#Top Songs Of 1980S | Explore Tumblr posts and blogs

x0xomady · 6 months ago

Text

sex, drugs, etc.

⋆⁺₊⋆ ☾⋆⁺₊⋆

summary: it’s 1980 and harry styles is the biggest rockstar around. life is full of drugs, music, and girls. that is until he meets his flower.

warnings: drugs abuse, smut, cursing, pet names, degradation, alcohol. 18+

⋆⁺₊⋆ ☾⋆⁺₊⋆

show today. show tomorrow. shows everyday.

that’s all life is. one big fucking show.

sure this is the life i wanted. i have all the drugs i could need, sex every night, and better yet i’m making music i love.

it’s just all so damn tiring.

i haven’t been able to sleep for more than 4 hours in months. there’s always another girl and another line i’m chasing.

here we go…

i grab my red electric guitar and walk out on stage. immediately the stadium erupts in chants and cheers. but i don’t care.

there’s girls flashing me, people jumping around, my band mates playing loudly. everything is overwhelming as hell.

the show goes by quickly. i zone in and before i know it we’re walking off stage.

i probably have dissociation problems or something but… it’s like when i’m on stage… i’m not even there mentally.

i’m not anywhere mentally. i’m always in my head

when the band started a few years ago it was so different. everything was so exciting and new. i was so into it at every who no matter what. now i’m lucky if im not absolutely wasted on stage.

i walk down the halls of the backstage completely out of it. there’s people slapping me on the back, handing me shit, and girls asking for a hookup.

i should probably say yes to one of them.

my thoughts are starting to get out of hand when i feel another, smaller, body run into mine.

“oh! i’m so so so sorry!” the small girl stumbles back and blushes brightly at me.

i’m about to cuss her out and glare, when i notice how cute she is. this girl couldn’t be taller than 5’6, she was wearing a little pink frilly skirt and a white tank top.

however, i’ve seen this before. slutty girls going around dressing all innocent and sweet so that guys will be into them. i have experienced my fair share of fake innocent girls.

“where you heading flower?” i smirk down at the girl. she was looking up at me nervously. a faint blush was painting her cheeks and neck. cute.

“o-oh! you’re harry from the band?” she asked with a worried look on her face. i watched her manicured fingers clutch the little notebook she was holding tightly.

“that’s me. who might you be?”

“i’m y/n! i was hired to interview you- and uh-” she stuttered as i leaned down a little to hear her better. “i would really like the chance to talk to you… if right now doesn’t work- i can find another time!”

fucking media girl. should’ve known. i would usually flip them off and walk away, but i’ve never met one this attractive. i couldn’t help the way my eyes wandered from her fluttery doe eyes down to her lips. she was wearing sparkly lipgloss and i just wanted to have a taste.

“now is fine.” i nod at her and smirk while watching her eyes widen and a small smile spread across her lips.

“oh that’s great thank you!” she had a sweet little smile on her lips that was tempting me.

i nod and start walking to my dressing room. i can hear her little kitten heels tapping lightly behind me.

we walk into my dressing room. there is a black couch in the middle and a rack of clothes on the side. i have a bottle of whiskey on the table and some pill bottles that my band mates must have left there.

i turn back towards y/n and see her nervous little eyes search around the room. she follows me so obediently it’s adorable.

“sit flower” i nod and her to sit on the couch. hesitantly she sits down on the black leather couch. she clutches her notebook closely and looks up at me nervously with those big doe eyes.

“s-so… harry… um can i start by asking you a few questions?” y/n asks. poor thing. she was so nervous. i can see the little pink splotches across her smooth skin.

“ask away pretty girl”

she clears her throat and sits up looking at me. “so… what’s your favorite song of the album, and why is it your favorite?”

“i like ‘kiwi’ a lot” i shrug and allow my eyes to wander her delicate little body.

“kiwi? i love that song!” she smiles sweetly and writes down in her little pink notebook.

i smirk and nod. “thanks flower. i’m glad someone so sweet looking like you likes such a dirty song.”

y/n instantly blushes but tries to brush it off as if it was nothing. she sits up a little more and looks back up at me. “o-okay. and what is you play guitar correct?”

“right. i play guitar, piano, and bass.” i nod at her and lean back against the couch.

“wow three? that’s so impressive.” she smiles sweetly at me. fuck. “and what’s your favorite of those three?”

“electric guitar probably.” i shrug and take a swig out of my whiskey bottle. she writes down in her little notebook and continues asking questions.

for the next 10 minutes y/n asks me about my music interests, inspirations, and other typical interviewer questions.

if i’m being completely honest my answers were total bullshit. i was so caught up in staring at her that i was just kind of saying whatever came to mind.

y/n has the most gorgeous little face i’ve ever seen. her lips looked fucking delicious. i just wanted to-

“harry? are you alright?” i snap out of my daydream when i hear her sweet little voice asking me a question.

no. i want to fuck you.

“yeah i’m fine. what was the question?” i ask looking back up at her fluttery eyelashes and big eyes.

“oh i was just asking how your dating life is on tour. it must be hard to connect with someone if you are constantly traveling to different cities.”

“my dating life hm? it’s just fine.” i shrug and lean forward resting on my arms on my knees.

“so do you have a girlfriend at the moment?” aww she is so naive. her little purple pen writing down every word i say as she looks at me with interest.

“i don’t no. but i do have a pretty little interviewer sitting in front of me” i smirk and lean forward towards her.

y/n’s eyes instantly widen and her face turns a light pink. she looks absolutely speechless at my comment.

“o-oh. uh” she stutters and looks at me nervously.

“hm? you like it when i compliment you flower?” i smile and look at her in the eyes.

“harry- ”

“yes pretty girl?”

“what are you- ”

“i’m just trying to talk to you. is that okay?” i smile innocently.

“yeah…” i see a small smile tug on the corners of her glossy lips.

“good come here.” i sigh and lean back against the couch. my hand makes a motion telling her to walk over to me.

y/n looks hesitant at first but she nervously walks over to me and stands a few feet in front of me.

i reach my hands up and grab her hips gently. she blushes wildly and stands there unsure.

“what in the world is a delicate little thing like you doing at a place like this?” i say while my eyes drag down her body. that white tank top was doing nothing to hide her body from me.

“i- im just here for an interview- ” she stutters out and gasps quietly when i pull her so she’s standing in between my legs.

“that’s it? just an interview? you don’t want anything else flower?” i smirk.

she nods hesitantly and stands there as i squeeze her hips gently.

“mm but i could give you so much more. don’t ya want something?” i say looking up at her.

“j-just an interview” she nods and looks at me nervously.

i nod and trail my hands from her hips to her slender waist. “so can i have something from you?”

“what do you want from me?” she asks unsure.

“i want a kiss”

y/ns face drops slightly and her eyes widen. “y-you want a kiss from me?!”

“course i do.” i shrug and continue leaning back while admiring her. “come on flower… just give me one kiss.”

y/n takes a deep breath before leaning forward and giving me a cute little peck. she pulls away quickly blushing brightly and looking flustered as ever.

i smile and put a hand on her head bringing her back to kiss me again. i deepen the kiss, wrapping y/n closer to me and slowly pulling her onto my lap.

y/n let’s out a little gasp of shock when i pull her so she’s straddling my lap. her hands grip my shoulder for support as i wrap an arm around her waist.

“such soft pretty lips.” i mumble and push my thumb against her lips softly. “can i do something for you flower?”

y/n nods quietly and watches me carefully as i grab her hips again.

as soon as i get the confirmation i pick her up and lay her on her back against the couch. y/n lets an adorable little sigh leave her lips as i kneel in between her legs.

i lean forward so i’m hovering over her. y/n puts her hands in my hair and pulls my head down to kiss her again. i moan against her lips and adjust my arm so im holding her hip and jaw tightly.

y/n moans softly as i kiss down her jaw and along her neck. “h-harry”

“yeah?” i smirk and kiss her collar bone softly. goosebumps fill her skin as my kisses make their way from her jaw to collarbones.

“i-i need you to” she hesitates and looks at me nervously.

“hm? what is it you need pretty girl?” i smile knowing damn well what she wants from me. “i can’t read your mind y/n… gonna need you to tell me what you want.”

she breathes a little heavier and blushes from the eye contact i make with her while kissing her chest and collarbone. “i want you…”

that’s it

“yeah? need me? well if you want me that bad then who am i to deny such a gorgeous girl.”

i waste no time in reconnecting our lips while pushing my hand down to her little skirt. y/n moans softly against my lips as i rub her waist gently and kiss her one last time.

“gonna let me take this cute little skirt off?” i smirk and kiss her neck again.

“yes… please harry…” she whines softly as i suck a little mark on her neck.

“oh if you insist flower.” i say grinning against her neck. my hands desperately tug down her flouncy skirt. i shove it down her legs and throw it to the side. underneath is a cute little pair of pink panties. my mouth instantly waters at the sight.

y/n blushes wildly and closes her legs nervously.

“oh nuh uh. none of that.” i tut and grab both of her knees pulling her legs apart. i can see the sweet little outline of her lips underneath that pink lace and it makes my knees weeek.

y/n laid there nervously as the intimidating rockstar stared at her most delicate parts with a hungry gaze.

“fucking need you flower…” i moan and lean my head against her knee. “gonna let me?”

y/n hesitated for a moment but then nodded eagerly as i leaned against her thigh.

i smirk and kiss her thigh. the kisses lean from her knee down to that sweet little pink lace. continuing to keep eye contact with the media girl underneath me, i pressed a gentle kiss to her clit. the lacy material did nothing to shield the feeling on her little button throbbing for me.

immediately i kiss her in that spot again but a little harder. y/n tries to close her legs again out of sensitivity but my hands hold her thighs apart.

after a few more kisses to that dainty little fabric, i hook my fingers in the waist band and tug the pink lace down to her ankles.

i look to y/n for consent once more i wait until she nods. as soon as i see that nod im on her. my fingers spread her apart as i press kisses along her slit and puffy little clit.

y/n gasps and moans softly as her legs squeeze my head tightly.

my fingers run along her slit as i wrap my lips around her throbbing button. i wait until she’s dripping before i nudge my first finger into her hole.

“damn it flower. you’re so fucking tight how is this possible?” i groan and pump my middle finger in and out of her pussy slowly.

“please harry- need more!” y/n moans desperately and tightens her legs around harry’s curly head.

as soon as i hear those pretty whines leave her mouth i add my second finger to her wet cunt.

y/n’s orgasm doesn’t take long to arrive. after a few minutes of sucking against her clit and pumping her full of my fingers she starts clenching hard.

“how’s it this tight? fucking he’ll flower” i groan against her and continue sucking harshly.

with the stimulations from my mouth and hand i feel her clench tightly and cum around my head.

i smirk up at her and get up from my spot between her legs.

y/n whines from the loss of stimulation between her legs which just makes my grin grow even more.

“aww poor baby. want me to fuck you?” she nods and wraps her legs around my hips. “and her i thought you were an innocent little flower. guess i was wrong”

she moans softly as i grab my cock and press the head against her clit. i look up at her as i run the head from the tip to the bottom of her weepy hole.

“harry please” she whines and pushes her hips against mine.

without warning i start easing the head past her entrance. “fucking hell- tightest pussy i’ve ever felt.” i moan and push my hips to the hilt. the feeling of her squeezing me is euphoric as i reconnect our lips.

“move please harry- please move” y/n moans and presses her hips up to mine.

i grab her hips and start moving in and out of her hard. my hand down snakes down her soft skin until i reach her little button.

“cmon flower i want you to give me another one.” i moan into her neck as i thrust up into her cunt quickly.

y/n moans desperately and fucks her hips up against mine as i thrust quickly.

i grab her hips roughly and flip her onto her stomach. y/n pushes her hips up to mine. “yes! please harry more!” she moans pathetically as i slam my way back into her tight cunt.

“so fucking dirty.” i groan as i snap my hips into hers. “here i thought you were some innocent little media girl.” i smirk and thrust against her hard.

“g-gonna cum!” she moans into the couch pillow as i rub her clit quickly.

“yeah? good girl. cum for me.” i thrust into her one more time before she tightens like a vice around me.

“fucking milking me aren’t you? fuck.” i groan and pull out. my hand wraps around my cock and i tug it quickly using her juices. my release hits me quickly as my cum paints her soft thighs.

the two of us sit there panting for a minute before i wipe my forehead and look back up at her.

“still got that little journal of yours?”

“yeah.” she nods and hands me the pink note book and purple pen.

i smirk and write my phone number on the first page.

“Call me flower”

⋆⁺₊⋆ ☾⋆⁺₊⋆

love my rockstar bf

-xoxo ⋆⭒˚.⋆

#harry styles smut #harry styles #one direction #harry edward styles #dom harry styles #x0xomady #wattpad #fanfiction #sub!harry #fluffy #harry styles x reader

423 notes · View notes

tavolgisvist · 4 months ago

Text

Once upon a time…

JOHN: [Paul] even recorded that all by himself in the other room, that’s how it was getting in those days. We came in and he’d – he’d made the whole record. Him drumming, him playing the piano, him singing. Just because – it was getting to be where he wanted to do it like that, but he couldn’t – couldn’t – maybe he couldn’t make the break from The Beatles, I don’t know what it was…. But we’re all, I’m sure – I can’t speak for George, but I was always hurt when he’d knock something off without… involving us, you know? But that’s just the way it was then.

(August, 1980: interview for Playboy with David Sheff)

‘More than anything,’ he says, ‘I would love the Beatles to be on top of their form and for them to be as productive as they were. But things have changed. … I would have liked to have sung harmony with John, and I think he would have liked me to. But I was too embarrassed to ask him. And I don’t work to the best of my abilities in that situation.’

(Paul McCartney, interview, Evening Standard, April 21-22, 1970)

PAUL: On 'Hey Jude', when we first sat down and I sang 'Hey Jude…', George went 'nanu nanu' on his guitar. I continued, 'Don't make it bad…' and he replied 'nanu nanu'. He was answering every line - and I said, 'Whoa! Wait a minute now. I don't think we want that. Maybe you'd come in with answering lines later. For now I think I should start it simply first.' He was going, 'Oh yeah, OK, fine, fine.' But it was getting a bit like that. He wasn't into what I was saying. In a group it's democratic and he didn't have to listen to me, so I think he got pissed off with me coming on with ideas all the time. I think to his mind it was probably me trying to dominate. It wasn't what I was trying to do - but that was how it seemed. This, for me, was eventually what was going to break The Beatles up. I started to feel it wasn't a good idea to have ideas, whereas in the past I'd always done that in total innocence, even though I was maybe riding roughshod.

youtube

I did want to insist that there shouldn't be an answering guitar phrase in 'Hey Jude' - and that was important to me - but of course if you tell a guitarist that, and he's not as keen on the idea as you are, it looks as if you're knocking him out of the picture. I think George felt that: it was like, 'Since when are you going to tell me what to play? I' in The Beatles too.' So I can see his point of view. But it burned me, and I then couldn't come up with ideas freely, so I started to have to think twice about anything I'd say - 'Wait a minute, is this going to be seen to be pushy?' - whereas in the past it had just been a case of, 'Well, the hell, this would be a good idea. Let's do this song called "Yesterday". It'll be all right.'

( The Beatles Anthology, 2000)

‘There’s no one who’s to blame. We were fools to get ourselves into this situation in the first place. But it’s not a comfortable situation for me to work in as an artist.’

(Paul McCartney, interview, Evening Standard, April 21-22, 1970)

‘It simply became very difficult for me to write with Yoko sitting there. If I had to think of a line I started getting very nervous. I might want to say something like “I love you, girl”, but with Yoko watching I always felt that I had to come out with something clever and avant-garde. She would probably have loved the simple stuff, but I was scared.’ ‘I’m not blaming her, I’m blaming me. You can’t blame John for falling in love with Yoko any more than you can blame me for falling in love with Linda. We tried writing together a few more times, but I think we both decided it would be easier to work separately.’

(Paul McCartney, interview, Evening Standard, April 21-22, 1970)

JOHN: "I was always waiting for a reason to get out of the Beatles from the day I filmed 'How I Won The War' (in 1966). I just didn't have the guts to do it. The seed was planted when the Beatles stopped touring and I couldn't deal with not being onstage. But I was too frightened to step out of the palace."

(John Lennon, Newsweek, September 29, 1980)

PAUL: As far as I was concerned, yeah, I would have liked the Beatles never to have broken up. I wanted to get us back on the road doing small places, then move up to our previous form and then go and play. Just make music, and whatever else there was would be secondary. But it was John who didn’t want to. He had told Allen Klein the new manager he and Yoko had picked late one night that he didn’t want to continue.

(Paul and Linda McCartney, interview for Playboy, December 1984)

PAUL: I must admit we'd known it was coming at some point because of his intense involvement with Yoko. John needed to give space to his and Yoke's thing. Someone like John would want to end The Beatles period and start the Yoko period; and he wouldn't like either to interfere with the other.

(The Beatles Anthology, 2000)

PAUL: I think, largely looking back on it, I think it was mainly John [who] needed a new direction – that he then went into, headlong, helter skelter, you know, he went right in there, doing all sorts of stuff he’d never done before, with Yoko. And you can’t blame him. Because he was that kind of guy, [the kind who] really wanted to live life and do stuff, you know. There was just no holding back with John. And it was what we’d all admired him for. So you couldn’t really say, “Oh, we don’t want you to do that, John. You should just stay with us.” We felt so wimpy, you know. So it had to happen like that.

(Paul McCartney, November, 1983, interview with DJ Roger Scott)

The Beatles split up? It just depends how much we all want to record together. I don’t know if I want to record together again. I go off and on it. I really do. The problem is that in the old days, when we needed an album, Paul and I got together and produced enough songs for it. Nowadays there’s three if us writing prolifically and trying to fit it all onto one album. Or we have to think of a double album every time, which takes six months. That’s the hang-up we have… I don’t want to spend six months making an album I have two tracks on. And neither do Paul or George probably. That’s the problem. If we can overcome that, maybe it’ll sort itself out. None of us want to be background musicians most of the time. It’s a waste. We didn’t spend ten years ‘making it’ to have the freedom in the recording studios, to be able to have two tracks on an album. This is why I’ve started with the Plastic Ono and working with Yoko… to have more outlet. There isn’t enough outlet for me in the Beatles. The Ono Band is my escape valve. And how important that gets, as compared to the Beatles for me, I’ll have to wait and see.

(John Lennon, New Musical Express December 13, 1969)

PLAYBOY: In most of his interviews, John said he never missed the Beatles. Did you believe him? PAUL: I don’t know. My theory is that he didn’t. Someone like John would want to end the Beatle period and start the Yoko period. And he wouldn’t like either to interfere with the other. As he was with Yoko, anything about the Beatles tended inevitably to be an intrusion. So I think he was interested enough in his new life to genuinely not miss us.

(Paul and Linda McCartney, interview for Playboy, December 1984)

Yoko: Paul began complaining that I was sitting too close to them when they were recording, and that I should be in the background. John: Paul was always gently coming up to Yoko and saying: "Why don't you keep in the background a bit more?" I didn't know what was going on. It was going on behind my back. Yoko: And I wasn't uttering a word. It wasn't a matter of my being aggressive. It was just the fact that I was sitting near to John. And we stood up to it. We just said, "No. It's simply that we just have to come together." They were trying to discourage me from attending meetings, et cetera. And I was always there. And Linda actually said that she admired that we were doing that. John: Paul even said that to me.

(John Lennon interviewed by Peter McCabe and Robert Schonfeld at the St. Regis Hotel, September 5, 1971)

Paul: They’re onto that thing. They just want to be near to each other. So I just think it’s just silly of me, or of anyone, to try and say to him, “No, you can’t,” you know. It’s like, ‘cause – okay, they’re – they’re going overboard about it, but John always does! And Yoko probably always does. So that’s their scene. You can’t go saying – you know, “Don’t go overboard about this thing. Be sensible about it. Don’t bring it to meetings.” It’s his decision, that. It’s – it’s none of our business, to start interfering in that. Even when it comes into our business, you still can’t really say much, unless – except, “Look, I don’t like it, John.” And then he can say, well, “Screw you,” or, “I like it,” or, “Well, I won’t do it so much,” or blablabla. Like, that’s the only way, you know. To tell John about that. Michael Lindsay-Hogg: Have you done that already? Paul: Well, I told him I didn’t like writing songs… with him and Yoko. Michael Lindsay-Hogg: Were you writing much more before she came around—? Paul: Oh yeah, sure. Michael Lindsay-Hogg: Or had you – cooled it a bit, then? Before her. Ringo: Before Yoko got there. Paul: Yeah, cooled it, cooled it. Sure. We’d cooled it because… not playing together. Ever since we didn’t play together… Michael Lindsay-Hogg: Onstage, you mean? Paul: Yes. With the band. Because we lived together, and we played together. We were in the same hotel, up at the same time every morning, doing this all day. And this – I mean, this, you know, it doesn’t matter what you do, [but] just as long as you’re this close all day, something grows, you know. In some ways. And when you’re not this close, only, just physically… something goes. Michael Lindsay-Hogg: Right. Paul: So then you can come together to record, and stuff, but you still sort of lose the… Actually, musically, you know, we really – we can play better than we’ve ever been able to play, you know. Like, I really think that. I think, like – we’re – we’re alright on that. It’s just that – being together thing, you know.

(Paul McCartney, Get Back sessions, 13 January, 1969)

What actually happened was, the group was getting very tense, it was looking like we were breaking up. One day, I came in and we had a meeting, and it was all Apple and business and Allen Klein, and it was getting very hairy, and no one was realy enjoying themselves. It was – we’d forgotten the music bit. It was just business. I came in one day and I said, “I think we should get back on the road, a bit like what you and I were talking about before, small band, go and do the clubs, sod it. Let’s get back to square one, let’s remember what we’re all about. Let’s get back.” And John’s actual words were, “I think you’re daft. And I wasn’t gonna tell you, but – we’re breaking the group up. I’m breaking the group up. It feels good. It feels like a divorce.” And he just sort of sat there, and all our jaws dropped.

(Paul McCartney, November, 1983, interview with DJ Roger Scott)

Wenner: You said you quit the Beatles first. John: Yes. Wenner: How? John: I said to Paul “I’m leaving.” John: I knew on the flight over to Toronto or before we went to Toronto: I told Allen I was leaving, I told Eric Clapton and Klaus that I was leaving then, but that I would probably like to use them as a group. I hadn’t decided how to do it – to have a permanent new group or what – then later on, I thought fuck, I’m not going to get stuck with another set of people, whoever they are. I announced it to myself and the people around me on the way to Toronto a few days before. And on the plane – Klein came with me – I told Allen, “It’s over.” When I got back, there were a few meetings, and Allen said well, cool it, cool it, there was a lot to do, businesswise you know, and it would not have been suitable at the time. Then we were discussing something in the office with Paul, and Paul said something or other about the Beatles doing something, and I kept saying “No, no, no” to everything he said. So it came to a point where I had to say something, of course, and Paul said, “What do you mean?” I said, “I mean the group is over, I’m leaving.” … So that’s what happened. So, like anybody when you say divorce, their face goes all sorts of colors. It’s like he knew really that this was the final thing…

(John Lennon, December 1970, interview with Jann Wenner for Rolling Stone)

PAUL: But what wasn't too clever was this idea of: 'I wasn't going to tell you till after we signed the new contract.' Good old John – he had to blurt it out. And that was it. There's not a lot you can say to, 'I'm leaving the group,' from a key member. I didn't really know what to say. We had to react to him doing it; he had control of the situation.

(The Beatles Anthology, 2000)

Allen was there, and he will remember exactly and Yoko will, but this is exactly how I see it. Allen was saying don’t tell. He didn’t want me to tell Paul even. So I said, “It’s out,” I couldn’t stop it, it came out. Paul and Allen both said that they were glad that I wasn’t going to announce it, that I wasn’t going to make an event out of it. I don’t know whether Paul said “Don’t tell anybody,” but he was darned pleased that I wasn’t going to. He said, “Oh, that means nothing really happened if you’re not going to say anything.”

(John Lennon, December 1970, interview with Jann Wenner for Rolling Stone)

And – that was it, really. And nobody quite knew what to say, and we sort of then, after that statement, we then thought, “Well… give it a couple of months. We may decide. I mean, it’s a little bit of a big act, to just break up like that. Let’s give it a couple of months. We might all just come back together.” And we talked for a couple of months, but it just was never going to be on.

(Paul McCartney, November, 1983, interview with DJ Roger Scott)

Postcard from John and Yoko to Paul from Danmark January 1970

John: George was on the session for Instant Karma, Ringo’s away and Paul’s – I dunno what he’s doing at the moment, I haven’t a clue. Interviewer: When did you last see him? John: Uh, before Toronto. I’ll see him this week actually, yeah. If you’re listening, I’m coming round.

(John Lennon interview 6th February, 1970)

Interviewer: What about the Beatles all together as a group? John: …You can’t pin me down because I haven’t got- there’s no- it’s completely open, whether we do it or not. Life is like that, whether I make another Plastic Ono album or Lennon album or anything is open you know, I don’t like to prejudge it. And I have no idea if the Beatles are working together again or not, I never did have, it was always open. If someone didn’t feel like it, that’s it. And maybe if one of us starts it off, the others will all come round and make an album you know.

(John Lennon interview 6th February, 1970)

Interviewer: Why do you think he [Paul] has lost interest in Apple? John: That’s what I want to ask him! We had a heavy scene last year as far as business was concerned and Paul got a bit fed-up with all the effort of business. I think that’s all it is. I hope so.

(John Lennon interviewed by Roy Shipston for Disc and Music Echo, February 28, 1970)

‘Anyway, I hung on for all these months wondering whether the Beatles would ever come back together again…and let’s face it I’ve been as vague as anyone, hoping that John might come around and say, “All right lads, I’m ready to go back to work…”

(Paul McCartney, interview, Evening Standard, April 21-22, 1970)

PAUL: For about three or four months, George, Ringo and I rang each other to ask: 'Well, is this it then?' It wasn't that the record company had dumped us. It was still a case of: we might get back together again. Nobody quite knew if it was just one of John's little flings, and that maybe he was going to feel the pinch in a week's time and say, 'I was only kidding.' I think John did kind of leave the door open. He'd said: 'I'm pretty much leaving the group, but…' So we held on to that thread for a few months, and then eventually we realised, 'Oh well, we're not in the band any more. That's it. It's definitely over.'

(The Beatles Anthology, 2000)

PAUL: I started thinking, 'Well, if that's the case, I had better get myself together. I can't just let John control the situation and dump us as if we're the jilted girlfriends.'

(The Beatles Anthology, 2000)

‘John’s in love with Yoko, and he’s no longer in love with the other three of us. And let’s face it, we were in love with the Beatles as much as anyone. We’re still like brothers and we have enormous emotional ties because we were the only four that it all happened to…who went right through those ten years. I think the other three are the most honest, sincere men I have ever met. I love them. I really do.’ ‘I don’t mind being bound to them as a friend. I like that idea. I don’t mind being bound to them musically, because I like the others as musical partners. I like being in their band. But for my own sanity, we must change the business arrangements we have…’

(Paul McCartney, interview, Evening Standard, April 21-22, 1970)

‘Last year John said he wanted a divorce. All right, so do I. I want to give him that divorce. I hate this trial separation because it’s just not working. Personally, I don’t think John could do the Beatles thing now. I don’t think it would be good for him.’

(Paul McCartney, interview, Evening Standard, April 21-22, 1970)

‘I told John on the phone the other day that at the beginning of last year I was annoyed with him. I was jealous because of Yoko, and afraid about the break-up of a great musical partnership. It’s taken me a year to realise that they were in love. Just like Linda and me.’

(Paul McCartney, interview, Evening Standard, April 21-22, 1970)

John: Well, Paul rang me up. He didn't actually tell me he'd split, he said he was putting out an album [McCartney]. He said, "I'm now doing what you and Yoko were doing last year. I understand what you were doing." All that shit. So I said, "Good luck to yer."

(John Lennon interviewed by Peter McCabe and Robert Schonfeld at the St. Regis Hotel, September 5, 1971)

I think he claims that he didn’t mean that to happen but that’s bullshit. He called me in the afternoon of that day and said, “I’m doing what you and Yoko were doing last year.” I said good, you know, because that time last year they were all looking at Yoko and me as if we were strange trying to make our life together instead of being fab, fat myths. So he rang me up that day and said I’m doing what you and Yoko are doing, I’m putting out an album, and I’m leaving the group too, he said. I said good. I was feeling a little strange, because he was saying it this time, although it was a year later, and I said “good,” because he was the one that wanted the Beatles most, and then the midnight papers came out.

(John Lennon, December 1970, interview with Jann Wenner for Rolling Stone)

Q: "Why did you decide to make a solo album?" PAUL: "Because I got a Studer four-track recording machine at home - practiced on it (playing all instruments) - liked the results, and decided to make it into an album." Q: "Were you influenced by John's adventures with the Plastic Ono Band, and Ringo's solo LP?" PAUL: "Sort of, but not really." Q: "Are all songs by Paul McCartney alone?" PAUL: "Yes sir." Q: "Will they be so credited: McCartney?" PAUL: "It's a bit daft for them to be Lennon/McCartney credited, so 'McCartney' it is." Q: "Did you enjoy working as a solo?" PAUL: "Very much. I only had me to ask for a decision, and I agreed with me. Remember Linda's on it too, so it's really a double act." … Q: "What has recording alone taught you?" PAUL: "That to make your own decisions about what you do is easy, and playing with yourself is very difficult, but satisfying." … Q: "Is this album a rest away from the Beatles or the start of a solo career?" PAUL: "Time will tell. Being a solo album means it's 'the start of a solo career…' and not being done with the Beatles means it's just a rest. So it's both." Q: "Is your break with the Beatles temporary or permanent, due to personal differences or musical ones?" PAUL: "Personal differences, business differences, musical differences, but most of all because I have a better time with my family. Temporary or permanent? I don't really know." Q: "Do you foresee a time when Lennon-McCartney becomes an active songwriting partnership again?" PAUL: "No." Q: "What do you feel about John's peace effort? The Plastic Ono Band? Giving back the MBE? Yoko's influence? Yoko?" PAUL: "I love John, and respect what he does - it doesn't really give me any pleasure." … Q: "What are your plans now? A holiday? A musical? A movie? Retirement?" PAUL: "My only plan is to grow up!"

(Paul McCartney, April 9th 1970, press release 'McCartney')

SCOTT: Did you not realize that this was going to happen to you after you’d been the one to actually do it, and say, “Right, that’s it”? PAUL: No – it’s – wrong. Wrong. Sorry. It wasn’t me, it was John. SCOTT: Well, he said it first, but he said it quietly, he didn’t let everybody know. PAUL: No no no no, but the point – what I’m talking about is, see, this is – see, I love this legend stuff, god, you know, you have to actually live with this stuff…

(Paul McCartney, November, 1983, interview with DJ Roger Scott)

Int: I asked Lee Eastman for his view of the split, and what it was that prompted Paul to file suit to dissolve the Beatles' partnership, and he said it was because John asked for a divorce. John Lennon: Because I asked for a divorce? That's a childish reason for going into court, isn't it?

(John Lennon interviewed by Peter McCabe and Robert Schonfeld at the St. Regis Hotel, September 5, 1971)

"And I've changed. The funny thing about it is that I think alot of my change has been helped by John Lennon. I sort of picked up on his lead. John had said, 'Look, I don't want to be that anymore. I'm going to be this.' And I thought, 'That's great.' I liked the fact he'd done it, and so I'll do it with my thing. He's given the okay. In England, if a partnership isn't rolling along and working -- like a marriage that isn't working-- then you have reasonable grounds to break it off. It's great! Good old British justice!

(Paul McCartney, Life Magazine, April 16, 1971)

‘… So, as a natural turn of events from looking for something to do, I found that I was enjoying working alone as much as I’d enjoyed the early days of the Beatles. I haven’t really enjoyed the Beatles in the last two years.’

(Paul McCartney, interview, Evening Standard, April 21-22, 1970)

'Eventually,' McCartney recalled, 'I went and said, "I want to leave. You can all get on with Klein and everything, just let me out." Having not spoken to Lennon for several weeks, he sent him a letter that summer, pleading that the former partners 'let each other out of the trap'. As McCartney testified, Lennon 'replied with a photograph of himself and Yoko, with a balloon coming out of his mouth in which was written, "How and Why?" I replied by letter saying, "How by signing a paper which says we hereby dissolve our partnership. Why because there is no partnership." John replied on a card which said, "Get well soon. Get the other signatures and I will think about it.” Communication was at an end.’

(Peter Doggett, You Never Give Me Your Money, 2009 - P.88)

John phoned me once to try and get the Beatles back together again, after we’d broken up. And I wasn’t for it, because I thought that we’d come too far and I was too deeply hurt by it all. I thought, “Nah, what’ll happen is that we’ll get together for another three days and all hell will break loose again. Maybe we just should leave it alone.”

(Paul McCartney, November 1995 Club Sandwich interview)

Int.: … What else was Klein doing to try and lure Paul back? John Lennon: [laughs] One of his reasons for trying to get Paul back was that Paul would have forfeited his right to split by joining us again. We tried to con him into recording with us too. Allen came up with this plan. He said, "Just ring Paul and say, 'We're recording next Friday, are you coming?' " So it nearly happened. It got around that the Beatles were getting together again, because EMI heard that the Beatles had booked recording time again. But Paul would never, never do it, for anything, and now I would never do it.

(John Lennon interviewed by Peter McCabe and Robert Schonfeld at the St. Regis Hotel, September 5, 1971)

There’s no hard feelings or anything, but you just don’t hang around with your ex-wife. We’ve completely finished. ’Cos, you know, I’m just not that keen on John after all he’s done. I mean, you can be friendly with someone, and they can shit on you, and you’re just a fool if you keep friends with them. I’m not just going to lie down and let him shit on me again. I think he’s a bit daft, to tell you the truth. I talked to him about the Klein thing, and he’s so misinformed it’s ridiculous.

(Paul McCartney interviewed by student journalist Ian McNulty for the Hull University Torch, May 1972 [From The McCartney Legacy, Volume 1: 1969 – 1973 by Allan Kozinn and Adrian Sinclair, 2022)

JOHN: We’re not – we’re not fighting too much. It’s silly. You know I always remember watching the film with, uh – who was it? Not Rogers and Hammerstein. Those British people that wrote those silly operas years ago, who are they? WIGG: Gilbert and Sullivan? JOHN: Yeah, Gilbert and Sullivan. I always remember watching the film with Robert Morley and thinking, “We’ll never get to that.” [pause] And we did, which really upset me. But I never really thought we’d be so stupid. But we did. WIGG: What, like splitting like they did? JOHN: Like splitting and arguing, you know, and then they come back, and one’s in a wheelchair twenty years later— YOKO: [laughs] Yes, yes. JOHN: —and all that. [laughs; bleak] I never thought we’d come to that, because I didn’t think we were that stupid. But we were naive enough to let people come between us. And I think that’s what happened. [pause] But it was happening anyway. I don’t mean Yoko, I mean businessmen, you know. All of them. WIGG: What, do you think they were – do you think businessmen were responsible for the breakup? JOHN: Well, no, it’s like anything. When people decide to get divorced, you know, you just – quite often you decide amicably. But then when you get your lawyers and they say, “Don’t talk to the other party unless there’s another lawyer present,” then that’s when the drift really starts happening, and then when you can’t speak to each other without a lawyer, then there’s no communication. And it’s really lawyers that make… divorces nasty. You know, if there was a nice ceremony like getting married, for divorce, then it would be much better. Even divorce of business partners. Because it wouldn’t be so nasty. But it always gets nasty because you’re never allowed to speak your own mind, you have to talk in double-dutch, you have to spend all your time with a lawyer, and you get frustrated, and you end up saying and doing things that you wouldn’t really do under normal circumstances.

(John Lennon, Yoko Ono, October, 1971, St Regis Hotel, New York, interview with David Wigg)

Q: "If you got, I don't know what the right phrase is… 'back together' now, what would be the nature of it?" JOHN: "Well, it's like saying, if you were back in your mother's womb… I don't fucking know. What can I answer? It will never happen, so there's no use contemplating it. Even is I became friends with Paul again, I'd never write with him again. There's no point. I write with Yoko because she's in the same room with me." YOKO: "And we're living together." JOHN: "So it's natural. I was living with Paul then, so I wrote with him. It's whoever you're living with. He writes with Linda. He's living with her. It's just natural."

(John Lennon, Yoko Ono, St. Regis Hotel, New York, September 5th, 1971, interview with Peter McCabe and Robert Schonfeld)

'Dear Mailbag, In order to put out of its misery the limping dog of a news story which has been dragging itself across your pages for the past year, my answer to the question, “Will The Beatles get together again?” … is no.’

(Paul McCartney, Melody Maker, August 29, 1970)

‘Just tell the people I’ve found someone I like enough to want to spend all my time with. That’s me…the home, the kids and the fireplace.’

(Paul McCartney, interview, Evening Standard, April 21-22, 1970)

+ this

#accidental divorce #thanks god for The Beach Boys particularly for Here Today otherwise I wouldn't went through this #the beatles #john lennon #paul mccartney #george harrison #ringo starr #interview: paul #interview: john #yoko ono #john and paul #Youtube

185 notes · View notes