difference was that whereas the media canonized the delusional and self-contradictory Carroll as a useful anti-Trump tool, it demonized Reade as a crazy loon and liar—and a potential impediment to Biden’s 2019-20 primary campaign.

Bragg had to torture the law to fabricate a federal campaign finance indictment against Trump. But Hillary Clinton clearly violated federal campaign statutes—and was variously fined—when she tried to hide her “opposition research” payments to Christopher Steele as “legal expenses.” In truth, Steele was hired and paid to concoct a fake anti-Trump dossier and likely should have been barred from working for a presidential campaign given he was not a U.S. citizen.

In the case of Smith, simultaneously with his case against Trump, his twin special prosecutor, Robert Hur, found that Joe Biden had unlawfully removed classified files for much longer than Trump (30 years plus), in a much less secure location (his rickety garage), and without a president’s authority to declassify his documents. Moreover, he had disclosed their contents to his ghostwriter, who destroyed evidence under subpoena by Hur. Yet unlike Trump, Biden was not charged, given that Hur claimed that Biden, in his opinion, was so old and amnesiac that he might win sympathy rather than a conviction from a jury.

Willis indicted Trump for supposedly trying to pressure officials to “find” missing Trump ballots, thus supposedly violating “racketeering” statutes, as he oversaw an attempt to find troves of ballots he thought had been cast for him. Of course, in the same state, Stacy Abrams, after losing the gubernatorial race of 2018, claimed she had actually won, despite losing by over 50,000 votes. She sued to overturn the election and then made a celebrity-political career touring the nation, falsely claiming she was the real governor and her victorious opponent was an illegitimate governor.

For that matter, in 2016, left-wing organizations, celebrities, and thousands of political operatives sought to overturn the Trump victory by appealing to the electors to renounce their states’ popular vote tallies and thus become “faithless electors.” In sum, there was a true conspiracy, or, better, a “racketeering” scheme, to use Willis’s parlance, to coordinate various groups to overturn the constitutional duties of electors to throw the election to Hillary Clinton. Clinton, along with the likes of ex-president Jimmy Carter and soon-to-be House Minority Leader Hakim Jeffries, would continue to deny that Trump was the legitimately elected president.

In sum, the number of suits against and indictments against Trump grew in correlation to his political fortunes. They were designed in the election year 2024 to do what Democrat voters likely cannot. They are ridiculous and sui generis, and will never be used against anyone other than Trump. They have done more damage to democracy, the rule of law, and equal justice to the law than all of the antics that Trump is accused of.

Moreover, they will set in motion a dangerous tit-for-tat cycle of weaponization that threatens the very constitutional order of the United States.

If Trump is elected to restore the rule of equal justice, will a Republican special counsel revisit Robert Hur’s work and find ex-President Biden quite capable of standing trial for the crimes Hur has already investigated and confirmed?

Will then a new Republican-appointed FBI director order a SWAT-like raid, with Fox News forewarned and Newsmax reporters on the scene, to descend into the Biden beach house?

Will county and state prosecutors in Utah, Montana, and Oklahoma feel that to stop this cycle of illegality, they must charge the Biden family members by bootstrapping local indictments onto federal crimes?

Will conservative women in the future come forward in Arkansas, Idaho, and Alabama to claim that in their past, they now suddenly remember that decades ago a prominent Democrat candidate harassed them? Will their right-wing lawyers cherry-pick the proper red-state judge?

Will conservative district attorneys find ways to indict Joe Biden on the various imaginative bookkeeping and “loan repayments” used to disguise the fact his corrupt family received well over $20 million from illiberal foreign interests, much if not all of it camouflaged to avoid income taxes?

Will some South Carolina legislator get a bill of attainder passed in the legislature, ending the statute of limitations for a year for all those in 2016 who sought to undermine the electors and flip them to Hillary Clinton?

In August or September, will a right-wing state prosecutor and a conservative judge find that Joe Biden’s creative bookkeeping warrants a $450 million fine, payable before appeal?

And will Republican officials and judges in purple states move to get Biden’s name off the ballot?

Such scenarios are endless and, given the current precedents, could all be justified as desperate deterrent measures to shock the left into ceasing their efforts to sabotage our constitutional system and rule of law.

A final note. There is a divine order of balance in the world, one known variously by particular civilizations as kismet, nemesis, karma, or what goes around, comes around payback. We’ve already seen such forces at work: Sen. Schumer at the head of a mob at the doors of the Supreme Court, calling out threats to justices by name, only now finding pro-Hamas thugs circling his own home. Or Democrats during the Trump years straining to find ways to invoke the 25th Amendment, now humiliated into claiming a non-compos-mentis Joe Biden is “sharp as a knife.”

Tragically for the country, to stop this left-wing madness, the Trump travesties may not be the end, but the beginning of precisely what the Founders feared.

[pyreshe]

DOSSIER CHEAT SHEET

LEGAL NAME : olivia anita caspera soto NICKNAME[S] : livvy, liv, livvy-loo, sunny, sunshine, bug DATE OF BIRTH : Feb 14 20xx GENDER : cis girl PLACE OF BIRTH : los angeles, california CURRENTLY LIVING : los angeles, california SPOKEN LANGUAGES : english, rudimentary spanish, middle school-level french EDUCATION : currently attending middle school HAIR COLOR : dark brown, often worn curly EYE COLOR : dark brown. bright and intelligent and curious HEIGHT : 4'5 WEIGHT : 68 lbs

FAMILY INFORMATION

SIBLING[S] : 2 adopted older brothers, ryan and andrew barnette PARENT[S] : vincent soto and rosana pasdar (both deceased), june and james barnette (adoptive parents) RELATIVE[S] : cyrus and anita pasdar (maternal grandparents), an estranged paternal uncle CHILDREN : she is Baby, PET[S] : a large black cat who comes and goes named the little prince.

RELATIONSHIP INFORMATION

ORIENTATION : she's a lesbian! tho she's still working that out on her own. RELATIONSHIP STATUS : she is Baby SINCE WHEN : n/a.

tagged : stolen from @mpiremoff 💖

[blueiscoool]

Lonesome Cowboys Andy Warhol, 1968

A set of original 16mm presentation reels of the film that sparked the “Stonewall of the South.” Six 35mm film reels housed in 2 metal flight cases. Movielab, New York, pritned ca. 1969.

On the evening of 5 August 1969, a small crowd of seventy settled in to view Andy Warhol’s Lonesome Cowboys at the recently opened art cinema at the Ansley Mall in Atlanta. About fifteen minutes into the homoerotic underground spoof on westerns featuring Warhol stars Viva, Joe Dallesandro, Eric Emerson, Meade, and Tom Hompertz, the film suddenly stopped, and the house lights went up. The police, some in uniform, others in plainclothes, were everywhere, some with cameras taking photographs of the startled movie-goers still in their seats. Those who attempted to depart quickly were blocked at the door and they too were photographed and questioned by Atlanta police officers. Other officers headed upstairs to the projection room to seize the film reels and arrest James Russ, the manager of the Ansley Mini-Cinema. The police mounted the raid not only to enforce local obscenity laws but identify “known homosexuals,” part of a pattern of harassment that members of Atlanta’s gay Midtown neighborhood routinely endured. Abby Drue, a noted LBGTQ activist, was in the audience that night. “They had everybody get up and line up,” she recalled. “We had popcorn in our mouths. I think I had a submarine sandwich I was in the middle of eating. That’s how absurd it was.”

The police raid in Atlanta occurred a little more than a month after the Stonewall riots in New York, and for many members of the city’s burgeoning LGBTQ community, the raid on the Ansley Mini-Cinema was the final straw. Several days after the raid, a group of protesters were pepper-sprayed and some arrested. These events compelled Atlanta’s LGBTQ community to form the Georgia Gay Liberation Front. That organization would mount Atlanta’s first Pride march in 1971 — an unsanctioned march in which many of participants wore paper bags over their heads to protect their identities — starkly demonstrating the risk of physical harm that was an ever-present threat. Despite local hostility, the marches continued, and Atlanta’s LBGTQ community began flourishing over the ensuing decades becoming strong and vibrant. Today, the raid has been dubbed, “The Stonewall of the South.”

Yet the Atlanta police were not the only law enforcement agency to take interest in Lonesome Cowboys. The FBI had been monitoring the film soon after it was filmed in a single day a dude ranch near Tucson, Arizona on 28 January 1968. A Special Agent was dispatched to Arizona to interview witnesses to support a potential charge of “interstate transportation of obscene matter.” The investigation had been prompted by a complaint received at the Pinal County Sherriff, that “some guests at the Rancho Linda Vista Guest Ranch were making an obscene film.” Sherriff’s deputies arrived at the ranch on the afternoon of the 28th and ordered that the filming be halted immediately. The FBI kept a copiously detailed dossier on the film’s production based on eyewitness accounts that offer a window into the chaos of the film’s production covering all aspects from various “unnatural sexual acts” to details on the license plate numbers (redacted) of those on set. One eyewitness recalled that “The movie seemed to have no plot and the actors just said anything that came into their minds.” (Vincent Canby and other critics would take a similar view.) The FBI continued to monitor the film’s production and distribution, noting that Warhol had intended it to be premiered at the Hudson Theatre in New York in late April 1968, but editing was taking longer than planned. Then in early June, Warhol fell victim to an assassination attempt, further delaying production. It finally premiered at the San Francicso International Film Festival on 1 November 1968, and FBI agents were there collecting further evidence.

Meanwhile in Atlanta, the question of whether the film could be considered obscene landed in the courts. Ultimately, Lewis Slayton, the Fulton County District Attorney, allowed the film to be shown after Cradock Films, who held the rights to distribute the film in Georgia, agreed to edit out what the county considered objectionable. By early January 1970, the Ansley Mini-Cinema was once again presenting Lonesome Cowboys. As far as the FBI’s investigation into Warhol’s activities was concerned, federal prosecutors in Arizona, San Francisco and New York ultimately declined to pursue the charges in court, as the film was not considered “obscene within the definition of that word as defined by the Supreme Court of the United States.”

The present copy is believed to have been printed as early as 1969, but no earlier. According to the FBI report on the film’s screening in San Francisco in November 1968, the film opened with “the woman [Viva] and her male nurse [Taylor Meade] on a street in the town,” but the present copy, opens with a sex scene between Viva and Tom Hompert which appears to be consistent with the currently-known copies. The markings found on the paper sleeves include a red stamp for “INTERNATIONAL AMUSEMENT CORP,” a short-lived distribution and production company based in North Carolina established in 1974. This would suggest this film was in circulation in various art houses up until at least the mid to late 1970s.

The current number of original copies used during the film’s showings in 1969 and 1970 is unclear, but the present set of reels is marked as “Print No. 10” on each of the surviving paper sleeves. Original reels of the film are known to have survived including a master print at the Andy Warhol museum and copies at the Museum of Modern Art, and the Art Institute of Chicago. It is not clear if other copies survive in any private collections.

[caucusrxce]

A race that is run within a circle, any which way one likes. A race with no goal. Who will be the winner?

— CAUCUSRXCE private indie roleplay blog for vincent nightray from pandora hearts.

canon and headcanon-based interpretations. low activity. 18+. private. cursed by sycamore (hymn/they)

blogroll: @/hxlyknight, @/teyvatians, @/dreamtchamber

rules ✂ dossier ✂ disclaimer

[thebusylilbee]

"Le premier mail du rectorat est tombé le 12 octobre, à l’attention de l’Association des cinémas indépendants parisiens (CIP), qui coordonne le dispositif «Collège au cinéma». Au deuxième trimestre de cette année, les classes de sixièmes et de cinquièmes parisiennes n’étudieront finalement pas le film d’animation Wardi, qui a pour héroïne une fillette palestinienne vivant dans un camp de réfugiés à Beyrouth. Une décision du recteur de l’académie de Paris, inédite en trente ans d’existence des dispositifs d’éducation à l’image (qui touchent 2 millions d’élèves par an), témoignent des professionnels désemparés. Un mail aux enseignants la justifie par le «contexte d’extrême tension internationale et de ses conséquences potentielles sur notre territoire». «Plusieurs enseignants ont fait remonter au rectorat des interrogations quant à l’opportunité de diffuser cette année ce film d’animation qui a pour cadre le conflit israélo-palestinien», étaye le courrier, estimant que «les circonstances dramatiques que connaît actuellement le Proche-Orient, la diffusion et l’exploitation pédagogique de Wardi pourrait se révéler très délicate».

Co-portée par le ministère de l’Education nationale, le ministère de la Culture, l’association l’Archipel des lucioles et le CNC, l’opération «Collège au cinéma» vise à faire découvrir aux classes plusieurs films retenus par un comité de sélection national, paritairement composé de représentants de la culture, de professionnels de l’image et de l’enseignement. Dans Wardi, le Norvégien Mats Grorud raconte l’exclusion sociale et politique du peuple palestinien à travers le regard d’une enfant de 11 ans, et retrace l’histoire traumatique de son grand-père, chassé de son village au moment de la Nakba en 1948. Commandes de dossiers pédagogiques, recherche d’intervenants pour les classes, tout était prêt – figurent également au programme les 400 coups de François Truffaut et Tous en scène de Vincente Minnelli.

«Donner des clés»

Le jour où les CIP sont informés de cette déprogrammation, les enseignants venaient de compléter leur formation, suivie d’un temps d’échanges. Contrairement à ce que le rectorat laisse entendre, rien ne permet alors de conclure à un mouvement de panique, affirme Patrick Facchinetti, délégué général de l’Archipel des lucioles : «Si c’étaient les enseignants eux-mêmes qui avaient souhaité déprogrammer le film au regard du contexte actuel ou d’un manque de formation, on n’aurait pas le pouvoir de leur imposer de le projeter. Au contraire, cela aurait été entendable !» Et d’ajouter : «Cette décision unilatérale nous pose question. L’école doit rester plus que jamais un sanctuaire où construire l’esprit critique des élèves, apprendre à décoder les images et former des citoyens éclairés. On trouve regrettable de mettre de côté ce film au regard de son sujet, alors que les jeunes sont en permanence inondés par les images et qu’il est nécessaire de leur donner des clés.»

Si une marge de discussion semblait encore possible au matin du 13 octobre, jour de l’attaque au couteau dans un lycée d’Arras où est tué l’enseignant Dominique Bernard, le ton du rectorat s’est soudain fait sans appel. Invoquée : l’impossibilité d’assurer la sécurité des enseignants, en première ligne quand il s’agit d’aborder des sujets si complexes. Un comité d’urgence convoqué le 24 octobre en présence de la Drac Ile-de-France et de la ville de Paris n’y fait rien. Contacté par Libération, le rectorat de l’académie de Paris parle plus prudemment d’un report : «Tous les professeurs qui participent à “Collège au cinéma” ne sont pas professeurs d’histoire géographie et par conséquent, ne possèdent pas tous les outils pédagogiques pour expliciter la complexité du contexte actuel. En l’état il nous semblait plus opportun de reporter la projection du film Wardi.» Le film est par ailleurs maintenu par les recteurs des quatre autres départements qui l’avaient sélectionné (le Val-de-Marne, la Lozère, le Lot-et-Garonne et la Marne), dissipant les soupçons d’un arbitrage du ministère de l’Intérieur lui-même.

«Un si beau témoignage»

«Les œuvres ne sont pas coupables», déclarait justement l’Observatoire de la liberté de création dans son communiqué du 25 octobre, dénonçant «la vague de déprogrammations et de reports d’œuvres d’artistes palestiniennes et palestiniens, ou dont le sujet a un rapport avec la Palestine». Peu d’annulations sèches ont été comptabilisées jusqu’ici, mais les ajournements d’événements (tels ceux proposés à l’Institut du monde arabe en marge de l’exposition «Ce que la Palestine apporte au monde») en disent long sur un climat inflammable.

La sortie le 8 novembre du documentaire Yallah Gaza de Roland Nurier, collection de témoignages sur la situation dramatique de l’enclave palestinienne et le quotidien des civils gazaouis, en offre encore un exemple. La tournée d’avant-premières prévues dans le réseau du GRAC (qui regroupe les salles Art et Essai de proximité en dehors de Paris) a connu trois déprogrammations en Rhône-Alpes, les exploitants se disant contraints de reporter des séances sous la pression des préfectures ou des mairies locales. «Ces gérants de salles ont cédé, expliqueRoland Nurier, mais dans 90 % des cas le film est maintenu, les exploitants répondent aux collectivités que le film n’est pas du tout un appel à la haine. Dans un petit village du Tarn-et-Garonne, on a quand même mis quatre gendarmes devant le cinéma… En cas de trouble à l’ordre public j’imagine, alors qu’il n’y a jamais eu aucun souci dans les débats que j’ai animés.»

Sans nouvelles des protagonistes de son documentaire, à l’exception de son chef opérateur gazaoui Iyad Alasttal, le cinéaste ajoute, ému : «Je ne comprends pas les motivations de déprogrammer un film comme le mien ou comme Wardi, un si beau témoignage de transmission. C’en est presque ridicule. Je ne fais que constater dans mes déplacements une forte empathie du public, une demande de compréhension et de contextualisation de la situation.» La projection de Yallah Gaza prévue à l’Assemblée nationale le 9 novembre est encore à l’ordre du jour, malgré l’interdiction de la venue de la militante Mariam Abudaqa, membre du Front populaire de libération de la Palestine (classée comme organisation terroriste par l’Union européenne) et frappée d’un arrêté d’expulsion."

[ma-come-mai]

Qatargate, soldi sugli aerei: l’inchiesta si allarga alla commissione. I media greci: «A libro paga 60 eurodeputati»

14 dicembre 2022

È nata dalla “declassificazione” di un fascicolo dei servizi belgi il Qatargate, l’inchiesta che scuote il parlamento europeo e che, dopo l’arresto della vicepresidente Eva Kaili, del suo compagno Francesco Giorgi e dell’ex europarlamentare Antonio Panzeri (che rimangono in carcere), presto potrebbe coinvolgere anche gli eurodeputati di almeno un altro Paese. Il giudice Michel Claise va avanti, Giorgi ha tentato di accollarsi ogni responsabilità, cercando di scagionare la Kaili e spiegando come funzionasse il meccanismo di distribuzione dei soldi.

E così l’inchiesta adesso si allarga: i fiumi di banconote, sequestrate a Bruxelles a Panzeri e all’oramai ex vicepresidente Kaili, sarebbero stati destinati ad altri eurodeputati, anche francesi e tedeschi, «a libro paga dello stato estero». Almeno 60, secondo i media greci. E dopo i componenti della commissione per le Libertà civili, le verifiche riguardano la commissione Trasporti, che avrebbe avuto un ruolo fondamentale nel dossier che, a breve, avrebbe consentito un accesso illimitato al mercato dell’Ue sul trasporto aereo a Qatar Airways. Un accordo di cui è stato relatore in commissione Trasporti Ue anche l’europarlamentare italiano Giosi Ferrandino. 

LE INDAGINI

Distribuzioni prenatalizie. A questo sarebbero serviti i soldi trovati nella disponibilità di Eva Kaili. Lo dimostrerebbe anche il fatto che le banconote fossero di piccolo calibro. E adesso, anche grazie alla collaborazione, che è arrivata non solo da Giorgi, ma pure da Nicolò Figà-Talamanca, segretario della Ong “No Peace without justice”, la platea dei sospettati si allarga. Dalla commissione Libertà civili a quella dei Trasporti. Ma si guarda anche al ruolo che potrebbero avere avuto figure apicali del Parlamento Ue. Intanto sono state affidate all’aggiunto milanese Fabio De Pasquale le verifiche sui conti correnti che l’ex europarlamentare e la sua famiglia hanno in Italia. Le indagini, svolte anche su Giorgi e Kaili, e sull’attuale segretario generale dell’organizzazione internazionale dei sindacati Luca Visentini, fermato e poi liberato, hanno portato ad accertare l’esistenza di sette conti bancari (in altrettante banche) riconducibili a Panzeri, Visentini e Giorgi che ieri si è visto sequestrare 20mila euro trovati in una cassetta di sicurezza in un istituto di credito. E presto la magistratura belga potrebbe anche arrivare alla banca (e poi al conto) dal quale provengono le maxi tangenti trovate. È già stato verificato che le banconote sequestrate sono state emesse tutte in Belgio e alcune erano ancora sigillate. 

L’UDIENZA

Ieri la Camera di consiglio del Tribunale di prima istanza di Bruxelles ha stabilito che Panzeri e Giorgi resteranno ancora in carcere per almeno un mese, mentre Niccolò Figà-Talamanca potrà uscire sotto regime di sorveglianza elettronica. Resta invece in sospeso il destino di Eva Kaili, che ha chiesto e ottenuto il rinvio della decisione al 22 dicembre prossimo.

LE SPIE

Intanto è emerso che c’è un’indagine durata più di un anno e portata avanti dagli 007 di cinque stati europei dietro l’inchiesta della magistratura belga. Lo scenario, rivelato dal quotidiano “Le Soir” e dal settimanale “Knack” vede sullo sfondo una “guerra” tra spie e il sospetto, adombrato dagli stessi qatarini, che tutto sia nato da una soffiata dei servizi segreti degli Emirati Arabi Uniti (che ovviamente respingono al mittente le accuse). Che l’indagine sul sistema di tangenti, alimentato da Qatar e Marocco per promuovere dossier, sia nato dalle verifiche che non hanno bisogno di autorizzazioni preventive da parte dei servizi segreti, lo conferma anche il ministro della Giustizia belga Vincent Van Quickenborne. Proprio i servizi belgi avevano perquisito la casa di Antonio Panzeri, il presunto “manovratore” trovando 700mila euro in contanti. A quel punto, lo scorso 12 luglio il fascicolo è stato desecretato ed è passato alla magistratura. 

Il Messaggero

[if-you-fan-a-fire]

"L'évadé J. Collingan repris après une chasse à l'homme mouvementée," Montreal-Matin. May 5, 1943. Page 1 & 3. --- J. Colligan, évadé du Palais de Justice, repris après une chasse à l'homme mouvementée -- John Colligan, l'homme aux nombreux alias et aux fréquentes évasions, qui s'est enfui du palais de justice le 20 avril dernier les menottes aux mains, est de nouveau en prison. Il a été capturé de nouveau hier à Côte St-Paul après une chasse à l'homme très mouvementée sur des toits de maisons et des hangars au cours de laquelle les agents provinciaux et municipaux ont risqué leur vie. ---- Les agents n'eurent pas à lutter uniquement contre Colligan mais aussi plusieurs femmes qui leur barrèrent la route et eurent recours à toutes sortes de ruses féminines pour empêcher l'arrestation du filou connu aussi sous les noms de Jack Barne et de Roland Leclerc.

L'arrestation L'arrestation eut lieu à l'arrière de la rue Fulford, environ une demi-heure après que l'alerte fut donnée au directeur adjoint de la su reté provinciale, M. Louis Jargailles. Ce dernier dépêcha sur les lieux le capitaine Albert Marineau, les détectives Florian Langevin et Ro-land Jargailies ainsi que plusieurs agents.

A l'arrivée du capitaine Marineau à 773 rue Fulford, deux femmes lui barrèrent le chemin au pied de l'escalier et voulurent l'empêcher de monter. Elles tentèrent de lui écorcher la visage mais l'officier passa outre et escalada les marches trois à trois.

Elle se déshabille Arrivé au second, le capitaine Marineau constata qu'une femme était en train d'enlever ses vêtements en toute hâte dans la chambre de bain. Il la somma d'ouvrir la porte. Elle lui cria de ne pas entrer car elle était dévêtue. L'officier pénétra quand même dans la pièce juste à temps pour voir Colligan sortir de la maison par un ports de lumière.

Dans une remise Pendant ce temps, la police provinciale avait alerté la police municipale qui avait dépêché une douzaine d'agents sur les lieux. L'on décida de cerner le pâté de maisons contiguës à celle d'ou s'était évadé Coolligan. L'on vit alors le fugitif sauter sur le toit d'un hangar et subséquemment sur le sol pour en suite pénétrer dans une remise à l'arrière ere d'une maison de la rue Fulford.

Le détective Jargailles ne le perdit pas de vue et braquant son revolver sur l'unique issue du hangar, il enjoignit au détective Langevin de pénétrer dans la mansarde et de placer Colligan en état d'arrenstation

Pour reconduire l'évade à la prison de Montréal, l'on prit toutes les précautions nécessaires et deux agents fui placérent des menottes à chacun de ses poignets.

De l'arrivée de la police sur lieux au moment de l'arrestation moins d'une demi-heure s'était écoulée.

La double évasion Colligan, selon son dossier judiciaire, s'était évadé en compagnie d'Emile Bodner. Les deux venaient de quitter la Cour après leur comparution et étaient sur le point de monter bord de la voiture de la prison de Montréal, quand ils trompèrent la vigilance de leurs gardiens, prirent la rue St-Vincent s'enfuirent par une cour conduisant à une cuisine de la Place Jacques-Cartier pour enfin disparaître dans le district du marché Bonsecours. Leurs accusations Bodner était accusé de plusieurs vols, dont l'un 1122 rue Windsor où il aurait vole $260. Colligan devait recevoir sa sentence du juge Cloutier après avoir été trouvé coupable d'avoir vole $276 dans un établissement de la rue St-Catherine ouest,

Legende: John Colligan, l'homme aux nombreux alias, qui s'était enfui le 20 avril dernier les menottes aux mains, avec un autre compagnon.

[verver]

MAUVAIS GENRES

Épisode 18

Ray et son équipe recevaient leurs homologues du sud-ouest et de Bretagne pour partager les données sur ces crimes, cinq en tout mais la haute hiérarchie avait mis sur la table dix à quinze dossiers qui d'après eux pouvaient matcher.

La criminelle de Paris coordonnerait l'enquête , il en avait été décidé au ministère de tutelle.

Bien sur il fallait coordonner les polices et partager les tâches et le personnel sur le terrain. C'est Ray qui s'en occupait.

Tout le monde semblait satisfait. Santenax fut mis au courant , il était aux anges , il n'arrêtait pas de féliciter ses supérieurs. Il garantissait les résultats, il faisait des promesses, comme à son habitude..

Ray rentra tranquillement chez lui , il savait qu'il allait retrouver Sophie travaillant sans compter sur son futur disque.

Il servit deux verres et lui conta sa journée, la réunion, les soupçons de sa hiérarchie sur d'autres meurtres.

Sophie n'aimait pas tellement parler de ces crimes, elle gardait un mauvais souvenir de ses auditions au commissariat.

Elle changea de sujet en lui montrant la liste des morceaux qu'elle voulait voir figurer sur son disque.

- c'est bien ! lui dit-il

- il y en a trop, il va falloir que je retire certains morceaux !

- dommage ! dit Ray

Ils dinèrent autour d'une cuisse de poulet et d'un peu de frites avec un verre de vin.

Miles D'avis inondait la cuisine de sa trompette.

En soirée, la fenêtre grande ouverte, ils regardèrent affalés sur le canapé Vincent, Paul, François et les autres...de Claude Sautet un film des années 70 avec tous ces stéréotypes, la bagnole , les clopes , les repas copieux qui ne lésinent pas sur le gras et qui sont interminables, le vin, les digestifs, les femmes , le sexe , l'argent, les grandes idées... une belle histoire où les comédiens sont volubiles.

- tous ces films sont numérisés maintenant ! tout est numérisé ! les souvenirs, les photos , les films , nos vacances pour la postérité ! éructa Ray

- Tu exagères ! dit-elle en continuant à visionner le film

- Ben voyons !

Elle lui saisit la main , lui intimant de regarder le film avec un air agacé.

Ray se calma jusqu'à la fin du film.

L'écran est noir maintenant.

Il attira Sophie vers la chambre, elle souriait, ses seins jaillirent de sa robe rouge , une main derrière la tête de Ray et l'autre sur son sexe, maintenant Sophie soupire, sa langue tendre et tendue parcours le corps de Ray en souplesse....

Sur la table de chevet un portable vibrait, Ray jeta un coup d'œil discret, c'est le sien.

- excuse moi ! dit Ray c'est le portable du boulot .

Il craignait le pire , c'était un de ses collègues délégué à l'enquête.

- Salut Ray ! on a du nouveau, excuse moi pour l'heure, tu m' as dit n'importe quelle heure ...alors ...

- t'inquiètes pas...

- pour les personnes de la liste qui ont assisté au concert , on a vérifié les noms et les alibis...

- des résultats ? demanda Ray

- quelques délits routiers , usage de stupéfiants, faux en écriture et un détournement de biens

- c'est tout ?

- Non ! on a deux personnes dont les noms correspondent à rien , pas d'historique de naissance , sécurité sociale et autres... inconnus au bataillon Ray ! c'est certainement un début de piste mon vieux !

- t'as raison vous avez fait du non boulot les gars !...

[artmotherhoodandmadness]

Losing my 5 precious darling embryos, don;t tell me that they are not children, the embryo is the seed from which the might Oak Tree thus grows, suck on that you ignorant callous cunts

The unimaginable pain of losing 5 embryos and don’t tell me they are not children they are the seeds from which all life grows

It’s too painful

I cannot do this

Fuck off I say

Oh the pain I feel when I see little girls

Well I have a sperm donor now Nathan, tall, buff, slim, big long slender dick, beautiful hands, plays bass, teaches French blue grey eyes, cool hair, good family

Am I in love, don’t care he came in me an hour ago

I am 49 well miracles do happen, not to me, but maybe

Keep trying until I drop down dead hey

I can’t take it

The pain

The loss

The sheer humiliation

It’s excruciating

I don’t want to live anymore

I want my girls

Well I got my donor egg, she is Polish, intelligent as fuck, with a nice ass and legs and blond hair and blue eyes and a degree in Bio Chemistry at Oxford

Uber menschen in the making

I will have my Cyan Tree

Scarlet River

Storm Cloud

Hurricane

Golden Tsunami Thread

Purple paradise glitter heaven

Yes my little ones are in heaven with their grand father Rafique

And I will make three babies one Afro, one red head and one blond

And my life will be complete

Sans mes enfants ma vie est rien

Je suis dans le mer sans mes enfants

Ma vie est rien sans leur

Mes mes enfants

Oh my god

The pain pierces me over and over again like a dagger on fire

I cannot take it

Men rape me and break me and ejaculate in me like a fucking rag doll

I am just a hope to be penetrated and abused over and over again

My daddy taught me how to suck cock real good

Donobad

Tomi balo manush

Go fuck yourself you piece of shit cunt

And my husband is a narc, predator psychopath

And my kids little cunt runts who should be burnt and tortured

They play guitar and piano and speak mandarin and do so many extra curricula activities

If I meet another doting dad I am gonna fuckng puck my guts out

69 men and risking

Sexually abused from the age of 1-3

66 albums

16 films

100 exhibitions

11 books

Suck on that

Got into Oxford to study History at Somerville College or St? Hilda’s

Can’t remember

Does it even fucking matter

Tracey Emin can’t draw for shit

Nor Damien Hirst

I am better than everyone Francis Bacon, Vincent, Rothko, Schiele, Kandisky

De Kooning, Richter, Schiel, Klimt

Nietszche what the fuck did he know he never had kids

Kate Moss is a travesty

Worst fucking model

Kendal Jenner insipid

Justin Bieber pathetic

Billy whinging miserable cow

Taylor Swift knows nothing about life

Kate Moss’s sprog is ugly and short as fuck

Harry Styles is a fucking prick

I am better than all of you

I am gonna win the Nobel Peace Prize

Gonna be a global leader

I believe that everyone should get 30 grand from birth

Have their own house and garden

Preferably built themselves

Lego towns

No plastic

Recycling

Electric cars

Not teslas

Elon Musk is another psychopath power crazed mania

Who can’t keep his dick in his pants like Mick fucking Jagger

His kids are losers

Eddie Redmayne can’t act for fuck and married a bitch

Kate Middleton just is good at breeding and wearing clothes and has no hips and never eats

And her kids are brats

Harry is a prick

Megan is a bitch

Piers Morgan is a moon faced cunt

Alistair Campbell wrote the fake dossier and is a murderer

He should be curt alive playing his wretched bag pipes

Shada Haramsada

Guido is an Italian prick

Robin is a psychopathic narc

Yinka is a shit artist USP up your fucking arse

Kusama sold out

Can’t paint for shit

Her mirrored rooms flawed

I am going to Bangladesh, and Singapore

Erecting my neon mental health signs

Mental Health for All

Benign Anarchists

Trauma Triggers

Naked Trauma Triggers

Tommy

Nathan

Nicolas Rodolphe Roberts Colemonts

Robin

Adam

David

Rowan

Kash

Patrick my first love, he was deaf, we listened to Fluffy Little Clouds and made love and got high and felt the beat through the speakers

I was happy then

I was happiest when I was a virgin

Didn’t wash

Wore clothes that were too big for me

Wanted to be clever

Was sexually abused in the library when studying Hamlet and preparing for Oxford

Art school was shit

Has to walk past St Martins every day it was hell

Will study at the Royal academy – Drawing, will make Tracey stick her pencil up her arse

If Saatchi and Saatchi come sniffing they can go fuck themselves

Margaret Thatcher eat my turds for breakfast with Kellogg corn flakes

I want my babies

I will have my daughters

They will have the life I never had

And I will protect them

And no one is goin got mess with them

No one is going to fuck with my precious cargo

This is a war

This is a revolution

Whose side are you on?

Are you are a benign anarchist

Join the fucking party now

Have a wank and die

Suck on that

You giant sloppy cunt face poisson magasin

Ha ha ha ha ha ha ha

Guffaw guffaw

Swipe

Chouette

C’est finis

Bonne nuit

Mais non

Mai oui

En faite

Donc

Donc

Donc

Ding dong

Putki

Picana coup gorom

Peshup

Putki

Nu Nu

The END

[frozen-fountain]

Fandom: Final Fantasy VII (not Compilation compliant) Rating: Teen & Up Characters: Elena, Yuffie Kisaragi, Marle, Mireille Dudley, Kyrie Canaan, Tifa Lockhart, Ms. Folia, Vincent Valentine, Tseng Relationships: Elena/Yuffie Kisaragi, Marle/Mireille Dudley, Elena & Tseng, Elena & Vincent Valentine Additional Tags: Alternate Universe - Canon Divergence, Post-Canon, Character Study, Introspection, Action/Adventure, Heist, Romance, Spiritual, Self-Discovery, Self-Harm, Community, Revolution, Female Friendship, Elena Needs Some, Being Gay and Doing Crime, Solarpunk

Shinra is gone, and with it, the world Elena navigated with such bravado. Lost in midst of her former enemies, all rising to the challenge of building back better than before, she assigns herself a new mission. By bringing a dossier to the new centre power rising across the sea, she can help to strike a decisive blow against the rebellion – but first, she must put her skills to the test to appear as one of them.

Finally posting the first chapter of something I've been chipping away at for a while! It's part of a series, but considering we pick up very soon after Meteorfall, I think it makes for a pretty good place to jump in.

[twofacedtrickery]

DOSSIER CHEAT SHEET

~~~~

BASICS

FULL LEGAL NAME: Daina Fischer, though subject to change relatively soon, formerly many things, originally Emery Lavinia Jonaitis

NICKNAME(S): Lasho Femi, Angel (if you're its partner, otherwise it'll probably flay you, honestly), a few less kind ones that it's only half aware of

DATE OF BIRTH: 13 August, 1874

GENDER: Probably something, but it's never tried to find the language for it

PLACE OF BIRTH: Cleveland, Ohio, as far as the body's concerned, its present self was technically born in Antarctica, and it's wavering back and forth on a third coming, but is resisting it strongly

CURRENTLY LIVING: It's been moving around a fair bit, and doesn't exactly consider any one place its home, so to speak, no matter how often it's there

SPOKEN LANGUAGES: English, Lithuanian, Lithuanian Rromani

EDUCATION: PhD in Pharmacology from Cornell University, though what its current records say is another story

~~~~~

PHYSICAL INFORMATION

HAIR COLOUR(S): Black refracting greenish when the light hits it

EYE COLOUR(S): Brown

HEIGHT: 6′5″/195 cm at full height, though its posture has suffered

WEIGHT: 170 lbs/77 kg

FACECLAIM(S): None

~~~~

FAMILY INFORMATION

PARENT/GUARDIAN(S):

Eugenija Jonaitis (née Zukauskas) (deceased)

Virgil Jonaitis (deceased)

SIBLING(S): None

RELATIVE(S):

Eglė Zukauskas (née Bagdonas) (maternal grandmother) (deceased)

Mindaugas Zukauskas (maternal grandfather) (deceased)

Jeremijas Zukauskas (maternal uncle) (deceased)

Julia Zukauskas (née Cledes) (maternal aunt by marriage) (deceased)

Margaret Zukauskas (cousin by Jeremijas and Julia) (deceased)

Walter Zukauskas (cousin by Jeremijas and Julia) (deceased)

Matthew Zukauskas (cousin by Jeremijas and Julia) (deceased)

Lennor Jonaitis (née Vizgirda) (paternal grandmother) (deceased)

Darius Jonaitis (paternal grandfather) (deceased)

Matilda Taylor (née Jonaitis) (paternal aunt) (deceased)

Isaac Taylor (paternal uncle by marriage) (deceased)

Ethelinda Narloch (née Jonaitis) (paternal aunt) (deceased)

Philip Narloch (parternal uncle by marriage) (deceased)

Vincent Narloch (cousin by Ethelinda and Philip) (deceased)

Kathleen Narloch (cousin by Ethelinda and Philip) (deceased)

William Narloch (cousin by Ethelinda and Philip) (deceased)

Maximilian Narloch (cousin by Ethelinda and Philip) (deceased)

Moritz Narloch (cousin by Ethelinda and Philip) (deceased)

SIGNIFICANT OTHER(S): Delta-5 "The Professor"/"The Heretic" (long-term romantic partner, cover identities married)

CHILDREN: Not Applicable

PET(S): Mniarogekko chahoua named Echo, unsexed as of yet

~~~~~

RELATIONSHIP INFORMATION

SEXUALITY: Queer Asexual, uninterested in thinking into it further because of its propensity for single-target attraction

RELATIONSHIP STATUS: Romantically involved

SINCE WHEN: 08 September, 2019

~~~~~~

BONUS STUFF FOR FUNSIES

SONGS ASSOCIATED: Obsession by Innerpartysystem

TAGGED BY: I was not

TAGGING: Nope