#V-FF 107

[vorsteinerwheels]

Vorsteiner BMW G80 M3 Carbon Fiber Front Grill Aero & Carbon Fiber Front Lip Aero. BMW G80 Wing Aero (VRS) in Carbon Fiber /w Aluminum Uprights. Vorsteiner BMW G80 M3 Carbon Front Grill

Vorsteiner BMW G80 Carbon Front Lip

BMW G80 Wing Aero (VRS)  /w Aluminum Uprights

Vorsteiner V-FF 107 Wheels Carbon Graphite: 20" x 10  285/30/20 20" x 11  295/30/20

[nerdyblizzardsoul]

Uno Reverse Card With Hearts

ASCII control characters non printable :

This is how you break UNO. Hey, I've recently started to upload again. Check out my channel and give this video a watch! Emoji Meaning The joker in a deck of cards, usually appearing like a court jester. Emoji Meaning A heart symbol emoji, which is used in card games for the hearts suit. Generally shown in red, despite the name. Not to be ️ Envelope. Emoji Meaning The back of an envelope, as used to send a letter or card.

ASCII code 00 = NULL ( Null character ) ASCII code 01 = SOH ( Start of Header ) ASCII code 02 = STX ( Start of Text ) ASCII code 03 = ETX ( End of Text, hearts card suit ) ( HTML entity = ♥ )ASCII code 04 = EOT ( End of Transmission, diamonds card suit ) ASCII code 05 = ENQ ( Enquiry, clubs card suit ) ASCII code 06 = ACK ( Acknowledgement, spade card suit ) ASCII code 07 = BEL ( Bell ) ASCII code 08 = BS ( Backspace ) ASCII code 09 = HT ( Horizontal Tab ) ASCII code 10 = LF ( Line feed ) ASCII code 11 = VT ( Vertical Tab, male symbol, symbol for Mars ) ASCII code 12 = FF ( Form feed, female symbol, symbol for Venus ) ASCII code 13 = CR ( Carriage return ) ASCII code 14 = SO ( Shift Out ) ASCII code 15 = SI ( Shift In ) ASCII code 16 = DLE ( Data link escape ) ASCII code 17 = DC1 ( Device control 1 ) ASCII code 18 = DC2 ( Device control 2 ) ASCII code 19 = DC3 ( Device control 3 ) ASCII code 20 = DC4 ( Device control 4 ) ASCII code 21 = NAK ( NAK Negative-acknowledge ) ASCII code 22 = SYN ( Synchronous idle ) ASCII code 23 = ETB ( End of trans. block ) ASCII code 24 = CAN ( Cancel ) ASCII code 25 = EM ( End of medium ) ASCII code 26 = SUB ( Substitute ) ASCII code 27 = ESC ( Escape ) ASCII code 28 = FS ( File separator ) ASCII code 29 = GS ( Group separator ) ASCII code 30 = RS ( Record separator ) ASCII code 31 = US ( Unit separator ) ASCII code 127 = DEL ( Delete )

Printable ASCII characters : ( alphanumeric, symbols and signs )

How To Play Uno Hearts

ASCII code 32 = space ( Space ) ASCII code 33 = ! ( Exclamation mark ) ASCII code 34 = ' ( Double quotes ; Quotation mark ; speech marks ) ASCII code 35 = # ( Number sign ) ASCII code 36 = $ ( Dollar sign ) ASCII code 37 = % ( Percent sign ) ASCII code 38 = & ( Ampersand ) ASCII code 39 = ' ( Single quote or Apostrophe ) ASCII code 40 = ( ( round brackets or parentheses, opening round bracket ) ASCII code 41 = ) ( parentheses or round brackets, closing parentheses ) ASCII code 42 = * ( Asterisk ) ASCII code 43 = + ( Plus sign ) ASCII code 44 = , ( Comma ) ASCII code 45 = - ( Hyphen , minus sign ) ASCII code 46 = . ( Dot, full stop ) ASCII code 47 = / ( Slash , forward slash , fraction bar , division slash ) ASCII code 48 = 0 ( number zero ) ASCII code 49 = 1 ( number one ) ASCII code 50 = 2 ( number two ) ASCII code 51 = 3 ( number three ) ASCII code 52 = 4 ( number four ) ASCII code 53 = 5 ( number five ) ASCII code 54 = 6 ( number six ) ASCII code 55 = 7 ( number seven ) ASCII code 56 = 8 ( number eight ) ASCII code 57 = 9 ( number nine ) ASCII code 58 = : ( Colon ) ASCII code 59 = ; ( Semicolon ) ASCII code 60 = < ( Less-than sign ) ASCII code 61 = = ( Equals sign ) ASCII code 62 = > ( Greater-than sign ; Inequality ) ASCII code 63 = ? ( Question mark ) ASCII code 64 = @ ( At sign ) ASCII code 65 = A ( Capital letter A ) ASCII code 66 = B ( Capital letter B ) ASCII code 67 = C ( Capital letter C ) ASCII code 68 = D ( Capital letter D ) ASCII code 69 = E ( Capital letter E ) ASCII code 70 = F ( Capital letter F ) ASCII code 71 = G ( Capital letter G ) ASCII code 72 = H ( Capital letter H ) ASCII code 73 = I ( Capital letter I ) ASCII code 74 = J ( Capital letter J ) ASCII code 75 = K ( Capital letter K ) ASCII code 76 = L ( Capital letter L ) ASCII code 77 = M ( Capital letter M ) ASCII code 78 = N ( Capital letter N ) ASCII code 79 = O ( Capital letter O ) ASCII code 80 = P ( Capital letter P ) ASCII code 81 = Q ( Capital letter Q ) ASCII code 82 = R ( Capital letter R ) ASCII code 83 = S ( Capital letter S ) ASCII code 84 = T ( Capital letter T ) ASCII code 85 = U ( Capital letter U ) ASCII code 86 = V ( Capital letter V ) ASCII code 87 = W ( Capital letter W ) ASCII code 88 = X ( Capital letter X ) ASCII code 89 = Y ( Capital letter Y ) ASCII code 90 = Z ( Capital letter Z ) ASCII code 91 = [ ( square brackets or box brackets, opening bracket ) ASCII code 92 = ( Backslash , reverse slash ) ASCII code 93 = ] ( box brackets or square brackets, closing bracket ) ASCII code 94 = ^ ( Circumflex accent or Caret ) ASCII code 95 = _ ( underscore , understrike , underbar or low line ) ASCII code 96 = ` ( Grave accent ) ASCII code 97 = a ( Lowercase letter a , minuscule a ) ASCII code 98 = b ( Lowercase letter b , minuscule b ) ASCII code 99 = c ( Lowercase letter c , minuscule c ) ASCII code 100 = d ( Lowercase letter d , minuscule d ) ASCII code 101 = e ( Lowercase letter e , minuscule e ) ASCII code 102 = f ( Lowercase letter f , minuscule f ) ASCII code 103 = g ( Lowercase letter g , minuscule g ) ASCII code 104 = h ( Lowercase letter h , minuscule h ) ASCII code 105 = i ( Lowercase letter i , minuscule i ) ASCII code 106 = j ( Lowercase letter j , minuscule j ) ASCII code 107 = k ( Lowercase letter k , minuscule k ) ASCII code 108 = l ( Lowercase letter l , minuscule l ) ASCII code 109 = m ( Lowercase letter m , minuscule m ) ASCII code 110 = n ( Lowercase letter n , minuscule n ) ASCII code 111 = o ( Lowercase letter o , minuscule o ) ASCII code 112 = p ( Lowercase letter p , minuscule p ) ASCII code 113 = q ( Lowercase letter q , minuscule q ) ASCII code 114 = r ( Lowercase letter r , minuscule r ) ASCII code 115 = s ( Lowercase letter s , minuscule s ) ASCII code 116 = t ( Lowercase letter t , minuscule t ) ASCII code 117 = u ( Lowercase letter u , minuscule u ) ASCII code 118 = v ( Lowercase letter v , minuscule v ) ASCII code 119 = w ( Lowercase letter w , minuscule w ) ASCII code 120 = x ( Lowercase letter x , minuscule x ) ASCII code 121 = y ( Lowercase letter y , minuscule y ) ASCII code 122 = z ( Lowercase letter z , minuscule z ) ASCII code 123 = { ( braces or curly brackets, opening braces ) ASCII code 124 = | ( vertical-bar, vbar, vertical line or vertical slash ) ASCII code 125 = } ( curly brackets or braces, closing curly brackets ) ASCII code 126 = ~ ( Tilde ; swung dash )

[vividracing]

New Post has been published on https://www.vividracing.com/blog/announcing-new-products-specials-and-info/bmw-x5-xdrive-35i-sitting-on-22-vorsteiner-v-ff-107-wheels-tons-of-photos/

BMW X5 XDrive 35I Sitting on 22" Vorsteiner V-FF 107 Wheels - Tons of photos

This X5 gets some nice new Flow Forged Wheels from Vorsteiner

As car enthusiasts, we are constantly changing the looks and performance of our vehicles. Generally when we pick up a new vehicle we like to do the basic three: tint, wheels and suspension. This gets rid of the “stock” look and enhances the natural beauty of the vehicle. Often something as simple as the wheel choice can transform the overall appearance in a positive way.

Recently our employee TJ (@VividracingTJ) picked up a slightly used BMW X5. He wanted to change out the bland factory wheels for something that will compliment the paint color and stance of the vehicle. After looking at a bunch of different brands, he decided on the V-FF 107 from Vorsteiner. These wheels feature Flow Forged Technology which makes them very strong and very light. The Split spoke design provides a mesh styling without the added weight. Finally the Carbon Graphite finish allows for contrasting colors that works really well with the metallic paint finish.

Check out the installed photos posted below of these new wheels on the F15 BMW X5!

If you have any questions regarding Vorsteiner products, or would like to place an order, please contact us. We can be reached during business hours by phone at 1.480.966.3040 or via email Sales@Vividracing.com!

To view our entire catalog of Vorsteiner products please click here

Specifications:

Vorsteiner V-FF107

22″ Diameter

10.5″ Wide

Carbon Graphite Finish

285/30/22 Goodyear Eagle F1

107.22105.5120.35C.74.CG  Vorsteiner V-FF 107 Flow Forged Wheel Carbon Graphite 22×10.5 5×120 35   $725.00  

[cherr-blossom]

Storia dei sogni（645）③

ソプラノのメンバー96「明日はドラクエとFFだね(´ω｀)」

ソプラノのメンバー97「楽しみ〜^-^」

ソプラノのメンバー98

「第一部のドラクエは、ウチらは鑑賞で」

ソプラノのメンバー99

「第二部のFFは、ウチらも参加だよね(o^－^o)」

ソプラノのメンバー100「いつも通りだね(•᎑•)」

ソプラノのメンバー101

「明日のもニコ動とかで配信されるんだったね(　＾ω＾)」

ソプラノのメンバー102

「いつもコメント欄盛り上がってたね( ･ᴗ･ )」

ソプラノのメンバー103「明日のも盛り上がるかな(○´ｰ`○)」

ソプラノのメンバー103

「特に

片翼の天使や妖星乱舞，ビッグブリッヂの死闘辺り

コメント欄とかコメント数

いつも凄い事になってるよね(o^▽^o)」

ソプラノのメンバー104「明日も凄そうな気する(´^ω^｀)」

ソプラノのメンバー105「それも楽しみ( ^^ )」

ソプラノのメンバー106，107「とりま、明日も楽しも〜(๑•᎑•๑)」

ソプラノのメンバー96~107「✧٩(ˊωˋ*)و✧おー」

夜ご飯（兼）打ち上げの後、解散＆帰宅し

お風呂やSNSなど、いつも通りの夜を過ごして

かーらーのー

(๑´︶`๑)☆.。.:*ぉゃすみぃ☆

てな感じで、すごく楽しかったです(艸′v'★*)。+

[kairoth]

1-7, 10, 12-15, 18-24, 28, 30, 38-46, 49-52, 60-61, 72-75, 85-92, 100, 102, 104-114, 117-120, 124-127, 129, 135-150? Do whichever you want though.

hey! done on laptop so sorry if there are any mistakes

1. Who was the last person you held hands with?

♥ my mum?? i think.

2. Are you outgoing or shy?

♥ definitely shy

3. Who are you looking forward to seeing?

♥ wellll soon we'll be going to see the two lil puppies i've gotta choose from and i'm excited about that!

4. Are you easy to get along with?

♥ i mean... idk?

5. If you were drunk would the person you like take care of you?

♥ prob not

6. What kind of people are you attracted to?

♥ hhh kind people. like, attracted to as in i'd date them... same thing pretty much but also i tend to fall for more dominant people.  

7. Do you think you’ll be in a relationship two months from now?

♥ prob not lmao. no one wants to date me i'm gross

10. Who was the last person you had a deep conversation with?

♥ uhh my mum. last night. sort of.

12. What are your 5 favorite songs right now?

♥ literally every song by EDEN takes up my top 50.

13. Do you like it when people play with your hair?

♥ YEA

14. Do you believe in luck and miracles?

♥ i mean sometimes.

15. What good thing happened this summer?

♥ it's not summer yet but uhhhh i'm gonna get a puppy!

18. Do you still talk to your first crush?

♥ hhh our parents are friends and we're still kind of awkward friends? we haven't like actually had full conversations in a long time but we still hang out sometimes.

19. Do you like bubble baths?

♥ yea! but like,, not to where you get bubbles in your mouth cos bleh

20. Do you like your neighbors?

♥ a little! the people close to us are pretty nice. there's this one old lady across the way from us whose dog i used to walk. she let's me pick oranges from her tree and talks to me. it's fun! she's away from home a lot tho since her husband died.

21. What are you bad habits?

♥ rambling, for one. picking at threads for two. uhh, can't think of any more off the top of my head but there's definitely a bunch of other ones.

22. Where would you like to travel?

♥ i reallllyyy wanna go to Ireland. definitely some places in Asia and some more in Europe.

23. Do you have trust issues?

♥ yes.

24. Favorite part of your daily routine?

♥ sleeeeep. soon enough it'll prob be my puppy

28. Who are you most comfortable around?

♥ my cats and my mum. ooh and my aunt danni.

30. Do you ever want to get married?

♥ maybe! i'm pretty polyamorous tho and if i was in a relationship with more than one person it'd feel unfair if i only married one of them... so it'd be really cool if we could make polyamorous marriage a thing pls.

38. Describe your dream girl/guy?

♥ OOF. uh. just. someone who is kind and loves me and will take care of me, and who i can do the same for. someone who will put up with my clinginess and paranoia. someone who loves animals and hates people who abuse animals or kids or other people just as much as i do. someone who can put up with my quirks in general. i always imagine someone who, if we're separated and reunite, will let me run to them and do the hug thing where they pick me up lol. we can read books to each other and they won't get frustrated if i stumble over my words, we can share music with each other, cook/bake with each other, travel, see an animal and just coo over them together, watch horror movies even tho i hate them but it's ok because i have them with me. sorry long answer lmao,, i got carried away

39. What are your favorite stores to shop in?

♥ barnes n noble, hot topic just bc, and uuuuuuh that's it.

40. What do you want to do after high school?

♥ ideally i could do a gap year to travel. i might do a gap year and work so i can get money. i don't know if i can get into college, but my mum suggested interning for a local vet, even tho i'm not in medicine, because it's good to have that knowledge if i wanna own an animal shelter. it's a good idea so i might do that.

41. Do you believe everyone deserves a second chance?

♥ it depends. sometimes if you give someone a second chance they'll take it and stab you with it (metaphorically). it all just depends on what they did, who they are, how they are, how they feel about what they did.

42. If your being extremely quiet what does it mean?

♥ i used to be super loud when i was younger. sometimes i am when with close friends. now, it could just be that i'm focused, or thinking, or comfortable, or sad, or sick, or upset. when i'm angry with my aunt bc she won't stop messing with me i'll go silent. idk.

43. Do you smile at strangers?

♥ sometimes!

44. Trip to outer space or bottom of the ocean?

♥ i'd like to say neither and outerspace. the ocean terrifies me. but so does outer space sometimes????

45. What makes you get out of bed in the morning?

♥ depends on what's happening that day. if something exciting is happening i'll prob get up quick. and if i'm in bed cos i don't feel good then the thing that gets me up is like. the fear of disappointing my parents by not doing anything. or when like my cat is very insistent on needing something (like food or water or getting out of my room) and i don't want to be a bad owner and not get it.

46. What are you paranoid about?

♥ fff what am i not paranoid about?

49. Have you done anything recently that you hope nobody finds out about?

♥ mmm... nothing i can really think about?

50. What was the colour of the last hoodie you wore?

♥ black.

51. Ever wished you were someone else?

♥ oh definitely

52. One thing you wish you could change about yourself?

♥ my appearance. or my personality. hm.

60. Ever won a competition? For what?

♥ mmm... i won a fencing competition once. but like. it wasn't a huge competition. just a few little series of fights that our teacher was having us do.

61. Been suspended/expelled? For what?

♥ nahh. i've gotten two detentions but never suspended

72. What colour are your towels?

♥ uhh the ones i use are white striped w green and pink.

72. How many pillows do you sleep with?

♥ there are two 72s??? oh well. uhh only one

73. Do you sleep with stuffed animals?

♥ yea! most of them are just around me, the only two i actually snuggle with are my bbies teddy (a bear i've had since 5) and addi (a panda i got like two years ago?)

74. How many stuffed animals do you think you have?

♥ uhh. maybe 30? or somewhere around there?

75. Favourite animal?

♥ don't make me chooooose

85. Favourite character from Mean Girls?

♥ never seen it

86. Favourite character from Finding Nemo?

♥ hhh nemo. he's such a good little clever fishie. v mischievous tho

87. First person you talked to today?

♥ mum!

88. Last person you talked to today?

♥ uh prob gonna be my mum

89. Name a person you hate?

♥ trump

90. Name a person you love?

♥ syd ! my kitty

91. Is there anyone you want to punch in the face right now?

♥ uuuuuuuh nah

92. In a fight with someone?

♥ ? nah

100. How are you feeling?

♥ rn? pretty ok. i just finished my geometry course so i've only got three classes left !

102. Do you regret anything from your past?

♥ yes. my entire past. being born. like yikes

104. Do you miss anyone from your past?

♥ yes.

105. Ever been to a bonfire party?

♥ yup

106. Ever broken someone’s heart?

♥ ? who knows

107. Have you ever been on a horse?

♥ yea! i used to do lessons but i stopped

108. What should you be doing?

♥ rn? schoolwork

109. Is something irritating you right now?

♥ schoolwork

110. Have you ever liked someone so much it hurt?

♥ definitely

111. Do you have trust issues?

♥ yes

112. Who was the last person you cried in front of?

♥ uh my cat i think

113. What was your childhood nickname?

♥ hb

114. Have you ever been out of your province/state?

♥ yea! my fave state to go to currently is maryland. i love the temperature and the landscape and the fireflies.

117. Do you like chicken noodle soup?

♥ sometimes!

118. Do you like Chinese food?

♥ one of my faves tbh

119. Favourite book?

♥ oof. that's a hard one. uhm. we were liars by e. lockhart.

120. Are you afraid of the dark?

♥ yes.

124. Do you believe in love at first sight?

♥ no. lust at first sight, yea, but not love.

125. Do you believe in true love?

♥ maybe.

126. Are you currently bored?

♥ a lil.

127. What makes you happy?

♥ loved ones, animals, music, warm blankets.

129. What your zodiac sign?

♥ this is always a complex answer from me lmao. technically i'm a leo. but i was supposed to be born in october, not august. and i've always related more to scorpio (and pisces tbh lmao). so i always wanna say i'm a scorpio

135. Dumbest lie you ever told?

♥ FF. IT'S SO DUMB I DON'T EVEN WANNA SAY. WORST TIME OF MY LIFE. sorry for caps

136. Do you sleep with your doors open or closed?

♥ closed

137. How tall are you?

♥ 4'11

138. Curly or Straight hair?

♥ on me? well long it's curly but it's short rn. it kinda still curls in some spots tho

139. Brunette or Blonde?

♥ naturally i'm a mix. or 'dirty blonde'

140. Summer or Winter?

♥ winter.

141. Night or Day?

♥ night

142. Favourite month?

♥ november

143. Are you a vegetarian?

♥ nahh. i enjoy meat too much

144. Dark, milk or white chocolate?

♥ milk chocolate is the only chocolate in my eyes

145. Tea or Coffee?

♥ mmm that's hard. i love earl grey tea but coffeeeeeeeeeeeee

146. Was today a good day?

♥ eh. i finished a class so yea

147. Mars or Snickers?

♥ snickers

148. What’s your favourite quote?

♥ ffffff idk tbh

149. Do you believe in ghosts?

♥ i am a ghost!!!

150. Get the closest book next to you, open it to page 42, what’s the first line on that page?

♥ there's no book close to me and i couldn't find my fave which is stressing but i'll do this before looking for it so i'mma just use a random one. book is we all looked up, by tommy wallach. "he marched into the school and took the director aside, explaining that they had a strict rule in their house - curriculars before extracurriculars."

[led123123]

https://youtu.be/m2XCsk6mfoA?t=201

jesus fucking christ.. my mother already lied.. 

I already know that my mother was lying.. 

she lied..

stupid shit..

how do I get the f*ck out of here..

https://youtu.be/DY95-YYMUa8?t=18

https://youtu.be/60Zmat8ELsQ?t=37

damn.. I burned my tongue.. yesterday.. when I ate these potato chips after cooking them in hot oil.. they were still hot for a long time after being taken out of oil.. 

https://youtu.be/60Zmat8ELsQ?t=449

https://youtu.be/PdkUtxfzy2o?t=127

very finger. xD

фингер xD

https://youtu.be/DY95-YYMUa8?t=130

https://youtu.be/K7qYvk1jZXY

https://youtu.be/60dvdaM6tSg?t=765

my mother is such trash whore..

https://youtu.be/DY95-YYMUa8?t=12

będzie palony lolek

next time.. I need to see if this is a console or pc.. 

https://youtu.be/DY95-YYMUa8

potato chips were not that bad..

one dude.. didn’t miss one bullet on me.. 

he didn’t miss a single bullet..

I was playing pathfinder.. damn..

I though I was wraith..

https://youtu.be/Ri9oTs0SO2I

I had.. 130 hp..

he hit some headshots.. 

https://youtu.be/Ri9oTs0SO2I

the thing is that my aim is not even bad.. but he one clipped me anyway..

I was pathfinder though

it was a.. bangalore.. so he got a speed burst because I shot him..

https://youtu.be/Ri9oTs0SO2I?t=2

damn look at his movement.. I couldn’t see him at all.. I was shotting him he moved to his left.. so.. I couldn’t see him at all.. 

when I broke his shield

it’s more difficult to see people on the right.. when hip firing.. maybe I should do the same.. just move to.. left when I’m at hip firing close range

I guess

https://youtu.be/Ri9oTs0SO2I?t=1

damn.. he must have.. hit all headshots

he hit like most headshots.. aimbot or something

https://youtu.be/tz56OvC6w4M

https://www.youtube.com/watch?v=kMIut22iG1Y&t=286s

https://youtu.be/kMIut22iG1Y?t=452

but it was like.. 6 years ago.. that people made.. 25 dollars a day for one day of work..

the CPI you know..

has increased by a lot since then 

I guess

6 years.. times 3% a year I guess.. but it feels a lot more honestly.. I mean.. 18%?? I don’t know.. different sites show different cpi values.. but it feels like it’s been higher than 18%..

my teeth were like.. snapping before.. now they don’t snap.. and they don’t hurt when I bite..

https://youtu.be/kMIut22iG1Y?t=69

nice f*cking training..

women are such f*cking hypocrytes.. 

https://youtu.be/DY95-YYMUa8

skurwiesyn 

beszczel zjebany

my mother leaves me like shit.. doesn’t give a fuck about me..

stupid hoe

and talks shit on me 

fuck you all

I’m really not getting anywhere living with this shit

the right side of my teeth doesn’t hurt at all now.. but mostly the left side hurt the most often..

https://youtu.be/DY95-YYMUa8?t=158

boże ale chójnia..

chójnia z grzybnią..

https://youtu.be/zgWfTg5kkXU?t=1218

https://images.app.goo.gl/sLHMjTqNedFsz5ur8

СТРЕЙ ЗАКОНТРИЛ ГИТАРИСТА СВОИМ РЕПОМ

https://youtu.be/QcD5Qv8H17E?t=457

this song..

https://youtu.be/Z-5bzBBC8sk?t=682

https://youtu.be/Z-5bzBBC8sk?t=827

https://youtu.be/Z-5bzBBC8sk?t=887

https://youtu.be/Z-5bzBBC8sk?t=900

https://youtu.be/Z-5bzBBC8sk?t=940

lol his hair.. I never saw music video ever..

https://youtu.be/Z-5bzBBC8sk?t=932

усатый гитарист xD

https://youtu.be/vMCbJB4yNXo

https://youtu.be/nxCtccruaaA?t=48

is this.. 

https://www.youtube.com/results?search_query=cher&page&utm_source=opensearch

yes that’s her.. I though she’s “sheryl” not cher or something

https://youtu.be/vMCbJB4yNXo?t=72

https://youtu.be/vMCbJB4yNXo?t=63

https://youtu.be/vMCbJB4yNXo?t=97

не поспориш..

https://youtu.be/vMCbJB4yNXo?t=97

I’m eating some plastic.. I hope it’s not gonna.. be like.. bad..

it’s not much.. 

https://youtu.be/Zq8Rjv9E1Uo

https://youtu.be/Z-5bzBBC8sk?t=932

https://www.youtube.com/c/RumenaBegum101/videos

why she stopped making videos..

https://youtu.be/9EuhoqXfW8E?t=57

they have a lot of oil.. so.. I mean.. 

arabs are rich 

https://youtu.be/9EuhoqXfW8E?t=152

it’s different than arabic style

omg. that’s crazy.. arabs in europe.. xD alah akbar.. xD

jihad.. people bitch about arabs because of.. you know.. alah akbar

because they think that they would do a suicide bomb attack 

arabs are good at making homemade bombs.. I saw that on a video.. because they were.. crafting their own bombs against americans..

in iraque.. americans want oil from iraque.. that’s why they.. went to iraque..

they fought in vietnam.. and vietnam was making shoes etc for them.. 

https://youtu.be/9EuhoqXfW8E?t=219

damn they’re totally different style.. I mean.. they.. have different lifestyle

like.. stuff looks different

they have different colors in bangladesh

https://youtu.be/9EuhoqXfW8E?t=316

they wear different colors

https://youtu.be/9EuhoqXfW8E?t=581

she can speak

they speak arabic in bangladesh??

https://youtu.be/9EuhoqXfW8E?t=909

ye.. these arabs.. are so luxurious.. they went to switzerland because they have expensive watches.. and they went to a company that makes these watches

they only want things that have.. gold in it.. et cetera 

https://youtu.be/9EuhoqXfW8E?t=1085

they wear million golden bracelets

https://youtu.be/-S_QhVHGKZQ

https://youtu.be/-S_QhVHGKZQ?t=60

and errings

rumena.. 

https://youtu.be/-S_QhVHGKZQ?t=107

she makes me think of iasmina..

iasmina.. means.. 

https://youtu.be/-S_QhVHGKZQ?t=240

when she was younger she looked.. a lot like iasmina.. 

she didn’t change that much..

but.. she was different 

I mean.. they were both.. they both looked wild when they were young

that’s nice that she has her old videos on the channel still

https://youtu.be/ZX97X5LP_i4

and like avril lavigne

https://youtu.be/ZX97X5LP_i4?t=130

iasmin is.. a flower.. in arabic language I think

https://youtu.be/ZX97X5LP_i4?t=137

xD

oh my god. so crazy.. like avril lavigne..

https://youtu.be/RKf6K7O0Hrk

https://youtu.be/Ee_uujKuJMI

https://youtu.be/Ee_uujKuJMI?t=32

https://youtu.be/Ee_uujKuJMI?t=84

damn.. eating just potato chips all day.. may make you.. kinda.. feel kinda.. feeling kinda nauseous. it’s better to eat like.. not eat chips all day

I wanted to buy pop corn..

https://youtu.be/ZX97X5LP_i4?t=173

https://youtu.be/ZX97X5LP_i4?t=137

https://youtu.be/ZX97X5LP_i4?t=154

wow avril lavigne voice

https://youtu.be/sNzdAIWa_Ko?t=678

god I need 2 monitors..

https://youtu.be/e4MM2lxrnBw?t=270

https://youtu.be/iD0n__vtrBg

https://youtu.be/iD0n__vtrBg?t=87

https://youtu.be/iD0n__vtrBg?t=104

xD

https://youtu.be/iD0n__vtrBg?t=141

she likes this band

https://youtu.be/iD0n__vtrBg?t=177

https://youtu.be/iD0n__vtrBg?t=201

exactly.. what does it even mean.. what the heck..

too many songs for me..

so wild damn

she was so wild 

https://youtu.be/g10iLbCOrvo?t=32

her teeth are discolored.. I wonder if she.. ‘s like.. smoking..

I wonder why.. maybe because.. of coffee.. or something..

https://youtu.be/DY95-YYMUa8

https://youtu.be/RKf6K7O0Hrk?t=14

to be honest my teeth aren’t.. super white too.. so.. like.. but.. like.. I think that.. she’s like.. maybe smoking.. or drinking coffee

https://youtu.be/ZX97X5LP_i4?t=63

like... I think my teeth are like this.. 

maybe she’s smoking who knows.. I just was wondering if she was smoking or not..

I hate smokers..

I’m not a smoker..

I mean.. I’m not tolerant to smoking.. I don’t tolerate smoking

https://youtu.be/_XTRmPT7E0A?t=118

she may be just drinking a lot of coffee.. I know that she drinks coffee I can remember that she drank coffee a lot before

I know that she drank coffee often before

https://youtu.be/_XTRmPT7E0A?t=304

so many words what the heck..

https://youtu.be/_XTRmPT7E0A?t=304

I told you she’s drinking a lot of coffee.. that’s why she has discolored teeth..

https://youtu.be/_XTRmPT7E0A?t=425

she’s married.. like.. I think she may have kids..

wow. nice eye color.. damn her eye color is so pretty

I like her eye color a lot

I love her eye color

it’s.. darker.. not bright.

yes. she just drinks a lot of coffee

does she has kids?? why would she get married.. she must be planning kids..

https://youtu.be/_XTRmPT7E0A?t=520

https://youtu.be/_XTRmPT7E0A?t=557

she has board games

https://youtu.be/_XTRmPT7E0A?t=768

https://youtu.be/DY95-YYMUa8?t=13

https://youtu.be/_XTRmPT7E0A?t=730

xD

https://youtu.be/_XTRmPT7E0A?t=934

yes. she’s now listening to bts..

https://youtu.be/_XTRmPT7E0A?t=985

xD

she’s doing the money sign that all koreans do.. without knowing 

https://youtu.be/UwKfB0qqBX4?t=13

I need f*cking 2 monitors.. ffs.. my mother would scream at me if I bought 2nd one..

maybe if I move out to new place.. then I’ll have more space.. 

https://youtu.be/_XTRmPT7E0A?t=1402

https://youtu.be/DY95-YYMUa8?t=24

she’s really so obsessed with reading and writing?

https://youtu.be/_XTRmPT7E0A?t=1526

to be honest.. writing takes a lot of time to be honest

https://youtu.be/_XTRmPT7E0A?t=1622

oh my god that’s a lot

https://youtu.be/_XTRmPT7E0A?t=1858

damn.. I read like.. in one book that I read.. there were so many typos.. damn.. it’s unbelievable

https://youtu.be/_XTRmPT7E0A?t=2039

damn the people that commit suicides.. someone told me one girl hung herself.. 

I mean.. I just though about awkward stuff from the past.. you know.. and that also made me feel like I would just like to get away..

https://youtu.be/_XTRmPT7E0A?t=2082

I like that she looks normal outside..

https://youtu.be/_XTRmPT7E0A?t=2117

she’s drinking coffee

https://youtu.be/R25HsJ9ltKE

https://youtu.be/IpJkCti8IL0

emilie autumn also likes literature

she also writes her songs

a lot of girls like reading

she’s a violist 

https://youtu.be/94TkNyCvlPo?t=87

I though it’s lena..

https://youtu.be/K5KAc5CoCuk

it’s someone else

not lena.. I mean.. lora.. loreen..

https://youtu.be/VTmIF3ppcW8

she’s from morocco

https://youtu.be/VTmIF3ppcW8?t=73

wow good song

made me think of some different song.. 

https://youtu.be/VTmIF3ppcW8?t=214

like.. krewella or something. wow really good song

she has fringe like sia

that covers her eyes.

https://youtu.be/VTmIF3ppcW8?t=72

https://youtu.be/VTmIF3ppcW8?t=136

one other song sounded like this

https://youtu.be/VTmIF3ppcW8?t=273

she doesn’t look like a smoker.. 

https://youtu.be/VTmIF3ppcW8?t=274

she doesn’t want her teeth to be dirty because of smoking.. and her finger to get yellow..

https://youtu.be/qbmVsj0aTe8

my tooth snapped..

after this hoe drilled my tooth.. food gets between this tooth.. and I can only get it out by flossing..

the only way I can get it out is by flossing..

I mean.. even flossing doesn’t always help.. it’s so hard to get it out..

https://youtu.be/R25HsJ9ltKE?t=348

https://youtu.be/R25HsJ9ltKE?t=588

oh shit. liver.

she’s a carnivore..

https://youtu.be/R25HsJ9ltKE?t=697

omg. are these the.. one that I liked?? maybe yes.. maybe these are the ones I liked 

I think those were the ones I liked

https://images.app.goo.gl/GEpq4sfCaSuBHizs7

yes.. 

butter.. of course.. damn.. everything with butter is delicious.. 

damn

those were the ones I liked so much 

https://www.instagram.com/swhite523/

so s.white got pregnant..

https://youtu.be/DY95-YYMUa8?t=164

https://youtu.be/U14H7J1x1Og

wow. live stream 9 hours ago

wow.. I wasn’t subscribed to her

https://youtu.be/DY95-YYMUa8?t=75

midi keyboard

https://youtu.be/CgCMBFcifVE

https://youtu.be/CgCMBFcifVE?t=45

what are these buttons.. how does it work

damn so many buttons

https://youtu.be/ifHRDBx-ctw?t=11

https://youtu.be/Zja4FWCVAFg?t=140

https://youtu.be/TbMg2LK4eFk

lol the chord buttons.. yes..

https://youtu.be/TbMg2LK4eFk?t=56

it has also octave buttons too damn

https://youtu.be/TbMg2LK4eFk?t=59

like on midi keyboards that he has in the background

so f*cked up..

jesus chirst my mother is so greedy 

https://youtu.be/JeB3JnKp8To?t=17

o my god..

https://youtu.be/JeB3JnKp8To?t=50

also a lot of.. those are not buttons.. 

it’s for pulling

https://youtu.be/JeB3JnKp8To?t=579

[tune2mod]

Vorsteiner released V-FF 107 Wheels for BMW M3 M4 direct figment. Get yours at Tune2mod.com or link in bio! #vorsteiner #vorsteinerwheels #performancewheels #forgedwheels #racingwheels #bmwm3 #bmwm4 #m3f80 #m4f82 https://www.instagram.com/p/B3LLfN0pWSG/?igshid=3eughhgn9k8p

[humansoulsarg]

Stray Cat Word Cross Solve

http://pangenttechnologies.tumblr.com/post/164428735237/

This post contains an ask continuing the player attempts to save/find Mayor Sassenheim after some of the locker shenanigans resulted in a ‘Lost Cat’.

The reply is a modified version of the previously included advertisement for a Laughing Cat picture. This time it appears Mayor Sassenheim is the one laughing.

There is also a link to a Signal and Noise YouTube video: https://youtu.be/2GQERj7crhA

This video has title ’m a y o r’ and shows several scenes of the Mayor doing his Mayor thing. In the audio there are DTMF tones which can be grouped as decimal ASCII values as follows:

109 101 100 105 97 32 105 105 105 52 98 120 101 107 98 57 48 97 97 57 109

This decodes as: media iii4bxekb90aa9m

http://www.mediafire.com/file/iii4bxekb90aa9m/tacyarts.zip

This archive contains four images. Two of Mayor Sassenheim, and Two of a Puzzle.

Lost Cat:

Laughing Cat:

Stray Cat Word Cross Story/Clues:

Stray Cat Word Cross Grid:

So, a challenging word cross appears. Several players began working out the clues and progress was made on many of the answers, even given the added difficulty of not knowing if the words went horizontal or vertical.

Player Benzopyrene612 was particularly fond of this puzzle and made some early meta steps to the solution:

I have the decode

???ptsfvxhsmgooofyt?uayyjtmlnbsfcxuycoyjqmhmqqceqzyg, vigenere key mayorsassenheim ???bcafdfdffcgccfaf?caggfgfhfpgfejdgcwgfdfdeeecgcigg

that looks highly suspicious don’t like that p and w

the clue numbering suggests i split the string like this ?? ?b ca fd fd ff cg cc fa f? ca gg fg fh fp / gf ej dg ch gf df de ee cg ci gg (left 1-16, right A-Q) the right side decodes to vPG8vFEU79w, leading to youtu.be/vPG8vFEU79w https://www.youtube.com/watch?v=vPG8vFEU79w

As Benzopyrene612 discovered, the characters in the grey boxes were read off in order of the clues, then decoded as vigenere with key mayorsassenheim to then become Pangent’s familiar 'hex-alpha’ with a=1, b=2, etc. with J=0, and K-P=A-F.

The discovered video, with title 'Found Cat’, is a 7 second shot of Lottie stating:

The mayor’s fine, by the way. She found him.

And there was much rejoicing!

Noting the date on this video, it’s from November 30, 2016. Nearly 9 months it took for this video to be revealed. Pangent plays the long game.

The players continued working on the clues, in a fabulous display of collaboration and teamwork, to eventually complete the entire grid.

Lots of Tangent to Pangent trivia/information is to be found in these clues and their answers.

So using the same method on the numbered boxes as was done before with the lettered boxes, the string becomes:

obdptsfvxhsmgooofytvuayyjtmlnb vigenered with mayorsassenheim -> cbfbcafdfdffcgccfafecaggfgfhfp -> 32 62 31 64 64 66 37 33 61 65 31 77 67 68 6F -> 2b1ddf73ae1wgho

http://www.mediafire.com/file/2b1ddf73ae1wgho/strut.zip

This archive contains a video entitled 'strut’ which is several scenes of our hero, Mayor Sassenheim, with backing music of Stray Cat Strut, by the Stray Cats.

Many in the chat commented on how fun this puzzle was as the collaboration was so widespread. It was an enjoyable process for all involved.

But wait, there’s more! It turns out, after players received hints and pointers from Pangent about missing something hidden that the image in the original post had changed, and there was now hidden content behind the cat image.

This XUXA-themed puzzle turned out to be Morse Code with X=dot, U=dash, A=letter separator, AA=word separator and decoded to:

LOCKER 31 RESERVED BY KBLOOWIT IN THE NAME OF CUTE PICTURES INVOLVING CATS.

[hareshtechno-blog]

FF-107, Abhishree Adroit, Mansi Circle, Vastrapur

[vividracing]

New Post has been published on https://www.vividracing.com/blog/announcing-new-products-specials-and-info/vorsteiner-v-ff-107-gtr-20-exclusive-fitments-exclusive-to-vivid-racing/

Vorsteiner V-FF 107 GTR 20" Exclusive Fitments Exclusive to Vivid Racing

We are pleased to announce that we have 20 sets of the new V-FF 107 Wheels in Exclusive 20″ GTR Fitment. These wheels are finished in carbon Graphite and feature a unique mesh style design. The Flow Forged technology allows to have a lighter wheel than cast, but higher strength. Extensive milling and pocketing is also implemented to ensure the lightest wheel possible. The wheel sizes were chosen for maximum grip and allow for 285/35/20 in the front and a beefy 335/30/20 in the rear. There is some concave to the front and deeper concave in the rear. This concave also allows for larger caliper clearance in case you upgrade in the future. Center caps are included with purchase. For inquires please call 1-480-966-3040 or email Sales@Vividracing.com.

  Features:

Dimensional Mesh Design

Sloped Flange Design

Vorsteiner Stamping

Fitment: 

20×10 Front

20×12 Rear

Click this link for our entire Vorsteiner inventory

[gearsascom]

BMW Cars : All-New BMW 7 Series Adorned With Vorsteiner V-FF 107 Wheels in Carbon Graphite … http://bit.ly/2VC5lmb

[romaaeternaofficial]

Sorry for the delay, life has had me busy. I present to you the temple of the week.

TEMPLE OF CASTOR AND PULLOX

Castor, aedes: a temple of Castor (or the Dioscuri?) in circo Flaminio, that is, in Region IX, to which there are but two references. Its day of dedication was 13th August (Hemerol. Allif. Amit. ad id. Aug.; CIL I2 p325: Castori Polluci in Circo Flaminio; Fast. Ant. ap. NS 1921, 107), and it is cited by Vitruvius (IV.8.4) as an example of an unusual type (columnis adiectis dextra ac sinistra ad umeros pronai), like a temple of Athene on the Acropolis at Athens, and another at Sunium (Gilb. III.76, 84).

Castor, aedes, templum: * the temple of Castor and Pollux at the south-east corner of the forum area, close to the fons Iuturnae (Cic. de nat. deor. III.13; Plut. Coriol. 3; Dionys, VI.13; Mart. I.70.3; FUR fr. 20, cf. NS 1882, 233). According to tradition, it was vowed in 499 B.C. by the dictator Postumius, when the Dioscuri appeared on this spot after the battle of Lake Regillus, and dedicated in 484 by the son of the dictator who was appointed duumvir for this purpose (Liv. II.20.12, 42.5; Dionys. loc. cit.). The day of dedication is given in the calendar as 27th January (Fast. Praen. CIL I2 p308; Fast. Verol. ap. NS 1923, 196; Ov. Fast. I.705‑706), but by Livy (II.42.5) as 15th July. The laterº may be merely an error, or the date of the first temple only (see WR 216‑217, and literature there cited).

Its official name was aedes Castoris (Suet. Caes. 10: ut enim geminis fratribus aedes in foro constituta tantum Castoris vocaretur; Cass. Dio XXXVII.8; and regularly in literature and inscriptions — Cic. pro Sest. 85; in Verr. I.131, 132, 133, 134; III.41; Liv. cit. and VIII.11.16; Fest. 246, 286;1 Gell. XI.3.2; Mon. Anc. IV.13; Plaut. Curc. 481; CIL VI.363, 9177, 9393, 9872, 10024 — aedes Castorus (CIL I2582.17) or Kastorus (ib. 586.1; cf. EE III.70) appear merely as variants of this), but we also find aedes Castorum (Plin. NH X.121; XXXIV.23; Hist. Aug. Max. 16.1; Valer. 5.4; Not. Reg. VIII; Chron. 146), and Castoris et Pollucis2 (Fast. p103Praen. CIL p.I2.308; Asc. in Scaur. 46; Suet. Tib. 20; Cal. 22; Flor. Ep. III.3.20, cf. Lact. Inst. II.7.9; CIL VI.2202, 2203, although perhaps not in Rome, cf. Jord. I.2.369), forms due either to vulgar usage or misplaced learning. Besides aedes, templum is found in Cicero (pro Sest. 79; in Vat. 31, 32; in Pis. 11, 23; pro Mil. 18; de domo 110; de harusp. resp. 49; ad Q. fr. II.3.6), Livy once (IX.43.22), Asconius (in Pis. 23; in Scaur. 46), the Scholia to Juvenal (XIV.261), the Notitia and Chronograph (loc. cit.). In Greek writers it appears as τὸ τῶν Διοσκούρων ἱερόν (Dionys. VI.13), τὸ Διοσκόρειον (Cass. Dio XXXVIII.6; LV.27.4; LIX.28.5; Plut. Sulla 33), νεὼς τῶν Διοσκούρων (Cass. Dio LX.6.8; App. B. C. I.25; Plut. Sulla 8; Pomp. 2; Cato Min. 27).

This temple was restored in 117 B.C. by L. Caecilius Metellus (Cic. pro Scauro 46, and Ascon. ad loc.; in Verr. I.154; Plut. Pomp. 2). Some repairs were made by Verres (Cic. in Verr. I.129‑154), and the temple was completely rebuilt by Tiberius in 6 A.D., and dedicated in his own name and that of his brother Drusus (Suet. Tib. 20; Cass. Dio LV.27.4; Ov. Fast. I.707‑708). Caligula incorporated the temple in his palace, making it the vestibule (Suet. Cal. 22; Cass. Dio LIX.28.5; cf. Divus Augustus, Templum, Domus Tiberiana), but this condition was changed by Claudius. Another restoration is attributed to Domitian (Chron. 146), and in this source the temple is called templum Castoris et Minervae, a name also found in the Notitia (Reg. VIII), and variously explained (see Minerva, Templum). It had also been supposed that there was restoration by Trajan or Hadrian (HC 161), and that the existing remains of columns and entablature date from that period, but there is no evidence for this assumption, and the view has now been abandoned (Toeb. 51). The existing remains are mostly of the Augustan period (AJA 1912, 393), and any later restorations must have been so superficial as to leave no traces.

This temple served frequently as a meeting-place for the senate (Cic. in Verr. I.129; Hist. Aug. Maxim. 16; Valer. 5; CIL I2586.1), and played a conspicuous rôle in the political struggles that centred in the forum (Cic. de har. resp. 27; de domo 54, 110; pro Sest. 34; in Pis. 11, 23; pro Mil. 18; ad Q. fr. II.3.6; App. B. C. I.25), its steps forming a sort of second Rostra (Plut. Sulla 33; Cic. Phil. III.27). In it were kept the standards of weights and measures (CIL V.8119.4; XI.6726.2; XIII.10030.13 ff.; Ann. d. Inst. 1881, 182; Mitt. 1889, 244‑245), and the chambers in the podium (see below) seem to have served as safe deposit vaults for the imperial fiscus (CIL VI.8688, 8689),3 and for the treasures of private individuals ( Cic. pro Quinct. 17; Iuv. XIV.260‑262 and Schol.). No mention is made of the contents of this temple, artistic p104or historical, except of one bronze tablet which was a memorial of the granting of citizenship to the Equites Campani in 340 B.C. (Liv. VIII.11.16).

The traces of the earlier structures (including some opus quadratum belonging to the original temple; see Ill. 12) indicate successive enlargements with some changes in the plan of cella and pronaos (for the discussion of these changes and the history of the temple, see Van Buren, CR 1906, 77‑82, 184, who also thinks that traces can be found of a restoration in the third century B.C.; cf. however, AJA 1912, 244‑246). The Augustan temple was Corinthian, octastyle and peripteral, with eleven columns on each side, and a double row on each side of the pronaos. This pronaos was 9.90 metres by 15.80, the cella 16 by 19.70, and the whole building about 50 metres long by 30 wide. The floor was about 7 metres above the Sacra via. The very lofty podium consisted of a concrete core enclosed in tufa walls, from which projected short spur walls. On these stood the columns, but directly beneath them at the points of heaviest pressure travertine was substituted for tufa. Between these spur walls were chambers in the podium, opening outward and closed by metal doors. From the pronaos a flight of eleven steps, extending nearly across the whole width of the temple, led down to a wide platform, 3.66 metres above the area in front. This was provided with a railing and formed a high and safe place from which to address the people. From the frequent references in literature (see above) it is evident that there was a similar arrangement in the earlier temple of Metellus. Leading from this platform to the ground were two narrow staircases, at the ends and not in front. The podium was covered with marble and decorated with two cornices, one at the top and another just above the metal doors of the strong chambers. Of the superstructure three columns on the east side are standing, which are regarded as perhaps the finest architectural remains in Rome. They are of white marble, fluted, 12.50 metres in height and 1.45 in diameter. The entablature, 3.75 metres high, has a plain frieze and an admirable worked cornice (for the complete description of the remains of the imperial temple previous to 1899, see Richter, Jahrb. d. Inst. 1898, 87‑114; also Reber, 136‑142; D'Esp. Fr. I.87‑91; II.87; for the results of the excavations since 1899, CR 1899, 466; 1902, 95, 284; BC 1899, 253; 1900, 66, 285; 1902, 28; 1903, 165; Mitt. 1902, 66‑67; 1905, 80; for general discussion of the temple, Jord. I.2.369‑376; LR 271‑274; HC 161‑164; Théd. 116‑120, 210‑212;a DE I.175‑176; WR 268‑271; DR 160‑170; RE Suppl. IV.469‑471; Mem. Am. Acad. V.79‑1024; ASA 70; HFP 37, 38).

This temple was standing in the fourth century, but nothing is known of its subsequent history, except that in the fifteenth century only three columns were visible, for the street running by them was called via Trium Columnarum (Jord. II.412, 501; LS I.72, and for other reff. II.69, p105199, 202; DuP 97). In the early nineteenth century it was often wrongly called the Graecostasis or the temple of Jupiter Stator.

[carguytimes]

【ミラ トコット試乗】ダイハツの「プリティ軽」トコットは一般道から高速道路まで乗り心地しっとり

スズキがアルト ラパンに「モード」を追加設定したことでにわかに活況を呈しているのが「プリティ軽」ジャンル（そんな言葉はないので今こしらえました）。ダイハツにおいてそのラパンにガチンコ対抗するプリティ軽が今年登場したミラ トコット（以下、トコット）です。   トコットはミラ イースをベースにした、ベーシックで使い勝手のいいツールとして開発されたモデル。 ボディサイズは全長3395mm・全幅1475mm・全高1530mmとなっていて、最近の軽自動車としては低めのルーフが特徴です。搭載エンジンはNA3気筒のみとして、CVTと組み合わせます。駆動方式はFFと4WDの2タイプが設定されました。 ベーシックとはいえ安全装備は充実で、SRSサイドエアバッグ&SRSカーテンシールドエアバッグを全グレードに標準装備。また先進運転支援システム（ADAS）である衝突回避支援システム「スマートアシストⅢ」もほとんどのグレードに採用しつつ価格を抑えたことが特徴です。 ちなみに価格は107万4600円（L FF）〜142万5600円（G”SAIII” 4WD）となっていまして、今回試乗したG“SAⅢ”（FF）は129万6000円です。 そうそう、今回用意したトコットは実はカーシェアリング車。タイムズカープラスが2019年3月18日まで受け付けしている「ミラトコット 240分無料体感キャンペーン」にエントリーして得た権利を実行して乗ることができた次第です。無料、最高。 閑話休題。早速チェックしていきます。 トコットの特徴はなんといってもその無印良品的なシンプルでおしゃれな外観にあります。どこか無骨でスクエアなボディに、フロントとリヤの丸いライトなどのラウンド形状を組み合わせています。 ちなみにヘッドライトはLEDでマニュアルレベリング機能付きです。 ただしこのスクエアな外観はおしゃれのためだけでなく、立ったAピラーは前方斜め視界を向上させました。 また水平で低いウインドウラインは横や斜め後方の視界もたっぷり確保しています。 搭載エンジンはダイハツで広く採用されているKF型と言われる3気筒タイプ。最高出力は52ps/6800rpm、最大トルクは6.1kg・m/5200rpmとなっています。組み合わされるCVTはダイハツ独自の3軸タイプ（通常は4軸）。軽量かつコンパクトなのが特徴です。 ラゲッジルームは特大……とは言いませんが、4名乗車時でもビーバー1〜2匹は入りそうな空間が確保されています。一体式後席シートバックを倒すと、斜めにすれば小さめのトドが入りそうなスペースが生まれます。 室内高はミラ イースより30mm高い1270mmを確保していますので、前後席ともに広々した空間が確保されています。特にリヤシートは身長173cmの記者が座って頭上にもヒザ前にもたっぷり余裕があり、「これならハイト軽がいらないかも」と思わせるほど。 インパネはブラックをベースに、アイボリーとホワイトのパネルが組み合わされます。とりわけ助手席正面のセラミックホワイトのインパネガーニッシュは、まるでカルピス原液のように優しい白さ。樹脂素材なのに陶器のような質感です。 メーターはスピードメーターを大きく配置した見やすいもの。盤面発光タイプで夜間もスーパー視認性がいいです。 センター下部にはUSB電源ソケットを2口装備。しかも両方とも2.1A（スマホを使用しながらでも余裕を持って充電が可能な容量）サイズなのがうれしいです。また、試乗グレードではシートヒーターも装備されていました。 では乗ってみます。走り始めてすぐにわかるのは最小回転半径が4.4mで、まあ面白いくらいに小回りが利くこと。 また、意識的に軽く設定したという操舵力によって、ステアリングを回すのが楽だということもすぐわかります。とはいえ、軽すぎて不安になることもなく、切り足していく中にはしっかりした手応えがあることも特徴です。 サスペンションは前がストラットで後ろがトーションビーム。基本はイースと共通ですが、バネレートやダンパーはトコット独自設定。方向性としてはより柔らかい方向でして、乗り心地は桔梗信玄餅並みに柔らかです。 が、これ、ステアリングと同様にただソフトなだけでなく、ロールさせていく速度がコントロールされている「しっかり感」があるので不安になることはありません。もちろんタイヤがハイグリップ志向ではないこともあり、コーナリング速度の限界が高いわけでもないのですが、全体のバランスが取れているので好印象です。 今回、60km/h制限の一般道と80km/h制限の高速道路の両方を走りました。いずれも上限速度に達するまでのフル加速では、720kgと軽量な車体でもNA3気筒では「いっぱいいっぱい」な感があります。 「フル」ではなく周りの交通の流れ同等の加速や定速巡航、中間加速をしている際にはCVTがいい仕事をしてトルクの一番いいところを使って走行します。このため速度が乗ってしまえば（そして制限速度内の領域であれば）余裕をもった走行を楽しむことができます。 というわけで���コットは、実直な中におしゃれが光る内外装と、素朴だけれどきちんとした仕事をするメカニズムが印象的な1台でした。 （写真・動画・文／ウナ丼） https://www.youtube.com/watch?v=HKdslqAKdn8 あわせて読みたい * 【新車】CFRP製ハードルーフを備えたコペン・クーペが200台限定で登場。価格は2,484,000円〜 * 【東京オートサロン2019】ダイハツは市販予定車のコペン・クーペやミラ・トコットなどのコンセプトカーを出展 * 【新車】ダイハツからコペン クーペが登場。200台限定でルーフはカーボン！ * ダイハツがアトレーワゴンをベースとした車両で「まちなか自動移動サービス事業構想コンソーシアム」に参画 * 大人女子必見。開運の秋!? 江ノ島〜鎌倉〜葉山、パワースポットを巡る日帰りドライブ旅へ！第三弾【PeLuLu】 http://dlvr.it/QvCVq6

[shorelinemotoring]

Black-out package, RS mesh grill, custom brake caliper treatment, 20" Vorsteiner V-FF 107's for this V10 Spyder • • • • #shorelinemotoring #customcars #audi #R8 #audiR8 #V10 #Spyder #custompaint #vorsteinerwheels #vorsteiner #customwheels #pirelli #allblackeverything #luxury #cars #luxurycars #racecar #audi_official #audir8spyder #audilove #audigramm #audizine #quattro #audipixs #huntingtonbeach #surfcityusa #newportbeach #newps #orangecounty #california #shoreline #carporn #carsofinstagram (at Huntington Beach, California)

[emeraldbenu]

@lazuliblur Here is that playlist I was talking about. I like some of the other songs in these soundtracks too, but I listen to this while sleeping a lot so these are mostly quiet songs. I also would like some of the other FF OST’s so this list will eventually be longer. Lol

Final Fantasy I OST ��    1. Prelude      2. Opening Theme      3. Castle Cornelia      4. Main Theme      5. Chaos Shrine      6. Matoya’s Cave      7. Town      8. Sunken Shrine      9. Mount Gulg    10. Flying Fortress    11. Sanctuary    12. Derelict Keep

Final Fantasy II OST    13. Prelude    14. Revival    15. The Rebel Army    16. Town    17. Main Theme    18. Tower of the Magi    19. Ancient Castle    20. Dungeon    21. The Princess’s Seduction

Final Fantasy IV OST    22. The Prelude    23. Kingdom of Baron    24. Welcome to Our Town!    25. Main Theme of Final Fantasy IV    26. Into the Darkness    27. Damcyan Castle    28. Sorrow and Loss    29. Edward’s Harp    30. Mt. Ordeals    31. Suspicion    32. Mystic Mysidia    33. The Airship    34. Troian Beauty    35. Tower of Bab-il    36. Somewhere in the World...    37. Land of Dwarves    38. Giott, King of the Dwarves    39. Dancing Calbrene    40. The Land of Summons    41. Another Moon    42. The Lunarians

Final Fantasy V OST (I only own a partial of this from the PS1 Anthology disc)    43. FFV Opening Theme    44. The Dungeon    45. We’re Pirates    46. City Theme    47. Parting Sorrow    48. Distant Homeland    49. To My Beloved Friend

Final Fantasy VI OST    50. Omen    51. The Mines of Narshe    52. Awakening    53. Locke’s Theme    54. Edgar & Sabin’s Theme    55. Kefka    56. Mt. Koltz    57. The Returners    58. Troops March On    59. Cyan’s Theme    60. Phantom Forest    61. Phantom Train    62. The Serpent Trench    63. Kinds Run Through the City    64. Under Martial Law    65. Terra’s Theme    66. Slam Shuffle    67. The Gestahl Empire    68. Magitek Research Facility    69. Mog’s Theme    70. Strago’s Theme    71. Relm’s Theme    72. Esper World    73. Floating Continent    74. Dark World    75. From That Day On...    76. Searching for Friends    77. Epitaph    78. The Magic House

Final Fantasy VII OST    79. The Prelude    80. Mako Reactor    81. Anxiety    82. Tifa’s Theme    83. Barret’s Theme    84. Lurking in the Darkness    85. Shinra, Inc    86. Flowers Blooming in the Church    87. Turk’s Theme    88. Under the Rotting Pizza    89. The Oppressed    90. Who...Are You?    91. Don of the Slums    92. Infiltrating Shinra    93. Dear to the Heart    94. Main Theme of Final Fantasy VII    95. On Our Way    96. On That Day, Five Years Ago...    97. Farm Boy    98. Cinco de Chocobo    99. In Search of the Man in Black  100. Trail of Blood  101. Mark of a Traitor  102. Mining Town  103. Desert Wasteland  104. Lifestream  105. The Great Warrior  106. Descendant of Shinobi  107. Those Chosen By the Planet  108. The Nightmare Begins  109. Wutai  110 Forested Temple  111. Listen to the Cries of the Planet  112. Buried in Snow  113. The North Cave  114. Reunion  115. Who...Am I?  116. Secrets of the Deep Sea  117. Provincial Town  118. From the Edge of Despair  119. Other Side of the Mountain  120. Open Your Heart  121. Judgement Day

Final Fantasy X (own a partial of this)  122. Besaid  123. The Sending  124. Luca  125. Wandering

Final Fantasy XIII-2 OST  126. Final Fantasy XIII-2 Overture  127. Final Fantasy XIII-2 -Wishes-  128. Paradox  129. A World Without Cocoon  130. The Story So Far...  131. Missing Link  132. Memories for the Future  133. Eclipse  134. Hope’s Theme -Tomorrow’s Dream-  135. Temporal Rift  136. Oracle Drive  137. Eyes of Etro  138. Parallel Worlds  139. The Void Beyond  140. Augusta Tower  141. Academia  142. A Fading Miracle  143. Shadow of Valhalla  144. Countless Partings  145. Hollow Seclusion -Game Over-  146. Tears of the Goddess  147. Labyrinth of Chaos  148. The Goddess is Dead

A New World: Intimate Music from Final Fantasy  149. Dark World (From “Final Fantasy VI”)  150. Troia  (From “Final Fantasy IV”)  151. Town  (From “Final Fantasy I”)

Distant Worlds: Music From Final Fantasy  152. Aerith’s Theme  153. Fisherman’s Horizon

Distant Worlds II: Music From Final Fantasy  154. Prelude  155. Zanarkand  156. Terra’s Theme  157. Main Theme of Final Fantasy VII

Chrono Trigger  158. Silent Light  159. People Without Hope  160. Underground Sewer  161. Sealed Door  162. Bonus Track 1  163. Bonus Track 3  164. Morning Sunlight  165. Peaceful Days  166. Memories of Green  167. A Strange Happening  168. Wind Scene  169. Secret of the Forest  170. Manolia Cathedral  171. Frog’s Theme  172. Kingdom Trail  173. The Hidden Truth  174. Far Off Promise (Arrange Version 1)  175. Frog’s Theme (Arrange Version)  176. Ruined World  177. Lavos’ Theme  178. The Day the World Revived  179. Remains of the Factory  180. Brink of Time  181. Delightfully Spekkio  182. Rhythm of Wind, Sky and Earth  183. Magus’ Castle  184. Confusing Melody  185. Schala’s Theme (Arrange Version)  186. Singing Mountain  187. At the Bottom of Night  188. Corridors of Time  189. Zeal Palace  190. Schala’s Theme ��191. Undersea Palace  192. Far Off Promise  193. Wings That Cross Time  194. Black Omen  195. First Festival of Stars  196. Epilogue - To Good Friends  197. To Far Away Times  198. Far Off Promise (Arrange Version 2)

[jamesgraybooksellerworld]

‘VIVITUR INGENIO’

  392J. Albrecht DÜRER 1471-1528, Translator Giovanni Paolo Gallucci,; 1538-1621?

Di Alberto Durero pittore, e geometra chiarissimo. Della simmetria dei corpi humani. Libri quattro : Nuouamente tradotti dalla lingua Latina nella Italiana, da M. Gio. Paolo Gallucci Salodiano. Academico Veneto. Et accresciuti del quinto Libro, nel quale si tratta, con quai modi possano i Pittori, & Scoltori mostrare la diuersità della natura de gli huomini, & donne, & con quali le passioni, che sentono per li diuersi accidenti, che li occorrono. … Opera à i Pittori, e Scoltori non solo utile, ma necessaria, & ad ogn’altro, che di tal materia desidera acquistarsi perfetto giudicio.

Venetia [Venice] : Appresso Roberto Meietti, Hora di nouo stampati. 1594.            $15,500

Folio, !6 A-L6 M7 N-P6 Q8 R-Z6 .  Bound in contemporary limp vellum.

In this book there are hundreds of woodcut illustrations on almost every opening in the book, each representing the proportions of the human body depending on the age, the sex and the personal development. Each body is drawn/represented a frontal, side and in motion ,view  while the heads are shown in different positions, such as looking upwards or downwards. Depicting which kind of perspective the artist should take in order to represent a person better.

In the first three books Dürer discusses methods of measuring and representing human proportion. The third book concludes with a passage on the relationship of art to God. The fourth book discusses the representation of movement and bent postures.

Most of the illustrations are close copies of those in the first, German edition (1528).

This book is a cornerstone  in the history of the human representation.

  The work was published for the first time posthumously in Nuremberg, in 1528, with the original German title Vier Bücher von menschlicher Proportion. 

  The first book was mainly composed by 1512/13 and completed by 1523, showing five differently constructed types of both male and female figures, all parts of the body expressed in fractions of the total height. Dürer based these constructions on both Vitruvius and empirical observations of “two to three hundred living persons”.  The second book includes eight further types, broken down not into fractions but an Albertian system, which Dürer probably learned from Francesco di Giorgio’s ‘De harmonica mundi totius’ of 1525. In the third book, Dürer gives principles by which the proportions of the figures can be modified, including the mathematical simulation of convex and concave mirrors; here Dürer also deals with human physiognomy. The fourth book is devoted to the theory of movement.

Appended to the last book,  is an essay on aesthetics, which Dürer worked on between 1512 and 1528, and it is here that we learn of his theories concerning ‘ideal beauty’.  Dürer rejected Alberti’s concept of an objective beauty, proposing a relativist notion of beauty based on variety. Nonetheless, Dürer still believed that truth was hidden within nature, and that there were rules which ordered beauty, even though he found it difficult to define the criteria for such a code.  In 1512/13 he wrote that his three criteria were function (‘Nutz’), naïve approval (‘Wohlgefallen’) and the happy medium (‘Mittelmass’).

However, unlike Alberti and Leonardo, Dürer was most troubled by understanding not just the abstract notions of beauty but also as to how an artist can create beautiful images.  Between 1512 and the final draft in 1528, Dürer’s belief developed from an understanding of human creativity as spontaneous or inspired to a concept of ‘selective inward synthesis’.

In other words, that an artist builds on a wealth of visual experiences in order to imagine beautiful things. Dürer’s belief in the abilities of a single artist over inspiration prompted him to assert that “one man may sketch something with his pen on half a sheet of paper in one day, or may cut it into a tiny piece of wood with his little iron, and it turns out to be better and more artistic than another’s work at which its author labours with the utmost diligence for a whole year”.

  Adams D, 1055; Cicognara 321; Durling/NLM 1299; Mortimer, Italian 169 (in nota); Wellcome II, 1920. E. PANOFSKY, Albrecht Dürer, I, pp. 244-245:

«Dürer was the firstartist, who, brought up in the late-medieval workshops of the North, fell under the spell of art theory as it had evolved in Italy. It is in his development as a theorist of art that we can study in vitro, as it were, the transition from a convenient code of instructions to a systematic and formulated body of knowledge».

•Selz, Albrecht Dürer: le peintre, le graveur et le théoreticien (1996);                                •A. Dürer, The writings of Albrecht Dürer, tr. and ed. W.M. Conway (1958);                                        •E. Panofsky, ‘Dürer as a theorist of art’, in E. Panofsky, Albrecht Dürer, vol. I (1943), p.260-84.;                                                                                                                                                  •E. Panofsky, ‘The history of the theory of human proportions as a reflection of the history of styles’, in Meaning in the visual arts (1955), p.55-107;                                       •V. Mortet, ‘La mesure de la figure humaine et le canon des proportions d’aprs les dessins de Villard d’Honnecourt, d’Albert Dürer et de Léonard de Vinci’, in Mélanges offerts à M. Emile Chatelain (1910), p.367-71.

                                  §§

   2) 398J.  Antoninus Florentinus

Confessionale: Defecerunt scrutantes scrutinio… Add: Titulus de restitutionibus; Conclusiones et decisiones in foro conscientiae; Versus decem praeceptorum ac septem peccatorum mortalium

Venice:  Venetiis : Impressum per Petrum Jo. de q[ua]rengijs Bergome[n]se[m] 15 February 1499.

Imprint from colophon (leaf z3v) which reads: Explicit vtilissima [con]fessio[n]alis su[m]mula cu[m] tractatu[m] de Restit[uti]o[n]ibus … Reuerendissimi b[ea]ti Antonini archiepiscopi florentini … Impressu[m] p[er] Petrum Jo. de q[ua]rengijs Bergome[n]se[m]. die. 15. febrarij. [sic] 1499.                       $5,500

  Octavo  (150 x 102 mm), a-y8 z6 contemporary reversed vellum from a Medieval manuscript, preserved in a red velvet box, ff. [182].Gothic type 13:69G and 17:98G. Text in Latin on 2 columns, Gothic type, 33 lines. A large woodcut at colophon, repre-senting a blessing angel. In this book Antoninus deals with the authority, science and doctrine of confessor and illustrates all the methods to question the penitent soul.  Antoninus, Archbishop of Florence. Shows us the  the powers of the confessor, the seven deadly sins (the initial of each of the seven sins capitals ordered by their importance: Superbia, Avaritia, Luxuria, Ira, Gluttony, Invidia and Accidia (pride, avarice, lust, anger, gluttony, envy and laziness) (book 2, section 2), the manner of interrogating people of different social and professional status (including butchers, bakers, musicians, jewellers, physicians and pharmacists, book 2, section 3), together with absolution and imposition of penance.

There are  three  versions of the Confessionalia which are distinguished by their incipits, the first one (GW 2075- 2079) “Curam illius habe” which is in Italian and sometimes known as “Medicina dell’anima”, and the second “Omnis mortalium cura” or “Specchio di coscienza”, again in Italian, to which various other texts are appended (GW 2152-2176). The third, found here, “Defecerunt scrutantes scrutinio” (GW 2080-2151) is by far the most printed and is known not only in Latin but was translated into Italian and Spanish,

This work is of considerable interest for the student of medieval and renaissance social history.

PROVENANCE: Inscription Ad usum Jo. Ant. Romagnoli  on the title-page.

ISTC ia00830000 : Goff A831;GW; 2138 (variant colophon); Hain,; *1206 ; IGI 653; BSB-Ink A-591; H 1206*; Pellechet854; Richard 43; IDL 347; IBP 413; Sajó-Soltész 244; Sack(Freiburg) 225; Lőkkös(Cat BPU) 35; Gisi 28; Sack 225:Husung 111 .

https://data.cerl.org/istc/ia00831000

  §•§

  3). 388J  Gisbert Cuper. 1644-1716

Gisb. Cuperi Harpocrates, Sive Explicatio imaguncluæ argenteæ perantiquæ; quæ in figuram Harpocratis formata representat Solem. Ejusdem Monumenta Antiqua Inedita. Multi Auctorum loci, multæ Inscriptiones, Marmora, Nummi, Gemmæ, varii ritus, & Antiquitates in utroque Opusculo emendantur & illustrantur. Accedit Stephani Le Moine Epistola de Melanophoris.

Utrecht: (Trajecti ad Rhenum) Apud Franciscum Halma, Acad. Typogr., 1687.       $1,800

Quarto. *4, A-Z4, Aa-Pp4, Qq2. (Two blank leaves follow Qq2 which may or may not be integral.)

This book has an added engraved title, forty-one text engravings, seven folding engravings, and one text woodcut. It is in bright, crisp condition throughout,

“Gisbert Cuper, a Dutch critic and philologist, born at Hemmendem in 1644. He was for many years professor of history at Deventer, and published serveral valuable works.” (Thomas’ Pronouncing Dictionary)

Harpocrates was adapted by the Greeks from the Egyptian child god Horus, who represented the newborn sun, rising each day at dawn. Harpocrates’s name was a Hellenization of the Egyptian Har-pa-khered or Heru-pa-khered, meaning “Horus the Child”. Yet  to the Romans, who misinterpreted Harpocrates as the personification of silence, and this particular work is a study of statues and other art from classical antiquity that depict these later figures of silence.

STCN ppn 833724266; Brunet 6, no. 22603; Cicognara 3212; Ebert 5512; Graesse 2,308)  The engraved frontispiece,  depicts Harpocrates standing on a pedestal, around him gods like Apollo, Hermes, Serapis and Isis, and in the foreground Tempus, who shovels for Egyptian antiquities.  Woodcut printer’s mark on the title, motto: ‘vivitur in genio’, ‘only through his genius man survives’. there are 3 cul de lampe vignettes, text engravings on 39 pages, small woodcuts on 2 pages; 6 plates depicting ancient monuments) This is a philological tour de force of the Dutch classical scholar Gisbertus Cuper. In the second century B.C., and who was connected with the mystery cult of the Egyptian goddess Isis. Cuper’s research began, he tells us in the preface, with a small silver statuette which he saw in the famous collection of his friend (and scholar) Johannes Smetius, whom he visited in 1674 in Nijmegen. The statuette was found in the ground of the collector’s hometown Nijmegen. It is a sculpture of a small boy, almost naked, and with a lotus flower on his head. He is winged and wears a small quiver on his back; the boy holds the index finger of his right hand against his lips, as if to enjoin silence. (p. 1: ‘manus dextrae digito indice premit vocem, & silentia suadet’) From his right arm hangs a small bucket (situla), and around his left arm coils a snake. His left hand rests on a club, around which another snake coils, and to which a goose has been attached. At the boy’s right foot sits a rabbit or hare. At his left foot a small bird of prey (accipiter vel alia avis). (p. 2) As soon as Cuper saw this aenigmatic figurine, he decided to examine it, for he could not imagine that all those attributes had been added without any intention. He recognized the boy from a Egyptian hieroglyph as Harpocration, whom Egyptian superstition brought to Rome. He immediately realized also that this boy did not ask for silence (non silentium tantum digito suadens), but that he represented the Sun (verum Solis imaginem referens). (p. 2) In the rest of the book Cuper closely examines all the relevant passages concerning Harpocrates’ iconography in ancient authors, in mythology, coins, inscriptions, amulets etc., to prove his point, that Harpocrates’s finger was misunderstood, from the Roman scholar Varro to Augustine, and that the boy was not a diety of Silence at all.  This 1687 edition is a reissue, considerably augmented with ‘Gisberti Cuperi Monumenta antiqua inedita’ (ca. 70 pages) in which Cuper discusses recent finds. He examines various inscriptions in leading his reflection on the various cults Hercules, Diane.  He offers a description and image of the finds, and tries to explain matters with the help of ancient sources and the work of contemporary scholars. At the end has also been added ‘Ad Gisb. Cuperum De Melanphoris epististola’ (30 pages) written by the French orientalist Stephanus Le Moine, 1624-1689, who lectured in Leiden from 1676. His letter is a treatise on the black clothes (melamphoroi), which the members of the Isis fraternities wore when they lamented.

Cuper was one of Pierre Bayle’s Dutch correspondents who was an important source of information for the Nouvelles de la &Republique des Lettres and the Dictionnaire historique et critique was Gisbert Cuper (1644-17 i6), a well-known humanist and professor of history at Deventer. A recognized numismatist and author of several scholarly works on aspects of Roman history and culture, Cuper was also a magistrate and a deputy from the province of Overijssel to the Estates-General from i686 to I693. In recognition of his scholarly interpretations of Roman medals and coins, he was named as one of the first foreign correspondents to the Academie des Inscriptions.

Because he was in the mainstream of both the scholarly and political life of Holland, Cuper was an invaluable correspondent for Bayle. Because Cuper was an important source of material and information, Bayle could use him for his own publications. Also Bayle, who was often under attack for his unorthodox views on religion and politics, was in need of the favor and protection that can be offered by respected and influential people. Cuper was on good terms with conservative elements of Dutch society of the times, such as the Orangists, and thus was in a strategic position to be helpful.

Cuper and Bayle first began corresponding in July, I684, soon after the first issue of the Nouvelles (March I684), in which Bayle reviewed the former’s commentary on a cameo, L’Apotheose d’Home’re grave’e sur un marbre.  Subsequently the two corresponded on a fairly regular basis over a period of twenty years, exchanging information on scholarlv activities underway on the continent and Cuper’s work, Apotheosis seu coissecratio Homneri (Amsterdam, I683), is re- viewed in the Nouivelles for March, i684, art, VIII.

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The frontispiece signed and dated in the plate: Joh. van der Avele invention and fecit. Title page in red and black. This edition is enhanced with a letter of Etienne Le Moyne; this text has a half-title and the second text: Monumenta Antiqua. Cuper’s research are a precursor to art history and Winckelmann. Many Greek and Hebrew quotations in the texts. 

  §§

4)  389J Anonmyous

The humours, and conversations of the town, expos’d in two dialogues, the first, of the men. The second, of the women.

London : printed for R. Bentley, in Russel-Street, in Covent-Garden, and J. Tonson, at the Judge’s-Head in Chancery-Lane, 1693.                                    $2,000

Octavo A⁶ B-G¹².

    Wing (2nd ed.), H3720;  Macdonald, Hugh. John Dryden; a bibliography. Oxford, 1939, p. 275-276.

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  5). 393J Lucretius

THE LAST BOOK PUBLISHED BY ALDUS

.

Venice: Aldus Manutius and Andrea Torresani di Asolo, 1515        $4,500

Octavo. *8a-q8  (*8, q78 blank except for device on q8) This is the second Aldine edition, the first edited by Andrea Navagero (1483–1529), the editor of all the last Latin editions published by Aldus from the Cicero of 1514 onwards, and considered  superior to the edition of 1500.   Bound in an18th century stiff vellum with label and gilt-lettered title at spine, yellow edges. This books was published one month before Aldus’s death, on February 1515 and contains his last preface, addressed to Alberto Pio, prince of Carpi.The title-page was restored and remounted; honest copy with short margins.

This book is a classical enchiridion, in the octavo format with text in Italic types, with no accompanying commentary or printed decoration. De rerum natura of Titus Lucretius Carus, the first century B.C. Roman natural philosopher, expounds, in the form of an epic poem, the cosmological theories of his teacher, the Greek philosopher Epicurus, demonstrating the workings of his model of a universe based on the atom as the fundamental particle. In the preface Aldus notes that although much of the philosophy expounded by Lucretius is repugnant to a believing Christian, t is much of value in his work and he should tfore be read anyway. Aldus, now sixty-five, would die within a month of publication of this, his last production. Thus his complaint concluding the preface becomes the more poignant: “But, if it weren’t for the bad health with which I have been rather harshly afflicted for some months now, quite a bit would have been added which would testify to all of our diligence, and would have made [the text] of Lucretius itself fuller.” From all accounts, Aldus simply wore himself out (as the eulogy in the 1515 edition of Lactantius states). This 1515 Lucretius is one of the celebrated Aldine editions of the ancient classics in the handy small 8vo format.

Lucretius was the first of the Latin classic poets printed by Aldus, selected for both his elegance and his philosophical interest. Although De rerum natura has notably anti-religious undertones, its psychedelic vision of swerving atoms enchanted early modern readers—including Pope Sixtus IV, Aldus’s preoccupation with the integrity and correctness of the original text lies behind the publication of his edition of the Epicurean poem De rerum natura .It might be  a strange choice if one considers the controversial nature of the text often in contrast with Christian beliefs–as the publisher himself points out in his dedicatory letter–but a natural choice given the philosophical nature of the text, in line with Aldus’s interests in scientific and philosophical texts from the Antiquity. Aldus’s admission that the text has also been chosen in view of the classical elegance of the verse introduces a new element of interest in the text.

In the preface Aldus notes that although much of the philosophy expounded by Lucretius is repugnant to a believing Christian, there is much of value in his work and he should therefore be read anyway. Aldus, now sixty-five, would die within a month of publication of this, his last production. Thus his complaint concluding the preface becomes the more poignant: “But, if it weren’t for the bad health with which I have been rather harshly afflicted for some months now, quite a bit would have been added which would testify to all of our diligence, and would have made [the text] of Lucretius itself fuller.”

Gordon, Bibliography of Lucretius, 6; Adams L-1651. New UCLA 130;Davies, Devices of the Early Printers, no.236).; Renouard AA p. 74:11;  Kallendorf & Wells #127; Dibdin II 198-199. Renouard, 74.11.;Keynes.H.1.33, fol. q6 recto; Censimento 16 CNCE 37499; Texas 126;

    §§

  6) 223J  Rubens, Peter Paul, 1577-1640. Barbé, Jean Baptiste,; 1578-1649. Galle, Cornelis,; 1576-   1650. Leczycki, Mikolaj,; 1574-1652. Pázmány, Péter,; 1570-1637.

Vita beati P. Ignatii Loiolae Societatis Iesu fundatoris.

Romae [Rome, Italy] : [s.n.], 1609          $3,800

Engraved architectonical frontispiece of important founders of the Society.

Quarto, 2 leaves plus 79 numbered cuts. This book consists of 81 copper engravings (including title page and frontispiece)–attributed either to Jean Baptiste Barbé or Cornelis Galle, the elder. Nineteen drawings for the engravings have been identified as the work of Peter Paul Rubens. Cf. The Rubens engravings of The life of St Ignatius (St Omers Press, 2005), p. 107-108; Diccionario histórico de la Compañia de Jesus, v. 4, p. 3428; Dictionary of art, v. 12, p. 16 (under Cornelis Galle)./

Commissioned by the Society of Jesus in 1605/1606 and issued in 1609, the year of Ignatius’ beatification. Each engraved plate includes a descriptive caption in Latin, attributed to Nicolaus Lancicius (i.e. Mikolaj Leczycki)–and Cardinal Peter Pázmány. Cf. modern edition: Vida de San Ignacio de Loyola en imágenes (Ediciones Mensajero, Bilbao, [1995])./ Title within architectural border depicting significant members of the Society of Jesus.

81 copper engravings (including title page and frontispiece) 19 after Rubens. Small (4to) 18×13.5 cm (7×5¼”) Later vellum ornamented with stamps of gilt St. Benedict, spine lettered on red morocco label in gilt, modern marbled endpapers. 

Nineteen drawings for the engravings have been identified as the work of Peter Paul Rubens. Cf. The Rubens engravings of The life of St Ignatius (St Omers Press, 2005), p. 107-108; Diccionario histórico de la Compañia de Jesus, v. 4, p. 3428; Dictionary of art, v. 12, p. 16 (under Cornelis Galle)./ Commissioned by the Society of Jesus in 1605/1606 and issued in 1609, the year of Ignatius’ beatification. 

Each engraved plate includes a descriptive caption in Latin, attributed to Nicolaus Lancicius (i.e. Mikolaj Leczycki)–and Cardinal Peter Pázmány. Cf. modern edition: Vida de San Ignacio de Loyola en imágenes (Ediciones Mensajero, Bilbao, [1995])./ Title within architectural border depicting significant members of the Society of Jesus.

to (20.5cm), attractive binding in contemporary limp vellum with gold fillets on boards and central fleuron, golden edges (some marginal repairs to a few leaves, light browning).  First edition of this iconographic biography of St Ignatius Loyola, which was the result of an international collaboration: the two promoters, the Jesuit Nicholas Lancicius (Polish) and Philip Rinaldi, supported by the Hungarian P»ter P?zm?ny, composed the Latin text, while it is possible that the images used for the engravings by Jean Baptiste Barb» were drawn by Rubens, at the start of his collaboration with the Jesuits (although another hypothesis is that they are the work of Cornelis Galle). The author, a skilled Latinist, is particularly known for his history of the JesuitsÌ early ventures to Asia. He refers here to IgnatiusÌs friend, Francis Xavier, and the mission to the East Indies and Japan, which Xavier had embarked upon in 1541  (Quaritch Cat. 1226, 132). Cicognara 2139; Thieme-B. XIII, 106; Hollstein VII, 169-249.

The book was published in Rome in 1609, on the occasion of the beatification of Ignatius of Loyola. Includes 79 copper engravings (in addition to the cover page and portrait) that illustrate the life of the founder of the Society of Jesus, since its inception in 1491, its conversion, its journey to the Holy Land and so on, until its death in 1556. Surely the book was in preparation for some time and was part of the Jesuit strategy to make S. Ignazio’s figure more important to the public. 

Backer-Sommervogel,; v. 6, column 409, no. 13; as well as  Vol XI col 1485(Quaritch Cat. 1226, 132). Cicognara 2139; Thieme-B. XIII, 106; Hollstein VII, 169-249.

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7) 583G  Eleven works bound together, .

1) Vindiciae doctrinae societ: Iesu a Calumniis patroni torunensium anonymi. [Bound with] 2) Apologia Roberti S.R.E. Cardinalis Bellarmini, pro responsione sua ad librum Iacobi     Magnae Britanniae … [Bound with]                                                                                                                                         3) Controversia de ecclesia verbo dei, conciliis, summo pontifice, certis conclusionibus comprehensa. [Bound with] 4) Monita Calvinistarum privata & publica, generalia & specialia, ex libris illorum, dictis, & factis collecta … [Bound with] 5). Pax non pax seu rationes aliquot, quibus confoederationis Evangelicorum cum Catholicis pacem … [Bound with] 6). Obronarozsadku o niedopuszczeniu Budowania Haeretyckiego zboru wpoznaniu narespons … [Bound with] 7) Krotkie a Zwiezne otworzenie oczu [Bound with] 8) Symbola tria. Catholicum. Calvinianum. Lutheranum. Omnia. Ipsis eorum auctorum verbis expressa. [Bound with] 9) Symbolum Lutheranum [Bound with] 10)Theses Catholicae, de vocatione ministrorum evangelicorum. [Bound with] 11) Veritas catholica [in Hebrew] Tres divinae personae pater, filius, & spiritus sanctus in una essentia contra obstinatos Iudaeos, Arianos, & Anabaptistas.            $11,500

  Quarto, 7.25 x 6 in.   The collations for all ten works are as follows: (1.) A-G4 (2.) *4, A-K8 (3.) *2, A-B2, A4 [-*3, *4] (4.) A-E4, F2 (5.) A4, B6 (6.) A-M4 (7.) π, A4, B5 (8.) *4, A-F4 (9.) A-D4 (10.) π, A4, B6 (11) A3, B-E4, F1

This sammelband is bound in the original Eastern European binding of blind tooled calf with ties. The binding has been strengthened as the sewing supports were virtually non-existent. The works are all in very good condition, a minor tear to D3 in the sixth work, and the work by Brezeski, the third work, lacks two leaves of preliminaries.    This sammelband contains eleven Catholic controversial works of mainly Polish and Lithuanian origin the majority of which are by Jesuit authors. Most of the works could not be located in any institution world-wide. 1. Tyszkiewicz, George (1571-1625) The author of the first work was a long-time professor of philosophy and theology at Posen and at Lubin in addition to serving as rector of many of the different colleges. This work, a response to the second work of Patronus Torunensium that attacked the doctrine of the Jesuits, is not recorded by OCLC and no copies could be located world-wide. Krakow: in Officina Andreae Petricouii S.R.M. Typographi, 1616.

2. Bellarmino, Robert (1542-1621)

Bellarmino, who taught the humanities for many years at Florence, is well known for his controversial literature of which, this work is an example. Bellarmino wrote this work under the pseudoname “Matthaeus Torti” in response to England’s king James I “Triplici nodo triplex cuneus,” an apology for the oath of allegiance and consequently an attack on papal authority which James associated with he antichrist. The “Triplici” first appeared in 1607 and Bellarmino’s response, in 1609. This edition is one of five editions that appeared in 1610. 3. Brzeski, Albertum Stanislaum. Brzeski taught philosophy and theology in the Jesuit school at Alma and this disputation took place on June 21, 1626. Interestingly, the author thanks George Tyszkiewicz, the author of the first work in this volume, as the overseer of the school in which Brzeski teaches. This author is not in Sommervogel and no books by him appear in OCLC. 4. Kaczorowski, Kacorovius (1578-1628) Kaczorowski taught grammar, rhetoric and math. There is an interesting note in De Backer/ Sommervogel questioning the authorship of this work and offering the possibility that it was written under pseudonym. The “Monita” is very much in the vein of other sixteenth and seventeenth century controversial works. Kaczorowski has, as he states on the title page, collected information from the books, sayings and deeds of the Calvinists to produce this attack on their doctrine. One copy only  OCLC. First edition Crachow: Typis Francisci Cesarii, 1616

5. Bembus, Matthieu (1567-1645) Bembus entered the Jesuit order in 1587 and soon after taught taught philosophy and theology. He was named rector of Posen and then superior of the house at Crachow before his death in 1645. Joseph Lukaszewicz, another Polish Jesuit and Polish historian, held Bembus in high regard and penned a elegy upon his death in 1645: “in sacred eloquence, he occupies the first rung after father P. Skarga; his sermons are not only a monument of eloquence and style, but a mine of documents for the history of Poland.” TWO copies  recorded by OCLC. First edition. [no imprint info, but dated 1615]

6 and 7.  Not much is known about these two Polish language works. Neither work is recorded by OCLC. The printer, Roku Panskiego, produced mainly catholic works and these two works join the five works recorded by OCLC (all appearing before 1600) as having been issued from his press. The first work is dated 1616 and the second 1624.

8. Cnoglerus, Quirinus The present work, the “Symbola Tria” was edited by Cnoglerus and was printed with his explanatory notes by a press operated by the Jesuit order in Vilnius, Lithuania. The work consists of parallel columns of extracts from various Catholic, Calvinist and Lutheran authors and Cnoglerus’s commentary on them. Copies are located at the National Library of France, In Sweden at the Kungl. Biblioteket in Stockholm, in addition to four loacations in the United Kingdom including Oxford. Vilnius: Ex officina typographica Societ. IESU, anno, MeDIatorIs ChrIstI [or 1592 or 1602, but probably the latter]

9.and 10 Cnoglerus, Quirinus Another work by Cnoglero follows in this sammelband and like the earlier work, it is another controversial work directed this time against the Calvinists in Vilnius in Lithuania and like the previous work, it was printed by the Jesuits. No copies could be located world-wide. Vilnius, typis acad. societ. IESU. 1603

11. Pikel, Sebastien Very little information is available on this author. Even De Backer / Sommervogel mentions that their records contain little or no information on this author. Pikel wrote one other work that made it to the press, another controversial work printed in 1642 and like the preceding works, executed by the Jesuit press in Vilnius in Lithuania. No copies of this work could be located world-wide. First edition. Vilnius: Typis Academicis Societatis Iesu, 1642.

1. Sommervogel VIII: 331 Oclc 2 copies Rome & Poland 2. Sommervogel I: 1213.  Oclc 1 copy Mannheim Germany 3. Not in Sommervogel. Oclc no copies 4. Sommervogel IV: 894.  Oclc no copies 5. Sommervogel I: 1279. Oclc 2 copies both Rome 6. Not in any major reference work 7. Not in any major reference work 8. Jocher I: 1977 .  Oclc 5 copies 9. Not in any major reference work. 10. Sommervogel VI: 749

§§

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    9) 399J     Benjamin Jenks

A letter to a gentleman of note, guilty of common swearing. Recommended now to all such of that rank, as are under the same guilt. And fit to be perused by all Their Majesties good subjects, that would please both God, and the king, in helping to suppress this crying sin By B.J

  London: London Printed for Randall Taylor 1690.                   $900

      Wing (CD-ROM, 1996),; J618A; McAlpin,; IV, p. 388; ESTC (RLIN),; R008925.kesU

Free Library of Philadelphia

Harvard University

Henry E. Huntington Library and Art Gallery

Princeton Theological Seminary

Union Theological Seminary

Yale University, Beinecke Rare Book and Manuscript Library

  §§                                                                                       00                                                                                §§

  10).   397J.   Balthasar Mentzer, d.ä.

Concordia. Pia et unanimi consensu repetita confessio fidei & doctrinæ electorum : principum et ordinum imperii, atque eorundem theologorum, qui Augustanam confessionem amplectuntur: cui e sacra scriptura unica illa veritatis norma & regula, quorundam articulorum, qui post D. Martini Luther felicem ex hac vita exitum in controversiam venerunt, Solida accessit declaratio. Ante haec tempora communi eorundem electorum, principum ac ordinum imperij consilio, nunc verò singulari Serenissimi Saxoniae electoris Christiani II. mandato, instituendis & erudiendis subditis, Ecclesijs atq[ue] scholis suis, ad posteritatis memoriam typis vulgata.

[bound with]

Exegesis Augustanæ confessionis: cuius articuli XXI. breviter & succincte explicantur & Succincte explicantur, & subiecta antithesei ton heterodoxon Papistarum, Calvinistarum & Photinianorum, illustrantur. Authore Balthasare Mentzero SS. TheologiÆ ejusq olim in Marpurgensi, nunc Giessensi Academia Professore, & stipendiatorum Ephoro. Editio quarta castigatior & multo auctior.

Lipsiæ : Abrahamus Lamberg , Anno 1618.                                                                                                                                                                                               & [bound with]                                                                                                                                                     Lubecæ, typis & sumptib. Samuelis Jauchij. M. DC. XVII

Very thick Octavo. 6 1/2 x 3 3/4 inches ;  a8-b8, c4, A-Z8,  Aa-Zz8Aaa-Lll8.                                                                                         [bound with]                            (?)8, A-Z8, Aa-Ii8

adII VD17 1:080914U Balthasar Mentzer], a German Lutheran divine, greatly noted for his decided opposition to the Reformed Church theologians, was born in Allendorf Hesse, February 27, 1565. He studied at the University of Marburg, where he excelled by the display of unusual talents and knowledge. After preaching for several years at Kirtorf, he was appointed in 1596 professor of theology at his alma mater. While in this position he was involved in many controversies because of his prince’s tendency towards the doctrines of the Reformed Church. Mentzer was especially radical in his opposition to their views on the doctrine of Ubiquity, on Iconoclasm, the Lord’s Supper, and the Decalogue, and in 1605 was actually forced to quit Marburg, and, together with’ his colleagues, Winckelmann and Leuchter, removed to Giessen; to take a position in the new university founded by landgrave Lewis, and there became one of the most renowned teachers. He died Jan. 6, 1627, at Marburg, to which place the university had been removed in the mean time.

Mentzer was a pure Lutheran; his Christian faith was a truly orthodox belief in the Christological dogma as furnished in the idiomatic and ubiquistic doctrine. He published many works, most of which bore a polemic character. His Latin works were afterwards collected and published by his son: Opera theologica Latina (Frankf. 1669,2 vols. 8vo). His apologetic works against Romanism aid the Reformed Church contain the Exegesis Confessionis Augustance (Giessen, 1603). Similar to this is his Repetitio Chemnitiana. Challenged by the work of the Romanist John Pistorius (Wegweiser fur alle ves fuhrte Christen), he wrote Anti-Pistorius sui disputatio de prcecipuis quibusdam controversis capitibus (Marburg, 16 ( “Engelischer Wegweiser (Marburg, 1603); and many others. He engaged in a controversy with John Crocius, profesor Marburg, against whom he sent forth Abstersio calumniarum J. Crocii, Apologetica, Anticrocia, Collatio Augustance Confessionis cum doctrina Calvini, Bezoe et sociorun (1610). He had also a controversy with John Sadeel, of Paris and Geneva, Matthias Martinius, at Herborn, Paul Stein, at Cassel, Schinfeld, and Pareus: Elencheus errorumn J. Sadeelis in libello de veritate humance naturce Christi (Giessen, 1615): — Elencheus errorunm J. Sadeelis in libello de sacramentali manducatione (Giessen, 1612): Anti Martinius sive modesta et solida responsio, etc. (Giessen, 1612); and many others. These polemics concerning the human nature of Christ, the sacramental use of the Lord’s Supper, and the idiomatic use of impanation, give an idea of the logic of the Reformed criticism and the tenacity of the Lutheran defence. The humanity of Christ, the “Word was made flesh, and dwelt among us,” are the principal points of Mentzer’s theological grounds. He condemns his opponent’s view as Arianistic: ” Non igitur existimo, unquam exstitisse inter Christianos, qui Christo homini vel naturse ejus humanae minus gloriae et auctoritatis et potentale tribuendum censuerint, quam Martinium hunc Freienhagensem” (Anti-Martinius, p. 167). In a communication to Martinius, Mentzer’s assertion, “Ipsa divina pruesentia juxta sacras literas est actio,” provoked another controversy with his colleagues at Giessen, professors Winckelmann and Gisenius. This controversy was settled by the landgrave’s personal interference only, who in 1607 imposed silence and peace on all parties. Mentzer’s principal work is Necessaria et justa defensio contra injustas criminationes L. Osiandri, M. Nicolai, Th. Tummii, in qua multi de persona et officio Christi erroris deteguntur et refutantur (1624). This was answered in 1625 in Thummi’s Acta. In 1618 Mentzer was called to Wolfenbittel to give his opinion on Calixtus’s Epitome theologice. He never went thither, but sent a criticism to his son-in-law, superintendent Wiedeburg, acknowledging the eminent talents of the author, but judging his epitome from his own narrow and exclusive stand-point. See Witten, Mem. Theol. 1:223 sq.; Strieder, Hessische Gelehrtengeschichte, vol. viii; Walch, Relig. Streitigkeiten innerhalb der Luth.-Kirche; also, Streitigkeiten ausserhall der’ Luther. Kirche, 3:505; Henke, Georg. Calixtus, 1:123, 282, 307, 321; 2:23; Memor. Theol. 1:223 sq.; Gasz, Gesch. der protest. Theol. 1:277, 278; Walch, Biblioth. theologica, 2:654; Dorner, Doctrine of the Person of Christ, 2:243 et al. (J. H. W.)

  *§()§*

11) 342G.  Jean Hermant   1650-1726

La storia delle eresie, nella quale si descrive con ordine Alfabetico il nome, e la Vita degli Eresiarchi che hanno turbata la Chiesa dalla Nascita di Gesucristo fino a nostri tempi, e gli errori che vi hanno disseminati. Con un Trattato tradotto dal Latino di Alfonso de Castro, Il quale risolve molte Questioni generali intorno all’Eresia     

Venezia, Appresso Francesco Pitteri, in Merceria all’Insegna della Fortuna Trionfante, 1735 [Venice: Pitteri, 1735].                                  $2,800

The first volume is mostly a history of heresies and what makes an heresie.  Followed in volume two and three a list of heretics in alphabetical order with brief listings of their crimes from (one of my favorites ) Abelardo to- Zuingliani, it it a little disturbing that I have read most of the books by these guys.. go figure?

Three duodecimo  volumes A-Z4 Aa-Zz4 Aaa-Lll4.              pp. 448 to first volume, pp. 432 to the second one, pp. 450 (ther last leaf is blank) to the third volume. Text in Italian.                        Each of the three volumes are bound in full matching vellum binding, handwritten title at spine, marbled edges .  Provenance: I. Handwritten inscription to the first fly-leaf of volume I (partially erased), Continet hoc liber xxxx Delle Hesie (sic) Tom Primo | Pro Medarum Biblioteca | Pater Conradus | a | Castro S.ti Joannis | Dicavit | Amodo Rev.di Patres | Mon(a)st(e)ri | permissu. II. On the verso of the front fly-leaf of each volume, handwritten inscription Ad uso del P. Corrado di Castel S. Gio. dedicato alla Lit.a di S. Fra.sco di Medes con licenza del Sup.e Pro.le.

  Palau [49088].{CCPB 000353019-1; ICCU.; Toda 6030}

Fascicule XXII 11 more books . Media Plaga ‡ Aprili MMXX 'VIVITUR INGENIO' 392J. Albrecht DÜRER 1471-1528, Translator Giovanni Paolo Gallucci,; 1538-1621? Di Alberto Durero pittore, e geometra chiarissimo.