#Vehicle catalogueing

[mr-camhed]

Talon Corporation Maritime Fleet Cruiser Pride of Aurelia (TCMFC Pride of Aurelia),Formerly known as Brabazonian Federal Navy Cruiser Fort Costa Blanca (BFFC Fort Costa Blanca), is a nuclear powered guided missile cruiser. The ship started its life during the late stages of the Second Atlantide war as the sister ship of Brabazonian Federal Navy's Cruiser Pelico Bay as a conventionally powered heavy cruiser tasked with patrolling the sealine of the Brabazon Federation, intercepting Atlantides' landing and transportation forces.

Unfortunately, before the yet unnamed warship's hull was even finished, the Second Atlantide war was ended unexpectedly during the defense of Fort Costa Blanca, in which the 1000mm caliber main defense gun of the fort sunk the floating city of Atlantide in a lucky shot. And with the war over, the purpose for the ship was also subsequently made obsolete, and the almost finished hull was left mothballed in the dry dock, awaiting to be dismantled or resume construction.

Three decades after the conclusion of the Second Atlantide War, the relationship between Brabazon and Atlantide remnants was once again strained by the Black Tide Crisis, which the Military Industrial Complex of Brabazon Federation was heavily betting on the chance of another war breaking out and is preparing to profiteer from it. And among the many exotic projects flooding the military facilities all over the federation was the second chancefor the ship. Instead of the regular tower shaped superstructure, naval gun turrets and internal combustion engine, the ship was armed with at the time state of the art guided missile systems, a unique box shaped bridge and nuclear power. The newly refurbished and finished warship was Christened Fort Costa Blanca after the site that witnessed the end of the Second Atlantide War, though the purpose of the warship is still the same: intercept and destroy potential threat in the ocean. Unfortunately for the Warship, many other military projects and the profit margin of the Military Industrial Complex, the Black Tide Crisis was ended in peaceful means instead of igniting a new war, and with the ship obsolete again even after being commissioned, it had lost any and all chance of seeing combat, and became nothing but a token that endlessly paraded the ocean just for show for the nine years to come.

After The Catastrophe which caused the destruction of the Brabazon Federation's capital city and the subsequent social and economical unrest which means that the nation, now divided into confederates of city states, are now no longer capable of maintaining a massive active or reserve navy, and the ship was among many that were about to be decomissioned and scrapped to recoup for losses. However, fortunately for them, Colonel Rand Toro, a senior officer of the Brabazonian military, who had seen an opportunity from their recent contact of a formerly unknown land, proposed "Project Talon", which will see them profiteering from the new land natives' schism by exporting war and unrest, shattering their uneasy peace and facade of prosperity. The project was immediately greenlit by the high level personnel in the military, the government, and the Military Industrial Complex, and the Talon Corporation, a Paraterrorist Military Organization under the disguise of a PMC was born, and was made with the purpose to export weaponry and unrest for the purpose of warmongering, while importing plundered resources, enslaved labours and potential stolen technology that they can reap from the war they had mongered. And with the plan in effect, they took the husk of another already decommissioned cruiser, turned it into a replica of the Fort Costa Blanca, before scrapping the shell vessel in a publicity stunt to drum up popular dissatisfaction against the pacifists. While the fake ship was being turned into a pile of scrap to the Brabazonian folks' protest, the real Fort Costa Blanca was rechristened as the Pride of Aurelia after a nonexistent place or people, and the older parts of the ship such as radar systems, anti air guns and what not were changed out with advanced integrated combat system, and the rest of the ship's system were also refitted and upgraded. The newly refurbished Pride of Aurelia became the flagship of Talon Corporation's maritime fleet, and also served as one of the overseas mobile headquarters during the earlier days of Project Talon, while after the Talon Corporation's overseas headquarters finished construction, the Pride of Aurelia would spend most of its time cruising in the artificial layer of cloud and fog surrounding it, hunting and destroying any vessels and aircraft that had got into the premise with its advanced combat system to keep the secret of the HQ, Though it also would go out to do mission elsewhere sometimes.

[ID: USS Long Beach (CGN-9), Which TCMFC Pride of Aurelia/BFFC Fort Costa Blanca was based on, cruising off Oahu, 9 May 1973. End ID.]

[divinekangaroo]

Finishing the Dark Knight and cannot stop laughing: Nolan's ability to finish a movie is like Sting's ability to finish a song.

[gijoe-forever]

For $17 you could order all these joes in the eighties! These were the figures that came exclusively with the vehicles so this was a rare opportunity back then

[artfulfashion]

Hannah Wick wearing Bottega Veneta Fall 2023 for Neiman Marcus

[cjayius]

INTO IT — LEE HEESEUNG

SYNOPSIS. you have always hated heeseung. unfortunately, he's a world famous racer, and you're his team manager. but when he crashes during a race, you're met with feelings for him that you don't quite recognize.

pairing. racer!heeseung x f!reader wc. 0.52k tw. mentions of hee crashing , hugging genre. fluff , e2l (?) ( CATALOGUE )

as you both step out into the bustling racing area, you can feel the tension in the air. the pitwall is abuzz with activity as you and heeseung stand among the important figures of the racing team.

arguments aren't uncommon between the two of you, and today is no exception.

heeseung's frustration is palpable, his jaw set firmly as he glares at you, hands clenched into fists at his sides. " you can't be serious about this, " you retort, your voice edged with exasperation, arms defiantly crossed over your chest.

" you're taking unnecessary risks out there, heeseung. " his response is sharp, a scoff escaping his lips as he steps closer, his face mere inches from yours.

" i know what i'm doing, okay ? stop treating me like i'm some rookie driver who needs babysitting. "

your eyes narrow at him, anger flashing through them. " you're being reckless, heeseung. i won't stand by and watch you put yourself in danger. you're not doing it. "

with a dismissive wave of his hand, heeseung turns away, stomping toward his car, jaw clenched. you watch him go, a knot of anger only tightening in your chest as he climbs into the vehicle, movements tense and aggressive.

as heeseung's car speeds around the track, you can't help but feel a sense of anxiety. despite your frustration with him, you can't shake the worry that gnaws at you as you watch him twist around the course.

suddenly, a collective gasp ripples through the crowd as his car swerves abruptly, crashing into the barriers with a sickening thud.

your heart leaps into your throat as panic courses through you, hands gripping the edge of the pitwall with a force so strong you could have broken it. frantically, you reach for the radio, voice trembling as you call out, " heeseung, are you okay ? answer me, please ! "

no response.

" heeseung, please ! " but there's no response, and dread settles heavily in the pit of your stomach and you watch, helpless, as the race officials rush to the scene. time seems to stand still as you wait for any sign of movement from his car.

your mind was already racing with the worst-case scenarios.

finally, relief floods through you as you see him emerge from the wreckage, seemingly unscathed. but any relief is quickly replaced by anger as you realize he's smirking, reveling in the worry he's caused you.

storming towards him, your frustration boils over as you slap his chest. " what the hell were you thinking ? do you have any idea how worried i was ? you could've gotten seriously hurt ! "

his smirk falters, but before he can respond, your anger melts away, and without thinking, you wrap your arms tightly around him, pulling him into a hug.

for a moment, there's a stunned silence between you, the weight of the moment hanging in the air. heeseung's surprise quickly gives way to a soft chuckle as he returns the embrace, his arms enveloping you.

" i'm okay, stop worrying so much. " he hums into the crook of your neck as he wraps his arms tighter around your figure.

for a moment, the world falls away, but then reality comes crashing back, and you hastily pull away, cheeks burning with embarrassment as you remember that you're supposed to hate each other.

clearing your throat awkwardly, you take a step back, avoiding heeseung's gaze as you try to compose yourself. " well, um, i'm glad you're okay, " you mutter, voice betraying you as you let out a shaky breath.

he watches with amusement, as you rush away from him, cheeks flushed. he was going to get you to say it.

taglist : @so-lychee @mellowdyverse @bambisnc

[orteil42]

some undifferentiated thoughts about my Starfield playthrough as i have them. i am a game developer with a strong interest in procedural generation and i've enjoyed a bunch of other bethesda games so this might get pretty mean sorry

(this is a long one)

starfield dialogue is already exhausting me "oh you must've been living under a moon rock ;)" get it! because they're in space! this would've been too corny for the Jetsons

there's a kind of cheap dusting of space theme over everything. the food isn't salmon but alien salmon. it's not seaweed but alien seaweed. cooking alien stir-fry. come on

cannot get over how clumsily the theming is handled. books, board games, weapon names revolve heavily around space. these people have been living on alien planets for hundreds of years yet have this unending sense of novelty about it. the game takes itself completely seriously but feels like it's attempting to parody itself

people's EYEBALLS are CLIPPING THROUGH THEIR EYELIDS

a woman is speaking to me in french. her accent is about as believable as her haircut

these are some of the worst reflection maps i've ever seen

next to nothing is interactive. you can sit in chairs and sleep in beds and that is about it. can't even drink from people's toilets. disgraceful

game helpfully crashes 5 seconds after i decide i should get some sleep. very handy!

my character has not said a single thing since i started playing. not one peep. this is an unmitigated improvement over Fallout 4 i'm so glad honestly

the more i poke around the big city the more the NPC quips feel like something out of gen-1 pokemon. can't get enough of this coffee :) this city is where it's at :) spacesuits are comfy and easy to wear

very strange sense of altered reality from the quest dialogue too. has anyone at bethesda met a person before? i move on to some mission that has me scanning wildlife on a faraway planet hoping this will, somehow, feel less alien than human conversation

just as with No Man's Sky, every planet is uniformly dotted with equidistantly-placed points of interest that you slowly make your way to (no vehicles besides your jetpack) which always turn out to be some cave or building identical to those you've cleared before

unlike with No Man's Sky, the seamless exploration is faked and the biodiversity is nil. you do get an impressive amount of raw loading screens however

the prefab bases and power stations found everywhere on planets seem to have very sparse, very specific slots for spawning consumables, which results in encountering some giant industrial installation in the middle of nowhere with, i don't know, a loaf of whole-grain sandwich bread just casually sitting next to it all proper. there is no breathable atmosphere here. who is eating this

planetary traversal is a CHORE. i am saying this as someone who loved Death Stranding

heinous "hold to confirm" buttons sprinkled in various flow-breaking places throughout the interface

enemy AI is abominable. nobody is pathing their way to get my ass. "must've been the wind" taken to the next level. an infant playing peekaboo has more object permanence

hoisting yourself up on ledges when jumping is…nice

companions randomly nowhere to be found. persists through multiple fast-travels and loading screens until, just as randomly, they pop back up

storage space is now limited! unlike in Fallout 4 and virtually every other bethesda game, your containers now hold a finite item capacity. god forbid we let the player have fun

baffling inventory UI. i imagine there's a mod out there that completely overhauls it the way SkyUI did for Skyrim. this should not be needed! how are your UIs getting worse a decade later!

scanning the precious few species inhabiting some dusty planet; one of them is this arching red root i've already seen several times before. my job done in this biome, i travel (read: teleport with a loading screen) to the polar region to find some other species. the first one i catalogue is the exact same red root again but this time it's named "boreas root" todd howard is a genius

some alien horror comes at me full fangs out. i hop on a pebble. obscenely, i am safe

procedural terrain generation beyond dull, impossibly unimaginative. these people have not had one critical thought on what makes a procedural world interesting. beginning to feel validated in my belief that only i should be trusted with proc gen. along with perhaps tarn adams

jokes aside this is making me feel genuinely insane. there have been excellent procedural generation techniques that produce compelling explorable maps for decades now. bethesda absolutely has the budget and know-how to do miles better than this yet somehow they just…do not? the same way Pokemon has decided to just no longer bother with their mainline games despite being the highest-grossing media franchise in history? hello? what is for real going on

some of the most cynical breadcrumbing i've seen in years. approaching some random cave and this person in space gear, who in the vast immensity of the infinite cosmos just happens to be snapping pictures right here, tells me more-or-less verbatim "if you like this place, you should see this other place" [other random cave has been added to your map.]

i do not like how good this makes No Man's Sky's gameplay look. it depresses me how much i have to hand it to No Man's Sky for at least not fucking up this bad. please stop making me wish i was playing No Man's Sky instead this is grotesque

i think i've exhausted my interest and patience for this game at the moment. i'll get back to the main story at some point and try some other systems ie. crafting and base-building to see if there's any engagement to be found but so far, my god. my god

[theclaravoyant]

AN ~ short bucktommy angst/whump with a happy ending, coz i love torturing my boys. 8x07 spoilers and verrrrrry loosely insp by a still from 8x08

typing

Why would he type type type and not send anything?

The alarms blare and Buck throws his baking back in the oven and sprints downstairs, but his mind is elsewhere. This? This is all muscle memory at this point. His mind occupies itself with other things, wondering what exactly Tommy might have wanted to say.

Evan. No. Buck. God, he still hates it that he called him Buck.

Can we talk? Tommy always was a man of few words. Or maybe Buck is just a man of many. But what does 'can we talk' even mean? He'd be spiralling just as hard as with the silent disappearing bubble. It's better this way.

MARRIAGE, EVAN??

God, he's an idiot. A pathetic, clingy idiot. Even now he would kill for a second round, just to dig that knife in deeper. At least then maybe, he'd be able to pick up what he'd missed before; where exactly that big dimpled grin and soft eyes had turned to hard words and hidden pain. At least then, he'd be able to fix it.

Hen watches him with a knowing eye.

“Stay strong, Buck,” she reminds him as they pull up to the scene. “Head in the game.”

Buck nods. He drops his phone on the seat and packs it away to the back of his mind, as best he can. Maybe he'll get to whip out the jaws of life. They always make him feel better. Shake it off, Buckley, let's go.

He's the last one out of the engine, and he hits the ground already triaging the scene. His senses expand, cataloguing the vehicles, the passers-by, the direction and nature of the accident. Eddie and Bobby are getting a run-down from a uniformed police officer on scene and it happens a splt second before Buck's mind catches up.

“A silver-” he overhears - “oh-”

He can see it in his minds eye, almost feel it even as his own heart sinks; the way recognition sets into Eddie's face. And then horror. He looks further down the road, to a sight that's partially obstructed from Buck's view. Partially, but not so much that he doesn't start running toward it because he has a feeling he knows, he knows, he knows who it is.

Why would he type type type and not send anything?

“Buck-” Hen warns, reaching to grab him but she's already missed.

Buck knows he should be helping but his world is caving in. Bobby's barking commands but all he hears is a wordless echo. Ravi hustles the balloons and the jaws up to the worst hit of the vehicles and Chimney is already there; medkit tossed over the worst of the shattered glass as he kneels by the dangerously crushed window and tries to make contact with the person inside.

“Buck.” It's Eddie this time, blocking with his body as much as he can – and he can, even with the full force of Buck throwing himself forward - but even he can't stop the terrible, terrible knowing.

“TOMMY!”

The name rips out of his lungs, because it's the truck: it's Tommy's pride and joy. It's singing along in the passenger seat and Tommy's smiling – sometimes he joins in, even though he wouldn't otherwise care for Buck's taste. It's Tommy slinging a greasy towel over his shoulder and hitching himinto the truck bed and making out until they both can't breathe. It's spilling the salt from hot chips in there; it's shoulder to shoulder at the drive-ins; it's getting fucked into the seats; it's polishing and vacuuming just last week because he can't help with the engine for shit. He'd put a little thing of jellybeans in the cup holder after - like his old detailer used to do, just to be cute - and it hits him that that's what those little coloured smudges are, intermingled with the crushed glass littered across the road.

What if he's in trouble and he needs my help?

“Oh, God, Tommy.”

The howling turns to hopeless. Breathless. The fight evaporates right out of him and he collapses forward into Eddie's arms. Eddie's embrace is firm and steadying as he lowers them both as gently as he can manage to the curb. Buck closes his eyes, sapped of the strength to watch any more but cursed by the knowledge of what's still got to be happening. Hen and Chim will be extracting Tommy's bruised and broken body onto a backboard right about now, and then lifting him onto a gurney. They'll be doing CPR if he's lucky – and they are, he can hear it, so at least there's that.

Then it stops.

For a few, horrible seconds all he can hear is his own hammering heart. Eddie's ragged breathing. Footsteps. Bobby.

“Buck.”

It takes a second, for him to gather the courage to open his eyes and look up. Bobby's demeanour is solemn and serious, but there's a softness Buck recognises well. A lightness that promises things might just be okay, as he offers a hand to pull Buck up from the roadside.

“He's asking for you in the ambulance,” Bobby says, and there's just a flicker, just an iota of a smile as he urges - “Go.”

[chrisevansonly]

𝐛𝐫𝐨𝐤𝐞𝐧 𝐠𝐥𝐚𝐬𝐬 | 𝐜𝐡𝐚𝐫𝐥𝐞𝐬 𝐥𝐞𝐜𝐥𝐞𝐫𝐜

ʚ charles leclerc x female reader

ʚ charles gets the one call he never wanted to get, and despite your worries about his precious pista, he doesn’t care about the car. just you.

ʚ angst, description of injuries (minor), mentions of blood, panic attacks, violence (minor), tears and lots of soft charles

ʚ okay idk why i thought of this idea, but i have and here we are, i know people have been asking for angst, this idk if it qualifies as the angst you’re all looking for but I will work on some other ideas too:)

Time was frozen as you sat in the driver’s seat of what once looked like a Ferrari 488 Pista. Only now you could make out the back of the car, the front of it might as well be in a what not to do when you drive a luxury vehicle catalogue. Your head was ringing and your chest pounding as adrenaline and anxiety pumped through your veins, as much as you’d started to feel pain in a multitude of places, your brain was thinking of only one thing;

Charles is going to be so mad.

To make matters worse, the man who had hit you was now cursing through the tinted window, claiming the accident to be all your fault. Deciding to think about Charles’s potential anger later you picked your phone up and called his number.

Thankfully it didn’t take long, 

“Hi baby, are you on your way back”

A pause 

“Um…I-I got in an accident Char…”

The line was silent before he spoke up, panic laced in his voice. 

“Qu'entendez-vous par ‘accident?’  Qu'est-ce qui s'est passé? Où es-tu, es-tu gravement blesse.”

“Charles, english please my head hurts so bad.”

Normally you’d be able to hold an entire conversation with him in French, but right now it was just too much.

“I’m sorry, where are you baby? Are you hurt bad?”

Sniffling softly, you hummed

“I am down by the marina; my head really hurts. The man who hit me…he-he is yelling loudly at me…can you-oh Charles your poor car….”

“No, don’t even worry about my car baby, you matter more to me, I can’t replace you, but I can replace the car. I’ll be there in ten minutes, keep the doors locked, don’t get out.”

You nodded, only then realizing he couldn’t see you. 

“Yes, okay, I’ll wait here…please hurry”

“I will chérie, I promise.”

-

Just like he’d said, a familiar black Alfa Romeo pulled up next to the crash site, Charles quick to get out and come towards the driver’s side door, only to see the man banging at the window. 

“Hey, can you step away from my car?”

The man turned to look at Charles

“Cette stupide salope a détruit ma voiture!”

“Je vous le redemande, éloignez-vous de ma voiture”

It was getting harder for Charles to reign in his anger, quickly pushing the man back, giving him a look that at this point in the evening, had him backing away, finally allowing Charles to open the door and see you

“Hey..hey.. I’m here, its okay?”

Charles swore his heart broke as you looked at him with teary eyes, a bruise above your eyebrow, but thankfully you appeared alright otherwise.

“I-I’m so sorry about your car Charlie, he just-he came out of nowhere, and I-I couldn’t-I am so so sorry!”

Holding back the sobs was almost impossible at this point, but Charles was quick to undo your seatbelt, helping you turn towards the door and put your feet on the ground. Once he had you turned toward him, he brought his hands up to hold your face, his thumbs swiping your cheeks.

“My love, listen to me, you are my main priority, you are the love of my life, and this car is just mental and parts, all which can be fixed, but you cannot, and I cannot have another one of you, ever okay?”

Sniffling you nodded

“Okay…”

In the distance you could heard the sirens coming your way, knowing you’d be going to the hospital, it was a given but for now you really just needed Charles, and he wasn’t going anywhere, that was for sure.

“Are you hurting badly baby?”

“No, just my head…can you help me up?”

Your boyfriend nodded, holding onto your arms gently as he helped you stand up, before bringing you into his chest, your arms wrapping around him, as he did the same to you.

“I am so glad you’re okay, you have no idea how worried I was…we’ll get you to the hospital and then i’m not leaving your side”

“Promise you won’t?”

Charles smiled as he saw your pinky finger come up, quickly linking his in a pink promise, a tradition you’d both been doing since your third date.

“I promise, i’m not going anywhere”

As the sirens got closer, you leaned further into Charles, knowing no matter what happened, he’d be by your side for as long as you needed him, he’d be there. It didn’t matter if he had a race, media or social events to attend, for you he’d drop them in a heart beat over and over again.

Because he never wanted to get that kind of phone call again.

translations:

-Qu'entendez-vous par ‘accident?’  Qu'est-ce qui s'est passé? Où es-tu, es-tu gravement blesse : What do you mean by 'accident?' What happened? Where are you, are you seriously injured?

-Cette stupide salope a détruit ma voiture!: This stupid bitch destroyed my car!

-Je vous le redemande, éloignez-vous de ma voiture: I'm asking you again, get away from my car

[chattahoochiecoochie]

theres been a lot of sadness in recent days obviously, I've felt so deeply for appalachia, having called it home for so many years. there have been so many bright spots though and I thought it might be nice to highlight some of those.

a local man, and master operator, took his own set of master keys and commandeered several pieces of heavy equipment to begin shifting debris. stating to his wife he intends to work first, and ask for forgiveness later.

private pilots across the region are using personal aircraft to deliver supplies and move people out of unsafe areas.

mountain mule packer ranch have moved into rural areas and are bringing supplies in by mule to hard to reach places

the nolichucky dam held. taking on an estimated 1.3 million gallons of water per second at the height of the storm, the dam survived the storm and remains under emergency monitoring.

the wnc nature center has reported that their animals are safe and accounted for.

more than 700 canadian linemen have been deployed to assist north and south carolina to restore power.

the unites states national guard has deployed over 5500 service members from 11 states to support areas affect by helene.

the north carolina national guard has activated five hundred service members and allowed over 200 vehicles and aircraft to move into the western region to begin relief efforts.

search and rescue teams from around the country are making their way east to assist in rescue and recovery.

neighbors are helping neighbors. a woman has been able to make contact, and while doing so has taken it upon herself to catalogue the names of surviving locals in several areas, easing the efforts of local officials as they try to conduct wellness reports.

in cashiers, north carolina, a group of locals have taken their personal off road vehicles in the mountains to excavate debris and deliver supplies to those in need.

people in the south take care of their own. for generations, these communities have stuck by one another and bonded through good fortune and hardship alike. there is light at the end of this hideously long tunnel.

[simverses]

Blowtorch!

Maxi's worlds emptied of era specific stuff – made for simmers who wants themed hoods of their choice.

So, you found T.O.O.L, the super useful mod by Twisted Mexi, and learned how to decorate your sim world.

But there is this problem with Maxis houses and items, which do NOT fit in your sim world. So far, the most used method has been to hide them, as in either move them away (if even possible) from sight or use a hider/override to make them invisible. That method has its limits, is very tedious (need to find, make an override, ect, and there are SO MANY items)

Blowtorch has another approach. It takes out the items (houses, vehicles, modern deco, well - all silly deco really) from the world. You can then place nicer deco or game items instead.

The items are not hidden from catalogue, so you can place the same items back but in a different place if you so wish. Or use cc deco. Make the world medieval, or Victorian, or sci-fi, or whatever.

HOW DOES THIS WORK?

This mod edits the preloaded deco in the world. It changes game files – and the changes will affect all your saves, old and new. If you decide that you want the deco back, you can do it either with the GAME REPAIR function or using the backup of the original folders that I included in the mods folders.

You can either use all my edited files – or the ones you want. If you for example want Willow Creek to be as it always has, but want a blowtorched Oasis Springs, just delete the Willow Creek files before installation, and keep Oasis Springs.

I have blowtorched almost all the hoods in the worlds, both EP and GP: s (See list in Documentation PDF for exceptions.) If you don’t have all EP/GP I recommend to delete the ones you don’t have before installing.

(Save the zip with the mod somewhere safe so you can add new worlds when you add a new EP/GP with a world.)

Here are some general rules I went by:

- All landmarks, architecture deco, street deco, vehicles, with special effects - blowtorched

- Functional objects: outside tables, playground items, and such – blowtorched. Place them again where you want them!

- All lights, both streetlights and built in hood lights, blowtorched.

- All palm trees, ever pink trees, wispy modern beeches, and other modern plants, blowtorched. (I of course kept the palm trees in Sulani and Selvadorada)

- ALMOST ALL THESE THINGS (not the built in lights) are still available in the catalog (debug, live edit) items though. So, if you still want a modern, but DIFFERENT hood, you can place them again, as you want them. This is a big advantage compared to hiders – those usually hide the items also from the catalogue.

- Visual effects belonging to vehicles and other stuff mentioned above, blowtorched. No modern yachts, no airplanes.

- The lights are gone. The world will be dark at night if you don’t place streetlights or such.

WHAT I KEPT

I kept the seasons stalls, where they are available (if you have the Seasons EP.) They can also be placed, but as they are in conditional layers (changes with the seasons) this can't be done by placing them manually.

I kept all spawners. All the fishing spots and all the bugs, frogs, dig sites, wild growing plants.

Lighting mod included

This mod also includes the Sunblind lighting mod by Softerhaze. Lighting mods also change these files, so I added Sunblind with the creator's permission. Read more about their mod here.

(You do not need to download or install the mod; it is included in the Blowtorch mod.)

If you want another lighting mod or no lighting mod, you need to edit the files manually.

This is done by replacing the resources “Sky Box Texture Data” and “World Timeline Color”.

ECO LIFESTYLE NOTE!

Unfortunately, the Evergreen Harbor world that came with Eco Lifestyle (EP 9) has some special evil magic and the deco needs hiders anyway. If you play with that world and want it to be BLOWTORCHED, install the file ELHoodHidersMerged in your Mods folder.

Other recommended mods:

Check out T.O.O.L and Twisted Mexis other mods here: https://twistedmexi.com/Mods/

To add deco stuff outside lots:

T.O.O.L – at Tmexis page you also find information about his CAW-project, still in alpha testing.

I also recommend his Better Build/Buy mod, and his toggle mods, especially the Strangerville Story Toggle on if you want to use Strangerville as a normal world. And also his that enabled build/buy on the Secret Lab lot – in new saves.

Zerbu has a couple of super useful mods:

All Worlds are Residential  https://zerbu.tumblr.com/post/173398784785/the-sims-4-mod-all-worlds-are-residential

Venue changes https://zerbu.tumblr.com/post/160347810775/the-sims-4-mod-venue-changes

Twelfth Doctor has a great mod for travelling to all the hidden/special lots, so you can edit them: https://td1sims.tumblr.com/post/635457539495084032/travel-to-venue

This mod is also useful if when you work with TOOL: Clickable worlds by Awingedlama

Q&A about Blowtorch mod

1. Can I use this on my old saves?

Answer: Yes. The mod does not affect the saves, or your CC, or anything other than the game files in the Windows directory. You can easily uninstall the mod by using the backup files (included) or do a Game Repair.

2. Why are there stuff not deleted? Annoying modern fences in Windenburg Ugly Modern Business district, for example?

Answer: some items are a part of the world mesh and is not yet possible to edit. If there will be a solution later, I will update the mod.

3. Will I have to update the mod after patches and new expansions?

Answer: Yes. If the patch/ep/GP does not include a new world, you just reinstall the mod (see instructions below) as you installed it the first time. I will make updated versions asap when new worlds are released.

4. I don’t have EP X or Y – can I use the Blowtorch mod?

Answer: Yes, but I recommend deleting the folders for EP/GP you don’t have. See list in the PDF-file with documentation.

5. Does this mod clash with Timeless mod? Answer: No, but it makes Timeless obsolete. Timeless hides stuff - Blowtorch removes the same stuff.

6. How about mods like Nandos Egypt (Strangerville) or The Sense Medieval's Medieval Windenburg? Answer: if you have a mod that changes one hood or one world, and want to keep them as they were, don't install the Blowtorch files for that world/hood. The Senses default replacements are not affected.

7. Should I keep my hiders of stuff used as hood deco? Answer: Better to take them out. This mod eliminates the need for hiders.

Even more detailed explanation here.

Where to find nice themes hood deco to use with Blowtorch?

You can basically use any item, from game or CC, to decorate hoods. Try out the options with T.O.O.L to change the size of objects!

I already posted some Hood Deco CC – and I have much more to come. I have been converting/editing/creating and preparing hood deco from Sims Medieval, Sims 2 and Sims 3 and other games – my CC is medieval/historical themed but I hope for other creators to add to the hood deco options in the future.

Due to filesize all the downloads can be found on Patreon (of course for free): Download Blowtorch (Patreon, always free)

There seemed to be some problems loading the Patreon page so I added a SFS-folder also with the same files. Download Blowtorch (SimFileShare)

[haruka-vii]

Help request to Rayman and retrogaming fans

Unfortunately, as much as I’m making efforts in solving my long-term unemployment situation there are things out of my control and I reached a point I really, really, need help.

Besides my grandma’s recent passing, there’s been a collection of unlucky events happening to me and my family in a small time interval. Both our dish washing machine and my Nintendo Switch Lite need to be repaired. The console stopped turning on regardless what I do and it’s out of warranty already. The console’s fixing, alone, can be up to 103€ according to the Iberian Nintendo support page).

But the worst case was our car’s “death”. Days after my grandma’s funeral, the car burnt its electronic system to the point of replacing that system being more expensive than the current value of the car of the same model without problems, meaning we were forced to replace the whole vehicle to a different model. The car is essential for our quotidian lives even for simple things such as doing groceries and buying food and cat litter for our seven small felines that we own. The latter unpredictable expense is very costly and adds a bigger layer of problems on my family’s end about financial management given that my mother is also jobless and there’s the bed replacement (done in January 2024) funds I want to also return to her whenever I manage.

2025 is going to be a difficult year for me and I already recently had to shrink down my Crash Bandicoot collection to a single item for a start but it’s still not enough. Now I had to make a very difficult decision of selecting personal items from my private Rayman collection and make them available to anyone in the Rayman and retrogaming fan community to be able to purchase in case they show interest in any particular object.

Please note the following details:

Products that are shown alongside with other product or more in the same photograph square means that those items are only sold as a pack/batch and not separately. I can clarify which ones by DM if you aren’t sure through the photographs.

I ship to most countries in the world, and always with tracking code so we’re both able to know its whereabouts. I won’t accept other types of shipping due to safety reasons.

The shipping address and other sensitive information will be exclusively used to ship the parcel.

Prices will be always discussed by DM, as well shipping costs as these vary depending on the destination country and parcel weight.

PayPal only for payments. While I prefer EUR currency I can also accept GBP and USD.

I’m conscious of how a good portion of the list contains particularly rare and valuable collectibles.

Some items prices are negotiable, especially if someone is interested in acquiring at least 3 different items or more that combined make up a significant total.

All items work 100%, including the Playstation accessories.

The Rayman memory card will be formatted if it gets a new onwer.

MS-DOS era games require emulation techniques to work on modern computers and there are community projects like Rayman Control Panel that help with that.

All games are complete in the box and between very good condition to like new.

The Rayman memory card is in good overall state.

The statues are like new and will be packed carefully to avoid transportation damage.

I can consider including the matching Switch videogame to the pack if I get a fair offer.

I reserve the right to not accept a sale for reasons not mentioned here.

List of items available in the photos:

Rayman Gold [PC/MS-DOS] (Rare, Original Big Boxed United Kingdom Edition)

Rayman For Ever [PC/MS-DOS] (Rare, Original Big Boxed France Edition, it even includes a Ubisoft catalogue with unique Rayman drawings)

Quick CD-ROM Demo Nº2 - Rayman 3: Hoodlum Havoc [PC/Windows]

Rayman M [PC/Windows] (United Kingdom Edition, still factory sealed!)

Rayman Rush [Sony PlayStation] + DualShock Controller [Sony PlayStation]

Rayman 2: The Great Escape [PC/Windows] (Very rare, Original Big Boxed United States of America Edition; I only saw maybe not more than 2 copies like this for sale online in over 15 years)

Rayman 100 Niveaux Inédits [PC/Windows] (Rare, Original Big Boxed France Edition)

Rayman Designer [PC/Windows] (Rare, Original Big Boxed France Edition)

Rayman 1 [PC/Windows] (Rare, Original Big Boxed European Edition)

Rayman Gold [PC/Windows] (Rare, Original Big Boxed France Edition)

Rayman 3: Hoodlum Havoc [PC/Windows] (The manual is translated in Portuguese but the games are in multilanguage)

Rayman 2: The Great Escape Sony Playstation Memory Card (Guillemot brand, uncommon item)

Rayman Raving Rabbids [PC/Windows] (Original United Kingdom Edition)

Rayman Raving Rabbids Activity Centre [PC/Windows] (Original United Kingdom Edition)

Rayman 2: The Great Escape [Sony Playstation] (Original France and Germany Edition)

Full collection of 4 medium-sized PVC statues of Mario+Rabbids: Kingdom Battle characters

Other alternative ways to help me that don’t involve buying my Rayman items:

Ko-Fi donations (https://ko-fi.com/haruka_vii)

Currently opened with the goal I’ve referred earlier of collecting enough funds of the bed replacement expenses to return to my mother combined with the needed funds to be able to send my Nintendo Switch Lite for repair.

Art commissions

I can open a limited number of slots and draw single or groups of characters in a single digital or traditional drawing. Details can be discussed through DM!

Reblogging and sharing

If you know anyone who could be potentially interested in getting anything please share them, it’s also a help!

I don’t like to ask help but it’s been a rough timeline for me. Thank you for reading in advance, any help is greatly appreciated while I don’t manage to find a job. 🙏

[quantum27]

To whom it may concern - the mutuals, the fandom-in-laws and the average movie goer. I would like to explain the plight of the Tron fandom.

The sequel announcements Disney pulled this year (2024) are insults to anyone who enjoys movies. There's nothing wrong with sequels, don't get me wrong, but to have a catalogue that has only 1 original movie announced is truly saddening, especially to those who love animation.

Then there's also the fans of Tron.

Tron (1982) was the first major motion picture to use CGI extensively for it's settings, vehicles, and many more things. Many of it's animators would go on to work at Pixar and pioneer CGI there. It was so early that it was rejected at the Oscars for special effects because it was considered "cheating" essentially. This isn't a post about the history though I recommend learning about it if you're interested in the medium of animation.

Tron was an average boxoffice movie. It made back it's money and that was it. However it became a cult classic. It's a strange movie- a bit hard to get into- I only fully understood the plot the second watch, even though it's not that complex.

It would spawn a video game sequel, Tron 2.0 (2003). Years later, in 2010, another sequel would come out, setting the current canon timeline (think of a Star Wars legacy canon and disney canon or Star Trek alpha or beta timelines- that's how the fans treat it) Tron: Legacy.

There were also other supplements, the ever mourned, cancelled after one season cartoon midquel Tron: Uprising- tie in video games and comics and a complete ARG before the release of Legacy. Then there was the planned third movie. It languished in development hell, canceled and uncanceled. (There's more complexity there, involving even, Tommorowland (2015) and of course money.)

Now what we're getting is Tron: Ares. A movie that doesn't even feature the actor for the character Tron, Bruce Boxleitner. There's also the fact that Cindy Morgan who starred in the original movie and original video game sequel was always ready to come back has now passed away. Jeff Bridges is set to return in some capacity, the most well recognized actor from the franchise to the point people assume he is the actor who portrayed Tron.

The first short trailer shown for Tron: Ares shows fundamental flaws in misunderstanding the concepts in the prior works, watering it down to an aesthetic. Most fans I've spoken with have little hope for a good movie at this time. It even stars the controversial actor Jared L*to as it's main character! All of these are red flags.

So, to those who read, please know, after waiting for a decade, Disney has decided to shill out a product with less love than any prior element in the franchise. And I mean even less love than the tie-in movie games for Legacy, of which are of varying quality. This is likely due to the opening of the US version of the Tron rollercoaster. The rollercoaster has more love and attention in it than the trailer shown. And with complete love to it and what I've seen of it- the movie should be a higher quality than a rollercoaster in terms of story and lore.

Our only current hope is for more visual novels after Tron: Identity was released in 2023. And I suppose the NIN fans will get a soundtrack.

Disney does not care about it's audiences. But it especially does not care about Tron fans.

[eowynstwin]

Ayo... you by chance got any Ghost headcannons?

BOY DO I. Here’s what I want to talk about though:

I don’t think Ghost resembles the frankly weird, ultra-dom sex god that fandom has made him out to be. Man wears a mask, self-reportedly, even to sleep. That is LITERALLY the most repressed thing I can think of outside of the church itself.

That’s not to say I don’t think he’s great in bed, but it’s for different reasons that apply also to his overarching character. I think the Ghost persona allows him to be Simon without actually being Simon. The mask allows Ghost to trick himself, to say, “Simon Riley is dead and I am his Ghost” in order to deal with the cognitive dissonance he has of living with extreme trauma.

Soooo, Ghost is more expressive, more himself, really, with the mask on. He can do things as Ghost that Simon Riley just would not have the strength to do anymore. He can connect with his teammates, spend time doing things he enjoys, and yes, he can have and enjoy sex.

While I don’t prefer to rely on actors’ interpretations of the characters they played, I do agree with Samuel Roukin on this—Ghost doesn’t date. Dating is a game for people who are alive. Simon is not. Ghost is “not.”

When Ghost wants to get laid, he follows the age old tradition of picking someone up when he’s gone out for drinks. He’s not opposed to having sex with coworkers, I think, but what happens in the bedroom holds absolutely no bearing on his professional relationships with them.

Boundaries on the whole are sharp and immutable—don’t ask him about work. Don’t ask him about his past. He’s not there for you to get to know him. Follow those rules? He’ll do anything you want.

Mostly though, he fucks you like he wants your body to be unable to forget his. Ghost, for all his insistence to keep things casual, still longs for human connection. He has a hunger for people, for intimacy, born naturally out of an incredible lack of it. So if you do get him into bed, it will feel like Ghost is desperate for you, has wanted you for longer than he’s even known you.

Also, if you follow his rules, he’ll usually come back to fuck you again. Ghost doesn’t want anonymous, doesn’t want someone new every time. Knowing you, knowing your body, knowing what you can do together, is a part of the act that stems the tide of his loneliness. He is very perceptive, and enjoys making a mental catalogue of the things that wreck you. The only thing he enjoys just as much is when you show that you know, too, how to wreck him. It is a deep, ineffable satisfaction, having sex as a vehicle for knowing and being known.

He will overindulge—in his opinion. Ghost always thinks he’s talked to someone too much, spent too much time with someone, fucked someone for too long. It’s a byproduct of trauma borne of a difficult family life. Building something real with someone else represents a massive risk that has only proven detrimental to Ghost in the past—to Simon.

If he catches feelings, his instinct is to sprint in the other direction. He will withdraw, become hard to get into contact with. It is never out of cruelty on his part, and if you do manage to get ahold of him, he won’t snarl at you like his father snarled at him, snarled at his mother. But if you pressure him, demand his time, push him for what he has explicitly told you he will not give, then he will pull out the explanation that always works for him: “You know what this was.”

If you don’t pressure him though—if, when you get ahold of him, you just tell him that you’d like to see him again? That he’s always welcome? Ghost is drawn like a moth to a fucking flame. He’ll hate himself for it, for needing you, for being stupid enough to want you, but he won’t be able to help it. And he won’t stop himself, either.

Give Ghost time, and he will become your shadow. You will never need to look very hard to find him. You will never need to worry about being alone. There is nothing, when he is yours, that will keep him from coming back to you.

[metalhoops]

Steve never liked the cities. 

They were always too crowded, too noisy. He liked Hawkins. He liked a quiet life in the suburbs. It was part of the reason he’d never gone to college, that and having to worry about his adopted band of misfit kids and the hell dimension that opened every year. Yet, somehow he found himself on a weekend trip to Chicago.

It was all Eddie’s fault. He had to pick some things up from a music store in town for the band, he’d mention strings or amps. Steve only half understood. It was an excuse for Eddie to take his van to Chicago. Steve had been surprised to find himself invited.

“You never leave town since Vecna went dark, dude. How are you going to travel around with six kids and a Winnebago if you never leave Hawkins?” Eddie asked, somehow managing to convince Steve to join him. 

They took turns driving Eddie’s van.  Eddie’s choice of music was questionable, but his version of road trip games was even more worrisome. They’d been travelling behind an old truck for the better part of an hour when Eddie kicked his feet on the dash and questioned,

“What do you think would be the worst way to die right now? Because I’ve spent the past half hour watching that guy’s toolbox rattle around and I’m convinced a nail gun to the head would be a killer way to go.” 

Steve should’ve known better, but he’d give anything for a distraction from the long stretch of road. 

“Probably getting set on fire at a pump while you insist you need a smoke the second we pulled over at the last gas station,” Steve noted, switching on his indicator and passing the vehicle, using all the horsepower the poor-beat up van had. 

“And here I was thinking I had a twisted imagination,” Eddie spoke, before listing off a series  of more gruesome scenarios. 

By the time the two reached their motel, Steve felt strangely lighter. Whether it was the distance from Hawkins and the trouble it had caused him or because he and Eddie had spent an hour listing out worst-case scenarios until they felt comical and absurd instead of real and imminent threats, he didn’t know. Being trapped in a town with a rip in the fabric of space and time had a way of making you always feel on your guard. That night the two slept quickly and soundlessly. 

It was when they walked through town Steve remembered why he hated cities. He was left shuffling through unfamiliar streets, elbow to elbow with strangers, trying desperately to keep up with Eddie as the man weaved and ebbed with the crowd as Steve used to slice through water. Eddie was one with the city. Steve was apart from it.

Without thinking, Steve reached out, grabbing onto the hem of Eddie’s jacket, letting himself be guided. Eddie showed him where to step, how to move. He kept his head down and followed Eddie’s lead to the music store. Much to his surprise, when they were all done, and once more ready to head back into the fray of the foot traffic, Eddie offered the crook of his elbow for Steve to hold onto. 

“Hey, it’s easier than you almost tugging a hole in a perfectly good jacket. You don’t have a good track record, Harrington,” Eddie teased. He had a point. 

He hadn’t meant to make a habit of it. Yet the small action of latching onto Eddie to keep him at arm’s length followed the two back to Hawkins. 

The thing about hanging out with Eddie was that the man was surprisingly hard to keep up with. He was always rushing places at the drop of a hat, jerked one way or the other by whatever flight of fancy caught his attention. 

He’d be beside Steve at the Family Video store one minute, then darting to the horror section driven there by some tangential conversation, which then of course, would lead him to remember some old sci-fi film and send him running to the sci-fi section, only to find it lacking. That would lead him to Robin and their extensive movie catalogue on the computer, all the while, he’d still be talking to Steve. He found it easier to keep up with Eddie if he had a hold of him. 

He’d find his fingers tucked into the crook of Eddie’s elbow, hooked in the chain of his jeans or clinging to the cuff or hem of his shirt and trailing in the wake of him. 

Contrary to popular belief, Steve wasn’t an idiot. Not when it came to social situations. He knew being extra touchy with Eddie was something he could only do in certain situations. He was hyper-aware of it when he’d made the mistake of hooking his thumb into the back pocket of Eddie’s jeans in the arcade. The two had driven the kids there and were wasting time bouncing between watching the kids and playing pinball. 

A group of teenagers had been gawking at the two already, likely trying to work out what twist of fate had landed the former king of Hawkins High and current school Freak together. With the action, the mumbled whispers turned into slack jaws and less favourable words muttered just loud enough for Steve to hear. 

Steve wasn’t an idiot. He knew what it looked like. He would be lying if he said he didn’t want it to be like that, not that he’d voiced any of it. Not yet. He needed to do it in a town where people didn’t know his name, so people wouldn’t talk if he was reading Eddie all wrong. He didn’t think he was, he was good with reading people. 

In a crowd, holding onto Eddie was okay.  On their increasingly frequent trips to the city, Indianapolis, Chicago, and Fort Wayne. When no one else could see, that was okay. In small-town Hawkins, in broad daylight, it wasn’t. 

Steve suddenly understood the appeal of the city.  

[ladamedusoif]

Provenance

A Gentleman Thief x F!Museum Professional Reader Story

Part of the HCU (Heritage Crimes Universe) - click for masterlist

Pairing: The Thief (Casillero del Diablo) x F!Museum Professional Reader

Summary: Two months after their reunion, the museum curator finds herself on an unexpected Parisian adventure. 

Content warnings: Smut; Oral sex (F receiving); unprotected but safe PiV sex; discussion of contraception; alcohol consumption; angst; discussion of illegal acquisition of stolen objects during WW2; (ethical) heritage crimes; theft; sort-of fluff; no physical description of Reader beyond her professional attire, though she has a nickname (chérie).

Rating: E (18+ MDNI)

Word count: ~7,500

A/N: They're back! The Thief is just too charming to resist. A follow-up to My Kiss, Only For You and Reunions.

I am no longer using a taglist: please follow my writing blog @ladameecrit and turn on notifications to keep up to date with my work.

The package is, unmistakably, a book. Wrapped in brown paper, a neatly-typed address label affixed to the front. No return address. 

It’s pretty explicitly addressed to you, though. Right down to the department. You rack your brain, trying to remember whether you’d ordered something and forgotten. Or maybe it’s a gift?

You slip it out of the wrapping carefully. The dust jacket design suggests it’s from the 1950s, 1960s at the latest, but it’s in impeccable condition. 

The Museums of Paris: A Guide

The front cover features a photo of the Louvre, the facades still soot-blackened before their cleaning in the later part of the twentieth century, with beautifully-dressed tourists milling around the old entrance to the museum. 

Before you can leaf through the book, seeking a receipt or gift card or invoice of some kind, your desk phone rings. The museum director. And they want to speak to you: now. 

***

“We’ve had an…unusual request.”

You slip into the old leather chair opposite the director’s desk, covered in papers and catalogues. “An unusual request?”

She takes off her dark-framed glasses and smiles. “One of our major donors. They’re potentially about to buy some important art objects from a private Parisian collector, and we are hoping that - in time - they might donate them to us.”

“Okay…”

“But they don’t feel entirely confident appraising the collection without expert guidance.”

You nod slowly. 

The director looks at you as if she’s waiting for the penny to drop. 

“They want you to go to Paris with them, as an expert consultant. They will pay for all your expenses, travel, per diems - the lot.”

You just about manage to stop your jaw falling open. 

“Um…why me? I’m not one of the senior curators or object specialists, maybe they…”

She holds up a perfectly-manicured hand. “Stop there. The donor has explicitly requested you. They believe you are the best equipped to manage their needs on this job.”

“Uh… okay. So, when do I leave?”

She grins. “Two days’ time. And bring some decent clothes - you know how formal some of the French collectors can be.”

As you return to the office, a sensual memory flashes through your brain. Velvet, the colour of good Burgundy wine. Soft lips, coarse beard. Warm bodies pressed together. The most intense orgasm you’ve had in years, maybe ever.

It couldn’t be, surely. It was almost two months since that night and there’d been no missive, no note, nothing. The director said “them”, didn’t she? Not “he”. 

Besides, she’d said the donor was buying the objects. Not, you chuckle to yourself as you sit at your desk, stealing them. However ethical his motives may be. 

Still. No harm in packing some nice lingerie. Just in case.

***

It is still dark when your phone buzzes to let you know that the car - paid for and sent by the client - is waiting outside, ready to bring you to the airport for your transatlantic flight to Paris. 

You’d expected an Uber, not the gleaming black vehicle pulled up outside your building. Suitcase securely stowed, the driver points out the bottled water and snacks located in the back of the car as he sets off through deserted city streets. 

The surprises keep coming. You are in business class, not coach, for the long flight, resisting the urge to kick your feet and squeal with delight at the unexpected luxury. A smartly-dressed man holds a sign with your name on at Arrivals, and for a moment you wonder if this is the client. He’s another driver, of course - a charming and funny young Frenchman called Youssef, who speaks English with a vague American accent he says he picked up from TV and movies. 

Youssef whisks you into the city, pointing out landmarks along the way. The Eiffel Tower comes into view on the other side of the river as the black car negotiates elegant, narrow streets lined with perfectly-maintained nineteenth-century apartment buildings. 

“Et voilà!” Youssef stops the car and hops out to retrieve your suitcase. You step out, expecting to see the entrance to a hotel - but instead it’s just another residential building, sealed off from the city by two huge, heavy, dark green doors. 

With a bright smile, Youssef taps a little tag off a keypad and one of the doors swings open, revealing a passage leading to a gorgeous courtyard beyond. He refuses your tip - “it’s all good, madame!” - and instead picks up your bag and leads the way, opening another door to reveal the entrance hall proper. The marble floor is polished to perfection; dark red carpet covers the staircase that wraps around the elevator shaft; and there is not a sound to be heard.

”Sixth floor, madame. They’re waiting for you there.” He slides back the door of the elevator, slots your case in beside you, and presses the button. “Have a nice day!”

The elevator is old - possibly pre-World War One, you muse, unable to turn off the specialist’s mind - and slow. As it ascends, you take a moment to gather your thoughts and process this strange little adventure. 

If this was a movie, you’d be walking into a meeting of a criminal gang - or maybe to your death, you suddenly think, panic taking over for a second as the lift comes to a shuddering stop and you step out onto the sixth floor landing.

There is only one apartment entrance up here, as far as you can see. Dark red double doors, perfectly polished brass doorknobs and fittings adorning them, and a tiny doorbell discreetly tucked alongside the doorframe on one side. 

You close your eyes, take a deep breath, and hover your finger over the button. 

The door to the apartment swings open just as your fingertip makes contact with the doorbell, setting off a loud, sonorous bell somewhere within and making you jump.

”Bienvenue, chérie. Come in, won’t you? I do hope I haven’t frightened you.”

***

“You know, if you wanted to ask me out again you could have just called or emailed, like a normal person.”

He hands you a cup of strong black coffee and joins you on the couch in the apartment’s enormous living room. 

“Do you think I’m a normal person?”

You take a sip and chuckle. “You are definitely not a normal person.”

He smiles in satisfaction, eyes taking you in from head to toe as you feel a warmth building deep within.

”It’s very, very good to see you, chérie.” His voice is warm and honeyed, an inviting purr that makes you ache between your legs. 

Today, he is wearing a black cashmere turtleneck with a pair of perfectly-tailored grey dress pants and some heavy, brown-framed glasses. It’s all you can do not to climb on top of him. 

“It’s been almost two months, Thief. Did you forget about me?”

He shakes his head, eyes softening with what you want to believe is genuine regret. “Never. I had to spend some time away, in South America - dealing with the family business, you know - and then I came here, to look at Madame Deseine’s…collection.”

The way he enunciates the final word gives you pause. What was in this “collection”?

“So my invitation here was just an excuse to see me, is that it? Because you weren’t back in the city yet?”

He looks at you in surprise. “Of course not! I mean, I’m very happy to see you again.” A little smile, eyes twinkling. “But no, I need your expertise. And your company is…a nice bonus.”

“My expertise?”

He sits back and crosses his legs, holding your gaze. “You are a specialist in the kinds of decorative arts and objects in Madame Deseine’s collection, I believe. And you are fluent in French. Year abroad in Lyon, correct?”

Your mouth falls open and you quirk your head. “How did… have you been… were you digging for information on me? That’s a violation of trust, and -“

He interrupts your fury with a chuckle. “Chérie, it’s all on your museum staff page profile. Qualifications, time abroad, special areas of expertise.”

You blush, embarrassed, and stare down into the dark swirl of your coffee as an awkward silence takes hold in the apartment’s tasteful interior. 

“I’m sorry, chérie. I didn’t mean to make you feel uncomfortable. Trust me, you are exactly the right person for the job.” 

He extends a hand towards yours, long fingers gently stroking the back of your hand. When you look up, his dark eyes are warm and genuinely apologetic. 

“I guess I’m not used to being…pursued, like this.”

He arches an eyebrow. “In what sense?”

You smirk and stand up. “In every sense, Thief. Now: are you going to explain this ‘job’ to me or not?”

His gaze - taking you in, a smile on his lips - is enough to set you aflame. 

“I am. But over dinner, I think.”

***

The waiter perfectly pours a little more white wine into each of your glasses before returning the bottle to the stainless steel ice bucket and leaving the two of you to your meals. 

He raises his glass to you, and you return the gesture.

You were not surprised when the car had pulled up outside an elegant, discreet restaurant tucked away in the Seventh Arrondissement. It was exactly his style: subtle, timeless, and exuding quality even before he held the door open and you stepped inside.

“So.” He swallows a bite of his monkfish and takes a sip of wine. “Madame Deseine.”

“Madame Deseine.”

You start to eat your meal as he explains. A genuine and respected art collector, Madame Deseine lived outside Paris in her family’s country estate, surrounded by an exceptional array of mostly nineteenth and early twentieth-century paintings, decorative arts, sculpture and furniture. As she grew older, she had begun to sell some parts of the collection - but remained extremely guarded about its exact contents.

“There are some…questions about the provenance of some of the items in the collection, or at least items we think are in the collection. Mostly late nineteenth-century decorative arts - clocks, vases, that sort of thing - but also some small art nouveau sculptures and figurines.”

You take a sip of your wine and narrow your eyes. “And this is where you come in?”

He nods. 

“You’re planning to steal some of her collection?”

He shakes his head, pauses, then nods before shaking his head again.

“Kind of, not really. Didn’t you hear what I said about provenance?”

“You think she’s not being entirely honest about her methods, about how she came by the collection?” In a world increasingly attuned to the repatriation of looted and stolen objects to their rightful place, you were deeply familiar with the importance of the provenance paper trail. 

He dabs at the corner of his mouth with the linen napkin. “Some of the collection. I believe that some of the collection came into her family as a result of looting and theft, that these items were not restored to their rightful owners, and that she is well aware of this fact.”

“You know that some of the most important art collectors in France before the war were Jewish families, no doubt.” You nod and he continues. “And that many of those families, even if they were in the minority lucky enough to escape the round-ups and the camps, had to leave behind those collections.”

”And when they were gone, the collections were…dispersed.”

He shakes his head. “Not dispersed. Stolen. Some of the surviving members of those families had their possessions located and restored, but not all. And I have been reliably informed that some of those missing items are currently in the hands of Madame Claudine Deseine.”

You swallow a bite of your salmon and size him up. “Aha. And this is why an ethical gentleman thief is required, I suppose?”

He gives you a knowing smile. The way the candlelight catches the coppery flecks in his brown eyes makes your breath catch for an instant. 

“I have been asked by a number of individuals to retrieve the objects stolen from their families over eighty years ago, and which have made their way into Madame Deseine’s collection without regard for their provenance.” He chews thoughtfully on a steamed green bean. 

“So where, exactly, do I come in, Thief?”

”I am going to buy some of the collection. But in order to be sure that the missing objects are in the Deseine chateau and to cross-check the gaps in the provenance records…I need to gain her trust. Or rather - you need to gain her trust.”

You raise your eyebrows and take another sip of wine. You might need something stronger by the end of the night.

”You aren’t seriously asking me to steal art, are you?” you hiss. He shakes his head furiously.

”Absolutely not. But I know Claudine Deseine’s reputation, and I know she won’t just let a potential buyer see the whole of her collection. She will, however, be a little more welcoming to a specialist who has kindly agreed to evaluate the items properly. Oh, and to look through the provenance records, to save us all time.”

”So what, I just turn up with you and hope she lets me into her secret stash of stolen stuff?”

He chuckles at the alliteration. “Not quite. But you may need to butter her up, tell her you’ve heard extraordinary things about the rare items she has, ask if she might let you see these things you’ve only read about in catalogues. And when you’re in, you can use your expertise to confirm that these are the items we are looking for, and then look for any gaps or obvious forgeries in the accompanying paperwork.”

”And how, exactly, do you propose to liberate the items from this chateau?”

He taps his nose. “Chérie, telling you that would make you completely complicit. I will handle it, you will wait in the apartment.”

You purse your lips. “I can’t believe I’m actually agreeing to this.”

He tilts his head to the side. “Deseine has knowingly sat on these things too long - why else would she hide these valuable items from any public descriptions of her collection? The government ignores the claims from the descendants because, for the most part, they live in the US.” He finishes the remaining wine in his glass. “And I, personally, cannot resist a challenge.”

“I have one condition. Apart from not becoming more implicated in this than I already am.”

“Name it.”

”That. That’s my condition. I want your name.”

He chuckles and looks down at his empty dinner plate. “Chérie, I cannot.”

”You’re asking me to help you steal back some very valuable art, and you can’t give me your name?”

”If you know my name you will know too much. And I don’t know why you need to know, anyway.”

You roll your eyes. “I like to know who I’m working with. And, on occasion, who I’m sleeping with, or who’s eating me out on my desk.”

To your satisfaction, he splutters on his sparkling water. 

”I still can’t tell you,” he says, recovering his composure.

”Nothing stopping me guessing, though,” you whisper mischievously. “Let’s see. Giacomo.”

He gives you a withering glance.

”Not that, then…Pietro.”

An eye-roll. 

“Dave.”

”Do I look like a ‘Dave’ to you?”

You giggle as the waiter takes away your empty plates. “No, that’s true. Pierre?”

He groans and shakes his head, but his smile is unmistakable. “Don’t make me regret this, chérie.”

***

Back in the apartment, he rummages in a sideboard filled with bottles of various liqueurs and spirits, before producing a bottle of Courvoisier and two cognac glasses.

“A little digestif, if you’d like?” 

You accept your glass gratefully and inhale the complex, fruity aroma of the alcohol, swirling it gently before taking a sip. Its warmth radiates through your body and you close your eyes and savour the sensation, tucking your feet under you as you cosy up on the couch.

“Tell me about the apartment.”

He smiles, looking around the spacious living room, its nineteenth century interior fixtures somehow matching perfectly with the array of impeccably-chosen twentieth-century furniture. 

“My great-great-grandfather bought it, not long after this building was constructed - late nineteenth century, I think. The family business frequently brought him to Paris, and he needed a base.”

“And the family business is…?”

He huffs a laugh. “You are persistent, chérie. Wine. The family business was - is - wine.” 

You raise your eyebrows and nod as if extremely impressed, and he chuckles, revealing the laughter lines around his eyes that lend his handsome face such character. 

“Well, I can’t pretend to be an expert - what do they call it? An…oenophile, is that it? - so I’m not going to ask for any more details, fear not. My wine knowledge extends no further than ‘that’s quite nice, isn’t it.’”

He feigns horror, recoiling back into the cushions of the sofa. “Chérie, I am going to have to pretend I didn’t hear that.”

You giggle and take another sip of the cognac. “I’m willing to learn, though.”

“That so? Well, I can be your guide, if you’d like.” He finishes his cognac and licks his lips as he looks at you. 

“I…I would like.”

He smiles, takes your glass, and stands up. You follow his lead, wandering behind him into the kitchen where he deposits the empty glasses on a pristine countertop. Every fibre of your being wants to reach for him, to pull him to you, to have him there and then.

“Chérie, I…didn’t want to presume anything.” He swallows hard and turns to face you, eyes a little wary. “About, uh, sleeping arrangements. Hence the guest bedroom.”

You had changed there earlier - a bright, pretty bedroom at one end of the corridor running along the apartment, complete with its own small en suite bathroom. 

“Oh. Of course.” You flush. “A busy day tomorrow.”

His hand finds yours, long fingers caressing yours before he brings it to his lips for a soft, sustained kiss that does nothing to quench the flames of your desire.

“Indeed. That said, if you want company…”

You see the spark in his eyes: teasing, playful, almost daring you to act first. Instead, you meet his gaze with an enigmatic smile.

He pulls away slightly and arches an eyebrow. “If you want company, I am just down the hall. Bonne nuit, chérie.”

***

In the quiet of the guest room you slip out of your clothes and into a wine-coloured silk robe you’d found hanging on the back of the door, freshly pressed. You retrieve your washbag and toiletries and set about your nightly routine. 

You hoped it would be a distraction from the ache between your legs, from the memory of his hand on yours, from the way he looked at you, from his offer of company. From the wet patch you’d noticed on your panties as you undressed. 

“Fuck.”

You close your eyes and lean on the sink for a moment as you take a deep breath before reaching for your moisturiser.

***

He’s sitting on his bed, stripped to his boxers and clad in his own, navy blue silk robe. It hangs open around his body, the colour a perfect complement for his golden skin. 

A knock. He lifts his head from his papers.

“Come in, chérie.”

She peeks playfully around the door. “I was wondering if that offer was still valid. I think I do want some…company.”

“It’s still valid.” He tidies away the paperwork and pats the space beside him on the large bed. “What kind of company did you have in mind?”

She crosses the room, hands reaching for the sash of her guest robe. It falls open as she reaches the bed, revealing the lacy bra and matching French knickers underneath. He inhales sharply, cock twitching at the sight. 

“Up to you. This is your turf, after all.” 

“Ah, but you’re the guest, chérie. Your preference is what counts.”

She shucks off the robe and climbs onto the bed, swiftly straddling him. With a slow roll of her hips, she drags her pussy over his hardening cock, the outline visible under his dark boxers.

“This is my preference. Does it work for you, too, Thief?”

He answers with a hungry kiss as he pulls her tight to him.

***

He tastes of mint and cinnamon and the faintest trace of Courvoisier. You had missed his mouth.

His fingers unhook the clasps of your bra and he tugs it off you, discarding it to a corner of the room. He breaks the kiss, lips pink and wet, and turns his attention to your tits: cupping them, fondling them, squeezing them with his broad hands before he starts to suck on each nipple in turn.

You toss back your head and bite your lip, stifling a loud moan. He releases your breast with a pop of his mouth.

“This apartment is the entire top floor, chérie. You can be as loud as you wish.”

Two fingers tug aside the crotch of your panties and find the warm wetness that’s been building between your legs all day. He looks up at you and grins. 

“On your back, amor.”

French knickers off, he gently pushes your thighs back before resting your legs over his shoulders. He buries his face against your pussy with a delighted groan, the delicious timbre of his voice rumbling against your core. 

He licks a long, slow stripe from your entrance to your clit, a hand pressing against your belly as your hips instinctively buck upwards with pleasure and need. His tongue swirls lasciviously across your folds, lapping up the wetness, before he begins to suck on your clit. Slow at first, a gorgeous torment; then faster, more insistent, the tip of his tongue flicking over and back over the swollen nub rhythmically in time with your needy moans and whimpers. 

He keeps it up as he slips first one, then two fingers inside you and hooks them just so, chuckling when you cry out.

“Fuck…I’m close, I -“

You let go. You come hard against his face, ecstasy coursing through your body as he keeps on fucking you through it with his fingers, gently pulling out when he senses your overstimulation. 

He moves up and lies beside you, face to face. 

“You enjoyed that.”

You try to slow your breathing. “You think?”

He chuckles, tracing the curve of your hip with his hand. “I enjoyed it, too.”

“And no jewel theft involved this time. So far, anyway.”

He closes his eyes and smiles, humming contentedly as he reaches for your breast, idly rubbing your nipple with his thumb. 

You study his features for a moment, noting the handful of freckles on his face, the way his dark lashes look against his cheeks, the gloss of your own slick shimmering across his pink lips, his chin, his moustache. 

This time, when your tongue swipes against his mouth, he tastes of you. 

You gather some of your own wetness on your fingers by way of lubrication, before tugging down his boxers and taking his cock in your hand. He closes his eyes as you stroke him slowly, steadily, feeling him growing harder under your careful touch.

With your free hand you caress the side of his face, thumb rubbing gently against the grey patches in his beard. 

“I want you, Thief.” 

He opens his eyes and smiles before gently moving your hand away from his cock. He shucks off his robe and shifts into position above you, arms caging your body on either side. 

“You know, I’m on birth control,” you whisper, looking up at him through your lashes. “And you were the last person I was with, and before that…well, it had been a while.”

He quirks an eyebrow. “Same. Well, not the birth control, evidently…but the rest. No one but you, not for some time. So…?”

You trail your fingers over his chest, dappled here and there with freckles, and he leans down to kiss you. Different, this time - softer, less desperate, more…tender.

“So you can have me bare, if you want.” 

“Oh fuck, chérie. Yes. Please.” He gestures with his head. “Turn, get on all fours.”

You do as you are told, teasingly wiggling your ass at him once you’re in position. He gives it a light slap and you squeal approvingly until the feeling of his cock opening you up makes you catch your breath.

He sinks slowly inside you, pausing when he’s fully sheathed in your warm pussy. You can hear his breathing becoming a little ragged, hitching as he adjusts to the feeling.

”Feel good, Thief?”

”Incredible, amor. You?” 

“Fucking amazing.”

He takes you slowly at first, a long drag out, a quicker thrust back inside, and builds up a rhythm quickly. The angle is nothing short of perfect and you bury your face against the covers, whining with pleasure. He reaches down and grabs one of your breasts, fingers pressing into the flesh as he fucks you harder and faster. 

“Such a beautiful body, amor. So soft and warm and fuck, such a tight little pussy for me. You feel so perfect on my cock.”

He’s hitting you just right now, another orgasm building rapidly until you come for the second time, muffling your cries in the blankets. You turn to look at him: broad body glistening with perspiration, errant curls falling over his forehead and darkened with sweat, that gorgeous head thrown back as he gets closer and closer.

”Come on, Thief.” You purr your encouragement, never taking your eyes off him. “Come on. Come. Fill me up.”

He comes hard, with a loud cry, hands gently caressing your hips as he finishes deep inside you. 

”I think you missed me.” 

He flops back on the bed and turns to face you as you nestle against him. A mischievous grin plays around his lips. “What on earth makes you say that, chérie?”

You kiss his forehead, tasting the salty sweetness of his damp skin. “Just a hunch. By the way, I have an even better reason why I need to know your name.”

He groans and rolls his eyes affectionately. “Well?”

”Well…if I knew your name, I could scream it out loud the next time you make me come like that.”

His eyes widen and he grins. “You could, I suppose.”

”So? What’s your name…Pablo.”

He fixes you with a teasing glare. “Not Pablo.”

”James. Jimmy. Jimbob?”

He can’t help but burst out laughing this time. “Fine. Fine. Let’s make a deal. If we succeed with Madame Deseine, I’ll give you a name.”

”A name?” The distinction is striking.

”A name. It may or may not be my name. But it will be a name. Deal?”

“Deal.”

***

The morning mist hangs low over the French countryside as you drive through the enormous gateway that divides the Deseine estate from the rest of the world, and follow the long drive up to the chateau proper.

You had expected that Youssef would be on driving duty. But it was your gentleman thief at the wheel of the understated hire car, confidently navigating the autoroutes and trunk roads that led to your destination. For a moment you imagine a parallel universe where you are just a normal couple on a normal holiday, not a nameless thief and a museum curator plotting to relieve a woman of her family’s ill-gotten gains.

He had slept well, it seemed. You? Not so much. In the wee small hours of the morning, you lay awake, listening to his steady breaths and ruminating over what, exactly, you were doing here - and why.

He isn’t your partner. Not your boyfriend. Hell, you don’t know if you could call this “dating”. You don’t even know who he is. He stole from your employer because you let your pussy override your brain. He brought you to Paris to aid and abet in another theft. And, instead of turning on your heel and trying to protect your professional reputation, you’d not only agreed to his scheme - you’d fucked him. Again. 

You’d tossed and turned on the pillows as you tried to quiet your mind enough for sleep. Was this really just about sex? Or was something else pulling you into each other’s orbits?

The Deseine chateau emerges at the end of the driveway. It appears at first glance to date from the eighteenth century, with some later additions and extensions. He pulls up near the main door and hops out of the car, quickly bounding over to the passenger side so he can hold the door for you. 

“What a gentleman,” you whisper, straightening the smart blazer and palazzo pants you’d worn for the occasion. 

“At your service,” he replies with a subtle wink. “Just as I was when you needed…company. How are you feeling this morning, by the way? Satisfied, I hope.”

Before you can answer, the enormous main doors of the chateau swing open and a petite woman with snow-white hair emerges, clad in a vintage bouclé Chanel skirt and matching jacket. He moves swiftly up the steps to shake her hand, speaking too quietly for you to pick up on whatever name he’s using today.

“And this is my expert, my advisor, my guiding light!” He gestures towards you, motioning for you to join them. You introduce yourself with a bright smile, trying to read the older woman’s expression, to get a sense of how you might gain her trust.

“It is an honour to be here, Madame. I’m so excited to see the collection.”

Claudine Deseine casts an appraising glance over you from head to toe. Seemingly satisfied, she extends her hand in greeting and addresses you in clipped, precise English. 

“It is very special, I think you’ll agree. Now, do come in - I’ll have my housekeeper Maryam bring us some coffee, and then we can take a look at the objects we’ve discussed.”

***

He is gentlemanly charm personified, you think, watching him follow Madame Deseine around the house. He flirts just enough to have the older woman like putty in his hands, listens attentively, laughs at her jokes, and looks at her with a familiar twinkle in his eyes. 

The recognition gives you pause, but you push it to the back of your mind. You have a plan to stick to today.

She leads the two of you into a bright room at the back of the chateau, overlooking a gorgeous French-style formal garden. “Well, here they are.” She gestures towards a large oak table in the middle of the room, where a variety of figurines and decorative objects are set out. You’d known what to expect: mostly art nouveau, dating from decades either side of 1900; some bronze figures; some beautifully-decorated ceramics, glazes still bright and vibrant; and what you immediately recognise as a small, early Lalique crystal vase.

He claps his hands together in what looks like genuine delight, eyes widening as he moves closer to the table. “May I?”

Madame Deseine beams and nods. He carefully picks up one of the vases, inspecting the swirling, sinuous curves of its painted decoration before checking the makers’ marks on the bottom of the piece. 

“Extraordinary,” he says in a rapt whisper.

“Madame?” She turns to face you. “Would it be possible for me to see the paperwork while he - while my client is inspecting the objects? It would save your valuable time, and you’ve already been so kind to accommodate us.”

She beams. “Of course. Follow me, won’t you?” She opens another door leading off the room and pauses for a moment. 

“I’ll be back tout de suite, monsieur,” she purrs at him as he peers at a bronze figurine. “Please, make yourself at home.”

“You really are most kind, Madame.” He winks, and the esteemed Claudine Deseine titters like a schoolgirl.

***

She flicks a switch and illuminates a large, windowless room located at the rear of the house, in what you suspect might be the former servants’ quarters. “Et voilà. The archive.”

The walls are lined with shelving, filled with hundreds of archive boxes and files. You begin to scan the shelves, trying to work out a pattern in the filing system. 

“They are labelled according to date of acquisition,” she explains. “Achats, purchases, by year.”

You look at her with an expression that you hope conveys innocent confusion. “Gosh, it’s all such a lot. Could you give me dates for the items being sold? Ballpark, if necessary - I just know he’s a stickler for the paperwork but he’s impatient and he won’t take kindly to me taking a long time in here…”

She smiles and nods sympathetically, and for a moment you feel incredibly guilty. “Ah. Men. I understand, my dear.” She pulls out an unmarked, unlabelled box file from the top shelf and retrieves a spiral-bound book.

“This is strictly entre-nous, my dear. My personal catalogue. Everything by date. Let this be your guide. And now, I must return to monsieur.” She looks at you conspiratorially. “If he becomes - how do they say it, antsy? - then he can simply take a walk in my beautiful gardens, hmmm?”

***

He strolls past the elegantly-trimmed box hedges as he makes his way to the elaborate water feature at the centre of the gardens. He couldn’t quite believe how well it had all worked out, so far - your complaint about his impatience had, as planned, won you her sympathy and with it an order from the lady of the house to go and see the gardens while you worked through the papers. 

If necessary, he’d have feigned illness, claimed he needed some air. But it’s always better when they play right into your hands, with something they believe is their idea. 

The gardens are perfectly positioned to give him a view of the back of the house: the doors leading to a terrace, the smaller windows and discreet servants’ entrance. His dark eyes survey the building closely, making a mental map he’ll refer to when he finalises the plan. He has his suspicions, but he needs you to confirm exactly where the collections are hidden. For now, he just hopes you can unlock the final part of the puzzle. 

***

A knock on the door announces the return of Claudine Deseine. 

“Well, have you found what you needed? I do hope the catalogue was useful.”

Little do you know, Madame. 

You replace the lid on a box of papers and nod at a stack of receipts and records of authenticity relevant to the items he was perusing for purchase. 

“Very useful, thank you, Madame.” 

You swallow hard and slow your breathing as you follow her out of the room. 

“Madame, may I - may I make a somewhat bold request?”

She raises an eyebrow. “You may. What is it?”

“I couldn’t help but notice the entries for some of Lalique’s cire perdue work when I was looking at the catalogue. Pieces so rare that we only know they exist because of René Lalique’s own records…”

“Yes. And?” 

“My masters dissertation was on Lalique, Madame. Is there…would you…could I…?”

She stares at you before her features soften into a smile. 

“You want to see them, don’t you?”

***

“Well?”

He waited until you were out of the estate before asking the question, not seeming to notice how quiet you’d been since getting back in the car.

“They’re there. The three Lalique pieces, that rare Sevres vase. She was only too happy to show me.”

“Did you check the makers’ marks?”

You nod, gazing out of the window. “I did. They’re the right pieces. Those Laliques are one of a kind. In different circumstances, it would have been a joy to see them.”

“And the papers?”

He takes the turn to merge onto the autoroute back to Paris, and you wish the nagging doubts about this whole sorry enterprise - about him - would dissipate.

“The private catalogue clearly states when they were acquired, but with no corresponding archival code numbers. I checked the boxes for those years carefully, just to be sure…but there’s no paper trail. Just a note in each catalogue entry recording the dealer they came from - all from the same man.”

He nods, satisfied. “And the room itself? What’s access like?”

“I sent you some photos earlier.” While Madame Deseine had been taking the priceless objects out of their storage boxes, you had snapped some surreptitious pictures. “Access may not be straightforward, though, given the absence of a window.”

He chuckles. “Leave that to me.”

“Won’t she know that you’ve taken the pieces, by the way?”

“F is for Fake, chérie. Nothing some good forgeries cannot fix.”

***

You spend the rest of the journey in silence, while he rambles about various subjects: French motorways, private chateaux, Lalique’s cire perdue process, in which a vase is formed within a one-off wax mould that was discarded afterwards, rendering the pieces unique - and extremely valuable.

“The descendants of the original owners still have, in some cases, the provenance records for these items,” he explains as he parks the car and taps the sensor to open the door into the building. “And now, soon, they’ll have their rightful inheritance.”

You don’t know whether to snap at him or burst into tears.

He takes your coat and saunters into the apartment’s small kitchen, still talking to you as he audibly potters around, opening cupboards and taking out dishes and glassware. You are not really listening, still caught up in your own thoughts. Why the fuck were you here? Were you really willing to risk your entire reputation for a crush and some sex? You’d been lucky to escape any questioning or punishment after the theft of the ruby, after all. 

And what if, as you wondered in the chateau when he was so flirtatious and charming with Madame Deseine, he was just using you? Your knowledge and your veneer of professional respectability helped him steal. Your desire and your body got him off. Win-win for him, but a potentially devastating loss for you.

“Chérie? Didn’t you hear me?”

He’s standing at the narrow door into the kitchen that adjoins the living room, sweater sleeves rolled up.

“Oh. Oh, sorry. I was miles away. What is it?”

“I asked the housekeeper to leave a light dinner for us, as it’s been a long day. It’s nothing fancy - some salads, crudités, cold cuts and cheeses - but I do have a very nice Sancerre chilled in the fridge…”

You force a smile. “That does sound good. I’ll set the table, if you show me where everything is.”

He cheerily opens the various cartons and tubs of food as you ferry the tableware into the open-plan dining area. Behind his usual charming patter, though, is a man increasingly worried about how quiet you’ve been since you left Madame Deseine and her collections earlier that day.

***

“You know you can talk to me, chérie. What’s on your mind?”

Of course he’s noticed. Why wouldn’t he? His perceptiveness is what makes him such an artful, successful thief.

You drain your glass of Sancerre and look him square in the eye.

“Am I really so different to Claudine Deseine?”

He looks confused.

“Excuse me?”

“Am I really so different to Claudine Deseine? In your eyes, I mean. Are you using me, like you’re using her?”

“I’m not using Madame Deseine. I’m buying some of her collection so I can liberate the really valuable pieces and get them back where they belong. That’s stealing, not using.”

You exhale, long and slow. “I saw you today. Handling her just like you do me. The charm offensive, the twinkling eyes, the flirting. She, at least, hasn’t slept with you - though I wouldn’t put it past you to try if you thought it would have helped.”

The words leave your lips, and you instantly regret it. So much for rational calm. Now you just sound like a jealous lover.

He looks at you, jaw ticking, and a blend of fury and hurt burning in his dark eyes. 

“That’s rather unfair, don’t you think?”

Silence.

“I had to win her over. Just like you did. Or did you forget your part in this?”

“Why am I here, Thief? What do you want from me? There must be hundreds of other experts out there you could have enlisted to help you gain access to the collection, theft or no theft. And if it’s just about sex, well - I suspect there’s no shortage of people who’d be very glad to fuck you. So why me? Or do you just want to ruin me, finish what you started when you tricked and took advantage of me?”

His voice is low and carefully controlled. “You know that’s not what this is, chérie. You know that.”

You push away from the table and stand to face him, flinging down your linen napkin. “So what, then, is it?”

He stares at you and his expression shifts, from glowering to openness. Mouth slightly ajar, he seems to be struggling to find the words.

He can’t even bring himself to say it. Coward.

“I see. Good night, Thief.”

***

Your return flight is booked for the day after tomorrow, and there’s no way you could afford a last-minute ticket for an earlier departure. As you complete your nighttime routine and slip into the guest bed, you resolve to make the most of an unexpected solo day in Paris, looking up current exhibitions and shows at the city’s various museums and galleries. 

You take a herbal sleeping tablet, just in case, and turn off the light.

When you wake in the morning, you find that your pillow is damp from the tears you wept in the night.

His bedroom door is still firmly closed as you pad down the hallway and to the main door. Exploiting you or not, he’d made it clear that he didn’t need you for today, the final stage in his plan. There’s a spare keyfob in the drawer of the small hall console table. You slip it in your bag and head out of the apartment and into the city.

***

Museums afford a kind of sanctuary: a quiet space for meditation, reflection, imagination, escape. On a day like today, they enclose you in a safe, comforting cocoon of art and beauty, helping to shield you from the world outside - and from the raging storm of your own thoughts and worries.

You flash your work ID at the entrance to the Petit Palais and are waved through, past the lines of tourists, by virtue of the international reciprocal entry schemes for museum staff. The current temporary show, on Paris in the first decades of the twentieth century, is just what you need by way of distraction, and you lose yourself in artwork after artwork, in no hurry to return to the apartment. 

At the museum’s garden café, you take your time over coffee and cake, occasionally joined by a tiny songbird who seems hell-bent on helping himself to your snack. His daring raids on your slice of carrot cake help to stop your mind from wandering back to the apartment, to him, and to his journey back to the chateau.

***

He’s gone when you get back. Just an envelope on the counter, addressed to you. Normal service, you think, resumed at last.

Chérie,

As planned, I’ve returned to the Deseine estate to finish what we started. I intend to return later tonight, or in the early hours, but promise me that if I do not return, you will take the flight tomorrow evening. 

You must not look for me. Promise me that.

I hope that I might see you before you leave, one way or the other. 

Know that I care for you, chérie. 

Midnight comes and goes with no sight or sound of him.

One. Two. Three. Nothing.

You close your eyes and force yourself to sleep.

***

He whispers to you in your dreams, over and over. He calls out to you. 

“Chérie?”

You open your eyes. In the half-light, you see him. Hair mussed, eyes wide, face streaked with dirt, stripped to the waist. 

He feels real to the touch: warm, solid, the softness of his middle, the strength of his arms and shoulders. His beard bristles so realistically under your lips that you could almost believe he was there.

“Chérie, I’m here. I’m back. I’m with you.”

Instinctively, you wrap your arms around him and pull him to you, wordlessly peppering his face with kisses before he wriggles down and nestles his head against your chest, holding you tight to him.

He seems unsettled, distressed, even. Perhaps it had been a narrow escape. Perhaps something had gone wrong. 

No matter. You envelop him with warmth and protection. The way he clings to you, needs you, starts to provide an answer to your questions about the nature of his feelings.

You kiss the top of his head and stroke the scruff on the side of his jaw. He pulls away for a moment to look up at you, all softness and awe and warmth. He motions as if to say something, then stops, pensive, and reaches up to kiss your mouth.

“My name is Alejandro.”

Find out more about the Lalique cire perdue technique here!

If you'd like to read more about the great Jewish art collecting families of pre-war France, I strongly recommend James McAuley's The House of Fragile Things and Edmund de Waal's Letters to Camondo.

[sobeautifullyobsessed]

A Khan By Any Other Name

a prequel to Star Trek: Into Darkness

mystery, suspense, danger ~ romance & NSFW material to follow

summary: Seraphina DiPietro is wise in the ways of the world of world; she has to be, as she travels the California coast as a torch singer in pubs, bars, and nightclubs. She knows how to take care of herself and stay out of trouble--most of the time. When trouble comes, it's usually because she lets her kind heart overrule her common sense. Stopping to check on a handsome stranger stranded roadside in the Mojave Desert, her curiousity is piqued as much by his classic, mint-looking Mustang, as by its driver--a tall, dark, mysterious drink of water, whom she quickly learns is so much more than he appears.

characters: Khan Noonien Singh (aka: John Harrison), Seraphina DiPietro (OC)

word count: 2.4k

Chapter One

Her first mistake had been slowing down to have a second look.  Three plus years with a vintage car enthusiast (her ex now, thank god; three months gone and good riddance to him, her mantra whenever he crossed her mind) had ingrained the habit in her. The habit, frankly, plus an appreciative eye for the sweetest of rides.  Thanks to Simon (and his obsession), she could distinguish in seconds between the genuine article and that which easily fooled the masses, a cunningly detailed replica—and the sleek ragtop that looked to have skidded to the side of the road, leaving a spray a gravel and black, burnt rubber in its tracks, was absolutely the real thing.

So she’d slowed down, only half meaning to, cataloguing the fine details and quickly estimating its worth, while admiring its classic lines and the bright flash of its chrome detailings.  Seraphina couldn’t keep from grinning, thinking about how instantly covetous Simon would be in the face of such a find, and how jealous he would feel to know that she had stumbled upon it with no effort whatsoever.

The man bending over the open hood

straightened as she passed, arresting her attention with a commanding, steely gaze that left her feeling like a marked woman.  As though he not only saw her, in her every visible feature, but somehow inexplicably knew her—and needed her.  Vitally, and immediately. Despite the lick of common sense apprehension that fluttered through her vitals, simple curiosity and a deeply embedded tendency to act the good Samaritan had Seraphina making her second, even bigger, mistake of the afternoon--pulling over to park her hovercraft several feet in front of his stalled vehicle.

She looked into her rearview mirror; he had turned to watch how she would proceed, holding his hands up with his fingers splayed wide, surely his way of expressing she could approach him safely.  “Not so fast, buddy,” she murmured, “I wasn’t born yesterday…and I’ve seen your kind before.” Sera cut the engine, pulling the keys from the ignition and flicking the lock mechanism off the small can of mace dangling from her keyring.  She wasn’t so foolhardy as to face the tall, well-built stranger unprepared; nearly a decade of travels up and down the coast of California, performing in seedy, small town dives, then upscale pubs and bars, and finally city nightclubs, had taught her well to be ever on her guard.

And she’d learned a few tricks in the course of her career, for if the mace should fail; she could—and had—flipped a drunk onto his back a time or two, who’d tried to cop a feel when she passed across a darkened dancefloor; and she knew all too well how much force was necessary, knee to groin, in order to incapacitate those pigheaded brutes who wouldn’t take ‘no’ for an answer when they followed her out to the parking lot at the end of a gig. Handsome he might be (decidedly so, she mused, angular features, piercing eyes, thick, dark hair, an errant lock strayed upon his brow; such a striking combination!) but she was not fool enough to ever judge the book by it’s cover.

The stranger stood motionless a moment more, the light breeze ruffling that wayward lock until he brushed it back, a swift yet languid move that spoke of cat-like grace and an elegance that didn’t fit the setting or the way that he was clothed.  He was straight-backed, slim-hipped, long-legged--and poised with a confidence befitting a prince, and not the work-a-day posture of a blue-collar joe or road-weary drifter.  Yet the smile he gave her did not reach his eyes; Sera found it a little feral, and felt her pulse increase as a taste of adrenaline—that trusty “fight or flee” response—hit her system.

But she was already committed, having left the safety and cool comfort of her two-seater; if he was an actual threat, the worse that she could do was show the weakness of timidity now. Sera left her sunglasses in place, determined he would not read a bit of doubt in her eyes or bearing, the can of mace tucked neatly in the palm of her left hand, and walking forward into the dry, baking, Mojave Desert heat.

Sera gave a low but audible whistle, advancing as casually as she could, finally calling out to him, "She's a real beauty--and someone's taken serious loving care of her too." The 300-year-old Mustang appeared as close to mint as any vintage vehicle she had ever seen; given its obvious value, she had to wonder why the hell he would even have it on the road--especially in desert conditions. That instinctive voice of warning sounded an answer in her head: that's because it's not his.

Okay, Sera, she cautioned herself, give him the benefit of the doubt; he could have come by that automobile in any number of ways. She stopped a half-dozen steps from where the stranger stood, aiming to read his reaction as she asked, "Early 21st century, right?"

The man smiled--more sincerely this time--and nodded. "That she is," he replied, sparing a brief look at the stalled car, "Unfortunately, she's not going anywhere, anytime soon." His smooth, deep voice was as pleasant to the ears as his form was easy on his eyes, and his accent distinctly British, leaving Sera to ponder how and why he'd found his way into the midst of the Mojave. "I believe it's the transmission," he added.

In an instant, his eyes flicked downward, as though he registered that small, innocuous movement. She rushed to fill the vacuum of silence that hung between them, hoping to distract him from whatever suspicions her little move might have awakened.  “I know collectors,” she told him, running her right hand through her hair, fluffing it a bit, hoping to draw his eyes upwards again “…fanatical ones, who would pay a small fortune to make such a treasure theirs.”  She leaned toward him, adopting a confidential tone, honest in her curiosity, “However did you manage it?”

Sera could hear the tick of the internal combustion engine as it cooled, informing her he hadn't been stranded long. Surveying the area behind the Mustang, she spotted several telltale puddles of transmission fluid in the car's wake. "Looks like you might've blown a hose," she speculated, indicating the fluid spotting the back trail. "Those kind of parts are few and far between these days...but I bet we can find a mechanic who might be able to juryrig something enough to get you on the road again."

She turned back to find him watching her, his exotic-looking eyes narrowed. Appraising her in a way that made her feel...exposed. Unnerved. Vulnerable. Sera squeezed her hand against the reassuring weight of the small, defensive weapon cupped in her palm.

He inhaled sharply, a fleeting look of calculation crossing his face.  “It was an unexpected…” he paused, studying her carefully, “…but well-timed acquisition of…convenience.”  Such a reply was far too vague to answer her question—but didn’t surprise her in the least.

“Then you must be a man of remarkable luck, Mr…” Sera let her voice trail off with the question, fully expecting there would be little truth in his answer.

And then he was moving past the safe cushion of space between them, extending a large, powerful looking hand towards her, as way of introduction. “Harrison. I’m…John Harrison.” His grip was firm, not too tight, but Sera sensed—felt—a strength restrained that fit his bearing perfectly. Intimidating, but not frightening; confident—and intriguing her beyond her good sense should allow; and his eyes were locked on her, regarding her with such curiosity and healthy appraisal, that she slipped her sunglasses atop her head without a moment’s hesitation, meaning to meet his gaze directly.  

Sera hadn’t realized she was staring until he cleared his throat. “And you are?” he asked, smiling warmly, surely feeling the advantage now of having gotten past her bravado.  Her mouth felt dry—it had to be the arid atmosphere and not embarrassment over her awkward reaction to him--so that her tongue actually stuck a moment before she stammered out her name. “Seraphina.”  She said it rather breathlessly, then bit her lip against revealing her surname.

Harrison had not released her hand, although his grip was gentle, and the warmth of his skin pleasant against her own.  “Seraphina,” he repeated, the small smile creases bracketing his mouth deepening, and a hint of his true smile finally reaching his eyes.  “Lovely name, Seraphina. Exotic in its way, and as rare and fetching as a desert rose.”

Ordinarily, Sera would laugh off such obvious flattery; she’d had enough of it--and insincere at that--throughout her years as a torch singer.  This stranger—John Harrison—looked a better class of man than those who usually tried to ply her with compliments.  That was no reason, of course, to take him more seriously than any of the others.  And yet she felt a sort of…solemnity…about him; a dignity and self-assurance that spoke of a far more purposeful life than those of plain, ordinary men. He was damned attractive too, enough to have her a bit flummoxed at so dear a distance.  

"Seraphina,” he reiterated, teasing the syllables along, the depth and richness of his voice making her shiver a little despite the desert heat. “A derivative of seraphim, the highest order of celestial beings in religious myth.  Heavenly, fiery, winged immortals, tasked with surrounding and praising the throne of god.”  He leaned nearer, well past that unspoken barrier of personal space, closing his eyes while inhaling deeply through his nose, seeming to seek her essence by scent alone.

Such unexpected intimacy left Seraphina speechless, every instinct she had telling her to give ground a step or two—yet she remained still, for when he opened his eyes, she found herself fascinated by their changing hue. Seraphina had never seen such striking eyes on a man before; and she’d have sworn that they were blue.  Pale blue when she’d seen them from a distance, in the bright, unfiltered sun; then a surprising, piercing, azure when she met him face to face.  Now they seem to shift unpredictably from purely blue to nearly green with however the light played upon them, with flecks of gold speckling around the pupils.

“I wonder,” he mused, almost to himself, while Sera remained entranced and silent, unable to look away despite knowing she must look utterly foolish, “Might you be the angel of mercy I’m in such desperate need of?”

Befuddled, Sera sputtered back, "I...um...what?", finally taking a step back and pulling her hand from his grasp.

"I mean to say how fortunate I am, you came along precisely as you did. " Harrison shrugged and took a step back as well, his manner self-effacing enough to lend sincerity to his words. "And that your nature is a kind one--I imagine most women would have cruised by without a care for my predicament, given this isolated location and the potential threat I could embody."

Regaining her composure, Sera lifted her chin proudly, "I've managed to look after myself for many years now, and in dodgier situations." Her usual insoucience restored, she asked the most vital of questions, looking him squarely in the eyes to read the truth before he even answered, "Do I have reason to fear for my safety, Mr. Harrison?"

His eyes widened and he grinned, and then he began to laugh. Heartfelt, and deep in his throat; the rich sound of melted, dark chocolate--the rare sort of sweet that was supposed to be healthy for one, but only if consumed in moderation. A woman could lose herself in such a laugh, she realized, and I'll bet he knows it too.

"If there was any reason at all, you've quite disarmed me already." Now it seemed he was sizing her up beyond first impressions--and liking what he saw, by the look of satisfaction on his face. "I promise you, Ms..."

"It's just Seraphina for now please, if it's all the same to you. " Sera pressed her lips thin against the smile that wanted to break forth, enjoying both his unspoken surprise at her overall boldness--and what she dared to believe was an appreciation for her physical charms.

Harrison acquiesced with a tilt of his head. "Then I promise you, pretty Seraphina, that I harbor no ill intent towards you. And I would be deeply indebted to you for the aid I am sure you intend to offer me."

She felt her cheeks flush at his easy compliment--not taken in, but happy to accept it nonetheless. "Well, it's a shame to have to abandon her here, but the closest hope you have for a spare part--and a mechanic with working knowledge of antique cars--is at least a hundred miles away."

"Alright then," he affirmed, moving past her to slam shut the Mustang's hood, "We should probably be on our way."

"Of course." Sera turned to follow him, wanting a closer look at the rare vehicle before they drove away. "You should put the top up too; you may not make it back here until tomorrow at least."

He nodded again, striding to the driver's side door to start the car and raise the top. Something not quite right here, she thought, frowning; I could swear that this model and the ones that followed, had a remote on the key fob to control the mechanism. It reminded her that she'd initially thought the car did not belong to him--and that somehow she had allowed his charm cause her to lower her guard.

She stepped to the passenger side, hoping for a peek inside to confirm her growing suspicion. "You ought to raise the windows, too," she told him, leaning close enough to peer inside the passenger side window, "No telling what might find its way inside here once darkness falls. It gets pretty cold here at night..." Sera swallowed hard when she got a look at the ignition cylinder; it had been removed from its place beneath the steering wheel and hung down by several wires. The wires themselves appeared to have been rearranged.

Her heart in her throat, Seraphina searched her memory for the word to describe exactly what she was seeing. Hotwired. That's what they called it; a quick and easy way to boost a car. Simon had educated her, marveling at the skill of those he'd read about who could do do in under a minute. She'd never dreamed of seeing something like it up close. Yet there it was, and the man who'd done it clearly hadn't wanted her to see it. Which meant...

He was faster than her by far; almost preternaturally fast. Harrison had grabbed her left arm ( --- damn, he had noted she was carrying something there! --- ) through the window opening, his iron grip digging into her flesh painfully. "Drop it," he ordered her, "Drop it now. I can explain everything if you just remain calm, Seraphina."

She didn't mean to, but she whimpered softly, not only at the discomfort he was inflicting, but also for the cold menace in his eyes. Had she thought them beautiful, compelling, alluring, just moments ago? Now it seemed to her they were the deadliest eyes she had seen in her life.

(to be continued)