#Twilight's Child

[veryslowreader]

Twilight's Child by V. C. Andrews

C Blok

[clowns0up-felix]

Been soooo busy but here’s some doodles I did in class the last days

Been having so much fun since I found a procreate brush that’s similar to the MS paint brush ^^ got really very inspired by an artist I love so much @/legendofdinner they’re such a huge inspiration to me urghhh

[dapper-lil-arts]

Kissing Sunset challenge; The short people struggle

Excellent hustle as usual, Pinkie! Good work out there, great form!

Good work Twilight, smart as always, excellent form!

Trixie, absolutely shameful display, no upper body strength at all, hit the showers 👉

[proxycrit]

(I point. Gently, in the voice of somebody who’s mind touched by the outer gods, i whisper truth in your ears:

Your honor the horses are now lesbians

(Anyways here’s the designs)

[cyanferret21]

Child of lightning AU

A perfect future where no one hides any secrets from one another and everyone is happy! Just chilling together as a Chain (feat. Brea the fairy) ))

One day, one day, my bois)

Also Wild showing off his dragon athleticism and skill with bow and arrow) Show off!

[kacievvbbbb]

I do really like the way the new chapter kind of showcases that Loid is really starting to settle into this whole parenting gig.

Like first 20 chapters Loid would have immediately gone into an anxiety induced fit about being a horrible fake father and how he's failing the mission and Anya, if Anya pulled the same crying fit trick on him (like she's done with success before) or he'd at least start to doubt his choices a little. But he just acts like a regular dad does and tells her to shut up, he doesn't give a fuck and she's staying her ass at home. And she would have too if Yor didn't convince him and if that isn't the most family shit ever I don't know what is

That's the growth we needed. Nature is healing.

Also he would have never out loud called her a brat before especially where Yor or someone else could hear and doubt their "father daughterly ness" but now he's yelling at her like a true father. Because yeah she really don't be listening but we love her for it.

I don't know I've always just felt like he's his truest self when it's just him and Anya. mostly because when he's not hyper focused on appearing like the greatest dad, Anya is just so ridiculous and left field that its hard to have anything less than a genuine reaction to her and the things she says. Also in regards to this operation stryx, she's the person he has the least to hide from, they both know he's not her dad and she's not his kid and that his marriage to Yor is fake. There's nobody to play pretend for, and that allows him to be just a little more real in their interactions because she's real with him.

Like I know he's a spy so we never really know his truest personality cause he's always putting on a mask, even with bond he puts on the mask of trainer no matter how badly he's not deceiving anyone, but honestly it doesn't feel like there's a mask with her. He's not Loid or Twilight with her but some secret third thing. Just a man with no real name but who is no less real and the strange kid he's trying to do right by no matter how many stress lines she cause him

[weepingtalecowboy]

Windy is just like that

Fanfic prompt: there are quite some fics that portray the windwaker as a literal conductor

And have wind use the abilities of the windwaker

Like the sky gets darker when he gets upset

It rains if he is sad

And it storms if he is angry

But like controlling the wind is not the only ability of the windwaker

You can change day and night with the song of passing

You can also straight up command people (command melody)

And in phantom hourglass you can control time and see ghosts

Like imagine him having an actual panic attack from the point of view of like Wild who already experienced a big calamity

Like there is a hurricane appearing

The sun and moon are fighting for their spot on the sky (till it ends up a solar eclipse)

The wind is strong enough that actual boulders are flying off the ground

And you feel something commanding you to go there (wind really wants someone to stop him )

The time in several places is going out of control

And on top of that your ghost friends are freaking out because of something

You are convinced that that is divine punishment

And that the world will end

Like imagine the sheer shock that any of the chain will experience when it turns out to be wind

[rarilight]

Twilight, gently nuzzling Rarity away: Rarity, I can’t cuddle you right now, I need to finish writing this paper

Rarity, her eyes enormous: you REJECT your darling? you reject her devotion like the unwanted present? oh! oh! exile for Twilight Sparkle! exile for Twilight Sparkle for One Thousand Years!!!!!

[beannoss]

Something I think about a lot and wonder if maybe gets overlooked in Twilight’s story and as vitally indicative of his character is actually in the very first chapter:

Anya isn’t needed for Strix. Twilight decides to adopt her anyway.

[Spoiler warning: Mostly this post deals with early chapters already in the anime but there is reference to chapter 62, which has not yet been animated and will be in season 3]

Twilight decides it — “I’m going to rework the mission so it doesn’t involve a child because that’s too dangerous” and he’s 100% right! Donovan Desmond is canonically a far right warmonger with fascistic authoritarian aims. His government made liberal use of the SSS — a group to mirror the Stasi — who continue to operate in morally dubious ways (much more likely they’re actively morally reprehensible, though we’ve mostly only had rumours of that so far). From what we can tell, Desmond is at best an absent father and likely actually worse than that: if that's how he treats his own children, imagine how he might treat others. And the timeline seems to indicate that the experimentation performed on Anya was done under Desmond's government — even if Twilight isn't aware of experimentation on children, he is aware of both human and animal experimentation under Desmond's government. Taking all that and also the complexity of Strix's aims, undoubtedly there were other things that could be done, more straightforward if not necessarily easier.

So. Why? Why entertain the change at all? And then, having entertained it, why go back when the reasoning is indisputable?

On the Doylist level, I think Endo wanted to ensure that Anya had some agency within the set up — Endo also does this with Yor. It would be much harder to be on Twilight’s side fully, or to trust him on an ethical level/take him as any sort of moral authority, if he were just straightforwardly using these two people. To have them be active and consenting participants (arguably to actually be affirming the arrangement: Twilight sets it up, but Anya and Yor actually make it happen) even if the audience only knows the depth of their knowledge/motivations/etc currently, shifts the power dynamic in important ways.

But it also the set up tells us important things about Twilight. He is largely impatient, cold, detached in chapter one. His overarching feelings towards Anya are, I think, real annoyance, real confusion, and real impatience. He just doesn’t understand this damn kid and it turns out she’s a person which is frankly unacceptable — he’d needed and anticipated an automaton, ideally of himself in miniature form. (Though I think one could ponder whether Twilight was, in many ways, an automaton himself at this point, but that's maybe for another meta 🙃)

He’s not entirely unmoved of course — we're given to understand he’s affected when Franky tells him how many times Anya’s been adopted and returned, and isn't amused by Franky's joke about names. Franky's comment — "Just don't get attached" — reinforces this. The prospect of “the future” perturbs Twilight when he’s reading the parenting books. His initial reaction to Anya’s kidnap is horror. All these are true too.

Then there’s also this, from earlier in the chapter:

It’s exposition, yeah, and it’s also exposing. "Hopes" and "joys" are very specific words to describe those events. It could simply have been "A marriage? An ordinary life?" but describing them as such — hope for marriage; joy in ordinary life — expose something of what Twilight feels about those two experiences and, on the flipside, they expose what he deems he's lacking. No hopes of intimacy; no joy in (an ordinary) life. There's an argument as well, of course, that he's being ironic but I don't think that actually invalidates the above analysis. Drawing attention to 'hope' and 'joy' at all are revealing, regardless of Twilight's tone in thinking of them. I think it's also interesting this panel, taken in conjunction with a pair of panels in chapter 62, Twilight's backstory. The above is almost a pulled out version of this below panel of Twilight's recollection of his childhood, and of course the returning image of not just a rubbish bin but a rubbish bin on fire when it comes to disposing of his identity:

Back to Strix. Both his final interaction with Karen and the whole everything of the framing of Strix is making Twilight think (and feel, ahem) things that he hasn't for some time. Twilight decides, I’m reworking this. It can’t proceed this way. Not because Anya is a pain in his ass, not because she’s not as (apparently) intellectually advanced as he’d originally thought, not even because he thinks he can find another child who would better be exactly what mission parameters called for. No:

And what changes his mind is Anya asking to come home.

One of the important parts of this to me is this:

He seeks consent.

This moment is a keystone, I think, to understanding Twilight. It’s also more telling than he maybe realises. Twilight is decisive — we all laugh because he spirals at the drop of a hat when his daughter or wife look even mildly upset but outside those (also very telling) scenarios, he makes decisions and he pursues them. Often he makes decisions quickly. He’s a dab hand at it; it’s a large part of why he’s as good a spy as he is.

He’d decided to change Strix.

Anya asks him, in essence, not to.

So, he doesn't.

But it's wild that he entertains keeping her request at all — why? Why even entertain it? It’s dangerous; it’s impractical; there are too many moving parts outside his direct control; Anya isn’t the sort of child he’d wanted for the mission if he’d spent any time thinking about what a child might actually be like; Strix is in many ways an extremely long shot anyway, Desmond could just stop attending for reasons unknown and unrelated; etc.

So, yeah, why? Maybe because of this —

In conjunction, I often think of this moment in the cruise arc:

Twilight first naming the feeling as lonesome, and secondly tacitly conceding that he perceives Yor as a companion and that that relationship is important to him, something to be missed. What makes this for me though is that Anya calls this out "Papa's you're so sappy" and Twilight's reaction is that of someone caught-out. He doesn’t say “nuh-uh!” but he may as well have. Essentially, something landed a bit close to home, hm? Maybe some of that hope for marriage? A soupçon of joy of an ordinary life?

Twilight’s loneliness underpins many of his decisions with his family — probably without him being fully conscious of it. I think he is at least somewhat conscious of it, but also if he looks too closely... Well, best not to. I could fill this post, I think, with images that demonstrate his loneliness throughout the series; that sorrowful/pensive close-up of his eye(s) is one of the abiding motifs for Twilight throughout. I'd probably start with this one from Twilight's backstory arc:

Anya's request plays directly off his loneliness. Still though, he doesn’t immediately capitulate — he emphasises Anya’s choice. Is she sure? The last day has been scary for a child (and for him, but he's ignoring that part) and Twilight, in his increasing recognition that Anya is a person, is probably aware in the back of his mind that he hasn’t exactly been warm or welcoming or at all patient with her. Things that people respond to — he's otherwise excellent at manipulating people, so of course he understands this. So. Given she'd just had this scary experience, given he hasn't exactly been great with her: Is she sure? She wants to come home — with him?

I think the moment may get a little lost because Anya says something riffing off his own earlier thoughts and self-revelation (featuring that shadowed, lonely eye motif again!)

Were this a post about Anya, I’d talk about how it’s an important character moment for her as well by way both of demonstrating her agency/choice and also that she isn’t nearly as dumb as Twilight thinks (and the audience, maybe, also thinks).

But in my view, she didn’t actually need to say anything about it making her cry. I think she could simply have said yes in that moment and Twilight would have agreed.

Twilight’s an unreliable narrator; he’s disconnected from his heart and that shrouds his own motivations from himself — something he actually also concedes in this chapter!

And it shrouds from us just how much he actually understands himself. He’s also a master of deflection. Easy to assume or say that bringing Anya home is just to align with Strix. Nothing more to see here; nothing else going on. But also that ripping off of the mask in the panel above — and the literal 'riiip' sound effects — also indicate to us that this is an unveiling to himself.

In my view, Twilight agreeing to Anya's request, deciding to go back to original mission parameters, actually shifts his motivations, subtly. Now he’s committed not only to the original mission goals, but also to Anya. He needs Anya to succeed at Strix, not only for Strix's sake, but also because otherwise the mission will end and she’ll have to go back to the orphanage, and he’s just agreed with her not to do that (not right away, in any case). I don’t think at this point he’s thinking it’s forever — his thoughts throughout the manga indicate he still expects the Forgers to be temporary. I don't think the shift in motivation is necessarily even conscious, but given the set up, I think something inside Twilight recognises that agreeing to bring Anya home is a compact, jointly engaged. Mostly all this has become subsumed into Strix: he makes decisions. He pursues them. He deflects, even from himself. Of course it's just for the mission; this saved him the trouble of reworking it, of figuring out something else. Nothing more to see; no need to think any more on it. And to be fair to him, Strix is very high stakes, resting pretty solely on his shoulders, so of course that is, objectively, motivation enough. Why even consider beyond that?

But I personally think that to the extent he's aware of it at all, there is something else going on, that he wants to have Anya for as long as it takes him to work something else out for her. If that's the case, then of course, we have Occam’s razor: the simplest solution may be the best one.

Maybe Twilight should just keep Anya himself, eh?

[Image description: gif from Spy x Family season 1, episode 1. Twilight and Anya have just found out Anya passed her entrance exam and are overjoyed. Celebratory, Twilight picks Anya up and swoops her into the air as they smile at one another. End image description]

[kholnt]

gamers. i mentioned this once in the tags of a post but i decided to look into it more and

i am losing my mind over here. like i KNOW the links are incarnations of the same spirit cool whatever BUT TWILIGHT AND WARS HAVE THE EXACT SAME FACE. LIKE. EXACT. okay usually theres some differences between the links' faces (whether it be from style, or whatever) but like. your honor those are the same. i may be a bit face blind but i have eyes

like thats wars in twilights clothes. bc wars can do that in his game. sir thats just identity theft

like thats just twilight. BUT ITS NOT!!! ITS FUCKING WARRIORS!!!

[bellymoonlight]

Linked Universe: The lost child

[luna-loveboop]

Soulmates

Their child:

Art comic by Jojo @linkeduniverse au

[clowns0up-felix]

I very much believe every Link would love oot child link

Oot link is a bit tiny in the drawing with Wolf but whateverrrr

Edit bc I saw someone ask if they wouldn’t love post mm child link: they so so would but he’d have less of a child like love for them back if that makes sense,,, He’d be more closed off and maybeeee a little scared to get too closed to them?

[kibby-reaper]

some of them fit several tiers; roger could also be parent sibling while jude is giving more of a wine aunt

- mod kibby

[jullbnt]

I don't know if this is too simple for a request, but how about Twilight Princess Link as a child with Ocarina of Time Link acting as a father figure next to him? (Feel free to reject this though if you have too much on your plate!!)

Oh my heart 🥺

I've wanted to draw baby Twilight for a while so this is perfect!! I don't know if you had something that soft in mind but here it is :)

And here’s another quick sketch of the Hero of Time passing on his most sacred knowledge of magic beans 😆

(Idk I thought it was a cute idea? Maybe I’ll rework it later)

I sprained my ankle yesterday and am in quite a bit of pain right now so this felt comforting to draw (and now I need more Time being a dad)

The good side of things is that I'm on medical leave for the week so I'll have plenty of time to work on your requests 😁

———————

I won’t accept more requests at the moment! This is a request I received for my 500 followers celebration and I still have a lot to do :)

Answered art requests

[cyanferret21]

Child of lightning AU

The small Sheikah warrior, the Wolf of the Twilight, a korok and The Master Sword!

You can’t believe how strongly I wanted to post this one the moment I finished it A YEAR AGO! Yet now I finally can!

The chapter