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coldrubies · 7 months

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2023 in television

Last year, I spent a third of the year sick, a third of it overextending myself, and a third of it put upon by a swarm of little indignities that would have been nothing on their own but, all together, oooh boy. Throughout it all, I watched a lot of television.

These are the three TV-viewing experiences that defined the year for me:

Call My Agent!

I've watched the first season of Call My Agent! many times, but the occasion of having covid, food poisoning, and strep back-to-back in the spring presented me with the opportunity to take in the whole series. It took me away! I loved every minute of it, even the ones that baffled me (it is the sort of show I wish terribly had no stakes, but it does have stakes, and luckily I was maximally aware of my powerlessness while they happened to me, so I did not get as upset as I might have if I watched it in fighting shape and gotten FURIOUS about Gabriel and Sofia!!!). I hope I can watch it again someday but I need to put some distance between myself and everything that I associate with that time because it was BRUTAL.

American Crime Story: The Assassination of Gianni Versace

Something true about me: I loved The People vs. OJ Simpson and I rewatch Impeachment on a regular basis. I was saving The Assassination of Gianni Versace, and since there was no point throughout the year when I did not need a little treat, I finally watched this. It was not what I was expecting! And for that, I respect it in a way that I do not necessarily respect every property associated with the creator of this series. I think the critique of American-society-as-hostile-to-queer-lives, which enabled most of the victims to be shunted into the killer's path, was lost—I'd say substantially lost—but it is a gnarly, feel-bad masterpiece and feels almost void of the pandering that comprises a lot of other TV in its entirety.

Fellow Travelers

Finishing Fellow Travelers was a pyrrhic victory. I maintain that the sex scenes are a work of art, and it comes close to being worth watching on their strength alone, which is of real significance. But it is mostly horrifying to watch fine actors caught in the bear trap of a miserable script. Every line is agony (I haven't read the source material yet but I have a feeling that the agony is not wholly the result of adaptational accommodations). It is a bummer but no surprise at all that there is no parsing for contemporary audiences what the red scare was really about (although airing headcannon about McCarthy—a choice so wild, I might respect it). Between this and Maestro, I am going to need someone to do right by Matt Bomer.

(For the record, the second season of Yellowjackets was my favorite television event of 2023, but it was one of pure pleasure and, thus, not characteristic of 2023, hence its exclusion here.)

#fellow travelers #call my agent!#american crime story #the assassination of gianni versace #yellowjackets

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thatbitchery · 1 month

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So yesterday I said it's not the principle of the thing that matters but how much privilege you have to balance it that does and had everyone and their mom needing me to learn feminism and equality 101, as expected. Understandable. I understand not knowing better because you haven't learned better and that is exactly why I'm here. To teach you better.

Let's start with the lie that's egalitarianism and equality. What we call the American mindset. Everyone is equal and has an opinion and should be able to do whatever they want mentality. Reason you have little boys and girls that have never walked a fashion show or even at the very least being invited to one making videos comment on couture shows and how ugly and impractical it is. Why you have little college girls and boys running every word they know past things that they have never even had access to. The I have a right to opinion and I will give it. That mindset, we call it the American mindset because it's mostly where you'd see it. See that mindset? If you want to level up, forget it. You do not have a right to your opinion the right is given to you. You do not have the right to wear what you want that right is earned. You do not have the right to go to that party even if you were invited you earn the right to be there. You don't have a seat in every table you want , it's given to you.

It's girls out there getting in trouble over this mentality. I told y'all once a story (probably deleted it haha) of how in high school the rich kids threw a party and invited the poorer kids around town just to do drugs together and 🍇 grape the girls and only the poor girls were graped 🍇 and never got justice because what judge is convicting the Prime Minister's son? And only the poor boys went to jail and took a fall for the drugs?? Whyyyy??? Because they thought people are equal and so they, middle class working in the gas station for pocket money, should just easily be invited to an elite party. No I didn't go. Why? Because the deal was too good. Why would the rich kids that barely talk to me in school suddenly want me to party with them? This isn't a table that I've earned a seat in so why would I go sit in it?? Doing crimes under peer pressure with people that have a team of lawyers is something people with that dumb everyone is equal mindset shit does. If I told those kids not to go they'd think I'm gatekeeping my useless academically dumb rich friends,no. I had a girl ask me why I'm looking down on her because I told her it makes no sense for boys with a bunch of Aston Martins and Bentleys and access to world class professional escorts and dating the children of presidents to date them . I had a girl tell me I'm not a girls girl and an anti feminist because I told her that boy is dating her for the giggles and will show her a hell she has never seen before and get away with it. Do I not think she's worth it? Lovable? People are equal!!! But they're not are they?? Boys like that don't date little girls from public school do they?? And no buying you Versace isn't special that's his pocket change. And every single Chanel bag you get you will pay for ,dearly. But people are equal mentality girlie probably needs a lifetime of therapy, for everyone's mental health and sanity just in case you slip into the misandry dark hole I won't say what happened. There were videos it's all I'll say. Of Dubai camel type stuff. If you get it you get it. If you don't may our good Lord protect your innocence for as long as He can. The world is a dark place in general but 50× darker for women, 1000× darker for women that don't fit the standards and 1000000× darker for broke girls and then there's women of✨ color ✨.

There's a social hierarchy. Know your place in it, act like it and level up in the background.

Different people have different rules. Just because Bella Hadid can wear weird looking outfits doesn't mean you can??? Are you Bella Hadid?? First rise to Bella Hadid status then you can have Bella Hadid privileges. Society rules are not the same for everyone. Do you think anyone cares what Bill Gates daughter is wearing to the office?? Do you think that applies to you?? I almost had my Captainship almost taken from me in high school because I wore a bracelet and that wasn't appropriate while my classmates ran around with chanel pins and pearl necklaces and hairpins with bows and glitter. Why? Is my dad's name on a building?? Did my dad donate millions to the school? Am I the next CEO of a multimillion dollar enterprise?? Then why would I have the same privileges?? The rules say no accessories so no accessories. Little white girls wear 15979 kgs of make up with tattoos and piercings nd drive everywhere but if I had one, one nose ring I'll get pulled over in traffic and possibly have my visa revoked. I wore red lipstick once and my boss said I'm looking at them aggressively. This one time I let my natural hair down during church and someone's grandma in pearls just diDnT KnoW wHat WaS OfF aBouT mE tHaT dAy but anyway she loved me so much so she'd send me to her hairstylist for free because she cares about me :))) while her grandkid had braids with a purple streak 👍.Different rules for different people. Yesterday I said I have to compensate for my lack of privileges and someones very well meaning daughter with what has to be a clean heart wrote me an essay on how I don't have to change myself to fit in. Oh darling. My sweet sweet thing .

Its little girls out dressing the host in a party that was thrown for the host to show off because tHeY dOnT hAvE tO dReSs dOwN tO aCcOmodAte OtHeRs and making an enemy and never getting invited again out here. It's girls that argue with their bosses on something as stupid as social politics that will never be promoted ever and have their work picked apart like a terrorism investigation while their bubblehead yes girl counterparts are promoted left right center. It's girls arguing with their mothers knowing full well they're dependent on them because It wAs ThEiR cHoiCe TO haVe Me BLA BLA BLA bs. It's girls out there having a full on feminist debate with the pedo misogynistic CEO in the event that was created to appease said CEO like is he a feminist now?? Did you change his mind?? Is he a better man or did you just burn your network with every single person in that room? If you don't have the privilege to do it don't. Rights are backed by privileges.

Once upon a time in a far far away land I told a tumblrina she wasn't pretty enough to have the boundaries she wanted to have and that having boundaries is a privilege and she should first level up her looks then she can have that boundary and woke up to a 5996909800 word essay on how I'm an anti feminist and judgy and whatever else. Sighs .ladies won't you ever learn. Yes even boundaries require a certain privilege.

When I say it's an American mindset and my US girls feel attacked I get it because thats exactly what I'm doing, attacking you. If I tell African and Asian girls they need to appease their toxic moms they don't argue because we know. If mom says that dress makes you look like a slut I don't say mom omg that's not very girls girl of you you're being toxic I take it off and say you think so? There was something about it I didn't like haha and wear something she approves of. Why because she holds the power. As long as I live in her house I have to submit to her. It's just a dress. We placate and validate our moms and dads and elders knowing theyre toxic af simply because we know we won't win. They won't suddenly realize they were wrong they will just make our lives harder and we can't fight back we just talk crap about them in school and laugh and when we leave for uni wear whatever. Because if we fight back they'll never let us go for uni away from home and we depend on them for survival. We understand ✨ hierarchy ✨. It's Megan Markle and her American Mindset of I have rights I have opinions I should be treated well thinking she can challenge an institution that has been in power for centuries and has made a country as geographically small and pitiful as Britan a world power over larger ones, and for centuries. Princess Katherine was being torn apart by tabloids for a decade plus and held it together and is now set to be the next queen of England with her daughter being the richest kid alive. Lady Emma McQinston, a Nigerian among the British upper class- I won't even bother telling you how those ones get treated - held it for her whole life and is now the first dark skinned black African Baroness (is it baroness?? Not sure). Megan and her American values folded in what, months?? Did they tear her apart as viciously as they did Kate?? Nope. Fumbled that bag because she couldn't understand privilege, hierarchy and power.

Don't be a Megan. Don't. Get with the program. To get the power, you must first understand the power.

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futilefangirl · 9 months

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𝒱𝑒𝓇𝓈𝒶𝒸𝑒 𝒽𝒶𝓈 𝒾𝓃𝓋𝒾𝓉𝑒𝒹 𝓂𝑒 𝓉𝑜 𝓉𝒽𝑒 𝑜𝓅𝑒𝓇𝒶. 𝒪𝒻 𝒸𝑜𝓊𝓇𝓈𝑒 𝐼 𝓈𝒶𝒾𝒹 𝓎𝑒𝓈.

#darren criss #darrencrissedit #dcrissedit #the assassination of gianni versace #american crime story #endiness #*#ryan murphy #ryanmurphyedit

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d-criss-news · 4 months

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See an exclusive first look at Darren Criss’ return to Broadway in Maybe Happy Ending

The "Glee" actor stars as a Helperbot named Oliver, opposite Helen J. Shen making their Broadway debut as Claire.

There’s nothing new about an awkward meet-cute turning into a love story… But what if that love story is between two robots?

That’s the question posed by Maybe Happy Ending, a new musical coming to Broadway this fall, starring Emmy-winning Glee and The Assassination of Gianni Versace: American Crime Story actor Darren Criss. The show also marks the Broadway debut of Helen J. Shen (The Lonely Few) and Dez Duron (The Voice). Featuring a book by Will Aronson and Hue Park, with music by Aronson and lyrics by Park, Maybe Happy Ending is helmed by Tony Award winner Michael Arden (Parade, Once on This Island), with scenic design by Dane Laffrey (A Christmas Carol).

Ahead of its debut, Entertainment Weekly has your exclusive first listen to the show, with a music video of Criss and Chen’s emotional duet, "When You’re in Love.”

Darren Criss and Helen J. Shen in "Maybe Happy Ending". MAYBE HAPPY ENDING THE MUSICAL/YOUTUBE

The musical — a big hit in its native South Korea, winning six 2016 Korean Musical Awards and the Richard Rodgers Production Award for the English-language version — made its American debut at Atlanta’s Alliance theater in 2019. Now the show is coming to the Great White Way with Criss and Shen as Oliver and Claire, two outcast HelperBots whose initial awkward encounter evolves into an unexpected relationship.

“There's a real pathos that kind of snuck up on me with these two,” Criss told EW of the HelperBot romance. “You think, 'Oh, cute, like androids falling in love, that sounds sweet.' But there's a lot more to that when you start to examine what it is to not only love something or someone, but the inexorable, unavoidable back end of love, which is loss.” Oliver is living the simple life of an outdated HelperBot when the story begins, tending to plants and listening to jazz in his one-bedroom apartment on the outskirts of Seoul. Then Claire comes by to borrow a charger, and changes everything. The video finds the HelperBots united by emotion, yet far apart as they process the swirling feelings of being in love for the first time. “When you’re in love, you’re never satisfied,” they lament. “The thing you want is always out of reach.”

By the end, they’re piecing together both the joys and painful realities of their newfound feelings. They sing, “Now I’m hoping that you feel all the things I feel / Wishing that you want me to sit beside you /Wanting now to learn all the things you are / Waiting for a chance to invite you in my heart.” If the prospect of seeing two bots find love isn’t enticing enough, Criss jokes that empathizing with the characters will at least give audiences a leg up in the AI apocalypse. “If there's any incentive to come see the show — other than a wonderful theatrical experience with a lot of beautiful universal themes and all that great stuff and fantastic music, and hopefully good performances — if not that, it's at least to soften the punishment and wrath of the AI takeover,” he laughed. Maybe Happy Ending begins previews at the Belasco Theatre on Wednesday, September 18. Tickets will go on sale to the general public beginning on Thursday, June 6 at 10AM.

Watch the "When You're In Love" music video above and read more of Criss' thoughts on the HelperBot romance below.

ENTERTAINMENT WEEKLY: Can you start by telling me a little bit about Oliver and what's at the core of this character for you? Well, I'll tell you what, this is the first time I'm ever really doing any kind of talking about a show that I haven't had much familiarity with yet. And I'm not saying that to avoid talking about it so much as to highlight the unique nature of my involvement in this show because, at least if we're talking about the theater, specifically Broadway Theater, every show that I've ever done came with something of a legacy and was a show that I would have been very familiar with, and I think audiences at large, for the most part would've had a history with it.

How to Succeed in Business Without Really Trying was my Broadway debut, massively popular, classic Broadway show, people knew it. Second one was, Hedwig and the Angry Inch, I grew up as a teenager loving that show. And then the revival of American Buffalo, that's now a standard contemporary American classic and studied that in drama school and yada yada yada. So when talking about the show, I had a really good handle because the show had lived with me for most of my life. [Maybe Happy Ending] is a brand new show, which is wildly exciting. But I have yet to figure out that answer. I can tell you what his core is on paper, which is that Oliver is a Helperbot, something like a hundred years in the future where our technology helpers — in the way that we have our Alexas, and our Siris, and our digital systems, and our smart assistants — have evolved into more humanoid representations. He is a Model 3 in the world of Model 5's and is very much outdated, and kind of running the last of his powered up life in the world that we're watching him and coming to grips with the things that left him behind.

We got a little taste of it in the music video, but what do you think it is about the Oliver and Claire relationship that people will respond to? Or what did you respond to? There's nothing like being able to look at ourselves by looking through the eyes of things that aren't us. I find the most I'm ever moved about the human experience comes from animated films where you have non-human characters trying to figure out human emotions. It's a really great way for audiences to subconsciously look at their own experience objectively. It's funny that it takes inhuman characters to examine humanity in a way that feels somehow accessible. If you see yourself up there, it maybe hits too close to home. But you might think about it a little differently if you're suddenly looking at things through the objective lens of a true outsider — be it a cartoon fox or a mermaid wanting to be human.

So having said that, this is a story about two HelperBots, two robots “falling in love." Of course, they're not human, so they can't physically, literally intimately actually fall in love, but they have to sort of figure out what that means by way of how they've experienced human beings themselves, by cues they've gotten from their own owners and from the world around them. And when you start examining things like love, things like loss through the eyes of non-humanoid things that are trying to computationally analyze and synthesize those things, you sort of start to look at them in a different way. There are many things about the show — the premise was very interesting, and I think the design is exquisite, it's a wonderful theatrical experience. Getting to work with a longtime friend, Michael Arden is such a joy, and there's so many things about that that make this appealing to me. And of course the music is fun, and it's cute, and funny, and charming. But there's a real pathos that kind of snuck up on me with these two. You think, 'Oh, cute, like androids falling in love, that sounds sweet.' But there's a lot more to that when you start to examine what it is to not only love something or someone, but the inexorable, unavoidable back end of love, which is loss. And how do we deal with that? How and why do human beings willingly enter this contract if we know that on the other side of it, there is something that will hurt and that can hurt because love does come with loss, whether it's loss of self, loss of wholeness.

And this show really shows a really beautiful balance of these beings trying to suss out thousands of years of human meditation — of all the hundred thousand songs and poems and stories that have tried to help us understand this balance of love and loss, and the highs and the lows of it are pretty profound. er. In “When You’re In Love” there's the sentiment that being in love is the loneliest you can be. Is that something that you immediately connected with, or was that surprising?

I think that song's very interesting because it's them putting the pieces together. Many lines in the song that talk about how being loved does just constantly leave you with a sense of longing. Which I think goes back into the main thesis, which is love in many ways is loss. They kind of coexist in this yin-yang. It's just one's much more fun and more accessible to talk about, but they kind of come hand in hand. Again, the systematic exploration of all of the ones and zeros of what love is — it's a lot of ones, but it is also a lot of zeros, and one of those things is being lonely and the feeling of not being whole without a certain thing. Which I think is a really good connector to what this show talks about, which is the function of the things in our life that we lose. It is funny that we are getting closer and closer to the realities of what this show presents and suggests. The idea that Siri could be a person in a hundred years isn't absurd, it's not a crazy idea. Even talking about things like robots or artificial intelligence, it's an immediate thing that is part of the cultural fabric and a continual discussion about how and where and why it's going to be part of our life.

But even without talking about those sort of more sci-fi leaning things, technology is in many ways, like people in our life. I mean, people treat their phones like babies. We have attachments to our phones and the way that we need them in our lives and the way we care for them and the reliance we have on them. And the idea of shelf life and things being outdated, we're pretty comfortable with. It's more comprehensible with tech and objects. But it's funny that we have this cognitive dissonance between that and the idea of things being outdated and out of its prime is harder to grasp and a harder pill to swallow with people, and it's a harder journey to go on with people. But what happens when our objects become closer in likeness and experience to people? How are we going to wrap our brains around that and how will they wrap their brains or their programming around that? And how will they feel? Will they feel at all? How will they feel about their impermanence as it relates to ours and vice versa? So there's a lot of really, really nice questions being asked in this show.

Are you finding that it's changing your relationship to Siri and Alexa and your technology? As of now, absolutely not. Well, maybe in the future. Maybe. I'll bite my tongue… In a few years, who knows? She's listening. I'll be nice to you Siri, I promise. As long as you're nice to me when you decide to take over the planet. Well, after you've played a Helperbot, you've got an in. Hopefully that'll soften the AI takeover, they'll let us loose. If there's any incentive to come see the show — other than a wonderful theatrical experience with a lot of beautiful universal themes and all that great stuff and fantastic music, and hopefully good performances — if not that, it's at least to soften the punishment and wrath of the AI takeover. This interview has been edited and condensed for clarity.

#darren criss #helen j shen #entertainment weekly #maybe happy ending bway #maybe happy ending #press #video #photos #june 2024

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endiness · 2 years

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Episode 4 "House by the Lake" THE ASSASSINATION OF GIANNI VERSACE: AMERICAN CRIME STORY

#dcrissedit #darrencrissedit #americancrimestoryedit #darren criss #american crime story #acs versace #userbbelcher #chewieblog #userstream #usersource #tvedit #filmtvcentral #cinemapix #cinematv #smallscreensource #tvandfilm #filmtv #!gif

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batmannotes · 5 months

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The Epic Saga Concludes with Part Three of the Highly Anticipated Trilogy!

Justice League: Crisis on Infinite Earths – Part Three

Based on DC’s iconic comic book limited series ‘Crisis on Infinite Earths’ by Marv Wolfman and George Pérez, join DC Super Heroes from across the multiverse in the action-packed conclusion of the three-part DC animated film Justice League: Crisis on Infinite Earths – Part Three. The eagerly awaited film brings to a close the thrilling trilogy that marks the end to the Tomorrowverse story arc.

Produced by Warner Bros. Animation, DC and Warner Bros. Home Entertainment, the all-new, action-packed DC animated film features some of DC’s most famous Super Heroes from multiple universes including Batman, Superman and Wonder Woman, who come together to stop an impending threat of doom and destruction. Justice League: Crisis on Infinite Earths – Part Three will be available to purchase exclusively on digital on July 16 and on 4K UHD in limited edition steelbook packaging and Blu-ray on July 23.

Fans of this superhero adventure will also be able to indulge in a range of bonus features including interviews with the filmmakers on how they created a comprehensive universe across seven films.

Justice League: Crisis on Infinite Earths – Part One and Justice League: Crisis on Infinite Earths – Part Two are currently available on Digital, 4K UHD and Blu-ray.

Justice League: Crisis on Infinite Earths – Part Three features returning popular voice cast members: Jensen Ackles (Supernatural, The Boys, The Winchesters) as Batman/Bruce Wayne, Emmy winner Darren Criss (The Assassination of Gianni Versace: American Crime Story, Glee) as Superman & Earth-2 Superman, Aldis Hodge (Straight Outta Compton, Black Adam) as Green Lantern/John Stewart, Meg Donnelly (Legion of Super-Heroes, High School Musical: The Musical: The Series,) as Supergirl & Harbinger, and Stana Katic (Castle, Absentia) as Wonder Woman & Superwoman, along with Corey Stoll (Ant-Man, Black Mass) as Lex Luthor.

The star-studded ensemble voice cast also includes Gideon Adlon as Batgirl, Ike Amadi as Martian Manhunter/J’Onn J’Onzz, Geoffrey Arend as Psycho Pirate/Charles Halstead, Troy Baker as The Joker & Spider Guild Lantern, Brian Bloom as Adam Strange & Sidewinder, Matt Bomer as The Flash, Ashly Burch as Nightshade & Queen Mera, Zach Callison as Earth-2 Robin & Robin/Damian Wayne, Kevin Conroy as Earth-12 Batman, Alexandra Daddario as Lois Lane, Brett Dalton as Bat Lash & Captain Atom, John Dimaggio as Lobo, Ato Essandoh as Mr. Terrific, Keith Ferguson as Doctor Fate & Two-Face, Will Friedle as Batman Beyond & Kamandi, Jennifer Hale as Hippolyta & Green Lantern Aya, Mark Hamill as Earth-12 The Joker, Jamie Gray Hyder as Hawkgirl & Young Diana, Erika Ishii as Doctor Light/Dr. Hoshi & Huntress, David Kaye as The Question & Cardonian Lantern, Matt Lanter as Blue Beetle, Liam McIntryre as Aquaman, Cynthia Kaye McWilliams as Dr. Beth Chapel & The Cheetah, Lou Diamond Phillips as The Spectre, Elysia Rotaru as Black Canary & Black Canary II, Matt Ryan as Constantine, Katee Sackhoff as Poison Ivy, Keesha Sharp as Vixen, Jimmi Simpson as Green Arrow, Jason Spisak as Blue Lantern Razer & Hayseed, Armen Taylor as The Flash/Jay Garrick, Gas Soldier & Executioner, and Dean Winters as Captain Storm.

Justice League Crisis on Infinite Earths – Part Three is produced by Jim Krieg and Kimberly S. Moreau and executive produced by Butch Lukic, Sam Register, and Michael Uslan. The film is directed by Jeff Wamester from a script by Jim Krieg. Casting and voice direction is by Wes Gleason. The film is based on characters from DC and the graphic novel “Crisis on Infinite Earths” by Marv Wolfman and George Pérez

Justice League Crisis on Infinite Earths – Part Three will be available on July 16 to purchase digitally from Amazon Prime Video, AppleTV, Google Play, Vudu and more. On July 23 the film will be available to purchase on 4K Ultra HD in limited edition steelbook packaging and Blu-ray Discs online and in-store at major retailers. Pre-order your copy now.

Additionally, the Justice League Crisis on Infinite Earths Trilogy will be available on July 16 to purchase digitally from Amazon Prime Video, AppleTV, Google Play, Vudu and more, and features an exclusive special feature - An Epic Challenge: Crisis in Comics and Animation.

SYNOPSIS:

Now fully revealed as the ultimate threat to existence, the ANTI-MONITOR wages an unrelenting attack on the surviving Earths that struggle for survival in a pocket universe. One-by-one, these worlds and all their inhabitants are vaporized! On the planets that remain, even time itself is shattered and heroes from the past join the Justice League and their rag-tag allies against the epitome of evil. But as they make their last stand, will the sacrifice of the superheroes be enough to save us all?

SPECIAL FEATURES INCLUDE:

Justice League: Crisis on Infinite Earths – Part Three - Physical and Digital

A Multiverse of Inspiration

Jon and John: Stewart and Constantine

Justice League: Crisis on Infinite Earths Trilogy (Digital only)

An Epic Challenge: Crisis in Comics and Animation

Running Time: 98:06

Rated PG-13 for some violence and language.

*Digital version not available in Canada

Available exclusively on Digital on July 16

4K UHD in limited edition steelbook packaging and Blu-ray arriving on July 23

Justice League: Crisis on Infinite Earths Trilogy Also

Available exclusively on Digital on July 16

Preorder at Amazon.

#batman #superman #wonder woman #the flash #justice league #news #notes

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