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lackadaisy-headcanon-supply-unit · 2 years ago

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how do all the lackadaisy characters react to getting sick/how do the handle the situation. Thanks!! :3c

Lumping these two asks together as they are the same request. Ask and ye shall receive! (A collaborative effort between multiple of our authors as it does involve the whole cast.)

ROCKY

Sick? What do you mean sick. In his over twenty-two years of living thus far he's never been sick once. He has the immune system of a titan, what are you talking about.

Questions he whilst leaning heavily on the bar counter for support lest he is knocked to the ground in a feverish pile by this sudden earthquake that apparently no one else is noticing like seriously you guys shouldn't we evacuate the place?!

In his defense, he's right about one thing: illness seems to avoid him as prevalently and miraculously as death itself. He could get stuck in the rain, take cold mud baths, sleep outside in winter snow, hug someone with Spanish flu, taste the pavement of a rat-infested alley and drink raw sewage and still come out of it all fit as a fiddle.

(Whether he carries anything is a different question, though with the various microorganisms inside him he seems to live in an overwhelmingly peaceful coexistence.)

But every rule has exceptions. And since he frequently does end up in all those situations, when once a millennium he comes down with something it's hard to tell the cause.

How he handles it can be summed up in a short answer of: he doesn't. He refuses to acknowledge it until he's physically incapacitated. If asked about it he keeps insisting that he's fine, a-okay, dandy as can be, never has existed a more invigorated healthy young man on Earth. At best he may invent a perfectly unconvincing excuse, like allergies acting up. (Inside underground caves. In winter. When he's never been allergic to anything in his entire life.)

Aside from perhaps unsuccessfully forbidding him from causing more grievous disturbances than usual, people usually opt to just leave him to it, because once he's set his mind on being "fine" logical reasoning and sound advice are only breath wasted. Ever well-intentioned, Mitzi still tells him to get some rest every now and then, yet keeps stumbling into the boy as he's fumbling through whatever that unresting intent has currently possessed him to be doing.

This wouldn't be such an issue with, say, a cold, because regardless of his masochistic eagerness for activity it inevitably does pass, but if it's something that necessitates any amount of bedrest... well, good luck.

For one he hasn't really a place to rest. I mean... there's the car. No one but Ivy at the Lackadaisy seems to know he technically lives in there, and he's not too enthusiastic to disclose it himself; besides anywhere else actually suitable, like in Mitzi's apartment, he'd just feel like a capital nuisance.

But let's suppose a scenario with the ideal location and someone who cares enough to stick by and ensure he actually does stay put. Shouldering such a responsibility, they must be prepared for a minimum of two things.

For one: he's going to be even more unbearably talkative than usual. Because what else is there left for a restless spirit if the flesh is restrained? Nothing but to complain and lament and versify and prattle on incessantly about whatever comes careening hither along a changeful stream of consciousness. Albeit unwittingly, driving others insane with his aimless rambling is how he keeps himself... well, something.

It's like if his mind had to stop running at maximum speed for just a few minutes it would promptly crash for good. Which, for all we know, may really be the case.

(This is just my two cents, but: I think giving him drawing implements and a coloring book or just plain paper might keep him very nicely occupied, as well as relatively quiet. Be sure to provide plenty of paper though, if you don’t want him to start drawing on other things not meant to be drawn on when the supply runs out like an unsupervised kid... unless you welcome the idea of your walls and furniture being covered in doodles.)

The other, possibly more arduous challenge is keeping him inside the room in the first place. Not understanding nor agreeing with his special treatment largely experienced as imprisonment on his end, he seizes each arising opportunity to attempt to weasel away somehow.

And he's a trained escape artist.

Watch him closely but look away for even a second, and you'll find no trace of him left in the room when you look back. Lock him in there, he'll pick the lock in a pinch - or attempt the window, which depending on the floor number may carry various levels of risk. Tie him down (because you're getting desperate by now) and you're likely to stumble into him minutes later by the front door, having already wriggled his way out. Doesn’t matter which knot was used, he knows most of them by heart. (And even if he didn’t happen to, he’s resourceful enough.)

Like I’ve said before, he perseveres in resisting his confinement for as long as he's capable of moving his limbs around and some vague semblance of coherent thought. Even with his brains cooking with delirium one may have to rescue him as he's crawling along on the floor dragging with him the tangle of blankets he was last left swaddled in, not entirely clear on what direction he's headed but by all means dedicated.

He's not above manipulation either, in order to divert his warden’s attention or make them relinquish his firm supervision rooted in concern for his well-being. Because it's not like he's concerned about it; so why should anyone else be? In addition he's unshakably certain that his role in the Lackadaisy's rumrunning force as well as there in general is absolutely vital and requires that he always be available for employment regardless of if he’s even in a proper state for it. (Just look at the latest comic arc, for crying out loud.)

But psst. Here's a little personal tip, for (Y/N) specifically. If reasonable advice hits deaf ears, and cuffing him to a bedpost yields little results other than another mildly baffling escape attraction, there remains one other thing to try with better chances of success... a more hands-on approach, if you catch my drift.

(Cuddling. I'm talking about cuddling. If you've got a good grip on this string bean of a man he is certainly not going anywhere so long as you're vigilant. Doing so, of course, means risking your own health, which he won't fail to coyly point out either; but he'll otherwise put up minimal resistance and ultimately cave in because God knows he’s touch deprived and doesn't get held enough otherwise. Well, by not enough I mean not at all, ever. But that's exactly why it's a good thing you're here, isn't it?)

Overall, as amusing of a story collection to recount as his commonly absurd ailing escapades might provide later down the line, the fact that they very rarely happen is no doubt for the best. He engages in enough troublesome shenanigans as is.

FRECKLE

Surprisingly pragmatic about it. Yep. He's getting symptoms. Looks like he contracted something.

Best be careful about it... mostly because Nina wouldn't allow him running himself ragged anyhow.

Along with other moral virtues he's had honesty drilled into him from kittenhood. And although it's not always an option in... other matters... he's upfront about how he's feeling physically if not much else, and eventually does come to terms with it. (Once he’s confirmed with certainty that it’s not just the general nauseated feeling he gets whenever he thinks too deeply about his “work” nowadays.)

He doesn't want to infect other people, or incur the stern concern of his mother, so at the very least he stays around the house, doing small, mostly undemanding chores. He's aware it's not expected of him nor recommended, but he has a bit of restlessness to him too.

Mostly because, were it bad enough to confine him to bed in a blanketed bundle of suffering incarnate, all he'd be able to think about is that God's wrath finally caught up with him for being a horrible person and this was part of his rightful punishment. Even worse if he got a nasty fever; it's like he's already burning in Hell.

Distractions may be scarce, but if he's been told off from chores for sneezing on the washing-up or exhausting himself with much too overzealous hammering, he opts to read instead. Over the years he's amassed quite the collection of books, renowned classics and youth literature, and most of them still give off the fluttering remnants of a good kind of nostalgia when flipping through the pages.

And besides, immersing himself in someone else's story is far more pleasant than fretting over his own current predicaments.

Some company, from a safe distance of course, will do him wonders as well. Nina is not the most conversational woman around, and aside from checking on him regularly and ensuring his wellbeing they don't make much meaningful contact.

Rocky likely pops in from time to time however, forever enthused to just run his mouth for as long as allowed, and although he may get a bit too bombastic for Calvin's comparative lack of vitality sometimes he appreciates the distraction more than he's able to express it. And, believe it or not, it's not entirely one-sided either. Rocky has developed a keen sense for his quiet cousin's intent to contribute and will more than gladly listen to what he has to say.

He’ll also forward Ivy’s wishes for Calvin to get well soon as she’s just dying to be able to meet with him at the speakeasy again. (Definitely also attaches a teasing remark or two to the message.) Then he’s eventually ushered out by Nina and as soon as his hasty goodbyes are swallowed by the outdoors Calvin finds himself missing the noise already.

The paralyzed stillness of being sick gets to him a lot more than it shows… seeing as it leaves him a little too alone with his own mind. So he sinks into the comfort of old books until he’s incapacitated by a headache and sore eyes, and diligently rakes those seven leaves that had gathered across the back lawn since he last attended to them two hours before, and lingers outside in the garden until warmer hues overtake a sun-painted sky and the evening chill starts to bite, taking in all things green and alive and in motion to remind himself that he’s not a walking corpse. Not yet, anyway.

Due to his mom’s supervision as well as his own eagerness to follow instructions in order to escape his personal limbo as soon as possible, he does tend to recover fairly fast; and he’s a pretty hardy young lad, thank goodness, so it’s all quite uncommon of an ordeal. In short it’s back to the ol’ grindstone in a jiffy; you know, the kind of grindstone that pulverizes mortal lives and churns out dripping blood.

But hey, best not stop and mull over it too long.

IVY

Oh, it's a nightmare for her.

You mean she can't go out in the evenings anymore? Can't go shopping with friends? Can't procure booze with her criminal coworkers? Can't attend dates with her cute new boyfriend? (Well, those last two are one and the same, really.)

These are all vital activities for a young woman like her to pursue! What else is she supposed to do? Rot in her room and steer clear of all fun whilst everyone else keeps going on with their lives?!

Some flimsy cold is nowhere near enough to keep her away from the beloved Lackadaisy. She can still man the café counter with a little sniffle (taking care to sneeze on no one's food) or look absolutely gorgeous on the dancefloor decked in glimmering pearls and feathers with a slightly paler constitution. But if it's bad enough that she simply must stay put...

During classes the still life of an empty dormitory fills with upbeat contemporary tunes from her bedstand radio as she lies upon crumpled bedsheets, clad in her prettiest pajamas, surrounded by an almost ritualistic circle of tissues and magazines whilst flipping through one of the latter with her legs girlishly dangling in the air. This is likely the scene any visitors are greeted by as well.

She looks like she's coping rather well... until verbal contact ensues and she begins her long string of complaints about how she's feeling utterly miserable. Runny nose, sore throat, grating cough, an unshakable sense of fatigue and she can't even go anywhere! Her classmates are off studying or having fun themselves (as well as deliberately avoiding contact with her for obvious reasons), and she's got nothing to look at but patterned wallpaper and pictures of pretty clothes she currently can't even visit the boutiques for.

But once the grievances are shared she promptly guides the spotlight in their direction, upon which they are to share every last bit of information and news about all most recent ongoings in the world of the healthy. It is a requirement (she will not let them go until they oblige), but also an opportunity; they're welcome to spill the beans on how their week has been and any noteworthy things that happened to them and also to just chat with her about whatever else comes up in the process.

Another way she keeps herself involved with the outside world is through the telephone. The local operator can already tell if she's under the weather by the prevalence of hearing her slightly weathered, juvenile voice squeak for connection to mostly one line throughout the day.

Her calls may also be scheduled to a certain hour so that everyone can come up to Mitzi's office and say hi. That "everyone" overwhelmingly ends up being Rocky, who lingers around there a bit more insistently than usual nearing that time frame and never fails to make his presence known by shouting his own greetings and cheerful encouragements of perseverance into the receiver.

She always asks him about Viktor and Calvin since the former disappointingly refuses to engage with her calls, and the latter doesn't visit because boys aren't allowed in the dormitory... and because he's afraid of catching her sickness. (What a chicken.)

You’d better believe they both get a scolding once she’s recovered for not contacting her at all… though you can’t really stay mad at sheepishly apologetic, babyfaced Freckle McMurray, now can you

Supposing the presence of company who’s emotionally close enough, she may also get clingy in the physical sense. Yes, she knows it’s not very courteous to rub your germs all over someone, but oh, her head is just killing her and she’s exhausted and achy and utterly sick of being sick, hence she desperately needs to rest her chin on someone’s shoulder and latch onto their soft warmth. Really, they brought this upon themselves by daring to enter the sniffly lion cub’s den. Now they’re likely not allowed to move for… let’s say the next two hours. Alternatively, until she has to go to the bathroom or ask them to get her something to drink.

Yes, she’s a bit of a princess; and especially when she’s miserable she may occasionally indulge in showering a willing servant with her various requests. Fetch her this, throw away that, bring hot chocolate and snacks, take out the trash, give her attention. But how could you say no to those big, innocent eyes?

If it’s a schoolmate she will absolutely persuade them to skip their classes for the day and spend time with her instead, offering cuddles and gossip. Forgetting, or ignoring rather, that not everyone can afford to be so lax about their education. Though surely, full-time service as a personal maid slash stuffed animal is making a much better use of their time. She promises to do the same when they inevitably catch the illness themselves, if that’s any consolation.

Nightly adventures and consequent loss of sleep aside, she takes decent care of herself overall, so the understimulating agony of quarantined solitude luckily isn’t something she suffers more of than the average person… albeit that little she’s an expert at suffering luxuriously.

VIKTOR

No, he's not sick, you're just lying. The great, the indomitable, the fierce Viktor Vasco never gets sick.

Denial is definitely a big part of it. He will not admit to getting sick until he's too weak to stand, and even then he'll fight anyone who tries to get him to rest.

The boredom is somehow scarier than actual health concerns. Staying at home and being too ill to do anything except think means he'll think. And thinking leads to a whole load of other things that he doesn't want to get into.

Essentially, getting sick is a liability to everything, from his job to his sense of self.

However, good luck on trying to make him better. He will also stubbornly refuse any help that comes his way, will slam his door in the doctor's face and threaten to tear apart anyone who so much as suggests getting him medicine.

His colleagues from Lackadaisy have taken to asking Mrs Bapka, his neighbour, to administer anything they want to give him themselves (he will draw a line at punching an old woman and fellow Slovakian immigrant), or Ivy (no one can successfully dispose of Ivy and her headstrong attitude. No one.)

The last person he had actually listened to when he was sick was a certain Mordecai Heller. Needless to say, that's not the case anymore.

Maybe that's what really makes him so grumpy and reluctant.

ZIB

His immune system is either rock hard or absolute dogshit, there is no in-between. He can go through a crowd of cats with nasty 'bouts of the flu without catching it, but gets bedridden by something as small as a head cold.

Said wonky immune system may be because he tends to drink stuff cut with the most ridiculous ingredients (radiator fluid, coffin varnish, paint, water, mud, you name it he's probably tasted it)

When he gets laid up, he gets laid up hard (innuendo not intended). He has to drag himself out of bed during the worst parts of it and may not even bother, electing to curl up and shiver/cry from the pain/die where he's comfortable. His band members have to literally drag him out of there on those days and force food down his throat so he doesn't wither away

Goddammit you lanky noodle bitch look after your sick ass don't make everyone do it for you

MORDECAI

He hates falling ill with a passion. It's one of many reasons he drinks tea so often: if he does get sick, it won't hit him so hard.

He tends to try and shrug off small stuff (runny nose, mild to moderate headache, aches and pains) to go to work anyway; but he's no fool. If he really feels icky he'll stay at home and look after himself. As much as he hates to do it, he's only got one body and somebody has to look after it.

The Savoys bash/tease him relentlessly whenever he comes in sick. If the mild headache becomes something worth staying at home for, they'll go as far as to try and visit him (or get him to come to them). Is it guilt about ragging him about it, them missing him or just boredom? Hard to tell with those two.

Serafine once teased about playing as his "mama" and looking after him until he's better. Mordecai, in his sickness-muddled mind, flew off the handle at her...Though all the Savoys saw was him almost break a glass in his paws before telling them flatly to get out.

Neither one realized Serafine had hit a nerve until he refused to let them in for a few days after. Whether it was something about his past or Serafine betraying his trust to get him into her group, they let it go and pretended nothing happened once he was back in action (though there was a noticeably thicker wall between him and them)

SERAFINE/NICODEME

Meet the "clingy" duo.

They don't get sick often and have impressive immune systems, what with their past roaming the swamps and other dangerous conditions, but when they do? Oh boy...

They'll either cling to each other in private, or play it up and annoy a hapless colleague.

And by "hapless colleague", I mean Mordecai—because of course it is.

Sickness is less of an actual, preventive ailment, but rather an excuse to show off some dramatic acting skills.

"Oh, cher, I simply cannot move until you bring me some nice warm tea and chocolate!"

"If I die, tell the world I was warm and safe, because of our dear ami, Heller..."

"For crying out loud, you've both got nothing but a cold."

They'll still play it up.

Just because your nose is stuffy doesn't mean the rest of you has to be.

The show must go on, mon cher.

WICK

He gets sick really, really easily. He stays up late at night often, so he doesn't get much rest and his immunity suffers for it.

(Licking rock walls probably doesn't help with that. Muffinhead (affectionate))

He still does work and goes out when he's sick, which results in papers with shitty writing and his friends urging him to go and rest up, "we can go with you another day".

When he's not thinking straight he'll whine to Lacie about how no one wants to see him when he's sick; ignoring the fact that she's either making him food, putting a cold cloth on his head or literally came by just to say hi to him

He's a bit dim sometimes, but he's a loveable dim.

The easiest way to see how sick he is is to mention putting the work on pause or crack a joke at his expense. If he rapidly objects to not working or good-naturedly shrugs off the joke, it's a small thing, nothing to worry about. If all he has to say in response to not working is "I can't" and he tries to defend himself from the joke (or even worse, agrees with it), he's feeling god-awful.

Lacie tends to hide the alcohol away until he's feeling better. During the week or so he's really feeling foggy this actually works, since in his addled state he can't properly look for them.

MITZI (BONUS since she's been getting a fair bit of attention)

Mitzi doesn't get sick. She becomes inconvenienced.

She's also a real bitch when she's sick. It's less of a slipping mask and more of a "I can't be nice when my brain feels too big for my skull"

She'll still grin and bear it for Rocky. He's positively devoted to her, after all; the least she can do is swallow her nasty remarks and come up with something softer for him.

Some cats swear that she never falls ill or has anything happen to her...Usually because once it does happen she locks herself in her office and won't open the door if you're not Horatio or Viktor.

If another cat somehow gets through her door, can put up with her attitude swings and goes out of their way to help her through her illness, she may very well open up a little and talk to them easier. Something as small as a cup of tea during a ravenous headache will convince the then-bitchy queen that you're not all bad-and later that since you put up with her ravenous insults and still helped her, maybe you're worth swallowing her pride for and confiding in.

#{ahah!! hello!! Rory here!! so you may notice the slightly uneven distribution of (Y/N) here}#{even in my own parts I left Calvin out of it. the poor boy}#{and Rocky's easily goes over 1k because I got a bit excited. as you may guess he's my favorite}#{but reminder that (granted that requests are open at the time) we're more than happy to provide further servings of any of our concepts}#{more specialized or in-depth or what-have-you}#{although this IS a brew of headcanons. which are usually brief. I just got a tad eager with my first contribution here I suppose}#{hello to our lovely readers by the way!! :3}#{💌 mod rory 💌}#🦉mod iphiko #🖋 mod ille #Headcanon Home Brew #Rocky Rickaby #Calvin “Freckle” McMurray #Ivy Pepper #Viktor Vasko #Dorian “Zib” Zibowski #Mordecai Heller #Serafine Savoy #Nicodeme Savoy #Sedgewick “Wick” Sable #Mitzi May #headcanon #lackadaisy

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burningvelvet · 2 years ago

Text

Every Instance of Lord Byron Hating On John Keats, Listed in Chronological Order.

“No more Keats I entreat — flay him alive. If some of you don’t I must skin him myself.”

To his publisher John Murray, 12 October 1820:

“‘I’m thankful for your books dear Murray / But why not send Scott’s Monastery?’ the only book in four living volumes I would give a baioccho to see, abating the rest of the same author, and an occasional Edinburgh & Quarterly – as brief Chroniclers of the times. — Instead of this – here are John Keats’s piss a bed poetry – and three novels by God knows whom [..] Pray send me no more poetry but what is rare and decidedly good. — There is such a trash of Keats and the like upon my tables – that I am ashamed to look at them. [..] – I am in a very fierce humour at not having Scott’s Monastery. – You are too liberal in quantity and somewhat careless of the quality of your missives. – [..] No more Keats I entreat – – – flay him alive – if some of you don’t I must skin him myself. There is no bearing the drivelling idiotism of the Mankin. – – – – – [editor’s note: ‘dashes degenerate into scrawl’]”

To his publisher John Murray, 4 November 1820:

“They Support Pope I see in the Quarterly. [Let them] Continue to do so – it is a Sin & a Shame and a damnation – to think that Pope!! should require it – but he does. – – – Those miserable mountebanks of the day – the poets – disgrace themselves – and deny God – in running down Pope – the most faultless of Poets, and almost of men – – the Edinburgh praises Jack Keats or Ketch or whatever his names are; – why his is the Onanism of Poetry — something like the Pleasure an Italian fiddler extracted out of being suspended daily by a Street Walker in Drury Lane – this went on for some weeks – at last the Girl – went to get a pint of Gin – met another, chatted too long – and Cornelli was hanged outright before she returned. Such like is the trash they praise – and such will be the end of the outstretched poesy of this miserable Self-polluter of the human Mind [editor’s note: ‘untranscribable scrawl’]. W. Scott’s Monastery just arrived — many thanks for that Grand Desideratun of the last Six Months.”

Note: “onanism” refers to masturbation.

To his publisher John Murray, 9 November 1820:

“Mr. Keats whose poetry you enquire after — appears to me what I have already said; such writing is a sort of mental masturbation — he is always frigging his Imagination. I don’t mean that he is indecent, but viciously soliciting his own ideas into a state which is neither poetry nor any thing else but a Bedlam vision produced by raw pork and opium.”

Note: “frigging” was slang for masturbation.

To his publisher John Murray, 18 November 1820:

“P.S. — Of the praises of that little dirty blackguard Keates in the Edinburgh — I shall observe as Johnson did when Sheridan the actor got a pension. ‘What has he got a pension? then it is time that I should give up mine!’ — Nobody could be prouder of the praises of the Edinburgh than I was — or more alive to their censure — as I showed in English Bards and Scotch Reviewers — at present all the men they have ever praised are degraded by that insane article. — Why don't they review & praise ‘Solomon's Guide to Health’ it is better sense — and as much poetry as Johnny Keates.”

To his publisher John Murray 26 April 1821:

“Is it true – what Shelley writes me that poor John Keats died at Rome of the Quarterly Review? I am very sorry for it – though I think he took the wrong line as a poet – and was spoilt by Cockneyfying and Surburbing – and versifying Tooke’s Pantheon and Lempriere’s Dictionary. I know by experience that a savage review is Hemlock to a sucking author – and the one on me – (which produced the English Bards &c.) knocked me down – but I got up again. Instead of bursting a blood-vessel – I drank three bottles of Claret – and began an answer – finding that there was nothing in the Article for which I could lawfully knock Jeffrey on the head in an honourable way. However I would not be the person who wrote the homicidal article – for all the honour & glory in the World, – though I by no means approve of that School of Scribbling – which it treats upon.”

To Percy Shelley, 26 April 1821:

“I am very sorry to hear what you say of Keats — is it actually true? I did not think criticism had been so killing. Though I differ from you essentially in your estimate of his performances, I so much abhor all unnecessary pain, that I would rather he had been seated on the highest peak of Parnassus than have perished in such a manner. Poor fellow! though with such inordinate self-love he would probably have not been very happy. I read the review of ‘Endymion’ in the Quarterly. It was severe, — but surely not so severe as many reviews in that and other journals upon others.

I recollect the effect on me of the Edinburgh on my first poem; it was rage, and resistance, and redress — but not despondency nor despair. I grant that those are not amiable feelings; but, in this world of bustle and broil, and especially in the career of writing, a man should calculate upon his powers of resistance before he goes into the arena. ‘Expect not life from pain nor danger free, Nor deem the doom of man reversed for thee.’

You know my opinion of that second-hand school of poetry. You also know my high opinion of your own poetry, — because it is of no school. [..] I have published a pamphlet on the Pope controversy, which you will not like. Had I known that Keats was dead — or that he was alive and so sensitive — I should have omitted some remarks upon his poetry, to which I was provoked by his attack upon Pope, and my disapprobation of his own style of writing.”

To Percy Shelley, 30 July 1821:

[First page missing] “The impression of Hyperion upon my mind was – that it was the best of his works. Who is to be his editor? It is strange that Southey who attacks the reviewers so sharply in his Kirk White – calling theirs ‘the ungentle craft’ – should be perhaps the killer of Keats. Kirke White was nearly extinguished in the same way – by a paragraph or two in ‘the Monthly’ – Such inordinate sense of censure is surely incompatible with great exertion – have not all known writers been the subject thereof?”

To his publisher John Murray 30 July 1821:

“Are you aware that Shelley has written an Elegy on Keats, and accuses the Quarterly of killing him?

‘Who killed John Keats? / ‘I,’ says the Quarterly, / So savage and Tartarly; / ‘Twas one of my feats.’ / Who shot the arrow? / ‘The poet-priest Milman / (So ready to kill man), / Or Southey or Barrow.’’

You know very well that I did not approve of Keats’s poetry, or principles of poetry, or of his abuse of Pope; but, as he is dead, omit all that is said about him in any M.S.S. of mine, or publication. His Hyperion is a fine monument, and will keep his name. I do not envy the man who wrote the article; — you Review people have no more right to kill than any other footpads. However, he who would die of an article in a Review would probably have died of something else equally trivial. The same thing nearly happened to Kirke White, who died afterwards of a consumption.”

4 August 1821, to his publisher John Murray:

“You must however omit the whole of the observations against the Suburban School – they are meant against Keats and I cannot war with the dead – particularly those already killed by Criticism. Recollect to omit all that portion in any case.”

To his publisher John Murray, 7 August 1821:

“All the part about the Suburb School must be omitted – as it referred to poor Keats now slain by the Quarterly Review — [..] I have just been turning over the homicide review of J. Keats. – It is harsh certainly and contemptuous but not more so than what I recollect of the Edinburgh R. of ‘the Hours of Idleness’ in 1808. The Reviewer allows him ‘a degree of talent which deserves to be put in the right way’ ‘rays of fancy’ ‘gleams of Genius’ and ‘powers of language’. – It is harder on L. Hunt than upon Keats & professes fairly to review only one book of his poem. – Altogether – though very provoking it was hardly so bitter as to kill unless there was a morbid feeling previously in his system.”

To Thomas Moore, August 27th 1822:

“It was not a Bible that was found in Shelley's pocket, but John Keats's poems.”

From his poem Don Juan Canto Eleventh written October 1822 and published August 1823. He was going off the popular gossip shared to him by Shelley (who believed it), which was that Keats health had sharply declined due to receiving bad reviews:

“John Keats, who was killed off by one critique, / Just as he really promised something great, / If not intelligible, without Greek / Contrived to talk about the Gods of late, / Much as they might have been supposed to speak. / Poor fellow! His was an untoward fate; / ‘Tis strange the mind, that very fiery particle, / Should let itself be snuffed out by an article.”

To his publisher John Murray, 25 December 1822:

“As to any community of feeling, thought, or opinion, between Leigh Hunt and me, there is little or none. We meet rarely, hardly ever; but I think him a good-principled and able man, and must do as I would be done by. I do not know what world he has lived in – but I have lived in three or four – and none of them like his Keats and Kangaroo terra incognita – Alas! poor Shelley! – how he would have laughed – had he lived, and how we used to laugh now & then – at various things – which are grave in the Suburbs. You are all mistaken about Shelley – – you do not know – how mild – how tolerant – how good he was in Society – and as perfect a Gentleman as ever crossed a drawing room; – when he liked – & where he liked. – – – – –“

The excerpts above are taken primarily from Peter Cochran’s transcriptions.

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