#Variety Magazine

[giveamadeuschohisownmovie]

There’s a Variety article I read today that summarizes how I felt about “Deadpool and Wolverine”. It’s a movie that was made by a genuine Marvel fan, from the fanservice to the disses.

The fanservice in this movie feels like it’s targeting the fans that are really into Marvel. Of course, you have yellow suit Wolverine. But there are references that casual fans probably wouldn’t understand, like Channing Tatum playing Gambit, the Wolverine crucifix, and Henry Cavill Wolverine.

The disses in the movie feel like they also came from a Marvel fan. When Wade says stuff like, “You joined at a low point” and “You’ll be playing this role till you’re 90”, those are the kind of jabs that the fanbase would make. Think of it like this. A hater would probably say something along the lines of superhero movies are the death of cinema, or that we should be watching A24 over anything Marvel related. You know, surface level criticisms. A fan would make digs that they could only do if they’ve been following the universe for a long period of time.

For example, I’m a fan, and I know I’ve made jokes in the past about the whitewashing in Doctor Strange. Or that Agents of SHIELD is better than anything in the main movies. Or that the Netflix Marvel shows were so poorly organized that they failed to properly build up to the Defenders miniseries. Or that the people behind the Fox X-Men movies don’t know how to make a good story without Wolverine. Those are critiques, but I could only make those critiques if I’m a genuine fan who consumes this material.

That’s why I like how Variety described Deadpool as if he was a Marvel fanboy. Because he is! He spends a great deal of the movie fanboying over Captain America and Thor, he views the Avengers as the gold standard of what it means to be a hero, he jokes at the expense of Fox and Disney, and he winks at the audience when he knows that the next scene is something that the Marvel fanbase would truly love. Again, the movie is a love letter to Marvel and the Marvel fanbase and it shows.

[pedropascal24-7]

Paul talking so wonderfully about Pedro in his Actors on Actors conversation with Ariana.

[tswiftupdatess]

New/old pictures of Taylor Swift for 2020 Variety Magazine photoshoot!

(October 14, 2024)

[world-of-celebs]

Sydney Sweeney arrives at the Variety Power Of Young Hollywood held at NeueHouse Hollywood, California on August 10, 2023. 

[chalamet-chalamet]

Timothée Chalamet & Monica Barbaro, ACU press✨

[sincericida]

ANDREW GARFIELD: "I love you."

RYAN REYNOLDS: "Hey, I love you. Desperately."

"Actors On Actors" [Variety]

[ssweetener]

ariana grande for variety

[hotdaemondtargaryen]

WRITER SARA HESS TALKING ABOUT RHAENYRA AND ALICENT'S RELATIONSHIP IN SEASON 1 AND THEIR MOTHERHOOD FOR VARIETY MAGAZINE.

“I can definitely understand that it’s hot watching complex female characters who have agency and who are trying to navigate the world and understand themselves. Like, that is hot,” nonbinary actor D’Arcy says.

“And is very different from, I suppose, more two-dimensional portrayals of female sexuality.” 

Cooke adds: “I guess what’s alluring, and quite scintillating, is that they all live in quite close proximity to each other,” noting “House of the Dragon” Season 1’s focus on keeping its characters near the Iron Throne in King’s Landing.

“Stealing these loaded looks with someone that you fancy and that’s forbidden, that’s hot. It’s all hot.”

“We had a lot of conversation at the beginning about, is this a feature or a flaw?” Hess says.

“There’s a lot of births, do we want to see a lot of births? My thinking was, every single childbirth I’ve ever seen on television, in any show, in any genre at any time, has always looked exactly the same: the woman lying on her back with her feet in the stirrups and doing the pushing and the baby comes out.”

“In my experience, women give birth in vastly different ways.”

“I thought we should show them all and they be really, really different, separate experiences and not just, now there’s that birth scene and we all know exactly what it looks like.”

FOLLOWING THE BIRTH SCENE IN EPISODE 6, D'ARCY RECALLS SHOOTING A PARTICULARLY REALISTIC MOMENT OF MOTHERHOOD WHEN RHAENYRA FINALLY GETS TO REST AFTER GIVING BIRTH AND IMMEDIATELY GOING OFF TO SHOW THE BABY TO ALICENT:

“She gets in and [her sons] Jace and Luke have gone and got a dragon’s egg and want her to look at it.”

“And I just remember responding, ‘Wow, that looks perfect,’ but not looking at them at all, I was looking in the other direction.

“And that felt like what a lot of parenting is probably like.”

FOR COOKE, THE MOTHERHOOD MENTALITY HIT IN EPISODE 9, WRITTEN BY HESS AND DIRECTED BY CLARE KILNER:

“That moment in the carriage where Alicent’s hungover son asks her if she loves him, and she says it by smiling and saying, ‘You imbecile.’

“Like, it’s so obvious, this is all for you.”

“Everything that I’ve done.”

“Everything that I’ve sacrificed.”

“All the awful things I’ve done in order to facilitate your ascension is because I love the bones of you.”

BUT MOTHERHOOD IS FAR FROM THE ONLY ASPECT OF A WOMAN'S LIFE THAT FEMALE WRITERS LIKE HESS AND WOMEN DIRECTORS INCLUDING KILNER AND PATEL INFUSED INTO THE STORY, WITH MUCH OF THE SEASON FOCUSING ON YOUNG ALICENT (EMILY CAREY) AND RHAENYRA (MILLY ALCOCK) AND THEIR DEEP BOND AND INTENSE FALLING OUT.

“There’s an element of queerness to it,” Hess says.

“Whether you see it that way or as just the unbelievably passionate friendships that women have with each other at that age.”

“I think understanding that element of it sort of informs the entire rest of their relationship… Even though they’re driven apart by all these societal, systemic elements and pressures and happenings, at the core of it, they knew each other as children, and they loved each other and that doesn’t go away.”

Hess continued: “Olivia has told me she believes — and this is her headcanon — that they at some point kissed or made out or had some kind of physical interaction that Alicent’s mother found out about and forbade.”

“And that was Olivia’s head story, ‘Oh, I can’t do that. That’s not right.’ And that’s the background for her in their relationship going forward. I would be 100% down with that.”

COOKE SAYS SHE AND D'ARCY HAVE “DEFINITELY” TALKED ABOUT ALICENT AND RHAENYRA BEING “EACH OTHER'S FIRST LOVE”:

“But when it comes to our iterations of the characters, too much has happened and too much time has passed to probably even recognize those fledgling feelings.”

“But Condal and Hess weren’t “necessarily interested in ever defining” what that love meant in terms of the women’s sexuality.”

“I happen to be a queer woman, but I know straight women who had ‘Heavenly Creatures’ -esque, romantic friendship with their best friend at that age,” Hess said.

“That’s something that I think, probably — I don’t want to stereotype anybody – but it seems to be more a phenomenon with young women than it is with men, probably because whether you’re queer or not, society cares less if you’re physically intimate with each other or hugging or touching each other.”

“You can have sleepovers and sleep in the same bed and nobody cares.”

[marvelsgirl616]

Sebastian Stan getting a standing ovation 🥹😭❤️ (I know his introverted ass is internally wanting them to stop but is also super grateful) the tears omg I’m so proud of my you seb 🥹😭 I wish anthony was there with him😭😭

[mrs-stans]

@ericaerk: BTS // SEBASTIAN STAN // @variety @imsebastianstan photos x @heatherhazzan styled x @mjonf hair x @ericaerk @ericaadamshair using @gamaitaly.us skin x @akgroomer using @circa1970beauty

[applebiter]

anya taylor joy in balmain promo look for 'furiosa' in mexico // in cheney chan ss24 for variety magazine, may 2024

[pro-royalty]

Victoria Monét x Variety

[remusfinglupin]

New photos from the Percy Jackson show from Variety!!

[p0p-salvation]

Paul Mescal

Variety November 2024, photographed by Mason Poole.

[itsagentromanoff]

Sebastian Stan for Variety

[lovelyy-moonlight]

Elizabeth Olsen and Meghann Fahy for 2023 Variety Exclusive Outtakes.